New Books in Literary Studies

Though most renowned for his award-winning Tibetan films, Pema Tseden, is also a prolific author and translator. Enticement(State University of New York Press 2018) is a collection of Pema Tseden’s short stories edited and translated by Patricia Schiaffini-Vedani and Michael Monhart, with assistance from Southwest University’s Carl Robertson and INALCO’s Francoise Robin. Along with a translator’s introduction and author’s preface, the 10 short stories selected with input from the author himself range from the realistic to the fantastic. For the more realistic stories, lovingly playful descriptions of everyday Tibetan life bring a relatively apolitical look at contemporary Tibetan experience that defies simplistic interpretation. In the more fantastic stories, some of the same issues appear through descriptions that are stubbornly not realistic. Throughout the stories a narrative style and thematic influences from Tibetan oral traditions, his portrayal of media within media, and his tendency to use conclusions that do not lend a sense of finality to the stories create a reading experience that mirrors, in many ways the author’s unique cinematic storytelling style. This first ever English translation of Pema Tseden’s short stories provides a new way of approaching contemporary Tibet through the eyes of one of its most impressive storytellers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Studies of Hindu saints tend to focus primarily on the saints themselves—their words, teachings, and practices—rather than tending to the often complex and complicated world of texts and traditions about those saints—which is how we have come to know them. Even when hagiographical writings are addressed, more often than not such writings are presumed to belong to a monolithic tradition in which certain texts simply contain more information or stories about the saints than others. In Śiva’s Saints: The Origins of Devotion in Kannada according to Harihara’s Ragaḷegaḷu (Oxford University Press, 2018), Gil Ben-Herut, Assistant Professor of Religious Studies at the University of South Florida, challenges such presumptions through his close examination of the text and contexts of the 12th-century Vīraśaiva hagiographical text Ragaḷegaḷu written in Kannada by Harihara. Providing theoretical insight into notions of sainthood itself as well as the politics of commemoration and the contentious worlds of ever-changing religious and other social identity formations, Śiva’s Saints examines the multiple goals of hagiographical literature like the Ragaḷegaḷu as well as how this text complicates our understandings of what Vīraśaivas today are most well-known for—their bhakti or inner devotion to Siva, their egalitarianism, and their challenging of Brahmanical norms. In doing so, Ben-Herut reveals significant nuances of the social worlds in which Harihara was embedded and to which his Ragaḷegaḷu is responding, most especially who Harihara casts as distinct but familial “others” versus those intimate “others” he agues should be kept out of the community. Through rigorous analysis and sensitivity to context, Śiva’s Saints demonstrates how close attention to the writings about saints can reveal the complex inner and outer workings of religious groups within specific historical social contexts. Dean Accardi is an Assistant Professor of History at Connecticut College. His work focuses on gender, religion, and politics in early modern Kashmir and how saints and sultans of that period continue to be invoked today in contestations over Kashmir’s social, cultural, religious, and political belonging. You can find out more about him and his work at his website or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When and where did Jesus offer himself to God? What role does Jesus’ death play in his high-priestly self-offering in heaven? Answering these questions are crucial for understanding the book of Hebrews rightly. Tune in as R. B. Jamieson answers those questions, as we talk about his recent book: Jesus’ Death and Heavenly Offering in Hebrews (Cambridge University Press, 2019). R. B. Jamieson is an associate pastor of Capitol Hill Baptist Church in Washington, DC. He earned an MDiv and ThM from the Southern Baptist Theological Seminary, and a PhD in New Testament from the University of Cambridge, where he also taught Greek. In addition to his published doctoral work, he is the author of a variety of books including Understanding Baptism and Understanding the Lord’s Supper. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Richard Gombrich's new book, Buddhism and Pali (Mud Pie Slices, 2018), puts the richness of the Pali language on display. He introduces the reader to the origins of Pali, its linguistic character, and the style of Pali literature. Far more than just an introductory book, Richard argues not only that the Pali Canon records the words of the Buddha, but that the Buddha himself is responsible for the Pali language. Richard shows that by learning about Pali, we learn about the spirit of Buddhism itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In On the Mediterranean and the Nile: The Jews of Egypt (Indiana University Press, 2017), Aimée Israel-Pelletier, Professor and Head of French at the University of Texas at Arlington, looks at the work of five Egyptian Jewish writers. She confronts issues of identity, exile, language, immigration, Arab nationalism, European colonialism, and discourse on the Holocaust. Israel-Pelletier's volume is a hugely important part of the project recovering and transmitting Egyptian Jewish life and thought. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What might Levi-Strauss and structuralism have to offer to psychoanalysis beyond the incest prohibition and the Oedipus complex? What happens if we understand Lacan’s notion of the symbolic as creative, rather than prohibitory? And what’s the difference between the psychoanalyst and the shaman? Shanna de la Torre’s Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis (Palgrave Macmillan, 2018) performs a careful reading of Freudian, Lacanian and structuralist texts in order to offer a new way of conceiving of the objects and aims of psychoanalysis today. Alongside it she introduces us to an alternative perspective on Lacan emerging from analysts associated with GIFRIC, a Lacanian school based in Quebec. Listen in as we work our way through some of the book’s major concerns and their implications for theory and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today, we're talking to Janelle Adsit about her book, Toward an Inclusive Creative Writing (Bloomsbury, 2017). In it, Adsit takes a hard look at the way American colleges and universities teach creative writing. What do students who enter creative-writing classrooms encounter as these young men and women hope to discover who they are and can be as writers? Does the teaching they receive help or hinder them? As Adsit’s title suggests, one of the problems she’s found with writing instruction in our institutions is that it’s too exclusive, too centered on limited and limiting ideas of what counts as good writing and, by extension, who can be good writers. Too often, in writing classrooms across the country, students encounter models that are predominately male and predominately white. How, Adsit asks, can we foster the writing of students who don’t identify with these models? How can we guide our students to write from and give voice to their own diversity? At stake in these questions is not merely the experience of students in the classroom, but, in the long run, the future of American literature, for in these classrooms are our authors-to-be, those writers who will go on to write the books we’ll read in the coming decades. Adsit hopes to lead us forward into a brighter literary future, one in which our literature is as rich and diverse as the Americans who read it. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can detective fiction explain the social world? In Detecting the Social: Order and Disorder in Post-1970s Detective Fiction(Palgrave Macmillan, 2019), Mary Evans and Hazel Johnstone, both from the London School of Economics' Department of Gender Studies, and Sarah Moore, a Senior Lecturer at the University of Bath's Department of Social and Policy Sciences, set out a radical agenda for contemporary social theory grounded in an analysis of detective fiction since the 1970s. The book uses a range of examples from the genre, as well as comparative discussions with previous eras of detective fiction. In doing so, the book demonstrates how questions of modernity, globalisation, trust in institutions, blame and responsibility, gender and gender relations, along with the rise of neoliberalism and the transformation of the social state since the 1970s can be understood through key works such as Larsson's Millennium Trilogy. By showing an alternative to 'unpeopled' social theories, the book will be key reading across the social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It's often touted that Rumi is one of the best-selling poets in the United States. That may be the case but popular renderings of the writings of this 13th-century Muslim have largely detached him from the Islamic tradition, and specifically Sufi mysticism. In Radical Love: Teachings from the Islamic Mystical Tradition (Yale University Press, 2018), Omid Safi, Professor of Islamic Studies at Duke University, places Jalal al-Din alongside luminaries within the rich archive of Islamic Sufi poetry. In this anthology of newly translated poetry Safi focuses on love, especially ‘ishq/eshq, what he renders as “radical love.” The volume organizes translations of Qur’an and Hadith, Sufi mystics and poets into four thematic sections: God of Love, Path of Love, Lover & Beloved, and Beloved Community. Radical Love does an excellent job of introducing readers to key ideas from Islamic mysticism that are rooted in first hand knowledge of Arabic and Persian texts. This book is valuable to both the scholar and the student because of Safi’s informed nuance in both the careful selection of source passages and the subtle lyricism of his translations. In our conversation we discussed the translation of Sufi poetry in English, strategies to translation work, love in the Islamic tradition, the reception of Rumi, Ahmed Ghazali’s first book in Persian on love, Qawwali singers, contemporary sheikhs, and several key Sufis authors. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is repetition always bad? The Letter to the Hebrews lies at the heart of a tradition that views repetition always negative. But is this the best understanding of Hebrews? Nicholas Moore says, ‘No.’ Tune in as we talk with Nicholas J. Moore about his recent book, Repetition in Hebrews: Plurality and Singularity in the Letter to the Hebrews, Its Ancient Context, and the Early Church (Mohr Siebeck, 2015). In this special double-feature interview, we will also discuss Albert Vanhoye’s A Perfect Priest: Studies in the Letter to the Hebrews, co-edited and co-translated by Nicholas Moore and Richard Ounsworth. Reverend Dr. Nicolas Moore is Director of the MA Programmes at Cranmer Hall, and teaches Practical Theology, Anglicanism, and Biblical Studies and Patristics. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alan Jacobs is a renowned literary critic, with a talent for writing that books that speak to our current predicaments. A professor at Baylor University, his recent work includes a “biography” of the Book of Common Prayer, a discussion of The Pleasures of Reading in an Age of Distraction and How to Think: A Survival Guide for a World at Odds. Today we catch up with Professor Jacobs to discuss his most recent publication, The Year of Our Lord 1943: Christian Humanism in an Age of Crisis (Oxford University Press, 2018). Drawing on interventions made at the height of global war by T. S. Eliot, W. H. Auden, C. S. Lewis, Simone Weil and Jacques Maritain, Jacobs shows how leading intellectuals worried about a world in crisis and how they imagined it might be set right. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Victoria Brownlee is the author of an exciting new contribution to discussions of early modern religion and literature. Her new book, Biblical Readings and Literary Writings in Early Modern England, 1558-1625 (Oxford University Press, 2018), offers an illuminating account of how, why, when, where and by whom Bibles were read in early modern England, as well as a series of case studies of particular characters or passages in the Old and New Testaments. Why did Bible reading matter so much in the England of Elizabeth I and James VI/I? Did it matter that the Bible was an illustrated text? Why did expositors work so hard to limit the language of the Song of Songs, when creative writers worked so hard to expand its reference? Join us on this podcast as Dr. Brownlee suggests answers to these and other questions about readings of the Bible in early modern England. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This 2018 reprint of Little Man, Little Man exemplifies communal and collaborative textual production. The story was written by James Baldwin and illustrated by French artist Yoran Cazac. It was published in 1976 and then went out of print. In this new edition, scholars Nicholas Boggs and Jennifer DeVere Brody write the introduction, while Baldwin’s nephew and niece, Tejan Karefa-Smart and Aisha Karefa-Smart write the foreword and afterword respectively. In Little Man, Little Man, which Baldwin alternately described as a children’s book for adults and an adults’ book for children, we see a slice of a Harlem neighborhood through the eyes of young TJ. The story presents a complex and multifaceted vision of black childhood in America and nudges the contemporary reader to think critically about what it means to see through the eyes of a child and to be seen by those in one’s world. Nicholas Boggs was an undergraduate at Yale when he discovered James Baldwin's out-of-print "children's book for adults," Little Man, Little Man: A Story of Childhood (1976) at the Beinecke Rare Book and Manuscript Library. The senior thesis he wrote about it was published in the anthology James Baldwin Now (NYU, 1999). A subsequent essay on Little Man Little Man that draws on his interviews in Paris with the book's illustrator, French artist Yoran Cazac, appears in The Cambridge Companion to James Baldwin (2015). This research led him to co-edit and write the introduction to a new edition of Little Man, Little Man (Duke UP, 2018), which the New York Times wrote "couldn't be more timely" and Entertainment Weekly hailed as "brilliant, essential." He was interviewed by the New York Times and Publisher's Weekly for their feature articles on Little Man, Little Man and he appeared on Madeleine Brand's Press Play on KCRW , on Black America TV , and on a panel at the Schomburg Center for Research in Black Culture moderated by Jacqueline Woodson, National Ambassador for Young People's Literature. The recipient of fellowships from Yaddo, MacDowell, and the Camargo Foundation, he is currently at work on a literary biography of Baldwin, forthcoming from Farrar, Straus, and Giroux. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Reimagined Belongings: Black Women’s Decolonial Citizenship in the French Empire examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, Mandarin Brazil: Race, Representation, and Memory (Stanford University Press, 2018), Ana Paulina Lee (Columbia University) analyzes representations of the Chinese in Brazilian culture to understand their significance for Brazilian nation-building in the 19th and early 20th centuries. Lee has assembled a multidisciplinary archive encompassing literature, visual culture, theater, popular music, and diplomatic correspondence. Although their numbers in Brazil were not as large as immigration from Japan, the Chinese were nevertheless portrayed as non-white, sexually deviant, and unfree labor—in sum, a threat to dominant ideologies of branqueamento (racial whitening) and mestiço nationalism. Attentive to events and perspectives on both sides of the Pacific Ocean, Lee makes a distinctive contribution to the growing literature on Asian American history and cultural studies beyond North America and the Caribbean. Ian Shin is an assistant professor of American culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From Indonesia’s declaration of independence in 1945 up until today, the relationship between Indonesian nationalism, Islam, and modernity has been a key subject of debate. One of the central figures in this debate was the great writer, journalist, public intellectual – and pious Muslim from Minangkabau, West Sumatra, Haji Abdul Malik Karim Amrullah, better known by his pen-name, Hamka. Largely self-taught, Hamka was one of Indonesia’s most prolific writers. Between the 1920s and his death in 1981 he penned novels, short stories, biographies, memoirs, self-help books, travel books, histories, and many studies of Islam, including a famous thirty-volume commentary on the Qur’an. In Hamka's Great Story: A Master Writer’s Vision of Islam for Modern Indonesia (University of Wisconsin Press, 2016), James R. Rush traces the development of Hamka’s thinking as expressed through these works against the backdrop of Indonesia’s tumultuous modern history, including late Dutch colonial rule, the Japanese occupation, the Indonesian revolution, the Sukarno years, and the New Order military dictatorship under Suharto. Since the end of the New Order regime in 1998 some scholars have referred to a "conservative turn" in Islam in Indonesia. Listen to James Rush explain how an appreciation of Hamka and his influence in twentieth century Indonesia can help us better understand what is happening in Indonesian Islam today. Listeners of this episode might also enjoy listening to: Vanessa Hearman, Unmarked Graves: Death and Survival in the Anti-Communist Violence in East Java, Indonesia.Anthony Reid, A History of Southeast Asia: Critical Crossroads Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alec Nevala-Lee’s Astounding is the first comprehensive biography of John W. Campbell, who, as a writer and magazine editor, wielded enormous influence over the field of science fiction in the mid-20th century. “His interests, his obsessions, and his prejudices shaped what science fiction was going to be,” Nevala-Lee says. Many people are familiar with Campbell’s name because it’s on the award given out every year by the World Science Fiction Society—the John W. Campbell Award for Best New Writer. (This year, the award went to Rebecca Roanhorse, who was on the podcast in September; other winners who’ve been on the show include Ada Palmer, Andy Weir, and Mur Lafferty.) From 1937 through the 1960s, Campbell used the magazine Astounding Science Fiction (now named Analog) to popularize science fiction and its potential to predict the future. But he also used the magazine to promote pseudosciences (like psionics and dianetics), and his legacy is tarnished by views that were “clearly racist.” “He was quite content to keep publishing stories by writers who looked like him... And the characters were almost all white,” Nevala-Lee says. “Campbell thought that maybe black writers weren’t interested in writing science fiction or they weren’t good at it. It never seems to have occurred to him that they might be more interested in writing for his magazine if they saw characters who looked like them.” Astounding is a powerful contribution to the history of science fiction, offering fascinating stories about the careers and personal lives of Campbell and his stable of talented and influential writers. But its immediate effect may be to spark a conversation about whether the best way to honor today’s emerging talent is with an award bearing the name of a man whose legacy is so problematic. A similar conversation occurred earlier this year over the Laura Ingalls Wilder Award; the debate ended when the American Library Association decided to change the name of the award. “That debate has not yet extended to the John W. Campbell Award. I think it's a legitimate discussion because Campbell’s opinions on race, in my opinion, are far more offensive than anything Wilder expressed," Nevala-Lee says. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can the Weimar Republic teach us about how democracies fail? How could the same vibrancy that gave us cultural touchstones spawn Nazism? In his new book Weimar Germany: Promise and Tragedy (Princeton University Press, 2018), Eric D. Weitz challenges the belief that the fledgling democracy was doomed to fail. In an encompassing examination of the short-lived republic’s political, economic, intellectual, and cultural life, Eric skillfully weaves vivid stories into a overarching narrative. History does not repeat itself, but it does rhyme, and Weimar Germany has much to say that echoes in the here and now. Eric D. Weitz is Distinguished Professor of History and the former Dean of Humanities and Arts at the City College of New York (CCNY). He has been the recipient of many fellowships and awards including the German Academic Exchange Service, the Guggenheim Foundation, and National Endowment for the Humanities. Weitz’s academic work and public engagement covers the Holocaust, the Armenian Genocide, and the genocide of the Herero and Nama. Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title A Discriminating Terror. He also cohosts the Third Reich History Podcast and can be reached at [email protected] or @Staxomatix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Steven Shaviro’s book Discognition (Repeater Books, 2016) opens with a series of questions: What is consciousness? How does subjective experience occur? Which entities are conscious? What is it like to be a bat, or a dog, a robot, a tree, a human being, a rock, a star, a neutrino? Discognition looks at a series of fascinating science fiction narratives – in some cases reading philosophical or scientific literature as speculative fiction – to raise important questions about consciousness and sentience and to help readers understand the significance of those questions for how we live with ourselves and each other. In addition to opening up some wonderfully thoughtful and provocative works of science fiction, the book also models a transdisciplinary mode of scholarship that is as inspiring as it is effective. Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does one show empathy towards someone across racial lines? In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America. Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The success of a translator may seem to lie in going unnoticed: the translator ducks out of the spotlight so that the original author may shine. Mark Polizzotti challenges that idea in a provocative treatise on his craft, Sympathy for the Traitor: A Translation Manifesto (MIT Press, 2018). “A good translation, created by a thoughtful and talented translator,” Polizzotti writes, “aims not to betray the original but to honor it by offering something of equal–possibly even greater–beauty in its name. Polizzotti has translated over 50 books and authored or co-authored four of his own. He is the Publisher and Editor-in-Chief at the Metropolitan Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Arabic script is astounding! Not only because it represents one of the most commonly spoken languages today –that is, the Arabic language– but because it has represented dozens of other languages over the course of human history from the Middle East to Asia, to Europe, and to the tip of South Africa. Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design (Harvard University Press, 2017) is a recent example of the scholarship on the aesthetics of Arabic script and what it communicates. Author J.R. Osborn writes, not quite a standard history, not quite a work of communication studies, not quite a linguistic study, but a combination of all three that tells the story of Arabic script over ten centuries: from the formation of the calligraphic tradition to the rise of Unicode. J.R. Osborn is an Assistant Professor at Georgetown University in the Communication, Culture, and Technology Program. His work explores media history, design, semiotics, communication technologies, and aesthetics with a regional focus of the Middle East and Africa. J.R. is also a self-described ‘experimentalist of communication’ who works across media forms: from text to film to digital interface design and curatorial projects. He holds Ph.D in Communication and a Certificate in Ethnographic Film from the University of California, San Diego. Letters of Light is his first book. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Russian Science Fiction Literature and Cinema: A Critical Reader (Academic Studies Press, 2018) offers a compelling investigation of the genre whose development was significantly reshaped in the second half of the 20th century. In her introduction to this volume, Anindita Banerjee outlines the specificity of Russian science fiction literature and cinema and emphasizes transformative effects produced and trigged by the launch of Sputnik in 1957: “Sputnik’s impact—crossing the boundaries of private life and public culture, domestic enthusiasm and international curiosity, technological spectacle and participatory entertainment, contemporary aspirations and historical visions, and, last but not least, the diverse media of print, film, radio, and television—played an instrumental role in transforming science fiction from Russia into a serious object of study” (xii). Russian Science Fiction Literature and Cinema presents science fiction not only in terms of aesthetic inspirations and experimentations, but also in terms of political contestations and existential crises. When developing in the context of the Soviet supervision, science fiction acquired an ambiguous status: on the one hand, this genre was maintained and encouraged through state decisions; on the other hand, it was controlled and suppressed. As Anindita Banerjee argues, in the Soviet Union science fiction was some kind of an outlet for ideological and political discontents: keeping this genre under supervision was strategic for maintaining some visibility of otherness. The critical reader edited by Anindita Banerjee attempts to embrace multiple ambiguities of science fiction literature and cinema and to outline ethic and aesthetic proliferations that invite the reconsideration of the relationships of self and other. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sometimes, a couch is a only a couch, but not in Dr. Nathan Kravis’s new book, On the Couch: A Repressed History of the Analytic Couch from Plato to Freud (MIT Press, 2017). In a live interview conducted in connection with the Manhattan Institute for Psychoanalysis, we discuss how the couch has become the leading symbol for psychoanalysis in positive and maligned ways. Dr. Kravis discusses how the couch came to signify reclining, rest, introspection and healing and how important decor was for Freud as he was developing the analytic method. We spoke about the role of the couch in the last hundred years and what the future holds for it. We even speak about our own couches and how patients use them! There is a brief question-and-answer period as well. This book is beautifully illustrated: Doctor Kravis describes many of the pictures in the book during this interview – you can see a link to some of the photos discussed here. Christopher Bandini tweets @cebandini. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Philip Lutgendorf is Retired Professor of Hindi and Modern Indian Studies at the University of Iowa. He is currently working on a seven-volume translation of the Hindi devotional text, the Rāmcaritmānas written by the sixteenth-century North Indian poet, Tulsīdās. The first four volumes of the translation, entitled The Epic of Ram (Harvard University Press, 2016-), are currently available as part of the Murty Classical Library of India Series published by Harvard University Press and distributed in India by Penguin Books. Shandip Saha is associate professor of Religious Studies at Athabasca University, the world leader in the realm of distance education and open learning. His research interests focus on religion and politics in pre-modern North India and on the changing performance practices in devotional music in India and Pakistan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The vast chasm between classical economics and the humanities is widely known and accepted. They are profoundly different disciplines with little to say to one another. Such is the accepted wisdom. Fortunately, Professors Gary Saul Morson and Morton Schapiro, both of Northwestern University, disagree. In their new book, Cents and Sensibility: What Economics Can Learn from the Humanities (Princeton University Press, 2017), they argue that the mathematically rigid world of classical economics actually has a lot to learn from the world of great literature. Specifically, they argue that “original passions” (the term is from an overlooked work of Adam Smith) in the form of culture, story telling, and addressing ethical questions are found in great works of literature, but lacking in modern economic theory. Good judgment, they write, “cannot be reduced to any theory or set of rules.” Along the way, they weave together Adam Smith, Lev Tolstoy, Jared Diamond, college admissions practices, the US News and World Report rankings, and the family. This is an ambitious and original work. Many will disagree with it, but few will be able to put it down. Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Marriage Plot, Or, How Jews Fell In Love With Love, And With Literature (Stanford University Press, 2016), Naomi Seidman, Chancellor Jackman Professor in the Arts at the University of Toronto, considers the evolution of Jewish love and marriage through the literature that provided Jews with a sentimental education. She highlights a persistent ambivalence in the Jewish adoption of European romantic ideologies. The Marriage Plot is a brilliant and provocative work which will be referenced for many years to come. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In literature, evil can appear in a broad spectrum of shapes, images and motifs. For Endō Shūsaku, the problem of evil is central to the reality of human existence, and it has to be accepted as such. In Hermeneutics of Evil in the Works of Endō Shūsaku. Between Reading and Writing (Peter Lang, 2016), Justyna Weronika Kasza starts from the assumption that the notion of evil informs many of Shūsaku’s most renowned novels; on the other hand, she argues that Shūsaku’s body of work should be treated and analyzed as a whole, as his essays and critical texts are in fact complementary to his works of fiction. Kasza’s book is, on the one hand, an attempt to trace Shūsaku’s line of thinking and, on the other hand, to apply certain categories of Ricoeur’s hermeneutics to literary studies in order to better understand his body of work. Kasza concludes that evil as a problem was, for Shūsaku, closely intertwined with the Christian faith and with Western culture, which represented for him an “otherness” that manifested itself in multiple forms. The book also includes the first English translation of five of Endō Shūsaku’s critical texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Most people have heard of the Masters of Fine Arts–“MFA”–degree, but few know about the grueling process one must undergo to complete one. In Talking Art: The Culture of Practice and the Practice of Culture in MFA Education (University of Chicago Press, 2018), sociologist and ethnographer Dr. Gary Alan Fine asks how MFA students learn to make art and to speak intelligently about their work, how they become “artists” and what what it means to be an “MFA.” Gary Alan Fine is the James E. Johnson Professor of Sociology at Northwestern University. Fine has received fellowships from the Guggenheim Foundation, the Russell Sage Foundation, the Rockefeller Foundation, and the Center for Advancement Study in the Behavioral Sciences, and the Institute for Advanced Study. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Book Smugglers: Partisans, Poets, and the Race to Save Jewish Treasures from the Nazis (ForeEdge, 2017), David E. Fishman, Professor of Jewish history at the Jewish Theological Seminary in New York, tells the amazing story of the paper brigade of Vilna. The paper brigade were ghetto inmates who rescued thousands of rare books and manuscripts, hiding them first from the Nazis and then from the Soviets. This is a rare work that tells an amazing story in a very readable way, informed by years of expert research. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Westerns are having a bit of a moment in the early twenty-first century. Westworld was recently nominated for eight Emmys, the hit show Deadwood is slated for a return to television in the next few years, and in 2015 Quentin Tarantino’s The Hateful Eight grossed over $150 million. Victoria Lamont’s Westerns: A Women’s History (University of Nebraska Press, 2016), looks at the first moment of the Western over a century ago. The Western is traditionally thought of as an overtly masculine genre with male writers telling stories about mostly male protagonists (think The Man in Black, John Wayne, and Gus McCrae). Lamont, an associate professor of English at the University of Waterloo, examines several books from the 1880s to the 1920s and argues that women writers were crucial to the development of the genre’s forms, with some books even predating Owen Wister’s supposedly genre-founding title, The Virginian. Moreover, these women published mostly under their own names and found considerable financial success and critical acclaim. In doing so, they used the genre to critique gender roles, class structures, and American colonialism. It was not until the 1920s that mass market literature magazines and pulp publishers began to market Westerns as by, for, and about men, and in doing so erased the genre’s female history. Lamont places these authors in their context, and in doing so reveals much about female life and literature in the turn of the century American West. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet and CW’s Arrow, analyses the figure of Wonder Woman through the lens of Shakespearean crossdressing, and explores the existential meta-humour of Othello’s Iago and Marvel’s Deadpool. Refusing to adhere to conventional academic hierarchies, Shakespeare and Superheroes provides new insights and fresh perspectives that will appeal equally to scholars of Early Modern literature and twentieth-century popular culture. In a truly fascinating interview, Kahan discusses the thematic parallels between popular comic books and Shakespeare’s plays, the benefits of reading distinct literary works intertextually, and the role of academia in the current political climate. Kahan encourages acts of heroism in daily life on his FB page BE SUPER! Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

C. S. Lewis remains one of the most popular religious writers, and one of the most widely discussed children’s writers. I had the chance to catch up with Stephanie L. Derrick about her new book, The Fame of C. S. Lewis: A Controversialist’s Reception in Britain and America (Oxford University Press, 2018), and to talk about the many personalities and the changing reputation of her subject. Paying attention to the material circumstances of publication, while thinking about the ways in which reputations are manufactured, contested and renewed, Derrick’s book offers a careful and compelling account of the author of some of the last century’s best-selling works of religious apology and children’s fiction. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

To be quite honest, I had no idea there were any Spanish prisoners at Mauthausen. That’s perhaps an unusual way to begin a blog post. But it reflects a real gap in the literature about the Holocaust, one that Sara J. Brenneis identifies and fills in her new book Spaniards in Mauthausen: Representations of a Nazi Concentration Camp, 1940-2015 (University of Toronto Press, 2018). Brenneis is interested in the ways Spanish prisoners (most of whom had fled Spain the aftermath of the Republican defeat in the Spanish Civil War) experienced the camp. She writes movingly about the efforts of the Spaniards to use their position as privileged prisoners to preserve records of their experience, records that give us great insight into their lives. But she’s especially concerned with the way this experience was remembered. As she points out, that memory reflected the distinctive political and historical context of Spain. Some accounts by survivors and researchers did appear, particularly in the period immediately after Franco’s death. But Franco and his legacy ensured that public accounts would be both rare and circumspect. Only recently has there been a resurgence of interest in Spain, one that brings with it both historical and methodological experimentation and investigation. It’s a fascinating book, one that sheds new light on an experience most scholars have passed over. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border. Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case. This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynist aggression. The book’s twilight message and hot tip for women on the religious right: beware veneration of the maternal for behind it often lies something quite venal. Mothers, Rose argues, cannot win for losing and yet remain fantastically vested with delivering the impossible: never ending happiness and total safety. “A simple argument,” she writes, “guides this book: that motherhood is, in Western discourse, the place in our culture where we … bury the reality of our own conflicts, of what it means to be fully human.” To be fully human involves being in need of help, failing frequently and feeling unwieldy hate. (Her chapter on hating and the negation of mothers’ hateful feelings and the social impact of that negation is worth the price of the book alone.) I have the urge to offer an example from the social realm to make clear what Rose is getting at throughout this text—if only because I found myself fogging over at times while reading. My hazy response I believe relates to my resistance to the topic. Hearkening back to Adrienne Rich’s Of Woman Born (another powerful book that caused me to often drift), Rose dares to look at motherhood as an institution, denaturalizing it to the core. The example that comes to mind comes from Kristin Luker’s incredible Dubious Conceptions, which debunked the ever-popular idea (see the Clinton Administration, circa 1996 that eviscerated the social safety net) that teen pregnancy creates poverty. The truth, Luker argues, is closer to the reverse: teen poverty may generate teen pregnancy, as poverty can foreclose roads to adulthood, leaving motherhood as a last resort. Poor teen girls who don’t carry to term and poor teen girls who become mothers occupy the same economic strata ten years on. It’s not the pregnancy that hurts their life chances but rather that economic policies are culpable. And yet, teenage mothers, scapegoats really, have long served to hide planned economic inequality; the truth, as it were, is buried in young female flesh. As our ugly summer wore on, I re-read this book, further preparing for the interview, in addition to spending time in the consulting room, doing what I do: listening to patients elaborate upon themselves. To state the obvious, the psychoanalyst makes her living being inundated with a plethora of words about mothers. To state the further obvious, as temps skyrocketed, Freud’s maxim regarding the repudiation of femininity as bedrock was being powerfully reinforced in America. July and August offered daily opportunities to witness... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the heart of Laila Amine’s book is a crucial question: where is Paris? This question may be surprising for anyone who can readily point to the French capital on a map. Geography is, after all stable, is it not? Postcolonial Paris: Fictions of Intimacy in the City of Light (University of Wisconsin Press, 2018) shows that space and place are anything but stable. Amine focuses on the literal margins of Paris, and on the literary and artistic works that are produced in or about those margins. Rather than reproduce the well-worn trope of the banlieue, the outskirts of Paris, as a tragic space whose inhabitants are unable to integrate so-called French values, Amine carefully examines the work of writers and artists who have engaged with the space and have produced pointed critiques of structural inequality and the legacy of colonialism that calls into question traditional French narratives of cultural and religious alterity. Postcolonial Paris makes the rare and much-needed move of reading across the works of North African and African American writers, artists and filmmakers, thereby expanding traditional scholarly notions of thinkers of African descent in France. From novels to film to graffiti art, Amine writes about spaces that are oft-ignored and that remain productive sites at which to locate Paris and the attendant, highly contested idea of what it means to be French. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nick Hubble’s The Proletarian Answer to the Modernist Question (Edinburgh University Press, 2017) is a thrilling, and timely challenge to the orthodoxy that proletarian and high-modernist literatures ought to be understood in opposition to one another. Featuring writers as diverse as Virginia Woolf, Naomi Mitchison, D. H. Lawrence, John Sommerfield, H. G. Wells, and Walter Brierley, this study creates new critical space that reveals the modernism in the proletarian, and the proletarian in the modernist. It foregrounds ideas of intersubjectivity, intersectional struggles, and emancipatory discourses that rely on some way of relating the ‘I’ to the ‘We’. Covering the critical discourses that have shaped our understanding of these literary movements in the UK since the interwar period, Hubble brings his critical intervention to bear on the contemporary historical moment, and asks how the proletarian answer to the modernist question might inform our political and cultural imaginations as a neoliberal consensus collapses around us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Was there anything particularly Modern about Modern Jews? Was there something characteristically Jewish about Modernism? In this episode, we hear from Scott Spector, professor of History and German Studies at the University of Michigan, who complicates these often-asked questions in his new book Modernism Without Jews?: German Jewish Subjects and Histories (Indian University Press, 2017). As we discuss, the title of this book is not an invitation to imagine an alternate history; rather, it is a provocation to notice how the key terms of this title get framed together in a variety of complicated, troubled, and sometimes dissonant ways — both by historians and by the protagonists of this history. A noteworthy and widely-read historian of German, Jewish, and Modern culture, Spector here targets the historiography of these fields and seeks to shake up the patterns and terms that have become all too stable within it. Modernism Without Jews? takes its readers through a series of case studies with short and dense chapters on Edith Stein, Sigmund Freud, Max Brod, the term “secularism,” Franz Kafka, and more. In this wide-ranging conversation, we talk about all of those figures, plus Hugo Bettauer’s satirical 1922 novel City Without Jews, Gershom Scholem’s multiple reframings of his Jewish, German, and German-Jewish identities, and the complicated, existential operations involved in framing relationships between texts and contexts, persons and histories. Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ralph Ellison’s 1952 novel Invisible Man is a milestone of American literature and the idea of invisibility has become a key way for understanding social marginalization. In Ralph Ellison’s Invisible Theology (NYU Press, 2017), M. Cooper Harriss, Assistant Professor in the Department of Religious Studies at Indiana University, explores the theological dimensions of invisibility within the intersection of race, religion, and secularism through the life and literary career of Ralph Ellison. Harris places Invisible Man and its reception within its contemporary context of literary and theological inquiry. Pairing this with a genealogy of Ellison’s proximity to religious scholars and writers reveals how his secular accounts are steeped in theological appeal. In our conversation we discussed the life of Ralph Ellison, writers of the Harlem Renaissance, Ellison’s second novel, Ellison’s relationship with scholar of religion and literature, Nathan A. Scott Jr., Ellison’s love of nineteenth century American literature, invisibility as an analytical category, and its applications in our contemporary moment. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, State of Madness: Psychiatry, Literature and Dissent After Stalin (Northern Illinois University Press, 2018), Rebecca Reich argues that Soviet dissident writers used literary narratives to counter state-sanctioned psychiatric diagnoses of insanity. Reich discusses the interesting literary preoccupations of Soviet psychiatrists and psychiatric discourse in the post-Stalin era to help readers understand the context of these diagnoses of madness. Her book mines the works and experiences of dissidents, including Joseph Brodsky, Aleksandr Vol’pin, Vladimir Bukovskii, and others, to weave a narrative that shows how Soviet writers contended with false accusations of mania and madness. She also shows how these writers sought to use their works to illustrate the pathology of post-Stalinist Soviet society. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Artificial intelligence and Victorian literature: these two notions seem incompatible. AI brings us to the age of information and technology, whereas Victorian literature invites us to the world of lengthy novels, to the world of the written word. In spite of seeming incongruity the AI and Victorian literature evoke, the two notions do establish a contact zone: the mind. AI and characters created by Victorian writers are connected by the individual’s attempt and desire to project their imaginative creations into the space outside the mind. In Seeming Human: Artificial Intelligence and Victorian Realist Character (The Ohio State University Press, 2018), Megan Ward takes into consideration the development of technologies and outlines methods for the analysis of Victorian realist characters that can be presented as constructs that establish connections between the mind and technologies. Ward invites her readers to approach novels as information systems generating multiple meanings, which can be re-organized and re-assembled. Seeming Human challenges the chronological presentation of literature and searches for the ways to further develop textual interpretation, surpassing spatial and temporal limitations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Originally published in 1994, Marc Leeds’ The Vonnegut Encyclopedia (Delacorte Press, 2016) was initially conceived of as a comprehensive A-Z guide to the expansive oeuvre of the American author Kurt Vonnegut. The encyclopedia was created as resource for scholars, teachers and casual fans of Vonnegut’s work and was comprised of detailed entries on all of his plays, novels and stories, in addition to descriptions of individual characters, narratives and motifs. Readers of Vonnegut will, of course, be aware that rather than distinct, hermetically sealed texts, each of Vonnegut’s works forms part of a larger fictional universe wherein characters, locations, turns of phrase and even consumer products cross back and forth between different novels, short stories and plays. As such, Leeds’ encyclopedia allows researchers and readers to cross reference recurring characters, words and plot points. The book also serves as something of a glossary of Vonnegut’s various neologisms (e.g. “foma” and “karass”) as well as providing a wealth of biographical information on the author himself, his family and friends. The first edition, published in the early 1990s, provided a detailed, alphabetical guide to all of Vonnegut’s work up until 1991. The revised and updated edition which was published in 2016 includes all of Vonnegut’s work up until his death in 2007. In this insightful and engaging interview Marc Leeds discusses his unique perspective on Vonnegut’s philosophy and fiction. Leeds also explains his motivation for compiling this rigorous yet entertaining guide to Vonnegut’s work and tells me about his own friendship with Kurt Vonnegut. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ever since the first clinical account of autism was published by Dr. Leo Kanner in 1943, Western culture has tended to mythologise the disorder as impenetrable, non-verbal and characterised by silence. As such, in both medical literature and popular culture, autistic individuals are depicted as incomprehensible and Other, problems to be rectified or puzzles to be solved. In contrast to this view of autism as an inscrutable enigma, Autistic Disturbances: Theorizing Autism Poetics from the DSM to Robinson Crusoe (University of Michigan Press, 2018) by Julia Miele Rodas explores the expressive, creative potential of the autist by opening up a host of literary texts to the “possibilities of autism.” Autistic Disturbances is therefore a unique contribution to the growing field of disability studies as it does not simply explore autism from the standard clinical or biographical perspective. Instead, this insightful new study sets out to engage with autistic modes of expression from a literary, cultural and semiotic viewpoint. Undertaking a comprehensive analysis of a wide range of texts, from Charlotte Bronte’s Villette and Mary Shelley’s Frankenstein to Andy Warhol’s autobiographical writings, Rodas unpacks the unique signifiers of autistic language and explores how autism can be articulated textually. In doing so, Autistic Disturbances seeks to uncover the autistic voice in familiar literary works, emphasising the often overlooked aesthetic and cultural value of autistic modes of communication. In this highly original analysis, Rodas maintains that the aesthetic qualities regularly praised by critics when they manifest in literary texts – repetition, cataloguing, highly-detailed description – are often found in autistic expression, where they are marginalised by clinicians and educators. Rodas, however, demonstrates that these features of autistic expression, these unique cognitive and communicative practices, have also played a major role in shaping some of Western culture’s most treasured literary artifacts. Over the course of a fascinating interview, Professor Rodas speaks to me about the history of autism, the unique qualities of autistic expression and the intriguing manner in which these expressive forms have manifested in numerous canonical literary texts. Prof. Rodas also discusses the impetus for this revolutionary project and explains how working on this book has shaped not only her research, but also impacted her teaching practice. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When did Ladino literature emerge? According to Dr. Olga Borovaya, author of The Beginnings of Ladino Literature: Moses Almosnino and his Readers (Indiana University Press, 2017), the history of Ladino writing may have a much earlier start date than scholars have previously thought. Borovaya makes her argument by focusing on the 16th-century vernacular literature of Moses Almosnino, a writer who was famous not only among Ottoman Sephardim, but also Jews and Christians throughout Europe. According to Borovaya, most scholars of Ladino literature of have placed the birth of genre in the 18th century, largely due to a false belief that works of high-culture were not composed in Ladino. She works against the assumption that Ladino was only used in popular, “folksy” writing, and the flawed categorization of high register Sephardi literature—like that of Moses Almosnino—as “Spanish” or “Castilian.” This tendency, Borovaya argues, wrongly implies that texts aimed at an educated audience were never written in the Ladino. Through in depth discussions of Almosnino’s epistles, chronicles, and travelogues, Borovaya convincingly shows that his vernacular literature belongs to the Ladino corpus. His work was widely read among Sephardi intellectuals from the 16th to 20th centuries, meaning that Ladino was indeed a language educated used in material written for the educated elite, and not just the popular masses. Ladino, Borovaya tells us, was similar to other languages (including Yiddish) in that it had multiple functional styles. Dr. Olga Borovaya is a Visiting Scholar at the Taube Center for Jewish Studies at Stanford University. She is the author of Modern Ladino Culture: Press, Belles Lettres, and Theater in the Late Ottoman Empire (IUP). Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lily Wong‘s Transpacific Attachments: Sex Work, Media Networks, and Affective Histories of Chineseness (Columbia University Press, 2018) traces the genealogy of the Chinese sex worker as a figure who manifests throughout the 20th century in moments of anti-Asian racism as well as moments of sexism and nationalism within Chinese communities. Yet for Wong, the tensions and visibility of this figure also allows alternative and alternating forms of solidarity rooted in stepping back from ideologies of nation, race and gender. The sex worker thus allows us to see Chineseness and other forms of collectivity as an affective product, an attachment that mobilizes our emotions and frames how we see others as well as ourselves. By charting representations of the Chinese sex worker through histories of Pacific Crossing, Cold War era ideologies, and contemporary globalization, Wong’s book shows the multiple ways that sex work and prostitution have unsettled forms of collectivity, while providing new spaces for dwelling. Christopher B. Patterson teaches at the University of British Columbia, Social Justice Institute. He is the author of Transitive Cultures: Anglophone Literature of the Transpacific and Stamped: an anti-travel novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies