New Books in Literary Studies

“Big boys, the story in this little book is told for you.” Thus begins the preface to Zhang Tianyi’s The Pidgin Warrior (Balestier Press, 2017), as translated by the wonderful David Hull. Not just for boys (big or small), The Pidgin Warrior is a moving, hilarious novel set in 1930s Shanghai during wartime. Hull’s translation is a sensitive and humane rendering of characters that are by turns laughable and heartbreaking, coming together in a story about what it is to be a hero – or just to be a functional human being – in times of personal and social upheaval. As you’ll hear me say on the podcast, I actually **put down the most recent climactic issues of the Saga comic book** because the story here was so gripping. That’s to say: this is not just going to be a great book to teach and learn with. It’s also a gripping and fascinatingly rendered story in its own right. In this podcast, Hull and I continued some of the conversation about translation and its joys and challenges that we started in our previous podcast about his translation of Mao Dun’s Waverings, and I recommend checking that one out as well! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sumana Roy‘s first book How I Became a Tree (Aleph, 2017) is impossible to classify. Part-philosophical tract, part-memoir and part-literary criticism, the book is a record of her explorations in “tree-time.” Intrigued by the balance, contentment and rootedness of trees, Roy begins to delve into a corpus of human knowledge devoted to understanding the mysteries of plant life. Effortless and eclectic, she engages with the work of Buddha, Rabindranath Tagore, D.H. Lawrence, the photographs of Beth Moon, the art of Nandalal Bose, Indian folklore, Greek myths, the scientist Jagadish C. Bose’s pioneering work on plant stimuli, Deleuze and Guattari, Bengali novelist Bibhutibhushan Bandopadhyaya, O’Henry and Shakespeare alongside autobiographical vignettes about her own gradual awareness of the plant world’s mysteries. Our conversation ranged from the rigidity of scholarly prose and what it inevitably precludes, writing with all five senses, “research” as a search for answers both existential and intellectual, and the importance of cultivating a sensibility over mere scholarship. An essayist, novelist and poet, Roy is currently a Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany. Her novel Missing was published in April 2018, and her poems and essays have appeared in Granta, Guernica, Los Angeles Review of Books, Drunken Boat, Prairie Schooner, Berfrois and The Common. She lives in Siliguri, India. Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Humor and its varied manifestations—jesting joking around, goofing, lampooning, and so on—pervade the human experience and are plausibly regarded as necessary features of interpersonal interactions. As one would expect, these pervasive phenomena occasion philosophical questions. What renders some item or event humorous? Are funny jokes objectively so? As humor is a mode of interacting with others, can it be deployed irresponsibly? Can it be harmful and impermissible? What is the relation between humor and comedy? What is a comedian? In Isn’t That Clever: A Philosophical Account of Humor and Comedy (Routledge 2018), Steven Gimbel presents a philosophical account of humor. He develops a view according to which an act is humorous if and only if it is a conspicuous, intentional act of playful cleverness. This account of humor then enables Gimbel to address a full palate of questions concerning jokes and comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A sharply observed study of the representations of education found in Anglo-Saxon texts, Irina Dumitrescu’s The Experience of Education in Anglo-Saxon Literature (Cambridge University Press 2018) invites readers to recognize just how often educational encounters crop up throughout the Anglo-Saxon corpus. By attending to the ways that violence, deceit, suspicion, sexual desire, concealed identities, and various temptations modulate the relationship between teacher and student, and the ways that shocking and moving stories fix knowledge in the mind and demonstrate relationships—even grammatical relations—in unforgettable ways, The Experience of Education in Anglo-Saxon Literature offers readers interested in the history of pedagogy an exploration of the relationships between Anglo-Saxon students and teachers that tangles with both scholarly and popular expectations of the medieval mind. Addressing Anglo-Saxon uses of the culture of late antiquity, especially the form of the dialogue, The Experience of Education in Anglo-Saxon Literature reveals scenes heavily invested in the tensions between teacher and student, portrayals of engagement between parties that complicate relations of power and creation of knowledge. In the texts under consideration, the lesson for the reader (or hearer) grows from the conflict, rather than concord, between student and teacher. Focused on spiritual education and literacy, often closely linked in Anglo-Saxon texts, Dr. Dumitrescu’s work considers the Anglo-Saxon interest in negative emotions like fear, curiosity, erotic longing, and mistrust; and the potential cognitive uses of these emotions as they emerge in the faceoffs, desert journeys, revenants, riddles, letter battles, sea voyages, and challenges to memory that provide the narrative substance of Anglo-Saxon writing. Rereading the standard texts of the Anglo-Saxon corpus, The Experience of Education in Anglo-Saxon Literature demonstrates the ways in which texts like The Life of St. Mary of Egypt speak to broader medieval interests in learning, and drives toward a grasp of Anglo-Saxon beliefs about the purposes of teaching. Chapters on Solomon and Saturn I, Aelfric Bata’s Colloquies, and Andreas follow an approach to Bede’s Ecclesiastical History which suggests that the common focus on Caedmon’s Hymn draws attention away from the John of Beverly miracle: a story at the crossroads between miraculous Latin learning and English poetry in a mode of vernacular liberation. Treating urges and passions as sparks that give the learning process a necessary heat, even as they threaten to scorch it beyond utility, The Experience of Education in Anglo-Saxon Literature sketches a subtle and sophisticated approach to human emotion and cognition in the literature of Anglo-Saxon England. A researcher, writer, editor, and educator, Carl Nellis digs in archives and academic libraries for the critically-acclaimed Lore Podcast. Studies on both sides of the Atlantic left him with a taste for the tangled colonial history that threads the culture of the Middle Ages into today’s United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What role, if any, do mythological texts play in philosophical discourse? While modern Hindu Studies scholars are becoming increasingly attuned to the extent to which Indian narratives encode ideology, Sucharita Adluri’s Textual Authority in Classical Indian Thought: Ramanuja and the Vishnu Purana (Routledge, 2014) explores the extent to which the great medieval Hindu thinker Rāmānuja himself looked to the Viṣṇu Purāṇa (a 1st-4th century narrative work extolling the glories of the great god Viṣṇu) to bolster his theistic stance on the nature of truth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Bestiarium Judaicum: Unnatural Histories of the Jews (Fordham University Press, 2017), Jay Geller, Associate Professor of Modern Jewish Culture at Vanderbilt Divinity School and the Vanderbilt University Jewish Studies Program, presents the first in-depth study of what is at play when Jewish-identified writers tell animal stories. From Heine’s ironic lizards to Kafka’s Red Peter and Siodmak’s Wolf Man, this monograph brings together Jewish cultural studies and critical animal studies to ferret out these writers’ engagement with the bestial answers upon which the Jewish and animal questions converged and by which varieties of the species “Jew” were identified. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Victorians left an indelible stamp on culture that continues to be in evidence today, not least of which is their refinement of the realist fiction medium known as the novel and their innovations, which led to the birth of fantasy and science fiction – two of today’s most popular genres. This period also gave rise to a Victorian “crisis of faith,” as the traditional Christian beliefs that had underpinned British society for centuries faced new challenges from scientific discoveries, the writings of Charles Darwin, and exposure to other cultures. In her book Genres of Doubt: Science Fiction, Fantasy and the Crisis of Victorian Faith (McFarland & Co. Publishers, 2017), Elizabeth M. Sanders argues that these two shifts—one literary and one cultural—were deeply intertwined. She writes that the novel, a literary form that was developed as a vehicle for realism, when infused with unreal elements, offers a space to ponder questions about the supernatural, the difference between belief and knowledge, and humanity’s place in the world. She revisits familiar, representative works from the period, organizing her analysis around how they exemplify particular responses to or strategies for dealing with the problems raised by the new questioning of the supernatural. Elizabeth M. Sanders holds a Ph.D. in English literature from the University of Iowa. She works in corporate and foundation relations at the University of Missouri-St. Louis, and speaks at conferences about career transitions for Ph.D. graduates. She was recently a speaker at the Beyond the Professoriate online conference and her book was recently nominated for the Mythopoeic Society’s Scholarship Award in Myth and Fantasy Studies. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology. How are bodies reproduced, broken apart, and circulated? And how do the representations of these processes help us understand transnational biopolitics? Heinrich takes up these questions and others in this pathbreaking work, one that will change how readers think about the body in contemporary art and media. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the modern world, we often tend to view the scientific and the spiritual as diametrically opposed adversaries; we see them as fundamentally irreconcilable ways of understanding the world, whose epistemologies are so divergent that they espouse radically diverse ways of perceiving reality. However, this a rather reductive approach to what is ultimately a complex and nuanced intellectual relationship. Indeed, throughout human history the technological and supernatural, the scientific and the spiritual have repeatedly interacted, informing each other’s respective discourses and reinventing themselves based on encounters with new ideas. In the nineteenth century, when a period of sustained and rapid scientific advancement transformed the human understanding of the universe, new discoveries about the invisible forces that shaped our lives – from the electromagnetic spectrum to soundwaves and the subatomic universe – encouraged many to believe that the invisible realm of the supernatural could be similarly understood through recourse to scientific principles and methodologies. It is this intersection of the scientific and the supernatural that forms the basis of Christopher G. White’s exciting new publication, Other Worlds: Spirituality and the Search for Invisible Dimensions. Published in 2018 by Harvard University Press, Other Worlds offers a unique insight into the relationship between religion and scientific thought at a time of rapid social, cultural and intellectual change. In the book, White focuses primarily on the imaginative power and pervasive influence of one key scientific concept: the possibly that the universe might hold within it unseen, higher dimensions. Over the course of his study, White analyses how a host of diverse individuals and groups – from scientists and mathematicians to writers, artists and even televangelists – have appropriated the notion of higher dimensions in order to explore, rationalise and explain supernatural phenomena. White maintains that rather than undermining religious beliefs, new scientific ideas, particularly those derived from physics, provided the faithful with a new framework for conceptualising the divine. Undertaking a comprehensive survey of various scientific, spiritual and literary discourses on higher dimensions, White moves from nineteenth-century treatises by Edwin Abbott and C. Howard Hinton to late twentieth-century science-fiction texts like A Wrinkle in Time and The Twilight Zone. In doing so, White shows how rather than opposing intellectual factions, science and spirituality have long been intertwined, with the scientific often providing individuals with new and engaging ways to imagine religious spaces and concepts. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Described as a small book about a very large book, The World in a Book: Al-Nuwayri and the Islamic Encyclopedic Tradition (Princeton University Press, 2017) by Elias Muhanna tells the story of an encyclopedia, or a universal compendium, The Ultimate Ambition in the Arts of Erudition in Mamluk Egypt, written by Shihab al-Din al-Nuwayri. It covered multiple facets of knowledge, from science to history. He talks to us about his inspiration for the book, the structure, the content, and the context of the Ultimate Ambition, its afterlife in the Muslim and the European world and the role of book history in Middle Eastern history. Elias Muhanna is the Manning Assistant Professor of Comparative Literature at Brown University. He earned his doctorate in Near Eastern Languages & Civilizations from Harvard University and has held fellowships from the American Council of Learned Societies and the Whiting Foundation. His research focuses on encyclopedic literature in the Islamic world and Europe, the cultural production of the Mamluk Empire, and the problem of the vernacular in different literary traditions. Muhanna’s publications include an abridged translation of al-Nuwayri’s encyclopedia, The Ultimate Ambition in the Arts of Erudition, for Penguin Classics. He is heavily involved in the digital humanities. He edited The Digital Humanities and Islamic & Middle East Studies (De Gruyter, 2016). He is the creator of the Digital Islamic Humanities Project at Brown, a multi-year initiative that convenes an annual conference and hosts a variety of research activities. He is also a contributing writer for The New Yorker’s online edition, and his essays and criticism have appeared in The New York Times, The Nation, Foreign Policy, and other periodicals. His blog, Qifa Nabki, is a forum for intellectual exchange and debate on Levantine politics. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does a language develop? What are the factors and processes that shape a language and reflect the changes it undergoes? These seemingly routine questions entail a conversation that involves not only linguistic phenomena, but historical, sociological, and literary issues as well. Andrii Danylenko’s From the Bible to Shakespeare: Pantelejmon Kuliš (1819-1897) and the Formation of Literary Ukrainian (Academic Studies Press, 2016) offers a compelling investigation of the development of the Ukrainian language and discusses how the creative input of an individual writer and a translator may engage with the process of language creation. Pantelejmon Kuliš, as Danylenko emphasizes, is a controversial figure in the history of Ukrainian literature: he is attributed with persistent resistance against linguistic rigidity and stagnation. As From the Bible to Shakespeare demonstrates, Kuliš was driven by his passion for writing and translation that provided space for creative interactions, filled with a strong potential to connect diverse and eclectic dialogues across cultures and nations. For Kuliš, language is a canvas which is made out of a number of elements that change and modify alongside the metamorphosis of the speaker’s/writer’s/artist’s imagination. Andrii Danylenko traces Kuliš’s artistic understanding of language while providing a profound analysis of linguistic phenomena dispersed throughout Kuliš’s translation experiments. These observations are accompanied by insightful historical and sociological notes that help reveal language as an entity that mutates when interacting with a diversity of phenomena. Andrii Danylenko’s From the Bible to Shakespeare: Pantelejmon Kuliš (1819-1897) and the Formation of Literary Ukrainian is a profound study that offers an insight into a complex process of the development of language, embracing the formation of the literary and the national. Kuliš’s translations represent an intriguing study case not only for the exploration of linguistic synthesis, but also for investigation of identity fluidity that stems from openness towards linguistic and cultural dialogism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

People have long been captivated by stories of dragons. Myths related to dragon slaying can be found across many civilizations around the world, even among the most ancient cultures including ancient Israel. In his book The Dragon, the Mountain, and the Nations, Robert Miller chronicles the trajectories and transformations of this myth, and brings out the major role of dragon slaying in both the Hebrew Bible and the New Testament. Join us as we talk with Robert Miller about an age-old, fascinating topic: dragons! Robert D. Miller II earned his Ph.D. in Hebrew Bible from the University of Michigan, and is Associate Professor of Old Testament at The Catholic University of America, and Research Associate with University of Pretoria, South Africa. His other books include Chieftains of the Highland Clans: A History of Israel in the 12th and 11th Centuries BC (2005), Oral Tradition in Ancient Israel (2011), and Covenant and Grace in the Old Testament: Assyrian Propaganda and Israelite Faith (2012). Robert teaches courses in Old Testament, the ancient Near East, and Archaeology. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author ofThe Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, The Expatriate Myth: New Zealand Writers and the Colonial World (Otago University Press, 2018), Helen Bones, a Research Associate in Digital Humanities at Western Sydney University, presents a new look at late nineteenth and early twentieth century New Zealand literary culture. Contrary to the stereotype that New Zealand writers were “exiled” overseas, Bones follows the lives of a set of writers who, even as they may have been mobile around the colonial world, should, in fact, be recognized for their contributions as New Zealand writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his thrilling and sparkling new book, Medieval Empires and the Cultures of Competition: Literary Duels at Islamic and Christian Courts (Edinburgh University Press, 2017), Samuel England, Assistant Professor of Arabic at the University of Wisconsin-Madison, analyzes with remarkable nimbleness the interaction of literature, politics, and power in medieval imperial settings. Effortlessly traversing from Buyid Baghdad to Spain and Italy, England shows ways in which literary competition, especially in poetry, pollinated imperial visions and fissures of political sovereignty. Literature and literary duels performed in the space of the imperial court, England convincingly argues, were critical to assemblage of medieval imperial sovereignty. This finely written book will interest and delight scholars of literature, religion, politics, and history-students of Arabic will especially appreciate the copious exhibition of wonderful Arabic poetry throughout the text. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures. Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism. In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Mohammed Merah,” a fictionalized account of the 2012 Toulouse attacks, told from the point of view of the murderer. We also talk about earlier influential figures, such as Georges Bataille and Jean Genet, and discuss how the vocabularies they invented, which they used to retool ideas of evil, transgression, and “our common inhumanity,” come to be recoded in service of a new “moralistic turn.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a remarkable new book, Daniel Heath Justice, an author and professor of First Nations and Indigenous Studies and English at the University of British Columbia, makes an argument for the vitality of Indigenous literatures and their ability to help make sense of our world. Why Indigenous Literatures Matter (Wilfrid Laurier University Press, 2018) is one-part literary exegesis, one-part memoir, and many parts radical text which calls for, among other things, broader human and non-human kinship, and the use of indigenous literatures to push back against settler colonial forms of erasure and oppression. Justice explores the vibrant universe of over two hundred years of literatures (written and non-written alike), from autobiography to spoken word poetry, to fantasy and wonderworks, in order to make the case that yes, of course indigenous literatures matter; they do so because indigenous people matter. Why Indigenous Literatures Matter thus acts as both indigenous literary bibliography and call to action to people of indigenous and non-indigenous backgrounds to read up and take notice of indigenous people speaking back to colonial power structures. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wojtek Sawa‘s The Wall Speaks: Voices of the Unheard (National Center of Culture, 2016) is a bilingual Polish-English project that engages with the intricacies of remembering and forgetting as part of the individual’s personal history, which appears to challenge and collaborate with documented histories. Evolving out of personal memories, The Wall Speaks seeks to illuminate how the individual responds to overwhelming changes that shape and modify not only personal experiences but also collective memories. Although the emphasis is put on specific traumatic events—the core of the narrative constitutes stories of the Polish survivors who lived through World War II—this project reaches to individuals and communities which find themselves in a marginalized condition. The Wall Speaks is about Polish children and teenagers of World War II. It is also about people today who are prohibited from speaking with a voice of their own and are treated as less than fully human.” The personal stories/histories that Sawa assembles contribute to the re-arrangement of historical linearity, as well as to the formation of labyrinth-like connections between generations across time and space. This publication is part of a broader project that involves exhibitions, installations, and performances organized in museum, galleries, and academic institutions in the United States and Poland. Performative aspects that the project emphasizes invite dialogical communication that serves to maintain memories—personal and collective—and the continuity of humanistic aspirations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

W. G. Sebald, one of the most prominent German-speaking authors of the late 20th century, has been discussed in German literary studies again and again. Nonetheless, many questions about him and his work remain open. In her dissertation Post-Catastrophic Poetics (Post-Katastrophische Poetik [Wilhelm Fink, 2016]), Luisa Banki, postdoc at the University of Wuppertal, challenges common assumptions about Sebald. By putting him in comparison with Walter Benjamin, she argues that Sebald’s narrator is driven by what she calls “paranoia,” which basically means he sees all sorts of connections and meanings in everything whether they are there or not. According to Banki, Sebald’s texts are not only structured by melancholia – as the majority of interpreters claim – but also by this intense, imaginative watchfulness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Though he never enjoyed the publishing success and fame of such friends as Sherwood Anderson and Ernest Hemingway, Lewis Galantière made a considerable contribution to literature over the course of the twentieth century. In Galantière: The Lost Generation’s Forgotten Man (Overlook Press, 2018), Mark I. Lurie describes the life and career of a dedicated man of letters. The precocious son of Jewish immigrants from Russia, Galantière’s education was constrained by his family’s impoverished economic circumstances. Yet Galantière benefited from being at the right place at the right time, first in Chicago during the heyday of the “Chicago Renaissance,” then in Paris in the 1920s, where his work as a columnist and translator earned him a place among the expatriate American writers in the city. Returning to America just before the Great Depression, he began a literary partnership with John Houseman that helped start Houseman’s decades-long career in theater. The two reunited during the Second World War at the Office of War Information, for which Galantière organized radio broadcasts into occupied France. Galantière’s work in radio continued during the Cold War as a producer for Radio Free Europe, after which he returned to the literary to become president of American PEN and organize the first PEN International Congress ever held in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Stefan Zweig und der Europa-Gedanke (Königshausen & Neumann, 2017), Stephan Resch analyzes the Austrian author’s relationship with Europe and the concept of pacifism. To date Stephan Zweig is a contentious figure, especially when it comes to his political activism. In the opinion of many, he did not go far enough in his political work, while others criticize his autobiographical work as euphemistic. Reason enough for Stephan Resch, Senior Lecturer for German Studies at the University of Auckland, to take a deeper look into Stefan Zweig’s work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

​In The Talmud: A Biography (Princeton University Press, 2018), Barry Scott Wimpfheimer, associate professor of religious studies and law at Northwestern University, introduces the reader to the Babylonian Talmud, the most studied book in the Jewish canon. Professor Wimpfheimer focuses on one excerpt from the Talmud, showing how its reception, exegesis, and editing represents a process of reflexive critique and legal reasoning. ​A valuable text for scholars and general readers alike, The Talmud: A Biography helps the reader gain new appreciation for the Talmud as a dense tapestry of religious thought, philosophy, law, and ethics that continues to influence not only the Jewish religion, but religious and secular cultures and institutions worldwide. David Gottlieb will receive his PhD in the History of Judaism from the University of Chicago Divinity School in June. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the beginning of the 20th century, surrealists such as André Breton and Man Ray played a game called “Exquisite Corpse.” You can play it by drawing or by writing, and the rules are very simple. Let’s say you’re writing. You would write the beginning of a story or poem at the top of a piece of paper and, when you finished, fold the paper so that only the last line of the poem or story is visible. Then you’d hand the paper to another player, and this person would add to the story or poem knowing only that little bit of language. Then this play would fold the paper and pass it along. On the story or poem would go, jumping from topic to topic, from style to style, depending on how the next person added to it, until it’s done. That’s it. The result is usually highly fragmented and often fascinating. Things that aren’t normally put together are suddenly combined. Poems, stories, and, in the case of drawings, images that seem impossible are suddenly on the page in front of you, asking you to consider them as a connected whole. The name of the game purportedly came from a phrase one of them wrote the first time the surrealists played it: “The exquisite corpse shall drink the new wine.” I’ve played it numerous times, and it’s always fascinating to see what emerges, but I’ve new understood why it’s so fascinating until I had the pleasure of reading Erin Edwards’ new book, The Modernist Corpse: Posthumanism and the Posthumous (University of Minnesota Press, 2018). In her insightful study, Edwards examines the presence of the corpse in modernist literature and changes the ways we understand what a corpse is and even who and what counts as being fully alive. I finished Edward’s book with the startling insight that “Exquisite Corpse,” far from being just an odd surrealist experiment, might be a more accurate way for art to capture our world and the things that live in it with us than more traditional stories, poems, and paintings. To say it another way, Edwards shows us that, in the work of modernist artists, the corpse, whether exquisite or not, might be the best way to show us what it really means to be alive. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry. Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Jews, Gentiles, and Other Animals: The Talmud After the Humanities (University of Pennsylvania Press, 2017), Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Talmud’s most scandalous tractate, to uncover the hidden architecture of this classic work of Jewish religious thought. She proposes a new way of reading the Talmud that brings it into conversation with the humanities, including animal studies, the new materialisms, and other areas of critical theory that have been reshaping the understanding of what it is to be a human being. Even as it comments on the the rabbinic laws that govern relations between Jews and non-Jews, Avoda Zara is also an attempt to reflect on what all people share in common, and on how humans fit into a larger universe of animals and things. As is typical of the Talmud in general, it proceeds by incorporating a vast and confusing array of apparently digressive materials, but Wasserman demonstrates that there is a whole greater than the sum of the parts, a sustained effort to explore human identity and difference. In centuries past, Avoda Zara has been a flashpoint in Jewish-Christian relations. It was partly due to its content that the Talmud was subject to burning and censorship by Christian authorities. Wasserman develops a twenty-first-century reading of the tractate that aims to reposition it as part of a broader quest to understand what connects human beings to each other and to the world around them. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consolidation of the post-revolution Mexican state. Through a series of compelling arguments, the author shows how impunity, the lack of transparency in judicial processes, and infamy are related to a constant quest for truth and justice that the state could not provide to Mexicans. From the abolition of the jury system in the 20s, to the emergence of crime fiction, the author shows that men and women, the press, detectives, policemen, and even murderers themselves, shaped both ideas and practices in regards to violence, law-breaking, and the normalization of injustice in the country. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University-NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does it mean to say that a city can “die”? As Brian Tochterman shows in this compelling intellectual and cultural history, motifs of imminent death—of a “Necropolis” haunting the country’s great “Cosmopolis”—have been a persistent feature of discourse on the probable fate of New York City since the Second World War. The Dying City: Postwar New York and the Ideology of Fear (University of North Carolina Press, 2017) traces this “spatial narrative” across many domains of thought and cultural production: fiction and essays, planning theory and practice, humanistic and social-scientific criticism in the public square, and film in the age of Charles Bronson’s Death Wish. Throughout, Tochterman shows that New York intellectuals of diverse political inflections have made specters of urban “ungovernability” central to how America and the world look at New York—whether to compel remedies, to render the city’s very chaos alluring, or, especially, to argue for the futility of intervention. Tochterman sheds new light on such figures as E. B. White, Mickey Spillane, Robert Moses, Jane Jacobs, Daniel Bell, Irving Howe, Lionel Abel, Michael Harrington, Daniel Patrick Moynihan, Nathan Glazer, and John Lindsay, among other compass points in the urbanism and intellectual life of postwar New York. Between “Fun City” and “Fear City,” a new image of the metropolitan past, present, and future comes into focus. Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Katelyn Knox’s book, Race on Display in Twentieth- and Twenty First–Century France (Liverpool University Press, 2016) examines francophone literature, art, dance, music, and fashion, considering how race and national identity intersect in postcolonial France. Emphasizing a widespread “institutionalized spectacularism” in France that exceeds the display of racialized bodies in more explicit, state-produced and orchestrated spectacle, Knox’s analysis emphasizes a more pervasive gaze permeating contemporary French culture. Moving from a discussion of the Colonial Exposition of 1931 to the analysis of more contemporary cultural forms, the book is a study of race that looks at a range of sources and varieties of performance. Thinking carefully through the persistent French engagement with and mobilization of ideas about race, Knox’s chapters explore official historical discourse, rhetoric and new media, cultural marketplaces, and the field of French and Francophone studies itself. The analysis throughout includes drawing attention to and interrogating a French universalist insistence on a “colorblind” society that has made looking for and looking at race a complicated challenge. Part history, part literary and cultural analysis, the book asks serious questions about the reproduction of racist gazes that can accompany even the most well-intentioned discussions of exclusion in France. It also considers whiteness as a constellation of nationalist ideals and assumptions that must be interrogated if the divisions and discriminations of contemporary France are to be understood and addressed. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: [email protected]. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnections. Readers are invited to ask what these collaborations that arise at the crossing points of various fields offer for engaging in reading and writing. Relying on an extensive overview of theoretical works that substantiate the overlapping of disciplines, Emily Petermann’s research provides additional coordinates for the definition of intermediality that underpins her examination of novels that embrace music. As the title of the book suggests, Petermann considers multiple ways in which music is incorporated in literature: structure, performance, and reception. An extensive segment of this research is devoted to the discussion of musical structures that writers bring to their texts. In this regard, Petermann takes a step forward in the examination of music and literature collaborations. By emphasizing the significance of the musical structural component that informs a literary text, the book suggests a more profound dialogue between music and literature. The Musical Novel offers a detailed discussion of jazz elements that turn out to be effective for the organization of literary texts. Although this aspect has been previously discussed by scholars, Petermann focuses on the structural overlapping, drawing attention to improvisation elements. In this interview, Petermann specifies that despite the temptation to draw parallels between jazz and textual structuring, improvisation in literary texts, however, should be perceived as a metaphor. This comment invites the consideration of how musical and literary works affect both performance and reception. The Musical Novel contains a few chapters and subchapters that delve into a detailed analysis of Bach’s Goldberg Variations: Bach’s masterpiece appears rather productive for literary borrowings and variations at many levels, including structure and content. These chapters are particularly illuminating in terms of the dialogical opportunities that music and literature offer and welcome. Emily Petermann’s book offers an opportunity to explore new ways not only for reading and writing but also for teaching: one of the questions that this interview raises is how musical novel can be read and taught. The Musical Novel welcomes the expansion of the territory of interdisciplinary borrowings and collaborations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Autopoiesis and Literature: The Short History of an Endless Process (Autopoiesis und Literatur: Die kurze Geschichte eines endlosen Verfahrens [transcript, 2016]), Marcel Schmid, a visiting postdoc at the German Department of Brown University, analyzes the concept of “autopoiesis.” By reading Heinrich von Kleist as well as Franz Kafka’s The Trial, he focuses on particular dimensions of the concept: beginning, addressing, interrupting, repeating, translating and shifting of knowledge. Concerning Kafka’s Trial, he pays particular attention to its centerpiece “Before the Law.” In addition, Schmid moves beyond the literary studies perspective by approaching autopoieses from an interdisciplinary standpoint. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Published by the University of Hawaii Press in 2016, Nick Admussen’s exciting new book Recite and Refuse: Contemporary Chinese Prose Poetry explores the development of twentieth-century prose poetry within the unique political and cultural context of Communist China. In this ambitious study, Admussen attempts not only to define prose poetry but also to trace its ever-shifting role in modern Chinese society. In doing so, he produces a study which comprehensively analyses the dynamic manner in which Chinese prose poetry engages with a range of diverse cultural discourses, including science, popular culture and political rhetoric. Throughout the book, Admussen foregrounds the protean nature of the genre by exploring how prose poetry has been used by poets working both within and outside of official Communist Party strictures. Moreover, he identifies Chinese prose poetry as a unique tradition, distinct from Euro-American manifestations of the genre. In addition to these insightful analyses, Recite and Refuse also contains a number of original translations of important Chinese prose poems, including Ouyang Jianghe’s stunning “Hanging Coffin”. Miranda Corcoran received her PhD in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of his cigars. For Freud, smoking facilitated writing and intellectual creativity; it provided exquisite enjoyment. An inanimate object thus served as a conduit of both vitality and grave illness—a testament to the entanglement, indeed, the indistinguishability of the life and death drives. In 1977, after a biopsy of a tumor in her right breast, Audre Lorde fantasized about lopping off the agent of her destruction like “a she-wolf chewing off a paw caught in a trap.” (56) In the manner of a Kleinian infant, she directed her rage at the persecutory breast that betrayed her (once again) and ceased being her own. Lorde turned her poetry and personal survival into political acts of reparation, linking the ravages of cancer to racial and sexual injury and offering herself to queer communities of color as an object of introjection and identification. In 1992, on the anniversary of her breast cancer diagnosis, queer theorist Eve Kosofsky Sedgwick was en route to yet another academic lecture. She sat in a plane on a runway in frigid Toronto watching Pepto-Bismol-pink anti-icing fluid run down the window beside her. Seized by nauseating horror, she recalled the bloody lymphatic discharge draining from her body in the weeks following her mastectomy. In 1996, after imaging revealed a spinal metastasis that would ultimately kill her, Sedgwick emerged as a patient-teacher in her polyphonic A Dialogue on Love (1999), an account of a psychodynamic treatment intermixed with her poetry and her therapist’s notes. Through autobiographically inflected theoretical writings and the advice column, “Off My Chest,” Sedgwick engaged in what she called good pedagogy, instructing readers about love and mourning in the “prognosis time” of incremental bodily loss. Lana Lin brings together the stories of Freud, Lorde, and Sedgwick, as well as insights from her own struggle with breast cancer in the tour de force, Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer (Fordham University Press, 2017). With her three transferential figures, Lin explores what it means to loosen one’s grip on objects, to live with self-estrangement and threats to bodily integrity, and to understand loss as the maintenance of relationality. As cancer fragments and changes one’s relationship to time, it becomes a catalyst for reparation, invention, and love. Anna Fishzon, PhD, is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-siecle Russia (Palgrave Macmillan, 2013). She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The relationship between humans and apes has been discussed for centuries. That discussion took a new turn with the publication and reception of Darwin’s On the Origin of Species by Means of Natural Selection (1859). In her book, Man, the Ape: Anthropology and the Reception of Darwin in Germany, 1850-1900 (Bohlau, 2016) (Der Mensch, der Affe: Anthropologie und Darwin-Rezeption in Deutschland 1850-1900), Hanna Engelmeier analyzes several historical positions concerning the human-ape-relationship. By tracing back how the reception of Darwin changed thinking about apes, she concludes that there is not only an anthropology relating to humans, but also an anthropology concerning apes. Interestingly, Engelmeier discusses a wide range of thinkers from 1850-1900, including Ernst Haeckel, Friedrich Nietzsche and Gustav Klimt and also literary authors such as Wilhelm Raabe and Leopold von Sacher-Masoch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In How the Wise Men Got to Chelm: The Life and Times of a Yiddish Folk Tradition (New York University Press, 2017), Ruth von Bernuth, Associate Professor in the Department of Germanic and Slavic Languages and Literatures and Director of the Carolina Center for Jewish Studies at the University of North Carolina at Chapel Hill, presents the first in-depth study of Chelm literature and its relationship to its literary precursors. The Chelm stories surrounding the ‘wise men’ (fools) of this town constitute the best-known folktale tradition of the Jews of Eastern Europe. Bernuth’s book joins together a historical analysis of early modern and modern German and Yiddish literature to give us a compelling and insightful account of the history of these stories. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The cover of Amelia Glaser‘s new edited volume, Stories of Khmelnytsky: Competing Literary Legacies of the 1648 Ukrainian Cossack Uprising (Stanford University Press, 2015), bears a portrait of the formidable Cossack leader by that name. Inside the book, twelve contributing authors including Dr. Glaser, approach this legendary yet enigmatical figure from a number of perspectives—Jewish, Ukrainian, Russian, Polish, Western—across the centuries, with plenty of overlap, assembling together a single, fragmented, but nonetheless collective narrative (3). Khmelnytsky’s seventeenth-century Cossack uprising against the Polish-Lithuanian Commonwealth is—depending on your point-of-view—an event of national liberation, treacherous factionalism, murderous pogrom, or personal vendetta, (again) with plenty of overlap. And the image of the Cossack warrior, the free horseman on the open steppe, serves as many narratives, right up to the present day with Mr. Putin’s twenty-first century Ukrainian land grab. On today’s podcast, Professor Glaser speaks about this remarkable figure and the issues at stake. Amelia M. Glaser is Associate Professor of Literature at the University of California at San Diego, and Director of the Russian, East European, and Eurasian Studies Program, and also Director of the Jewish Studies Program at UCSD. Dr. Glaser is author of Jews and Ukrainians in Russias Literary Borderlands: From the Shtetl Fair to the Petersburg Bookshop (2012), and editor, with David Weintraub, of Protelpen: Americas Rebel Yiddish Poets (2012). She has also written a number of scholarly and popular articles including a recent piece for the New York times about Vladimir Putin and Ukraine. Krzysztof Odyniec is a historian of the Early Modern Spanish Empire specializing on culture, diplomacy, and travel. He completed his PhD in 2017 at UC Berkeley where he is now a Visiting Scholar; he also teaches at Los Medanos College and Berkeley City College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the recent past, anti-Muslim hate crimes and rhetoric have surged across America and Europe. Much of this public discourse revolves around questions of assimilation and where Muslim positions on sexuality and gender fit into national unity. In Sexagon: Muslims, France, and the Sexualization of National Culture (Fordham University Press, 2017), Mehammed Amadeus Mack, Assistant Professor of French Studies at Smith College, explores the politicization of Muslim minority sexuality in France in various cultural domains. Whether in literature, journalistic media, or activist endeavors the general portrayal of Muslims in these contexts is structured around unmodern attitudes towards sexuality. It is assumed that African and Arab minorities in France are regressive, patriarchal, and intolerant of homosexuality. Through his study of a number of cultural arenas of representation Mack demonstrates that sexual identities are often unclear, hidden, or in flux. In our conversation we discussed sexuality and French identity, aspects of non-gendered virility, homosexual clandestinity and the possibility of queer identities, girl gangs, psychoanalysis and Islam, the literary trope of the Arab Boy, cinematic representations of ethnic sexualities, the management and surveillance of sexuality, the role of pornography in the sexualization of Muslims, gay-interest publications, the continued sexual demonization of Muslims in the current social climate in France and Europe, and the literary production of Eurabia. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What did it mean to be perceived as Jewish or non-Jewish in Weimar Germany? How, in an age of growing antisemitism, was Jewishness revealed, or made invisible? Kerry Wallach of Gettysburg College, explores these questions in her new book, Passing Illusions: Jewish Visibility in Weimar Germany (University of Michigan Press, 2017). Wallach examines an array of cultural texts including film, artwork, periodicals, and fiction in order to determine the different circumstances in which individuals sought to pass as non-Jewish, openly reveal their Jewishness, or were exposed as Jewish against their will. The concepts behind this complex history of private vs. public identities, Wallach demonstrates, can be applied beyond a study of Jewishness in the Weimar era, and can also shed new light on the way that scholars consider gender and sexuality as well as racial stereotypes outside of German and Jewish contexts. Kerry Wallach is Chair and Associate Professor of German Studies at Gettysburg College. She is also an affiliate of their Judaic Studies and Women, Gender, and Sexuality Studies programs, and serves on the editorial board of Indiana University Press German-Jewish Cultures book series. Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Theater of the Maimed: Fictional Characters between Deformation und Destruction in Theatrical Works of the Twentieth and early Twenty-First Centuries (Knigshausen and Neumann, 2015) (Theater der Versehrten: Kunstfiguren zwischen Deformation und Destruktion in Theatertexten des 20. und fruhen 21. Jahrhunderts), Till Nitschmann, a postdoc at the Leibniz University of Hannover, analyzes key German theatrical texts. By finding recurring themes in diverse texts, he develops a model classifying “maimed theater” works. Within the plays of Ernst Toller, Bertolt Brecht, Friedrich Durrenmatt, Peter Weiss, Thomas Bernhard, Heiner Muller, Dea Loher and others he identifies issues concerning animals, machines, war, money and property, laughing, and exclusion, as well as relationship and sexuality. All in all, Till Nitschmann thus highlights the importance of the “maiming” within cultural discourses of the twentieth and early twenty-first-centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As Paul Whitfield Horn Professor of Literature and Science at Texas Tech University, Bruce Clarke has spent the last decade-plus publishing groundbreaking scholarship introducing the application of second-order systems theory to the analysis of literature and media more broadly. The staggering scope of Clarke’s multidisciplinary erudition is on full display in the monograph, Neocybernetics and Narrative, out from University of Minnesota Press in 2014. In picking up Niklas Luhmann’s neologism “neocybernetics” in place of a more standard second-order cybernetic label, Clarke carves out a theoretical continuum for his thinking that runs along a trajectory from Heinz von Foerster’s notions of the observer, through George Spencer-Brown’s Laws of Form, Maturana and Varela’s biology of cognition, and right up to, and including, Niklas Luhmann’s controversial extension of autopoiesis theory to metabiotic social systems; a theoretical move most often excluded from more orthodox second-order cybernetic thinking. The formidable theoretical apparatus he has assembled allows Clarke to frame the reader of literary texts as an observer of semantic structures facilitating the psychic construction of possible worlds of meaning, and to examine literary texts themselves as forms of communicative action that continue the autopoiesis of meaning-constituted social systems along the lines of Luhmann’s tripartite process of information, utterance, and understanding. From this launch-pad, Clarke takes us on a stratospheric ride with stops on a variety of fascinating landscapes including the media theory of Friedrich Kittler, the socio-technical explorations of Bruno Latour, and encounters with artistic works as diverse as Virgina Woolf’s iconic modernist novel, Mrs. Dalloway and James Cameron’s quasi-Gaian special effects blockbuster motion picture, Avatar. As a result, Clarke has given arts and humanities scholars an entirely new set of tools with which to think about artistic production, reception, and mediation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Literacy is often portrayed as a social good. Composing Egypt: Reading, Writing, and the Emergence of a Modern Nation, 1870-1930 (Stanford University Press, 2016), Hoda Yousef has a different take on it, portraying it as a tool. Yousef uses reading and writing to interrogate how new social practices were changing Egypt in the late nineteenth and early twentieth centuries, demonstrating how they were used to further divide or fracture the public sphere. Literate, illiterate, and semi-literate Egyptians all engaged in the written word via different means, be they petition-writers, those who appealed to scribes, or coffee-house frequenters who all gathered to hear a newspaper be read. Ultimately, it was the emergence of this diversely literate population that shaped the Egyptian nation that emerged in the twentieth century. Hoda Yousef is assistant professor at Denison University, previously she served as an assistant professor of history at Franklin and Marshall College. She is a historian of the modern Middle East and the Islamic World with a focus on cultural and social history and gender in society, with degrees from Georgetown and Duke Universities. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: [email protected]. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies