New Books in Literary Studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy’s Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens’ book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When we talk about stories of alien abduction in the United States, we often do so through a framework of belief vs. disbelief. Do I think this story is true, or do I think it’s false? Anthropologist Susan Lepselter asks what happens when we instead listen to “UFO talk” ethnographically, understanding it as a form of vernacular American poetics that must be made sense of within specific cultural and political contexts. In The Resonance of Unseen Things: Poetics, Power, and UFOs in the American Uncanny (University of Michigan Press, 2016), Lepselter draws on years of interviews with “experiencers,” those who tell of being abducted by aliens, and participant-observation at an experiencers support group in a southern US city. Her wide-ranging book considers abduction stories in relation to other narrative forms—captivity narratives, conspiracy theories, frontier tales—offering new and shifting frameworks for making sense of the weird, uncanny, random, and real. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ryan Hackenbracht, who is an associate professor of English at Texas Tech University, has just published one of the most innovative and stimulating discussions of the interplay between literature and religion in early modern England. National Reckonings: The Last Judgement and Literature in Milton’s England (Cornell University Press, 2019) opens up questions about how seventeenth-century writers understood the Christian doctrine of the last judgement, and how the thought of that final reckoning shaped new attitudes to church and to nation. With new readings of authors including John Milton, Thomas Hobbes, Henry Vaughan, Gerrard Winstanley and Abiezer Coppe, National Reckonings will become essential reading for anyone working in the expanding field of literature and religion during England’s revolution. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Milton’s Paradise Lost (1667) is widely recognised as the greatest epic poem in the English language – and it is buried in the commentary of thousands of other texts. William Poole, who is John Galsworthy Fellow and Tutor in English at New College, Oxford, has written what will be recognised as one of the most important contributions to this formidable body of scholarship. Milton and the Making of Paradise Lost (Harvard University Press, 2017) offers a new account of the author and of his best-known work. Structured in two parts, and with short but determinedly focused chapters, Poole’s new book reconstructs the intellectual world within which Milton began to read towards his greatest project, and comments upon the poem to illustrate the variety and capacity of its author’s intellectual range. Pulling together biography and criticism, Poole’s new book is an outstanding and superbly resourceful achievement – and one that will help many new readers to discover this greatest of literary texts. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why would anyone want to study Sanskrit, an ancient complex tongue? What’s the best way to go about doing so? Sanskrit is the highly sophisticated language of ancient India which remained in vogue for Millennia as a medium of philosophy, ritual, poetry – indeed every facet of Indian culture. Above and beyond Indian culture, it affords deep insight into the grammatical structures of language. Join us as we talk to Antonia Ruppel (Oxford University) about her Sanskrit textbook, The Cambridge Introduction to Sanskrit (Cambridge University Press, 2017), a much-needed accessible, comprehensive tool for learning this ancient tongue, complete with online handouts, flash cards, and videos. We delve into the unique attributes of the Sanskrit language – for example, 3 numbers, 3 genders, special case endings, sophisticated rules for combinations of sounds (elision) – and the extent to which knowledge of the Hindu ‘language of the gods’ grants us access to millennia of human enterprise that is simultaneously foreign and familiar to our own. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why are myths of the Indian Great Goddess couched in a conversation between a deposed king and forest-dwelling ascetic? What happens when we examine these myths as a literary whole, frame and all? What interpretive clues might we find in their very narrative design? Join us in the "flip interview" as as your New Books Network Hindu Studies host Raj Balkaran (University of Toronto School of Continuing Studied) is interviewed on his new book The Goddess and The King in Indian Myth: Ring Composition, Royal Power and The Dharmic Double Helix (Routledge, 2018) by guest-interviewer Craig Ginn from the University of Calgary. Learn how the narrative design of Indian Great Goddess myths and the manner in which that design highlights the Goddess' association with royal power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With questions over how ideas are translated across borders and between languages as acute as ever today, it is sometimes easy to forget that our efforts to understand each other are mediated through many accreted layers of previous translations. Pu Wang’s The Translatability of Revolution: Guo Moruo and Twentieth-Century Chinese Culture (Harvard University Asia Center, 2018) takes us deep into this world of past linguistic and cultural interpretations, shedding invaluable light on broad questions how ‘history’, 'the people', 'revolution' and many other ideas have emerged as products of exchange between East Asian and European contexts. But this book is much more than this, being the first study of the whole life of Guo Moruo, the ‘writer, poet, dramatist, Marxist historian, paleographer… revolutionist and cultural fighter’ (p. 5), as Deng Xiaoping eulogised him. Wang skilfully weaves together an analysis of Guo’s extraordinarily diverse written works – from translations of Goethe to autobiography and interpretations of oracle bone inscriptions – with a rich account of the man's personal life and events in China at large. As a poet and translator himself, Wang is uniquely positioned to tell this richly creative story which is at once personally intimate and vast in scope. As difficult to encapsulate in a short blurb as the tumultuous life of Guo himself, this book offers us a portrait of a deeply complex and controversial figure and a picture of Chinese culture in the age of revolution which emerged in dialogue with innumerable historic voices. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why does the narrative motif of ‘dialogue’ pervade Hindu texts? What role does it serve? Join me as I speak with Chakravarthi Ram-Prasad (Fellow of the British Academy, and distinguished professor of Comparative Religion and Philosophy at Lancaster University), co-editor of In Dialogue with Classical Indian Traditions: Encounter, Transformation and Interpretation (Routledge, 2019). This volume presents 13 fascinating studies on the role of dialogue in Indian religious tradition, all of which are touched on in the interview. This book is part of a series entitled "Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History." For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Of the millions of books that have been published, few are as renowned or as coveted today by collectors as the famous Bible printed in the 15th century by Johannes Gutenberg. In The Lost Gutenberg: The Astounding Story of One Book's Five-Hundred-Year Odyssey (TarcherPerigee, 2019), Margaret Leslie Davis traces the journey of one copy of this book – known as Number 45 – over the course of two centuries as it changed hands through a succession of owners. As Davis explains, at the start of the 19th-century Gutenberg Bibles were not as highly prized by the growing market of rare book collectors, which allowed Archibald Acheson, the third earl of Gosford, to acquire Number 45 for a relatively small sum in 1836. By the time it was sold nearly a half-century later, however, its status had skyrocketed and with it the price it commanded. After a succession of British owners, Davis describes the book’s acquisition in 1950 by the American heiress Estelle Doheny, which brought Number 45 across the Atlantic Ocean and into the hands of the only woman known to own a copy. Though the book was donated to a Catholic seminary upon her death along with the rest of her collection, its sale in 1987 to a Japanese publisher led to a second transoceanic journey that brought it to Japan. There Number 45 became the first Gutenberg accessible to millions as its pages were subsequently photographed and the images posted on the Internet for anyone online to see. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Shonaleeka Kaul is a cultural historian of early South Asia specializing in working with Sanskrit texts. She is Associate Professor at the Centre for Historical Studies, Jawaharlal Nehru University, and has worked extensively on Sanskrit kavya, a genre of highly aesthetic poetry and prose. She is the author of The Making of Early Kashmir: Landscape and Identity in the Rajatarangini (Oxford University Press, 2018) and Imagining the Urban: Sanskrit and the City in Early India (Permanent Black and Seagull Books, 2010), and has edited Cultural History of Early South Asia: A Reader (Orient BlackSwan, 2013). The interview is about her second and recent book The Making of Early Kashmir, in which she upturns many prevalent views about the cultural history of Kashmir. As many would know, Kashmir is right now a highly contested territory within India, and as it happens with all such spaces, there is equally a contestation over the reconstruction of the historical memory related to the land. In this book, Shonaleeka Kaul challenges the view that Kashmir had an isolated, insular and unique regional and cultural identity, separate from the identity of mainstream India. She argues that it was in fact the opposite, and her argument is based on, among other things, her highly original reading of the Sanskrit kavya, Rajtarangini, composed by the Kashmiri author Kalhana in the 12th century AD. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Thomas A. Wayment, professor of Classics at Brigham Young University, has done something remarkable — he has retranslated the New Testament. This new translation from the best available Greek manuscripts, entitled, The New Testament: A Translation for Latter-day Saints(Religious Studies Center, Brigham Young University, 2019), renders the New Testament text into modern English and is sensitive to Latter-day Saint beliefs and practices. It is also readable and accessible for a wide range of readers. The original paragraph structure of the New Testament is restored and highlights features such as quotations, hymns, and poetic passages. New and extensive notes provide alternative translations, commentary on variant manuscript traditions, and historical insights. Where applicable, the Joseph Smith Translation of the Bible has been included, and the notes contain the most complete list of cross-references to New Testament passages in the Book of Mormon and Doctrine and Covenants that has ever been assembled. In our discussion, Dr. Wayment gives us exciting insights into how he translated the New Testament, along with his thoughts on Jesus Christ, the Pauline epistles, the role of women in the early church, and more. It’s a fun and fascinating conversation! Daniel P. Stone holds a PhD in American religious history from Manchester Metropolitan University (United Kingdom) and is the author of William Bickerton: Forgotten Latter Day Prophet (Signature Books, 2018). He has taught history courses at the University of Detroit Mercy and Florida Atlantic University, and currently, he works as a research archivist for a private library/archive in Detroit, Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the earliest days of medical research into autism, both psychologists and the general public have characterised those on the autism spectrum as literal-minded, unimaginative and lacking in empathy. While in recent years a fresh emphasis on neurodiversity has served to sweep aside this kind of reductive thinking, many people still view autistic readers as limited in their capacity to engage with literary texts. In his new book See It Feelingly: Classic Novels, Autistic Readers, and the Schooling of a No-Good English Professor (Duke University Press, 2018), educator and author Ralph James Savarese challenges the notion that autistic readers are unable to immerse themselves in figurative language or get lost in imaginative worlds. Instead, Savarese, himself the father of a young autistic man, explores the many diverse and illuminating ways in which neurodivergent readers can engage with literature. From a young reader who identifies with the cetacean “antagonist” of Moby Dick to a woman who provides stunning new insights into Philip K. Dick's Do Androids Dream of Electric Sheep?, See It Feelingly foregrounds the unique perspectives of autistic readers and highlights their inventive approaches to literary analysis. In this podcast, Professor Savarese speaks to Miranda Corcoran about the impetus for this project and his experience working with neurodivergent readers. Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. Her research focuses on Cold-War fiction, science fiction, horror and the gothic. She is currently writing a monograph on witchcraft and adolescence in popular culture. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era(University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

That the Roman leader Gaius Julius Caesar is so well remembered today for his achievements as a general is largely due to his skills as a writer. In The Landmark Julius Caesar: The Complete Works (Pantheon, 2017), the distinguished classics scholar Kurt Raaflaub provides readers with a new translation of the collection of writings known as the Corpus Caesarianum, which he supplements with footnotes, maps, and images designed to make Caesar’s writings accessible for the modern-day reader. Raaflaub situates the books within the context of Caesar’s life, explaining how the first and most famous of them, the Gallic War, was a political tool designed to bolster Caesar’s stature back in Rome. In the aftermath of the civil wars that followed his crossing of the Rubicon in 49 BCE, Caesar wrote his follow-up Civil War, which was largely complete when he was assassinated five years later. Though Caesar died before writing the later works attributed to his authorship, Raaflaub presents them as extensions of Caesar’s labors, with the Alexandrian War written from his notes and early materials he drafted, and the African War and the Spanish War authored by men who served in both campaigns and who were firsthand witnesses to them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader’s imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.” Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders: “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin: French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s. His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do we project imagined worlds? After all, why do we find ourselves mesmerized by imagined worlds? A collection edited by Anindita Banerjee, Science Fiction Circuits of the South and East (Peter Lang Ltd, 2018), delves into the intricate developments of science fiction while asking the reader to speculate about the nature of internalized worlds which in a myriad of ways engage with externalized dimensions. This collection stimulates the further blurring of boundaries not only in terms of genre interactions, but also in terms of oncological and epistemological frameworks spanning a wide terrain of geographical, aesthetic, ideological, and political matters. Science Fiction Circuits of the South and East conceptualizes science fiction in both local and global contexts and invites us to think about science fiction as an artistic phenomenon that translates diverse modifications that emerge as a result of multiple interactions and events, understood in the broadest sense. As a mode of ontological negotiations, science fiction advances the understanding of literature in terms of effect and affect, which provides space for further theorizing literary developments in the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Though not as well known today as some of her literary contemporaries, Charlotte Lennox wrote numerous works during the mid-18th century that won her critical acclaim and influenced subsequent generations of authors. In Charlotte Lennox: An Independent Mind (University of Toronto Press, 2018), Susan Carlile draws upon Lennox’s published works, her surviving correspondence, and the studies of her era to reconstruct the life and times of this remarkable writer. Growing up in Britain’s Atlantic empire, young Charlotte Ramsay’s preparations for a position in the court were derailed by her marriage to an impecunious Scotsman. In need of an income, the newly married Lennox attempted a career as an actress before turning to her pen for her livelihood. Though her early writing won both a wide audience and the admiration of such influential figures as Samuel Johnson, Samuel Richardson, and Henry Fielding, Lennox faced the continuous challenges common to writers of the era of earning an income sufficient for her family’s needs. As Carlile details, this led Lennox to produce both fiction and nonfiction across a range of genres, which demonstrated the scope of her skills and inspired numerous imitators and successors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of New Books in Buddhist Studies, Dr. Richard Salomon speaks about his book The Buddhist Literature of Ancient Gandhāra: An Introduction with Selected Translation (Wisdom Publications, 2018). One of the great archeological finds of the 20th century, the Gandhāran Buddhist Texts, dating from the 1st century CE, are the oldest Buddhist manuscripts ever discovered. Richard discusses his pioneering research on these fascinating manuscripts, how the then obscure Gāndhārī language was deciphered, the historical and religious context from which these texts emerged, and the Gandhāran influence on other parts of the Buddhist world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction (SUNY Press, 2018) offers a new understanding on Israeli literature and literary history. Using Marxist theorization of the relation between literary form and social form, Oded Nir goes beyond the dominant interpretive horizon of Israeli literary criticism, that focuses on the relation of literature to national ideology. Instead, Nir demonstrates how the engagement with national ideology in Israeli literature probes the social and economic contradictions internal to Israeli society and its social order. Focusing on moments of transformation, Nir argues that the demise of realism in the late 1950s was the result of the failure, rather than the success, of the emancipatory project of Zionist pioneers. Next, Nir shows how the postmodern turn in the 1980s expressed a crisis of social and historical imagination that began with the proletarianization of Palestinians by Israeli capitalism after the 1967 war. Finally, Nir demonstrates how contemporary Israeli fiction responds to the postmodern crisis by staging a creative search for time itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Though most renowned for his award-winning Tibetan films, Pema Tseden, is also a prolific author and translator. Enticement(State University of New York Press 2018) is a collection of Pema Tseden’s short stories edited and translated by Patricia Schiaffini-Vedani and Michael Monhart, with assistance from Southwest University’s Carl Robertson and INALCO’s Francoise Robin. Along with a translator’s introduction and author’s preface, the 10 short stories selected with input from the author himself range from the realistic to the fantastic. For the more realistic stories, lovingly playful descriptions of everyday Tibetan life bring a relatively apolitical look at contemporary Tibetan experience that defies simplistic interpretation. In the more fantastic stories, some of the same issues appear through descriptions that are stubbornly not realistic. Throughout the stories a narrative style and thematic influences from Tibetan oral traditions, his portrayal of media within media, and his tendency to use conclusions that do not lend a sense of finality to the stories create a reading experience that mirrors, in many ways the author’s unique cinematic storytelling style. This first ever English translation of Pema Tseden’s short stories provides a new way of approaching contemporary Tibet through the eyes of one of its most impressive storytellers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Studies of Hindu saints tend to focus primarily on the saints themselves—their words, teachings, and practices—rather than tending to the often complex and complicated world of texts and traditions about those saints—which is how we have come to know them. Even when hagiographical writings are addressed, more often than not such writings are presumed to belong to a monolithic tradition in which certain texts simply contain more information or stories about the saints than others. In Śiva’s Saints: The Origins of Devotion in Kannada according to Harihara’s Ragaḷegaḷu (Oxford University Press, 2018), Gil Ben-Herut, Assistant Professor of Religious Studies at the University of South Florida, challenges such presumptions through his close examination of the text and contexts of the 12th-century Vīraśaiva hagiographical text Ragaḷegaḷu written in Kannada by Harihara. Providing theoretical insight into notions of sainthood itself as well as the politics of commemoration and the contentious worlds of ever-changing religious and other social identity formations, Śiva’s Saints examines the multiple goals of hagiographical literature like the Ragaḷegaḷu as well as how this text complicates our understandings of what Vīraśaivas today are most well-known for—their bhakti or inner devotion to Siva, their egalitarianism, and their challenging of Brahmanical norms. In doing so, Ben-Herut reveals significant nuances of the social worlds in which Harihara was embedded and to which his Ragaḷegaḷu is responding, most especially who Harihara casts as distinct but familial “others” versus those intimate “others” he agues should be kept out of the community. Through rigorous analysis and sensitivity to context, Śiva’s Saints demonstrates how close attention to the writings about saints can reveal the complex inner and outer workings of religious groups within specific historical social contexts. Dean Accardi is an Assistant Professor of History at Connecticut College. His work focuses on gender, religion, and politics in early modern Kashmir and how saints and sultans of that period continue to be invoked today in contestations over Kashmir’s social, cultural, religious, and political belonging. You can find out more about him and his work at his website or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When and where did Jesus offer himself to God? What role does Jesus’ death play in his high-priestly self-offering in heaven? Answering these questions are crucial for understanding the book of Hebrews rightly. Tune in as R. B. Jamieson answers those questions, as we talk about his recent book: Jesus’ Death and Heavenly Offering in Hebrews (Cambridge University Press, 2019). R. B. Jamieson is an associate pastor of Capitol Hill Baptist Church in Washington, DC. He earned an MDiv and ThM from the Southern Baptist Theological Seminary, and a PhD in New Testament from the University of Cambridge, where he also taught Greek. In addition to his published doctoral work, he is the author of a variety of books including Understanding Baptism and Understanding the Lord’s Supper. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Richard Gombrich's new book, Buddhism and Pali (Mud Pie Slices, 2018), puts the richness of the Pali language on display. He introduces the reader to the origins of Pali, its linguistic character, and the style of Pali literature. Far more than just an introductory book, Richard argues not only that the Pali Canon records the words of the Buddha, but that the Buddha himself is responsible for the Pali language. Richard shows that by learning about Pali, we learn about the spirit of Buddhism itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In On the Mediterranean and the Nile: The Jews of Egypt (Indiana University Press, 2017), Aimée Israel-Pelletier, Professor and Head of French at the University of Texas at Arlington, looks at the work of five Egyptian Jewish writers. She confronts issues of identity, exile, language, immigration, Arab nationalism, European colonialism, and discourse on the Holocaust. Israel-Pelletier's volume is a hugely important part of the project recovering and transmitting Egyptian Jewish life and thought. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What might Levi-Strauss and structuralism have to offer to psychoanalysis beyond the incest prohibition and the Oedipus complex? What happens if we understand Lacan’s notion of the symbolic as creative, rather than prohibitory? And what’s the difference between the psychoanalyst and the shaman? Shanna de la Torre’s Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis (Palgrave Macmillan, 2018) performs a careful reading of Freudian, Lacanian and structuralist texts in order to offer a new way of conceiving of the objects and aims of psychoanalysis today. Alongside it she introduces us to an alternative perspective on Lacan emerging from analysts associated with GIFRIC, a Lacanian school based in Quebec. Listen in as we work our way through some of the book’s major concerns and their implications for theory and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today, we're talking to Janelle Adsit about her book, Toward an Inclusive Creative Writing (Bloomsbury, 2017). In it, Adsit takes a hard look at the way American colleges and universities teach creative writing. What do students who enter creative-writing classrooms encounter as these young men and women hope to discover who they are and can be as writers? Does the teaching they receive help or hinder them? As Adsit’s title suggests, one of the problems she’s found with writing instruction in our institutions is that it’s too exclusive, too centered on limited and limiting ideas of what counts as good writing and, by extension, who can be good writers. Too often, in writing classrooms across the country, students encounter models that are predominately male and predominately white. How, Adsit asks, can we foster the writing of students who don’t identify with these models? How can we guide our students to write from and give voice to their own diversity? At stake in these questions is not merely the experience of students in the classroom, but, in the long run, the future of American literature, for in these classrooms are our authors-to-be, those writers who will go on to write the books we’ll read in the coming decades. Adsit hopes to lead us forward into a brighter literary future, one in which our literature is as rich and diverse as the Americans who read it. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can detective fiction explain the social world? In Detecting the Social: Order and Disorder in Post-1970s Detective Fiction(Palgrave Macmillan, 2019), Mary Evans and Hazel Johnstone, both from the London School of Economics' Department of Gender Studies, and Sarah Moore, a Senior Lecturer at the University of Bath's Department of Social and Policy Sciences, set out a radical agenda for contemporary social theory grounded in an analysis of detective fiction since the 1970s. The book uses a range of examples from the genre, as well as comparative discussions with previous eras of detective fiction. In doing so, the book demonstrates how questions of modernity, globalisation, trust in institutions, blame and responsibility, gender and gender relations, along with the rise of neoliberalism and the transformation of the social state since the 1970s can be understood through key works such as Larsson's Millennium Trilogy. By showing an alternative to 'unpeopled' social theories, the book will be key reading across the social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It's often touted that Rumi is one of the best-selling poets in the United States. That may be the case but popular renderings of the writings of this 13th-century Muslim have largely detached him from the Islamic tradition, and specifically Sufi mysticism. In Radical Love: Teachings from the Islamic Mystical Tradition (Yale University Press, 2018), Omid Safi, Professor of Islamic Studies at Duke University, places Jalal al-Din alongside luminaries within the rich archive of Islamic Sufi poetry. In this anthology of newly translated poetry Safi focuses on love, especially ‘ishq/eshq, what he renders as “radical love.” The volume organizes translations of Qur’an and Hadith, Sufi mystics and poets into four thematic sections: God of Love, Path of Love, Lover & Beloved, and Beloved Community. Radical Love does an excellent job of introducing readers to key ideas from Islamic mysticism that are rooted in first hand knowledge of Arabic and Persian texts. This book is valuable to both the scholar and the student because of Safi’s informed nuance in both the careful selection of source passages and the subtle lyricism of his translations. In our conversation we discussed the translation of Sufi poetry in English, strategies to translation work, love in the Islamic tradition, the reception of Rumi, Ahmed Ghazali’s first book in Persian on love, Qawwali singers, contemporary sheikhs, and several key Sufis authors. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is repetition always bad? The Letter to the Hebrews lies at the heart of a tradition that views repetition always negative. But is this the best understanding of Hebrews? Nicholas Moore says, ‘No.’ Tune in as we talk with Nicholas J. Moore about his recent book, Repetition in Hebrews: Plurality and Singularity in the Letter to the Hebrews, Its Ancient Context, and the Early Church (Mohr Siebeck, 2015). In this special double-feature interview, we will also discuss Albert Vanhoye’s A Perfect Priest: Studies in the Letter to the Hebrews, co-edited and co-translated by Nicholas Moore and Richard Ounsworth. Reverend Dr. Nicolas Moore is Director of the MA Programmes at Cranmer Hall, and teaches Practical Theology, Anglicanism, and Biblical Studies and Patristics. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alan Jacobs is a renowned literary critic, with a talent for writing that books that speak to our current predicaments. A professor at Baylor University, his recent work includes a “biography” of the Book of Common Prayer, a discussion of The Pleasures of Reading in an Age of Distraction and How to Think: A Survival Guide for a World at Odds. Today we catch up with Professor Jacobs to discuss his most recent publication, The Year of Our Lord 1943: Christian Humanism in an Age of Crisis (Oxford University Press, 2018). Drawing on interventions made at the height of global war by T. S. Eliot, W. H. Auden, C. S. Lewis, Simone Weil and Jacques Maritain, Jacobs shows how leading intellectuals worried about a world in crisis and how they imagined it might be set right. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Victoria Brownlee is the author of an exciting new contribution to discussions of early modern religion and literature. Her new book, Biblical Readings and Literary Writings in Early Modern England, 1558-1625 (Oxford University Press, 2018), offers an illuminating account of how, why, when, where and by whom Bibles were read in early modern England, as well as a series of case studies of particular characters or passages in the Old and New Testaments. Why did Bible reading matter so much in the England of Elizabeth I and James VI/I? Did it matter that the Bible was an illustrated text? Why did expositors work so hard to limit the language of the Song of Songs, when creative writers worked so hard to expand its reference? Join us on this podcast as Dr. Brownlee suggests answers to these and other questions about readings of the Bible in early modern England. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This 2018 reprint of Little Man, Little Man exemplifies communal and collaborative textual production. The story was written by James Baldwin and illustrated by French artist Yoran Cazac. It was published in 1976 and then went out of print. In this new edition, scholars Nicholas Boggs and Jennifer DeVere Brody write the introduction, while Baldwin’s nephew and niece, Tejan Karefa-Smart and Aisha Karefa-Smart write the foreword and afterword respectively. In Little Man, Little Man, which Baldwin alternately described as a children’s book for adults and an adults’ book for children, we see a slice of a Harlem neighborhood through the eyes of young TJ. The story presents a complex and multifaceted vision of black childhood in America and nudges the contemporary reader to think critically about what it means to see through the eyes of a child and to be seen by those in one’s world. Nicholas Boggs was an undergraduate at Yale when he discovered James Baldwin's out-of-print "children's book for adults," Little Man, Little Man: A Story of Childhood (1976) at the Beinecke Rare Book and Manuscript Library. The senior thesis he wrote about it was published in the anthology James Baldwin Now (NYU, 1999). A subsequent essay on Little Man Little Man that draws on his interviews in Paris with the book's illustrator, French artist Yoran Cazac, appears in The Cambridge Companion to James Baldwin (2015). This research led him to co-edit and write the introduction to a new edition of Little Man, Little Man (Duke UP, 2018), which the New York Times wrote "couldn't be more timely" and Entertainment Weekly hailed as "brilliant, essential." He was interviewed by the New York Times and Publisher's Weekly for their feature articles on Little Man, Little Man and he appeared on Madeleine Brand's Press Play on KCRW , on Black America TV , and on a panel at the Schomburg Center for Research in Black Culture moderated by Jacqueline Woodson, National Ambassador for Young People's Literature. The recipient of fellowships from Yaddo, MacDowell, and the Camargo Foundation, he is currently at work on a literary biography of Baldwin, forthcoming from Farrar, Straus, and Giroux. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Reimagined Belongings: Black Women’s Decolonial Citizenship in the French Empire examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From Indonesia’s declaration of independence in 1945 up until today, the relationship between Indonesian nationalism, Islam, and modernity has been a key subject of debate. One of the central figures in this debate was the great writer, journalist, public intellectual – and pious Muslim from Minangkabau, West Sumatra, Haji Abdul Malik Karim Amrullah, better known by his pen-name, Hamka. Largely self-taught, Hamka was one of Indonesia’s most prolific writers. Between the 1920s and his death in 1981 he penned novels, short stories, biographies, memoirs, self-help books, travel books, histories, and many studies of Islam, including a famous thirty-volume commentary on the Qur’an. In Hamka's Great Story: A Master Writer’s Vision of Islam for Modern Indonesia (University of Wisconsin Press, 2016), James R. Rush traces the development of Hamka’s thinking as expressed through these works against the backdrop of Indonesia’s tumultuous modern history, including late Dutch colonial rule, the Japanese occupation, the Indonesian revolution, the Sukarno years, and the New Order military dictatorship under Suharto. Since the end of the New Order regime in 1998 some scholars have referred to a "conservative turn" in Islam in Indonesia. Listen to James Rush explain how an appreciation of Hamka and his influence in twentieth century Indonesia can help us better understand what is happening in Indonesian Islam today. Listeners of this episode might also enjoy listening to: Vanessa Hearman, Unmarked Graves: Death and Survival in the Anti-Communist Violence in East Java, Indonesia.Anthony Reid, A History of Southeast Asia: Critical Crossroads Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, Mandarin Brazil: Race, Representation, and Memory (Stanford University Press, 2018), Ana Paulina Lee (Columbia University) analyzes representations of the Chinese in Brazilian culture to understand their significance for Brazilian nation-building in the 19th and early 20th centuries. Lee has assembled a multidisciplinary archive encompassing literature, visual culture, theater, popular music, and diplomatic correspondence. Although their numbers in Brazil were not as large as immigration from Japan, the Chinese were nevertheless portrayed as non-white, sexually deviant, and unfree labor—in sum, a threat to dominant ideologies of branqueamento (racial whitening) and mestiço nationalism. Attentive to events and perspectives on both sides of the Pacific Ocean, Lee makes a distinctive contribution to the growing literature on Asian American history and cultural studies beyond North America and the Caribbean. Ian Shin is an assistant professor of American culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alec Nevala-Lee’s Astounding is the first comprehensive biography of John W. Campbell, who, as a writer and magazine editor, wielded enormous influence over the field of science fiction in the mid-20th century. “His interests, his obsessions, and his prejudices shaped what science fiction was going to be,” Nevala-Lee says. Many people are familiar with Campbell’s name because it’s on the award given out every year by the World Science Fiction Society—the John W. Campbell Award for Best New Writer. (This year, the award went to Rebecca Roanhorse, who was on the podcast in September; other winners who’ve been on the show include Ada Palmer, Andy Weir, and Mur Lafferty.) From 1937 through the 1960s, Campbell used the magazine Astounding Science Fiction (now named Analog) to popularize science fiction and its potential to predict the future. But he also used the magazine to promote pseudosciences (like psionics and dianetics), and his legacy is tarnished by views that were “clearly racist.” “He was quite content to keep publishing stories by writers who looked like him... And the characters were almost all white,” Nevala-Lee says. “Campbell thought that maybe black writers weren’t interested in writing science fiction or they weren’t good at it. It never seems to have occurred to him that they might be more interested in writing for his magazine if they saw characters who looked like them.” Astounding is a powerful contribution to the history of science fiction, offering fascinating stories about the careers and personal lives of Campbell and his stable of talented and influential writers. But its immediate effect may be to spark a conversation about whether the best way to honor today’s emerging talent is with an award bearing the name of a man whose legacy is so problematic. A similar conversation occurred earlier this year over the Laura Ingalls Wilder Award; the debate ended when the American Library Association decided to change the name of the award. “That debate has not yet extended to the John W. Campbell Award. I think it's a legitimate discussion because Campbell’s opinions on race, in my opinion, are far more offensive than anything Wilder expressed," Nevala-Lee says. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can the Weimar Republic teach us about how democracies fail? How could the same vibrancy that gave us cultural touchstones spawn Nazism? In his new book Weimar Germany: Promise and Tragedy (Princeton University Press, 2018), Eric D. Weitz challenges the belief that the fledgling democracy was doomed to fail. In an encompassing examination of the short-lived republic’s political, economic, intellectual, and cultural life, Eric skillfully weaves vivid stories into a overarching narrative. History does not repeat itself, but it does rhyme, and Weimar Germany has much to say that echoes in the here and now. Eric D. Weitz is Distinguished Professor of History and the former Dean of Humanities and Arts at the City College of New York (CCNY). He has been the recipient of many fellowships and awards including the German Academic Exchange Service, the Guggenheim Foundation, and National Endowment for the Humanities. Weitz’s academic work and public engagement covers the Holocaust, the Armenian Genocide, and the genocide of the Herero and Nama. Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title A Discriminating Terror. He also cohosts the Third Reich History Podcast and can be reached at [email protected] or @Staxomatix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Steven Shaviro’s book Discognition (Repeater Books, 2016) opens with a series of questions: What is consciousness? How does subjective experience occur? Which entities are conscious? What is it like to be a bat, or a dog, a robot, a tree, a human being, a rock, a star, a neutrino? Discognition looks at a series of fascinating science fiction narratives – in some cases reading philosophical or scientific literature as speculative fiction – to raise important questions about consciousness and sentience and to help readers understand the significance of those questions for how we live with ourselves and each other. In addition to opening up some wonderfully thoughtful and provocative works of science fiction, the book also models a transdisciplinary mode of scholarship that is as inspiring as it is effective. Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does one show empathy towards someone across racial lines? In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America. Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The success of a translator may seem to lie in going unnoticed: the translator ducks out of the spotlight so that the original author may shine. Mark Polizzotti challenges that idea in a provocative treatise on his craft, Sympathy for the Traitor: A Translation Manifesto (MIT Press, 2018). “A good translation, created by a thoughtful and talented translator,” Polizzotti writes, “aims not to betray the original but to honor it by offering something of equal–possibly even greater–beauty in its name. Polizzotti has translated over 50 books and authored or co-authored four of his own. He is the Publisher and Editor-in-Chief at the Metropolitan Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies