New Books in Literary Studies

In Vyāsa Redux: Narrative in Epic Mahābhārata (Anthem Press, 2019), Kevin McGrath examines the complex and enigmatic Vyāsa, both the primary creative poet of the Sanskrit epic Mahābhārata and a key character in the very epic he composes. In doing so McGrath focuses on what he considers the late Bronze Age portions of the epic feature prioritizing the concerns if the warrior class. In his discussion, McGrath distinguishes between plot and story and how this distinction comes to bear on the differences between preliterate and literate phases of the epic’s compositional history. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode, Lee Pierce (she/they interviews John R. Gallagher of University of Illinois about Update Culture and the Afterlife of Digital Writing (Utah State University Press, 2020) a dynamic look at the life of a text in the 21st century. Looking at wealth of case studies among Amazon reviewers, redditors, and established journals, Update Culture is a deep diver into the many factors that contribute to the circulation of a digital text. The key three themes Gallagher explores include timing, attention, and management and they provide rhetorical points of access to understand the ever-evolving conditions of digital writing across genres and mediums. I hope you enjoy listening as I much as I enjoyed chatting with John about this instructive book. I’d love to hear from you at [email protected] or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.” In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear them. Shaw shows us what it might mean to listen deeply and profoundly, with our minds, yes, but also with our souls, our spirits, our very bones. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Collins' book The Other Rāma Matricide and Genocide in the Mythology of Paraśurāma (SUNY Press, 2020) examines a fascinating, understudied figure appearing in Sanskrit narrative texts: Paraśurāma, i.e., “Rāma with the Axe”. Though he is counted as among the ten avatāras of Viṣṇu, his biography is quite grisly: Paraśurāma is best known for decapitating his own mother and launching a genocidal campaign to annihilate twenty-one generations of the warrior caste. Why do ancient Sanskrit mythmakers elevate such an arguably transgressive and antisocial figure to so exalted a religious status? The Other Rāma explores this question by undertaking analysis of the Paraśurāma myth cycle using the methods of comparative mythology and psychoanalysis. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner’s wide-ranging literary output to assess the author’s life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family’s tales and the larger history of the region to which it was tied. Yet it took Faulkner’s journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After a life lived in obscurity, Emily Dickinson emerged after death as one of the greatest poets of her time. In These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson (W. W. Norton, 2020), Martha Ackermann traces her evolution as a poet by focusing on some of the key moments in her life that defined and shaped her as a writer. The daughter of a prosperous attorney, Dickinson did not have the concerns of work or marriage that defined the lives of the women of her era. Without them she was able to focus on composing poems, a task to which she dedicated herself at an early age. While the vast majority of her poems remained unpublished during her lifetime, this did not reflect her desire to be distinguished. In response to an article by Thomas Wentworth Higginson, she sent him four of her poems, inaugurating what would become a lifelong correspondence between the two of them. Though Higginson was instrumental in the posthumous publication of Dickinson’s poems, it took Dickinson’s death in 1886 before she gained the distinction she had desired throughout her life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education. Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia). Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"Man is born free, and everywhere he is in chains." The opening sentence of 18th century philosopher Jean-Jacques Roussau's The Social Contract poses a central question for all of us. Why do we live under conditions of inequality, violence, dependency and general unhappiness (just look on twitter!) if society is made by us and for us? Why does it seem that modern human beings are not liberated but in fact subjugate themselves voluntarily to a system that robs them off their freedom? Rousseau's thought has informed much of modern political theory and philosophy and inspired people everywhere to think about the balance between individual liberty and collective existence. In order to understand better the lasting influence of Rousseau and his current significance, I spoke with Melissa Schwartzberg, who is Silver Professor of Politics at New York University and a specialist in political theory. Melissa's research is in the historical origins and normative logic of democratic institutions. This means she examines the principles underlying democracies and also the way democratic practices, from constitutions to elections, work out today. Professor Schwartzberg is the author of several books: Counting the Many: The Origins and Limits of Supermajority Rule, and Democracy and Change (Cambridge University Press, 2013). Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Robert Elmer, who is a communications specialist at Seattle Pacific University, a prolific writer of historical fiction, and the author of over fifty published titles, has published a ground-breaking anthology of prayers that he has collected from English and American puritans. The value of Piercing Heaven: Prayers of the Puritans (Lexham Press, 2020) is that it provides access into a world of religious practice that is otherwise lost – many puritans refusing on principle to put their prayers to paper. Trawling through published sermons and other sources, Elmer discovered prayers reflecting a huge range of contexts, situations, and geographical and denominational background. Piercing heaven: Prayers of the puritans organises these prayers in thematic sections. Tune in to find out why these prayers are so surprising – and what they tell us about the interior life of the hotter sort of English and American protestants. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic. In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“In the game of thrones you either win or you die”––with over 10 million viewers per episode of Game of Thrones, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s A Song of Ice and Fire, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, George R. R. Martin and the Fantasy Form (Routledge, 2019) Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program. Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important book for both students and critics of Martin’s work, arguing for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose. Dr. Joseph Rex Young lives and works in Dunedin, New Zealand, where he pursues his research interests in Gothic literature, neo-Romanticism, and the intellectual history and structure of modern fantasy narrative. He has taught at universities in Bosnia and Herzegovina, Germany, and New Zealand. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Another heavenly day” is the opening line of Samuel Beckett’s play Happy Days (1961), where Winnie sits buried to her waist in sand, with her husband Willie stuck a few feet away from her … but language, memory, and consciousness are not all she has. Beckett’s plays, novels, poetry, radio plays, and prose reveal our deepest humanity by stripping language to its bare essentials. Beckett wrote much of his work after 1945 in French, a language he learned mostly as an adult, and then translated it back into his native English to purge it of clichés and stock phrases. In the resulting works he reveals how our bodies moving through space are far more than vessels for a roving consciousness. They contain a hint of transcendence which manifests itself as the human need for self-expression through which we locate ourselves — in time, in relation to others, and in relation to ourselves. I spoke with Beckett expert, scholar, and theater director Nicholas Johnson at the Samuel Beckett Theatre at Trinity College Dublin, Ireland, where Beckett taught for a short time in the 1920s before giving up on academia, moving to Paris, and becoming a writer next to James Joyce, Gertrude Stein, Ernest Hemingway, and others. Our conversation shows how Beckett’s work is surprisingly optimistic about the power of art and language to give us meaning. “You must go on, I can’t go on, I’ll go on” is the final line of Beckett’s 1953 novel The Unnamable. Johnson explained how these words show Beckett’s relentless commitment to strip our existence down to the basics (who we are, what we have, what we want) and then move deeper from there. Instead of adding more words and complexity, Beckett shows that our searching may be our life’s meaning and that not knowing what we want is, in fact, the key to knowing ourselves. “You have to pay attention and be as informed as possible; you have to try to understand things; and you have to speak out!” is Johnson’s summary of what Beckett’s works mean for him. In a time of historic and political turmoil, it’s an urgent imperative and we would do well to heed it. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The fact that secrecy and the concealment of information is important in today’s China is hardly a secret in itself, yet the ways that this secrecy is structured and sustained in such a vast society is not especially well understood. A lot more must be at play than simply the PRC state’s vast censorship apparatus when it comes to obscuring everything from the leadership’s private lives to dark chapters of country’s recent history. Margaret Hillenbrand’s Negative Exposures: Knowing What Not to Know in Contemporary China (Duke University Press, 2020) sheds unique light on the operation of what she calls China’s culture of ‘public secrecy’. Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know. The book’s highly original and at times haunting exploration of photographic afterlives in art, literature and online offers up a nuanced but also forceful picture of how secrecy reigns in the PRC, and indeed beyond. Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Jātaka tales, or stories of the Buddha’s previous lives as a bodhisatta, are included in the Pāli Canon and have for centuries been a rich source of inspiration in Theravada Buddhism. In addition to these classical Jātaka, a number of other non-canonical Jātaka tales emerged in Southeast Asia and were widely circulated throughout the region. Collections of these tales are conventionally referred to as the Paññāsa Jātaka, or the “Fifty Jātaka”. Once considered minor and apocryphal, the Paññāsa Jātaka are now recognized as the lifeblood of the region’s literature and an important source of traditional culture. Chris Baker and Pasuk Pongpaichit have translated twenty-one of the best-known tales from the Thai collection of the Paññāsa Jātaka in their recently published book From the Fifty Jātaka: Selections from the Thai Paññāsa Jātaka (Silkworm Books, 2019). In addition to the elegant and approachable translations, Baker and Phongpaichit have included an insightful introduction on the Paññāsa Jātaka and have also provided synopses of all sixty-one tales. Both an entertaining and informative book, “From the Fifty Jātaka” will be appreciated both by the layman as well as the scholar. Please join us as we explore these fascinating tales and the origins of some risqué Thai tree names on today’s podcast. Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paul Celan's poetry marks the end of European modernism: he is the last poet of the era where the poetic "I" could center a subjective vision of the world through language. Celan bears witness to the Holocaust as the irredeemable rupture in European civilization, but he does so in German, the language of the perpetrators who murdered his parents along with millions of others. How do you bear witness to suffering, murder and loss in the language of the murderers? How can poetry account for the inhumanity of the Holocaust without aestheticizing it? How can language prevail when words fail to express what really happened to millions upon millions at the hands of a people who claimed to be the height of civilization? I spoke with Amir Eshel, a critic and poet who is also Edward Clark Crossett Professor of Humanistic Studies and Professor of German Studies and Comparative Literature at Stanford University. His books include: Poetic Thinking Today (forthcoming with Stanford University Press in 2019); Futurity: Contemporary Literature and the Quest for the Past (University of Chicago Press 2013); as editor, The German-Hebrew Dialogue: Studies of Encounter and Exchange (2018), and with Uli Baer, an edited book of essays on Hannah Arendt, Hannah Arendt: zwischen den Disziplinen. He's published several books on poetry after the Holocaust and on writings about the Palestinian expulsion. In 2018 Amir published a book with the artist Gerhard Richter, called Zeichnungen/רישומים, a book which brings together 25 drawings by Richter from the cycle 40 Tage and Eshel’s bi-lingual poetry in Hebrew and German. Eshel first encountered Celan in Hebrew translations before learning German himself. I read Celan in (my native) German but not until I have moved to America and started writing and mostly speaking in English. Amir and I met, in a way, as an Israeli and a German, via Celan's poetry. We talked about the experience of reading Celan, how being estranged by language can come close to grasping another's experience that we will never know, and why poetry never quite lives only in a familiar idiom. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mary Wollstonecraft Godwin Shelley wrote Frankenstein, or The Modern Prometheus when she was nineteen years old on a bet. The novel spawned two centuries of creatures that turn against their makers. It examines the limits of scientific innovation, whether the quest for knowledge must be tempered by morality, and why human beings tend to ostracize, persecute and sometimes kill anything that does not look like them. I spoke with Julie Carlson, a professor at the University of California, Santa Barbara and the author of a gripping biography of Mary Shelley's family, England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley (among other books). Shelley's mother was Mary Wollstonecraft, the first modern feminist and a free thinker vilified for her ideas of equality. Her father was a philosopher. In some ways, Mary Shelley was an experiment herself. We also discussed what it means that a woman wrote the first science fiction novel, and why the book and the "daemon" Shelley imagined still proves so powerful today, 200 years after its first publication. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout her new book, HandiLand: The Crippest Place on Earth (University of Michigan Press 2019), Elizabeth A. Wheeler uses a fictional place called HandiLand as a yardstick for measuring how far American society has progressed toward social justice and how much remains to be done. In a rich array of chapters, Wheeler considers the new prominence of youth with disabilities in contemporary young adult and children’s literature. From these and other sources, she derives principles for understanding social justice from the everyday experiences of adults and families with disabilities, including her own. Wheeler intersperses literary analysis with personal memoir in an effort to fashion tool kits for those whose “work, ideas, and hands touch young people with disabilities,” which is all of us. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout her new book, HandiLand: The Crippest Place on Earth (University of Michigan Press 2019), Elizabeth A. Wheeler uses a fictional place called HandiLand as a yardstick for measuring how far American society has progressed toward social justice and how much remains to be done. In a rich array of chapters, Wheeler considers the new prominence of youth with disabilities in contemporary young adult and children’s literature. From these and other sources, she derives principles for understanding social justice from the everyday experiences of adults and families with disabilities, including her own. Wheeler intersperses literary analysis with personal memoir in an effort to fashion tool kits for those whose “work, ideas, and hands touch young people with disabilities,” which is all of us. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While there are still occasional uses of it today, the term "Central Europe" carries little of the charge that it did in the 1980s and early 1990s, and as a political and intellectual project it has receded from the horizon. Proponents of a distinct cultural profile of these countries―all involved now in the process of Transatlantic integration―used "Central European", as a contestation with the geo-political label of Eastern Europe. In Transatlantic Central Europe: Contesting Geography and Redefining Culture beyond the Nation (Central European University Press, 2019), Jessie Labov discusses the transnational set of practices connecting journals with other media in the mid-1980s, disseminating the idea of Central Europe simultaneously in East and West. A range of new methodologies, including GIS-mapping visualization, is used, repositing the political-cultural journal as one central node of a much larger cultural system. What has happened to the liberal humanist philosophy that "Central Europe" once evoked? In the early years of the transition era, the liberal humanist perspective shared by Havel, Konrád, Kundera, and Michnik was quickly replaced by an economic liberalism that evolved into neoliberal policies and practices. The author follows the trajectories of the concept into the present day, reading its material and intellectual traces in the post-communist landscape. She explores how the current use of transnational, web-based media follows the logic and practice of an earlier, 'dissident' generation of writers. Jessie Labov is the Director of Academic and Institutional Development at McDaniel College Budapest, and a Resident Fellow in the Center for Media, Data and Society, at Central European University. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nicholas R. Jones’s book, Staging Habla de Negros: Radical Performance of the African Diaspora in Early Modern Spain (Penn State University Press, 2019), analyzes white appropriations of black African voices in Spanish theater in the sixteenth through eighteenth centuries, when performing habla de negros—how Africanized Castilian was commonly referred to—was in fashion. Jones problematizes long-held beliefs among literary critics and linguists that habla de negros as represented in dominant Spanish literature was exclusively racist stereotypes, and instead seeks to theorize habla de negros as a radical performance that “allow[s] black expression and black sensibilities to emerge whether there are black bodies present or not.” This elegant book demonstrates that black voices, speakers, bodies, subjects, were visible, present, and constitutive parts of the early modern Castilian soundscape and society and succeeds in drawing modern readers’ attention to their importance. By centering black historical and literary figures, Jones shows how black populations of early modern Spain participated in the formation of Black experience beyond Brazil, the Caribbean and the United States. Elizabeth Spragins is assistant professor of Spanish at the College of the Holy Cross. Her current book project is on corpses in early modern Mediterranean narrative. You can follow her on Twitter @elspragins. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Andrew Ollett, Neubauer Family Assistant Professor of South Asian Languages and Civilizations at the University of Chicago, argues in his book, Language of the Snakes: (University of California Press, 2017), that Prakrit is “the most important Indian language you’ve never heard of.” In this book, subtitled "Prakrit, Sanskrit, and the Language Order of Premodern India," Ollett writes a biography of Prakrit from the perspective of cultural history, arguing that it is a language which challenges modern theorizing about language as a natural human development grounded in speech. Rather, he claims, Prakrit was "invented" and theorized as a self-consciously literary language, opposed to Sanskrit, but yet still part of the Sanskrit cosmopolis and not a vernacular. His book draws on unpublished manuscripts, royal inscriptions, poetry, as well as literary and grammatical texts. Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Indonesia is home to one of the world’s largest Chinese-descended populations. Their historical impact is often measured in economic terms but was equally important in the realm of language and literature. The majority of Chinese-Indonesians originally spoke Southern Min dialects, better known in Southeast Asia as “Hokkien”. They also quickly gained knowledge of Malay, the lingua franca of Indonesia and beyond. It was in Java’s vernacular Malay variety that most Chinese-Indonesians acquired literacy. Through their transregional connections and plurilingual competencies, they pioneered in the printing industry of romanized Malay newspapers and books. This foray into print capitalism served the group’s commercial and political interests, but also gave rise to fascinating expressions of a hybrid (Chinese-Indonesian-European) culture. Dr Tom Hoogervorst spoke to Mr Jarrah Sastrawan about the Sino-Malay literary tradition in the late 19th and early 20th centuries. Tom Hoogervorst is a researcher at the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV). One of his main interests is language contact in Southeast Asia, which can be reconstructed through a combination of historical linguistics, archival research, and philology. He has primarily worked on Malay and Javanese and their relation with other languages. At present, he focuses on the language history of Indonesia’s Chinese communities, including the unique variety of Malay in which they produced innumerable novels, newspapers, poems, and educational works from the 1870s. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ralph Waldo Ellison's masterpiece Invisible Man tells the story of an African-American man who insists on his visibility, agency, and humanity in a country dead-set on not seeing him. Barring him from most opportunities, and denying his humanity. The book charts this young man's course from the segregated South into 1950's New York where the choices seem to be; militant resistance or assimilation, war or acceptance on an unacceptable status quo. The book deals with racism and inequality in ways that remain wholly timely, but its continued relevance rests possibly most on the narrator's unflinching introspection and self-interrogation. What does it mean to be a man? What does it mean to be black? What does it mean to be human? What is an American? By interlocking these questions Ellison writes a book as tightly constructed as a great jazz performance, where many voices and perspectives compete for priority but ultimately must find a way to gel. Ellison's gripping novel is as timely today as when first published to sensational acclaim, garnering a National Book Award. It inspired countless other works, including the structure of Barack Obama's Dreams from my Father. With remarkable native narrative power, Ellison offers yet another way, beyond violence or acceptance, for America to reckon with its past and present and for African-Americans to re-pledge allegiance to a community that has refused to acknowledge them thus far. I spoke with John Callahan, Ellison's literary executor and decades-long trusted friend who brought us the posthumously published Juneteenth, the haunting short story collection Flying Home, and a forthcoming edition of Ellison's letters spanning some 40 years. John and I spent an hour in mid-March overlooking Central Park in the waning light, looking at Harlem where Ellison lived and where he's buried today, and wondering whether, as the book's final lines put it: “Who knows but that on the lower frequencies, I speak for you?”. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“I am the Real,” is the ecstatic statement often associated with the early Sufi poet Mansur al-Hallaj. In popular narratives about Hallaj this declaration of absolute unity with God is what led to his execution in Abbasid Baghdad. Other accounts attribute it to Hallaj’s directive to build a symbolic Ka’ba in one’s home if they are not able to perform the hajj pilgrimage in Mecca. While Hallaj’s biographical details are often wrapped in myth what is clear is the polarizing position he played within the Islamic tradition. Hallaj wrote prodigiously but it was his poetry that drew particular reservations even among his peers. Carl W. Ernst, Kenan Distinguished Professor of Islamic Studies at the University of North Carolina, makes this poetry available to the contemporary reader in his new volume of translations, Hallaj: Poems of a Sufi Martyr (Northwestern University Press, 2018). Ernst contextualizes Hallaj’s poetry within various intellectual and social contexts and renders them in clear beautiful language. While the poetry can be read on its own for its aesthetic value the volume overall helps us understand Hallaj’s complex system of thought through his own words. In our conversation we discuss the intellectual and social context of Hallaj’s Baghdad, his textual legacy, his feelings about the emerging Sufi practices and norms, how the poems’ original audiences encountered them, Hallaj’s metaphysics, sermons, riddles, and love poems, how to translate Arabic poetry, Louis Massignon, and the relationship between Rumi and Hallaj. You can hear more about Carl Ernst’s background and research in our previous conversation about his book How to Read the Qur'an: A New Guide, with Select Translations. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Professors Melissa Walker of Converse College and Giselle Roberts of Australia’s La Trobe University, editors of the Women’s Diaries and Letters of the South series, discuss the field of documentary editing and how the personal writings of southern women reveal the broader history of life in the U.S. South during the nineteenth and twentieth centuries. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Again, Dangerous Visions: Essays in Cultural Materialism (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction. Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Art Spiegelman's Maus is the story of an American cartoonist's efforts to uncover and record his father's story of survival of the Holocaust. It is also a cartoon, where the Jews are mice, the Nazis cats, the Poles dogs, and the French, well, you'll have to read it. It's a story of survival and also a story of silences, and how the next generation can find and make sense of stories that seem to defy representation in their sheer horror. It's also a triumph in story-telling and a serious meditation on good and evil; on the nature of Romantic; familiar and filial love; on America's legacy of absorbing immigrants who arrive with often unspeakable traumas in a past that finds little resonance in a culture obsessed with entertainment and fast news. Maus upended the conventions of representing the Holocaust and historical trauma for a far greater audience than the American Jewish communities. It broke several rules: it spoke about past suffering to outsiders, it used low-culture to represent catastrophes, and it refused to turn the catastrophe of the Holocaust into a redemptive tale. It charted a way for others to take possession of their parents' stories without betraying them but also without letting them overwhelm the next generation, analogous to Alex Haley's magisterial Roots. I spoke with Hillary Chute, a scholar of cartoons and American literature and Distinguished Professor of English and Art + Design at Northeastern University. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Adrian Wisnicki talks about the British expeditionary literature of the late 1800s. Reading between the lines of Victorian travel accounts, Wisnicki sees outlines of a bigger story — local peoples, landscapes, and ways of life. Wisnicki is an Associate Professor of English at the University of Nebraska-Lincoln and Faculty Fellow of the Center for Digital Research in the Humanities. For the past ten years he has served as the director (along with co-director Megan Ward) of Livingstone Online a digital museum and library devoted to the written, visual, and material legacies of British explorer David Livingstone. Wisnicki is the author of Fieldwork of Empire, 1840-1900: Intercultural Dynamics in the Production of British Expeditionary Literature (Routledge, 2019). Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We want to be happy, we want to get what we want, we want to love and be loved. But life, even when our basic needs are met, often makes us unhappy. You can't always get what you want, Freud noted in his 1930 short book, Civilization and its Discontents. Our desires are foiled not by bad luck, our failures, or the environment -- but by the civilization meant to make life better. So why isn't civilization set up to maximize our happiness and pleasure? Why does more civilization also mean more psychological suffering? In his trenchant short book, Freud shows how culture is not the refinement of humanity but an effort to socialize everyone into a system that produces the types of "discontents" and "unease" which characterize modern existence. I spoke with Peter Brooks, an expert on Freud who has taught at Yale, Harvard, Oxford, Stanford, the University of Virginia and other universities. He's authored many books, including: Troubling Confessions: Speaking Guilt in Law and Literature (2000), Psychoanalysis and Storytelling (1994), Reading for the Plot (1984), and, with Alex Woloch, Whose Freud? (2000). Professor Brooks linked Freud's Civilization and its Discontents to the earlier Thoughts for the Times on War and Death where Freud noticed that the veneer of civilized behavior was thin indeed, and that within months of the beginning of World War I people who had co-existed peacefully were capable of inflicting the most gruesome violence on their neighbors. I asked him: if civilization and progress inevitably leads to more psychological suffering, what's our way out? Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

More than anything else, Psychoanalysis, Intersubjective Writing, and a Postmaterialist Model of Mind: I Woke Up Dead (Routledge, 2019) bears witness to what’s possible when the raw pain and heartbreak of life and death are worked with in Psychoanalysis. It tells the moving story of an analyst and his patient’s relationship as they discover the uncanny and often eerie aspects of their connected lives, and their deaths. And, yet, the book is much more. Since its invention, Psychoanalysis has worked with phenomena such as telepathy, thought transference, shared dream and trance states, mass hallucination, dissociated identities, premonitions from the future, doppelgängers, doubles, parallel lives, somnambulism, visitations from the deceased, and other paranormal phenomena. Dan Gilhooley and Frank Toich’s book is a considerable contribution to this history in Psychoanalysis that is still very much in the making. Rather than approaching these phenomena and Psychoanalysis through a biological model, as Freud did, or through a linguistic model, as Lacan did, Gilhooley and Toich approach these phenomena through quantum theory. In doing so they provide what is certainly one of the more radical revisionings of the Unconscious to date. In their hands, the Unconscious speaks to us from the future and from locations beyond ourselves just as much as it provides access to multiple universes and times. In doing so, Gilhooley and Toich offer an account of the unconscious that radically decenters the self and its identities, desires, and impulses in ways that make it possible to imagine anew what is possible in psychoanalytic treatment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The discipline of folkloristics in the People’s Republic of China is robust and well-funded. With thousands of scholars across the country, it is surprising then that there is relatively little understanding of the research and contributions of Chinese folklorists to the discipline. This despite the fact that Chinese folklorists are well-acquainted with many of the latest advances in folkloristics research globally. As the first English language attempt to discuss the historical development, current situation, and theoretical contributions of Chinese Folklore studies to the discipline of folklore more broadly, Chinese Folklore Studies Today: Discourse and Practice (Indiana University Press, 2020), edited by Lijun Zhang and Ziying You, attempts to rectify this situation. The volume’s five essays point out different issues relevant to folklore studies, including urban folklore studies, studies of women’s folklore, folksong, myth and belief, and intangible cultural heritage. This unique contribution not only introduces folklore of China, but also will certainly prove vital in encouraging and framing future international collaborations. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"It was not death she feared. It was misunderstanding.” This line from Zora Neale Hurston’s masterpiece, Their Eyes Were Watching God, captures what is at the heart of all great literature: the irrepressible urge to speak, to be heard and understood. I spoke with Professor Deborah Plant, a scholar of African-American literature and culture, an expert on Hurston, and the editor of Hurston’s posthumously published Barracoon: The Story of the Last "Black Cargo". When I asked Deborah about this sentence, how Janie in Their Eyes Were Watching God could fear misunderstanding more than death, she gently corrected me. Janie no longer feared death even before this pivotal scene, Deborah explained. Deborah also corrected me, again gently but firmly, when I misspoke and suggested that Hurston had been largely forgotten between 1937, when Their Eyes Were Watching God was first published and she was still a celebrated figure of the Harlem Renaissance, and the book’s renewed popularity starting in the mid-1970s. "Their Eyes Were Watching God was never really forgotten in my community," Deborah explained. Hurston's work re-shuffles the tradition of American literature so productively that public success may be the wrong measure. Professor Plant also explained how Hurston’s training as an anthropologist with Franz Boas at Barnard College shaped her writing. She helped us see African-American language and culture as the greatest cultural treasure of our nation. Professor Plant explained how best to understand this magisterial book in light of Hurston’s other work. “I had things clawing inside of me that must be said,” Hurston added in her autobiography, Dust Tracks on a Road, to explain her decision to leave a man she truly loved. But it’s not specific facts and experiences that need to be heard; it is the human voice. This, of course, is what great literature is: the need for one's voice and vision to be accepted on their terms. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nella Larsen's gripping 1929 novel Passing recounts the fateful encounter, first on a fancy Chicago hotel rooftop restaurant on a sweltering August afternoon and later in New York City, of two women who grew up together and then lost touch, and who can pass from being black to white, and back again -- with devastating moral and social consequences. The book examines the American mythology of race, and its real-world effects, at the height of the Harlem Renaissance and during a time when racial segregation regulated the lives of all Americans and severely disadvantaged African-Americans in nearly all aspects of existence. Many people chose to escape this injustice by 'passing' for white, which gave Larsen the idea to examine race and racism in a powerful work of fiction. I spoke with Professor Emily Bernard, Julian Lindsay Green & Gold Professor at the University of Vermont and the author of many award-winning books, including: Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten; Some of My Best Friends: Writers on Interracial Friendship; Michelle Obama: The First Lady in Photographs; Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White, and the 2019 Black is the Body: Stories from My Grandmother’s Time, My Mother’s Time, and Mine. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did early modern people change their religious affiliation? And how did they represent that change in writing? In this outstanding new book, Conversion Narratives in Early Modern England: Tales of Turning (Palgrave, 2018), Abigail Shinn, who teaches in the department of English and Comparative Literature at Goldsmiths, University of London, opens up a broader range of conversion narratives than literary or historical scholars have previously discussed. By expanding the chronological and geographical range of her sources, and so expanding their religious affiliation of her authors and drawing into discussion larger numbers of women, she shows how the representation of conversion changed from the late sixteenth to the mid-seventeenth century, and how disparate narratives relating experiences of Protestant, Catholic and Islamic conversion nevertheless continued to show similar rhetorical characteristics. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Wollstonecraftian Mind (Routledge, 2019) is an extensive compendium of Mary Wollstonecraft as a writer, as an interlocutor, as a philosopher and political theorist, and as a feminist thinker. The text, which is impressive in its reach, breath, and considerations, will be of use to any reader or scholar who may want to learn more about Mary Wollstonecraft, her thought, and her influence. But it is much more extensive than that, since it provides deep scholarly examination of all of Wollstonecraft’s works, as well as considering the context for Wollstonecraft’s work, and those with whom she was in intellectual encounters, and those with whom she had contemporary engagement as well. In this wide-ranging survey of Mary Wollstonecraft, Sandrine Bergès, Eileen Hunt Botting, Alan Coffee have done an exceptional job of bringing together experts from a diversity of disciplines and perspectives. The Wollstonecraftian Mind projects both backwards and forwards, positioning Wollstonecraft’s thinking within the philosophical tradition in the first section of the text, and then, in the final section, projecting it forward, through a collection of chapters that explore her legacy. The text is part of The Philosophical Mind series at Routledge that examines, in substantial depth, the work of an individual thinker, and The Wollstonecraftian Mind follows the contours of many of the other volumes in this series. The central sections of the book examine the works themselves, the ideas with which Wollstonecraft was in dialogue, and explorations of her philosophy. This is an incredibly useful text and resource for scholars and students, with accessible analyses and an array of considerations and perspectives. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Starting in the early 1930s, a small group of academics and writers met weekly in a pub in Oxford, England to discuss literature, religion, and ideas. Known as the Inklings, it was in part from their companionship that some of the greatest works of twentieth-century literature were produced. In their book The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams (Farrar, Straus, and Giroux, 2016), Philip Zaleski and Carol Zaleski focus on four key members of the group to show how their interactions shaped the development of their thinking and of the writings they produced. As Carol Zaleski explains, the four men came to Oxford from different backgrounds and professing different ideas, all of which were at play in their wide-ranging conversations. In gatherings in Lewis’s rooms at Magdalen College they read aloud drafts of their works, with their subsequent suggestions helping such works as Tolkein’s Lord of the Rings and Lewis’s Out of the Silent Planet taking the forms by which readers know them today. Through their writings and their growing public celebrity, Zaleski demonstrates, their relationships helped to transform Christian faith and Western culture in ways still being felt today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

America’s “environmental prophet,” Henry David Thoreau, set out for a simpler, more mindful, and more deeply lived life on Walden Pond on July 4th, 1845. How to live deliberately, being mindful of the things that truly matter and not let ourselves be distracted by what everyone else seems to expect and want from us. The date of July 4th is important, for the book is another Declaration of Independence: an effort to unshackle America from the consumerism, competitiveness, and the profound and shameful dishonesty that created a new nation without reaching true freedom and equality. Thoreau’s Walden is as much about how to live a better, simpler life, as it is about the right way of settling a continent stolen from Native peoples and aided by the moral sin of slavery. Thoreau, after all, gave a word to the idea of “civil disobedience,” refused to pay his taxes to a state that supported slavery (he was jailed for it), and railed against the dishonesty that propped up what today we call white supremacy. Walden is a deeply philosophical book about making sense of one’s circumstances, taking control of one’s life and reckoning with the temptation of living up to the expectations of others. The late Stanley Cavell, a philosopher who did much to insist that the United States have a unique tradition of thinking and writing (and with whom I was able to study in college), said that Thoreau’s Walden “means every word it says.” Cavell taught me how to read this book and take its claims seriously: that so much of what we think are circumstances given to us are structures we buy into — and that so many of the structures we cannot change by ourselves are deeply corrupt. “Rather than love, than money, than fame, give me truth.” What’s amazing about Walden is how Thoreau switches seamlessly from literal description (how many nails to build a cabin; how many rows of peas to make a harvest; how many hours to make a day) to metaphorical (or metaphysical) observations. “To be awake is to be alive, yet I never met a man who is quite awake.” Are we perhaps walking among a nation of sleepwalkers? How do we rouse ourselves from the slumber: how do we find not our true selves but our “next selves”? Walden breaks off (Thoreau did not chronicle his second year on Walden Pond) because Thoreau says that he “had other lives to live.” This should tell us that we ought not to follow in Thoreau’s path but choose our own path. We should realize we have other lives to live, and that to change our lives we must first genuinely live our life. I spoke with Benjamin Reiss, Samuel Candler Professor of English at Emory University and author of Wild Nights: How Taming Sheep Created Our Restless World and The Showman and the Slave, about Walden’s continued significance, how to read philosophically, and — yes, I did ask — how to get a good night’s sleep. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mark Reese’s recent translation of Abdullah Qodiriy’s 1920s novel O’tkan Kunlar (Bygone Days) brings an exemplary piece of modern Uzbek literature to English-speaking audiences. The story, which simultaneously follows the personal story of a Muslim reformer and trader and the court struggles between the rulers of Central Asia, gives us a glimpse into early Soviet Central Asia, as well as the world of Central Asia on the eve of 19th-century Russian Imperial conquest. Yet, Qodiriy’s Bygone Days is much more than that; it addresses universal themes of cultural and political change, the place of tradition in societies, questions of reform and revolution, to name a few. Reese’s wonderful translation offers an opportunity to learn more about Uzbekistan past and present and offers something for anyone interested in Central Asia, literature, or the triumphs and tragedies of modernizing societies. Nicholas Seay is a PhD candidate at The Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Revisionism, a form of literary criticism, is an integral part of scholarly research, and revisionists often find themselves challenging the orthodox views held by scholars before their time. In Arabo-Islamic writing, modern scholars often tend to neglect traditional scholarly commentary, such as from the Mamlūk and Ottoman periods—two critical periods in the history of Arabic literature. Dr Adam Talib, from Durham University, UK, explores these issues in his study titled “Al-Ṣafadī, His Critics, and the Drag of Philological Time”, published in Brill’s Phenomenogical Encounters. He focuses on the work and commentary of Al-Ṣafadī, a Turkic author, to show how modern scholarly agendas may have influenced the chronological plane of Arabic literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kahlil Gibran’s 1923 The Prophet is book that’s changed people’s lives. It is a deceptively simple book, but it contains a radical insight. “Of what can I speak save of that which is even now moving in your souls?” What can a book teach us that we cannot know ourselves? To detect this thing inside of us we must break through convention: our escape into social habits, religious and political doctrine, the comforting approval of others, and the truisms and clichés we take for wisdom. And even once we realize that something is “moving in our souls,” Gibran warns us, we tend to repress this insight by submitting to outside authorities to give it a name, a label, or a theory. By turning to religion or other people’s teachings, we dodging the challenge of taking charge of our own conditions, and thus of our freedom. I spoke with Glenn Wallis, a renowned scholar of Buddhism, translator and teacher who has published The Dhammapada, Basic Teachings of the Buddha, and a Critique of Western Buddhism, and who runs Incite Seminars in Philadelphia. Glenn had first read The Prophet when he was 16 and it changed his life profoundly. He then forgot about the book and even dismissed it for decades, until I persuaded him, pleading three times, to reconsider it. This conversation is as much about The Prophet as about the things that move us deeply when we’re younger but which we then, in growing up, learn to dismiss as adolescent. I’d like to think that re-reading a book sometimes lets us rekindle our youthful passion to ignite our lives yet once more. The conversation also led Glenn and myself to co-author an introduction to a new and beautiful edition of The Prophet, published together with The Forerunner and The Madman, by Warbler Classics. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you. Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that. Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Catherine A. Stewart is the author of Long Past Slavery: Representing Race in the Federal Writers’ Project, published by the University of North Carolina Press in 2016. Long Past Slavery examines the history behind the collection of more than 2,300 narratives from formerly enslaved people, as part of the New Deal’s Federal Writers’ Project. Stewart pays close attention to how the ex-slave narratives represented a site of contestation between many people who had competing visions of what America’s past looked like, and what the future could hold. From Black interviewers to members of the United Daughters of the Confederacy to the formerly enslaved themselves, Stewart illustrates how these narratives were a battleground over national memory, Black identity, and Black citizenship. Catherine A. Stewart is Professor of History at Cornell College. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies