New Books in Literary Studies

Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

​In The Talmud: A Biography (Princeton University Press, 2018), Barry Scott Wimpfheimer, associate professor of religious studies and law at Northwestern University, introduces the reader to the Babylonian Talmud, the most studied book in the Jewish canon. Professor Wimpfheimer focuses on one excerpt from the Talmud, showing how its reception, exegesis, and editing represents a process of reflexive critique and legal reasoning. ​A valuable text for scholars and general readers alike, The Talmud: A Biography helps the reader gain new appreciation for the Talmud as a dense tapestry of religious thought, philosophy, law, and ethics that continues to influence not only the Jewish religion, but religious and secular cultures and institutions worldwide. David Gottlieb will receive his PhD in the History of Judaism from the University of Chicago Divinity School in June. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the beginning of the 20th century, surrealists such as André Breton and Man Ray played a game called “Exquisite Corpse.” You can play it by drawing or by writing, and the rules are very simple. Let’s say you’re writing. You would write the beginning of a story or poem at the top of a piece of paper and, when you finished, fold the paper so that only the last line of the poem or story is visible. Then you’d hand the paper to another player, and this person would add to the story or poem knowing only that little bit of language. Then this play would fold the paper and pass it along. On the story or poem would go, jumping from topic to topic, from style to style, depending on how the next person added to it, until it’s done. That’s it. The result is usually highly fragmented and often fascinating. Things that aren’t normally put together are suddenly combined. Poems, stories, and, in the case of drawings, images that seem impossible are suddenly on the page in front of you, asking you to consider them as a connected whole. The name of the game purportedly came from a phrase one of them wrote the first time the surrealists played it: “The exquisite corpse shall drink the new wine.” I’ve played it numerous times, and it’s always fascinating to see what emerges, but I’ve new understood why it’s so fascinating until I had the pleasure of reading Erin Edwards’ new book, The Modernist Corpse: Posthumanism and the Posthumous (University of Minnesota Press, 2018). In her insightful study, Edwards examines the presence of the corpse in modernist literature and changes the ways we understand what a corpse is and even who and what counts as being fully alive. I finished Edward’s book with the startling insight that “Exquisite Corpse,” far from being just an odd surrealist experiment, might be a more accurate way for art to capture our world and the things that live in it with us than more traditional stories, poems, and paintings. To say it another way, Edwards shows us that, in the work of modernist artists, the corpse, whether exquisite or not, might be the best way to show us what it really means to be alive. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry. Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Jews, Gentiles, and Other Animals: The Talmud After the Humanities (University of Pennsylvania Press, 2017), Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Talmud’s most scandalous tractate, to uncover the hidden architecture of this classic work of Jewish religious thought. She proposes a new way of reading the Talmud that brings it into conversation with the humanities, including animal studies, the new materialisms, and other areas of critical theory that have been reshaping the understanding of what it is to be a human being. Even as it comments on the the rabbinic laws that govern relations between Jews and non-Jews, Avoda Zara is also an attempt to reflect on what all people share in common, and on how humans fit into a larger universe of animals and things. As is typical of the Talmud in general, it proceeds by incorporating a vast and confusing array of apparently digressive materials, but Wasserman demonstrates that there is a whole greater than the sum of the parts, a sustained effort to explore human identity and difference. In centuries past, Avoda Zara has been a flashpoint in Jewish-Christian relations. It was partly due to its content that the Talmud was subject to burning and censorship by Christian authorities. Wasserman develops a twenty-first-century reading of the tractate that aims to reposition it as part of a broader quest to understand what connects human beings to each other and to the world around them. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans. From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University-NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does it mean to say that a city can “die”? As Brian Tochterman shows in this compelling intellectual and cultural history, motifs of imminent death—of a “Necropolis” haunting the country’s great “Cosmopolis”—have been a persistent feature of discourse on the probable fate of New York City since the Second World War. The Dying City: Postwar New York and the Ideology of Fear (University of North Carolina Press, 2017) traces this “spatial narrative” across many domains of thought and cultural production: fiction and essays, planning theory and practice, humanistic and social-scientific criticism in the public square, and film in the age of Charles Bronson’s Death Wish. Throughout, Tochterman shows that New York intellectuals of diverse political inflections have made specters of urban “ungovernability” central to how America and the world look at New York—whether to compel remedies, to render the city’s very chaos alluring, or, especially, to argue for the futility of intervention. Tochterman sheds new light on such figures as E. B. White, Mickey Spillane, Robert Moses, Jane Jacobs, Daniel Bell, Irving Howe, Lionel Abel, Michael Harrington, Daniel Patrick Moynihan, Nathan Glazer, and John Lindsay, among other compass points in the urbanism and intellectual life of postwar New York. Between “Fun City” and “Fear City,” a new image of the metropolitan past, present, and future comes into focus. Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Katelyn Knox’s book, Race on Display in Twentieth- and Twenty First–Century France (Liverpool University Press, 2016) examines francophone literature, art, dance, music, and fashion, considering how race and national identity intersect in postcolonial France. Emphasizing a widespread “institutionalized spectacularism” in France that exceeds the display of racialized bodies in more explicit, state-produced and orchestrated spectacle, Knox’s analysis emphasizes a more pervasive gaze permeating contemporary French culture. Moving from a discussion of the Colonial Exposition of 1931 to the analysis of more contemporary cultural forms, the book is a study of race that looks at a range of sources and varieties of performance. Thinking carefully through the persistent French engagement with and mobilization of ideas about race, Knox’s chapters explore official historical discourse, rhetoric and new media, cultural marketplaces, and the field of French and Francophone studies itself. The analysis throughout includes drawing attention to and interrogating a French universalist insistence on a “colorblind” society that has made looking for and looking at race a complicated challenge. Part history, part literary and cultural analysis, the book asks serious questions about the reproduction of racist gazes that can accompany even the most well-intentioned discussions of exclusion in France. It also considers whiteness as a constellation of nationalist ideals and assumptions that must be interrogated if the divisions and discriminations of contemporary France are to be understood and addressed. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: [email protected]. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnections. Readers are invited to ask what these collaborations that arise at the crossing points of various fields offer for engaging in reading and writing. Relying on an extensive overview of theoretical works that substantiate the overlapping of disciplines, Emily Petermann’s research provides additional coordinates for the definition of intermediality that underpins her examination of novels that embrace music. As the title of the book suggests, Petermann considers multiple ways in which music is incorporated in literature: structure, performance, and reception. An extensive segment of this research is devoted to the discussion of musical structures that writers bring to their texts. In this regard, Petermann takes a step forward in the examination of music and literature collaborations. By emphasizing the significance of the musical structural component that informs a literary text, the book suggests a more profound dialogue between music and literature. The Musical Novel offers a detailed discussion of jazz elements that turn out to be effective for the organization of literary texts. Although this aspect has been previously discussed by scholars, Petermann focuses on the structural overlapping, drawing attention to improvisation elements. In this interview, Petermann specifies that despite the temptation to draw parallels between jazz and textual structuring, improvisation in literary texts, however, should be perceived as a metaphor. This comment invites the consideration of how musical and literary works affect both performance and reception. The Musical Novel contains a few chapters and subchapters that delve into a detailed analysis of Bach’s Goldberg Variations: Bach’s masterpiece appears rather productive for literary borrowings and variations at many levels, including structure and content. These chapters are particularly illuminating in terms of the dialogical opportunities that music and literature offer and welcome. Emily Petermann’s book offers an opportunity to explore new ways not only for reading and writing but also for teaching: one of the questions that this interview raises is how musical novel can be read and taught. The Musical Novel welcomes the expansion of the territory of interdisciplinary borrowings and collaborations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Autopoiesis and Literature: The Short History of an Endless Process (Autopoiesis und Literatur: Die kurze Geschichte eines endlosen Verfahrens [transcript, 2016]), Marcel Schmid, a visiting postdoc at the German Department of Brown University, analyzes the concept of “autopoiesis.” By reading Heinrich von Kleist as well as Franz Kafka’s The Trial, he focuses on particular dimensions of the concept: beginning, addressing, interrupting, repeating, translating and shifting of knowledge. Concerning Kafka’s Trial, he pays particular attention to its centerpiece “Before the Law.” In addition, Schmid moves beyond the literary studies perspective by approaching autopoieses from an interdisciplinary standpoint. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Published by the University of Hawaii Press in 2016, Nick Admussen’s exciting new book Recite and Refuse: Contemporary Chinese Prose Poetry explores the development of twentieth-century prose poetry within the unique political and cultural context of Communist China. In this ambitious study, Admussen attempts not only to define prose poetry but also to trace its ever-shifting role in modern Chinese society. In doing so, he produces a study which comprehensively analyses the dynamic manner in which Chinese prose poetry engages with a range of diverse cultural discourses, including science, popular culture and political rhetoric. Throughout the book, Admussen foregrounds the protean nature of the genre by exploring how prose poetry has been used by poets working both within and outside of official Communist Party strictures. Moreover, he identifies Chinese prose poetry as a unique tradition, distinct from Euro-American manifestations of the genre. In addition to these insightful analyses, Recite and Refuse also contains a number of original translations of important Chinese prose poems, including Ouyang Jianghe’s stunning “Hanging Coffin”. Miranda Corcoran received her PhD in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of his cigars. For Freud, smoking facilitated writing and intellectual creativity; it provided exquisite enjoyment. An inanimate object thus served as a conduit of both vitality and grave illness—a testament to the entanglement, indeed, the indistinguishability of the life and death drives. In 1977, after a biopsy of a tumor in her right breast, Audre Lorde fantasized about lopping off the agent of her destruction like “a she-wolf chewing off a paw caught in a trap.” (56) In the manner of a Kleinian infant, she directed her rage at the persecutory breast that betrayed her (once again) and ceased being her own. Lorde turned her poetry and personal survival into political acts of reparation, linking the ravages of cancer to racial and sexual injury and offering herself to queer communities of color as an object of introjection and identification. In 1992, on the anniversary of her breast cancer diagnosis, queer theorist Eve Kosofsky Sedgwick was en route to yet another academic lecture. She sat in a plane on a runway in frigid Toronto watching Pepto-Bismol-pink anti-icing fluid run down the window beside her. Seized by nauseating horror, she recalled the bloody lymphatic discharge draining from her body in the weeks following her mastectomy. In 1996, after imaging revealed a spinal metastasis that would ultimately kill her, Sedgwick emerged as a patient-teacher in her polyphonic A Dialogue on Love (1999), an account of a psychodynamic treatment intermixed with her poetry and her therapist’s notes. Through autobiographically inflected theoretical writings and the advice column, “Off My Chest,” Sedgwick engaged in what she called good pedagogy, instructing readers about love and mourning in the “prognosis time” of incremental bodily loss. Lana Lin brings together the stories of Freud, Lorde, and Sedgwick, as well as insights from her own struggle with breast cancer in the tour de force, Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer (Fordham University Press, 2017). With her three transferential figures, Lin explores what it means to loosen one’s grip on objects, to live with self-estrangement and threats to bodily integrity, and to understand loss as the maintenance of relationality. As cancer fragments and changes one’s relationship to time, it becomes a catalyst for reparation, invention, and love. Anna Fishzon, PhD, is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-siecle Russia (Palgrave Macmillan, 2013). She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The relationship between humans and apes has been discussed for centuries. That discussion took a new turn with the publication and reception of Darwin’s On the Origin of Species by Means of Natural Selection (1859). In her book, Man, the Ape: Anthropology and the Reception of Darwin in Germany, 1850-1900 (Bohlau, 2016) (Der Mensch, der Affe: Anthropologie und Darwin-Rezeption in Deutschland 1850-1900), Hanna Engelmeier analyzes several historical positions concerning the human-ape-relationship. By tracing back how the reception of Darwin changed thinking about apes, she concludes that there is not only an anthropology relating to humans, but also an anthropology concerning apes. Interestingly, Engelmeier discusses a wide range of thinkers from 1850-1900, including Ernst Haeckel, Friedrich Nietzsche and Gustav Klimt and also literary authors such as Wilhelm Raabe and Leopold von Sacher-Masoch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In How the Wise Men Got to Chelm: The Life and Times of a Yiddish Folk Tradition (New York University Press, 2017), Ruth von Bernuth, Associate Professor in the Department of Germanic and Slavic Languages and Literatures and Director of the Carolina Center for Jewish Studies at the University of North Carolina at Chapel Hill, presents the first in-depth study of Chelm literature and its relationship to its literary precursors. The Chelm stories surrounding the ‘wise men’ (fools) of this town constitute the best-known folktale tradition of the Jews of Eastern Europe. Bernuth’s book joins together a historical analysis of early modern and modern German and Yiddish literature to give us a compelling and insightful account of the history of these stories. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The cover of Amelia Glaser‘s new edited volume, Stories of Khmelnytsky: Competing Literary Legacies of the 1648 Ukrainian Cossack Uprising (Stanford University Press, 2015), bears a portrait of the formidable Cossack leader by that name. Inside the book, twelve contributing authors including Dr. Glaser, approach this legendary yet enigmatical figure from a number of perspectives—Jewish, Ukrainian, Russian, Polish, Western—across the centuries, with plenty of overlap, assembling together a single, fragmented, but nonetheless collective narrative (3). Khmelnytsky’s seventeenth-century Cossack uprising against the Polish-Lithuanian Commonwealth is—depending on your point-of-view—an event of national liberation, treacherous factionalism, murderous pogrom, or personal vendetta, (again) with plenty of overlap. And the image of the Cossack warrior, the free horseman on the open steppe, serves as many narratives, right up to the present day with Mr. Putin’s twenty-first century Ukrainian land grab. On today’s podcast, Professor Glaser speaks about this remarkable figure and the issues at stake. Amelia M. Glaser is Associate Professor of Literature at the University of California at San Diego, and Director of the Russian, East European, and Eurasian Studies Program, and also Director of the Jewish Studies Program at UCSD. Dr. Glaser is author of Jews and Ukrainians in Russias Literary Borderlands: From the Shtetl Fair to the Petersburg Bookshop (2012), and editor, with David Weintraub, of Protelpen: Americas Rebel Yiddish Poets (2012). She has also written a number of scholarly and popular articles including a recent piece for the New York times about Vladimir Putin and Ukraine. Krzysztof Odyniec is a historian of the Early Modern Spanish Empire specializing on culture, diplomacy, and travel. He completed his PhD in 2017 at UC Berkeley where he is now a Visiting Scholar; he also teaches at Los Medanos College and Berkeley City College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the recent past, anti-Muslim hate crimes and rhetoric have surged across America and Europe. Much of this public discourse revolves around questions of assimilation and where Muslim positions on sexuality and gender fit into national unity. In Sexagon: Muslims, France, and the Sexualization of National Culture (Fordham University Press, 2017), Mehammed Amadeus Mack, Assistant Professor of French Studies at Smith College, explores the politicization of Muslim minority sexuality in France in various cultural domains. Whether in literature, journalistic media, or activist endeavors the general portrayal of Muslims in these contexts is structured around unmodern attitudes towards sexuality. It is assumed that African and Arab minorities in France are regressive, patriarchal, and intolerant of homosexuality. Through his study of a number of cultural arenas of representation Mack demonstrates that sexual identities are often unclear, hidden, or in flux. In our conversation we discussed sexuality and French identity, aspects of non-gendered virility, homosexual clandestinity and the possibility of queer identities, girl gangs, psychoanalysis and Islam, the literary trope of the Arab Boy, cinematic representations of ethnic sexualities, the management and surveillance of sexuality, the role of pornography in the sexualization of Muslims, gay-interest publications, the continued sexual demonization of Muslims in the current social climate in France and Europe, and the literary production of Eurabia. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What did it mean to be perceived as Jewish or non-Jewish in Weimar Germany? How, in an age of growing antisemitism, was Jewishness revealed, or made invisible? Kerry Wallach of Gettysburg College, explores these questions in her new book, Passing Illusions: Jewish Visibility in Weimar Germany (University of Michigan Press, 2017). Wallach examines an array of cultural texts including film, artwork, periodicals, and fiction in order to determine the different circumstances in which individuals sought to pass as non-Jewish, openly reveal their Jewishness, or were exposed as Jewish against their will. The concepts behind this complex history of private vs. public identities, Wallach demonstrates, can be applied beyond a study of Jewishness in the Weimar era, and can also shed new light on the way that scholars consider gender and sexuality as well as racial stereotypes outside of German and Jewish contexts. Kerry Wallach is Chair and Associate Professor of German Studies at Gettysburg College. She is also an affiliate of their Judaic Studies and Women, Gender, and Sexuality Studies programs, and serves on the editorial board of Indiana University Press German-Jewish Cultures book series. Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Theater of the Maimed: Fictional Characters between Deformation und Destruction in Theatrical Works of the Twentieth and early Twenty-First Centuries (Knigshausen and Neumann, 2015) (Theater der Versehrten: Kunstfiguren zwischen Deformation und Destruktion in Theatertexten des 20. und fruhen 21. Jahrhunderts), Till Nitschmann, a postdoc at the Leibniz University of Hannover, analyzes key German theatrical texts. By finding recurring themes in diverse texts, he develops a model classifying “maimed theater” works. Within the plays of Ernst Toller, Bertolt Brecht, Friedrich Durrenmatt, Peter Weiss, Thomas Bernhard, Heiner Muller, Dea Loher and others he identifies issues concerning animals, machines, war, money and property, laughing, and exclusion, as well as relationship and sexuality. All in all, Till Nitschmann thus highlights the importance of the “maiming” within cultural discourses of the twentieth and early twenty-first-centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As Paul Whitfield Horn Professor of Literature and Science at Texas Tech University, Bruce Clarke has spent the last decade-plus publishing groundbreaking scholarship introducing the application of second-order systems theory to the analysis of literature and media more broadly. The staggering scope of Clarke’s multidisciplinary erudition is on full display in the monograph, Neocybernetics and Narrative, out from University of Minnesota Press in 2014. In picking up Niklas Luhmann’s neologism “neocybernetics” in place of a more standard second-order cybernetic label, Clarke carves out a theoretical continuum for his thinking that runs along a trajectory from Heinz von Foerster’s notions of the observer, through George Spencer-Brown’s Laws of Form, Maturana and Varela’s biology of cognition, and right up to, and including, Niklas Luhmann’s controversial extension of autopoiesis theory to metabiotic social systems; a theoretical move most often excluded from more orthodox second-order cybernetic thinking. The formidable theoretical apparatus he has assembled allows Clarke to frame the reader of literary texts as an observer of semantic structures facilitating the psychic construction of possible worlds of meaning, and to examine literary texts themselves as forms of communicative action that continue the autopoiesis of meaning-constituted social systems along the lines of Luhmann’s tripartite process of information, utterance, and understanding. From this launch-pad, Clarke takes us on a stratospheric ride with stops on a variety of fascinating landscapes including the media theory of Friedrich Kittler, the socio-technical explorations of Bruno Latour, and encounters with artistic works as diverse as Virgina Woolf’s iconic modernist novel, Mrs. Dalloway and James Cameron’s quasi-Gaian special effects blockbuster motion picture, Avatar. As a result, Clarke has given arts and humanities scholars an entirely new set of tools with which to think about artistic production, reception, and mediation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Literacy is often portrayed as a social good. Composing Egypt: Reading, Writing, and the Emergence of a Modern Nation, 1870-1930 (Stanford University Press, 2016), Hoda Yousef has a different take on it, portraying it as a tool. Yousef uses reading and writing to interrogate how new social practices were changing Egypt in the late nineteenth and early twentieth centuries, demonstrating how they were used to further divide or fracture the public sphere. Literate, illiterate, and semi-literate Egyptians all engaged in the written word via different means, be they petition-writers, those who appealed to scribes, or coffee-house frequenters who all gathered to hear a newspaper be read. Ultimately, it was the emergence of this diversely literate population that shaped the Egyptian nation that emerged in the twentieth century. Hoda Yousef is assistant professor at Denison University, previously she served as an assistant professor of history at Franklin and Marshall College. She is a historian of the modern Middle East and the Islamic World with a focus on cultural and social history and gender in society, with degrees from Georgetown and Duke Universities. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: [email protected]. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book, Wissen um Stimmung (Knowledge of Mood), Sergej Rickenbacher, a post-doc at the University of Aachen, examines two works of Robert Musil from the perspective of knowledge and atmosphere/mood. In doing so, his approach differs from traditional readings of Musil and thus sheds new light on his work. Of particular interest are Rickenbacher’s exploration of the importance of space and fragrances within Musil’s writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Although largely forgotten today, elocution was a popular form of domestic and professional entertainment from the late nineteenth century until around World War II. Elocution is the dramatic reading of poetry, adapted plays, and other types of monologues by a solo performer. Dr. Marian Wilson Kimber’s new book, The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017) is the first study to examine elocutionists who recited spoken word accompanied by music and proscribed movements that reflected the emotional meaning of the piece. Informed by archival sources gathered all over the country, Wilson Kimber engages with this practice through multiple lenses, including gender, race, and class as she untangles not only how elocution was performed, but also what it meant to its practitioners and audiences. She highlights important figures that some may know from other areas such as Kitty Cheatham, an advocate for and performer of African American spirituals, and the actress Fanny Kemble. However, most of the women she profiles were performers, entrepreneurs, and composers whose work has disappeared from public view as their artform fell out of favor. In addition to reciting in concert halls and for women’s clubs, professional elocutionists usually taught others and many founded their own schools in towns and cities throughout the United States. Their work helped create opportunities for women to move into professional occupations and contributed to twentieth-century conceptions of middle-class respectability. Dr. Wilson Kimber has videotaped several reconstructions of elocution performances which can be seen on her YouTube channel here. They are surprisingly humorous and address topics that people will recognize today including the pressure on women to dress fashionably, the excitement of a summer romance, and the aches and pains of aging. Learn more about The Elocutionists here. Marian Wilson Kimber is a professor in the School of Music at the University of Iowa. Her work centers on gender and music of the long nineteenth century in Germany and the United States. She has published articles on anti-Semitism in the reception of music by Felix Mendelssohn in The Mendelssohns: Their Music in History, the piano work of Fanny Mendelssohn Hensel in The Journal of Musicological Research, and issues of feminist biography in the life of Fanny Hensel in Nineteenth–Century Music. The Elocutionists has been supported by subventions from the Society for American Music and the American Musicological Society, as well as research funding from the National Endowment for the Humanities and the Mellon Foundation. She is also an active member of the American Musicological Society and the University Iowa Chapter of the American Association of University Professors. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mentored by a Madman: The William Burroughs Experiment (Notting Hill Editions, 2017) is a fascinating account by one of the world’s leading and most decorated neurologists of the profound influence of William Burroughs on his medical career. Dr. Andrew Lees relates how Burroughs, author of Naked Lunch and troubled drug addict, inspired him to discover a ground-breaking treatment for Parkinson’s Disease, and learns how to use the deductive reasoning of Sherlock Holmes to diagnose patients. Lees follows Burroughs into the rainforest and under the influence of yage (ayahuasca) gains insights that encourage him to pursue new lines of pharmacological research and explore new forms of science. Jeremy Corr is the co-host of the hit Fixing Healthcare podcast along with industry thought leader Dr. Robert Pearl. A University of Iowa history alumnus, Jeremy is curious and passionate about all things healthcare, which means he’s always up for a good discussion! Reach him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In German-Jewish Thought and Its Afterlife: A Tenuous Legacy (Indiana University Press, 2016), Vivian Liska, Professor of German Literature and Director of the Institute of Jewish Studies at the University of Antwerp in Belgium as well as a Distinguished Visiting Professor in the Faculty of the Humanities at the Hebrew University in Jerusalem, focuses on the changing form, fate, and function of messianism, law, exile, election and remembrance in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism and the current period. Liska’s book challenges and historicizes postmodern and contemporary takes on German-Jewish thinkers. She leaves us with a set of new and unanswered questions in this very interesting and provocative book. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, A Free Flame: Australian Women Writers and Vocation in the Twentieth Century (UWA Publishing, 2018), Ann-Marie Priest, a lecturer at Central Queensland University, explores the literary lives of four Australian women—Gwen Harwood, Dorothy Hewett, Christina Stead, and Ruth Park—who challenged the 20th-century notion of artist as distinctly male. Priest offers biographical and cultural insights into these pioneering women whose urgency to write (their “vocation”) would not be denied. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, Autodidacticism, Artistry, Media Practice (Autodidaktik, Artistik, Medienpraktik [Vandenhoeck and Ruprecht, 2016]), Julia Kerscher, postdoc at the University of Tubingen examines the historical development of appearances of dilettantism by analyzing works of Karl Philipp Moritz, Carl Einstein and Thomas Bernhard. She uncovers how the discussion about dilettantism is linked with the question of what is considered to be art and what should be excluded. Moreover, she shows how in the 20th-century dilettantism has turned from a negative into a positive concept and how the arrival of the electronic media in our age can be debated against the backdrop of the dilettantism discourse. Altogether, the book deals with historically changing designs of anthropology, aesthetics and writing styles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time. It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, Jet Lag (Bloomsbury Academic, 2017), Chris Lee illuminates what happens to us when, thousands of feet in the air, trapped in an uncomfortable seat in coach or luxuriously sprawled out in first-class, we race ahead of the clock or fall behind it. Suddenly the sun shines when it shouldn’t or the night comes to soon, and were out of synch, not only with time but, it can seem, with the world around us, even with ourselves. We’re jet-lagged, and, as Lee cleverly shows, were experiencing much more than an inconvenience. We’re experiencing something like modernity itself, where time, technology, and our global condition are not only made evident but also, as we stagger off our flights, exhausting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this special episode of New Books in Australian and New Zealand Studies, we are joined by two fantastic Australian poets. In her new poetic narrative, Walking with Camels: The Story of Bertha Strehlow (UWA Publishing, 2018), poet Leni Shilton takes us back to Central Australia of the 1930s to tell the story of Bertha Strehlow, one of very few white women living among Aboriginal people at the time. In her new collection, The Sky Runs Right Through Us: Poems from the Edge of the Indian Ocean (UWA Publishing, 2018), poet Renee Pettitt-Schipp recounts her time working with asylum seeker and islander students on Christmas Island and the Cocos (Keeling) Islands, an experience that can never be forgotten, even after her return to the Australian mainland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization. Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory. Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As they write, both soldiers and their family members realize that they’re at war together, tending to the relationships that comprise their everyday lives, and warding off the threats to them. Christopher Hager has previously explored the lives of ordinary Americans through their writing, including diaries kept by slaves. His first book, Word by Word: Emancipation and the Act of Writing, won the 2014 Frederick Douglass Prize for the best book of the year on the subject of slavery. Hager is Charles A. Dana Research Associate Professor of English at Trinity College in Hartford, Connecticut where he teaches courses in American literature and culture from the nineteenth century to the present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Harrod Suarez‘s new book The Work of Mothering: Globalization and the Filipino Diaspora (University of Illinois Press, 2017) focuses on the domestic workers that make up around a third of all overseas Filipino/a workers, and whose remittances back to the Philippines contribute to about 9% of its GDP or around twenty billion dollars. These migrants circulate through the world serving in positions of nurture, care, and service. Suarez examines literary, film, and cultural representations of these figures as part and parcel of a broader historical movement that structures the Philippines under globalization. To understand the multiple sites and histories of these figures, Suarez employs a framework that he calls “the diasporic maternal,” which focuses on the various forms of care and service that these migrants occupy throughout the world. Through a reading method that Suarez calls “archipelagic reading,” Suarez attempts to trace the undercurrents of these narratives that expose the feelings, desires and strategies that exist outside of motherhood and maternal care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Irony of the Ideal: Paradoxes of Russian Literature (Academic Studies Press, 2018), Mikhail Epstein offers strategies on how to engage with texts in the current continuum. Based on the subversion of linearity as a principle component of chronological construction of literary phenomena, Epstein’s new book emphasizes the idea of text as a node or cluster that includes and incorporates multiple elements which intersect and collaborate, producing a diversity of cultural/literary echoes. To proceed with these lines, Mikhail Epstein re-visits Russian literature from the perspectives of paradoxes that arise when multiple views and points are considered. Starting with the exploration of Pushkin’s works, this book, at first glance, may give the impression that the author undertakes a chronological approach. However, Pushkin is situated alongside Goethe: Epstein does not simply offer comparative explorations; he seeks to outline matrixes that contribute to the illumination of paradoxes that shape the development of Russian literature. It should be noted that this conversation is not limited to the study of one national literature: Epstein’s idea of texts/literatures as megatexts that embrace a multiplicity of texts that we conventionally connect with certain historical periods or cultural contexts is productive for revisiting literary history on a larger scale. In this interview, Mikhail Epstein notes that The Irony of the Ideal is executed in a rather traditional way. While it may be true—the approach to texts offered in this research, however, may indicate otherwise—this traditional way functions in an innovative manner, producing further proliferations of the familiar. The Irony of the Ideal consists of six parts, each exploring a different angle of Russian literary paradoxes: the titanic and the demonic, the great and the humble, the word and silence, madness and reason, etc. In addition to identifying paradoxes that shape Russian literature, Mikhail Epstein also attempts to illustrate their continuity and flexibility. Thus, for example, readers are offered to examine famous Russian characters, which can be summarized as meek—of course at first glance—in the continuum of literary and cultural echoing. The Irony of the Ideal asks us to subvert some literary expectations in order to explore versatile layers of both texts and reading. Another intriguing point is the combination of word and silence that also contributes to the creation of controversies that Russian literature appears to indulge in and to be involved into: language produces not only sound environment, so to speak, but silences as well. In a subtle way, Epstein guides his readers through the labyrinths that language—and texts as well—generates. In the final chapter, “Madness and Reason,” Mikhail Epstein includes the periodic table of Russian literature (cycles and phases of development), providing brief summaries for each cycle. However, the final stage of the table, Cycle 4 “The new sociality. Metapolitics: play with the signs of various political systems, political-literary-theatrical hybrids,” is marked with blank sections. This silence, as Mikhail Epstein mentions in the interview, is an invitation to further develop current cultural developments and to maintain current dialogues concerning the nature of literature, language, text. It is an invitation extended to readers to indulge in the multiplicities of texts which are perceived as ever-evolving entities. This understanding of texts invites a reader who looks forward to exploring textual tapestries surpassing the boundaries of time and space. Mikhail Epstein is Samuel Candler Dobbs Professor of Cultural Theory an... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can reading change the world? In Reading as Collective Action: Texts as Tactics (University of Iowa Press, 2017), Nicholas Hengen Fox, who teaches literature, writing and social justice courses at Portland Community College, explores how literature can make a public impact. A timely book that speaks directly to our current political moment, Reading as Collective Action calls for a move beyond the text in itself to understand how texts are used to imagine and create another world. The potential of a world transformed is seen in the analysis of poetry’s importance after September 11th; The Grapes of Wrath, practical organizing, and the politics of redistribution in response to the great recession; along with how efforts to make texts public might transform academic institutions. The book closes by contextualizing the analysis with Habermas’ theories, offering a note of optimism. At present the book is an essential read for anyone thinking through how best to make a social, political, and aesthetic difference. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do gingerbread houses in Haiti teach us about the construction of identity in the French Caribbean? How do hurricanes and earthquakes reveal the connections between the tangible built environment and intangible notions of identity? Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Liverpool University Press, 2017) examines these questions in a rich body of works from Haiti, Guadeloupe and Martinique. The book proposes two key concepts to aid in our understanding of Caribbean writers’ construction of identity in their literary works. The term “architexture” asks readers to be attentive to the building blocks of the text and the inner workings of literary works that reflect on themselves and reach out beyond their own pages to be in conversation with other writers, other texts, other stories. Authenticity underscores the ever-present specter of the colonial past and the possibilities for drawing on multiple influences (or in Herbeck’s terminology, using multiple building materials) to construct a unique and original Caribbean identity. Drawing on a range of writers including Maryse Conde, Daniel Maximin and Yanick Lahens, this book steps back from a narrow view of the finished edifice and takes in the scaffolding and mortar that holds these narratives together. Jason Herbeck is Professor of French at Boise State University. His research focuses primarily on evolving narrative forms in twentieth and twenty-first-century French and French-Caribbean literatures, and how these forms relate to expressions and constructions of identity. In addition to many articles and book chapters devoted to the literatures and histories of Haiti, Martinique and Guadeloupe, he has also published widely on Albert Camus and is, since 2009, President of the North American Section of the Societe des Etudes Camusiennes. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book Der bewegende Blick: Literarische Blickinszenierungen der Moderne (Rombach Verlag, 2014)—The Moving View: The Gaze in the Modern German Literature—Margarete Fuchs, a postdoc at the Philipps University of Marburg, examines the role of gaze and looking within modern German literature. By studying various important authors, such as Heinrich Mann, Hugo von Hofmannsthal, Siegfried Kracauer and Walter Benjamin she uncovers several dimensions of the gaze. For example, she points at the modernist feelings of crisis— identity crisis, language crisis, crisis of anonymity, and loneliness and links all this with gaze. On the one hand, gazes might offer a solution by establishing social connectedness, but on the other hand, gazes can also be used for gaining power over other people. Interestingly, both of these dimensions and even further aspects can be found within modernist literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lisa Brooks, Associate Professor of English and American Studies at Amherst College, recovers a complex picture of war, captivity, and Native resistance in Our Beloved Kin: A New History of King Philip’s War (Yale University Press, 2018). Brooks narrates the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. Brooks’s pathbreaking scholarship is grounded not just in extensive archival research, but in the land and communities of Native New England, illuminating the actions of actors during the seventeenth century alongside an analysis of the landscape and interpretations informed by tribal history. Readers can also participate in a remapping of the “First Indian War,” later renamed “King Philip’s War.” Ryan Tripp is an adjunct instructor for several community colleges, universities, and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do individuals on national or societal peripheries make use of tradition and to what ends? How can narratives discursively construct a complex worldview? These are some of the questions Ray Cashman seeks to answer in his new book Packy Jim: Folklore and Worldview on the Irish Border (University of Wisconsin Press, 2016). Focusing on the singular character of Packy Jim McGrath and the narratives that feature in his repertoire—from personal experience narratives to stories about the supernatural—we are taken into a lifeworld in which Packy Jim struggles with and develops his own answer to questions of authority, power, sacrifice, place, belief, and more, in a world of limited good. As many people told Cashman during his fieldwork (though they mean something slightly different), “If you want real folklore, Packy Jim is your man.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lena Wetenkamp‘s Europe Narrated, Contextualized and Remembered: The Discourse of ‘Europe’ in Contemporary German Literature (Europa erzhalt, verortet, erinnert: Europa-Diskurse in der deutschsprachigen Gegenwartsliteratur (Koenigshausen and Neumann, 2017)) is an analysis of the idea of “Europe” in modern German literature. It not only deals with important issues such as spaces, borders, multilingualism and European identity, but also states that there is in fact something like a European poetic. Based on a division into two major parts, this study looks on the one side at essays and pamphlets and on the other side at contemporary German literature from Terezia Mora and Ilma Rakusa. In this way, the book convincingly achieves new literary perspectives on current European questions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gregory Laski approaches the concept of democracy in his text, Untimely Democracy: The Politics of Progress after Slavery (Oxford University Press, 2018) from a variety of dimensions and perspectives, integrating the concept of temporality to considerations of liberty and justice within an analysis of American political thought and history, especially in the period following the Civil War. Laski’s complex and sophisticated text will have great appeal to political theorists and political philosophers as well as scholars of American political development and American letters and literature. Laski explores the idea of temporality in context of American democracy, and democracy generally, and the concept of progress as we often consider it in relation to post-slavery America. Untimely Democracy highlights an often-under-explored area of American politics, in the post-bellum writers and their discourse that examines a period of stasis as Reconstruction comes to an end and African-American liberty does not, in fact, expand. Laski approaches these theoretical considerations through post-Civil war writers like Stephen Crane, Pauline Hopkins, Callie House, W.E.B Dubois, Charles W. Chesnutt, Frederick Douglass and others. The thrust of this exploration is to reposition, in a sense, the concept of racial progress and the quest for liberty—providing a counter-discourse to the expected linear arc generally associated with racial progress. Laski’s examination is multilayered and examines these written and rhetorical works, especially within an analysis that explores our understanding of time, memory, recollection, and progress as an only-forward moving trajectory. This book takes the reader on a journey through concepts of temporal distinctions or horizons within a democratic quest, examining what Laski titles “untimely democracy”—neither clear progress, nor a forgetting of the past, but a consideration of democracy and the concept of expanded liberty from within a context that is bracketed in time and that explores this tension within time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The National Body in Mexican Literature: Collective Challenges to Biopolitical Control (Palgrave MacMillan, 2015), Rebecca Janzen explores the complex interaction between the national body created by the rhetoric of the 1910 Mexican revolution and those bodies that did not find a space in the new national project. Through the literary fictional work of Jose Revueltas, Juan Rulfo, Rosario Castellanos, and Vicente Lenero, the book explores the contradictions of the state through the literary representations of people that lived at the margins of its ideology. Drawing on feminist and disability studies, Janzen explores unusual bodies—peasants, prostitutes, indigenous people, and garbage sorters, among others—and their intense relationship of control, resistance, and power with the government and its bureaucracy. In these literary works, illness, body fluids, or bodies reduced to their basic functions demonstrate the inconsistencies of a national project that failed to fulfill promises such as agrarian reform, health services or labor rights. Each chapter of the book shows an analysis deeply engaged with the profound changes of almost three decades. The characters created by Revueltas, Rulfo, Castellanos, and Lenero span from the 1940s to the end of the 1960s, which allows Janzen to show not only the construction of a national discourse and its flaws, but also its interaction with other important institutions, such as the Catholic church. Pamela Fuentes is an Assistant Professor in the Women’s and Gender Studies Department at Pace University—NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his most recent work, Trauma in First Person: Diary Writing during the Holocaust (Indiana University Press, 2017), Amos Goldberg examines Jewish diary writing during the Holocaust—a subject that is familiar to many within and without the academy—from bold, new angles. Rather than using the diary as a historical source, Goldberg’s book centers on the diary as its subject. In addition to closely analyzing the more well-known diaries of Victor Klemperer and Chaim Kaplan, Goldberg incorporates a wide variety of lesser-known first-person narratives into his work, showing the widespread nature of diary writing as a cultural phenomenon during the part. Combining the methods of history, literary studies, and psychology, this impressively interdisciplinary book asks: how did the unfolding of the Holocaust changed victims inner selves? His answers to this question expose the tensions between creation and destruction, and the duality of helplessness and agency, that characterize this genre. Amos Goldberg is Senior Lecturer and Chair of the History Department at the Hebrew University of Jerusalem. Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies