New Books in Literary Studies

The list is the origin of culture. At least, that’s according to Umberto Eco, whose words open Liam Cole Young‘s new book, List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed (Amsterdam University Press, 2017). Young follows shifting functions of the list through history, revealing a form that “mediates boundaries between administration and art, knowledge and poetics, sense and nonsense” (10). Where systems of order surround and enframe human society, the list is there. Lists shape and shift the social world as new uses for the list are discovered, adapted, modified, and abandoned. As a searching exploration of the way that our intellectual tools “simultaneously conceal and reveal, enforce and subvert social systems,” List Cultures proves to be a rewardingly vigorous and sweeping intellectual history. List Cultures restores formal analysis to a critical discourse divided between analyses of institutions, contexts, and particular historical uses of texts. Beginning with a rereading of the earliest writing (inventories and transaction records), Young builds his case for the primacy of the list by explicating the ways lists negotiate tensions and paradoxes that have persisted across time. Young extends the work of Foucault, Latour, Borges, Benjamin, Ong, Innis and many others, demonstrating that listing is a cultural technique that constitutes concepts and categories on which technical systems and social institutions are built. List Cultures explores the pop charts and the innerworkings of Buzzfeed, giving readers a chance to see our world anew through the lens of media materialism. Lists draw borders, create hierarchies, and provide points of reference in the world of tastemaking and fandom, and speed the spread of viral media through databases and traced signatures. As an extension and counterpoint, the exploration of lists in the administrative states of Renaissance Italy and Nazi Germany provide careful reflections on how lists have been used to establish facts, determine personhood, police subjects, and build structures of knowledge that expose bodies to violence. Making the case for modernity as primarily logistical in orientation, Young closes List Cultures with a heartening meditation on ways the list has been used to remake old orders, explode boundaries, and extend horizons of possibility. Following Wolfgang Ernst’s argument that real-time data collection channels ancient forms of organizing time, List Cultures‘ final chapter plays with a binary of narrative and non-narrative modes of writing and thinking, asking us to consider how lists can displace the logic of logistical modernity and preserve a heterotopian space for thinking “other.” Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sovereignty is a key concept in Native American and Indigenous Studies, but its also a term that is understood in multiple ways. Working across the boundaries of legal and literary theory, David J. Carlson‘s Imagining Sovereignty: Self-Determination in American Indian Law and Literature (University of Oklahoma Press, 2016) examines the works, both creative and theoretical, of many Native intellectuals who have considered sovereignty in the past century. Sovereignty emerges in this study as a necessarily imprecise concept that mediates between indigenous communities and also with the settler colonial government of the United States. Carlson discusses thinkers who have previously been seen as opposed, showing ways that their disparate projects can in fact be seen via the idea of self-determination as in many ways complementary. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For those of us who pay close attention in Sunday school, a troubling dissimilarity may begin to appear between what we are told of God’s personality and what we learn of it from His actions. For example, we are told that God is merciful, just, compassionate, and the very definition of love and forgiveness. However, the Bible lays out God’s primary qualities very differently: he is jealous, petty, unforgiving, bloodthirsty, vindictive, and worse! Originally conceived as a joint presentation between influential thinker and bestselling author Richard Dawkins and former evangelical preacher Dan Barker, the book we will be talking about today, God: The Most Unpleasant Character in All Fiction (Sterling, 2016) provides an investigation into this rather serious discrepancy. Barker combs through both the Old and New Testament (as well as thirteen different Bible editions), presenting powerful evidence for why the Scripture shouldn’t govern our everyday lives. Dan Barker is a former evangelical minister and current atheist. He is the co-president of the Freedom from Religion Foundation, cohost of Freethought Radio, and cofounder and board member of the Clergy Project. A widely sought-after lecturer, debater, and performer, he regularly discusses atheism and lifes meaning and purpose in the national media, with past appearances on Oprah, The Daily Show, The O’Reilly Factor, Good Morning America, and many others. He is here with me today to talk about this witty, well-researched book and explain to us how the evidence in it suggests that we should move past the Bible and clear a path to a kinder and more thoughtful world. Carrie Lynn Evans is a PhD student at Universite Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian’s art through Cushman’s book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman’s famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book Longing for the Good. The Relationship between Literature and Ethics in the Work of Peter Handke (Wilhelm Fink Verlag, 2017), Tanja Angela Kunz, a postdoc at the Humboldt University of Berlin, analyzes the work of the Austrian contemporary writer Peter Handke from a new perspective: By consulting philosophical theories about the relationship between ethics and aesthetics she achieves a new understanding of Handke’s very specific style of writing. Within this context, Kunz’s observation of different patterns of representations of the good within Handke’s work is especially interesting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Between 1931 and 1933, French writer Michel Leiris participated in a state-sponsored expedition to document the cultural practices of people in west and east Africa. The Mission Dakar-Djibouti employed some questionable, unethical methods to dispossess African communities of their cultural and religious artifacts and artwork. In his capacity as secretary-archivist, Leiris recorded the events, actions and observations of the mission in great detail, in a daily journal that would become L’Afrique fantome. Leiris was both critical of and to an extent complicit in the exploitative encounter between French ethnographers and the colonized people they sought to study. His journal reveals the tensions between Europe’s claims about the superiority of its civilization and the violence and barbarity of colonialism on the ground. It also bears witness to the process by which some of the holdings in the Quai Branly museum in Paris today, were taken as booty (or in Leiris’ words, “butin”) from the African continent in the early twentieth century. Brent Edward’s Phantom Africa (Seagull Books, 2017) makes L’Afrique fantome available to English-speaking readers in its entirety for the first time. This translation presents an important and invaluable archive that documents the makings of ethnography as a field of study, as well its imbrication with colonial conquest and imperialism. In a thoughtful introduction that examines the historical context of Leiris’ journey, his personal motivations, his use of language, his triumphs and frustrations, Edwards clearly lays out the importance of this text for readers interested in anthropology, literary studies and the history of colonial encounters. Brent Hayes Edwards was awarded a 2012 PEN/Heim Translation Fund Grant for Phantom Africa. He is also the author of Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017) and The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (Harvard University Press, 2003), which was awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association. With Robert G. OMeally and Farah Jasmine Griffin, he co-edited the collection Uptown Conversation: The New Jazz Studies (Columbia University Press, 2004). His research and teaching focus on topics including African American literature, Francophone literature, theories of the African diaspora, translation studies, archive theory, black radical historiography, cultural politics in Paris in the 1920s and 1930s, surrealism, experimental poetics, and jazz. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sheshalatha Reddy’s British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects (Palgrave Macmillan, 2017) examines historical and literary texts relating to three rebellions in the second half of the nineteenth century: the Sepoy Rebellion of 1857 in India, the Morant Bay Rebellion of 1865 in Jamaica, and the Fenian Rebellion of 1867 in Ireland. The book argues that these rebellions—while arguably unsuccessful in their particular moments—signaled turning points in the management of labor throughout the British Empire. As the disciplinary methods used by imperial forces shifted in the nineteenth century—for example, the abolition of slavery and the rise of wage labor—so too did the resistive practices of the colonized. Drawing from a rich variety of primary sources ranging from political economic tracts to photographs and poems to novels, Reddy highlights the complex dynamic between laboring bodies and oppressive political and economic structures amid shifting forms of biopower. Sheshalatha Reddy is an Assistant Professor of English Literature at Howard University in Washington D.C., where she teaches British and Anglophone colonial and postcolonial literatures. In addition to authoring British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjectsshe has edited Mapping the Nation: An Anthology of Indian Poetry in English, 1870-1920 (Anthem Press, 2012) and published articles in the Journal of Commonwealth Literature and Victorian Literature and Culture. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

During the late nineteenth and early twentieth centuries, Native American students from across the United States attended federally-managed boarding schools where they were taught English, math, and a variety of vocational skills, all for the purpose of forcing their assimilation into white, American society. While enrolled at these schools, students also showcased their writing, editing, and printing skills by publishing school newspapers. In Recovering Native American Writings in the Boarding School Press (University of Nebraska Press, 2017), Assistant Professor of English Jacqueline Emery provides the first comprehensive collection of Native American writings published in boarding school newspapers, and demonstrates the ways in which students used these periodicals to both challenge and reflect assimilationist practices at the schools. The collection includes student-authored letters, editorials, fiction, and folklore, and examines the writings of Gertrude Bonin, Charles Eastman, and Luther Standing Bear, among additional, lesser-known writers. Samantha M. Williams is a PhD candidate in History at the University of California, Santa Cruz. She is currently writing her dissertation, which examines the history of the Stewart Indian School in Carson City, Nevada through the lenses of settler colonialism and public history. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Morality and Literature: A Historical Typology (Wilhelm Fink Verlag, 2013)—in German: Moral und Literatur. Eine historische Typologie—Christian Kirchmeier, post doc at the University of Munich who is currently at Yale for a research stay, examines a change of different moral systems within the course of history. By looking at very many different German literary texts from different centuries he tries to find something which he calls “the historical grammar of moral judgments,” which basically means changes in morality on a structural level. Authors and works he therefore considers include Sebastian Brant’s Ship of Fools, Andreas Gryphius’ Leo Armenius, Walter Benjamin’s The Origin of German Tragic Drama, Johann Christoph Gottsched’s Dying Cato, Johann Gottfried Schnabel’s The Island Felsenburg, Johann Wolfgang von Goethe’s Faust, Friedrich Schiller’s Aesthetic Education, E. T. A. Hoffmann’s Mademoiselle de Scuderi and Robert Musil’s Man without Qualities. For more information about Dr. Kirchmeier please check out: http://christian-kirchmeier.de/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Writers have long created networks and connections by exchanging letters or writing back to one another in their poetry and fiction. Letters between Ernest Hemmingway and F. Scott Fitzgerald, or Zora Neale Hurston and Langston Hughes, attest to the rich world of intellectual exchange beyond the pages of published works. In Grounds of Engagement: Apartheid-Era African American and South African Writing (University of Illinois Press, 2015), Stephane Robolin examines the conversations between writers on spatial terms. Paying attention to the transnational crossings and circulations of African American and South African writers through their travels, correspondence and published works, Robolin’s study uncovers the metaphoric and sometimes quite literal grounds on which authors in different spaces contested the similar realities of racism and segregation that they experienced in South Africa and the United States. This study weaves together the voices of Langston Hughes, Richard Rive, Peter Abrahams, Richard Wright, Alice Walker, Bessie Head and others in a larger narrative about the spatial dimensions of Black transnationalism in the twentieth century. Stephane Robolin is an Associate Professor of English at Rutgers University where he also directs the Center for African Studies. He teaches courses in African Literature, African Diaspora Studies and Postcolonial Literature and Theory. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Charm of Wise Hesitancy: Talmudic Stories in Contemporary Israeli Culture (Academic Studies Press, 2017), David Jacobson, Professor of Judaic Studies at Brown University, offers an overview and detailed analysis of one of a most intriguing cultural phenomenon in contemporary Israel: A “return to the (supposedly religious) Jewish bookshelf” by both self-proclaimed secularist Israelis and orthodox Jews. Specifically, Jacobson is interested in Israeli readings of Talmudic narratives, and the way these readings reflect upon contemporary Jewish-Israeli identity. His book both situates the phenomenon in its socio-historical context, and offers a detailed analysis of the discourse on certain Talmudic narratives. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Unscripted America: Indigenous Languages and the Origins of a Literary Nation (Oxford University Press, 2017), Princeton University English Associate Professor Sarah Rivett studies how colonists in North America struggled to understand, translate, and interpret Native American languages, and the significance of these languages for theological and cosmological issues such as the origins of Amerindian populations, their relationship to Eurasian and Biblical peoples, and the origins of language itself. Through a close analysis of previously overlooked texts, Unscripted America places American Indian languages within transatlantic intellectual history, while also demonstrating how American letters emerged in the 1810s through 1830s via a complex and hitherto unexplored engagement with the legacies and aesthetic possibilities of indigenous words. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

If you’ve ever wondered how your favorite writers go about crafting their written works, or if you’ve ever been interested in writing a book yourself, chances are you’ve wandered into a bookstore or a library, scanning the shelves for some kind of guidance. Books on writing typically fall into two camps: some are more centered on writing as philosophy, a way of life. Less about how to write and more about the author, and their specific writing journey, like Annie Dillard’s The Writing Life and Stephen King’s On Writing, which are both fascinating and inspiring, but not necessarily all that helpful if you’re looking for some quick and dirty tips on revising a story. Many other books on writing—I would venture to say even most—act as coaches: they preach writing regimens and keeping daily journals—finding the time and making the space. The strategy with these is often to write as much as you can as quickly as possible, because the goal is to get your foot in the door: to actually sit there and write something. But what comes after that? You’ve sat and written and maybe you have enough for a novel, or a memoir. The story is all there, but still somethings not quite right, and you cant be sure how to diagnose the problem. The characters don’t relate to one another like real people, the dialogue feels stiff, the sentences just don’t flow the way you’ve seen them do in your favorite Annie Dillard or Stephen King books, and maybe by now the self-doubt is starting to set in, and you’re wondering, am I really cut out for this? Enter Dinty W. Moore, the longtime editor of the online publication Brevity, a journal of concise literary nonfiction, and the author of numerous books on writing including his latest, called The Story Cure: A Book Doctor’s Pain-Free Guide to Finishing Your Novel or Memoir (Ten Speed Press, 2016). Often, Moore says, when people write their stories, they tend to place the blame for the writings shortcomings on themselves. The Book Doctor, however, believes that whatever is ailing a novel or memoir in progress is not about the writer, it is about the story: how well we understand it, how well we tell it, and how well we enable it to come alive in the reader’s mind. With my cohost Eric LeMay and I today on the New Books Network is Dinty W. Moore, dispeller of the pervasive myth that good writing should be effortless, and a staunch believer that anyone is capable of writing, and, with practice, of writing well. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Thieves: Stealing in Literature, Philosophy, and Myth (Wilhelm Fink Verlag, 2016)—in German: Diebe: Die heimliche Aneignung als Ursprungserzahlung in Literatur, Philosophie und Mythos—Andreas Gehrlach, post doc at the Humboldt University of Berlin, explores theft from a cross-cultural approach. This includes a discussion of several key German philosophers, such as Georg Wilhelm Friedrich Hegel, Karl Marx, Hannah Arendt, Hans Blumenberg, Sigmund Freud and others. Therefore, Thieves can enable the reader to perceive German intellectual history from a completely new perspective. Since his childhood Gehrlach has been preoccupied with the topic of theft, thus turning an autobiographical aspect into this highly interesting and thought-provoking book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

J. Samaine Lockwood, Associate Professor in the English Department at George Mason University, specializes in nineteenth-century American literature and gender and sexuality studies. In an hour-long conversation, we discuss her new book Archives of Desire: The Queer Historical Work of New England Regionalism (University of North Carolina Press, 2015). New England has long presented an idealized sense of its past. Restored colonial homes, antique shops, white picket fences around town greens—these are some features you may associate with a conservative, even blinkered view of the past. But the reality is otherwise. Lockwood shows how the story behind this burst of regionalist pride, much the product of the late nineteenth century, is queerer and more women-centered than you could possibly have imagined. In her book, Lockwood argues that nineteenth-century women writers, photographers, and colonial revivalists presented the queer, unmarried daughter of New England as a figure crucial to remembering and producing US history, crucial to that history itself. These women include Sarah Orne Jewett, Alice Morse Earle, C. Alice Baker, as well as Charlotte Perkins Gilman, Pauline Elizabeth Hopkins, and many more. Their literary work, history writing, china collecting, and home restoration evinced a deep cosmopolitanism far exceeding the limits of any supposed provincialism of the New England spinster, both in their own time and in the past about which they wrote. We talk about how the late-nineteenth century New England regionalists aligned themselves with colonial forms of dissent against monarchical rule, but also rule by men. They followed the trails of colonial women who once manned garrisons in times of war, as well as women who, after capture, chose to stay living with Indians. Much of our conversation talks about how the later women regionalists found roots in the past for their own forms of living intimately with women in the present, including in romantic relationships. A large part of our discussion also focuses on how the knowledge they produced of that past was largely found through the use of their bodies as historical instruments in the care of objects and spaces of a home, the tending of gardens, the wearing of colonial dress. Their bodily sensorium revealed similarities of experiences across time, including feelings of intense sexual pleasure as well as gender-based oppression. Ultimately, this work attuned people to how affective ties and material forms of everyday life (which include nature, objects, the space of a town and its buildings) structure each other in dynamic relationship. The preservation of historic homes and other open to the public and welcoming visitors today owes much to these women. Throughout our conversation, Lockwood and I continue to return to the fact that new possibilities for the ongoing American democratic experiment were to be found in the past as much as the present. The same is true today—if you learn to open your senses to the world around you. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Language is one of the complex systems facilitating communication; language is a system producing the inside and the outside of the individual’s awareness of self and other. However, language is also a tool for and of ideological battles, shaping states and nations. A multifaceted nature of language is emphasized and explored in an interdisciplinary collection of articles The Battle for Ukrainian: A Comparative Perspective (Harvard University Press/Ukrainian Research Institute, 2017), edited by Michael S. Flier and Andrea Graziosi. This collection developed with the crucial contribution of Lubomyr Hajda, who highlighted the importance of the comparative aspect that goes beyond specific historical contexts. As the editors mention in their introduction, The Battle for Ukrainian presents the proceedings of the conference States, Peoples, Languages: A Comparative Political History of Ukrainian, 1863-2013. One of the starting points for the scholarly discussion was the history of the Ukrainian language, which happened to undergo a dramatic battle for its existence. Structured around the Valuev Circular (1863), which was followed by the Ems Decree (1876), the conference and the subsequent collection aimed to conceptualize the influences that the official documents would exercise on the formation and on the development of Ukrainian. Known for their oppressive and discriminatory effects, the two documents, as the current publication demonstrates, not only shaped the perception of Ukrainian but also produced a political and sociocultural framework for the languages functioning. The Battle for Ukrainian offers an insightful overview of the path that Ukrainian was, in fact, forced into: a persistent struggle against suppression and annihilation. Taking into consideration the influences exercised by the documents that restricted the usage of Ukrainian, the contributors investigate how Ukrainian was presented in the Russian Empire and under the Soviet Union. This conversation is put into a larger context, involving the issues of nation and identity formation. Additionally, the discussion creates a bridge between the past and the present: twenty-five years after the collapse of the Soviet Union, Ukraine seems to be still facing challenges that were first initiated by the language policies devised by Imperial Russia. Moreover, these challenges, as the recent events in the Donbas and Crimea, as well as new developments of language policies, demonstrate, are escalating. By analyzing the circumstances under which the Ukrainian language has been functioning, the contributors attempt to address the most urgent concerns, providing insights for the understanding of the past and the present. While emphasizing the language challenges, which Ukraine has been dealing with, The Battle for Ukrainian also draws comparative parallels that allow to search for frameworks and patterns that would emphasize the celebration of the existence of language. A language is a system that facilitates communication, but it is also an entity, fluid and changeable, that includes collaboration with other similar systems, entities. For this collection, the Ukrainian case provides material and territory for investigating linguistic areas, Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Candace Ward’s Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation (University of Virginia Press, 2017) foregrounds an understudied group of writers: white creole novelists in Britain’s Caribbean colonies. White creoles in the Caribbean were characterized as lazy, depraved, and provincial by their contemporaries in Britain, particularly amid early nineteenth-century political and social campaigns to end the institution of slavery in the Caribbean. Ward analyzes novels by white creoles to show the complex ways these writers melded fact and fiction to support the planter class’s ultimately misguided attempts to sustain slavery. Examining novels such as Cynric Williams’s Hamel, the Obeah Man (1827) and E.L. Joseph’s Warner Arundell (1838), Ward’s work highlights how writers from the so-called periphery contributed to the development of the novel through the troubling yet innovative ways they mobilize fiction for political aims. Candace Ward is an Associate Professor of English at Florida State University, where she teaches classes on early Anglo-Caribbean literature and culture, eighteenth-century British literature, and early women’s fiction. Kathleen DeGuzman is an Assistant Professor of English at San Francisco State University. Her teaching and research focus on Caribbean literature, Caribbean and British cultural entanglements, and the novel. She is completing Small Places: The Anglophone Caribbean, Victorian Britain, and the Forms of Atlantic Archipelagoes, a book project that aligns the Caribbean and Britain through their shared geographical reality as archipelagoes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital. Daniel Kane, the author of Do You Have a Band?: Poetry and Punk Rock in New York City (Columbia University Press, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock. Daniel Kane is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (2003). The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Laura Lee’s Oscar’s Ghost: The Battle for Oscar Wilde’s Legacy (Amberley Publishing, 2017) offers a detailed investigation of a conflict involving the writer and his two friends with whom he maintained sexual relations, Lord Alfred Douglas and Robert Ross. In her endeavor to disclose the root of the conflict that, as a matter of fact, marked and instigated Oscar Wilde’s decline, Laura Lee attempts to consider different perspectives, illuminating the progression of the conflict and its influences and aftereffects. This story, although centering around Oscar Wilde, discloses how Alfred Douglass and Robert Ross’s response to the writers professional and personal turmoil shapes the way the conflict is comprehended. Oscar’s Ghost, as Laura Lee mentions in this interview, is inspired by De Profundis: the work that presents Oscar Wilde’s intimate confession and indicates the writer’s transformation, triggered by his prison experience. Humiliation, on the one hand, and desire to recover, on the other hand, signal the writer’s ambiguous perception of his own self. His confessional work, to some extent, captures his ambiguity and offers insights into emotional, psychological struggles that seem to be unresolved. In Wilde’s case, a confessional endeavor brings forth not only revelation, but pain as well. The process of embracing oneself through revealing the intimate, more often than not, is inseparable from revisiting experiences that involve others. In his confessional letter, Oscar Wilde redefines himself while speculating about his relationships with Alfred Douglas and Robert Ross. Confession is intimate but it is public as well: do those involved in a confession feel comfortable being part of an intimate narrative that is not theirs? As Oscar’s Ghost demonstrates, this tension between the private and the public cannot be underestimated. In addition to a detailed account of facts, which at times reads as a detective story, Oscar’s Ghost also engages with the historical, political, and social realms of London, in particular, and other European cities of the end of the nineteenth century and the beginning of the twentieth century. By describing the dynamics of Oscar Wilde’s relationships with Alfred Douglas and Robert Ross, Laura Lee captures the sense of collapse and crisis that appeared to be pervading at a national and international level. The decline of aristocratic privileges produces one of the most powerful influences on the shaping of public ideological and political perceptions, which appear to be intricately connected with Oscar Wilde’s personal and professional story. Laura Lee is a full-time writer. She’s authored twenty books, fiction and nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world for centuries. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork, yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books that were utilized extensively by the antislavery movement in the first half of the nineteenth century. The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852 (University of Georgia Press, 2017) analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. The author argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works and unfamiliar ones she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed. Author Martha J. Cutter is a Professor in the Department of English and in the Africana Studies Institute at the University of Connecticut. She received her Ph.D. in English from Brown University, and is currently the editor of the journal MELUS: Multi-Ethnic Literature of the U.S. Her previously book-length projects include Unruly Tongue: Language and Identity in American Womens Fiction, 1850-1930 and Lost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity. She has published articles in numerous academic journals and remains intrigued by the interrelationships between literary texts and cultural contexts. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A deft and searching exploration of genre theory through science fiction, and science fiction through genre theory, John Rieder‘s Science Fiction and the Mass Cultural Genre System (Wesleyan University Press, 2017) makes a significant contribution to the efforts to grapple with science fiction as a category of analysis and cultural production. Building on his previous work in colonialism and science fiction, Rieder’s book begins with an assessment of the scholarship on mass culture and the media flows of the early twenty-first century, when science fiction gained currency as a genre identifier. Drawing together analyses of educational curriculum, technologies of publication, and the social production and distribution of literacy itself, Rieder makes the case for understanding science fiction as a social convention familiar to authors, editors, booksellers, and readers, but often the worse for its encounters with the jagged edges of traditional genre systems. Calling on the work of Frederic Jameson, Deleuze and Guattari, Bowker and Starr, and Gary Westfahl, among many others, Rieder traces a history of what SF has meant and currently means, revealing a variety of motives at work in defining and employing the genre. Allowing his argument to range backward in time to the various texts that have become touchpoints in the arguments about where science fiction began, and forward to the present in tracking the roles of science fiction across various forms of media, Rieder offers an analysis grounded in the social history of texts rather than their formal characteristics. Along the way, Rieder’s work explores and engages the ways that artists and fans have navigated and channeled the shifting ideas about what science fiction is, how we can know it when we see it, and who it belongs to as a literary strategy and a locus for community formation. Ur-texts make frequent appearances in the early going, with a careful reception study of Shelley’s Frankenstein taking pride of place. Further case studies draw insights from the work and experiences of Philip K. Dick, women fans and writers making gains for feminism in the 1970s, and more recent examples of Afrofuturism and indigenous futurism in North America. Rieder’s book thus creates a “sketch of the history of SF” that shows the genre to be “a product of multiple communities of practice whose motives and resources may have little resemblance to one another” (11), but whose work we would all identify, somehow, as science fiction. Drawing on the fruit of both his forays in genre theory and their thorough exploration in well-designed case studies, Rieder closes the book by offering a new periodization of science fiction that will spur further work into the ongoing ideological power of the genre. Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Adam Gaiser‘s majestic new book Shurat Legends, Ibadi Identities: Martyrdom, Asceticism and the Making of an Early Islamic Community (University of South Carolina Press, 2016), treats readers to a dazzling analysis of a wide range of Shurat/Kharijite texts centered on the themes of martyrdom, asceticism, and the body. Providing a rare and sympathetic window into this often misunderstood tradition, Gaiser presents a compelling and nuanced account of ways in which discursive concepts, constructs, and narratives accumulate in a tradition overtime. In our conversation, we talked about a number of the book’s major themes including the meaning and significance of the category of Shira’, Shurat and Ibadi poetry, and intra-Kharijite contestations over the boundaries of religious identity. This beautifully written book is sure to interest and spark conversations amongst scholars of Islam, asceticism, literature, and poetry. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ever since Donald Trump was elected President, he’s created a non-stop torrent of news, so much so that members of the media regularly claim that he’s effectively trashed the traditional news cycle. Whether that’s true or not, it is hard to keep up with what’s going on in the White House, and each new uproar makes it difficult to remember what’s already happened. Take Trump’s first cabinet meeting, way back on June 12, 2017. Remember that? It began with Trump proclaiming, “Never has there been a president….with few exceptions…who’s passed more legislation, who’s done more things than I have.” This, despite the fact that he had yet to pass any major legislation through Congress. Then it got odder. Trump listened as members of his Cabinet took turns praising him. Mike Pence started it off, saying, “The greatest privilege of my life is to serve as vice president to the president who’s keeping his word to the American people.” Alexander Acosta, the Secretary of Labor, said, “I am privileged to be here–deeply honored–and I want to thank you for your commitment to the American workers.” And Reince (Rein-ze) Priebus, still then the President’s Chief of Staff, said, “We thank you for the opportunity and the blessing to serve your agenda.” As all of the praise rained down on him, Trump just looked on, smiled, and nodded approvingly. Whats going on? Not only here but in the endless praise disguised as press releases that’s coming from the White House and Trump’s own Twitter account? Is this just good old fashioned ass-kissing or is there something more sinister happening? In their new book, Sucking Up: A Brief Consideration of Sycophancy (University of Virginia Press, 2017), Mark and Deborah Parker explore this phenomenon of excessive flattery–why people do it and how it alters the social world that we all must share. The Parkers look at examples from literature, politics, and other disciplines to give us a portrait of this false-faced, slickly tongued, morally odious character, the sycophant. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does a book come into being? In Under the Cover: The Creation, Production, and Reception of a Novel (Princeton University Press, 2017), Clayton Childress, Assistant Professor in the Department of Sociology at The University of Toronto, accounts for the social processes behind the contemporary novel. The book uses a case study of Jarrettsville, a work of historical fiction, to explore the processes of creation, production, and reception for the book. Drawing on, but also extending and developing, field theory, the book challenges the usual perception of a lone authorial genius with a detailed sociological picture of how a novel is made. The book offers rich empirical material, from quantitative analysis of inequalities in publishing, through readers’ responses to the novel and insider knowledge from agents and editors, to ethnographic reflections on the social setting for authorial work. The book is a fascinating and accessible read for anyone interested in contemporary culture. The first chapter is available for as a preview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alessandro Duranti is Distinguished Professor of Anthropology at UCLA, where he served as Dean of Social Sciences from 2009-2016. In his book The Anthropology of Intentions: Language in a World of Others (Cambridge University Press, 2015), Duranti explores the relevance of intentions in making sense of what others say reflecting the range of his intellectual curiosity: from analytic and continental philosophical foundations of the concept of intentionality to political discourse in Samoa and the U.S., anthropologists’ accounts of the opacity of other minds in Pacific societies, and the embodiment of intentions in jazz improvisation. Duranti takes up the stalled opposition between, on the one hand, analytic philosophy of language–which tends towards individualistic conceptions of intentions–and, on the other hand, linguistic anthropology–which rejects this armchair universalizing, offering counterexamples of contexts where inner states are not socially salient. In making the case for a continuum of intentionality, he offers a way to reconcile this opposition: the salience of intentions varies across individuals and cultures, and with it, the social and linguistic elaboration of being-in-the-world varies too. For Duranti, intentionality is an irreducibly intersubjective phenomenon: an individual’s ostensible, performed, and uniquely conceived meaning is always in tension with the meaning interpreted and evaluated by a community, whether present or not. We are not just beings in the world: we always exist in a world of others. This intersubjective tension undergirds the social construction of, for example, authenticity and responsibility in politics, the ability to be an active listener in music, and the translation of a concept from one social world to another. This interview discusses The Anthropology of Intentions in relation to Duranti’s wide-ranging academic career, up to and including his recent sabbatical excursions into the ancient Greek world in search of the origins of the notions of intention, mind, and soul. [Afterword. Alessandro Duranti contributed to a special edition of Journal of Ethnographic Theory (Vol 7, No 2, 2017) in which he discusses ideas we talked about in the podcast. You can find it here.] John Weston is an Associate Lecturer in Applied Linguistics at Queen Mary University of London. His research focuses on the relationships between language, knowledge and ethics. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Strangers in Berlin: Modern Jewish Literature between East and West, 1919-1933 (University of Michigan Press, 2016), Rachel Seelig, Visiting Scholar in the Department of Germanic Languages and Literatures at the University of Toronto, works against the prevailing tendency to view German and East European Jewish cultures as separate fields of study. Looking at four writers, Seelig presents Jewish literature in the Weimar Republic as the product of a dynamic encounter between East and West. This is a very interesting and groundbreaking work of scholarship. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mykola Soroka’s Faces of Displacement: The Writings of Volodymyr Vynnychenko (McGill-Queens University Press, 2012) is a compelling investigation of the oeuvre of one of the Ukrainian writers whose dramatic literary career offers insights not only into the nature of writing but also into the contextual environments that happen to shape writers’ reputations. Born and educated in Ukraine, Vynnycheko had to leave his homeland shortly after the emergence of the Soviet Union: his political vision considerably differed from the developments introduced and supported by the Soviet leaders. Extensively traveling across Europe, Vynnychenko was trying to maintain a fragile connection with his homeland: this connection was primarily constructed and nourished by the writers imagination. In spite of persecution, Vynnychenko ventured a few intermittent returns to Soviet Ukraine; however, he never had a chance to settle down in his home country again. France became one of the places where he attempted to develop a new sense of home and belonging; but this attempt was always imbued with the writers longing and nostalgia for Ukraine. Detailing the trajectory of Vynnychenko’s traveling/wandering, Mykola Soroka introduces the concepts of homeland and hostland, contributing to the discussion of exile literature. Negotiating the notions of exile, expatriate, nomad, diaspora, Soroka’s research offers a notion that includes different shadows of writers and the works they produce outside their homelands–displacement. Vynnychenko’s life and literary career exemplifies displacement that, in fact, can hardly be described as stable and concrete. Although inherently including some negative connotations (displacement hints at leaving a comfort zone), displacement is also nourished by change, movement, and transformation. As Soroka’s research demonstrates, Vynnycheko’s style changes and develops as he travels and as he attempts to adjust to new environments. Faces of Displacement is structured around two major stages of Vynnycheko’s balancing between his homeland and hostland(s): 1907-1914 and 1920-1951. Soroka provides detailed accounts of the writer’s negotiations with his multiple selves that arise as the external environments change. Astute artistic and psychological observations are accompanied by historical and political considerations that contribute to the proliferation of the research discussion. Reconstructing an intricate system of overlapping layers, Faces of Displacement offers new perspectives for the exploration of Vynnychenko’s works and for the investigation of literature that emerges on the edges of consciousness when homelands and hostlands intersect. In addition to an insightful analysis of works that establish Vynnychenko’s literary reputation (The Black Panther and the Polar Bear (1911), The Solar Machine (1928), The Leprosarium (1938), to name but a few), Faces of Displacement also considers the writer’s political activity and love of painting as one of significant factors. This consideration allows to present Vynnychenko’s works in the context of interdisciplinary investigations: Vynnychenko’s political aspirations appear to have been informed by his ethic and aesthetic principles; conversely, political and ideological nuances are part of the writer’s literary vision. In Ukraine, Vynnychenko’s works were banned for a few decades. His final novel, Take the Floor, Stalin! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Latina/o Midwest Reader (University of Illinois Press, 2017) editors Omar Valerio-Jimenez, Santiago Vaquera-Vasquez, and Claire F. Fox bring together an exceptional cadre of scholars to dispel the notion that Latinas/os are newcomers to the Midwest. Through seventeen penetrating essays, this collection explores the trajectory of Latina/o migration, their demographic transformation of the Midwest, importance as laborers, neighbors, and community builders, as well as their struggles to obtain social and economic justice. Collectively, the essays within this anthology make several important interventions concerning the distinctiveness of the Midwest in the Latina/o experience and the effect it has had on identity formation and social activism. The presentation of the Midwest as a “border space” (i.e., contact zone) for Latina/o migrants from various parts of Latin America is a central theme that runs throughout the book. This anthology is an essential addition to Latina/o studies scholarship as it challenges the bi-coastal normativity and exclusivity of existing scholarship. David-James Gonzales (DJ) is a Postdoctoral Scholar and Teaching Fellow in the Dornsife College of Letters, Arts, and Sciences at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Denying Her Voice: The Figure of Miriam in Ancient Jewish Literature (Vandenhock and Ruprecht, 2016) Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There is a long tradition of the study of Sikhism in Western academia. However, historiographical accounts still lack a clear vision of the early formation of the tradition. Rahuldeep Singh Gill, Associate Professor of Religion at California Lutheran University, addresses this lacuna in Drinking From Love’s Cup: Surrender and Sacrifice in the Vars of Bhai Gurdas Bhalla (Oxford University Press, 2017). Through a detailed analysis and lucid translation of the literary tradition of Bhai Gurdas Bhalla (d. 1636), the tradition’s most important poet, Gill challenges and critiques current modes of Sikh scholarship. Bhai Gurdas’ poetry shaped early Sikh theology and practice, providing an emotive lexicon for communal identity. Gill highlights some of the most important of Gurdas’vars in articulating key themes in his writing, including spiritual death, martyrdom, sacrifice, and divine love. These tropes often emerge in the context of relationships with Sikh leadership, such as the martyr Guru Arjan and his son Guru Hargobind. In our conversation we discussed the state of Sikh Studies, the founding tradition around Guru Nanak and the transformations that shaped Gurdas’ life, the Sikh canon and its broader textual landscape, Islamicate influences, the manuscript tradition, practices of feet veneration, scholarly orientalism, translational practices, and interfaith engagement. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As I was reading Ron Edward’s fascinating and far-reaching new book, The Edge of Evolution: Animality, Inhumanity, and Doctor Moreau (Oxford University Press, 2016), I had a flashback. I must have been about seven. I was watching a film adaptation of H.G. Well’s classic work of science fiction, The Island of Doctor Moreau. It’s about a doctor who takes animals and tries to make them human by surgically alerting them. I don’t remember much about the movie–I think Burt Lancaster played Moreau–but what I remember is that the story really creeped me out. It stayed with me for a long time. And, even now, as I remember those half-man, half-beasts that populate Dr. Moreau’s island, I’m creeped out. The feeling is something like a primordial shiver. Now you may attribute that feeling to the sensitivity of a seven-year-old, and that’s probably right: what were my parents thinking letting me watch a horror movie at that age? Edwards, however, has a different answer, one based on Well’s original story. It’s that these man-beasts that Wells imagines force us to realize us that we are, in our essence, animals. This realization is something that, as a culture and as individuals, we don’t like to contemplate. It unnerves us. It creeps us out. And that’s what Edward’s book explores: it is, among other things, a case against human exceptionalism, one that asks us not only to rethink our animal selves, but also our relationship to those other creatures who share our animality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Philosophers have long tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. But voices resonate among bodies and texts; they are singular, as unique as fingerprints, but irreducibly collective too. They are material, somatic, and musical. Voices also give body to concepts that cannot exist in abstraction, essential to sense yet in excess of it. They complicate the logos of the beginning and emphasize the enfleshing of all words. Karmen MacKendrick’s The Matter of Voice: Sensual Soundings (Fordham University Press, 2016) explores all this and more through theology and philosophy, pedagogy, translation, and semiotics. It is a beautifully written and challenging book. Karmen MacKendrick is Professor of Philosophy at Le Moyne College Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael Allan‘s In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton University Press, 2016) challenges traditional perceptions of world literature: he argues that the disciplinary framework of world literature levels the differences between different types of literature. He uses colonial Egypt as a geographic focus of inquiry and demonstrates how literary traditions changed the act of reading: his examples include the Rosetta Stone and translations of the Qur’an. He thus demonstrates that literary reading (to be distinguished from how reading was conceptualized in Egypt before the colonial period) requires different ethical capacities and sensibilities and how they were gradually institutionalized by different genres of texts. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Patrick S. Tomlinson is a stand-up comic, political commentator, and the author of the Children of a Dead Earth series. In this interview, we discuss the first two books in the series, The Ark: Children of a Dead Earth (Book One) and Trident’s Forge: Children of a Dead Earth (Book Two), which follow the last humans eleven generations removed from Earth as their 10-mile-long spaceship arrives on a new planet. As befits a man who wears many hats, Tomlinson’s books are not easily categorized, mixing mystery, science fiction, cultural commentary and adventure. The third book in the series, Children of the Divide, is due out in August. Rob Wolf is the author of the science fiction novels The Alternate Universe and The Escape. His writing has appeared in numerous publications, from The New York Times to the literary journal Thema, and his work has been singled out for excellence by the New York Public Library, The Missouri Review, and the National Council on Crime and Delinquency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism. Author Ira Dworkin is an assistant professor of English at Texas A&M University who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his book, Like Nothing on this Earth: A Literary History of the Wheatbelt (University of Western Australia Publishing, 2017), Tony Hughes-d’Aeth, Associate Professor of English and Cultural Studies at the University of Western Australia, explores the work of 11 writers who lived in the wheatbelt of southwestern Australia. Delving into the creative writing of authors like Albert Facey, Peter Cowan, Dorothy Hewett, and Jack Davis, he helps us understand the human effects of this massive-scale agriculture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her book, The Fiction of Tim Winton: Earthed and Sacred (Sydney University Press, 2017), Lyn McCredden, Professor of Literary Studies at Deakin University, explores the sacred and secular themes in the writings of Western Australian author Tim Winton. By tracing ideas of class, gender, place, landscape, and belonging in Winton’s numerous works, she demonstrates how his writing eludes easy classification. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

One often hears stories of World War II and Korean War veterans who came back from the war and refused to talk about what they had experienced in combat. They neither wanted folks at home to know what had happened nor did they want to relive it themselves. It was just too horrible to relate. The truth about combat in those conflicts, so we are told, was therefore suppressed. In Vietnam, the truth was also suppressed, but in a different way and for altogether different reasons. As Gary Kulik demonstrates in his remarkable book ‘War Stories’: False Atrocity Tales, Swift Boaters, and Winter Soldiers–What Really Happened in Vietnam (Potomac Books, 2009), some Vietnam veterans came back from the war and, far from hesitating to tell their “war stories,” exaggerated and even invented them. This was particularly true of atrocity tales, which were both numerous and well broadcast. As Kulik explains, the point of these false atrocity stories was not to portray the “grunts” in a bad light. On the contrary, the tellers of the tales portrayed themselves–with the aid of the anti-war media and what might be called the anti-war psychological establishment–as victims. Victims of what? The ‘American War Machine’ (my phrase, not Kulik’s)– a monstrous, immoral creation that ground vast quantities of men and material–American and Vietnamese–into dust for no good purpose. The ‘American War Machine,’ so Americans were told in the Winter Soldiers’ testimony, in a huge memoir literature, and in blockbuster films, produced atrocities that then in turn produced the broken, lost, and possibly insane Vietnam vet of popular folk memory. Think John Rambo or Travis Bickle. Kulik’s point is not that American soldiers committed no atrocities in Vietnam. They did, and they were too many of them. Nor is it to claim that American soldiers were not, in some cases, badly traumatized by their Vietnam experience. Some were, and too many of them. His argument is that the truth about Vietnam–that it was basically a war like others Americans have fought in the twentieth century, not one that produced a flood of atrocities and psychologically wounded soldiers–has been suppressed by those who wanted to tell politically-charged “war stories.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael Muhammed Knight writes this book from a first-person perspective, as a piece of creative non-fiction. The book includes a liberal amount of swearing and sexual references, and Knight’s writing style is raw, sometimes jarring, but smart and sophisticated. Indeed by pushing boundaries, it offers the reader an experience and angle that many authors prefer to avoid. Tripping with Allah: Islam, Drugs, and Writing (Soft Skull Press, 2013) includes personal, autobiographical reflections as well as detailed cultural and political histories of the many interactions between drugs and religion, specifically Islam. From the beginning of the book the reader expects the story to culminate in the author’s experiential encounter with a visionary plant brew called ayahuasca, indigenous to South America and now popular throughout the globe, as a portal into the spiritual world. The twists and turns leading up to this encounter give the book some amount of narrative suspense, but it’s a page-turner in any case. The reader, during her journey through Knight’s narrative, will learn about how coffee was initially banned by Muslims and how socio-economics allowed wine–although explicitly forbidden by authoritative religious texts–a status over marijuana, which was not explicitly forbidden but still seen as a drug for the lower classes. The reader also learns about philosophical debates over authority to interpret Islamic metaphysical doctrines and how the world of academia functions. That the book’s subtitle includes writing makes itself clear throughout the text as well, and readers who enjoy reflecting on the recreational as well as existential dramas of written language will find themselves gripped by Knight’s process. He wrote the book, moreover, during his transition into a PhD program in religious studies, after already making a name for himself as a successful author of several books. Because of the liminal space from which he writes Tripping with Allah, as well as its artistic precision, the book should appeal to broad audiences and Islamic studies specialists alike. Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Quranic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at ([email protected]). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment but, as DeMasi demonstrates, with projects such as the multivolume American Guide and the compiling of the oral histories of former slaves he shepherded some of the most enduring cultural legacies of the era, ones which serve as monuments to his own blend of political values and artistic creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Boxing has always attracted writers because it issues a standing challenge to their powers of description and imagination, and also a warning–really a promise–that no matter how many layers of meaning you peel away there will always be others beneath them” (1). Over the past half-century boxing has endured a strange fate: a fall from cultural dominance simultaneous to a rise in payouts so enormous that top fighters are the most valuable athletes on the planet. A puzzle like this attracts the fighter, the fan, and the scholar; and boxing is full of such befuddlers. Expressive of a variety of injustices and imbalances of power, boxing offers careful analysts the chance to look beyond the perfectly pebbled abs and airbrushed promotional photos to see into the lives of the people cross-pressured by vast economic and cultural forces both at their command and beyond their control. Enter The Bittersweet Science: Fifteen Writers in the Gym, in the Corner, and at Ringside (University of Chicago Press, 2017) edited by Carlo Rotella and Michael Ezra; a new collection of original essays that probes the mysteries of the sport, business, and spectacle of boxing, asking us to look again at one hundred years of history at the fights. Bringing together essays by fighters, managers, and keen observers of boxing’s past and present, this collection restores the qualitative weight of what appear to be quantitative measures–like a fighter’s win-loss record–peeling back the layers of history and culture and life experience in events and careers in the fight industry. While they engage the legacy of boxings all-time greats, the writers here also plumb the networks of amateur and Olympic fighters, trainers, managers, and administrators who make up the vast majority of those in the fight world. Often correcting for the force of the “invisible numbers” behind the record book page, this book’s perspectives from around the fight world reveal the ways in which national culture, race, gender, and social status open and close opportunities for a professional fighter, and influence current and future earning potential. Fitness, skill, speed, and style can lift a fighter to greatness, but it takes a different level of savvy to carve an opening in the industry in a fighter’s post-prime; a savvy that the sport itself may need to capture in a culture that seems to have moved on to younger, stronger attractions. For sports historians, fight fans, and observers of American writing, The Bittersweet Science provides a potent sampling of “either the glorious last stand or amazing comeback of boxing writing as a genre of literature,” and offers fans and scholars the analytical tools and historical perspective to make meaning of fighters climbing into the ring. Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roy Bing Chan‘s new book explores twentieth-century Chinese literature that emphasizes sleeping and dreaming as a way to reckon with the trauma of modernity, from the early May Fourth period through the end of the Cultural Revolution in the late 1970s. Informed by theoretical engagements with Russian Formalism, semiotics, psychoanalysis, Marxism, affect studies, and more, The Edge of Knowing: Dreams, History, and Realism in Modern Chinese Literature (University of Washington Press, 2017) considers how time was transformed with the rise of capitalist modernity, and illustrates the significance of a language of dreams and dreaming as writers sought to cope with this transformation and its consequences. Chan offers careful readings of the work of several writers as a way to tell this story, from Lu Xun’s prose poetry to fiction by Mao Dun, Yang Mo, and Zong Pu. Chan concludes by reflecting on how this context might inform how we understand the notion of the Chinese Dream, and arguing that paying attention to the materiality of literary texts can help us discover the aesthetic resources for articulating hope. It’s a fascinating study that makes significant contributions to how we understand the relationship between time, dreaming, and materiality in modern literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies