New Books in Literary Studies

Bhakti Shringarpure has written a fascinating, multidimensional analysis of the Cold War and decolonization and the often-under-explored connections between these events. In her book, Cold War Assemblages: Decolonization to Digital (Routledge, 2019), she integrates a variety of disciplinary perspectives while also weaving together the encounters and reverberations between the Cold War and decolonization and the post-colonial experience. This study takes on the political understandings of what transpired during the Cold War period in terms of the bipolar framework and what transpired in the Global South as the formerly occupying powers were leaving countries and areas they had colonized, only to be replaced by many a proxy war or occupation in these same spaces and nations. Shringarpure also makes the connection between the hard power, and hot and cold aspects of the Cold War, with the use of soft power by the western powers, especially the British and United States, to infiltrate aspects of the Anglophone world in ways that are still with us. The second part of the book examines the cultural, literary, and artistic aspects of the Cold War, especially as pursued by western intelligence services. This is an important and engaging study that will interest scholars and students across a host of disciplines. Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-author of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury 2015). She can be found on Twitter @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection The Folkloresque: Reframing Folklore in a Popular Culture World (Utah State University Press, 2015) challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hoaxes! Jokes! Farces and fun! Cristopher Rea's China’s Chaplin (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a father’s duty when he and his son are courting the same prostitute? What ingenious method might save the world from economic crisis after a world war? Who is Shanghai’s most outrageous grandmother? What is the best revenge against plagiarists, thieves, landlords, or spouses? And why should you never, never, never pull a hair from a horse’s tail? Victoria Oana Lupascu is a PhD candidate in dual-title doctoral program in Comparative Literature and Asian Studies at the Pennsylvania State University. Her areas of interest include 20th and 21st Chinese literature and visual art, medical humanities and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Amos Mac and Rocco Kayiatos first launch Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, OP was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance. Collecting the best of the magazine’s entire twenty-issue run, Original Plumbing: The Best Ten Years of Trans Male Culture (Amethyst Editions, 2019) is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; mediations on love, relationships, and family; political essays and personal reflections; and much, much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness. This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New York and San Francisco acted as both a fallout shelter for left-wingers and a laboratory for social experimentation. Touching on literary figures from Norman Mailer and Amiri Baraka to Susan Sontag as well as performers ranging from Dave Brubeck to Maya Angelou to Lenny Bruce, The Rebel Café profiles hot spots such as the Village Vanguard, the hungry i, the Black Cat Cafe, and the White Horse Tavern. Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West. A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers. A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot. One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden. Suddenly, the vast country was flooded with international books, films, paintings, and music. The impact was seismic, and the reverberations are still felt today. To See Paris and Die: The Soviet Lives of Western Culture(Harvard University Press, 2018), by Eleonor Gilburd, is a deep dive into this phenomenon, which spans period from the death of Stalin in 1953 to the invasion of Czechoslovakia in 1968. Gilburd looks at the perfect cultural and social storm created by the combination of more liberal politics, foreign culture and the technology to make it accessible to 11 time zones. But Gilburd doesn’t limit herself to the impact of culture on the Soviet population, rather she examines the ways in which Soviet cultural interpreters made foreign cultural artifacts “about us.” In Gilburd’s study, we see how translators dug deep into Russian street language to bring Holden Caufield to the page, how film distributors brought Fellini’s neorealism to the steppes of Kazakhstan, and how Ilya Ehrenburg gently reintroduced a nation to the beauty of French Impressionism. This is as much a story of translators, commentators, and curators as it is of their audience. “To See Paris and Die: The Soviet Lives of Western Culture” was short-listed for the 2019 Pushkin House Prize. Eleonor Gilburd is an Assistant Professor of Soviet History and the College at the University of Chicago, and the author of “The Thaw: Soviet Society and Culture during the 1950s and 1960s.” She received her Ph.D. from the University of California Berkley in 2010. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, “Trash,” Censorship, and National Identity in Early Twentieth-Century Germany (Cambridge University Press, 2016), Kara Ritzheimer explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Sharon Kirsch (she/hers)--Associate Prof. of English and rhetorical studies in the New College at Arizona State University--on the scintillating and beautifully written Gertrude Stein and the Reinvention of Rhetoric from University of Alabama Press (2014). This book is truly a must-read for lovers of language; through Stein, Kirsch redelivers the “rules” of language and persuasion (organization, clarity, grammar) as heuristics or starting points for thinking about what language might be made to do. Stein re-emerges as a major twentieth-century rhetorician, not a spin doctor, as the word might suggest to some, but as someone who follows as sure as she remakes the rules of writing, expression, and language. Readers are also encouraged to learn more about the important work that Kirsch is doing with Save Our Schools Arizona. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A series of stories ranging from two-page narrative excerpts to 90+ page novellas, The Handsome Monk and Other Stories (Columbia University Press, 2019), translated by Columbia PhD student Christopher Peacock, with a contribution from Lauran Hartley, masterfully introduces the work of contemporary Tibetan author Tsering Döndrup. One of the most popular and critically acclaimed figures of Modern Tibetan literature of the post-Mao period, Tsering Döndrup is known for his earthy humor and his unflinchingly satirical portrayals of Tibetan life. Resisting the urge to romanticize Tibetan life, Tsering Döndrup’s stories relentlessly satirize both those in power—including clerics and government officials—and those without. Stories describe emergent social problems like gambling and long-standing folk institutions of violent feuds alike. The narratives compiled in The Handsome Monk could only be written by someone intimately familiar with Tibetan life over the last fifty years, and by placing many of his stories together, this volume evocatively portrays resilience and the problems of Tibetan culture. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live. Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Dryden is often regarded as one of the most conservative writers in later seventeenth-century England, a time-serving “trimmer” who abandoned his early commitments to the English Republic to become the poet laureate and historiographer royal of Charles II’s new regime. But, as this important new book demonstrates, Dryden never entirely left behind the ideas – and worries – about inspiration that shaped his early political and creative experiences. John West, who is assistant professor of English and comparative literature at the University of Warwick, has written a brilliant new book, Dryden and Enthusiasm: Literature, Religion and Politics in Restoration England (Oxford University Press, 2018), which opens up the sustained ambiguities of his subject’s interest in inspiration. With an agenda that promises to re-shape the literary history of the later seventeenth century, Dryden and enthusiasm is a defining study of a complex and contradictory literary figure. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For some two hundred years now, Pentateuchal scholarship has been dominated by the Documentary Hypothesis, a paradigm made popular by Julius Wellhausen. Recent decades, however, have seen mounting critiques of the old paradigm, from a variety of specializations, not only in Biblical Studies, but also in the fields of Assyriology, Legal History, and Linguistics. In a recent international meeting, scholars across these fields came together and presented papers, each one calling for a paradigm change in Pentateuchal research. Join us as we speak with one of those scholars, Richard Averbeck, about his contribution to Paradigm Change in Pentateuchal Research, edited by M. Armgardt, B. Kilchör, M. Zehnder (Harrassowitz Verlag, 2019)—his chapter is titled ‘Reading the Torah in a Better Way.’ Richard Averbeck teaches at Trinity Evangelical Divinity School. His areas of expertise include Old Testament, especially the Pentateuch, ancient Near Eastern history and languages, Old Testament criticism, Hebrew, and biblical counseling. He is a member of the Evangelical Theological Society, the Institute for Biblical Research, the American Oriental Society, the American Schools of Oriental Research, and the Society of Biblical Literature. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As they explored and struggled to establish settlements in what they called ‘new found lands’, the encounter with the peoples of those lands deeply affected how the British saw themselves. From the onset of colonisation, exotic visitors appeared in London. We recognise their names: Pocahontas, Manteo, Squanto. If you look carefully, they are a constant presence: in the decorative cartouches of 17th and 18th century maps; in the illustrated title pages of texts promoting colonisation; and present, though heavily filtered through the assumptions of British culture, in many other texts – poems, plays, treatises on political theory and philosophy, and in novels – a form that was new, which confronted a world that was ancient. The intensity of this cultural encounter, which is all too familiar to those who work on the history of colonial and federal America, has been overlooked in some circles of British studies. The multi-volume Oxford History of the British Empire, for example, devoted just 2 of 47 essays to the topic of Native Americans, while treatments of British imperial culture do not place enough emphasis on how diplomatic, military, commercial relationships with the Algonquian, Cherokee and Haudenosaunee peoples shaped broader views of the nature and purposes of the imperial project. Robbie Richardson is Lecturer in Eighteenth-Century Literature at the University of Kent. In The Savage and Modern Self: North American Indians in Eighteenth-Century British Literature and Culture (University of Toronto Press, 2018), he examines the cultural presence of Indians in the novels, poetry, plays and material culture of the eighteenth-century. This presence was used as a kind of reflection to grapple with the emergence of consumer culture, the meaning of colonialism, ‘Britishness’ and – one of the preoccupations of eighteenth-century social theorists – the nature of the ‘modern self’. Charles Prior is Senior Lecturer in Early Modern History at the University of Hull. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history. Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is the New Testament text reliable? What do we do with textual variants? How do I use the Greek New Testament? This short book, An Introduction to the Greek New Testament, Produced at Tyndale House, Cambridge (Crossway, 2019) provides crucial information about the Tyndale House edition of the Greek New Testament in particular and the Greek New Testament in general. Dirk Jongkind, one of the principal scholars behind this groundbreaking project, answers critical questions for understanding the biblical text so that you can have clarity and confidence as you engage with the New Testament in the original Greek. Dirk Jongkind is the academic vice principal and senior research fellow in New Testament text and language at Tyndale House, Cambridge. He is one of the principal scholars behind The Greek New Testament, Produced at Tyndale House, Cambridge and serves on the editorial board of The Journal for the Study of the New Testament. Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological Seminary. He holds an MDiv from The Southern Baptist Theological Seminary and a ThM from Trinity Evangelical Divinity School, and can be reached at [email protected], twitter.com/jonrichwright, or jonathanrichardwright.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As Lisa Rofel discusses in this podcast, and in her introduction to After the Post-Cold War: The Future of Chinese History (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays. In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible in the twentieth century? In a searing analysis of recent Chinese films in their wider socio-political context, Dai critiques present-day historical myopias and the consequent marginalisation of those most buffeted by the storms of neoliberal capital: active female protagonists and the erstwhile socialist ‘masses’. Especially urgent in this year of key anniversaries for China, this work has much wider implications for understanding our entire global present, and for perceiving the ominous reality that “China must be a China of the future, or there will be no future” (p. 22). Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well. Anne A. Cheng is Professor of English and Director of American Studies at Princeton University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With talk about birthright citizenship and border walls running rampant in Trump’s America, there are many scholars reaching back to antebellum America to historically ground today’s citizens in debates from the past that hold relevance now about both topics. Scholars like University of Illinois Urbana-Champaign Associate Professor of English Derrick Spires is one of those scholars weighing in. Today on New Books in African American Studies, your host, Adam McNeil will help guide the conversation with Professor Spires about his brand new book The Practice of Citizenship: Black Politics and Print Culture in the Early United States (University of Pennsylvania Press, 2019). Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Does publishing have a diversity problem? In Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom Dr Melanie Ramdarshan Bold, an associate professor at UCL’s Centre for Publishing lays bare the crisis of underrepresentation for British authors of colour. Focusing on the high profile, but also marginalised, Young Adult Fiction genre, Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom (Palgrave, 2019) explores the experiences of authors navigating the ‘diversity status quo’ of the publishing industry marked by significant inequalities. These inequalities, in turn, shape what is published and what is represented, to the exclusion of a wide range of individuals and communities. Along with companion work on children’s books, the book is essential reading for anyone interested in contemporary culture. Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries at the University of Edinburgh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In Star Wars after Lucas: A Critical Guide to the Future of the Galaxy(University of Minnesota Press, 2019), Dan Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The book I’m bringing you today, The Bloomsbury Handbook of 21st-Century Feminist Theory (Bloomsbury, 2019) is the most comprehensive available survey of the state of the art of contemporary feminist thought. This is a collection of thirty-four chapters written by world-leading scholars representing a diverse range of voices from academia, exploring the latest thinking on key topics in current feminist discourse. Rather than talking about feminism in terms of its “waves,” it traces feminist history’s time through its constitutive vocabulary and, in looking toward the future, considers feminism as a theory that is vital and living. The first part explores the notion of feminist subjectivity, inquiring into identity, difference, and intersectionality, as well as topics like birth, body, and affect. The second examines feminist texts, covering writing, reading, genre, and critique. The third section looks at feminism and the world: from power, trauma, and value to technology, migration, and community. Including insights from literary and cultural studies, philosophy, political science and sociology, The Bloomsbury Handbook of 21st-Century Feminist Theory has been called an essential overview of current feminist thinking and future directions for scholarship, debate and activism. The book is edited by Robin Truth Goodman. She is a professor of English at Florida State University, with an MA and Phd in Comparative Literature from New York University and currently examines feminist theory as a critique of neoliberal ideologies, looking at how literature and critical theory help us understand and oppose the power of institutions and the social oppressions of the new economy. Besides her many authored and edited books, articles, and book chapters, Dr. Goodman received FSU’s Developing Scholar award in 2009 and was a Global Fellow at University of California, Los Angeles in 2003-2004. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy’s Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens’ book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ryan Hackenbracht, who is an associate professor of English at Texas Tech University, has just published one of the most innovative and stimulating discussions of the interplay between literature and religion in early modern England. National Reckonings: The Last Judgement and Literature in Milton’s England (Cornell University Press, 2019) opens up questions about how seventeenth-century writers understood the Christian doctrine of the last judgement, and how the thought of that final reckoning shaped new attitudes to church and to nation. With new readings of authors including John Milton, Thomas Hobbes, Henry Vaughan, Gerrard Winstanley and Abiezer Coppe, National Reckonings will become essential reading for anyone working in the expanding field of literature and religion during England’s revolution. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When we talk about stories of alien abduction in the United States, we often do so through a framework of belief vs. disbelief. Do I think this story is true, or do I think it’s false? Anthropologist Susan Lepselter asks what happens when we instead listen to “UFO talk” ethnographically, understanding it as a form of vernacular American poetics that must be made sense of within specific cultural and political contexts. In The Resonance of Unseen Things: Poetics, Power, and UFOs in the American Uncanny (University of Michigan Press, 2016), Lepselter draws on years of interviews with “experiencers,” those who tell of being abducted by aliens, and participant-observation at an experiencers support group in a southern US city. Her wide-ranging book considers abduction stories in relation to other narrative forms—captivity narratives, conspiracy theories, frontier tales—offering new and shifting frameworks for making sense of the weird, uncanny, random, and real. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Milton’s Paradise Lost (1667) is widely recognised as the greatest epic poem in the English language – and it is buried in the commentary of thousands of other texts. William Poole, who is John Galsworthy Fellow and Tutor in English at New College, Oxford, has written what will be recognised as one of the most important contributions to this formidable body of scholarship. Milton and the Making of Paradise Lost (Harvard University Press, 2017) offers a new account of the author and of his best-known work. Structured in two parts, and with short but determinedly focused chapters, Poole’s new book reconstructs the intellectual world within which Milton began to read towards his greatest project, and comments upon the poem to illustrate the variety and capacity of its author’s intellectual range. Pulling together biography and criticism, Poole’s new book is an outstanding and superbly resourceful achievement – and one that will help many new readers to discover this greatest of literary texts. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The fact that Korea’s experience of Japanese imperialism plays a role in present-day Japan-Korea relations is no secret to anyone. Questions of guilt, responsibility and atonement continue to bubble below, and occasionally break through, the surface of ties between two countries which otherwise have much in common culturally and in terms of interests. Addressing many of these complexities, Christina Yi’s Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018) adds greatly to our understanding of imperial experience and its personal, linguistic and political legacies. In this ‘discursive history of modern Japanese-language literature from Korea and Japan’ (xvi), Yi forges a narrative which is itself expressive of colonialism's tangled and irresolvable traces. Led nimbly back and forth between the Japanese metropole and the colonies and postcolonies, we enter deep into the worlds of writers considered both 'Korean' and 'Japanese' based in both past and present incarnations of 'Korea' and 'Japan.' If it is difficult to pin any single identity - other than shared use of Japanese language - on these figures and their works, then this very fact is an invitation to broaden our understanding of Japanophone literature beyond today's troublesome nation states. As Yi makes poignantly clear, issues of identity and voice are still shaped by imperial experience even long after the formal end of empire in 1945. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why would anyone want to study Sanskrit, an ancient complex tongue? What’s the best way to go about doing so? Sanskrit is the highly sophisticated language of ancient India which remained in vogue for Millennia as a medium of philosophy, ritual, poetry – indeed every facet of Indian culture. Above and beyond Indian culture, it affords deep insight into the grammatical structures of language. Join us as we talk to Antonia Ruppel (Oxford University) about her Sanskrit textbook, The Cambridge Introduction to Sanskrit (Cambridge University Press, 2017), a much-needed accessible, comprehensive tool for learning this ancient tongue, complete with online handouts, flash cards, and videos. We delve into the unique attributes of the Sanskrit language – for example, 3 numbers, 3 genders, special case endings, sophisticated rules for combinations of sounds (elision) – and the extent to which knowledge of the Hindu ‘language of the gods’ grants us access to millennia of human enterprise that is simultaneously foreign and familiar to our own. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why are myths of the Indian Great Goddess couched in a conversation between a deposed king and forest-dwelling ascetic? What happens when we examine these myths as a literary whole, frame and all? What interpretive clues might we find in their very narrative design? Join us in the "flip interview" as as your New Books Network Hindu Studies host Raj Balkaran (University of Toronto School of Continuing Studied) is interviewed on his new book The Goddess and The King in Indian Myth: Ring Composition, Royal Power and The Dharmic Double Helix (Routledge, 2018) by guest-interviewer Craig Ginn from the University of Calgary. Learn how the narrative design of Indian Great Goddess myths and the manner in which that design highlights the Goddess' association with royal power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With questions over how ideas are translated across borders and between languages as acute as ever today, it is sometimes easy to forget that our efforts to understand each other are mediated through many accreted layers of previous translations. Pu Wang’s The Translatability of Revolution: Guo Moruo and Twentieth-Century Chinese Culture (Harvard University Asia Center, 2018) takes us deep into this world of past linguistic and cultural interpretations, shedding invaluable light on broad questions how ‘history’, 'the people', 'revolution' and many other ideas have emerged as products of exchange between East Asian and European contexts. But this book is much more than this, being the first study of the whole life of Guo Moruo, the ‘writer, poet, dramatist, Marxist historian, paleographer… revolutionist and cultural fighter’ (p. 5), as Deng Xiaoping eulogised him. Wang skilfully weaves together an analysis of Guo’s extraordinarily diverse written works – from translations of Goethe to autobiography and interpretations of oracle bone inscriptions – with a rich account of the man's personal life and events in China at large. As a poet and translator himself, Wang is uniquely positioned to tell this richly creative story which is at once personally intimate and vast in scope. As difficult to encapsulate in a short blurb as the tumultuous life of Guo himself, this book offers us a portrait of a deeply complex and controversial figure and a picture of Chinese culture in the age of revolution which emerged in dialogue with innumerable historic voices. Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why does the narrative motif of ‘dialogue’ pervade Hindu texts? What role does it serve? Join me as I speak with Chakravarthi Ram-Prasad (Fellow of the British Academy, and distinguished professor of Comparative Religion and Philosophy at Lancaster University), co-editor of In Dialogue with Classical Indian Traditions: Encounter, Transformation and Interpretation (Routledge, 2019). This volume presents 13 fascinating studies on the role of dialogue in Indian religious tradition, all of which are touched on in the interview. This book is part of a series entitled "Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History." For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Of the millions of books that have been published, few are as renowned or as coveted today by collectors as the famous Bible printed in the 15th century by Johannes Gutenberg. In The Lost Gutenberg: The Astounding Story of One Book's Five-Hundred-Year Odyssey (TarcherPerigee, 2019), Margaret Leslie Davis traces the journey of one copy of this book – known as Number 45 – over the course of two centuries as it changed hands through a succession of owners. As Davis explains, at the start of the 19th-century Gutenberg Bibles were not as highly prized by the growing market of rare book collectors, which allowed Archibald Acheson, the third earl of Gosford, to acquire Number 45 for a relatively small sum in 1836. By the time it was sold nearly a half-century later, however, its status had skyrocketed and with it the price it commanded. After a succession of British owners, Davis describes the book’s acquisition in 1950 by the American heiress Estelle Doheny, which brought Number 45 across the Atlantic Ocean and into the hands of the only woman known to own a copy. Though the book was donated to a Catholic seminary upon her death along with the rest of her collection, its sale in 1987 to a Japanese publisher led to a second transoceanic journey that brought it to Japan. There Number 45 became the first Gutenberg accessible to millions as its pages were subsequently photographed and the images posted on the Internet for anyone online to see. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Shonaleeka Kaul is a cultural historian of early South Asia specializing in working with Sanskrit texts. She is Associate Professor at the Centre for Historical Studies, Jawaharlal Nehru University, and has worked extensively on Sanskrit kavya, a genre of highly aesthetic poetry and prose. She is the author of The Making of Early Kashmir: Landscape and Identity in the Rajatarangini (Oxford University Press, 2018) and Imagining the Urban: Sanskrit and the City in Early India (Permanent Black and Seagull Books, 2010), and has edited Cultural History of Early South Asia: A Reader (Orient BlackSwan, 2013). The interview is about her second and recent book The Making of Early Kashmir, in which she upturns many prevalent views about the cultural history of Kashmir. As many would know, Kashmir is right now a highly contested territory within India, and as it happens with all such spaces, there is equally a contestation over the reconstruction of the historical memory related to the land. In this book, Shonaleeka Kaul challenges the view that Kashmir had an isolated, insular and unique regional and cultural identity, separate from the identity of mainstream India. She argues that it was in fact the opposite, and her argument is based on, among other things, her highly original reading of the Sanskrit kavya, Rajtarangini, composed by the Kashmiri author Kalhana in the 12th century AD. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Thomas A. Wayment, professor of Classics at Brigham Young University, has done something remarkable — he has retranslated the New Testament. This new translation from the best available Greek manuscripts, entitled, The New Testament: A Translation for Latter-day Saints(Religious Studies Center, Brigham Young University, 2019), renders the New Testament text into modern English and is sensitive to Latter-day Saint beliefs and practices. It is also readable and accessible for a wide range of readers. The original paragraph structure of the New Testament is restored and highlights features such as quotations, hymns, and poetic passages. New and extensive notes provide alternative translations, commentary on variant manuscript traditions, and historical insights. Where applicable, the Joseph Smith Translation of the Bible has been included, and the notes contain the most complete list of cross-references to New Testament passages in the Book of Mormon and Doctrine and Covenants that has ever been assembled. In our discussion, Dr. Wayment gives us exciting insights into how he translated the New Testament, along with his thoughts on Jesus Christ, the Pauline epistles, the role of women in the early church, and more. It’s a fun and fascinating conversation! Daniel P. Stone holds a PhD in American religious history from Manchester Metropolitan University (United Kingdom) and is the author of William Bickerton: Forgotten Latter Day Prophet (Signature Books, 2018). He has taught history courses at the University of Detroit Mercy and Florida Atlantic University, and currently, he works as a research archivist for a private library/archive in Detroit, Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the earliest days of medical research into autism, both psychologists and the general public have characterised those on the autism spectrum as literal-minded, unimaginative and lacking in empathy. While in recent years a fresh emphasis on neurodiversity has served to sweep aside this kind of reductive thinking, many people still view autistic readers as limited in their capacity to engage with literary texts. In his new book See It Feelingly: Classic Novels, Autistic Readers, and the Schooling of a No-Good English Professor (Duke University Press, 2018), educator and author Ralph James Savarese challenges the notion that autistic readers are unable to immerse themselves in figurative language or get lost in imaginative worlds. Instead, Savarese, himself the father of a young autistic man, explores the many diverse and illuminating ways in which neurodivergent readers can engage with literature. From a young reader who identifies with the cetacean “antagonist” of Moby Dick to a woman who provides stunning new insights into Philip K. Dick's Do Androids Dream of Electric Sheep?, See It Feelingly foregrounds the unique perspectives of autistic readers and highlights their inventive approaches to literary analysis. In this podcast, Professor Savarese speaks to Miranda Corcoran about the impetus for this project and his experience working with neurodivergent readers. Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. Her research focuses on Cold-War fiction, science fiction, horror and the gothic. She is currently writing a monograph on witchcraft and adolescence in popular culture. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era(University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

That the Roman leader Gaius Julius Caesar is so well remembered today for his achievements as a general is largely due to his skills as a writer. In The Landmark Julius Caesar: The Complete Works (Pantheon, 2017), the distinguished classics scholar Kurt Raaflaub provides readers with a new translation of the collection of writings known as the Corpus Caesarianum, which he supplements with footnotes, maps, and images designed to make Caesar’s writings accessible for the modern-day reader. Raaflaub situates the books within the context of Caesar’s life, explaining how the first and most famous of them, the Gallic War, was a political tool designed to bolster Caesar’s stature back in Rome. In the aftermath of the civil wars that followed his crossing of the Rubicon in 49 BCE, Caesar wrote his follow-up Civil War, which was largely complete when he was assassinated five years later. Though Caesar died before writing the later works attributed to his authorship, Raaflaub presents them as extensions of Caesar’s labors, with the Alexandrian War written from his notes and early materials he drafted, and the African War and the Spanish War authored by men who served in both campaigns and who were firsthand witnesses to them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.” Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders: “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin: French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s. His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world. Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader’s imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do we project imagined worlds? After all, why do we find ourselves mesmerized by imagined worlds? A collection edited by Anindita Banerjee, Science Fiction Circuits of the South and East (Peter Lang Ltd, 2018), delves into the intricate developments of science fiction while asking the reader to speculate about the nature of internalized worlds which in a myriad of ways engage with externalized dimensions. This collection stimulates the further blurring of boundaries not only in terms of genre interactions, but also in terms of oncological and epistemological frameworks spanning a wide terrain of geographical, aesthetic, ideological, and political matters. Science Fiction Circuits of the South and East conceptualizes science fiction in both local and global contexts and invites us to think about science fiction as an artistic phenomenon that translates diverse modifications that emerge as a result of multiple interactions and events, understood in the broadest sense. As a mode of ontological negotiations, science fiction advances the understanding of literature in terms of effect and affect, which provides space for further theorizing literary developments in the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Though not as well known today as some of her literary contemporaries, Charlotte Lennox wrote numerous works during the mid-18th century that won her critical acclaim and influenced subsequent generations of authors. In Charlotte Lennox: An Independent Mind (University of Toronto Press, 2018), Susan Carlile draws upon Lennox’s published works, her surviving correspondence, and the studies of her era to reconstruct the life and times of this remarkable writer. Growing up in Britain’s Atlantic empire, young Charlotte Ramsay’s preparations for a position in the court were derailed by her marriage to an impecunious Scotsman. In need of an income, the newly married Lennox attempted a career as an actress before turning to her pen for her livelihood. Though her early writing won both a wide audience and the admiration of such influential figures as Samuel Johnson, Samuel Richardson, and Henry Fielding, Lennox faced the continuous challenges common to writers of the era of earning an income sufficient for her family’s needs. As Carlile details, this led Lennox to produce both fiction and nonfiction across a range of genres, which demonstrated the scope of her skills and inspired numerous imitators and successors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of New Books in Buddhist Studies, Dr. Richard Salomon speaks about his book The Buddhist Literature of Ancient Gandhāra: An Introduction with Selected Translation (Wisdom Publications, 2018). One of the great archeological finds of the 20th century, the Gandhāran Buddhist Texts, dating from the 1st century CE, are the oldest Buddhist manuscripts ever discovered. Richard discusses his pioneering research on these fascinating manuscripts, how the then obscure Gāndhārī language was deciphered, the historical and religious context from which these texts emerged, and the Gandhāran influence on other parts of the Buddhist world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction (SUNY Press, 2018) offers a new understanding on Israeli literature and literary history. Using Marxist theorization of the relation between literary form and social form, Oded Nir goes beyond the dominant interpretive horizon of Israeli literary criticism, that focuses on the relation of literature to national ideology. Instead, Nir demonstrates how the engagement with national ideology in Israeli literature probes the social and economic contradictions internal to Israeli society and its social order. Focusing on moments of transformation, Nir argues that the demise of realism in the late 1950s was the result of the failure, rather than the success, of the emancipatory project of Zionist pioneers. Next, Nir shows how the postmodern turn in the 1980s expressed a crisis of social and historical imagination that began with the proletarianization of Palestinians by Israeli capitalism after the 1967 war. Finally, Nir demonstrates how contemporary Israeli fiction responds to the postmodern crisis by staging a creative search for time itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies