Articles
Essays and analysis on podcast craft, hosts, and the audio business.
Essays and analysis on podcast craft, hosts, and the audio business.

Comedy is the hardest genre to pull off in audio alone. No facial expressions, no physicality, no audience laughter to cue your own. Here's how six of Britain's funniest podcasts engineer jokes that land in the dark.
By Sarah Voss

True crime is British podcasting's most voracious genre, but its ethical guardrails were written in real time. We compare six UK shows — from the BBC's institutional heft to lean independents — across sourcing standards, victim consent, and narrative framing to ask where the line sits now.
By Sarah Voss

The podcast industry lionises the indefinite run — the weekly commitment that builds over years into a library of hundreds. But some of British podcasting's most enduring work has been the limited series that knew exactly when to end. What actually drives that structural choice, from commissioning to the edit suite, and why 'just one more series' is the most dangerous sentence a show can hear.
By Sarah Voss

History isn't just podcasting's biggest British genre — it's the one where format decisions most visibly determine audience. From Goalhanger's banter engine to the BBC's comedy-education hybrid, six shows reveal six different answers to the same structural question: how do you make the past feel like it's happening now?
By Sarah Voss

From the 22-minute daily sprint to the unhurried two-hour conversation, British podcasts are making deliberate bets on duration. We measured the runtimes, crunched the listener data, and found a quiet consensus forming around 38 minutes.
By Sarah Voss

British podcasting has a London problem: the majority of commissioning power, studio infrastructure, and press attention sits inside the capital. But six podcasts from Scotland, Wales, Northern Ireland, and the North of England are building national audiences from regional bases — and their craft is sharper for it.
By Sarah Voss

British audio drama didn't start with the RSS feed — it started with a man in a shed in 1922. Six fiction podcasts carrying that torch, compared by craft, cast, and the decisions that make listening feel like seeing.
By Sarah Voss

Everyone says anyone can start a podcast. They're right — but they rarely mention what 'start' actually costs once you're past the phone-in-a-wardrobe phase. We broke down the real numbers across equipment, hosting, editing, and marketing for three budget tiers, then looked at what British podcasters actually earn back.
By Marcus Dell

Host-read ads, programmatic spots, and the quiet rise of the £60 CPM — a data-driven look at what British podcast advertising actually costs per thousand listens, broken down by genre, format, and platform.
By Sarah Voss

The interview is podcasting's oldest format — and its hardest. We compare how six British shows approach preparation, question architecture, follow-ups and the deliberate use of silence, and find that the best interviewers aren't the ones who ask the cleverest questions, but the ones who know when to say nothing at all.
By Sarah Voss

Sports broadcasting once ended when the referee blew the whistle. Now Britain's biggest sports podcasts have built a parallel universe where the conversation never stops — and the audiences are bigger than the programmes they ostensibly accompany. Six shows, six approaches to the post-match debrief.
By Marcus Dell

Every podcast app now promises to find your next favourite show. But the recommendation engines that decide what you hear are radically different from one another — and Britain's biggest podcasts are quietly engineering for each one.
By Sarah Voss

A podcast isn't just competing with other podcasts — it's competing with the kettle, the traffic lights, and the runner's mile marker. Here's how six British shows engineer their audio for the room their listeners are actually in.
By Sarah Voss

Podcasting has no press complaints commission, no ombudsman, and no formal corrections framework. When Britain's biggest shows get something wrong, the response ranges from the silent re-upload to the dedicated correction minute — and the gaps in between reveal a structural problem the medium is only beginning to reckon with.
By Sarah Voss

ISDN is gone, Skype is gone, and a handful of web apps now decide what a long-distance guest sounds like on Britain's biggest podcasts. We compare Riverside, SquadCast, Cleanfeed, Zencastr and the awkward fact that Zoom is still here.
By Sarah Voss

The cold open — that interval of voice-only audio before the theme tune drops — is the most rewritten, most-replayed, most-fought-over part of any modern British podcast. Seven flagship shows, compared on craft.
By Sarah Voss

Roughly four in ten UK podcast listeners now play shows above 1.0x. We measured the words-per-minute and engineering choices behind eight British podcasts to see which were quietly built for the speed listener — and which were not.
By Sarah Voss

Most British podcast producers won't tell you what's on their second monitor at 1am. We pull apart the AI tools quietly sitting between the raw recording and the polished file — and ask which decisions hosts still insist on making by hand.
By Sarah Voss

Every podcast ends with a name read fast over the outro music. We open up eight British shows and ask what an exec producer, a producer and an assistant producer actually do — and why the credit you don't notice is the one shaping what you hear.
By Sarah Voss

Episode chapters — those little timestamps tucked under the play button — are quietly becoming the most useful metadata British podcasts ship. Here is how eight of them are using them, and where the craft falls apart.
By Sarah Voss

Every podcast you hear is the survivor of a longer conversation. We map the raw-to-finished editing ratios of eight British shows, from The Rest Is Politics to The Infinite Monkey Cage, and what the cuts tell you about the craft.
By Sarah Voss

Holiday weeks, news pegs, members-only drops: the British podcast back catalogue has quietly become a second feed. We map who repeats what, when, and what the choice tells you about a show's health.
By Sarah Voss

From Shure SM7Bs in Goalhanger's edits to the BBC's heritage Neumanns, the kit choices behind Britain's most-listened-to podcasts reveal a craft most listeners never hear named.
By Sarah Voss

From Adam Buxton's rambling sponsor riffs to Steven Bartlett's full minute on a mattress, British podcasts have quietly made the host read the bit listeners remember — and the bit advertisers fight over.
By Sarah Voss