New Books in Literary Studies

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From Red-Baiting to Blacklisting: The Labor Plays of Manny Fried (SIU Press 2020) collects three plays by Manny Fried alongside a thorough explanation of his work and life by theatre scholar Barry Witham. Witham traces Fried’s long career as a labor organizer and Communist Party militant, as well as the obsessive lengths the FBI went to in order to suppress his activism. Fried is unique among American playwrights in his intimate knowledge of the inner workings of the labor movement, and this knowledge is fully evident in the plays. Issues of red-baiting, deindustrialization, and religious bigotry take center stage in his work, which carries the radical tradition of Clifford Odets and the Federal Theatre Project into the long decline of labor beginning in the 1960s and continuing to this day. From Red-Baiting to Blacklisting is a must-read for anyone interested in the intersection of theatre and the labor movement. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 2009, a novel was released in Norway with a fairly simple premise; the author would simply write about himself, his life and his attempts to write. The autobiographical novel would be the first in a 6-volume series that would eventually total over 3,500 pages written in just 3 short years. The frenzied pace at which it was produced would only be matched by the frenzied pace at which it was consumed, with each volume hitting the bestseller list, and it would all eventually be translated into over 30 languages. The author was Karl Ove Knausgaard, and the novel was called ​My Struggle​. With the dust finally settling in the wake of the enormous controversy the book stirred up, many people are starting to move in to analyze the work with a more critical lens, trying to examine what the work actually achieves, what it’s place might be in the larger canon of literature, and elements of it we should be skeptical of. One of those critical examiners is Kim Adrian in her book ​Dear Knausgaard: Karl Ove Knausgaard’s My Struggle (Fiction Advocate, 2020)​, a collection of short letters written to the man himself where she wrestles with his work. While Adrian is herself a fan of Knausgaard, she is not uncritical of him, and even finds herself frustrated at various moments with his views on writing, literature, politics, gender and identity, but this dynamic gives the book an interesting back-and-forth as it helps her wrestle with these topics. Kim Adrian is a visiting lecturer in English at Brown University, and is the author of the memoir The 27th Letter of the Alphabet and ​Sock​. She has had both fiction and nonfiction appear in a number of outlets, including ​Tin House,​ ​The Gettysburg Review​, and ​The Seneca Review​. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gaurav Desai’s Commerce with the Universe: Africa, India, and the Afrasian Imagination (Columbia University Press, 2013), offers an alternative history of East Africa in the Indian Ocean world. Reading the life narratives and literary texts of South Asians writing in and about East Africa, Gaurav Desai highlights many complexities in the history of Africa's experience with slavery, migration, colonialism, nationalism, and globalization. Consulting Afrasian texts that are literary and nonfictional, political and private, he broadens the scope of African and South Asian scholarship and inspires a more nuanced understanding of the Indian Ocean's fertile routes of exchange. Desai shows how the Indian Ocean engendered a number of syncretic identities and shaped the medieval trade routes of the Islamicate empire, the early independence movements galvanized in part by Gandhi's southern African experiences, the invention of new ethnic nationalisms, and the rise of plural, multiethnic African nations. Calling attention to lives and literatures long neglected by traditional scholars, Desai introduces rich, interdisciplinary ways of thinking not only about this specific region but also about the very nature of ethnic history and identity. Traveling from the twelfth century to today, he concludes with a look at contemporary Asian populations in East Africa and their struggle to decide how best to participate in the development and modernization of their postcolonial nations without sacrificing their political autonomy. Gaurav Desai is Professor of English at the University of Michigan, Ann Arbor. Micheal Rumore is a PhD candidate at the Graduate Center, City University of New York. His work focuses on the Indian Ocean as an African diasporic site. He can be reached at [email protected]. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Vanita Reddy, in her book Fashioning Diaspora: Beauty, Femininity and South Asian American Culture (Duke University Press, 2016), locates diasporic transnationality, affiliations and intimacies through the analytic of beauty. Through her analysis of Asian American literary fiction and performance artwork and installations, Reddy lingers on moments, objects and subjective positions that reveal the potentiality of beauty. Not just a site for neoliberal complicity, beauty, in its presence as well as absence, also emerges as something subversive. The re-articulation of the bindi and the saree, objects that are otherwise imbued with upper-caste, Hindu hetero-reproductive symbolisms, in the works of performance artists, offer queer queer subversion of power structures. Beauty also becomes the site of not just physical but also social (im)mobility as Reddy presents the complicated ways in which beauty relates to aspiration. Central to her project is upending the male-centric understanding of the relationship between the diaspora and the “nation”. Focussing not only on female narratives of movement and mobility but also interrogating the vulnerability and queer-ness of male subject positions, Reddy provides a nuanced interrogation of how “frivolous” beauty becomes the site of transformative transnational journeys. In the first three chapters, she looks at the literary fiction that either centrally or marginally deploys beauty as the site of narrating stories about the diaspora. Chapter 4 and 5 look at feminist performances and cyber representations of objects like the bindi and saree that deliberately challenge the essentialization of these objects and destabilizes them not just to narrate stories of movement but emphasize potential for mobilization through seemingly non-serious, beautiful artifacts. Vanita Reddy is an Assistant Professor of English at Texas A&M University. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In American Daredevil: Comics, Communism, and The Battles of Lev Gleason (Chapterhouse Publishing, 2020), Brett Dakin, Gleason’s great-nephew delves into the life of his famous relative. Gleason rose to the top of the comic publishing world during its Golden Age, publishing Daredevil and Crime Does Not Pay among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism. Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Psychiatry has lagged behind many clinical specialties in recognizing the importance of narrative for understanding and effectively treating disease. With this book, Bradley Lewis makes the challenging and compelling case that psychiatrists need to promote the significance of narrative in their practice as well. Narrative already holds a prominent place in psychiatry. Patient stories are the foundation for diagnosis and the key to managing treatment and measuring its effectiveness. Even so, psychiatry has paid scant scholarly attention to the intrinsic value of patient stories. Fortunately, the study of narrative outside psychiatry has grown exponentially in recent years, and it is now possible for psychiatry to make considerable advances in its appreciation of clinical stories. Narrative Psychiatry: How Stories Can Shape Clinical Practice (Johns Hopkins UP, 2011) picks up this intellectual opportunity and develops the tools of narrative for psychiatry. Lewis explores the rise of narrative medicine and looks closely at recent narrative approaches to psychotherapy. He uses philosophic and fictional writings, such as Anton Chekhov’s play Ivanov, to develop key terms in narrative theory (plot, metaphor, character, point of view) and to understand the interpretive dimensions of clinical work. Finally, Lewis brings this material back to psychiatric practice, showing how narrative insights can be applied in psychiatric treatments―including the use of psychiatric medications. Nothing short of a call to rework the psychiatric profession, Narrative Psychiatry advocates taking the inherently narrative-centered patient-psychiatrist relationship to its logical conclusion: making the story a central aspect of treatment. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Around the world Muslims praise the Prophet Muhammad through the recitation of lyrical poetry. In West Africa, Arabic praise poetry has a rich history informed by local literary, spiritual, and ritual elements. Oludamini Ogunnaike, assistant professor of Religious Studies at the University of Virginia, explores this abundant heritage in Poetry in Praise of Prophetic Perfection: A Study of West African Arabic Madih Poetry and its Precedents (Islamic Texts Society, 2020). In this social setting praise poetry draws from traditional Islamic materials but also employs patterns and concepts from West Africa sources and practices. Ogunnaike translates numerous poems and contextualizes them within a deep intellectual well of Sufi thought. He also places these poems within the realm of lived religious practice and presents them as part of everyday contemporary life in West Africa. In our conversation we discuss the place of praise poetry as a genre, the broader literary tradition it relies on, Sufi theology, the wider intellectual heritage of West Africa, Ibrahim Niass and the Tijaniyyah order, audiences recitations and readings, the functions of these poems in practice, the process of translation, and how these sources might be used in classrooms. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

If Jay Gatsby is the embodiment of patriotism, what does that mean for America? Join NBN host Lee Pierce and author Greil Marcus as they take a deep dive into how F. Scott Fitzgerald’s vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive. In Under the Red White and Blue: Patriotism, Disenchantment, and the Stubborn Myth of The Great Gatsby" (Yale University Press, 2020), renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald’s The Great Gatsby. An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald’s story has become a key to American culture and American life itself. Marcus follows the arc of The Great Gatsby from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins’s 2006 Gatz and Baz Luhrmann’s critically reviled (here celebrated) 2013 movie version—the fourth, so far. Greil Marcus has written many books, including Mystery Train, Lipstick Traces, The Old, Weird America, and The History of Rock 'n' Roll in Ten Songs. With Werner Sollors he is the editor of A New Literary History of America. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How Do We Write Our Personal History at the Same Time That It’s Written for Us? Today I talked to Suri Hustvedt about this question and others as we discuss her book Memories of the Future (Simon and Schuster, 2019). The Literary Review (UK) has called Hustvedt “a twenty-first-century Virginia Woolf.” She’s the author of seven novels, four collections of essays, and two works of nonfiction. She has a PhD in English literature from Columbia University and lectures in psychiatry at Weill Cornell Medical College. Hustvedt is the recipient of numerous awards, including the European Essay Prize. Topics covered in this episode include: What it can mean to be a heroine instead of a hero, including in regards to which emotions might conventionally be considered “off-limits.” The role that the author’s over-a-dozen drawings play in this novel. Musings on what the roots of ambition might be, and how ambition and shame as well as memory and imagination are often so intertwined. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices. Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention. The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail. Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I talk with Pernilla Myrne about her exciting and excellently researched book Female Sexuality in the Early Medieval Islamic World: Gender and Sex in Arabic Literature, published with IB Taurus in 2020. Pernilla Myrne is an Associate Professor of Arabic Literature and History at the University of Gothenburg in Sweden, where she also earned her PhD in 2008. Her research interests include the representation of women in pre-modern Arabic literature, attitudes to sexuality in medieval Islam, and women as creative subjects. In today’s discussion, Myrne shares with us the origins of her book, some of its findings, and the process of collecting the many, many sources she used to make this book an essential resource of many a thing female sexuality, including pleasure, sexual comedy, and women’s bodies. Among Myrne’s impressive range of sources are medical, Islamic legal, literary, and entertainment sources. Contrary to popular and even scholarly expectations, medieval erotic literature emphasized female sexual satisfaction, including via teaching male readers how precisely to ensure that their female partner reaches an orgasm. Other specific themes we discuss in today’s interview include the Greek influences on Islamic writers writing about sex and sexuality, female desire, the two-seed theory, female orgasm, and lesbian love. The book would be welcome by anyone interested in gender and sexuality, medieval literature, and female representation in various genres, such as medical, erotic, and religio-legal literature. Shehnaz Haqqani is Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and questions of change and tradition in Islam. She also vlogs on YouTube; her videos focus on dismantling the patriarchy and are available at here. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Fifty Playwrights on their Craft (Bloomsbury, 2018), Caroline Jester and Caridad Svich talk to writers from the US, the UK, and countries around the world about what it means to be a playwright today. Playwrights range from avant-gardists like Erik Ehn and Sibyl Kempson to well-known playwrights like Willy Russell and Paula Vogel. Each playwright provides a definition of what a playwright is, as well as thoughts about the role of playwriting in our current age of digital storytelling. Taken together, these interviews provide evidence that the craft of playwriting has never been as diverse, as exciting, or as necessary as it is right now. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jeremy Black, the prolific professor of history at Exeter University, has published a stunningly attractive volume entitled, Mapping Shakespeare: An Exploration of Shakespeare’s World through Maps (Bloomsbury, 2018). This lavishly illustrated volume compiles maps of the world, of Europe, of England, of English counties, and of English villages, to illustrate its author’s detailed description of the history of cartography and of the ways in which space and locality was represented in the medieval period and early modernity. In this podcast, Professor Black talks about the book’s preparation, and how illustrated works require different kinds of writing processes from conventional monographs, as well as highlighting those parts of the history of cartography that he finds most compelling. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ahmed El-Shamsy’s Rediscovering the Islamic Classics: How Editors and Print Culture Transformed an Intellectual Tradition (Princeton University Press, 2020) is an astonishing scholarly feat that presents a detailed, sophisticated, and thoroughly enjoyable intellectual and social history of the modern publishing industry on what we today consider canonical books of Islamic thought. “Painstakingly researched” would be a description too mild for the depth and breadth of sources and analysis that El-Shamsy mobilizes in this book. Over the course of its 8 delightfully written chapters, readers meet some known and many less known book collectors, editors, Muslim reformers, early Salafis, and European Orientalists whose thought, outlook, normative agendas, and wide-ranging efforts produced a distinct corpus of classical Islamic texts. The canonization of what counted as “classical” was itself a markedly modern move and gesture, El-Shamsy argues. Populated with fascinating narratives of manuscript hunting, editorial discoveries and frustrations, and collaborations between Arab scholars and European Orientalists, Rediscovering the Islamic Classics combines the literary flair of a sumptuous novel with the textual density of a philological masterpiece. This carefully crafted and argued book represents both a profound tribute to a mesmerizingly layered archive of tradition and its actors, and a tremendous service to the field of Islamic Studies in particular and Religious Studies more broadly. It will also make a great text to teach in courses on intellectual history, manuscript studies, modern Islam, Muslim reform, and Islamic Law. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jennifer J. Davis speaks with Honorée Fanonne Jeffers, Professor of English at the University of Oklahoma, about The Age of Phillis (Wesleyan UP, 2020), Jeffers’s latest collection of poems centered on the remarkable life of America’s first poet of African descent, Phillis Wheatley Peters. The Society of Early Americanists recently selected The Age of Phillis as the subject for their Common Reading Initiative for 2021. Prof. Jeffers has published four additional volumes of poetry including The Glory Gets and The Gospel of Barbecue, and alongside fiction and critical essays. She lives in Norman, Oklahoma. In The Age of Phillis, Jeffers draws on fifteen years of research in archives and locations across America, Europe and Africa to envision the world of Phillis Wheatley Peters : from the daily rhythms of her childhood in Senegambia, the trauma of her capture and transatlantic transport, to the icy port of Boston where she was enslaved and educated. In our conversation, Jeffers speaks to the origins of this project, reveals how she embarked on the research and writing process, and shares a few powerful poems from the volume. Jennifer J. Davis is Associate Professor of History and Women’s & Gender Studies at the University of Oklahoma, and the Co-Editor of the Journal of Women’s History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone' (Berghahn Books) engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature. Adam Brown is a Senior Lecturer in Media Studies at Deakin University, Australia, and a volunteer at the Jewish Holocaust Centre in Melbourne, where he initiated the digitization of the Centre’s survivor video testimony collection. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hasidic leader R. Nachman of Braslav (1772–1810) has held a place in the Jewish popular imagination for more than two centuries. Some see him as the (self-proclaimed) Messiah, others as the forerunner of modern Jewish literature. Existing studies struggle between these dueling readings, largely ignoring questions of aesthetics and politics in his work. Permanent Beginning: R. Nachman of Braslav and Jewish Literary Modernity (SUNY Press, 2020) lays out a new paradigm for understanding R. Nachman’s thought and writing, and, with them, the beginnings of Jewish literary modernity. Yitzhak Lewis examines the connections between imperial modernization processes in Eastern Europe at the turn of the eighteenth century and the emergence of “modern literature” in the storytelling of R. Nachman. Reading his tales and teachings alongside the social, legal, and intellectual history of the time, the book’s guiding question is literary: How does R. Nachman represent this changing environment in his writing? Lewis paints a nuanced and fascinating portrait of a literary thinker and creative genius at the very moment his world was evolving unrecognizably. He argues compellingly that R. Nachman’s narrative response to his changing world was a major point of departure for Jewish literary modernity. Yitzhak Lewis is Assistant Professor of Humanities at Duke Kunshan University, China. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does it mean to be a Brahmin, and what could it mean to become one? The ancient Indian mythological figure Viśvāmitra accomplishes just this, transforming himself from a king into a Brahmin by cultivation of ascetic power. The book, Crossing the Lines of Caste, examines legends of the irascible Viśvāmitra as occurring in Sanskrit and vernacular texts, oral performances, and visual media to show how the "storyworlds" created by these various retellings have adapted and reinforced Brahmin social identity over the millennia. Adheesh Sathaye is Associate Professor, Sanskrit Literature And Folklore, University of British Columbia. You can check out his online class "Narrative Literature in Premodern India" here. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Laughter After: Humor and the Holocaust (Wayne State University Press, 2020), Co-editors David Slucki, Loti Smorgon Associate Professor of Contemporary Jewish Life and Culture at the Australian Centre for Jewish Civilisation at Monash University, Gabriel N. Finder, professor in the department of German Languages and Literatures and former director of the Jewish Studies Program at the University of Virginia and Avinoam Patt, the Doris and Simon Konover Professor of Judaic Studies and director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah? This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception. Dr Max Kaiser teaches at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This book by renowned Professor of History Jeremy Black presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films. In The World of James Bond: The Lives and Times of 007 (Rowman and Littlefield, 2017), Jeremy Black offers a historian’s interpretation from the perspective of the 21st century, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Flemng books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on popular fears and anxieties in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood commenced the Bond film series, thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Professor Black's well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of the character of James Bond. Professor Jeremy Black MBE, Is Professor of History Emeritus at the University of Exeter. And a Senior Associate at the Foreign Policy Research Institute. A graduate of Queens College, Cambridge with a First, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement.” Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, and the University of Rouen’s online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century. The translations in Bird Talk and Other Stories by Xu Xu: Modern Tales of a Chinese Romantic. (Stone Bridge Press, 2020)--spanning a period of some thirty years, from 1937 until 1965--bring to life some of Xu Xu’s most representative short fictions from prewar Shanghai and postwar Hong Kong and Taiwan. The Afterword illustrates that Xu Xu’s idealistic tendencies in defiance of the politicization of art exemplify his affinity with European romanticism and link his work to global literary modernity. Frederik H. Green is an associate professor of Chinese at San Francisco State University. He is the author of numerous articles and book chapters on the literature and culture of the Qing dynasty and the Republican Period, Sino-Japanese cultural relations, post-socialist Chinese cinema, and contemporary Chinese art. He holds a BA in Chinese Studies from Cambridge University and an MPhil and PhD in Chinese literature from Yale University. He is a translator of Chinese and associate professor of Chinese at San Francisco State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Do you have an active intellectual life? That is a question you may feel uncomfortable answering these days given that the very phrase “intellectual life” can strike some people as pretentious or self-indulgent, even irresponsible in a time of pandemic disease. But what better time could there be for an examination of the subject of the inner life? And what is “the intellectual life,” anyway? In her 2020 book, Lost in Thought: The Hidden Pleasures of an Intellectual Life (Princeton University Press, 2020), Zena Hitz explores the interior world and shows that intellectual endeavor is not simply a matter of reading by oneself but can encompass everything from a lifelong fascination with falcons to strategies for retaining one’s sanity and humanity in a gulag or producing ground-breaking political and sociological writings in a prison cell in Mussolini’s Italy. In the course of her book, Hitz deploys real-world examples from young Einstein in his day job in a Swiss patent office to Malcolm X’s encounter with the fellow prison inmate who first urged him to embark on a life-changing course of reading to Dorothy Day’s encounters with books throughout her life and their influence on her youthful secular radicalism to her conversion to Catholicism and continued activism. We also encounter St. Augustine and take a deep dive into Elena Ferrante’s Neapolitan Novels and travel with a Preston Sturges hero in a screwball comedy/social commentary film. Hitz’s reader-friendly examination of the intellectual life is ideal reading for the millions of us confined to our homes due to the coronavirus and who now have time to read and think seriously about matters of mortality and the meaning of life, which are suddenly front and center in our daily lives. And at a time of pandemic-related economic peril for liberal arts colleges and programs, Hitz’s take on what ailed them even before our current crisis and her prescription for a way forward for those that survive the next several years are must reading for not only academics but all citizens who care about how civilization itself carries on. Give a listen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lara Harb’s Arabic Poetics: Aesthetic Experience in Classical Arabic Literature (Cambridge University Press, 2020) is a delightful and formidable study on the details and development of poetics and aesthetics in medieval Arabic literature. The central theme of this splendid book centers on the emergence of the evocation of wonder as a key aesthetic experience and criterion connected to the beauty and eloquence of speech in medieval Muslim intellectual thought. With breathtaking clarity and painstaking elaboration, Harb charts the key literary tropes, categories, and strategies, as well as the broader intellectual and theological stakes, such as the question of the Qur’an’s inimitability, invested in how poetry was imagined, experienced, and evaluated in this context. The strength of this book lies in the meticulous care with which it walks readers through a complex yet deeply fascinating discursive arcade of thinkers, texts, and poetic registers. While focused on the thought of the preeminent eleventh century scholar ‘Abd al-Qāhir al-Jurjānī, Arabic Poetics presents and explores a panoply of scholars and texts situated at the intersection of religion, and literature. Written with sparkling clarity, this book will also make an excellent text to teach in various undergraduate and graduate courses on the Muslim Humanities, Arabic, Religion and Literature, and Religious Studies more broadly. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his sixth thesis on the philosophy of history, Walter Benjamin wrote, “The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious.” Edgar Garcia is one such historian…and if you’re not yet convinced of Benjamin’s dictum, you should listen to this interview. In Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu (University of Chicago Press, 2019) Garcia sets sparks flying by inviting us to explore the literature and theory created by 20th and 21st century writers who deploy sign systems that, according to the creation myth of European hegemony, alphabetized thought supposedly superseded and destroyed. Akin to Paul Gilroy’s The Black Atlantic in ambition and originality, Signs of the Americas not only pries open a fascinating archive but also forces us to question the organizational principles that govern intellectual history and cultural criticism in this hemisphere. In this interview, we discuss work by Jaime de Angulo, Cecilia Vicuña, John Borrows, and Gloria Anzaldúa, as well as Garcia’s own Skins of Columbus: A Dream Ethnography (Fence Books, 2019), which serves as a kind of poetic companion to Signs. David Gutherz is a Teaching Fellow in Social Thought at the University of Chicago. His research deals with the history of the human sciences, with a special interest in how intellectuals have aided and undermined authoritarian movements. You can find out more about his work at www.davidmaxgutherz.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Poetry as Prayer in the Sanskrit Hymns of Kashmir (Oxford University Press, 2019), Hamsa Stainton explores the relationship between 'poetry’ and ‘prayer’ in South Asia through close examination of the history of Sanskrit hymns of praise (stotras) in Kashmir from the eighth century onwards. Beyond charting the history and features of the stotra genre, Hamsa Stainton presents the first sustained study of the Stutikusumāñjali, an important work dedicated to the god Śiva, one bearing witness to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. Poetry as Prayer illumines how these Śaiva poets integrate poetics, theology and devotion in the production of usage of Sanskrit hymns, and more broadly expands our understanding Hindu bhakti itself. Hamsa Stainton is an Assistant Professor in the School of Religious Studies at McGill University. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This book is a translation and study of The Subhedar's Son (Oxford University Press, 2019), an award-winning Marathi biographical novel written in 1895 by Rev. Dinkar Shankar Sawarkar, who writes about his own father, Rev.Shankar Nana (1819-1884). Nana, a Brahmin, was among the early Christian converts of the Church Missionary Society in Western India. The Subhedar's Son provides a fascinating insight into Brahmanical-Christian conversions of the era, along with attitudes surrounding such conversions. In this podcast, we interview Deepra Dandekar – author of this book, and Sawarkar’s own great-grand-daughter–about this text and its important context. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself: Blackness and the End of Man (Harvard University Press, 2020) delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure―the rat, the cock, the mule, the dog, and the shark―in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people―all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene. Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa's west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? In her new book, The Metamorphoses of Myth in Fiction since 1960, Professor Kathryn Hume examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. She argues that these artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Hume elicits an understanding of the current uses of mythology in fiction. Kathryn (Kit) Hume started as a medievalist in Old English, Middle English, and Old Norse, but has become a specialist in contemporary fiction. Her books have investigated fantasy, Pynchon’s Gravity’s Rainbow, Italo Calvino’s novels, and a great many contemporary Anglophone writers. She also drew on her experience as a job placement officer to write Surviving your Academic Job Hunt: Advice for Humanities PhDs. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The “Mongol turn” in the thirteenth and fourteenth centuries forged new political, commercial, and religious circumstances in Eurasia. This legacy can be found in the “sudden appearances” of common themes, styles, motifs, and even pigments that circulated across the continents. Drawing on visual as well as textual sources from eight unique locations that spanned between Siena in Italy and Quanzhou in China, Roxann Prazniak maps out in Sudden Appearances an elaborate thirteenth-century network of cultural and commercial exchanges that “produced an ascendant materialism and intervisuality that emphasized human agency.” Join me as I discuss Sudden Appearances: The Mongol Turn in Commerce, Belief, and Art (University of Hawaii Press 2019) with Dr. Prazniak. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational/transregional networks of Buddhism in twentieth-century Inner Mongolia and Manchuria that connected to the Republic of China, Tibet, and the Empire of Japan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced. John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at [email protected] and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Shakespeare for Snowflakes: On Slapstick and Sympathy (Zero Books, 2020), Ian Burrows examines the fraught meeting place of slapstick and tragedy, asking us under what literary and performative conditions we extend and withhold sympathy. Using source material as diverse as YouTube comments and the plays of Sarah Kane and William Shakespeare, Burrows forces us to confront the limits of our own empathy. This book also provides a useful entry point into the question of trigger warnings in academic lectures: after a trigger warning on one of Burrows’ lectures came to the attention of the British press, Burrows found himself the center of a controversy over the use of content warnings on material related to sexual assault. Burrows makes the case that such warnings are not an impediment to learning, and in fact may allow some students to more fruitfully engage with this topic. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Dr. Mitchell Nathanson, author of the book Bouton: The Life of a Baseball Original (University of Nebraska Press, 2020). Nathanson, a professor of law at the Jeffrey S. Moorad Center for the Study of Sports at Villanova University, examines the life of Jim Bouton, a journeyman pitcher whose 1970 book, “Ball Four,” was a lightning rod for controversy and became one of the best sports books of all time. Nathanson examines the dynamics behind the crafting and publishing of “Ball Four,” Bouton’s diary of the 1969 major league baseball season. He examines the contributions of Leonard Shecter, the former New York Post sportswriter who helped shape Bouton’s narrative. More importantly, Nathanson presents a more well-rounded portrait of Bouton, a free-thinking man who marched to his own beat and was not afraid to buck the establishment. Bouton’s youth, his early successes with the New York Yankees and fall from grace are chronicled. Well-researched with interviews from key figures in his lifetime, “Bouton” provides context and reveals the man behind a work that was vilified fifty years ago as a “kiss-and-tell” book but is now lauded as a sports classic. Nathanson brings fresh perspective and delivers an unvarnished, critical view of Bouton. Bob D’Angelo earned his master’s degree in history from Southern New Hampshire University in May 2018. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He is currently a digital news producer for Cox Media Group. Bob can be reached at [email protected]. For more information, visit Bob D’Angelo’s Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies (Rowman & Littlefield, 2018), Diana Senechal examines words, concepts, and phrases that demand reappraisal. Targeting a variety of terms, the author contends that a “good fit” may not always be desirable; delivers a takedown of the adjective “toxic”; and argues that “social justice” must take its place among other justices. This book also includes a critique of our modern emphasis on quick answers and immediate utility. By scrutinizing words and phrases that serve contemporary fads and follies, this book stands up against the excesses of language and offers engaging alternatives. Drawing on literature, philosophy, social sciences, music, and technology, Senechal offers a rich framework to make fresh connections between topics. Combining sharp criticism, lyricism, and wit, Mind over Memes argues for judicious and imaginative speech. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a book of encounters. Part memoir, part essay, and partly a guide to maximizing your capacity for fulfillment and expression, The Poetry of Everyday Life: Storytelling and the Art of Awareness (Cornell University Press, 2016) taps into the artistic side of what we often take for granted: the stories we tell, the people we love, the metaphors used by scientists, even our sex lives. A folklorist, writer, and cultural activist, Steve Zeitlin explores how poems serve us in daily life and how they are used in times of personal and national crisis. In the first book to bring together the perspectives of folklore and creative writing, Zeitlin explores meaning and experience, covering topics ranging from poetry in the life cycle to the contemporary uses of ancient myths." This convergence of poetry and folklore," he suggests, "gives birth to something new: a new way of seeing ourselves, and a new way of being in the world." Written with humor and insight, the book introduces readers to the many eccentric and visionary characters Zeitlin has met in his career as a folklorist. Covering topics from Ping-Pong to cave paintings, from family poetry nights to delectable dishes at his favorite ethnic restaurants, The Poetry of Everyday Life will inspire readers to expand their consciousness of the beauty that resides in everyday things and to use creative expression to engage and animate that beauty toward living a more fulfilling awakened life, full of laughter. To live a creative life is the best way to engage with the beauty of the everyday. The multiple author It Takes A Pandemic poem can be found here. To hear Steve Zeitlin and Amanda Dargan’s “Double Coffin” bluegrass song, go here. Rachel Hopkin PhD is a UK born, US based folklorist and radio producer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. In The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018), Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did―and can―have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Vyāsa Redux: Narrative in Epic Mahābhārata (Anthem Press, 2019), Kevin McGrath examines the complex and enigmatic Vyāsa, both the primary creative poet of the Sanskrit epic Mahābhārata and a key character in the very epic he composes. In doing so McGrath focuses on what he considers the late Bronze Age portions of the epic feature prioritizing the concerns if the warrior class. In his discussion, McGrath distinguishes between plot and story and how this distinction comes to bear on the differences between preliterate and literate phases of the epic’s compositional history. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode, Lee Pierce (she/they interviews John R. Gallagher of University of Illinois about Update Culture and the Afterlife of Digital Writing (Utah State University Press, 2020) a dynamic look at the life of a text in the 21st century. Looking at wealth of case studies among Amazon reviewers, redditors, and established journals, Update Culture is a deep diver into the many factors that contribute to the circulation of a digital text. The key three themes Gallagher explores include timing, attention, and management and they provide rhetorical points of access to understand the ever-evolving conditions of digital writing across genres and mediums. I hope you enjoy listening as I much as I enjoyed chatting with John about this instructive book. I’d love to hear from you at [email protected] or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.” In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear them. Shaw shows us what it might mean to listen deeply and profoundly, with our minds, yes, but also with our souls, our spirits, our very bones. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Collins' book The Other Rāma Matricide and Genocide in the Mythology of Paraśurāma (SUNY Press, 2020) examines a fascinating, understudied figure appearing in Sanskrit narrative texts: Paraśurāma, i.e., “Rāma with the Axe”. Though he is counted as among the ten avatāras of Viṣṇu, his biography is quite grisly: Paraśurāma is best known for decapitating his own mother and launching a genocidal campaign to annihilate twenty-one generations of the warrior caste. Why do ancient Sanskrit mythmakers elevate such an arguably transgressive and antisocial figure to so exalted a religious status? The Other Rāma explores this question by undertaking analysis of the Paraśurāma myth cycle using the methods of comparative mythology and psychoanalysis. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner’s wide-ranging literary output to assess the author’s life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family’s tales and the larger history of the region to which it was tied. Yet it took Faulkner’s journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After a life lived in obscurity, Emily Dickinson emerged after death as one of the greatest poets of her time. In These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson (W. W. Norton, 2020), Martha Ackermann traces her evolution as a poet by focusing on some of the key moments in her life that defined and shaped her as a writer. The daughter of a prosperous attorney, Dickinson did not have the concerns of work or marriage that defined the lives of the women of her era. Without them she was able to focus on composing poems, a task to which she dedicated herself at an early age. While the vast majority of her poems remained unpublished during her lifetime, this did not reflect her desire to be distinguished. In response to an article by Thomas Wentworth Higginson, she sent him four of her poems, inaugurating what would become a lifelong correspondence between the two of them. Though Higginson was instrumental in the posthumous publication of Dickinson’s poems, it took Dickinson’s death in 1886 before she gained the distinction she had desired throughout her life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education. Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia). Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"Man is born free, and everywhere he is in chains." The opening sentence of 18th century philosopher Jean-Jacques Roussau's The Social Contract poses a central question for all of us. Why do we live under conditions of inequality, violence, dependency and general unhappiness (just look on twitter!) if society is made by us and for us? Why does it seem that modern human beings are not liberated but in fact subjugate themselves voluntarily to a system that robs them off their freedom? Rousseau's thought has informed much of modern political theory and philosophy and inspired people everywhere to think about the balance between individual liberty and collective existence. In order to understand better the lasting influence of Rousseau and his current significance, I spoke with Melissa Schwartzberg, who is Silver Professor of Politics at New York University and a specialist in political theory. Melissa's research is in the historical origins and normative logic of democratic institutions. This means she examines the principles underlying democracies and also the way democratic practices, from constitutions to elections, work out today. Professor Schwartzberg is the author of several books: Counting the Many: The Origins and Limits of Supermajority Rule, and Democracy and Change (Cambridge University Press, 2013). Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies