New Books in Literary Studies

In Sherlock’s World: Fan Fiction and the Reimagining of BBC’s Sherlock (University of Iowa Press, 2018), Ann K. McClellan explores fan fiction inspired by one of the most-watch BBC series in history. Even after 130 years, Sherlock Holmes is still one of the most popular detectives ever to appear in print and on the screen. The recent BBC series Sherlock, set in modern-day London, brings Sherlock, John Watson, and other characters and events from Sir Arthur Conan Doyle’s nineteenth century London to a new group of fans. The series has inspired a large fan following across the globe, and with it fan fiction that continues to reimagine the characters beyond their lives in London. McClellan examines the series through the lenses of fan fiction studies, genre studies, and world building. Grounding the recent series and fandom in the larger historical fandom culture of Sir Arthur Conan Doyle’s popular detective, McClellan deftly presents how fan culture has evolved throughout the past century. Focusing on fan fiction, Sherlock’s World presents the ways that fans both change the canon as well as establish its position as the source text for their work. McClellan focuses on slash, world building, alternate universe, and real person fiction fan fiction as ways to explore how fans have pushed the boundaries of genre, character, canon, and reality. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1960, a poet and journalist named Lin Zhao was arrested by the Communist Party of China and sent to prison for re-education. Years before, she had –at approximately the same time– converted to both Christianity and to Maoism. In prison she lost the second faith but clung to the first. She is, judges her biographer Lian Xi, the only Chinese citizen to have openly and steadfastly opposed Mao and his regime–denouncing lies such as those conveyed in the “Great Leap Forward” poster, reproduced above. From her cell, Lin wrote long poems and essays, some written in her own blood, denouncing those who had brought China into such a condition of misery and oppression. Eventually she was judged incapable of re-education and executed. Her family was billed (as was typical) for the cost of the bullet that ended her life. But Lin Zhao’s writings survived: Totalitarian societies are also bureaucratic ones, strangely loath to destroy even the evidence of their own tyranny. When Lin Zhao’s sentence was commuted during the rule of Deng Xiaoping, her family gained access to her work. In 21st-century China, these writings have made her a prophet of change and a voice denouncing oppression. They have also made her as much an opponent of the current government as she was of Mao’s dictatorship. This may be the most important, and also the most moving, conversation I’ve have had the privilege of hosting. Recorded in Lian Xi’s office at Duke Divinity School, he and I discuss his new book Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao's China (Basic Books, 2018), Lin Zhao’s life and times, the survival of her writings, and her growing influence in modern China. Please listen, and share with others interested in history, China, human rights, and the triumph of the human person over tyranny. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than tobacco fields, a bluegrass bar, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive. Elizabeth Chiles Shelburne, the author of Holding Onto Nothing (Blair, 2019), grew up reading, writing, and shooting in East Tennessee. After graduating from Amherst College, she became a writer and a staff editor at the Atlantic Monthly. Her nonfiction work has been published in the Atlantic Monthly, Boston Globe, and Globalpost, among others. She worked on this novel in Grub Street’s year-long Novel Incubator course, under Michelle Hoover and Lisa Borders. Her essay on how killing a deer made her a feminist was published in Click! When We Knew We Were Feminists, edited by Courtney E. Martin and J. Courtney Sullivan. She lives outside Boston with her husband and four children. When she’s not kid-wrangling, Elizabeth enjoys doing CrossFit. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Man’s best friend, domesticated since prehistoric times, a travelling companion for explorers and artists, thinkers and walkers, equally happy curled up by the fire and bounding through the great outdoors―dogs matter to us because we love them. But is that all there is to the canine’s good-natured voracity and affectionate dependency? In his new book Dogs (Polity, 2019), Mark Alizart dispenses with the well-worn clichés concerning dogs and their masters, seeing them not as submissive pets but rather as unexpected life coaches, ready to teach us the elusive recipes for contentment and joy. Dogs have faced their fate in life with a certain detachment that is not easy to understand. Unlike other animals in a similar situation, they have not become hardened, nor have they let themselves die a little inside. On the contrary, they seem to have softened. This book is devoted to understanding this miracle, the miracle of the joy of dogs – to understanding it and, if at all possible, to learning how it’s done. Weaving elegantly and eruditely between historical myth and pop-culture anecdote, between the peculiar views of philosophers and the even more bizarre findings of science, Alizart offers us a surprising new portrait of the dog as thinker―a thinker who may perhaps know the true secret of our humanity. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book. Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paula McQuade, professor of English literature at DePaul University, is the author of a brilliant new account of Catechisms and Women’s Writing in Seventeenth-Century England (Cambridge University Press, 2017). This book opens up an entirely new field for the study of early modern women’s writing, but it also pushes beyond other scholarly conventions to prompt new discussions about the purpose and performance of catechising, the character of household religion and its relationship to education and particularly the teaching of literacy, as well as the capacity of women to create systems of doctrine, with sometimes surprising sources and results. But the book raises other questions as well, not least why it is that the recovery of early modern religion, and particularly the religion of early modern women, so often takes place within literature departments. Catechisms and Women’s Writing in Seventeenth-Century England is a major statement in early modern religious history, and a ground-breaking work in the recovery of early modern women’s voices. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As Jim Clarke writes in Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odds with the religion's own intriguing interest in both science and the possibility of alien life. Jim Clarke is Senior Lecturer and Course Director of English and Journalism at Coventry University, where he lectures on Science Fiction and Fantasy literature. He is the author of The Aesthetics of Anthony Burgess, and has written extensively on JG Ballard, Doctor Who, and Iain M Banks. He is principal investigator on the “Ponying the Slovos” project, which investigates invented languages in translation. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Shelton Reed, William Rand Kenan Jr. Professor of sociology (emeritus) at the University of North Carolina, has been observing the South for decades. This week he and Al Zambone talk about New Orleans in the 1920s, the subject of his book Dixie Bohemia: A French Quarter Circle in the 1920s (LSU Press, 2012). In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home. In this fresh, authoritative version―the first English translation of The Odyssey by a woman―this stirring tale of shipwrecks, monsters, and magic comes alive in an entirely new way. Written in iambic pentameter verse and a vivid, contemporary idiom, this engrossing translation matches the number of lines in the Greek original, thus striding at Homer’s sprightly pace and singing with a voice that echoes Homer’s music. Wilson’s Odyssey (W. W. Norton, 2017) captures the beauty and enchantment of this ancient poem as well as the suspense and drama of its narrative. Its characters are unforgettable, from the cunning goddess Athena, whose interventions guide and protect the hero, to the awkward teenage son, Telemachus, who struggles to achieve adulthood and find his father; from the cautious, clever, and miserable Penelope, who somehow keeps clamoring suitors at bay during her husband’s long absence, to the “complicated” hero himself, a man of many disguises, many tricks, and many moods, who emerges in this translation as a more fully rounded human being than ever before. A fascinating introduction provides an informative overview of the Bronze Age milieu that produced the epic, the major themes of the poem, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this an Odyssey that will be treasured by a new generation of scholars, students, and general readers alike. Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tamara Hundorova’s The Post-Chornobyl Library: Ukrainian Postmodernism of the 1990s (Academic Studies Press, 2019) is a compelling study of the literary changes that mark Ukrainian literature at the end of the 20th century. As the title of the book prompts, a starting point—or rather a triggering moment for further metamorphoses—is the Chornobyl catastrophe. However, this trajectory is further complicated by the collapse of the Soviet Union. The two events—different in its nature and affects—produce a unique environment for literary, ideological, and political responses. Tamara Hundorova looks at the literary process from the perspective of postmodern dialogical shifts. But what are the premises of Ukrainian postmodernism? How does it develop vis-à-vis its numerous “foreign” counterparts? How does the Soviet past shape the specificities of Ukrainian postmodernism? In The Post-Chornobyl Library, postmodernism is discussed in terms of traumas. As Tamara Hundorova argues, in Ukrainian literature postmodernism, which is characterized by multiple masks, roles, and functions, provides tools for dealing with traumas: ecological, ideological, existential, private and public. Postmodernism also evokes apocalyptic themes; however, the sense of end or exhaustion is complemented by new “replenishments.” According to Tamara Hundorova, the carnivalesque becomes one of the most productive devices to engage with the traumatic. The Post-Chornobyl Library offers an insightful examination of how literature responds to traumas and engages with restorations, re-discoveries, and vitalities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The dominance of the London press in the British national media has long overshadowed the presence of local newspapers in Great Britain and the roles they played in their communities. As Andrew Hobbs demonstrates in his book A Fleet Street In Every Town: The Provincial Press in England, 1855-1900 (Open Book Publishers, 2018), this presence was extremely vibrant during the second half of the 19th century, when expanding literacy and the end of the “takes on knowledge in the 1850s and 1860s. Focusing on the local newspapers in the Lancashire town of Preston during this period, he explains how the reading of newspapers often was a different experience at that time, with public reading rooms giving people from the working classes access to the news. The local newspapers they read also were different, and embodied their communities in ways that were of great importance to their audience. Hobbs explains that most of these readers preferred these local newspapers, as they provided information that more accurately reflected their lives than did the ones published by the “national” press. Hobbs’s book is available for free from Open Book Publishers and can be downloaded here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hindu great epic, Mahābhārata, exists today in hundreds of variant manuscripts across India. These manuscripts were painstakingly examined, sorted and reconstituted into the official Critical Edition of the Mahābhārata. Is the Critical Edition a viable means of studying India's great epic? While several scholars critique this undertaking project, the authors of Philology and Criticism: A Guide to Mahābhārata Textual Criticism (Anthem Press, 2018), Vishwa Adluri and Joydeep Bagchee, present a rigorous defense of the Mahābhārata's Critical Edition. Listen in and hear how and why they've done so. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB. In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “fundamentally acts of narrative interpretation and (re-) creation.” Creative fans transform sporting activities into spaces for self-reflection and authorship and in doing so fundamentally remake sports to suit their individual agendas. Cohan investigates five different types of sports narratives: fictions, fictional memoirs, memoirs, film, and blogs. These narratives include classics in the field, such as Don DeLillo’s Underworld, and Frederick Exley’s A Fan’s Notes, but he mostly engages with relatively novel accounts such as Matthew Quick’s narrative metafiction Silver Linings Playbook, Scott Raab’s memoir of the early 2000s Cleveland Cavaliers, The Whore of Akron and the feminist sports blog Power Forward. These diverse genres of athletic storytelling allow Cohan to comment on how fans have used fictional and non-fictional accounts to build their own identities, address questions of social inequity, work through mental illness, and appreciate sports in new ways. His work also suggests that a more flexible understanding of fandom might allow us to rethink sports in meaningful ways, improving the way we play games, as well as open up new pathways to fandom, making it more inclusive for women, people of color, and LGBTQ people. Cohan’s work will appeal to a broad range of scholars, but especially to those with an interest in the intersections between sports, literature, and narrative. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the late Enlightenment, a new imperative began to inform theories of interpretation: all literary texts should be read in the same way that we read the Bible. However, this assumption concealed a problem—there was no coherent "we" who read the Bible in the same way. In Secularism and Hermeneutics (University of Pennsylvania Press, 2019), Yael Almog shows that several prominent thinkers of the era constituted readers as an imaginary "we" around which they could form their theories and practices of interpretation. She argues that this conception of interpreters as a universal community established biblical readers as a coherent collective. In the first part of the book, Almog focuses on the 1760s through the 1780s and examines these writers' works on biblical Hebrew and their reliance on the conception of the Old Testament as a cultural, rather than religious, asset. She reveals how the detachment of textual hermeneutics from confessional affiliation was stimulated by debates on the integration of Jews in Enlightenment Germany. In order for the political community to cohere, certain religious practices were restricted to the private sphere––while textual interpretation, which previously belonged to religious contexts, became the foundation of the public sphere. As interpretive practices were secularized and taken to be universal, they were meant to overcome religious difference. Turning to literature and the early nineteenth century in the second part of the book, Almog demonstrates the ways in which the new literary genres of realism and lyric poetry disrupted these interpretive reading practices. Literary techniques such as irony and intertextuality disturbed the notion of a stable, universal reader's position and highlighted interpretation as grounded in religious belonging. Yael Almog is an Assistant Professor of German Studies at Durham University. Her research focuses on the interdependence of literary theory, literary production, and theology––more specifically, she looks at secularism, Jewish-Christian encounters, the German-Jewish tradition, and Hebrew literature. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray & Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While the mainstream discourses on global warming characterize it as an unprecedented catastrophe that unites the globe in a common challenge, Elizabeth DeLoughrey argues that this apparently cosmopolitan position is in truth a provincial one limited to privileged circles in the Global North. In Allegories of the Anthropocene (Duke University Press, 2019), she instead elucidates how among post-colonial peoples of the Pacific and Caribbean, who are among the first to suffer the uncompromising rise of sea levels, global warming is not so much a rupture of stability as an impending cataclysm that follows a long history of others. With an eclectic array of allegorical artworks -- including sculptures by Dominican artist Tony Capellán, novels by Keri Hulme and Erna Brodber, and poems from Kathy Jetñil-Kijiner and Kamau Brathwaite -- DeLoughrey traces how island artists make sense of anthropogenic climate change while continuing to critique the legacies of militarism, capitalism, and imperialism. DeLoughrey also highlights subjectivities of relatedness with the earth and its non-human beings that may provide antidotes to the extractive logics that have clogged the skies with CO2. Stressing the ways that global warming and empire are mutually constitutive, DeLoughrey confirms the critical importance of allegorical art and literature from the Global South in interpreting our unfolding crisis. Lance C. Thurner teaches history at Rutgers Newark. His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at http://empiresprogeny.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Let’s talk about books! How, when, and what do you like to read? Have you ever thought about the history of books and reading? How about shape, size, or texture of your book? Where do books go after they’ve been digitized? Harvard University professor Leah Price asks these questions and more in her new book, What We Talk About When We Talk About Books: The History and Future of Reading(Basic Books, 2019). Price begins her book by debunking the assumption that ebooks are more popular than print books, pointing out that in 2018 “sales revenue from hardbacks and paperbacks outstripped revenue from ebooks by more than $300 million.” She goes on to explore the history of books and reading from the changing social perceptions of reading, to reading on the move, to reading as method of political activism. Filled with cleverness and humor, Price surprises readers with interesting facts and anecdotes about books. As for the future of books and reading only time will tell, but Price believes that “the experience of immersion in a world made of words will survive if and only if readers continue to carve out places and times to have words with one another.” Leah Price is a Francis Lee Higginson Professor of English Literature at Harvard University, where she teaches courses on eighteenth- and nineteenth-century literature, gender, fiction, and the history of books. Her books include How to Do Things with Books in Victorian Britain and The Anthology and the Rise of the Novel. She writes for the New York Times Book Review, London Review of Books, Times Literary Supplement, San Francisco Chronicle, Boston Globe and Public Books, where she is also a section editor. She is curious about what, where, when, and how we read. But most of all, she wants to know why. Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. Dr. Ebony Elizabeth Thomas's book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gerry Milligan’s Moral Combat: Women, Gender and War in Italian Renaissance Literature (University of Toronto Press, 2018) takes as its subject the woman warrior in early modern Italy as she was and as she was represented across varied types of texts, both literary and historical. What emerges is a discursive construction of the role gender played in the concept of warfare during this time period. How are women depicted in relation to warfare? Are they non-combatant innocents protected by male warriors? If this is not (only) the case, how does the representation of the woman warrior illuminate men and masculinity in the Italian Renaissance? How are gender roles rewritten, challenged, and reaffirmed in the texts under consideration? How do the figures of the virago and the woman warrior resonate with 21st century gender norms? These are some of Milligan’s questions, as well as some of the topics, we consider in this podcast. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jeremy Black’s impressive new book offers an enormously wide-ranging account of the social, political and religious cultures in which England’s greatest dramatist was formed and found success. England in the Age of Shakespeare (Indiana University Press, 2019) draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays. Black, a professor of history at Exeter University, reads the plays as evidence of Shakespeare’s interest in his changing world. As an English writer, rooted in the very distinctive theological and liturgical arguments of the late sixteenth and early seventeenth centuries, Shakespeare offers a moral vision of a turbulent and contradictory world. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inari Sámi Folklore: Stories from Aanaar (University of Wisconsin Press, 2019) is rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community. First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer populations less than a century before, and the pre-Christian past in Aanaar. He introduces us to the bawdy humor of Antti Kitti, the didacticism of Iisakki Mannermaa, and the feminist leanings of Juho Petteri Lusmaniemi, emphasizing that folktales and proverbs are rooted in the experiences of individuals who are links in a living tradition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Differently than existing accounts that concentrate on Israeli and Palestinian nationalism, Kfir Cohen Lustig's Makers of Worlds, Readers of Signs: Israeli and Palestinian Literature of the Global Contemporary (Verso, 2019) suggests a new theoretical and historical approach to Israeli and Palestinian literature as well as to the contemporary system of world literature by accounting for the consequences of neoliberal globalization to literary form and its political import. The book proposes that until the neoliberal moment the difference in the socio-poetic form between Western Europe and Israel and Palestine lay in the concepts of autonomy and temporality: if in Western European societies autonomy is defined as an a-priori, ready-made property of the self-legislating subject, in Israel and Palestine, between the 1940s and the 1990s, autonomy was a collective product to be made in time. Autonomy here was the result of a social struggle with nature and with the “enemy” that subordinated the private to the public, the particular to the universal, body to spirit, making impossible the emergence of a liberal subject and its attendant category of aesthetic autonomy a la Kant. In this historical condition, Israeli and Palestinian literature developed a gamut of literary responses and political positions that competed over the imagination of social and aesthetic autonomy. In the global neoliberal period when privatization processes in Israel and Palestine rearticulate the public and private spheres and make possible both liberal and aesthetic autonomy, social life and literature begin to revolve around the experience of self-legislating subjects for whom the world is no longer an object to be made but a text to be read. Now, private life, taking after the “particular” in Kant’s reflective judgment, seems independent from its social determining law and turns into an autonomous appearance or text akin to Adorno’s Schein and Derrida’s textuality respectively. Once the structure of aesthetic appearance/text characterizes the social itself and infiltrates the very raw materials of the literary artwork, Israeli and Palestinian literature engage in narratives of national and global mapping that attempt, consciously or unconsciously, to decipher and retrieve the political conditions of local life which exceed the nation state and question the coherence of private life. With this new aesthetic and social form, Israeli and Palestinian literature begin to resemble contemporary Western European and American literature, a change unaccounted for in contemporary theories of world literature and requires a new concept of global literature with which the book closes. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death. Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also published work on the Jewish holy days Yamin Noraim (Days of Awe), 1938, on the giving of the Torah, Atem Reitem (Present at Sinai), 1959, and on the gathering of Hassidic lore, Sifreihem Shel Tzadikim (Books of the Righteous) and Sippurei HaBesht (Stories of the Baal Shem Tov), 1960-1961. Considered one of the greatest Hebrew writers, in 1966, Agnon was awarded the Nobel Prize in Literature. Rabbi Jeffrey Saks is the Director of Research at the Agnon House in Jerusalem and served as the Series Editor of The S.Y. Agnon Library at The Toby Press, now complete in 15 volumes. He is the founding director of The Academy for Torah Initiatives and Directions in Jewish Education, in Jerusalem, and its WebYeshiva.org program. Rabbi Saks was recently appointed as Editor of Tradition, the premier journal of Orthodox Jewish thought published in English. After earning his BA, MA, and rabbinic degrees from Yeshiva University, Rabbi Saks moved to Israel and has served on the faculties of several high schools and yeshivot, edited several books, and published widely on Jewish thought, education, and literature. Rabbi Saks lives in Efrat with his wife Ilana Goldstein Saks and their four children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Allegories of Encounter: Colonial Literacy and Indian Captivities (University of North Carolina Press—Chapel Hill & The Omohundro Institute of Early American History and Culture, 2019), Andrew Newman, Professor of English at Stony Brook University, analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one’s own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"What I feel most moved to write, that is banned―it will not pay. Yet, altogether, write the otherway I cannot." Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write "the other way," working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man. In Herman Melville: Among the Magazines (University of Massachusetts Press 2018), Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno," alongside lesser-known work. Using a concept he calls "embedded authorship," Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing with dazzling displays of innovation that reinvented magazine traditions and helped create the modern short story. Stephen Colbrook is a graduate student at University College London, where he is researching a dissertation on the interaction between HIV/AIDS and state policy-making. This work will focus on the political and policy-making side of the epidemic and aims to compare the different contexts of individual states, such as California, Florida, and New Jersey. Stephen can be contacted at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the relationship between the form of writing and what can be thought? How is a writer’s thinking shaped by form? How is a reader’s? Does this matter for philosophy? In Philosophy, Writing, and the Character of Thought (University of Chicago Press, 2018), John T. Lysaker explores the importance of the praxis of writing for philosophy. Essaying a variety of forms, the book invites the reader to investigate the volume in their hands as a performance. It engages with, among others, the work of Plato, Emerson, Wittgenstein, Benjamin, and Cavell, not only to show how form matters for thought, but also how thought is always made possible by what has come before. The book argues for philosophy to reconsider academic articles as the dominant mode of writing in the profession and offers an example of the creative ways in which philosophy can unfold. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cars promise freedom, autonomy, and above all, movement but leave whole cities stuck in traffic, breathing polluted air, exposed of deadly crashes, and dependent on vast the vast infrastructures of road networks, and oil production. Postcolonial Automobility: Car Culture in West Africa (University of Minnesota Press, 2019) examines the paradoxes and ambivalences of automobility through the lens of West African films, novels, plays, and poems. From the melodramas of Nollywood to the socialist realism of Ousmane Semebene, African artists have delved into the pleasures and anxieties of the road to theorize capitalist development, globalization, patriarchy, and the ethics of accumulation. In this episode of New Books in Anthropology, Lindsey Green-Simms joins host Jacob Doherty to discuss how West African entrepreneurs appropriated colonial technologies, how stalled cars embodied the crises of structural adjustment, and what new, feminist, mobilities and imaginaries emerge from the pages, screens, and stages of West African popular and literary culture. Lindsey Green-Simms is an associate professor of Literature at American University with a PhD in Comparative Literature from the University of Minnesota. She specializes in post-colonial film and literature with particular emphasis on issues of gender, sexuality, globalization, and mobility. Her work has appeared in Transition, Journal of African Cinemas, Camera Obscura, and the Journal of Postcolonial Writing. She is currently working on a project on African queer cinema. Jacob Doherty is a research associate in urban mobility at the Transport Studies Unit, University of Oxford, and, most recently, the co-editor Labor Laid Waste, a special issue of International Labor and Working Class History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Bhagavad Gītā remains to this day a mainstay of Hinduism and Hindu Studies alike, despite the profusion of books written on it over the centuries. While the Gītā’s profundity is evident, its meaning most certainly is not. Is there a unity within the Bhagavad Gītā? Ithamar Theodor’s Exploring the Bhagavad Gītā: Philosophy, Structure and Meaning (Routledge, 2016) proposes a unifying structure which of this seminal Hindu work, identifying multiple layers of meaning at play. Theodor provides a new translation of the full text of the Bhagavad Gita, divided into sections, and accompanied by in-depth commentary, rendering this ancient Indian classic accessible to scholars and aspirants alike. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lenora Warren about her book, Fire on the Water: Sailors, Slaves, and Insurrection in Early American Literature, 1789-1886, published by Rutgers University Press in 2019. Fire on the Water looks at the history of abolition and slave violence by looking at the representation of shipboard mutiny and insurrection in late 18th and early 19th century literature. By examining the intersection of both real and fictional stories, Warren explains how mutiny and insurrection were critical to the development of the abolitionist movement, even as the connection between slave violence and the abolitionist movement was a complex and fraught relationship. Warren is a lecturer in the English department at Ithaca College. She specializes in Early African American and American literature, and maritime 18th and 19th century British and American literature. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With the Ta-Nehisi Coates–authored Black Panther comic book series (2016), recent films Django Unchained (2012), The Birth of a Nation (2016), Nate Parker’s cinematic imagining of the Nat Turner rebellion, and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018), violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values―honor, loyalty, love―reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Grégory Pierrot's Black Avenger in Atlantic Culture (University of Georgia Press, 2019) studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts. Adam McNeil is a PhD Student in History at Rutgers University-New Brunswick Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jessica Vantine Birkenholtz's Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal (Oxford University, 2018) represents the very first study of a fascinating Hindu phenomenon: the Svasthanivratakatha (SVK), a sixteenth-century narrative textual tradition native to Nepal surrounding the Goddess, Svasthānī. This work explores Himalayan Hindu religious tradition in the making during the very self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the early modern period. Touching on the pan-Hindu goddess tradition, regional ideals of Hindu womanhood, linguistic culture, identity formation and placemaking, Reciting the Goddess makes for a rich read. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Migrant Futures: Decolonizing Speculation in Financial Times (Duke UP, 2018), Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, The Genocidal Gaze: From German Southwest Africa to the Third Reich (Wayne State University Press, 2017), Elizabeth R. Baer, professor of English at Gustavus Adolphus College examines the threads of shared ideology in the Herero and Nama genocide and the Holocaust. Using concepts such as, racial hierarchies, lebensraum (living space), Rassenschande (racial shame), and Endlösung (final solution) thatwere deployed by German authorities in 1904 and again in the 1930s and 1940s to justify genocide. The Genocidal Gaze is an original and challenging discussion of such contemporary issues as colonial practices, the Nazi concentration camp state, European and African race relations, definitions of genocide, and postcolonial theory. The book further demonstrates the power of literary and artistic works to condone, or even promote, genocide or to soundly condemn it. Her transnational analysis provides the groundwork for future studies of links between imperialism and genocide, links among genocides, and the devastating impact of the genocidal gaze. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Can science be seductive? According to Tita Chico, the answer is a resounding yes. In her new book, The Experimental Imagination: Literary Knowledge and Science in the British Enlightenment(Stanford University Press, 2018), Dr. Chico’s new book upends the traditional, modern dichotomies which enforce strict separations between literature and science. Rather than solely bound to rigorous, self-effacing protocols, scientific practice is instead revealed to be deeply tethered to imaginative, figurative, and aesthetic epistemologies. Much like science, literature produces its own forms of knowledge about the world – for, as Dr. Chico puts it, they are epistemological siblings. This is a book that will interest anyone seeking to question, historicize, and expand the meaning of scientific knowledge by way of recovering its early modern capaciousness. Not only did natural philosophers also write poetry, but natural philosophy could be poetic as well. Readers interested in exploring the possibilities of metaphor, figuration, the imagination, and aesthetics in science will find fertile ground in this book; whilst those seeking to engage in generative conversations about problems like objectivity, truth, and fact will not walk away disappointed either. The Experimental Imagination is, in sum, not only a very rich book, but a book that will surely generate many enriching conversations in e.g. the fields of literary studies, history of science, feminist STS, and eighteenth-century studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lacan published his Écrits in 1966, a compilation of his written work up to that middle period in his teaching. Notoriously difficult to read, the editors of the book we’re discussing today describe the Écrits as “an unwieldy, conglomerate ‘urtext’ … not a book at all … but ‘the waste’ of his teaching: elements he didn’t discuss in public … and sensitive points to which his audience would have reacted with reluctance.” It wasn’t until 2007 that, thanks to work of translator Bruce Fink, the complete edition of the Écrits were finally published in English. Now, Stijn Vanheule, Derek Hook and Calum Neill have brought us the three volume work, Reading Lacan’s Écrits (Routledge, 2018), which features world renowned Lacanian scholars and clinicians explicating in detailed paragraph-by-paragraph commentary each of the essays in the Écrits. Thanks to this publication, coming to grips with the Écrits in all its complexity has suddenly become possible. Lacan’s cryptic pronouncements are miraculously, lucidly reformulated, revealing them in their original and enlightening contributions to the practice and theory of psychoanalysis. What was involved in putting together this monumental and challenging work of exegesis? What does it say about the Lacanian tradition today — in all its differing styles, emphases and factions? Join us in conversation with Derek, Calum and Stijn as we explore this and more. Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Carrie Tippen talks with Catherine Keyser about early twentieth century fiction and the role that modern food plays in literature as a language for talking about race and racial categories. In Artificial Color: Modern Food and Racial Fictions, published in 2019 by Oxford University Press, Keyser explores the ways that modern fiction writers responded to the theories and anxieties about race in the early twentieth century through related anxieties about modern industrial food. In each chapter, Keyser focuses on a few closely related authors and texts, linked by their common use of food for plot, imagery, and metaphor, each one shedding some light on how that food carried meanings of racial identity. Keyser uncovers the historical context around each food to help today’s readers see what it might have meant to the writers and their contemporary readers. Keyser examines the use of soda pop and syrup or images of effervescence in Jean Toomer’s Cane as a metaphor for inevitable racial intermixing; the promises of raw food for revitalizing African American resistance in George Schuyler’s speculative fiction; Ernest Hemingway and Gertrude Stein’s search for a cosmopolitan identity through European terroir; the fragility of whiteness in F. Scott and Zelda Fitzgerald’s anxieties about coffee, wine, and the sticky Mediterranean; and the failure of capitalism to secure black masculinity through the figure of the grocer in Zora Neale Hurtson’s Their Eyes Were Watching God and Dorothy West’s The Living is Easy. Keyser’s careful pairing of familiar texts with their less canonical contemporaries brings an important new perspective to both. Catherine Keyser is Associate Professor and McCausland Fellow at the University of South Carolina. Cat’s research focuses on Modern American Literature, African American Literature, Periodicals, Gender, and Food. She is also the author of the 2010 book Playing Smart: New York Women Writers and Modern Magazine Culture from Rutgers University Press, 2010. You can follow Cat on Twitter @Cat_Keyser. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Memory and truth are malleable and nowhere more so than in the Soviet Union. To be a writer in that country was to face an ongoing dilemma: conform to State-mandated topics and themes, or consign oneself to obscurity, writing only for “the desk drawer” or “without permission.” Vasily Grossman challenged that binary choice, creating some of the most compelling and uncompromising fiction and journalism of the century, but also enduring heartbreaking censorship. Her excellent new biography, Vasily Grossman and the Soviet Century (Yale University Press, 2019) brings the life and work of this often-overlooked writer into brilliant focus. Biography of a writer — particularly one with Grossman’s output — can be tricky to pull off, but Popoff’s extensive research is elegantly arranged into a very readable narrative, in which we follow Grossman through the harrowing experiences of witnessing first hand, famine in the 1920s, the Terror of the 1930s, the carnage of World War II, and the dull ache of censorship in the post-war Soviet Union. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries: British Literature, Political Thought, and the Transatlantic Book Trade, 1731-1814 (Oxford University Press, 2019) bridges the study of these trades by demonstrating how Americans' profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. Drawing on recent scholarship that shows how participation in London cultural life was very expensive in the eighteenth century, as well as evidence that enslavers were therefore some of the few early Americans who could afford to import British cultural products, Seán Moore, Associate Professor of English at the University of New Hampshire as well as journal Editor for Eighteenth Century Studies, merges the fields of the history of the book, Atlantic studies, and the study of race, arguing that the empire-wide circulation of British books was underwritten by the labor of the African diaspora. The volume is the first in early American and eighteenth-century British studies to fuse our growing understanding of the material culture of the transatlantic text with our awareness of slavery as an economic and philanthropic basis for the production and consumption of knowledge. In studying the American dissemination of works of British literature and political thought, it claims that Americans were seeking out the forms of citizenship, constitutional traditions, and rights that were the signature of that British identity. Even though they were purchasing the sovereignty of Anglo-Americans at the expense of African-Americans through these books, however, some colonials were also making the case for the abolition of slavery. Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas (Duke University Press, 2019), Jinah Kim explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics. Through a close analysis of seminal cultural works that range from theory, short stories, film noir, documentaries, plays, and novels, Kim makes legible how Korean and Japanese diasporic communities have experienced U.S. militarism and Japanese colonialism. The concept of melancholia, defined as an unending state of mourning, along with the notion of “dread forwarding,” in which a new trauma can trigger an older one, inducing both a flashback but also a flash forward, is crucial to her reading. This concise yet rich work addresses the question of collective pain brought on by postcolonial loss and trauma. Kim puts geographical, cultural, and temporal spaces in conversation with one another, illuminating the ways in which Asian diasporic communities have negotiated their colonial histories. Laura Ha Reizman is a PhD candidate in Asian Languages & Cultures at UCLA Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is classical Japanese poetry something to be enjoyed in private, an object of study for scholars, or an item of public life teeming with hints about how to understand and deal with our past and our future? In Japanese Poetry and its Publics: From Colonial Taiwan to Fukushima (Routledge, 2018), Dean Anthony Brink, Associate Professor at the National Chiao Tung University in Hsinchu, Taiwan, argues that certain forms of Japanese classical poetry (especially tanka and senryū) have remained central to public life in both Japan and its former colony of Taiwan. Brink analyzes poems published in regular newspaper columns and various blogs, examining the way in which they reflect specific historical moments and exploring how they can be used for (and in) politics. Brink’s conclusion is that poetry has an ambivalent function, as it can serve on the one hand to justify and support colonialism and imperialism, and on the other hand to present a medium of resistance and protest. Roman Paşca is Assistant Professor at Kyoto University’s Graduate School of Letters, Department of Japanese Philosophy, Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Hundred Days’ Literature, Chinese Utopian Fiction at the End of Empire, 1902–1910 (Brill, 2019), Lorenzo Andolfatto explores the landscape of early modern Chinese fiction through the lens of the utopian novel, casting new light on some of its most peculiar yet often overshadowed literary specimens. The wutuobang or lixiang xiaoshuo, by virtue of its ideally totalizing perspective, provides a one-of-a-kind critical tool for the understanding of late imperial China’s fragmented Zeitgeist. Building upon rigorous close reading and solid theoretical foundations, Hundred Days’ Literature offers the reader a transcultural critical itinerary that links Edward Bellamy’s Looking Backward to Wu Jianren’s Xin Shitou ji via the writings of Liang Qichao, Chen Tianhua, Bihe Guanzhuren, and Lu Shi’e. The book also includes the first English translation of Cai Yuanpei’s short story “New Year’s Dream.” The completion of this book has benefitted from Lorenzo joining the collaborative research project “East Asian Uses of the European Past” supported by the HERA network and led by Professor Joachim Kurtz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies