Articles
Essays and analysis on podcast craft, hosts, and the audio business.
Essays and analysis on podcast craft, hosts, and the audio business.

Book podcasts have a strange problem to solve: how do you make reading — the most private of pursuits — sound interesting out loud? Six British shows have arrived at very different answers.
By Sarah Voss

Six British political podcasts, six different bargains struck with the listener. We compare cadence, format, ownership and the wildly different definitions of 'civil disagreement' each show has quietly settled on.
By Sarah Voss

A million-download podcast sounds enormous — until you ask which million, on what platform, by which standard. We unpick what the industry's biggest numbers actually count, and what they quietly leave out.
By Marcus Dell

Science is the genre most hostile to audio: nothing to point at, a vocabulary that resists, a truth that keeps moving. Six British shows have each made a different bargain with the problem — and the bargains tell us how British science radio actually works.
By Sarah Voss

Sleep podcasts are third by hours streamed and command top-quartile CPMs, yet critics rarely review them. A craft-led look at six major shows, the production techniques that separate them, and why the genre's invisibility is its design.
By Sarah Voss

Touring is no longer a side hustle for Britain's biggest podcasts; it's a second format with its own craft, economics and disappointments. Six shows, six different bets on what a live feed should be.
By Sarah Voss

Apple and Spotify never built proper listener communities, so British podcasts went and built their own. A field guide to the Discords, subreddits and Patreon rooms where audiences actually gather in 2026.
By Sarah Voss

By mid-2026 the UK podcast charts are dominated by sister shows of sister shows. We look at how Goalhanger, Crooked and the NYT built the franchise model — and what it has done, for better and worse, to the craft of audio.
By Marcus Dell

True crime is the UK's biggest podcast appetite and its most uncomfortable. We compare how six shows — from RedHanded to Crime Analyst — handle the people they talk about.
By Sarah Voss

An editorial field guide to Snipd, Pocket Casts, Spotify, Apple, Castro and Podly — what their AI features actually do for an engaged listener in 2026, and which ones quietly trade craft for convenience.
By Sarah Voss

British comedy podcasts depend on sounding off-the-cuff, but the shows that last have done so by being quietly, fanatically structured. We compare six — Off Menu, Fish, Buxton, Athletico Mince, The Bugle and Help I Sexted My Boss — on format, length and what each refuses to do.
By Sarah Voss

Goalhanger's three flagship history shows share a parent and almost nothing else. A listener's guide to six British history podcasts — six theories of pairing, pacing and premise — and which one rewards which kind of audience.
By Sarah Voss

The biggest podcasts in Britain right now share one structural choice: they're all double acts. We dig into why two voices became the UK's default podcasting unit, and where the formula starts to creak.
By Sarah Voss

From Acquired's four-hour research dives to David Senra's solo biography monologues, business podcasts in 2026 share a topic but no longer share a form. Six shows, six theories of what insight should sound like.
By Marcus Dell

Audio drama is having its loudest decade in fifty years. Six fiction podcasts — from The Magnus Archives to Audible's Sandman — show how very different sonic toolkits chase the same trick: making a listener believe.
By Sarah Voss

The daily news podcast is a format with brutal constraints: one story, one window, one chance. We compared six of them — The Daily, Up First, Today in Focus, Today Explained, Newscast and Global News — on the production decisions that actually distinguish them.
By Sarah Voss

When you tap subscribe on a podcast, your £4 vanishes into a platform machine before the host ever sees it. We compare Apple, Spotify, Patreon, Substack and Supercast — what each takes, what each gives back, and which shows pick which.
By Marcus Dell

From The Rest Is Football to Stick to Football, Britain's football-podcast boom is driven less by hot takes than by craft. We unpack the production choices that set six of the genre's biggest weekly shows apart.
By Marcus Dell

More than half of US podcast consumption now happens on video-capable platforms. We compare how five flagship shows have rebuilt their craft around the camera — and what gets quietly lost when the microphone grows a lens.
By Marcus Dell

Six podcast apps tried as a daily driver, one per week, with the same 42-show feed. A working listener's verdict on Pocket Casts, Overcast, Apple, Spotify, Castro and AntennaPod — and what none of them do well yet.
By Sarah Voss

Strip the score out of a narrative podcast and what comes back is often unrecognisable. We compare how Serial, S-Town, Heavyweight, Radiolab, Reply All and The Daily use music to do structural work most listeners never notice.
By Sarah Voss

Dynamic ad insertion was supposed to make podcast monetisation effortless. Five years on, it is reshaping how shows are structured — and the data shows listeners are voting with the skip button.
By Marcus Dell

Flagship shows have crept from a tidy 35 minutes to two hours and beyond. We chart the drift across a decade of feeds, ask what listeners actually finish, and name which shows earn the runway.
By Sarah Voss

A stopwatch, a Saturday, and the first sixty seconds of eight podcasts — from The Daily to The Rest Is History. What the data revealed about music, hooks, run‑time and which production choices still earn the listener's next minute.
By Sarah Voss