New Books in Literary Studies

Arabic script is astounding! Not only because it represents one of the most commonly spoken languages today –that is, the Arabic language– but because it has represented dozens of other languages over the course of human history from the Middle East to Asia, to Europe, and to the tip of South Africa. Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design (Harvard University Press, 2017) is a recent example of the scholarship on the aesthetics of Arabic script and what it communicates. Author J.R. Osborn writes, not quite a standard history, not quite a work of communication studies, not quite a linguistic study, but a combination of all three that tells the story of Arabic script over ten centuries: from the formation of the calligraphic tradition to the rise of Unicode. J.R. Osborn is an Assistant Professor at Georgetown University in the Communication, Culture, and Technology Program. His work explores media history, design, semiotics, communication technologies, and aesthetics with a regional focus of the Middle East and Africa. J.R. is also a self-described ‘experimentalist of communication’ who works across media forms: from text to film to digital interface design and curatorial projects. He holds Ph.D in Communication and a Certificate in Ethnographic Film from the University of California, San Diego. Letters of Light is his first book. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Russian Science Fiction Literature and Cinema: A Critical Reader (Academic Studies Press, 2018) offers a compelling investigation of the genre whose development was significantly reshaped in the second half of the 20th century. In her introduction to this volume, Anindita Banerjee outlines the specificity of Russian science fiction literature and cinema and emphasizes transformative effects produced and trigged by the launch of Sputnik in 1957: “Sputnik’s impact—crossing the boundaries of private life and public culture, domestic enthusiasm and international curiosity, technological spectacle and participatory entertainment, contemporary aspirations and historical visions, and, last but not least, the diverse media of print, film, radio, and television—played an instrumental role in transforming science fiction from Russia into a serious object of study” (xii). Russian Science Fiction Literature and Cinema presents science fiction not only in terms of aesthetic inspirations and experimentations, but also in terms of political contestations and existential crises. When developing in the context of the Soviet supervision, science fiction acquired an ambiguous status: on the one hand, this genre was maintained and encouraged through state decisions; on the other hand, it was controlled and suppressed. As Anindita Banerjee argues, in the Soviet Union science fiction was some kind of an outlet for ideological and political discontents: keeping this genre under supervision was strategic for maintaining some visibility of otherness. The critical reader edited by Anindita Banerjee attempts to embrace multiple ambiguities of science fiction literature and cinema and to outline ethic and aesthetic proliferations that invite the reconsideration of the relationships of self and other. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sometimes, a couch is a only a couch, but not in Dr. Nathan Kravis’s new book, On the Couch: A Repressed History of the Analytic Couch from Plato to Freud (MIT Press, 2017). In a live interview conducted in connection with the Manhattan Institute for Psychoanalysis, we discuss how the couch has become the leading symbol for psychoanalysis in positive and maligned ways. Dr. Kravis discusses how the couch came to signify reclining, rest, introspection and healing and how important decor was for Freud as he was developing the analytic method. We spoke about the role of the couch in the last hundred years and what the future holds for it. We even speak about our own couches and how patients use them! There is a brief question-and-answer period as well. This book is beautifully illustrated: Doctor Kravis describes many of the pictures in the book during this interview – you can see a link to some of the photos discussed here. Christopher Bandini tweets @cebandini. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Philip Lutgendorf is Retired Professor of Hindi and Modern Indian Studies at the University of Iowa. He is currently working on a seven-volume translation of the Hindi devotional text, the Rāmcaritmānas written by the sixteenth-century North Indian poet, Tulsīdās. The first four volumes of the translation, entitled The Epic of Ram (Harvard University Press, 2016-), are currently available as part of the Murty Classical Library of India Series published by Harvard University Press and distributed in India by Penguin Books. Shandip Saha is associate professor of Religious Studies at Athabasca University, the world leader in the realm of distance education and open learning. His research interests focus on religion and politics in pre-modern North India and on the changing performance practices in devotional music in India and Pakistan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The vast chasm between classical economics and the humanities is widely known and accepted. They are profoundly different disciplines with little to say to one another. Such is the accepted wisdom. Fortunately, Professors Gary Saul Morson and Morton Schapiro, both of Northwestern University, disagree. In their new book, Cents and Sensibility: What Economics Can Learn from the Humanities (Princeton University Press, 2017), they argue that the mathematically rigid world of classical economics actually has a lot to learn from the world of great literature. Specifically, they argue that “original passions” (the term is from an overlooked work of Adam Smith) in the form of culture, story telling, and addressing ethical questions are found in great works of literature, but lacking in modern economic theory. Good judgment, they write, “cannot be reduced to any theory or set of rules.” Along the way, they weave together Adam Smith, Lev Tolstoy, Jared Diamond, college admissions practices, the US News and World Report rankings, and the family. This is an ambitious and original work. Many will disagree with it, but few will be able to put it down. Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Marriage Plot, Or, How Jews Fell In Love With Love, And With Literature (Stanford University Press, 2016), Naomi Seidman, Chancellor Jackman Professor in the Arts at the University of Toronto, considers the evolution of Jewish love and marriage through the literature that provided Jews with a sentimental education. She highlights a persistent ambivalence in the Jewish adoption of European romantic ideologies. The Marriage Plot is a brilliant and provocative work which will be referenced for many years to come. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In literature, evil can appear in a broad spectrum of shapes, images and motifs. For Endō Shūsaku, the problem of evil is central to the reality of human existence, and it has to be accepted as such. In Hermeneutics of Evil in the Works of Endō Shūsaku. Between Reading and Writing (Peter Lang, 2016), Justyna Weronika Kasza starts from the assumption that the notion of evil informs many of Shūsaku’s most renowned novels; on the other hand, she argues that Shūsaku’s body of work should be treated and analyzed as a whole, as his essays and critical texts are in fact complementary to his works of fiction. Kasza’s book is, on the one hand, an attempt to trace Shūsaku’s line of thinking and, on the other hand, to apply certain categories of Ricoeur’s hermeneutics to literary studies in order to better understand his body of work. Kasza concludes that evil as a problem was, for Shūsaku, closely intertwined with the Christian faith and with Western culture, which represented for him an “otherness” that manifested itself in multiple forms. The book also includes the first English translation of five of Endō Shūsaku’s critical texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Most people have heard of the Masters of Fine Arts–“MFA”–degree, but few know about the grueling process one must undergo to complete one. In Talking Art: The Culture of Practice and the Practice of Culture in MFA Education (University of Chicago Press, 2018), sociologist and ethnographer Dr. Gary Alan Fine asks how MFA students learn to make art and to speak intelligently about their work, how they become “artists” and what what it means to be an “MFA.” Gary Alan Fine is the James E. Johnson Professor of Sociology at Northwestern University. Fine has received fellowships from the Guggenheim Foundation, the Russell Sage Foundation, the Rockefeller Foundation, and the Center for Advancement Study in the Behavioral Sciences, and the Institute for Advanced Study. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Book Smugglers: Partisans, Poets, and the Race to Save Jewish Treasures from the Nazis (ForeEdge, 2017), David E. Fishman, Professor of Jewish history at the Jewish Theological Seminary in New York, tells the amazing story of the paper brigade of Vilna. The paper brigade were ghetto inmates who rescued thousands of rare books and manuscripts, hiding them first from the Nazis and then from the Soviets. This is a rare work that tells an amazing story in a very readable way, informed by years of expert research. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Westerns are having a bit of a moment in the early twenty-first century. Westworld was recently nominated for eight Emmys, the hit show Deadwood is slated for a return to television in the next few years, and in 2015 Quentin Tarantino’s The Hateful Eight grossed over $150 million. Victoria Lamont’s Westerns: A Women’s History (University of Nebraska Press, 2016), looks at the first moment of the Western over a century ago. The Western is traditionally thought of as an overtly masculine genre with male writers telling stories about mostly male protagonists (think The Man in Black, John Wayne, and Gus McCrae). Lamont, an associate professor of English at the University of Waterloo, examines several books from the 1880s to the 1920s and argues that women writers were crucial to the development of the genre’s forms, with some books even predating Owen Wister’s supposedly genre-founding title, The Virginian. Moreover, these women published mostly under their own names and found considerable financial success and critical acclaim. In doing so, they used the genre to critique gender roles, class structures, and American colonialism. It was not until the 1920s that mass market literature magazines and pulp publishers began to market Westerns as by, for, and about men, and in doing so erased the genre’s female history. Lamont places these authors in their context, and in doing so reveals much about female life and literature in the turn of the century American West. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet and CW’s Arrow, analyses the figure of Wonder Woman through the lens of Shakespearean crossdressing, and explores the existential meta-humour of Othello’s Iago and Marvel’s Deadpool. Refusing to adhere to conventional academic hierarchies, Shakespeare and Superheroes provides new insights and fresh perspectives that will appeal equally to scholars of Early Modern literature and twentieth-century popular culture. In a truly fascinating interview, Kahan discusses the thematic parallels between popular comic books and Shakespeare’s plays, the benefits of reading distinct literary works intertextually, and the role of academia in the current political climate. Kahan encourages acts of heroism in daily life on his FB page BE SUPER! Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

C. S. Lewis remains one of the most popular religious writers, and one of the most widely discussed children’s writers. I had the chance to catch up with Stephanie L. Derrick about her new book, The Fame of C. S. Lewis: A Controversialist’s Reception in Britain and America (Oxford University Press, 2018), and to talk about the many personalities and the changing reputation of her subject. Paying attention to the material circumstances of publication, while thinking about the ways in which reputations are manufactured, contested and renewed, Derrick’s book offers a careful and compelling account of the author of some of the last century’s best-selling works of religious apology and children’s fiction. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

To be quite honest, I had no idea there were any Spanish prisoners at Mauthausen. That’s perhaps an unusual way to begin a blog post. But it reflects a real gap in the literature about the Holocaust, one that Sara J. Brenneis identifies and fills in her new book Spaniards in Mauthausen: Representations of a Nazi Concentration Camp, 1940-2015 (University of Toronto Press, 2018). Brenneis is interested in the ways Spanish prisoners (most of whom had fled Spain the aftermath of the Republican defeat in the Spanish Civil War) experienced the camp. She writes movingly about the efforts of the Spaniards to use their position as privileged prisoners to preserve records of their experience, records that give us great insight into their lives. But she’s especially concerned with the way this experience was remembered. As she points out, that memory reflected the distinctive political and historical context of Spain. Some accounts by survivors and researchers did appear, particularly in the period immediately after Franco’s death. But Franco and his legacy ensured that public accounts would be both rare and circumspect. Only recently has there been a resurgence of interest in Spain, one that brings with it both historical and methodological experimentation and investigation. It’s a fascinating book, one that sheds new light on an experience most scholars have passed over. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border. Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case. This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynist aggression. The book’s twilight message and hot tip for women on the religious right: beware veneration of the maternal for behind it often lies something quite venal. Mothers, Rose argues, cannot win for losing and yet remain fantastically vested with delivering the impossible: never ending happiness and total safety. “A simple argument,” she writes, “guides this book: that motherhood is, in Western discourse, the place in our culture where we … bury the reality of our own conflicts, of what it means to be fully human.” To be fully human involves being in need of help, failing frequently and feeling unwieldy hate. (Her chapter on hating and the negation of mothers’ hateful feelings and the social impact of that negation is worth the price of the book alone.) I have the urge to offer an example from the social realm to make clear what Rose is getting at throughout this text—if only because I found myself fogging over at times while reading. My hazy response I believe relates to my resistance to the topic. Hearkening back to Adrienne Rich’s Of Woman Born (another powerful book that caused me to often drift), Rose dares to look at motherhood as an institution, denaturalizing it to the core. The example that comes to mind comes from Kristin Luker’s incredible Dubious Conceptions, which debunked the ever-popular idea (see the Clinton Administration, circa 1996 that eviscerated the social safety net) that teen pregnancy creates poverty. The truth, Luker argues, is closer to the reverse: teen poverty may generate teen pregnancy, as poverty can foreclose roads to adulthood, leaving motherhood as a last resort. Poor teen girls who don’t carry to term and poor teen girls who become mothers occupy the same economic strata ten years on. It’s not the pregnancy that hurts their life chances but rather that economic policies are culpable. And yet, teenage mothers, scapegoats really, have long served to hide planned economic inequality; the truth, as it were, is buried in young female flesh. As our ugly summer wore on, I re-read this book, further preparing for the interview, in addition to spending time in the consulting room, doing what I do: listening to patients elaborate upon themselves. To state the obvious, the psychoanalyst makes her living being inundated with a plethora of words about mothers. To state the further obvious, as temps skyrocketed, Freud’s maxim regarding the repudiation of femininity as bedrock was being powerfully reinforced in America. July and August offered daily opportunities to witness... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the heart of Laila Amine’s book is a crucial question: where is Paris? This question may be surprising for anyone who can readily point to the French capital on a map. Geography is, after all stable, is it not? Postcolonial Paris: Fictions of Intimacy in the City of Light (University of Wisconsin Press, 2018) shows that space and place are anything but stable. Amine focuses on the literal margins of Paris, and on the literary and artistic works that are produced in or about those margins. Rather than reproduce the well-worn trope of the banlieue, the outskirts of Paris, as a tragic space whose inhabitants are unable to integrate so-called French values, Amine carefully examines the work of writers and artists who have engaged with the space and have produced pointed critiques of structural inequality and the legacy of colonialism that calls into question traditional French narratives of cultural and religious alterity. Postcolonial Paris makes the rare and much-needed move of reading across the works of North African and African American writers, artists and filmmakers, thereby expanding traditional scholarly notions of thinkers of African descent in France. From novels to film to graffiti art, Amine writes about spaces that are oft-ignored and that remain productive sites at which to locate Paris and the attendant, highly contested idea of what it means to be French. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nick Hubble’s The Proletarian Answer to the Modernist Question (Edinburgh University Press, 2017) is a thrilling, and timely challenge to the orthodoxy that proletarian and high-modernist literatures ought to be understood in opposition to one another. Featuring writers as diverse as Virginia Woolf, Naomi Mitchison, D. H. Lawrence, John Sommerfield, H. G. Wells, and Walter Brierley, this study creates new critical space that reveals the modernism in the proletarian, and the proletarian in the modernist. It foregrounds ideas of intersubjectivity, intersectional struggles, and emancipatory discourses that rely on some way of relating the ‘I’ to the ‘We’. Covering the critical discourses that have shaped our understanding of these literary movements in the UK since the interwar period, Hubble brings his critical intervention to bear on the contemporary historical moment, and asks how the proletarian answer to the modernist question might inform our political and cultural imaginations as a neoliberal consensus collapses around us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Was there anything particularly Modern about Modern Jews? Was there something characteristically Jewish about Modernism? In this episode, we hear from Scott Spector, professor of History and German Studies at the University of Michigan, who complicates these often-asked questions in his new book Modernism Without Jews?: German Jewish Subjects and Histories (Indian University Press, 2017). As we discuss, the title of this book is not an invitation to imagine an alternate history; rather, it is a provocation to notice how the key terms of this title get framed together in a variety of complicated, troubled, and sometimes dissonant ways — both by historians and by the protagonists of this history. A noteworthy and widely-read historian of German, Jewish, and Modern culture, Spector here targets the historiography of these fields and seeks to shake up the patterns and terms that have become all too stable within it. Modernism Without Jews? takes its readers through a series of case studies with short and dense chapters on Edith Stein, Sigmund Freud, Max Brod, the term “secularism,” Franz Kafka, and more. In this wide-ranging conversation, we talk about all of those figures, plus Hugo Bettauer’s satirical 1922 novel City Without Jews, Gershom Scholem’s multiple reframings of his Jewish, German, and German-Jewish identities, and the complicated, existential operations involved in framing relationships between texts and contexts, persons and histories. Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ralph Ellison’s 1952 novel Invisible Man is a milestone of American literature and the idea of invisibility has become a key way for understanding social marginalization. In Ralph Ellison’s Invisible Theology (NYU Press, 2017), M. Cooper Harriss, Assistant Professor in the Department of Religious Studies at Indiana University, explores the theological dimensions of invisibility within the intersection of race, religion, and secularism through the life and literary career of Ralph Ellison. Harris places Invisible Man and its reception within its contemporary context of literary and theological inquiry. Pairing this with a genealogy of Ellison’s proximity to religious scholars and writers reveals how his secular accounts are steeped in theological appeal. In our conversation we discussed the life of Ralph Ellison, writers of the Harlem Renaissance, Ellison’s second novel, Ellison’s relationship with scholar of religion and literature, Nathan A. Scott Jr., Ellison’s love of nineteenth century American literature, invisibility as an analytical category, and its applications in our contemporary moment. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, State of Madness: Psychiatry, Literature and Dissent After Stalin (Northern Illinois University Press, 2018), Rebecca Reich argues that Soviet dissident writers used literary narratives to counter state-sanctioned psychiatric diagnoses of insanity. Reich discusses the interesting literary preoccupations of Soviet psychiatrists and psychiatric discourse in the post-Stalin era to help readers understand the context of these diagnoses of madness. Her book mines the works and experiences of dissidents, including Joseph Brodsky, Aleksandr Vol’pin, Vladimir Bukovskii, and others, to weave a narrative that shows how Soviet writers contended with false accusations of mania and madness. She also shows how these writers sought to use their works to illustrate the pathology of post-Stalinist Soviet society. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Artificial intelligence and Victorian literature: these two notions seem incompatible. AI brings us to the age of information and technology, whereas Victorian literature invites us to the world of lengthy novels, to the world of the written word. In spite of seeming incongruity the AI and Victorian literature evoke, the two notions do establish a contact zone: the mind. AI and characters created by Victorian writers are connected by the individual’s attempt and desire to project their imaginative creations into the space outside the mind. In Seeming Human: Artificial Intelligence and Victorian Realist Character (The Ohio State University Press, 2018), Megan Ward takes into consideration the development of technologies and outlines methods for the analysis of Victorian realist characters that can be presented as constructs that establish connections between the mind and technologies. Ward invites her readers to approach novels as information systems generating multiple meanings, which can be re-organized and re-assembled. Seeming Human challenges the chronological presentation of literature and searches for the ways to further develop textual interpretation, surpassing spatial and temporal limitations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Originally published in 1994, Marc Leeds’ The Vonnegut Encyclopedia (Delacorte Press, 2016) was initially conceived of as a comprehensive A-Z guide to the expansive oeuvre of the American author Kurt Vonnegut. The encyclopedia was created as resource for scholars, teachers and casual fans of Vonnegut’s work and was comprised of detailed entries on all of his plays, novels and stories, in addition to descriptions of individual characters, narratives and motifs. Readers of Vonnegut will, of course, be aware that rather than distinct, hermetically sealed texts, each of Vonnegut’s works forms part of a larger fictional universe wherein characters, locations, turns of phrase and even consumer products cross back and forth between different novels, short stories and plays. As such, Leeds’ encyclopedia allows researchers and readers to cross reference recurring characters, words and plot points. The book also serves as something of a glossary of Vonnegut’s various neologisms (e.g. “foma” and “karass”) as well as providing a wealth of biographical information on the author himself, his family and friends. The first edition, published in the early 1990s, provided a detailed, alphabetical guide to all of Vonnegut’s work up until 1991. The revised and updated edition which was published in 2016 includes all of Vonnegut’s work up until his death in 2007. In this insightful and engaging interview Marc Leeds discusses his unique perspective on Vonnegut’s philosophy and fiction. Leeds also explains his motivation for compiling this rigorous yet entertaining guide to Vonnegut’s work and tells me about his own friendship with Kurt Vonnegut. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ever since the first clinical account of autism was published by Dr. Leo Kanner in 1943, Western culture has tended to mythologise the disorder as impenetrable, non-verbal and characterised by silence. As such, in both medical literature and popular culture, autistic individuals are depicted as incomprehensible and Other, problems to be rectified or puzzles to be solved. In contrast to this view of autism as an inscrutable enigma, Autistic Disturbances: Theorizing Autism Poetics from the DSM to Robinson Crusoe (University of Michigan Press, 2018) by Julia Miele Rodas explores the expressive, creative potential of the autist by opening up a host of literary texts to the “possibilities of autism.” Autistic Disturbances is therefore a unique contribution to the growing field of disability studies as it does not simply explore autism from the standard clinical or biographical perspective. Instead, this insightful new study sets out to engage with autistic modes of expression from a literary, cultural and semiotic viewpoint. Undertaking a comprehensive analysis of a wide range of texts, from Charlotte Bronte’s Villette and Mary Shelley’s Frankenstein to Andy Warhol’s autobiographical writings, Rodas unpacks the unique signifiers of autistic language and explores how autism can be articulated textually. In doing so, Autistic Disturbances seeks to uncover the autistic voice in familiar literary works, emphasising the often overlooked aesthetic and cultural value of autistic modes of communication. In this highly original analysis, Rodas maintains that the aesthetic qualities regularly praised by critics when they manifest in literary texts – repetition, cataloguing, highly-detailed description – are often found in autistic expression, where they are marginalised by clinicians and educators. Rodas, however, demonstrates that these features of autistic expression, these unique cognitive and communicative practices, have also played a major role in shaping some of Western culture’s most treasured literary artifacts. Over the course of a fascinating interview, Professor Rodas speaks to me about the history of autism, the unique qualities of autistic expression and the intriguing manner in which these expressive forms have manifested in numerous canonical literary texts. Prof. Rodas also discusses the impetus for this revolutionary project and explains how working on this book has shaped not only her research, but also impacted her teaching practice. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When did Ladino literature emerge? According to Dr. Olga Borovaya, author of The Beginnings of Ladino Literature: Moses Almosnino and his Readers (Indiana University Press, 2017), the history of Ladino writing may have a much earlier start date than scholars have previously thought. Borovaya makes her argument by focusing on the 16th-century vernacular literature of Moses Almosnino, a writer who was famous not only among Ottoman Sephardim, but also Jews and Christians throughout Europe. According to Borovaya, most scholars of Ladino literature of have placed the birth of genre in the 18th century, largely due to a false belief that works of high-culture were not composed in Ladino. She works against the assumption that Ladino was only used in popular, “folksy” writing, and the flawed categorization of high register Sephardi literature—like that of Moses Almosnino—as “Spanish” or “Castilian.” This tendency, Borovaya argues, wrongly implies that texts aimed at an educated audience were never written in the Ladino. Through in depth discussions of Almosnino’s epistles, chronicles, and travelogues, Borovaya convincingly shows that his vernacular literature belongs to the Ladino corpus. His work was widely read among Sephardi intellectuals from the 16th to 20th centuries, meaning that Ladino was indeed a language educated used in material written for the educated elite, and not just the popular masses. Ladino, Borovaya tells us, was similar to other languages (including Yiddish) in that it had multiple functional styles. Dr. Olga Borovaya is a Visiting Scholar at the Taube Center for Jewish Studies at Stanford University. She is the author of Modern Ladino Culture: Press, Belles Lettres, and Theater in the Late Ottoman Empire (IUP). Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lily Wong‘s Transpacific Attachments: Sex Work, Media Networks, and Affective Histories of Chineseness (Columbia University Press, 2018) traces the genealogy of the Chinese sex worker as a figure who manifests throughout the 20th century in moments of anti-Asian racism as well as moments of sexism and nationalism within Chinese communities. Yet for Wong, the tensions and visibility of this figure also allows alternative and alternating forms of solidarity rooted in stepping back from ideologies of nation, race and gender. The sex worker thus allows us to see Chineseness and other forms of collectivity as an affective product, an attachment that mobilizes our emotions and frames how we see others as well as ourselves. By charting representations of the Chinese sex worker through histories of Pacific Crossing, Cold War era ideologies, and contemporary globalization, Wong’s book shows the multiple ways that sex work and prostitution have unsettled forms of collectivity, while providing new spaces for dwelling. Christopher B. Patterson teaches at the University of British Columbia, Social Justice Institute. He is the author of Transitive Cultures: Anglophone Literature of the Transpacific and Stamped: an anti-travel novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Big boys, the story in this little book is told for you.” Thus begins the preface to Zhang Tianyi’s The Pidgin Warrior (Balestier Press, 2017), as translated by the wonderful David Hull. Not just for boys (big or small), The Pidgin Warrior is a moving, hilarious novel set in 1930s Shanghai during wartime. Hull’s translation is a sensitive and humane rendering of characters that are by turns laughable and heartbreaking, coming together in a story about what it is to be a hero – or just to be a functional human being – in times of personal and social upheaval. As you’ll hear me say on the podcast, I actually **put down the most recent climactic issues of the Saga comic book** because the story here was so gripping. That’s to say: this is not just going to be a great book to teach and learn with. It’s also a gripping and fascinatingly rendered story in its own right. In this podcast, Hull and I continued some of the conversation about translation and its joys and challenges that we started in our previous podcast about his translation of Mao Dun’s Waverings, and I recommend checking that one out as well! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Humor and its varied manifestations—jesting joking around, goofing, lampooning, and so on—pervade the human experience and are plausibly regarded as necessary features of interpersonal interactions. As one would expect, these pervasive phenomena occasion philosophical questions. What renders some item or event humorous? Are funny jokes objectively so? As humor is a mode of interacting with others, can it be deployed irresponsibly? Can it be harmful and impermissible? What is the relation between humor and comedy? What is a comedian? In Isn’t That Clever: A Philosophical Account of Humor and Comedy (Routledge 2018), Steven Gimbel presents a philosophical account of humor. He develops a view according to which an act is humorous if and only if it is a conspicuous, intentional act of playful cleverness. This account of humor then enables Gimbel to address a full palate of questions concerning jokes and comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A sharply observed study of the representations of education found in Anglo-Saxon texts, Irina Dumitrescu’s The Experience of Education in Anglo-Saxon Literature (Cambridge University Press 2018) invites readers to recognize just how often educational encounters crop up throughout the Anglo-Saxon corpus. By attending to the ways that violence, deceit, suspicion, sexual desire, concealed identities, and various temptations modulate the relationship between teacher and student, and the ways that shocking and moving stories fix knowledge in the mind and demonstrate relationships—even grammatical relations—in unforgettable ways, The Experience of Education in Anglo-Saxon Literature offers readers interested in the history of pedagogy an exploration of the relationships between Anglo-Saxon students and teachers that tangles with both scholarly and popular expectations of the medieval mind. Addressing Anglo-Saxon uses of the culture of late antiquity, especially the form of the dialogue, The Experience of Education in Anglo-Saxon Literature reveals scenes heavily invested in the tensions between teacher and student, portrayals of engagement between parties that complicate relations of power and creation of knowledge. In the texts under consideration, the lesson for the reader (or hearer) grows from the conflict, rather than concord, between student and teacher. Focused on spiritual education and literacy, often closely linked in Anglo-Saxon texts, Dr. Dumitrescu’s work considers the Anglo-Saxon interest in negative emotions like fear, curiosity, erotic longing, and mistrust; and the potential cognitive uses of these emotions as they emerge in the faceoffs, desert journeys, revenants, riddles, letter battles, sea voyages, and challenges to memory that provide the narrative substance of Anglo-Saxon writing. Rereading the standard texts of the Anglo-Saxon corpus, The Experience of Education in Anglo-Saxon Literature demonstrates the ways in which texts like The Life of St. Mary of Egypt speak to broader medieval interests in learning, and drives toward a grasp of Anglo-Saxon beliefs about the purposes of teaching. Chapters on Solomon and Saturn I, Aelfric Bata’s Colloquies, and Andreas follow an approach to Bede’s Ecclesiastical History which suggests that the common focus on Caedmon’s Hymn draws attention away from the John of Beverly miracle: a story at the crossroads between miraculous Latin learning and English poetry in a mode of vernacular liberation. Treating urges and passions as sparks that give the learning process a necessary heat, even as they threaten to scorch it beyond utility, The Experience of Education in Anglo-Saxon Literature sketches a subtle and sophisticated approach to human emotion and cognition in the literature of Anglo-Saxon England. A researcher, writer, editor, and educator, Carl Nellis digs in archives and academic libraries for the critically-acclaimed Lore Podcast. Studies on both sides of the Atlantic left him with a taste for the tangled colonial history that threads the culture of the Middle Ages into today’s United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What role, if any, do mythological texts play in philosophical discourse? While modern Hindu Studies scholars are becoming increasingly attuned to the extent to which Indian narratives encode ideology, Sucharita Adluri’s Textual Authority in Classical Indian Thought: Ramanuja and the Vishnu Purana (Routledge, 2014) explores the extent to which the great medieval Hindu thinker Rāmānuja himself looked to the Viṣṇu Purāṇa (a 1st-4th century narrative work extolling the glories of the great god Viṣṇu) to bolster his theistic stance on the nature of truth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Bestiarium Judaicum: Unnatural Histories of the Jews (Fordham University Press, 2017), Jay Geller, Associate Professor of Modern Jewish Culture at Vanderbilt Divinity School and the Vanderbilt University Jewish Studies Program, presents the first in-depth study of what is at play when Jewish-identified writers tell animal stories. From Heine’s ironic lizards to Kafka’s Red Peter and Siodmak’s Wolf Man, this monograph brings together Jewish cultural studies and critical animal studies to ferret out these writers’ engagement with the bestial answers upon which the Jewish and animal questions converged and by which varieties of the species “Jew” were identified. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Victorians left an indelible stamp on culture that continues to be in evidence today, not least of which is their refinement of the realist fiction medium known as the novel and their innovations, which led to the birth of fantasy and science fiction – two of today’s most popular genres. This period also gave rise to a Victorian “crisis of faith,” as the traditional Christian beliefs that had underpinned British society for centuries faced new challenges from scientific discoveries, the writings of Charles Darwin, and exposure to other cultures. In her book Genres of Doubt: Science Fiction, Fantasy and the Crisis of Victorian Faith (McFarland & Co. Publishers, 2017), Elizabeth M. Sanders argues that these two shifts—one literary and one cultural—were deeply intertwined. She writes that the novel, a literary form that was developed as a vehicle for realism, when infused with unreal elements, offers a space to ponder questions about the supernatural, the difference between belief and knowledge, and humanity’s place in the world. She revisits familiar, representative works from the period, organizing her analysis around how they exemplify particular responses to or strategies for dealing with the problems raised by the new questioning of the supernatural. Elizabeth M. Sanders holds a Ph.D. in English literature from the University of Iowa. She works in corporate and foundation relations at the University of Missouri-St. Louis, and speaks at conferences about career transitions for Ph.D. graduates. She was recently a speaker at the Beyond the Professoriate online conference and her book was recently nominated for the Mythopoeic Society’s Scholarship Award in Myth and Fantasy Studies. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology. How are bodies reproduced, broken apart, and circulated? And how do the representations of these processes help us understand transnational biopolitics? Heinrich takes up these questions and others in this pathbreaking work, one that will change how readers think about the body in contemporary art and media. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the modern world, we often tend to view the scientific and the spiritual as diametrically opposed adversaries; we see them as fundamentally irreconcilable ways of understanding the world, whose epistemologies are so divergent that they espouse radically diverse ways of perceiving reality. However, this a rather reductive approach to what is ultimately a complex and nuanced intellectual relationship. Indeed, throughout human history the technological and supernatural, the scientific and the spiritual have repeatedly interacted, informing each other’s respective discourses and reinventing themselves based on encounters with new ideas. In the nineteenth century, when a period of sustained and rapid scientific advancement transformed the human understanding of the universe, new discoveries about the invisible forces that shaped our lives – from the electromagnetic spectrum to soundwaves and the subatomic universe – encouraged many to believe that the invisible realm of the supernatural could be similarly understood through recourse to scientific principles and methodologies. It is this intersection of the scientific and the supernatural that forms the basis of Christopher G. White’s exciting new publication, Other Worlds: Spirituality and the Search for Invisible Dimensions. Published in 2018 by Harvard University Press, Other Worlds offers a unique insight into the relationship between religion and scientific thought at a time of rapid social, cultural and intellectual change. In the book, White focuses primarily on the imaginative power and pervasive influence of one key scientific concept: the possibly that the universe might hold within it unseen, higher dimensions. Over the course of his study, White analyses how a host of diverse individuals and groups – from scientists and mathematicians to writers, artists and even televangelists – have appropriated the notion of higher dimensions in order to explore, rationalise and explain supernatural phenomena. White maintains that rather than undermining religious beliefs, new scientific ideas, particularly those derived from physics, provided the faithful with a new framework for conceptualising the divine. Undertaking a comprehensive survey of various scientific, spiritual and literary discourses on higher dimensions, White moves from nineteenth-century treatises by Edwin Abbott and C. Howard Hinton to late twentieth-century science-fiction texts like A Wrinkle in Time and The Twilight Zone. In doing so, White shows how rather than opposing intellectual factions, science and spirituality have long been intertwined, with the scientific often providing individuals with new and engaging ways to imagine religious spaces and concepts. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Described as a small book about a very large book, The World in a Book: Al-Nuwayri and the Islamic Encyclopedic Tradition (Princeton University Press, 2017) by Elias Muhanna tells the story of an encyclopedia, or a universal compendium, The Ultimate Ambition in the Arts of Erudition in Mamluk Egypt, written by Shihab al-Din al-Nuwayri. It covered multiple facets of knowledge, from science to history. He talks to us about his inspiration for the book, the structure, the content, and the context of the Ultimate Ambition, its afterlife in the Muslim and the European world and the role of book history in Middle Eastern history. Elias Muhanna is the Manning Assistant Professor of Comparative Literature at Brown University. He earned his doctorate in Near Eastern Languages & Civilizations from Harvard University and has held fellowships from the American Council of Learned Societies and the Whiting Foundation. His research focuses on encyclopedic literature in the Islamic world and Europe, the cultural production of the Mamluk Empire, and the problem of the vernacular in different literary traditions. Muhanna’s publications include an abridged translation of al-Nuwayri’s encyclopedia, The Ultimate Ambition in the Arts of Erudition, for Penguin Classics. He is heavily involved in the digital humanities. He edited The Digital Humanities and Islamic & Middle East Studies (De Gruyter, 2016). He is the creator of the Digital Islamic Humanities Project at Brown, a multi-year initiative that convenes an annual conference and hosts a variety of research activities. He is also a contributing writer for The New Yorker’s online edition, and his essays and criticism have appeared in The New York Times, The Nation, Foreign Policy, and other periodicals. His blog, Qifa Nabki, is a forum for intellectual exchange and debate on Levantine politics. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does a language develop? What are the factors and processes that shape a language and reflect the changes it undergoes? These seemingly routine questions entail a conversation that involves not only linguistic phenomena, but historical, sociological, and literary issues as well. Andrii Danylenko’s From the Bible to Shakespeare: Pantelejmon Kuliš (1819-1897) and the Formation of Literary Ukrainian (Academic Studies Press, 2016) offers a compelling investigation of the development of the Ukrainian language and discusses how the creative input of an individual writer and a translator may engage with the process of language creation. Pantelejmon Kuliš, as Danylenko emphasizes, is a controversial figure in the history of Ukrainian literature: he is attributed with persistent resistance against linguistic rigidity and stagnation. As From the Bible to Shakespeare demonstrates, Kuliš was driven by his passion for writing and translation that provided space for creative interactions, filled with a strong potential to connect diverse and eclectic dialogues across cultures and nations. For Kuliš, language is a canvas which is made out of a number of elements that change and modify alongside the metamorphosis of the speaker’s/writer’s/artist’s imagination. Andrii Danylenko traces Kuliš’s artistic understanding of language while providing a profound analysis of linguistic phenomena dispersed throughout Kuliš’s translation experiments. These observations are accompanied by insightful historical and sociological notes that help reveal language as an entity that mutates when interacting with a diversity of phenomena. Andrii Danylenko’s From the Bible to Shakespeare: Pantelejmon Kuliš (1819-1897) and the Formation of Literary Ukrainian is a profound study that offers an insight into a complex process of the development of language, embracing the formation of the literary and the national. Kuliš’s translations represent an intriguing study case not only for the exploration of linguistic synthesis, but also for investigation of identity fluidity that stems from openness towards linguistic and cultural dialogism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

People have long been captivated by stories of dragons. Myths related to dragon slaying can be found across many civilizations around the world, even among the most ancient cultures including ancient Israel. In his book The Dragon, the Mountain, and the Nations, Robert Miller chronicles the trajectories and transformations of this myth, and brings out the major role of dragon slaying in both the Hebrew Bible and the New Testament. Join us as we talk with Robert Miller about an age-old, fascinating topic: dragons! Robert D. Miller II earned his Ph.D. in Hebrew Bible from the University of Michigan, and is Associate Professor of Old Testament at The Catholic University of America, and Research Associate with University of Pretoria, South Africa. His other books include Chieftains of the Highland Clans: A History of Israel in the 12th and 11th Centuries BC (2005), Oral Tradition in Ancient Israel (2011), and Covenant and Grace in the Old Testament: Assyrian Propaganda and Israelite Faith (2012). Robert teaches courses in Old Testament, the ancient Near East, and Archaeology. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author ofThe Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his thrilling and sparkling new book, Medieval Empires and the Cultures of Competition: Literary Duels at Islamic and Christian Courts (Edinburgh University Press, 2017), Samuel England, Assistant Professor of Arabic at the University of Wisconsin-Madison, analyzes with remarkable nimbleness the interaction of literature, politics, and power in medieval imperial settings. Effortlessly traversing from Buyid Baghdad to Spain and Italy, England shows ways in which literary competition, especially in poetry, pollinated imperial visions and fissures of political sovereignty. Literature and literary duels performed in the space of the imperial court, England convincingly argues, were critical to assemblage of medieval imperial sovereignty. This finely written book will interest and delight scholars of literature, religion, politics, and history-students of Arabic will especially appreciate the copious exhibition of wonderful Arabic poetry throughout the text. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism. In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Mohammed Merah,” a fictionalized account of the 2012 Toulouse attacks, told from the point of view of the murderer. We also talk about earlier influential figures, such as Georges Bataille and Jean Genet, and discuss how the vocabularies they invented, which they used to retool ideas of evil, transgression, and “our common inhumanity,” come to be recoded in service of a new “moralistic turn.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a remarkable new book, Daniel Heath Justice, an author and professor of First Nations and Indigenous Studies and English at the University of British Columbia, makes an argument for the vitality of Indigenous literatures and their ability to help make sense of our world. Why Indigenous Literatures Matter (Wilfrid Laurier University Press, 2018) is one-part literary exegesis, one-part memoir, and many parts radical text which calls for, among other things, broader human and non-human kinship, and the use of indigenous literatures to push back against settler colonial forms of erasure and oppression. Justice explores the vibrant universe of over two hundred years of literatures (written and non-written alike), from autobiography to spoken word poetry, to fantasy and wonderworks, in order to make the case that yes, of course indigenous literatures matter; they do so because indigenous people matter. Why Indigenous Literatures Matter thus acts as both indigenous literary bibliography and call to action to people of indigenous and non-indigenous backgrounds to read up and take notice of indigenous people speaking back to colonial power structures. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wojtek Sawa‘s The Wall Speaks: Voices of the Unheard (National Center of Culture, 2016) is a bilingual Polish-English project that engages with the intricacies of remembering and forgetting as part of the individual’s personal history, which appears to challenge and collaborate with documented histories. Evolving out of personal memories, The Wall Speaks seeks to illuminate how the individual responds to overwhelming changes that shape and modify not only personal experiences but also collective memories. Although the emphasis is put on specific traumatic events—the core of the narrative constitutes stories of the Polish survivors who lived through World War II—this project reaches to individuals and communities which find themselves in a marginalized condition. The Wall Speaks is about Polish children and teenagers of World War II. It is also about people today who are prohibited from speaking with a voice of their own and are treated as less than fully human.” The personal stories/histories that Sawa assembles contribute to the re-arrangement of historical linearity, as well as to the formation of labyrinth-like connections between generations across time and space. This publication is part of a broader project that involves exhibitions, installations, and performances organized in museum, galleries, and academic institutions in the United States and Poland. Performative aspects that the project emphasizes invite dialogical communication that serves to maintain memories—personal and collective—and the continuity of humanistic aspirations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

W. G. Sebald, one of the most prominent German-speaking authors of the late 20th century, has been discussed in German literary studies again and again. Nonetheless, many questions about him and his work remain open. In her dissertation Post-Catastrophic Poetics (Post-Katastrophische Poetik [Wilhelm Fink, 2016]), Luisa Banki, postdoc at the University of Wuppertal, challenges common assumptions about Sebald. By putting him in comparison with Walter Benjamin, she argues that Sebald’s narrator is driven by what she calls “paranoia,” which basically means he sees all sorts of connections and meanings in everything whether they are there or not. According to Banki, Sebald’s texts are not only structured by melancholia – as the majority of interpreters claim – but also by this intense, imaginative watchfulness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Though he never enjoyed the publishing success and fame of such friends as Sherwood Anderson and Ernest Hemingway, Lewis Galantière made a considerable contribution to literature over the course of the twentieth century. In Galantière: The Lost Generation’s Forgotten Man (Overlook Press, 2018), Mark I. Lurie describes the life and career of a dedicated man of letters. The precocious son of Jewish immigrants from Russia, Galantière’s education was constrained by his family’s impoverished economic circumstances. Yet Galantière benefited from being at the right place at the right time, first in Chicago during the heyday of the “Chicago Renaissance,” then in Paris in the 1920s, where his work as a columnist and translator earned him a place among the expatriate American writers in the city. Returning to America just before the Great Depression, he began a literary partnership with John Houseman that helped start Houseman’s decades-long career in theater. The two reunited during the Second World War at the Office of War Information, for which Galantière organized radio broadcasts into occupied France. Galantière’s work in radio continued during the Cold War as a producer for Radio Free Europe, after which he returned to the literary to become president of American PEN and organize the first PEN International Congress ever held in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Stefan Zweig und der Europa-Gedanke (Königshausen & Neumann, 2017), Stephan Resch analyzes the Austrian author’s relationship with Europe and the concept of pacifism. To date Stephan Zweig is a contentious figure, especially when it comes to his political activism. In the opinion of many, he did not go far enough in his political work, while others criticize his autobiographical work as euphemistic. Reason enough for Stephan Resch, Senior Lecturer for German Studies at the University of Auckland, to take a deeper look into Stefan Zweig’s work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies