New Books in Literary Studies

Ingrid Horrocks talks about the way women travelers, specifically women wanderers, are represented in late-eighteenth century literature, particularly in the work of women writers. Horrocks in an associate professor in the School of English and Media Studies at Massey University in Wellington, New Zealand. She is the author of Women Wanderers and the Writing of Mobility, 1784–1814 (Cambridge University Press, 2019). In the last days of the Scandinavian journey that would become the basis of her great post-Revolutionary travel book, Mary Wollstonecraft wrote, 'I am weary of travelling - yet seem to have no home - no resting place to look to - I am strangely cast off'. From this starting point, Ingrid Horrocks reveals the significance of representations of women wanderers in the late-eighteenth and early-nineteenth centuries, particularly in the work of women writers. She follows gendered, frequently reluctant wanderers beyond travel narratives into poetry, gothic romances, and sentimental novels, and places them within a long history of uses of the more traditional literary figure of the male wanderer. Drawing out the relationship between mobility and affect, and illuminating textual forms of wandering, Horrocks shows how paying attention to the figure of the woman wanderer sheds new light on women and travel, and alters assumptions about mobility's connection with freedom. Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“On or around December 1910, human character changed.” Virginia Woolf’s 1927 masterpiece To The Lighthouse teaches us how to take stock of the experience of living in the modern age. We know that we experience time not uniformly, but how do we make sense of that? How can it be that years pass and we barely blink an eye, but an afternoon can stretch into near-eternity, when we want something, or are denied what we desire? How do we account properly for the different ways in which men and women pass their time during a period when such roles were about to be challenged so powerfully by many including Woolf, in this book and also in Three Guineas, and A Room of One’s Own? Is consciousness the true standard for experience, and external, measured time only the tide against which we strive to assert ourselves? Professor Jared Stark is a scholar of literature and Professor of Literature and Comparative Literature at Eckerd College in Florida. He has written about Woolf and taught her works for many years. His most recent book, A Death of One’s Own: Literature, Law, and the Right to Die was published in 2018. Special thanks to Tamsin Shaw, author of Nietzsche’s Political Skepticism, for lending her voice (reliving childhood moments when her mother asked her to recite Woolf for dinner guests!) to some of Woolf’s quotes. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Barbara Spackman’s riveting study identifies a strand of what it calls “Accidental Orientalism” in narratives by Italians who found themselves in Ottoman Egypt and Anatolia in the late 19th and early 20th centuries. Relocated, or “de-toured” by historical accident, these travelers wrote about their experiences in Italian, English, and French. Crossing class, gender, dress, and religious boundaries as they move about the Mediterranean basin, the travelers’ accounts variously reconfigure, reconsolidate, and often destabilize the imagined East-West divide. Ranging widely on an affective spectrum from Islamophobia to Islamophilia, their narratives are the occasion for the book’s reflection on the practices of cultural cross-dressing, conversion to Islam, and passing and posing as Muslim on the part of Italians who had themselves the object of an Orientalization on the part of Northern Europeans, and whose language had long been the lingua franca of the Mediterranean. Listen in as we discuss Spackman's new book Accidental Orientalists: Modern Italian Travelers in Ottoman Lands (Liverpool UP, 2017). Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christopher Fort’s new translation of Abdulhamid Sulaymon o’g’li Cho’lpon’s Night and Day: A Novel (Academic Studies Press, 2019) (Kecha va Kunduz) gives readers a chance to dive into the world of early 20th century Uzbek literature and understand the complex social problems of late Russian imperial Turkestan. This book will be interesting for a wide range of readers, including those interested in the history of Russia and Central Asia, as well as the nature of colonial and post-colonialism in those contexts. Finally, Fort’s translation brings attention to Cho’lpon, an important figure in Uzbek literary life who tragically became a victim of Stalinist terror. Nicholas Seay is a PhD candidate at The Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Second Slayings: The Binding of Isaac and the Formation of Jewish Cultural Memory (Gorgias Press, 2019), David N. Gottlieb explores the decisive - and, until now, under-appreciated - influence exerted on Jewish memory by the Akedah, the Binding of Isaac narrative in the Book of Genesis. Through the lenses of hermeneutics, literary and social theory, and history, Gottlieb reveals the ways in the Akedah narrative models the act of interpretation as a means of recovery from and commemoration of crisis - a strategy that has penetrated every aspect and era of Jewish life. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What stories should we remember, and which ones are we forced to forget? What if we discover a truth from the past that shaped us even though we didn't know it? Maxine Hong Kingston's 1975 masterpiece, The Woman Warrior: Memoirs of a Girlhood Among Ghosts, transformed American literature by adding a voice that had been with us all along yet insufficiently recognized. The book gives expression to the experience of Chinese Americans, which Kingston splices, multiplies and amplifies in five powerful sections of a book that delve into Chinese mythology, the experience of immigrants, and the difficult and tenuous ways of passing stories from generation to generation. In my conversation with professor Ava Chin, author of Eating Wildly: Foraging for Life, Love and the Perfect Meal, who has been teaching The Woman Warrior for many years, we examine how this gripping book of one girl's coming of age teaches us to figure out which parts of us are true to ourselves, and which ones have been imposed on us by others. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While typically circulating as a separate text, The Harivamsha forms the final part of the Mahabharata storyline. Beyond this, it is rich storehouse of cosmological, genealogical, theological materials, detailing the biography of Krishna (avatar of the Hindu great god Vishnu), along with much more mythic material. Join us as we speak with Simon Brodbeck about the significance of the Harivamsha, and about his process producing this fine, accessible English translation, Krishna's Lineage: The Harivamsha of Vyasa's Mahabharata (Oxford University Press, 2019). For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, Prof. Emilia Nielsen discusses the problem of the usual breast cancer narrative. She says that the happy stories of breast cancer survivors are so common that any other types of narrative almost require an apology. Emilia Nielsen is an assistant professor of arts, medicine and healing at York University’s Health & Society Program, Department of Social Science. She is the author of the scholarly text Disrupting Breast Cancer Narratives: Stories of Rage and Repair (University of Toronto Press, 2019) as well as two collections of poetry, Body Work and Surge Narrows. Dr. Dorian Deshauer is a psychiatrist, historian, and assistant professor at the University of Toronto. He is associate editor for the Canadian Medical Association Journal, Canada’s leading peer-reviewed general medical journal and is one of the hosts of CMAJ Podcasts, a medical podcast for doctors and researchers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After the Rushdie affair in 1989 there was an important shift in the public life of British Muslims. Their image came under closer scrutiny which led to new social policies and self-perceptions. This moment also served as a significant pivot in the narrative and representational patterns in British Muslim literature. Claire Chambers, Senior Lecturer at the University of York, examines these new paradigms in Making Sense of Contemporary British Muslim Novels (Palgrave, 2019). She outlines Muslim cultural production during this period through a literary analysis of the senses, especially those beyond the visual. Overall, Chambers provides a rich portrait of the non-visual senses in British Muslim fiction over the past three decades. This book also continues the work of her previous one, Britain Through Muslim Eyes: Literary Representations, 1780-1988 (Palgrave, 2015). In our conversation we discussed the Rushdie affair and its consequences, how to approach touch, smell, taste, and hearing in literature, the role of Islam in contemporary literary representation, the senses in a digital age of advanced technologies, the construction of religious practice or gendered norms, radicalization, and authors such as Hanif Kureishi, Monica Ali, and Mohsin Hamid, among many others. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For all of their prominence in the popular imagination today, the historical record of the Viking presence in England is limited, with much of what we know about them dependent upon the literary accounts attached to it. In Dragon Lords: The History and Legends of Viking England (Bloomsbury Academic, 2019), Eleanor Parker deconstructs these accounts to ascertain what they reveal both about the Vikings and their legacy for medieval England. Focusing on the narratives of Ragnar Lothbrok and his sons, Siward, Guy of Warwick, and Havelok, she draws out similarities that deepen our understanding of who they were. By analyzing these stories, she shows how the interpretations of the Danes changed over time, as their evolution into a more hostile and alien presence gave them a more adversarial role in shaping England’s national identity than was the case. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them. However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas. In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does political change take hold? In the 1850s, politicians and abolitionists despaired, complaining that the “North, the poor timid, mercenary, driveling North” offered no forceful opposition to the power of the slaveholding South. And yet, as John L. Brooke shows, the North did change. Inspired by brave fugitives who escaped slavery and the cultural craze that was Uncle Tom’s Cabin, the North rose up to battle slavery, ultimately waging the bloody Civil War. While Lincoln’s alleged quip about the little woman who started the big war has been oft-repeated, scholars have not fully explained the dynamics between politics and culture in the decades leading up to 1861. Rather than simply viewing the events of the 1850s through the lens of party politics, 'There Is a North': Fugitive Slaves, Political Crisis, and Cultural Transformation in the Coming of the Civil War (University of Massachusetts Press, 2019) is the first book to explore how cultural action—including minstrelsy, theater, and popular literature—transformed public opinion and political structures. Taking the North’s rallying cry as his title, Brooke shows how the course of history was forever changed. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mark Twain among the Indians and Other Indigenous Peoples (University of California Press, 2018; paperback edition, 2019) is the first book-length study of the writer’s evolving views regarding the aboriginal inhabitants of North America and the Southern Hemisphere, and his deeply conflicted representations of them in fiction, newspaper sketches, and speeches. Using a wide range of archival materials—including previously unexamined marginalia in books from Clemens’s personal library—Kerry Driscoll, Editor for the Mark Twain Papers and Project as well as former Professor of English at the University of Saint Joseph, charts the development of the writer’s ethnocentric attitudes about Indians and savagery in relation to the various geographic and social milieus of communities he inhabited at key periods in his life, from antebellum Hannibal, Missouri, and the Sierra Nevada mining camps of the 1860s to the progressive urban enclave of Hartford’s Nook Farm. The book also examines the impact of Clemens’s 1895–96 world lecture tour, when he traveled to Australia and New Zealand and learned firsthand about the dispossession and mistreatment of native peoples under British colonial rule. This groundbreaking work of cultural studies offers fresh readings of canonical texts such as The Adventures of Tom Sawyer, A Connecticut Yankee in King Arthur’s Court, Roughing It, and Following the Equator, as well as a number of Twain’s shorter works. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Claudia Moscovici’s recent book, Holocaust Memories: A Survey of Holocaust Memoirs, Histories, Novels, and Films (Hamilton Books, 2019), is intended for educators and politicians to draw attention to and educate people about the Never Again Education Act. Moscovici: “Nearly eighty years have passed since the Holocaust. There have been hundreds of memoirs, histories and novels written about it, yet many fear that this important event may fall into oblivion. As Holocaust survivors pass away, their legacy of suffering, tenacity and courage could be forgotten. It is up to each generation to commemorate the victims, preserve their life stories and hopefully help prevent such catastrophes. These were my main motivations in writing this book, Holocaust Memories, which includes reviews of memoirs, histories, biographies, novels and films about the Holocaust. It was difficult to choose among the multitude of books on the subject that deserve our attention. I made my selections based partly on the works that are considered to be the most important on the subject; partly on wishing to offer some historical background about the Holocaust in different countries and regions that were occupied by or allied themselves with Nazi Germany, and partly on my personal preferences, interests and knowledge. The Nazis targeted European Jews as their main victims, so my book focuses primarily on them. At the same time, since the Nazis also targeted other groups they considered dangerous and inferior, I also review books about the sufferings of the Gypsies, the Poles and other groups that fell victim to the Nazi regimes. In the last part, I review books that discuss other genocides and crimes against humanity, including the Stalinist mass purges, the Cambodian massacres by the Pol Pot regime and the Rwandan genocide. I want to emphasize that history can, indeed, repeat itself, even if in different forms and contexts. Just as the Jews of Europe were not the only targets of genocide, Fascist regimes were not its only perpetrators.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“My greatest adventure was undoubtedly Proust. What is there left to write after that?” This is what Virginia Woolf said, full of admiration -- and envy, too. Delve into Marcel Proust in this conversation with Caroline Weber, author of Proust's Duchess: How Three Celebrated Women Captured the Imagination of Fin-de-Siecle Paris (Knopf, 2019), who has not only read the masterpiece In Search of Lost Time, all 3000 pages and 1.25 million gorgeous, supple and utterly brilliantly composed words (several times), but who has also done the painstaking research to find out who were the real-life people on whom Proust modeled some of the most memorable characters in his sprawling book. The Duchess of Guermantes, a figure of enormous intrigue in the novel, was one of the first manifestations of celebrity culture in the modern age, presaging today's influencers who are known for being known. Don't read Proust, the wonderfully wise Alain de Botton's counsel notwithstanding, to change your life (be wary of such temptation and be careful what you wish for). For life cannot be changed but must be lived. But read Proust to live your life now deepened by his startling insights into the human condition. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world’s most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn’t even deign to attend the medal ceremony? In Why Bob Dylan Matters (Dey Street, 2017), Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan’s Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar—affectionately dubbed "Dylan 101"—Thomas is introducing a new generation of fans and scholars to the revered bard’s work. This witty, personal volume is a distillation of Thomas’s famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, "What makes a classic?", Thomas offers an eloquent argument for Dylan’s modern relevance, while interpreting and decoding Dylan’s lyrics for readers. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylan’s work for the Dylan neophyte and the seasoned fanatic alike. You’ll never think about Bob Dylan in the same way again. Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock (University of Iowa Press, 2018), Ann K. McClellan explores fan fiction inspired by one of the most-watch BBC series in history. Even after 130 years, Sherlock Holmes is still one of the most popular detectives ever to appear in print and on the screen. The recent BBC series Sherlock, set in modern-day London, brings Sherlock, John Watson, and other characters and events from Sir Arthur Conan Doyle’s nineteenth century London to a new group of fans. The series has inspired a large fan following across the globe, and with it fan fiction that continues to reimagine the characters beyond their lives in London. McClellan examines the series through the lenses of fan fiction studies, genre studies, and world building. Grounding the recent series and fandom in the larger historical fandom culture of Sir Arthur Conan Doyle’s popular detective, McClellan deftly presents how fan culture has evolved throughout the past century. Focusing on fan fiction, Sherlock’s World presents the ways that fans both change the canon as well as establish its position as the source text for their work. McClellan focuses on slash, world building, alternate universe, and real person fiction fan fiction as ways to explore how fans have pushed the boundaries of genre, character, canon, and reality. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1960, a poet and journalist named Lin Zhao was arrested by the Communist Party of China and sent to prison for re-education. Years before, she had –at approximately the same time– converted to both Christianity and to Maoism. In prison she lost the second faith but clung to the first. She is, judges her biographer Lian Xi, the only Chinese citizen to have openly and steadfastly opposed Mao and his regime–denouncing lies such as those conveyed in the “Great Leap Forward” poster, reproduced above. From her cell, Lin wrote long poems and essays, some written in her own blood, denouncing those who had brought China into such a condition of misery and oppression. Eventually she was judged incapable of re-education and executed. Her family was billed (as was typical) for the cost of the bullet that ended her life. But Lin Zhao’s writings survived: Totalitarian societies are also bureaucratic ones, strangely loath to destroy even the evidence of their own tyranny. When Lin Zhao’s sentence was commuted during the rule of Deng Xiaoping, her family gained access to her work. In 21st-century China, these writings have made her a prophet of change and a voice denouncing oppression. They have also made her as much an opponent of the current government as she was of Mao’s dictatorship. This may be the most important, and also the most moving, conversation I’ve have had the privilege of hosting. Recorded in Lian Xi’s office at Duke Divinity School, he and I discuss his new book Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao's China (Basic Books, 2018), Lin Zhao’s life and times, the survival of her writings, and her growing influence in modern China. Please listen, and share with others interested in history, China, human rights, and the triumph of the human person over tyranny. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than tobacco fields, a bluegrass bar, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive. Elizabeth Chiles Shelburne, the author of Holding Onto Nothing (Blair, 2019), grew up reading, writing, and shooting in East Tennessee. After graduating from Amherst College, she became a writer and a staff editor at the Atlantic Monthly. Her nonfiction work has been published in the Atlantic Monthly, Boston Globe, and Globalpost, among others. She worked on this novel in Grub Street’s year-long Novel Incubator course, under Michelle Hoover and Lisa Borders. Her essay on how killing a deer made her a feminist was published in Click! When We Knew We Were Feminists, edited by Courtney E. Martin and J. Courtney Sullivan. She lives outside Boston with her husband and four children. When she’s not kid-wrangling, Elizabeth enjoys doing CrossFit. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Man’s best friend, domesticated since prehistoric times, a travelling companion for explorers and artists, thinkers and walkers, equally happy curled up by the fire and bounding through the great outdoors―dogs matter to us because we love them. But is that all there is to the canine’s good-natured voracity and affectionate dependency? In his new book Dogs (Polity, 2019), Mark Alizart dispenses with the well-worn clichés concerning dogs and their masters, seeing them not as submissive pets but rather as unexpected life coaches, ready to teach us the elusive recipes for contentment and joy. Dogs have faced their fate in life with a certain detachment that is not easy to understand. Unlike other animals in a similar situation, they have not become hardened, nor have they let themselves die a little inside. On the contrary, they seem to have softened. This book is devoted to understanding this miracle, the miracle of the joy of dogs – to understanding it and, if at all possible, to learning how it’s done. Weaving elegantly and eruditely between historical myth and pop-culture anecdote, between the peculiar views of philosophers and the even more bizarre findings of science, Alizart offers us a surprising new portrait of the dog as thinker―a thinker who may perhaps know the true secret of our humanity. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book. Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As Jim Clarke writes in Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odds with the religion's own intriguing interest in both science and the possibility of alien life. Jim Clarke is Senior Lecturer and Course Director of English and Journalism at Coventry University, where he lectures on Science Fiction and Fantasy literature. He is the author of The Aesthetics of Anthony Burgess, and has written extensively on JG Ballard, Doctor Who, and Iain M Banks. He is principal investigator on the “Ponying the Slovos” project, which investigates invented languages in translation. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paula McQuade, professor of English literature at DePaul University, is the author of a brilliant new account of Catechisms and Women’s Writing in Seventeenth-Century England (Cambridge University Press, 2017). This book opens up an entirely new field for the study of early modern women’s writing, but it also pushes beyond other scholarly conventions to prompt new discussions about the purpose and performance of catechising, the character of household religion and its relationship to education and particularly the teaching of literacy, as well as the capacity of women to create systems of doctrine, with sometimes surprising sources and results. But the book raises other questions as well, not least why it is that the recovery of early modern religion, and particularly the religion of early modern women, so often takes place within literature departments. Catechisms and Women’s Writing in Seventeenth-Century England is a major statement in early modern religious history, and a ground-breaking work in the recovery of early modern women’s voices. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Shelton Reed, William Rand Kenan Jr. Professor of sociology (emeritus) at the University of North Carolina, has been observing the South for decades. This week he and Al Zambone talk about New Orleans in the 1920s, the subject of his book Dixie Bohemia: A French Quarter Circle in the 1920s (LSU Press, 2012). In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home. In this fresh, authoritative version―the first English translation of The Odyssey by a woman―this stirring tale of shipwrecks, monsters, and magic comes alive in an entirely new way. Written in iambic pentameter verse and a vivid, contemporary idiom, this engrossing translation matches the number of lines in the Greek original, thus striding at Homer’s sprightly pace and singing with a voice that echoes Homer’s music. Wilson’s Odyssey (W. W. Norton, 2017) captures the beauty and enchantment of this ancient poem as well as the suspense and drama of its narrative. Its characters are unforgettable, from the cunning goddess Athena, whose interventions guide and protect the hero, to the awkward teenage son, Telemachus, who struggles to achieve adulthood and find his father; from the cautious, clever, and miserable Penelope, who somehow keeps clamoring suitors at bay during her husband’s long absence, to the “complicated” hero himself, a man of many disguises, many tricks, and many moods, who emerges in this translation as a more fully rounded human being than ever before. A fascinating introduction provides an informative overview of the Bronze Age milieu that produced the epic, the major themes of the poem, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this an Odyssey that will be treasured by a new generation of scholars, students, and general readers alike. Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tamara Hundorova’s The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s (Academic Studies Press, 2019) is a compelling study of the literary changes that mark Ukrainian literature at the end of the 20th century. As the title of the book prompts, a starting point—or rather a triggering moment for further metamorphoses—is the Chornobyl catastrophe. However, this trajectory is further complicated by the collapse of the Soviet Union. The two events—different in its nature and affects—produce a unique environment for literary, ideological, and political responses. Tamara Hundorova looks at the literary process from the perspective of postmodern dialogical shifts. But what are the premises of Ukrainian postmodernism? How does it develop vis-à-vis its numerous “foreign” counterparts? How does the Soviet past shape the specificities of Ukrainian postmodernism? In The Post-Chornobyl Library, postmodernism is discussed in terms of traumas. As Tamara Hundorova argues, in Ukrainian literature postmodernism, which is characterized by multiple masks, roles, and functions, provides tools for dealing with traumas: ecological, ideological, existential, private and public. Postmodernism also evokes apocalyptic themes; however, the sense of end or exhaustion is complemented by new “replenishments.” According to Tamara Hundorova, the carnivalesque becomes one of the most productive devices to engage with the traumatic. The Post-Chornobyl Library offers an insightful examination of how literature responds to traumas and engages with restorations, re-discoveries, and vitalities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The dominance of the London press in the British national media has long overshadowed the presence of local newspapers in Great Britain and the roles they played in their communities. As Andrew Hobbs demonstrates in his book A Fleet Street In Every Town: The Provincial Press in England, 1855-1900 (Open Book Publishers, 2018), this presence was extremely vibrant during the second half of the 19th century, when expanding literacy and the end of the “takes on knowledge in the 1850s and 1860s. Focusing on the local newspapers in the Lancashire town of Preston during this period, he explains how the reading of newspapers often was a different experience at that time, with public reading rooms giving people from the working classes access to the news. The local newspapers they read also were different, and embodied their communities in ways that were of great importance to their audience. Hobbs explains that most of these readers preferred these local newspapers, as they provided information that more accurately reflected their lives than did the ones published by the “national” press. Hobbs’s book is available for free from Open Book Publishers and can be downloaded here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hindu great epic, Mahābhārata, exists today in hundreds of variant manuscripts across India. These manuscripts were painstakingly examined, sorted and reconstituted into the official Critical Edition of the Mahābhārata. Is the Critical Edition a viable means of studying India's great epic? While several scholars critique this undertaking project, the authors of Philology and Criticism: A Guide to Mahābhārata Textual Criticism (Anthem Press, 2018), Vishwa Adluri and Joydeep Bagchee, present a rigorous defense of the Mahābhārata's Critical Edition. Listen in and hear how and why they've done so. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB. In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “fundamentally acts of narrative interpretation and (re-) creation.” Creative fans transform sporting activities into spaces for self-reflection and authorship and in doing so fundamentally remake sports to suit their individual agendas. Cohan investigates five different types of sports narratives: fictions, fictional memoirs, memoirs, film, and blogs. These narratives include classics in the field, such as Don DeLillo’s Underworld, and Frederick Exley’s A Fan’s Notes, but he mostly engages with relatively novel accounts such as Matthew Quick’s narrative metafiction Silver Linings Playbook, Scott Raab’s memoir of the early 2000s Cleveland Cavaliers, The Whore of Akron and the feminist sports blog Power Forward. These diverse genres of athletic storytelling allow Cohan to comment on how fans have used fictional and non-fictional accounts to build their own identities, address questions of social inequity, work through mental illness, and appreciate sports in new ways. His work also suggests that a more flexible understanding of fandom might allow us to rethink sports in meaningful ways, improving the way we play games, as well as open up new pathways to fandom, making it more inclusive for women, people of color, and LGBTQ people. Cohan’s work will appeal to a broad range of scholars, but especially to those with an interest in the intersections between sports, literature, and narrative. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the late Enlightenment, a new imperative began to inform theories of interpretation: all literary texts should be read in the same way that we read the Bible. However, this assumption concealed a problem—there was no coherent "we" who read the Bible in the same way. In Secularism and Hermeneutics (University of Pennsylvania Press, 2019), Yael Almog shows that several prominent thinkers of the era constituted readers as an imaginary "we" around which they could form their theories and practices of interpretation. She argues that this conception of interpreters as a universal community established biblical readers as a coherent collective. In the first part of the book, Almog focuses on the 1760s through the 1780s and examines these writers' works on biblical Hebrew and their reliance on the conception of the Old Testament as a cultural, rather than religious, asset. She reveals how the detachment of textual hermeneutics from confessional affiliation was stimulated by debates on the integration of Jews in Enlightenment Germany. In order for the political community to cohere, certain religious practices were restricted to the private sphere––while textual interpretation, which previously belonged to religious contexts, became the foundation of the public sphere. As interpretive practices were secularized and taken to be universal, they were meant to overcome religious difference. Turning to literature and the early nineteenth century in the second part of the book, Almog demonstrates the ways in which the new literary genres of realism and lyric poetry disrupted these interpretive reading practices. Literary techniques such as irony and intertextuality disturbed the notion of a stable, universal reader's position and highlighted interpretation as grounded in religious belonging. Yael Almog is an Assistant Professor of German Studies at Durham University. Her research focuses on the interdependence of literary theory, literary production, and theology––more specifically, she looks at secularism, Jewish-Christian encounters, the German-Jewish tradition, and Hebrew literature. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While the mainstream discourses on global warming characterize it as an unprecedented catastrophe that unites the globe in a common challenge, Elizabeth DeLoughrey argues that this apparently cosmopolitan position is in truth a provincial one limited to privileged circles in the Global North. In Allegories of the Anthropocene (Duke University Press, 2019), she instead elucidates how among post-colonial peoples of the Pacific and Caribbean, who are among the first to suffer the uncompromising rise of sea levels, global warming is not so much a rupture of stability as an impending cataclysm that follows a long history of others. With an eclectic array of allegorical artworks -- including sculptures by Dominican artist Tony Capellán, novels by Keri Hulme and Erna Brodber, and poems from Kathy Jetñil-Kijiner and Kamau Brathwaite -- DeLoughrey traces how island artists make sense of anthropogenic climate change while continuing to critique the legacies of militarism, capitalism, and imperialism. DeLoughrey also highlights subjectivities of relatedness with the earth and its non-human beings that may provide antidotes to the extractive logics that have clogged the skies with CO2. Stressing the ways that global warming and empire are mutually constitutive, DeLoughrey confirms the critical importance of allegorical art and literature from the Global South in interpreting our unfolding crisis. Lance C. Thurner teaches history at Rutgers Newark. His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at http://empiresprogeny.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. Dr. Ebony Elizabeth Thomas's book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Let’s talk about books! How, when, and what do you like to read? Have you ever thought about the history of books and reading? How about shape, size, or texture of your book? Where do books go after they’ve been digitized? Harvard University professor Leah Price asks these questions and more in her new book, What We Talk About When We Talk About Books: The History and Future of Reading(Basic Books, 2019). Price begins her book by debunking the assumption that ebooks are more popular than print books, pointing out that in 2018 “sales revenue from hardbacks and paperbacks outstripped revenue from ebooks by more than $300 million.” She goes on to explore the history of books and reading from the changing social perceptions of reading, to reading on the move, to reading as method of political activism. Filled with cleverness and humor, Price surprises readers with interesting facts and anecdotes about books. As for the future of books and reading only time will tell, but Price believes that “the experience of immersion in a world made of words will survive if and only if readers continue to carve out places and times to have words with one another.” Leah Price is a Francis Lee Higginson Professor of English Literature at Harvard University, where she teaches courses on eighteenth- and nineteenth-century literature, gender, fiction, and the history of books. Her books include How to Do Things with Books in Victorian Britain and The Anthology and the Rise of the Novel. She writes for the New York Times Book Review, London Review of Books, Times Literary Supplement, San Francisco Chronicle, Boston Globe and Public Books, where she is also a section editor. She is curious about what, where, when, and how we read. But most of all, she wants to know why. Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gerry Milligan’s Moral Combat: Women, Gender and War in Italian Renaissance Literature (University of Toronto Press, 2018) takes as its subject the woman warrior in early modern Italy as she was and as she was represented across varied types of texts, both literary and historical. What emerges is a discursive construction of the role gender played in the concept of warfare during this time period. How are women depicted in relation to warfare? Are they non-combatant innocents protected by male warriors? If this is not (only) the case, how does the representation of the woman warrior illuminate men and masculinity in the Italian Renaissance? How are gender roles rewritten, challenged, and reaffirmed in the texts under consideration? How do the figures of the virago and the woman warrior resonate with 21st century gender norms? These are some of Milligan’s questions, as well as some of the topics, we consider in this podcast. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jeremy Black’s impressive new book offers an enormously wide-ranging account of the social, political and religious cultures in which England’s greatest dramatist was formed and found success. England in the Age of Shakespeare (Indiana University Press, 2019) draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays. Black, a professor of history at Exeter University, reads the plays as evidence of Shakespeare’s interest in his changing world. As an English writer, rooted in the very distinctive theological and liturgical arguments of the late sixteenth and early seventeenth centuries, Shakespeare offers a moral vision of a turbulent and contradictory world. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inari Sámi Folklore: Stories from Aanaar (University of Wisconsin Press, 2019) is rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community. First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer populations less than a century before, and the pre-Christian past in Aanaar. He introduces us to the bawdy humor of Antti Kitti, the didacticism of Iisakki Mannermaa, and the feminist leanings of Juho Petteri Lusmaniemi, emphasizing that folktales and proverbs are rooted in the experiences of individuals who are links in a living tradition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Differently than existing accounts that concentrate on Israeli and Palestinian nationalism, Kfir Cohen Lustig's Makers of Worlds, Readers of Signs: Israeli and Palestinian Literature of the Global Contemporary (Verso, 2019) suggests a new theoretical and historical approach to Israeli and Palestinian literature as well as to the contemporary system of world literature by accounting for the consequences of neoliberal globalization to literary form and its political import. The book proposes that until the neoliberal moment the difference in the socio-poetic form between Western Europe and Israel and Palestine lay in the concepts of autonomy and temporality: if in Western European societies autonomy is defined as an a-priori, ready-made property of the self-legislating subject, in Israel and Palestine, between the 1940s and the 1990s, autonomy was a collective product to be made in time. Autonomy here was the result of a social struggle with nature and with the “enemy” that subordinated the private to the public, the particular to the universal, body to spirit, making impossible the emergence of a liberal subject and its attendant category of aesthetic autonomy a la Kant. In this historical condition, Israeli and Palestinian literature developed a gamut of literary responses and political positions that competed over the imagination of social and aesthetic autonomy. In the global neoliberal period when privatization processes in Israel and Palestine rearticulate the public and private spheres and make possible both liberal and aesthetic autonomy, social life and literature begin to revolve around the experience of self-legislating subjects for whom the world is no longer an object to be made but a text to be read. Now, private life, taking after the “particular” in Kant’s reflective judgment, seems independent from its social determining law and turns into an autonomous appearance or text akin to Adorno’s Schein and Derrida’s textuality respectively. Once the structure of aesthetic appearance/text characterizes the social itself and infiltrates the very raw materials of the literary artwork, Israeli and Palestinian literature engage in narratives of national and global mapping that attempt, consciously or unconsciously, to decipher and retrieve the political conditions of local life which exceed the nation state and question the coherence of private life. With this new aesthetic and social form, Israeli and Palestinian literature begin to resemble contemporary Western European and American literature, a change unaccounted for in contemporary theories of world literature and requires a new concept of global literature with which the book closes. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death. Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also published work on the Jewish holy days Yamin Noraim (Days of Awe), 1938, on the giving of the Torah, Atem Reitem (Present at Sinai), 1959, and on the gathering of Hassidic lore, Sifreihem Shel Tzadikim (Books of the Righteous) and Sippurei HaBesht (Stories of the Baal Shem Tov), 1960-1961. Considered one of the greatest Hebrew writers, in 1966, Agnon was awarded the Nobel Prize in Literature. Rabbi Jeffrey Saks is the Director of Research at the Agnon House in Jerusalem and served as the Series Editor of The S.Y. Agnon Library at The Toby Press, now complete in 15 volumes. He is the founding director of The Academy for Torah Initiatives and Directions in Jewish Education, in Jerusalem, and its WebYeshiva.org program. Rabbi Saks was recently appointed as Editor of Tradition, the premier journal of Orthodox Jewish thought published in English. After earning his BA, MA, and rabbinic degrees from Yeshiva University, Rabbi Saks moved to Israel and has served on the faculties of several high schools and yeshivot, edited several books, and published widely on Jewish thought, education, and literature. Rabbi Saks lives in Efrat with his wife Ilana Goldstein Saks and their four children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Allegories of Encounter: Colonial Literacy and Indian Captivities (University of North Carolina Press—Chapel Hill & The Omohundro Institute of Early American History and Culture, 2019), Andrew Newman, Professor of English at Stony Brook University, analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one’s own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"What I feel most moved to write, that is banned―it will not pay. Yet, altogether, write the otherway I cannot." Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write "the other way," working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man. In Herman Melville: Among the Magazines (University of Massachusetts Press 2018), Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno," alongside lesser-known work. Using a concept he calls "embedded authorship," Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing with dazzling displays of innovation that reinvented magazine traditions and helped create the modern short story. Stephen Colbrook is a graduate student at University College London, where he is researching a dissertation on the interaction between HIV/AIDS and state policy-making. This work will focus on the political and policy-making side of the epidemic and aims to compare the different contexts of individual states, such as California, Florida, and New Jersey. Stephen can be contacted at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the relationship between the form of writing and what can be thought? How is a writer’s thinking shaped by form? How is a reader’s? Does this matter for philosophy? In Philosophy, Writing, and the Character of Thought (University of Chicago Press, 2018), John T. Lysaker explores the importance of the praxis of writing for philosophy. Essaying a variety of forms, the book invites the reader to investigate the volume in their hands as a performance. It engages with, among others, the work of Plato, Emerson, Wittgenstein, Benjamin, and Cavell, not only to show how form matters for thought, but also how thought is always made possible by what has come before. The book argues for philosophy to reconsider academic articles as the dominant mode of writing in the profession and offers an example of the creative ways in which philosophy can unfold. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cars promise freedom, autonomy, and above all, movement but leave whole cities stuck in traffic, breathing polluted air, exposed of deadly crashes, and dependent on vast the vast infrastructures of road networks, and oil production. Postcolonial Automobility: Car Culture in West Africa (University of Minnesota Press, 2019) examines the paradoxes and ambivalences of automobility through the lens of West African films, novels, plays, and poems. From the melodramas of Nollywood to the socialist realism of Ousmane Semebene, African artists have delved into the pleasures and anxieties of the road to theorize capitalist development, globalization, patriarchy, and the ethics of accumulation. In this episode of New Books in Anthropology, Lindsey Green-Simms joins host Jacob Doherty to discuss how West African entrepreneurs appropriated colonial technologies, how stalled cars embodied the crises of structural adjustment, and what new, feminist, mobilities and imaginaries emerge from the pages, screens, and stages of West African popular and literary culture. Lindsey Green-Simms is an associate professor of Literature at American University with a PhD in Comparative Literature from the University of Minnesota. She specializes in post-colonial film and literature with particular emphasis on issues of gender, sexuality, globalization, and mobility. Her work has appeared in Transition, Journal of African Cinemas, Camera Obscura, and the Journal of Postcolonial Writing. She is currently working on a project on African queer cinema. Jacob Doherty is a research associate in urban mobility at the Transport Studies Unit, University of Oxford, and, most recently, the co-editor Labor Laid Waste, a special issue of International Labor and Working Class History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies