New Books in Literary Studies

As our name makes clear, the New Books Network focuses on books. And as a host who looks at contemporary literature, I have the pleasure of interviewing authors with new books, ones often published by smaller presses without the huge PR machines of larger presses and ones that consequently are often overlooked by larger media outlets. For me, thats one of the rewards of hosting at the New Books Network: I have the chance to showcase important work that you might otherwise miss, work that adds to the richness and diversity of our national literary culture. Now you might be thinking that I’m about to ask you for a donation. I’m not. Though if you want to contribute to the New Books Network and its public mission to widen the intellectual life of America, by all means please do so. We’d appreciate it. No, what I want to do is make the point that, while books from small literary presses are one place that our literary culture thrives, it’s not the only one. Crucial to our national literature are the small journals and reviews that publish our writers. These venues–and there are hundreds of them in print and, increasingly, online–foster our younger writers and promote the work of our established one, especially work that is non-commercial or experimental. Literary journals and reviews offer readers diverse voices and diverse aesthetics. They’re the forum through which our literary culture thrives and expands and reinvigorates itself. And they are usually run by editors who work for almost nothing, on almost-nothing budgets, editors who believe in literature as much as the authors they publish. Today I talk to one of those editors. Tommy Mira y Lopez is the co-founder and co-editor of Territory, a new venue that has not only taken up the time-honored task of providing readers with new work from newer writers, but that’s also creating something like a new micro-genre of literature, one that combines visual maps and literary text. If you’ve ever found yourself looking at an old map and thinking how intriguing it is or, when reading a story, if you’ve ever imagined yourself picturing its imaginary landscape, you’ll be excited to explore Territory and the new terrains of literature its fostering. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik, the scion of the Brisk rabbinic dynasty, from both literary and psychoanalytic perspectives. The result is both a compelling critique of extant receptions of Soloveitchik’s thought and a nuanced exploration of the sources and struggles at the root of the Rav’s towering intellectual and halakhic achievements. The book will be of interest to students of rabbinic hermeneutics, modern Jewish thought, psychoanalysis, and the Western philosophical tradition — all intellectual realms in which Soloveitchik was well versed. David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication. As the title prompts, From the Edge discusses border literature; however, Fagan makes a step further and includes in her analysis books which do not fall under the category of conventional border literature. Through this gesture, From the Edge broadens the area of inquiry and brings a wider scope of questions for the discussion: what is border literature and what borders do we (or should we) consider? The borders Fagan discusses and negotiates are connected with books as printed items. Outlining a theoretical framework which to some extent relies on the postmodern principles, Fagan seems to initiate a conversation about books as in-flux items: when printed and circulated among the participants of readership (understood in its broadest sense), books not only deliver different stories about writing, reading, and publishing, but also shape current discourses strengthening some aspects and weakening others. From the Edge shifts conventional margins to centers. This research offers a detailed discussion of paratextual elements: glossaries, typography, editorial paratexts, readers notes. In “My Book Has Been the Light of Day,” Fagan brings attention to recovery projects: books that were re-discovered and re-introduced to readers. While the stories about books that were once considered lost are intriguing and captivating, an academic inquiry brings forth a wide range of discussions: How are books re-discovered? How is their readership established? What do recovered books communicate about the past and present reading environments? What is accomplished through recovery projects? In her research, Fagan initiates, among others, these questions and invites readers, writers, editors, critics, scholars, translators to shift the boundaries of the existing conversations about print cultures and communication, literary traditions and language, ethnicity and nationality, self and identity. Allison E. Fagan is an assistant professor of English at James Madison University in Harrisonburg, Virginia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebecca Gould‘s Writers and Rebels: Literature of Insurgency in the Caucasus (Yale University Press, 2016) is the first existing comparative study of Chechen, Dagestani and Georgian literatures and a major contribution to the study of the cultures of the Caucasus. The book examines literary representations of anticolonial violence in the Caucasus across more than a century-long period of time. The monographs central focus is on the figure of abrek (bandit), prominent across all three national literatures under scrutiny. Gould explores the figure of abrek through the prism of what she calls “transgressive sanctity” –“the process though which sanctity is made transgressive and transgression is made sacred through violence against the state.” Through this process, violence is aesthetisized and aesthetics is endowed with the capacity to generate violence. Of particular interest is Gould’s approach to the study of violence an investigation in which, she suggests, literature can and should play a central role. Writers and Rebels is based on eight years of fieldwork, and the reading and analysis of many previously untapped sources, in particular, the Arabic-language texts from Dagestan. This local literacy and the diversity of sources allows Gould to challenge the postulates of existing theoretical frameworks, such as postcolonialism as it applies to the studies of the Caucasus, and search for new scholarly trajectories which take into account the utter cultural and linguistic diversity of the region. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible. Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this. Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Contemporary scholarship on the Mughal empire has generally ignored the role Sanskrit played in imperial political and literary projects. However, in Culture of Encounters: Sanskrit at the Mughal Court (Columbia University Press, 2016), Audrey Truschke, Assistant Professor of South Asian History at Rutgers University–Newark, demonstrates that Sanskrit was central to the process of royal self-definition. She documents how Brahman and Jain intellectuals were working closely with Persian-speaking Islamic elite around the cultural framework of the central royal court. These projects often revolved around cross-cultural textual production and translation, putting Sanskrit and Persian works in conversation. The production of Mughal-backed texts, and the literary reflection or silence about Brahman and Jain participation reveals unexplored horizons for understanding South Asia imperial history. In our conversation we discussed the dynamics of the Mughal court, the influential leaders Akbar, Jahangir, and Shah Jahan, Persian translation of Sanskrit epics, the integration of Sanskrit materials into imperial knowledge, the end of Sanskrit at the Mughal court, and the tricky reception of contested histories in contemporary India. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Carrie J. Preston‘s new book tells the story of the global circulation of noh-inspired performances, paying careful attention to the ways these performances inspired twentieth-century drama, poetry, modern dance, film, and popular entertainment. Inspired by noh’s practice of retelling stories in different styles and tenses, Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Columbia University Press, 2016) also weaves together a number of writing styles, and incorporates Preston’s own lessons in noh chant, dance, and drumming and experience writing plays based on noh models and choreographing dances with noh-related gestures throughout the book. The result is a fascinating exploration of the relationships between pedagogy and performance traced through the work of Ezra Pound, W. B. Yeats, Bertolt Brecht, Samuel Beckett, and others. Learning to Kneel pays special attention to the politics of performance and pedagogy and the themes of submission and subversion, and urges a rethinking of many assumptions that we bring to understanding noh and its translations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Study Quran: A New Translation and Commentary (HarperOne, 2015) represents years of effort from a team of dedicated translators and editors (Seyyed Hossein Nasr, Joseph Lumbard, Maria Dakake, Caner Dagli, and Mohammad Rustom). The book is a remarkable achievement. The text features a complete new translation of the Quran as well as multiple complementary essays written by leading scholars of Quranic studies. The tome also includes over a million words of running commentary from Muslim exegetes across the centuries including contributions from Sunni, Shii, and Sufi schools of thought among others. This feature, in particular, showcases its encompassing and truly oceanic scope. The text proves noteworthy as well, given its intersection between confessional scholarship and Western academic approaches to Islamic studies. The text has already begun to make waves across North America and beyond and has set a new precedent as not only a translation but also a reference work on Quran. Its user-friendly organization, moreover, will make the text accessible to just about anyone as it offers levels of depth according to what the reader seeks. Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Quranic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at ([email protected]). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Henry and Emily Folger were linked together not just by their love for one another, but their shared passion for the works of William Shakespeare. In Collecting Shakespeare: The Story of Henry and Emily Folger (Johns Hopkins University Press, 2014), Stephen H. Grant describes how the two of them devoted their lives to acquiring Shakespeare’s works and related artifacts and how that collection became the cornerstone of one of the great cultural institutions in the world today. Though his interest in Shakespeare developed during his time at Amherst College, Henry Folger chose a career in business and began working for Standard Oil while in law school. It was through his membership in a literary circle that he met Emily, a Vassar graduate who taught in Brooklyn. As husband and wife they spent their time combing through catalogues, traveling, and engaging in constant correspondence with booksellers and others in search of First Folios and other rare works of early modern English literature. While they were reticent about their collection during their lifetime, the two sought to memorialize their success with what became the Folger Shakespeare Library, a research institution funded by the fortune Henry built up over half a century and guided to realization after his death by Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War. Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5] Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in! Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany. Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Broken Tablets: Levinas, Derrida, and the Literary Afterlife of Religion (Columbia University Press, 2016), Sarah Hammerschlag, Associate Professor of Religion and Literature at the University of Chicago Divinity School, explores the admiring and at times oppositional philosophical kinship between Emmanuel Levinas and Jacques Derrida, two of the France’s greatest 20th century philosophers. One fundamental aspect of the Levinas-Derrida relationship is each man’s relationship to his Jewish identity and to Jewish text and tradition. Professor Hammerschlag delves into the resonances and far-reaching effects this relationship has for religion writ large, as well as for philosophy, literature, ethics, and political theology. David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of rabbinic midrash on the formation of Jewish cultural memory. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best. In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo. Join Pizzino and pop-culture junkie and author Gael Fashingbauer Cooper (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach to illuminate some aspects of the USSR history, which have been previously disregarded. Describing leisure activities that were popular in the Soviet Union, Tsipursky contributes to the discussion concerning the shaping of Soviet mentality and consciousness. Briefly describing traditions that the Soviet Union was referring to when devising cultural programs, Socialist Fun focuses on the post-War period and offers a detailed analysis of leisure time activities during the Khrushchev and Brezhnev eras. Considering the developments of cultural programs devised and maintained by Stalin, Khrushchev, and Brezhnev, Tsipursky outlines his theory regarding the development of the Soviet society. Sponsored by the state, the cultural sphere in the USSR appears a part of gardening policies: through a variety of entertainment activities, the state was implementing strategies to shape and direct Soviet peoples thinking. In this regard, leisure culture was one of the areas that invited discreet methods of the states control. Tsipursky also puts his discussion of Soviet culture into broader historical, sociological, and ideological contexts. The Soviet Union is viewed as an alternative modernity project. As Tsipursky illustrates, this project was gradually evolving, receiving the utmost support during the Khrushchev era. The detailed analysis of cultural programs that Tsipursky provides also expands the understanding of the concept of New Soviet Men and Women. As Socialist Fun demonstrates, this concept was subject to modifications: over the decades, emphases on isolationist and militant aspects, supported by Stalin, shifted to more open and cosmopolitan nuances, maintained by Khrushchev. Socialist Fun is based on a substantial analysis of archival materials; it also includes a vast amount of interviews that offer a glimpse into the life of Soviet people. The research offers a captivating narrative of how Soviet people organized their leisure time. Socialist Fun includes extensive information on club activities, dancing, music, theatre, literature, etc. In addition, a comprehensive survey highlights the history of jazz in the Soviet Union. This research is also supplemented with exclusive photos and stories shared by people who were creating and engaging in socialist fun. Gleb Tsipursky is assistant professor of history at The Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Meredith K. Ray’s new book contextualizes and translates a range of seventeenth-century letters, mostly between Margherita Sarrocchi (1560-1617) and Galileo Galilei (1564-1642), that collectively offer a fascinating window into the correspondence of two brilliant early modern writers and intellectuals. Margherita Sarrocchi’s Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy (Palgrave Macmillan, 2016) traces the relationship between Sarrocchi, a Naples-born writer, famous for her salons and for writing an epic poem that emphasized the significance of women as knowers of the natural world, with Galileo. The letters feature three major themes: Sarrocchi consulting Galileo for writerly advice as she revised her epic poem, Sarrocchi’s efforts to defend Galileo’s discoveries to the scientific community in Italy, and Sarrocchi and Galileo’s shared interest in judicial astrology and natal charts or nativities. The slim volume will be a resource not just for readers and researchers but also for classroom discussion, where the letters could serve as great primary sources to feature in a number of course contexts. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The BBC radio program “Caribbean Voices” aired for fifteen years and introduced writers like George Lamming, Louise Bennett, Sam Selvon and others to listeners on both sides of the Atlantic. Glyne Griffith’s The BBC and the Development of Anglophone Caribbean Literature, 1943-1958 (Palgrave MacMillan, 2016) is one of a few detailed studies of this program and the people and institutions that made it possible. Griffith makes important arguments about the combined force of letters, texts and broadcasts, and the ways they contributed to emerging nationalisms and territorial identities as the British Caribbean considered its postcolonial future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is Jewish about Jewish American literature? While the imaginative possibilities are numerous many scholars approach literary products with an established notion of a Jewish identity before they reach their subjects. This is one of the central concerns for Benjamin Schreier, Associate Professor at Penn State University, in The Impossible Jew: Identity and the Reconstruction of Jewish American Literary History (NYU Press, 2015). He calls for a critical study of identity and identification within his field, which should have broader applications in other identity-based investigations. Schreier provides a comprehensive and productive reevaluation of approaches to identity, which explores the meaning and power of the uses of identity in literary products. He puts his new approach into action through a rereading of key works and authors from an established Jewish American literary canon. On the other end of the spectrum, he tests the boundaries of the deployment of Jewishness when it does not align with the dominant assumptions in Jewish American literary study. In our conversation we discussed the place of Jewish American Literary studies within adjacent fields, the dominant scholarly practices of this field, racialized nationalist grounds of Jewishness, Abraham Cahan’s spectral Jew, the New York Intellectuals, the anxiety of Jewish identity in Philip Roth’s work, the irrepresentation of identity in Jonathan Safran Foer’s Extremely Loud and Incredibly Close, and how to think about identity as an analytical category. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Literature, Exile, Alterity: The New York Group of Ukrainian Poets (Academic Studies Press, 2014), Maria G. Rewakowicz explores a unique collaboration of the poets residing in the United States and writing poetry in the Ukrainian language. This research offers a systematized and chronologically organized vision of the group, which, in spite of the geographical limitations implied by its name, appeared to invite artists from a variety of geographical loci and aesthetic backgrounds. Literature, Exile, Alterity focuses on seven founding members of the New York Group: Bohdan Boychuk, Yuriy Tarnawsky, Bohdan Rubchak, Zhenia Vasylkivska, Patricia Kylyna, Emma Andijevska, and Vira Vovk. Acquiring its shape during the 1950s and 1960s and actively participating in the cultural, social, and political dialogues during the subsequent decades, the New York Group expanded and eventually went rather far beyond its original core. Over the decades, the group also dispersed geographically; however, as Rewakowicz argues, it retained its aesthetic and philosophical essentials revolving around the notions of home/homeland, exile, the collaboration of the center and the periphery, political and social impetus of poetry, poetic forms and meanings they generate, etc. Rewakowicz contextualizes the New York Group from the viewpoint of the poets relationship with their native language(s): writing in Ukrainian was a conscious choice for the majority of the groups members. Language thus is presented not only in terms of creative enterprise but also in terms of political, social, and cultural negotiations. As the research attests, the members of the group situate themselves in opposition to Soviet Ukraine, to the mainstream culture (both in Ukraine and the US), and to the literary conventions supported by the literary establishments. From this perspective, the groups focus on linguistic choices and preferences marks a gesture toward re-inventing selves and poetry, re-negotiating selves and others, and disrupting the mainstream. In addition to the theoretical framework for the discussion of the New York Group phenomenon, Literature, Exile, Alterity also offers an exquisite analysis of the poetry. Rewakowicz illuminates the multilayeredness the poets embrace and presents the groups diverse poetic experimentations as the engagement with altered selves. Existential undertones that the poetic works lavishly comprise are discussed in the context of Western European modernism. In spite of the strong modernist influences that the works of the New York Group demonstrate, the researcher also initiates a discussion of the group in terms of the overlapping of modernism and postmodernism. Literature, Exile, Alterity contributes to the discussion of modern Ukrainian literature from the perspective of intercultural and interliterary connections and influences. Rewakowicz also engages in the conversation regarding diverse intricacies of literary developments. Maria G. Rewakowicz, poet, translator, literary scholar, teaches Ukrainian literature at Rutgers. She received a PhD in Slavic Studies from the University of Toronto. Rewakowiczs research interests include: Ukrainian language, culture, and literature; language politics, literature and identity construction; feminism and nationalism in post-Soviet space; women and gender issues in literature; Ukrainian migr poetry; exile and literature; postcolonial studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Surveillance and literature, as kindred practices, have light to shed on each other.” When David Rosen and Aaron Santesso considered the discipline of surveillance studies in the wake of the attacks on September 11, 2001, they saw contributions from political scientists, sociologists, legal scholars, and engineers, but found that “the distinctive and necessary contribution of the humanities as such to this conversation” had “largely gone unarticulated” (5). The Watchman in Pieces: Surveillance, Literature, and Liberal Personhood (Yale University Press, 2013) is a wide ranging, deeply researched, and compellingly argued corrective to that lacuna that places humanistic thought, and in particular literary history, in complex and satisfying conversation with the disciplines working to theorize surveillance for our moment. Arguing that “the ultimate target of all surveillance activity: the individual self” is best approached as a knot of questions rather than a stable given, Rosen and Santesso offer an account of “the ways that conceptions of selfhood have changed over time” (8). Working across modes and genres, their argument spans from the early modern period to the present day, along the way challenging current discussions of the role of literature in culture and the myth of interpretive competence that lies behind much thinking about surveillance. Through careful examination of diverse texts, from Locke’s Essay on Toleration through Orwell’s oeuvre and Tolkien’s novels to Enemy of the State and other films from our own era, Rosen and Santesso demonstrate that the “hermeneutic problems of surveillance are also literary problems” (13). Engaging thinkers who have attempted to grapple with the power of narrative to shape our lives–Swift, Bentham, Mill, Weber, Adorno, Habermas, Foucault, Baudrillard, and others–Rosen and Santesso essentially set out to rethink modernity, exploring “the effects that fiction has on reality,” and finally offering us a new way of understanding how and why we watch and read our neighbors (9). Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Randy Olson, author of Houston, We Have a Narrative: Why Science Needs Story (University of Chicago Press, 2015), has an unusual background. He is a Harvard-trained biologist and former tenured professor who resigned from his academic post to earn a degree from the world-renowned University of Southern California film school. As a documentary filmmaker, Olson has sought to fuse critical thinking and Hollywood storytelling. And as the author or co-author of three books, Olson has shown how scientists and academics in general can improve their communication skills and harness the power of narrative to improve their writing and presentations. Narrative is an indispensable tool that geographers and others can use to communicate with our students and the general public. Yet Olson also shows how we can hone our narrative intuition and use our story sense to write better abstracts, articles, and grant applications. Houston, We Have a Narrative has gems of wisdom for physical geographers, human geographers, and academics of all stripes. Bob Wilson is an associate professor in the Department of Geography, Maxwell School of Citizenship and Public Affairs at Syracuse University. His research interests include historical geography and environmental history, animal studies, and climate change politics and activism. Wilson also teaches Writing Geography, a graduate seminar that introduces students to storytelling, creative nonfiction, and ways to employ these techniques in theses, articles, and books. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stephen Brockmann’s The Writers’ State: Constructing East German Literature, 1945-1959 (Camden House, 2015) introduces readers to a specific atmosphere–political, cultural, and historical–that accompanied the emergence of East German literature from 1945-1959. Covering almost fifteen years, the research presents insightful observations of the literary process that happened to be intricately connected with the political turbulence. As Stephen Brockmann puts it, literature in East Germany was never about “just” literature: “It was always also about collective identity and the path toward a better future–however imaginary and illusive that future may be (7).” In the post-war Germany that happened to go through a division process, literature, culture affairs in general, appeared to be involved in the state making and identity construction. In the GDR in particular, literature was employed as a tool to re-direct national identity and memory. In this process, politicians and functionaries were shaping the cultural affairs through a close collaboration with writers and artists. It would be unfair to say that the officials were particularly eager to encourage artists to participate in the construction of a new state–the GDR-0that was, in fact, based on the historical and cultural past of Germany. In post-Nazi Germany, writers were taking an initiative to come to terms with the Nazi past, offering ways to move forward, putting the tragic past behind, and produce new history. While engaging with the memory of the past, writers were responding to the contemporary political developments, shaping the understanding of the present and outlining routes for the future. Brockmann narrates a detailed account of the cultural and political developments, successfully illustrating the intersections of the political and the cultural. Alongside the analyses of the exemplary works of East German writers (Anna Seghers, Bertolt Brecht, etc.), Brockmann presents a vast collection of historical data confirming the collaboration of the politicians and artists in the matters of state and nation construction. Particular attention is given to the official organizations, which functioned to secure a certain development of the cultural affairs and that were extensively supported and governed by the functionaries. Brockmann’s research also includes an insightful investigation of the cooperation of GDR and the USSR, particular in terms of constructing an ideological foundation for the East Germany sector. While extensively incorporating German literary traditions into their endeavors to construct new literature, East German writers were also engaging with the influences exercised by Soviet propaganda and Soviet literature. The Writers’ State is an attempt to re-evaluate the 1940s and the 1950s in the history of German culture and literature. Brockmann challenges a cliche according to which this time period is rather uneventful in terms of cultural developments and re-discovers intriguing nuances of the East German literary landscape. Stephen Brockmann is Professor of German in the Department of Modern Languages at Carnegie Mellon University (Pittsburgh, PA). Dr. Brockmann also has courtesy appointments in the departments of English and History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Richard Jean So’s new book studies a group of American and Chinese writers in the three decades after WWI to propose a conceptual framework for understanding intellectual and cultural relations between China and America in the twentieth century and beyond. The period that So focuses on was crucial for a number of reasons, including a transformation in US-China relations, transformations in the world economy and international politics, the rise of a new era in media technologies (including the formation of a massive technological infrastructure between the US and East Asia, due in part to radio and telegraph technology and a transpacific transportation system) and the related emergence of a discourse of communications. In Transpacific Community: America, China, and the Rise and Fall of a Cultural Network (Columbia University Press, 2016), So argues that literary histories of U.S.-China cultural encounter in the twentieth century must also, in part, be histories of media. So recasts the Pacific in the twentieth century as a site of mediation and traces the engagement with concepts of democracy through the work of such writers as Agnes Smedley, Pearl Buck, Paul Robeson, Lin Yutang, Ding Ling, Liu Liangmo, Lao She, and Ida Puitt. It’s a focused, compelling account with resonance for Asian studies, Asian American studies, and broader debates about literature, translation, networks, and media in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How was the ‘Book’ of Psalms formed, and why? The first question relates to the diachronic growth of the collection, while the second relates to issues of purpose–to what end are psalms being juxtaposed in a collection? On this show, David Willgren explains his surprising answers to these two fundamental questions as we talk about his recent book, The Formation of the ‘Book ‘of Psalms (Mohr Siebeck, 2016). By conceptualizing the ‘Book’ of Psalms as an anthology, and by inquiring into its poetics by means of paratextuality, David Willgren provides a fresh reconstruction of the formation of the ‘Book’ of Psalms and concludes, in contrast to the canonical approach, that it does not primarily provide a literary context for individual psalms. Rather, it preserves a dynamic selection of psalms that is best seen not as a ‘book’ of psalms, but as a canon of psalms. David Willgren received a ThD in Old Testament Exegesis from Lund University in 2016, and is currently lecturer at Norwegian School of Leadership and Theology. In addition to The Formation of the ‘Book’ of Psalms, he is co-editor and contributor to the book Studies in Isaiah: History, Theology, and Reception (Bloomsbury T&T Clark, 2017). L. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of the H-Law Legal History Podcast I talk with Associate Professor of English at The Ohio State University at Marion, Sara L. Crosby about her new book, Poisonous Muse: The Female Poisoner and the Framing of Popular Authorship in Jacksonian America (University of Iowa Press, 2016). Crosby discusses how the trope of the female poisoner permeated popular literature in the mid-nineteenth century. In her analysis of the 1840 murder trial of Hannah Kinney, we see how the partisan press used the accused as a vessel through which to fight-out central political battles of the day. We then see how jury decisions may serve as a metric for determining which metaphors and cultural frames are prevailing at a point in time. Following a popular metaphor enables Crosby to track the cultural tides influencing law and politics in Jacksonian America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Readers of all ages know E. B. White’s work. Charlotte’s Web is the first book many children are read aloud. Elements of Style remains an essential reference book. Almost everyone has a favorite writing by White: his legendary essays; his humorous New Yorker captions and columns; his short stories about New York City; Stuart Little; The Trumpet of the Swan. Some Writer! The Story of E.B. White (Houghton Mifflin Harcourt, 2016) is the first illustrated biography of this great American literary icon. Using her signature collage technique and in prose worthy of White himself, award-winning children’s book creator Melissa Sweet brings to life the writer, reporter, poet, animal lover, and doting father. His personal letters, photographs, and family memorabilia, all beautifully woven together with Sweet’s detailed artwork, help capture the essence of the man himself, not just his accomplishments. Melissa Sweet has illustrated nearly 100 children’s books from board books to picture books and non-fiction titles. She received Sibert Medals for Balloons over Broadway and The Right Word: Roget and His Thesaurus by Jen Bryant; Caldecott Honor Medals for both A River of Words and The Right Word: Roget and His Thesaurus; and two New York Times Best Illustrated citations. Learn more at: http://www.melissasweet.net. Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’sBook Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Artaud lived with his neck placed firmly in the noose.” -Bauhaus* David Shafer’s new biography, Antonin Artaud (Reaktion Books and the University of Chicago Press, 2016), situates the life of this enigmatic and fascinating figure in historical context. From his bourgeois family background, through a life that included a variety of physical and mental health challenges, drug use, and institutionalization, Shafer traces the ways that Artaud’s intellectual and artistic development was shaped by broader historical and political events and forces. An actor of stage and screen, a poet, and theatre director, Artaud emerges in these chapters as the embodiment of the French revolutionary tradition in the cultural realm. Shafer traces his subjects geographic movements from his Mediterranean origins to the streets of Paris, and on to other destinations, Mexico and Ireland among these. In addition to these sites, Artaud held in his imagination a number of other locales, including the physical and cultural landscapes of an East that informed his critique of Western society and its traditions. Throughout the book, Shafer takes Artaud on his own terms, avoiding judgments and hasty conclusions about the ideas, beliefs, and experiences of his protagonist. The result is an empathetic, yet still critical, biography of an icon of the world of performance. Readers not familiar with Artaud’s far-reaching influence across the domains of art, music, literature, theatre, and film up to the present will find much in these pages to justify his consideration as one of the most important cultural players of the last century. *After our interview, David shared the link to Aural Assault, a blog post on Artaud and music that he wrote for the Reaktion Books website. In it, he discusses the music he listened to while writing the biography, as well as the links between Artaud and musicians like Richard Hell and Patti Smith. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Making and Breaking of Soviet Lithuania: Memory and Modernity in the Wake of War, published by Routledge, Violeta Davoliute calls Lithuania an improbably successful and paradoxically representative case study of 20th century modernization and nation-building? As she traces the rushed and often violent process of modernization in post-World War II Lithuania, Davoliute demonstrates how cultural elites wove together nationalist and communist ideologies to shape the emerging Soviet Lithuania. She argues that writers Petras Vaiciunas and Justis Paleckis used a poetics of reconstruction to integrate Lithuania’s medieval past into a broader Soviet narrative of the future and that this engagement the development of indigenous pro-Soviet cultural elites. Davoliute then looks at the rustic turn in the 1970s and makes the case that cultural conservatives were able to provide an alternative aesthetic of authentic identity, not based on Soviet Lithuanian modernity but on a discourse of trauma and deracination. Her analysis ends with a look at the relationship between establishment intellectuals and deportees as exemplified by role of Justinas Marcinkevicius in the publication of Dalia Grinkeviciutes memoirs of deportation to Siberia at age 14. Violeta Davoliute is a Senior Researcher in the Faculty of History at Vilnius University and the Lithuanian Cultural Research Institute. She was the 2015-2016 Joseph P. Kazickas Associate Research Scholar at Yale University. Davoliute has also been a Senior Researcher at the Lithuanian Institute of Literature and Ethnography, where she worked on mass population displacements and deportations from Lithuania to the Soviet gulag. She completed her Ph.D. at the University of Toronto in 2004. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible and a bibliographic one, book. The Literary Imagination in Jewish Antiquity (Oxford UP, 2016) suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writings found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in the Bible. In listening to the way ancient writers describe their own literature rife with their own metaphors and narratives about writing The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. The Literary Imagination in Jewish Antiquity is already making its mark on the study of Jewish Antiquity and biblical studies broadly conceived. A panel of scholars recently convened at the annual Society of Biblical Literature meeting to discuss the impact of the work on the study of Second Temple literature. And It was announced just this week that Dr. Mroczek’s work was awarded the prestigious Manfred Lautenschlaeger Award for Theological Promise. The accolade if given by the University of Heidelberg. Please join me in congratulating Dr. Mroczek and welcoming her to the New Books Network. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Culinary Shakespeare: Staging Food and Drink in Early Modern England (Duquesne University Press, 2016) is a collection of essays that offers new dimensions for reading and understanding Shakespeare’s plays. Responding to a rich scholarship on Shakespeare, the authors shift the centers and margins of literary discourse to illuminate aspects that were previously dismissed as insignificant. In Culinary Shakespeare, food is theorized as a territory where multiple dimensions intersect and overlap: aesthetic, social, national, political, etc. As the authors of the introduction section state, “This culinary Shakespearean moment, by crystalizing question about knowledge, power, ethics, colonialism, labor, and desire, introduces us to the grave importance of food in the early modern period and to the dangers of ignoring eating as an ontological and epistemological phenomenon” (1). A part of everyday life, food reflects the individuals engagements with the world and others, revealing intricacies of communication and world-view construction. In Shakespeare’s plays, food is copiously visible and, at the same time, exquisitely subtle. As the essays demonstrate, Shakespeare offers a variety of food engagements ranging from traditional English cuisine and exotic delicatessens to drinking, feasting and banqueting. The three parts of the collection guide readers through the levels Shakespeare’s gastronomic representations permeate: Local and Global; Body and State; Theatre and Community. The three chapters coherently illustrate the idea framed by the introduction note: “For Shakespeare, the culinary is primary” (3). Although the statement may sound categorical, it nevertheless draws attention to textual layers that contain essential information not only about Shakespeare’s plays, but also about society and the community in Early Modern England. Describing food subtleties, the contributors discuss how Shakespeare address the issues of economy and nationhood. Highlighting the perspectives that were underrepresented in the traditional scholarship, Culinary Shakespeare also invites new engagements with literature and literary criticism. Revealing shifting nature of centers, the collection provides tools for reading texts as entities that participate in and absorb a diversity of discourses. David B. Goldstein is associate professor of English at York University in Toronto. Amy L. Tigner is associate professor of English at the University of Texas, Arlington. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dilapidated thirteenth-century walls as a playscape for today’s children, medieval relics made as fetish objects for twenty-first century enthusiasts, tourism at “the birthplace of King Arthur,” Harry Potter’s pageantry, Game of Thrones‘ swordplay, the Renaissance Faire, York’s mystery plays, America’s jousts, and Chaucer translated into a panoply languages: the European medieval endures in the global postmodern. In Medieval Afterlives in Contemporary Culture (Bloomsbury Academic; Hardcover 2015, Paperback 2017), Gail Ashton collects the work of 29 scholars studying the ongoing power and pleasure to be found in the ways that we resuscitate and remix remnants of the medieval world. This wide-ranging introduction to the study of contemporary medievalisms engages the questions of authority in interpretation, authenticity in translation and adaptation, and the accessibility of the past that inhere in the many ways that we engage the middle ages in the twenty-first century. Do we think of the medieval, medievalism, and medievalists as a great premodern Other, or do we recognize within the medieval the roots and rhythms of speech and performance that still live in our own time and in our own tongues? How do we arrive at our ideas of the medieval, at the cultural markers we recognize as our own or as someone else’s based on time and distance? What does our ongoing reinterpretation of what makes something “medieval” reveal about how we produce and consume texts, create an identity based on historical claims, and come to feel that we belong to a community with a shared past? Through Medieval Afterlives in Contemporary Culture, Gail Ashton and the scholars that have contributed to this collection invite readers, writers, researchers, and educators to engage these questions by looking at our shared life today through the various ways that we play and replay a medieval past as a present to ourselves. Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Like so many Americans, I’m a big fan of the undead. I look forward to a night of nail-biting when a new episode of The Walking Dead airs and I get excited when Hollywood gears up for the next big-budget film featuring zombie hordes. I also love those rarer literary takes on the undead, such as Colson Whitehead’s Zone One, and I even published my own riff on the genre entitled The Cliffs, which imagines what those familiar zombies might do in the Appalachian foothills where I live. If you share my enthusiasm for people not quite alive and not quite dead and, well, not quite people, you’re in for a post-Halloween treat. Medieval historian and former grave-digger Scott Bruce has assembled an anthology of tales about the undead that shows were not alone. Readers have been fascinated by spirits, ghosts, apparitions, demons, and zombies since the start of Western literature. Bruce’s anthology, The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters (Penguin, 2016) begins with Homer’s Odyssey and ends with Hamlet, but between those classic stories, he gives us selections from a vast and surprising range of sources: histories, hagiography, personal letters, theological treaties, sagas, and collections of miracles and marvels. In these selections, which are by turns fascinating, surprising, heartbreaking and sometimes freaky, the undead have never been so fresh, so lively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On today’s program, I talk with Scot McKendrick and Kathleen Doyle about their new book, The Art of the Bible Illuminated Manuscripts from the Medieval World, published by Thames and Hudson (and distributed in the United States by W. W. Norton) in November 2016. The book looks at 45 featured manuscripts from across the globe and through 1,000 years of history, including the Lindisfarne Gospels, the Queen Mary Psalter, the Canterbury Royal Bible, the Old English Hextateuch, the Welles Apocalypse, and the Paduan Bible Picture Book, among others. With more than 300 illustrations, which have been meticulously color corrected for this new book, the authors shed light on some of the finest but least-known paintings from the Middle Ages and on the development of art, literature, and civilization as we know it. Dr. Scot McKendrick is the head of Western Heritage Collections at the British Library. His publications include Codex Sinaiticus: New Perspective on the Ancient Biblical Manuscript; Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe; and The Bible as Book: Transmissions of the Greek Text. Dr. Kathleen Doyle is the lead curator of illuminated manuscripts at the British Library. She was the co-curator, with Dr. McKendrick, of an Arts and Humanities Research Council funded exhibition, Royal Manuscripts: The Genius of Illumination, and the lead investigator for the Royal Manuscripts follow-on project, editing with Dr. McKendrick the volume 1,000 Years of Royal Books and Manuscripts. Together the authors also edited Bible Manuscripts: 1,400 Years of Scribes and Scripture, published by the British Library in 2007. To view some of the illuminated manuscripts discussed on this program, visit the British Library’s Digitised Manuscripts at https://www.bl.uk/manuscripts/. You can also follow @blmedieval on Twitter, which is linked to the authors’ Medieval Manuscripts blog. Garrett Brown is the host of New Books in Biblical Studies. He is a publisher and editor and blogs at noteandquery.com. Follow the channel on Twitter @newbooksbible. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christian Lange’s Paradise and Hell in Islamic Traditions (Cambridge University Press, 2015), which was recently awarded the British-Kuwaiti Friendship Society’s Book Prize, presents a rich, challenging, and meticulous account of how Muslims have conceptualized the spiritual world across the centuries. (Lange also edited a related volume with Brill, 2016, Locating Hell in Islamic Traditions.) With great perspicacity, the author explores Sunni and Shi’i views on his topic as well as Sufi understandings with attention to contrast and similarity amongst the schools of thought that he studies. In order to disrupt assumptions about popular conceptions, Professor Lange frequently employs the term “Otherworld” instead of perhaps more expected terms like afterlife. On this note, one of the arguments the author presents throughout the monograph, based on his extensive research, is that Islamic traditions have often articulated this Otherworld as something connected to the material world, even if it is also transcendent in important ways. Thus one of the books many strengths is its ability to present challenging paradoxes in ways that are accessible, while grounded in textual tradition. In addition to drawing upon numerous textual canons, including Quran and Hadith, Professor Lange also makes effective use of art as well modern data analysis in order to observe things like how many times a key word for Paradise and Hell (e.g., al-Janna or al-Nar) appears in various texts. And in order to complement his lucid yet erudite writing, the author includes tables and images to help guide the reader. The organization of the book, moreover, with its clear subsections and chapter themes, will prove helpful for educators and researchers looking to explore particular facets of the book’s topic, even if the arrangement of the book also allows for it to naturally build on its previous sections. This engaging book will likely interest scholars and teachers of classical Islamic thought, soteriology, textual hermeneutics, and art history among other areas. Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Quranic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at ([email protected]). Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Greetings, Pushkin! Stalinist Cultural Politics and the Russian National Bard (University of Pittsburgh Press, 2016) by Jonathan Brooks Platt explores the national celebrations around the centennial anniversary of Pushkin’s death in 1937. Platt structures his book around the dichotomy of what he sees as two different approaches to temporalities and modernity: monumentalism and eschatology, which celebrate, respectively, the formative moments of cultural narratives as opposed to their ruptures and changes. This theoretical framework engages deeply with the work of such scholars as Mikhail Bakhtin, Susan Buck-Morss, Katerina Clark, and Boris Groys. Through the discussion of the planning and the execution of the jubilee celebration, Platt analyzes the pedagogical practices and the role of teaching of Pushkin at the time; the attitudes of Soviet intellectuals to the phenomenon of the national poet; and the way the life and death of Pushkin were re-imagined in contemporary visual arts, literature, and drama. The concluding chapter of the book traces the transformation of the figure of Pushkin, as well as the memory and legacy of the 1937 jubilee, throughout 20th-century Russian literature. A particularly remarkable aspect of Platt’s book is his decision not to inscribe the Pushkin jubilee celebrations in the historical context of the era of “ezhovshina” and Stalinist purges. Platt argues that the cultural development around the jubilee celebrations demonstrates that the temporal logic that arose in the Stalinist period, is much more complicated than usually believed, and that the jubilee case demonstrates how different perceptions of time and the project of modernity in general could co-exist side by side in Stalin’s time challenging, thus, our established notion and representations of this era. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literatura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew Pauly’s Breaking the Tongue: Language, Education, and Power in Soviet Ukraine, 1923-1934 (University of Toronto Press, 2014) offers a detailed investigation of the language policy–officially termed Ukrainization–that was introduced in Ukraine during the formative years of the Soviet Union. Out of a massive amount of archival records and documents, Pauly reconstructs a complex and controversial process that happened to have significant consequences for the subsequent decades. In his research, Pauly presents Ukrainization as a process that impacts multiple fields, outlining the connection between the nation formation and language/cultural policy. The areas that appear to have experienced changes as a result of Ukrainization include educational institutions, political establishment, economy, ethnic groups. Significant attention is given to education and pedagogy. Breaking the Tongue in much detail discusses the role of educators in the process of the Ukrainian culture popularization. While accounting for the policy decisions made and promoted by the Communist leaders, Pauly intriguingly brings to light the contributions which could be attributed to children. On the one hand, for obvious reasons children were the main target of Ukrainization; on the other hand, children through the involvement in youth organization were actively participating in the dissemination of the Ukrainian language and culture. Through the twelve chapters that constitute the research, Pauly observes the trajectory of Ukrainization: its enthusiastic implementation was followed by introducing limitations and restrictions. According to Pauly, Ukrainization could go as far as the Communists leaders would allow: the revival of the interest in the Ukrainian Studies in Ukraine, although it may seem and sound paradoxical, presented potential threats to the solidifying Soviet Union. Breaking the Tongue documents how ardent and genuine supporters of the development of the Ukrainian language and culture were subsequently persecuted being accused of sabotage and nationalism. The final part, “Biographical and Informational sketches,” presents information about the activists who became victims of the Soviet repression: it is a reminder of the controversial language policy as well as manipulative strategies employed by the Soviet authorities in the process of producing programs that would secure the stability of the Soviet Union. Matthew Pauly is an associate professor in the Department of History, Michigan State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing of Edith Maude Eaton (McGill-Queens University Press, 2016) is a collection of works–previously published and newly discovered–produced by Edith Eaton, the writer whose literary status seems to escape the limitations of definitions and categorizations. Sui Sin Far is one of the pseudonyms Eaton invented: this gesture can also be presented as an attempt to escape the limitations of, so to speak, one life. Through compiling Eaton’s diverse oeuvre, Mary Chapman, the editor of the collection, presents her vision of Eaton, initiating the reconsideration of the stereotypical reading of Eaton as the writer who was interested predominantly in the exploration of the themes connected with Chinese immigrants in Canada and in the US. The current edition includes four main parts that present the trajectory of Eaton’s writing: “Early Montreal Fiction, Poetry, and Literary Sketches (1888-1891)”;” Selected Early Journalism: Montreal (1890-1896)”; “Selected Early Journalism: Jamaica (1897-1897)”; “Selected Later Fiction (1896-1906)”; “Cross-Continental Writing (1904)”. Having conducted a careful and detailed investigative work, Chapman not only adds new details to the existing portrait of Eaton but also pinpoints aspects that highlight sides–literary, cultural, sociological, political–that have been dismissed or disregarded before. Thus, as the collection demonstrates, Eaton can be characterized by an exclusive ability of curiosity and constant exploration of diverse themes, ranging from observations of trivial life situations to acute insights into the individual’s psychology and ironic remarks concerning social, economic, political issues that were accompanying the era which Eaton happened to witness. Whichever episode Eaton may write, she seems to be indefatigably pursuing the topic that can be claimed to be a link connecting a diversity of fiction and/or journalistic pieces: individuality. The first part of the collection opens with an eloquent statement: “After all I have no nationality and am not anxious to claim any. Individuality is more that nationality (“Leaves from the Mental Portfolio of an Eurasian, 230″).” Eaton’s diverse writing can be interpreted as an attempt to explore her own individuality and to discover writing as traveling: through writing Eaton obtains access to unlimited space of imagination, subverting the boundaries of national, gender, racial, social, political, or literary conventions. Highlighting Eaton’s diverse oeuvre, Chapman shifts an emphasis from national topics (American, Chinese, or Canadian) to transnationalism and transculturalism, contributing to the decoding of Eaton’s understanding of individuality. In the introduction that accompanies the collection, Chapman argues for Eaton’s in-betweeness: Eaton surpasses the boundaries of Asian American and Asian Canadian literature. Chapman’s discussion of Eaton that emphasizes the blurry boundaries of nationhood and invites the conversation about nation formation from the stand point of shifting concepts contributes to the reconsideration of literary canons. Dr. Mary Chapman is Professor of English and Acting Chair of Arts Studies in the Department of English at the University of British Columbia. Dr. Chapman is the author of Making Noise, Making News: Suffrage Print Culture and US Modernism; and a co-editor of Treacherous Texts: An Anthology of US Suffrage Literature. She also has numerous publications in academic journals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kathryn Kleppinger’s Branding the Beur Author: Minority Writing and the Media in France, 1983-2013 (Liverpool University Press, 2015) examines the “paradox of ethnic minority writing” in the work of multiple authors of North African descent over a thirty-year period. Organized chronologically as a series of portraits, the book’s chapters deal with the literary (and filmic) output of an impressive number of writers, including Mehdi Charef, Azouz Begag, Farida Belghoul, Soraya Nini, Samira Bellil, Rachid Djaidani,Faiza Guene, and Sabri Loutah. Considering literary works themselves, as well as the audio-visual media representation of texts and authors on French TV and radio, Kleppinger’s analysis pushes back against the tendency to understand “beur” literature in exclusively social and political terms at the expense of aesthetic or artistic readings. Drawing on a range of sources, from literature to television and radio archives, to interviews Kleppinger conducted with the authors themselves, the book weaves together the analysis of form and content, spoken word and gesture, personal and professional biography, representational and political strategies and effects. Exploring the categories that have simultaneously gained these authors and texts attention and limited the ways they have been understood, Branding the Beur Author moves across three decades of tremendous change in contemporary France. Its pages explore the work of both men and women writing, reading, and interrogating the “beur”as a social and literary identity in a nation engaged both historically and currently in crucial debates regarding the meanings of difference. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. Please drop her a line at [email protected] if you have a recent title to suggest for the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Admiring books that appeal to our hearts and souls, rather often we want to know more about the writers who create them. If a book is a dialogical and communal entity–as readers we also participate in interpreting what we read, adding to and/or subtracting from the meanings of, so to speak, “original” texts and sharing our ideas with others–a portrait of the writer takes the audience to a somewhat different realm. Who creates writers’ portraits? What sides of writers’ lives get exposed, and which ones remain silenced, hushed-hushed, discreet? Who decides what portrait should be (or even must be) produced? And for what purpose? Readers rather often want to know more about people who wrote stories with which they fell in love; stories that they would like to share with their loved ones; stories that inspire them or, although it may sound cliched, change the way they look at life. Biographies are one of the sources to receive at least some access to the lives of others. But what is a biography? The answer may seem to be rather obvious: it is a persons story. Giving it a second thought, the obviousness of the answer gets blurry. If a person does not share his/her story, how is it reconstructed? If they are willing to share their lives with the public, what fragments are included into a personal narrative, and which ones remain secrets and mysteries? How are the lives, which happened to revolve around the one that develops into a book, managed? How does a diversity of pieces connect and combine? And what kind of a story emerges in the end: a “true”story, a “fictionalized story,” or both? A well-accomplished biographer, Dr. Scott Donaldson shares his experience and his vision of biography as a genre in his recent publication, The Impossible Craft: Literary Biography (Pennsylvania State University Press, 2015). Arising at the boundary of a personal story and research exploration, The Impossible Craft includes chapters that provides insights into Scott Donaldson’s career, his journey to his craft suggesting valuable tips for those who may decide to pursue the same path. In “Topics in Literary Biography,” the author comments on those items that seem to be vital for completing a reliable biography: “Fact and Fiction; Writers as Subjects;” “Ethical Issues;” “Source: Letters;” “Sources: Interviews.” As Dr. Donaldson narrates his cases, it becomes rather prominent that it is hardly possible to speak about either an ideal biographer, “an ideal biography,” or “an ideal recipe” for writing a biography. While the notion of a good biography remains blurred, it is worthwhile looking into reasons for choosing a life that one would like to reconstruct and narrate: being honest with the subjects, audiences, and ones own self can guide through complexities that a task of collecting a life story out of multiple fragments may involve. A particularly intriguing part of The Impossible Craft is Scott Donaldson’s account of cases that this way or another change his perceptions and understandings of his profession: “Writing the Cheever,” “The Lawsuit,” “A Dual Biography of Fitz and Hem,” etc. In the Cheever section, for example, Dr. Donaldson provides some self-analysis: what has been done and what could have been differently. Again, aspiring biographers will find these parts very helpful. This book also bears a touching moment that emerges out of Dr. Donaldson’s reflections concerning his cases, his path, and the lives he happened to enter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers (University of Georgia Press, 2016) provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer. The subtitle of the book–Her Critics, Her Publishers, Her Readers–hints at a variety of details contributing to a literary multilayered portrait. In his research, Dr. Moran considers a number of critical reviews, readers reactions, and publishers commercial decisions while following the trajectory of O’Connor’s reputation. In the introduction, Dr. Moran notes that his book is “less a work of literary criticism than of a book history and cultural analysis” (9). His research invites a discussion of how the perception of literary texts is (or can be) shaped through conversations about them. Creating Flannery O’Connor draws on the theory of “rules of notice”–readers are supplied with keys to read and understand literary works and instigates a number of questions, which Dr. Moran addresses while de-constructing O’Connor’s portrait. Who identifies” rules of notice?” How, if at all, do they change? What do they inform about texts and their authors? If the initial reputation of O’Connor was primarily shaped by critical reviews, as years and decades elapsed since the publication of her early writings the environment that surrounds, absorbs, and modifies O’Connor’s works has, undoubtedly, significantly changed. To his survey of reputation production media, Dr. Moran adds the film industry and online resources: each domain presents O’Connor’s works from a different perspective. Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing. Daniel Moran teaches history at Monmouth University; he has taught English at Rutgers University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We commonly think of Walt Whitman as the great American poet, the gray-bearded bard who captures the democratic music of our country with, as he called it, his “barbaric yawp.” And, sure enough, Whitman thought of himself this way. “I hear America singing” he famously wrote in the fourth edition of Leaves of Grass. What’s less commonly know is that Whitman had a very clear idea as to how a poet should create this song. In his preface to the very first edition of Leaves of Grass, that book he would add to and enhance throughout his life, he describes his vision of the poetic process: “The sailor and traveler . . . . the anatomist chemist astronomer geologist phrenologist spiritualist mathematician historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.” For Whitman, it’s the craftsmen and scientists who lay down the laws, and the poets must follow them. Now, if your ear got caught in that list on a few odd inclusions–astronomer and geologist make sense, but spiritualist and phrenologist?you’re not alone. In her new book, Intended American Dictionary (Miel Press, 2016), Kate Partridge not only notices, but also explores some of the more unusual and surprising elements of Whitman’s poetry and life, such as the fact that he was fascinated by phrenology, a 19th century pseudoscience that was very popular in his moment. Phrenologists claimed to be able to describe a person’s nature from the bumps on the skull. In fact, that first edition of Leaves of Grass, that book Whitman would rewrite all his life, it was published by two famous phrenologists named Fowler and Wells. It’s this Whitman that Partridge sings and celebrates in her engaging, intimate, and keenly humorous new book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Emily Dickinson is no ordinary poet. Her intelligent and profound work inspires a fierce attachment in those who love it. I know this first-hand. My wife began reading Dickinson soon after we first met and took to the poems so deeply that, a little over a decade later, she published a book about Dickinson’s spiritual life. What that meant for me–in addition to admiring her writing–was that for over a decade Dickinson was more or less a member of our household, readily quoted by my wife on almost any occasion. “If your Nerve, deny you,” she might advise me as I tried to parallel park, “Go above your Nerve.” Or, on a winter morning, she might suddenly reflect on the “polar privacy of a soul admitted to itself.” A number of times I had to remind her that not all of us speak Dickinson. And yet, even if I don’t speak Dickinson, I, too, admire the poet’s work, as well as the spiritual struggles she undertook. So I was delighted to come across Kristen Case’s new book, Abdication: Emily Dickinson’s Failures of Self (Essay Press, 2015), which takes up many of Dickinson’s great themes. What does it mean to be a self? And how can one fail or lose oneself? How does one approach or perhaps even dissolve before God or infinity or finitude? Why do our absences, longings, and emptiness sometimes define us more than what’s actually there, before us, as us? These are dense and weighty questions, and Case takes up with a keen intelligence and deft attention to language, her own and Dickinson’s. Case is, indeed, a writer who speaks Dickinson and a writer worth hearing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kristin Stapleton’s new book opens onto a political crisis in China, and into a spirit of reform touched off by student demonstrations on May 4, 1919. Ba Jin was a teenager from a well-off family in Chengdu during this period. He wrote three popular novels Family, Spring, and Autumn, collectively known as the Turbulent Stream trilogy set in the reformist 1920s and in his hometown of Chengdu. Fact in Fiction: 1920s China and Ba Jin’s Family (Stanford University Press, 2016) focuses on one of them–Family– in order to look carefully at the ways that Chengdu in the May Fourth era inspired Ba Jin’s fiction. Each chapter takes one or more characters in the trilogy as its starting point, and the chapters collectively explore some central themes, including the physical transformation of Chinese cities in the early twentieth century, patriarchy and the Confucian family, militarist politics and Chinese cities in the first decades of the twentieth century, and the effects of revolutions in cultural values and social structure in the early twentieth-century on Chinese families and cities. Stapleton pays careful attention to many different kinds of members of the urban community in 1920s Chengdu: laborers, entrepreneurs, beggars and slaves, merchants, soldiers, students, the foreign community. The result is not only a pleasure to read, but will also be exceptionally useful to teach with! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan, 2013), Alisa Solomon, Director of the Arts and Culture concentration in the MA program at Columbia University’s Graduate School of Journalism, traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone. She examines the pre-history of the first adaptations, the core story of the development of the broadway musical, and the fascinating afterlife of the musical including adaptations in Israel and Poland. This book is a great read and the essential volume on Fiddler on the Roof. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Intellectual as Hero in 1990s Ukrainian Fiction (University of Toronto Press, 2012), Mark R. Andryczyk takes his readers to an intriguing territory of dense narratives, arising from a complex network of literary, political, and philosophical connections that were accompanying the history of the countries constituting the USSR. Mark Andryczyk’s research offers an insightful analysis of Ukrainian literature that was taking shape right after the collapse of the Soviet Union and during the emergence of Ukraine as an independent state. The Ukrainian literary scene of the 1990s was to some extent responding to a new political and social environment, revealing, and at times instigating, paradigmatic transformations. Becoming open to the West after almost seventy years of international isolation, Ukraine appeared to be building dialogues that involved identity and self-identification concerns locally and globally. In this process of awakened nationalconsciousness, which undoubtedly entailed a number of controversies, Andryczyk identifies a hero that communicates a diversity of searches and pursuits in the realm of ethics, aesthetics, philosophy, politics, etc. The intellectual, as the author argues, is a hero that gives a unique tint to the Ukrainian literature of the 1990s: although present in the literary scenes of other time periods, the intellectual acquires a stronger and a more eloquent voice in the 1990s. In his research, Andryczyk discerns a few types of the intellectual: The Swashbuckling Performer, The Ambassador to the West, The Sick Soul. Although distinct, their voices intermingle and echo each other: they may agree and/or argue with each other but they all mark an unrestrained impetus to make themselves heard. After decades of propaganda control, establishment suppression, and Communist Party’s directions for artists, in post-Soviet Ukraine writers were seeking ways to exercise their freedom to write and to think. The Intellectual as Hero in 1990s Ukrainian Fiction is an in-depth investigation of how a text/narrative responds to a changing environment; how an artist finds a way amidst a captivating chaos in order to discover his/her truth and create a world of subtle harmony–fragile and yet vital. Mark R. Andryczyk teaches Ukrainian literature at the Slavic Department at Columbia University. He also administers the Ukrainian Studies at the Harriman Institute of Russian, Eurasian, and Eastern European Studies (Columbia University). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Survivors and Exiles: Yiddish Culture after the Holocaust (Wayne State University Press, 2015), Jan Schwarz, Associate Professor of Yiddish studies at Lund University, Sweden, reveals that in the two and a half decades after the Holocaust, Yiddish writers and cultural organizations maintained a staggering level of activity in fostering publications and performances, collecting archival and historical materials, and launching young literary talents. He examines seven major Yiddish writers and traces a transnational post-Holocaust network. This book is a compelling contribution to our understanding of Yiddish and Jewish cultures in the post-War era. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ellen Widmer’s new book tells a story of the life and work of a literary family in China, in order to open out into a fascinating discussion of the ramifications of that story for how we understand and produce relationships between fiction and history. Fiction’s Family: Zhan Xi, Zhan Kai, and the Business of Women in Late-Qing China (Harvard University Asia Center, 2016) looks carefully at the work of Zhan Xi and Zhan Kai, brothers and late-Qing writers of fiction and other forms. Widmer contextualizes that work within a larger frame of the lives and writing of their parents, associates, and (in one case) children, weaving together seemingly-disparate literary and historical threads in order to create a richly detailed and evocative account from sometimes-fragmentary evidence. The result is a riveting contribution to the studies of women, gender, fiction, and reform in modern China. Over the course of our conversation we spoke of the particular challenges and opportunities offered by the kinds of sources that Widmer worked with. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Any sufficiently advanced technology is indistinguishable from magic.” Clarke’s third law, coined in 1973, expresses the difficulty that people of any era have in reconciling the bounds of current knowledge with our experiences in a world full of marvels. In a fascinating investigation of role of automata in the culture of the medieval Latin west, E.R. Truitt’s Medieval Robots: Mechanism, Magic, Nature, and Art (University of Pennsylvania Press, 2015) traces the story of automata from their early appearance in the Latin west as gifts of foreign courts, to the literary manifestations of these objects, to the eventual creation of elaborate mechanical automata in the middle of the thirteenth century. Along the way, this history examines the nature of marvels, the constitution of natural knowledge, the text-based transformation of Latin intellectual culture, definitions of life and death, the spectacle of court, and the mechanics of the universe (8, 9). The cast of characters, both fictional and factual, embraces writers, travelers, and natural philosophers ranging from Liudprand of Cremona (c. 920 972), Pope Sylvester II (c. 946 1003) and Fr. William of Rubruck (c. 1220 1293), to Sir John Mandeville, witness of marvels mechanical and divine, and a Charlemagne whose stay in Constantinople brings him face to face with a pagan rulers powers of astral science that test the potentials of Charlemagne’s piety. Our conversation about Truitt’s comprehensively researched and highly readable book ranges over C-3PO’s medieval forebears in the alabaster chamber, the religious rehabilitation of disembodied talking heads, the role of clocks and clockwork in the discourse shift from natural philosophy to mechanical engineering, and the political significance of lewd mechanical monkeys covered in rotting badger pelts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Politics of Jewishness in Contemporary World Literature: The Holocaust, Zionism and Colonialism (Bloomsbury Academic, 2016), Isabelle Hesse, Lecturer in English at the University of Sydney, reads a wide range of novels from post-war Germany to Israeli, Palestinian and postcolonial writers. She examines how representations of Jewishness in contemporary fiction have wrestled with topics such as the Holocaust, Israeli-Palestinian relations and Jewish diaspora experiences. By bringing an in depth look at ideas of Jewishness into dialogue with postcolonial analysis this book makes an important intellectual contribution. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies