New Books in Literary Studies

Erin McCarthy, who teaches digital humanities at Newcastle University, Australia, has just published a fabulous new book about the ways in which the printing of poetry impacted upon the reading and imagination of poetry in early modern England. Doubtful Readers: Print, Poetry and the Reading Public in Early Modern England (Oxford UP, 2020) offers readings of work by Shakespeare, Lanyer, Donne and many other poets to show that early printings of their work organised their texts in order to make specific points about both poetry and poets. Why do most anthologies of work by Donne begin with “The Flea”? Tune in to find out more about how poetry was transformed in and sometimes by the move to print. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of Survival and Resistance in evangelical America: Christian Reconstruction in the Pacific Northwest (Oxford UP, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Kit Nicholls, Director of Cooper Union Center for Writing. We talk about writing, thinking, the university, and what everyone cares about. Interviewer : "That's the key, and the sense that I get from many students, and even also from faculty, when it comes to the point that they're writing up their results––well, it's basically, this is just a necessity, a thing that's just sort of got to be got around, got through. But if you can actually provide them with the view that the writing is the research, that you're doing your research right now as well. Or even if you can get them to drop the 'as well' and say, 'I'm doing my research still.'" Kit Nicholls : "Yeah, it's not like you do sort of all this prior work and then you sit down and write. That's a surefire way to produce some pretty terrible writing. It's much better to write your way through, which is exactly why the Center for Writing offers ongoing sessions, because otherwise students almost automatically come to the assumption that the Center of Writing is a place you come only when you've got an assignment to finish. It sends the message that writing is just a thing you do at the end. But anyone who seriously writes knows that writing is this long, complicated process." The interviewer, Daniel Shea, heads the podcast series Scholarly Communication, where the world of research publishing is brought to your ears. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In many popular accounts of contemporary “Western” society there is an inherent contradiction between the principles underlying liberal secularism and Islam. This type of binary discourse about “religion” and “secular” naturalizes these differences and promotes the seeming rigidity of the two categories. But secularism is much messier than that. Danielle Haque, Associate Professor at Minnesota State University, Mankato, questions this simplistic narrative in her new book Interrogating Secularism: Race and Religion in Arab Transnational Art and Literature (Syracuse University Press, 2019). She deconstructs liberal accounts of secularism through an examination of the work of authors and artists from ethnic and religious minorities. The literary and visual economies that inform their art demonstrates that secular values are not always neatly distinguished from religious principles nor are spiritual forms necessarily steeped in tradition. In our conversation we discuss secular ideologies, contemporary orientalism, the racialization of Muslims, the War on terror, state surveillance, visual and literary cultural production, transnational identities, publishing norms, museum practice, human rights discourses, Muslim feminist praxis, and LGBTQ identities. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Transforming Ethos: Place and the Material in Rhetoric and Writing (Utah State UP, 2020) approaches writing studies from the rhetorical flank, the flank which, for many, is the only flank the discipline has. However, at a time when universities are optimizing structurally and streamlining pedagogically, the book must plead the case for a university where character is formed. Now that writing studies has shouldered up to its other disciplinary and institutional neighbors, composition instructors need to begin asking themselves tough questions about administration, teaching, and assessment, and perhaps more importantly, composition instructors need to begin providing answers. Rosanne Carlo provides answers, answers which spring from the New Rhetoric, from the writings of Jim Corder, from ethos as a gathering place for community, from kairos, chora, and from many another well found and well placed theoretical tool turned to her overriding purpose of teaching writing and teaching rhetoric as a way of life. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better. The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After reading How Dead Languages Work (Oxford University Press 2020), Coulter George hopes you might decide to learn a bit of ancient Greek or Sanskrit, or maybe dabble in a bit of Old Germanic. But even if readers of his book aren’t converted into polyglots, they will walk away with an introduction to the (in)famous Sapir-Whorf hypothesis, which is responsible for the inaccurate meme claiming that Inuits understand snow more deeply than other cultures because their language has one hundred (one thousand?) words for it. George criticizes this hypothesis, but through his six chapters, uses examples of ancient languages to argue that a subtler form of that hypothesis is apt: languages aren’t fungible, and the properties of different languages are interwoven with their literary traditions. The book takes readers through Greek, Latin, Old English and the Germanic Languages, Sanskrit, Old Irish and the Celtic Languages, and Hebrew, introducing their phonology, morphology, lexicons, grammar, and excerpting passages from texts such as the Illiad, Beowulf, and the Rig Veda, to illustrate how the flavor of a language is always lost a little in translation. Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Indian philosophy of language and epistemology in Sanskrit. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Judith G. Coffin discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoir's international readers, it inspired Coffin to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of Sex, Love, and Letters: Writing Simone de Beauvoir (Cornell UP, 2020), immerses us in the tumultuous decades from the late 1940s to the 1970s—from the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters also provide a glimpse into the power of reading and the power of readers to seduce their favorite authors. Sex, Love, and Letters lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as Coffin shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production. "This must happen to you often, doesn't it?" wrote one. "That people write to you and tell you about their lives?" Judith G. Coffin is an Associate Professor of History at the University of Texas at Austin. She teaches modern European history, including courses on the French Revolution, World Wars 1 and 2, Postwar Europe as well as courses on gender and sexuality. She has written The Politics of Women’s Work: The Paris Garment Trades (Princeton UP, 1996), the modern half of W.W. Norton’s Western Civilizations (New York, 2002, 2005, 2008, 2011) and a series of articles from her book. “Historicizing The Second Sex,” French Politics, Culture & Society 25, 3 (Winter 2007); “Beauvoir, Kinsey, and Mid-Century Sex,” French Politics, Culture, and Society 28, 2 (summer, 2010); “Opinion and Desire: Polling Women in Postwar France” in Kerstin Bruckweh, ed. The Voice of the Citizen Consumer (Oxford University Press, 2011); and "Sex, Love, and Letters: Writing Simone de Beauvoir," American Historical Review October, 2010. She is also writing about the histories of psychoanalysis and radio (“The Adventure of the Interior: Menie Grégoire’s Radio Broadcasts.”), and has taught graduate classes in the history of radio, publicity, and privacy. She lived three years in Paris, got her PhD at Yale, taught at Harvard and UC Riverside; she's been a fellow at NYU and the Radcliffe Institute for Advanced Study; her husband is Professor and Dean for Research at the UT School of Law; her children are in their twenties, and she is happiest in the winter in Austin and when visiting the Hill Country. Julia Gossard is Assistant Professor of History at Utah State University and learned quite a bit about gender, psychoanalysis, and feminist studies from Judy as a student at UT-Austin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her stunning and conceptually adventurous new book Emotions and Colonial Modernity in Colonial India: From Balance to Fervor (Oxford University Press, 2020), Margrit Pernau examines the varied and hugely consequential expressions of and normative investments in emotions in modern South Asian Muslim thought. By considering a wide array of sources including male and female reformist literature, poetry, newspapers, journals, sermons, and much more, Pernau explores the question of how the career of Islam in colonial India saw a paradigmatic shift from emphasis on balance or ‘adl to fervor and ebullience (josh). The intensification rather than the retreat of emotion represents a major feature of South Muslim scholarly thought and culture in late nineteenth and early twentieth century, Pernau convincingly demonstrates. Through the specific case study of modern South Asian Islam, she also presents and argues for novel conceptualizations of modernity as a lived and analytical category, marked not by just the disciplining of the body and emotions, but one infused with emotional politics, passions, and communities. This riveting read will fascinate and interest not only Islam and South Asia specialists, but anyone interested in the interaction of modernity, emotion, religion, and politics. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When I put down Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (U Chicago Press, 2016) I looked up and began to wonder. I wondered about the book on gnomic poetry in Medieval Greek I had read over the weekend, I wondered about the PDF conference volume on my desktop between other PDFs downloaded at my university library. Casting an eye to the bookshelves along my wall, I looked at the spines of all those books there, upright and peaceful in their rows, and I wondered just who the people behind the books were: who printed the bindings and pages, who stocked backlisted copies in the warehouse, who encouraged booksellers to buy, who adopted the book project early stages, who chauffeured the manuscript through marketing, which editor oversaw production while which harried professor, between lectures biting into a sandwich, flipped the pages and weighed the arguments and challenged the ideas. Getting It Published opens up the other spaces which are part of every book. There's quite a lot that goes into those books on our Works Cited lists, and we don't know. Or we don't know enough, anyway. Getting It Published, as the subtitle announces, is the guide to knowing everything a scholar needs to know about where his or her research goes. William Germano, the author, is the guide of the book. A deft hand at elegant and lucid prose style, William Germano has the industry experience, the university experience, and the teaching experience to know what writers of research will need when it's their own manuscript that's becoming the next book on a shelf or the next PDF on a desktop. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better. The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With Against Demagogues: What Aristophanes Can Teach Us about the Perils of Populism and the Fate of Democracy (University of California Press, 2020), Robert Bartlett provides a stirring argument for the relevance of comic playwright Aristophanes as a serious political and philosophical thinker. In his translations of two lesser-known plays, The Acharnians and The Knights, Bartlett presents an Aristophanes who is equally a thinker of his times and a prescient voice warning about the fragility of democracy. Equally noteworthy are the essays that accompany the translations, which provide necessary political and philosophical context for understanding these plays. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ye Shitao was a Taiwanese public intellectual who rose to prominence in the second half of the twentieth century. His encyclopedic A History of Taiwan Literature was published in 1987, the same year that the island’s decades-long period of martial law came to an end. The book provides a thorough overview of the major themes and representative works of each stage in the development of Taiwanese literature from the days of the Qing Dynasty through the Japanese colonial period and the postwar era up to the 1980s. Each chapter of the book discusses the historical context necessary to understand the concerns and influences shared by writers in each period, and Ye comments on both major and less prominent writers. Rather than a critical study driven by a particular theoretical approach or a central argument, the book is structured as a comprehensive reference work designed to be inclusive and accessible to specialists and non-specialists alike. Thanks to the skillful translation work of Christopher Lupke (Professor of Chinese Cultural Studies, University of Alberta) this valuable resource is now available in English for the first time. In addition to the main text, Lupke also includes voluminous footnotes contributed by two Japanese scholars who specialized in Ye Shitao’s work. Lupke’s introduction adds contextual information about Ye Shitao himself, and the translator’s epilogue traces developments in the literature of Taiwan from the time of the book’s publication in 1987 to the present. A History of Taiwan Literature (Cambria Press, 2020) is an important resource for anyone interested in the intellectual, cultural, and political history of East Asia. Steve Wills is Associate Professor of History at Nebraska Wesleyan University and one of the hosts of the New Books in East Asia series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From The Magic Mountain to It Follows, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time. Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cultures of Memory in the Nineteenth Century: Consuming Commemoration (Palgrave Macmillan, 2020) explores commemorative practices as they developed in the nineteenth century. The editors of the volume, Katherine Grenier and Amanda Mushal, and its contributors invite the readers to consider memorial practices as insights into the culture of both the public and the private. Through a number of investigations that range from the explorations of music to the study of photographs, the volume emphasizes the interplay of the individual and the society on a larger scale. On the one hand, commemorative practices zero in on the individual: remembering loved ones; honoring friends and acquaintances; celebrating the accomplishments of others, as well as forgetting some events while selecting others to construct family and community stories. On the other hand, however, memorial practices almost always surpass the realm of the private. The volume demonstrates how individual instances of commemorative practices contribute to the formation of the public/national/international paradigms of collective and cultural memory. Moreover, Cultures of Memory in the Nineteenth Century: Consuming Commemoration demonstrates the continuity of commemorative practices which were to some extent incepted and developed in the nineteenth century: in spite of the new technologies which this way or another shape the way we remember and forget, the commemorative consumption of the present day reflects the rudiments of the previous centuries. This memorial continuity is an essential factor in how to manage the inherent discontinuity of remembering and forgetting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Queen of the Gangsters: Stories by Margie Harris (Off-Trail Publications, 2011), is the first anthology of work of crime fiction writer Margie Harris. Edited by John Locke, Queen of the Gangsters bring the work of Harris, the first woman hardboiled crime fiction writer in history, to a larger audience. During the height of the 1930s gangster pulps, Harris wrote some of the roughest, toughest stories to be published in pulps such as Gangland Stories and Mobs. Readers question whether a woman could write stories that were so mired in the underworld. Harris was a mystery. She had spent time in the Chicago underworld, interviewed death-row inmates in San Francisco, and knew the lingo of the crime world that made her fiction come to life. Margie Harris is still a mystery today. Little is known of her life and what became of her after she finished writing for the pulps. In this collection of eight stories, Locke also presents readers with a biography of Harris, covering the limited details known about her life and her writing. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joshua Kotin’s Utopias of One (Princeton University Press, 2017) analyzes a particular and peculiar sub-genre of utopian literature. Kotin identifies works by Thoreau, Dubois, the Mandel’shtams, and the poets Wallace Stevens, Ezra Pound, and J.H. Prynne as “utopias of one.” In these works, the authors at one and the same time publish for an external audience, but sketch out modes of living and being that are in important ways both non-accessible and non-replicable. This is much different way of thinking about “utopia” than the more standard communal experiments of reality and fiction. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, Roberta Rosenberg and Rachel Rubinstein (editors), engage our listeners in a conversation about different approaches to teaching Jewish American Literature, complicating what it means to be “American”. Teaching Jewish American Literature (MLA, 2020) consciously pushes against the boundaries of the canon, and undermine the stereotype of the immigrant Jewish experience. A multilingual, transnational literary tradition, Jewish American writing has long explored questions of personal identity and national boundaries. These questions can engage students in literature, writing, or religion; at Jewish, Christian, or secular schools; and in or outside the United States. This volume takes an expansive view of Jewish American literature, beginning with writing from the earliest colonies in the Americas and continuing to contemporary Soviet-born authors in the United States, including works that engage deeply with religious concepts and others that embrace assimilation. It invites readers to rethink the nature of American multiculturalism, suggests pairings of Jewish American texts with other ethnic American literatures, and examines the workings of whiteness and privilege. Contributors offer varied perspectives on classic texts such as Yekl, Bread Givers, and “Goodbye, Columbus,” along with approaches to interdisciplinary topics including humor, graphic novels, and musical theater. The volume concludes with an extensive resources section. Roberta Rosenberg is professor emerita at Christopher Newport University, and Rachel Rubinstein taught at Hampshire College and serves as vice president of Academic and Student Affairs at Holyoke Community College. Rachel Adelman (the host) is Associate Professor of Hebrew Bible at Hebrew College in Boston, MA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Carrie Tippen talks with Jessica Martell about her new book, Farm to Form: Modernist Literature and Ecologies of Food in the British Empire, published in 2020 by University of Nevada Press for their Cultural Ecologies of Food series. In Farm to Form, Martell contextualizes some familiar texts of British Literary Modernism, into a history that recognizes the role of food and agriculture not just in the social fabric that these writers were living in and often writing against but also the role that these industries played in determining how writers experimented with literary forms. Food isn’t just in the content of the novels analyzed, but as Martell argues, responses to food systems are reflected in the experiments in form that are a hallmark of literary modernism. If the Modernist era is “a spectacle of lived unevenness,” food (its presence and absence) is particularly good at exposing unevenness and inequity. Martell’s historicizing makes clear that the average British subject was most directly experiencing the projects of imperialism at the table. Each chapter focuses on a particular aspect of the emerging modern food system as reflected in specific texts. The overproduction of rural milk for urban markets is reflected in the overripeness of landscapes in Thomas Hardy’s Tess of the D’Urbervilles, and the collapsing of time and space brought on by technologies of freezing and canning are reflected in the anachronism of E.M. Forster’s Howard’s End. Virginia Woolf’s Mrs. Dalloway bears the marks of wartime rationing and total war on civilians. Joseph Conrad’s images of starving colonial laborers and fat colonizers demonstrates a critique of the “metabolism of empire” that gobbles energy with terrifying efficiency, while James Joyce’s infamous formal and textual excess is a direct response to the Famine and a representation of Ireland as empty and hungry, simultaneously overpopulated and drained by migration. Martell’s central argument is that an understanding of the rapidly changing and visibly uneven experience of modern food industries can offer fresh insights into experiments of literary form. Jessica Martell is assistant professor of Interdisciplinary Studies at Appalachian State University. She is the also the co-editor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (University Press of Florida, 2019). Martell serves on the executive board of Blue Ridge Women in Agriculture, a woman-led non-profit helping to build an equitable and sustainable food system in the North Carolina High Country. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history. This book asks what happens when such telescopic techniques function as a microscope instead. The first monograph to bring a range of computational methods to bear on a single novel in a sustained fashion, it focuses on the award-winning and genre-bending Cloud Atlas (2004). Published in two very different versions worldwide without anyone taking much notice, David Mitchell's novel is ideal fodder for a textual-genetic publishing history, reflections on micro-tectonic shifts in language by authors who move between genres, and explorations of how we imagine people wrote in bygone eras. Though Close Reading with Computers (Stanford University Press, 2019) focuses on but one novel, it has a crucial exemplary function: author Martin Paul Eve demonstrates a set of methods and provides open-source software tools that others can use in their own literary-critical practices. In this way, the project serves as a bridge between users of digital methods and those engaged in more traditional literary-critical endeavors. Close Reading with Computers was the winner of the 2019 Philip Leverhulme Prize, sponsored by The Leverhulme Trust. Martin Paul Eve is Professor of Literature, Technology, and Publishing at Birkbeck College, University of London. Reading mentioned in the episode: -Catherine D’Ignazio and Lauren F. Klein, Data Feminism (MIT Press, 2020) -Lauren F. Klein, ‘Distant Reading After Moretti’ -Andrew Piper, Enumerations: Data and Literary Study (University of Chicago Press 2018) -Ted Underwood, Distant Horizons: Digital Evidence and Literary Change (University of Chicago Press, 2019). Joanna Taylor is Presidential Academic Fellow in Digital Humanities at the University of Manchester. Her research focuses on literary geographies and environmental histories in nineteenth-century Britain. She is on Twitter at @JoTayl0r0 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his compelling evaluation of Cold War popular culture, Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines (Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like Man's Conquest, Battle Cry, and Adventure Life - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'normal' male behavior, Daddis convincingly argues that how we construct popular tales of masculinity matters in both peace and war. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

dWho Wrote That?: Authorship Controversies from Moses to Sholokhov (Northern Illinois University Press) is Harvard historian Donald Ostrowski’s sustained reflection on what we can learn from comparison of authorship controversies. Ostrowski covers nine different cases of disputed authorship, from the Shakespeare canon, to the letters between the Russian Prince Kurbskii and Ivan IV, to the ancient Hebrew Pentateuch. This book lays out evidence from all points of view in an even-handed way, and in doing so, Ostrowski is able to define a number of general principles that ought to animate all scholarship that attempts to answer the question: “Who wrote that?”. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves. She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values. Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power. Dr. Karen E. H. Skinazi is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel Marion: The Story of an Artist’s Model (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In World Literature, Non-Synchronism, and the Politics of Time (Palgrave Macmillan) Filippo Menozzi offers to look at literature and literary processes through the prism of non-synchronism. The book details the notion that Menozzi finds accurate and relevant not only for the analysis of current cultural and political developments, but also for the consideration of the past. Non-synchronism is suggested to subvert the boundaries of time and space that are united and organized through chronologies, imposing and supporting canonical structures. Menozzi asserts that a non-synchronism approach to how we read has political repercussions that can shape the way we navigate the network of political and economic systems. To demonstrate how the non-synchronism approach helps re-arrange different times, Menozzi draws attention to fiction from Africa and South Asia and focuses on how the change of the temporal perspective can activate textual layers, providing space for the intersection of the local and the global. Filippo Menozzi (PhD, Kent) is Lecturer in postcolonial and world literature at Liverpool John Moores University, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode of New Books in Christian Studies, we welcome Ken M. Penner, Professor of Religious Studies at St Francis Xavier University. After a career that has combined biblical studies and digital humanities, Ken has edited the second edition of The Lexham English Septuagint (Lexham Press, 2020), a fresh and historically specific translation into English of the Greek version of the Hebrew Bible. But what is the Septuagint, and why does it matter? How was it used in the writings that comprise the New Testament, and in which religious traditions does it continue to be used today? Join us to find out more. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of An introduction to John Owen(Crossway, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic. Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together is the way they re-appropriate tropes of the gothic that have been used to marginalize queer and gender-variant people throughout history. If mainstream culture depicts queer people as predatory, monstrous, and threatening, the artists analyzed in Gothic Queer Culture find beauty and meaning in gothic tropes: in the crypt-like undergrounds of lesbian bars, the vampiric performance art of Ron Athey, and in the Frankensteinian practice of juxtaposing conflicting genres in the same text. The gothic then becomes a way to process trauma and rewrite the often-conservative genre of the gothic as something proudly queer, unsettled, and unsettling. Laura Westengard is an associate professor of English at the New York City College of Technology, City University of New York. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the impressive volume of The Thousand and One Nights and Twentieth-Century Fiction (Brill), Richard van Leeuwen thoroughly examines an array of intricate ways in which the Thousand and One Nights shaped the developments of literatures across the world. This is a pioneering work in terms of approaching the ancient text not only as a source of inspiration for literary discoveries, but also as a carrier of literary memories and cultural experiences that are collected from a number of geographical locations. Cultural explorations intertwine with political implications which are coded in the texts that are shaped and inherently modified by delicate influences of the Thousand and One Nights. Van Leeuwen gathers references to the Thousand and One Nights from the diversity of literary texts and arranges them to demonstrate the vitality and the fluidity of the text that travels from culture to culture, from text to text, and from one time space to another, from imagination to imagination. In this respect, van Leeuwen’s book, which includes more than 800 pages, replicates to some extent the very nature of the Thousand and One Nights: an on-going journey that takes readers to one destination and invites her/him to push the borderlines and to further explore inexhaustible texts. Van Leeuwen’s book takes the readers to the world of incessant cultural overlaps and dialogues, which are carried forward by the literary text that travels through time and space. This creates a mysterious sense of something that is very familiar, and yet unfathomable. The Thousand and One Nights and Twentieth-Century Fiction invites the readers to explore the fluidity of literary texts and to delve into palimpsestic stories which emerge out of literary memories, converging and intertwining. Richard van Leeuwen, Ph.D. (1992) University of Amsterdam, is senior lecturer in Islamic Studies at that university. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Barton is no stranger to Holy Scripture. Having spent much of his academic career as a chaplain and professor of theology at the University of Oxford, his latest book is an attempt to shed light on one of the world’s most influential texts – the Bible. In A History of the Bible: The Story of the World's Most Influential Book (Viking, 2019), John demonstrates that the Bible, while often thought of as monolithic, is anything but. He paints a vivid picture of the historical backdrop against which the books of the Bible were written, injecting a dose of depth and character to the stories, psalms, prophecies, and letters it comprises. He then turns to how the book was compiled, assembled, and disseminated before finally discussing the plethora of interpretations of the Bible, and its place in the world we live in today. Joshua Tham is an undergraduate reading History at the London School of Economics and Political Science. His research interests include economic history, sociolinguistics, and the "linguistic turn" in historiography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hindu tradition has held conflicting views on womanhood from its earliest texts—holding women aloft as goddesses to be worshipped on the one hand and remaining deeply suspicious about women’s sexuality on the other. In Woman as Fire, Woman as Sage: Sexual Ideology in the Mahabharata (SUNY Press, 2008), Arti Dhand examines the religious premises upon which Hindu ideas of sexuality and women are constructed. The work focuses on the great Hindu epic, the Mahābhārata, a text that not only reflects the cogitations of a momentous period in Hindu history, but also was critical in shaping the future of Hinduism. Dhand proposes that the epic’s understanding of womanhood cannot be isolated from the broader religious questions that were debated at the time, and that the formation of a sexual ideology is one element in crafting a coherent religious framework for Hinduism. Today we speak with Arti Dhand on her teaching, her research on the Hindu epics and her exciting new podcast on the Mahābhārata! For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode of New Books in History, Jana Byars talks with Guy Raffa, Associate Professor of Italian Studies at UT Austin, about his new book, Dante’s Bones: How a Poet Invented Italy (Harvard University Press, 2020). Dante’s Bones is an academic mystery story, the “graveyard history” of Dante Alighieri, the master poet of what has come to be called The Divine Comedy. This book is about Dante’s literal remains and the where and how they’ve been kept. But in tracing that story, Guy Raffa tells a much broader tale about what Dante comes to mean over the past 700 years. Interview topics include thieving Franciscans, Lord Byron, Mussolini, and Longfellow, as we consider Dante the father of Italy and the Italian language, Dante the liberator, and Dante the secular saint. Discussion covers the author’s personal digital accompaniment to the Comedy, Danteworlds. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Women’s Labour and the History of the Book in Early Modern England (Bloomsbury, 2020) reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books. Valerie Wayne is Professor Emerita of English at the University of Hawai‘i at Mānoa in Honolulu. She was associate general editor for Thomas Middleton: The Collected Works (Oxford UP, 2007) and editor of Cymbeline for the Arden Shakespeare, third series (Bloomsbury, 2017). She has edited three collections of essays and is Past President of the Society for the Study of Early Modern Women and Gender. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The way that we talk about living beings can raise or lower their perceived value. On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Allison L. Rowland (s) about zoetropes and zoerhetorics or ways of talking about living beings that promote (#blacklivesmatter) or demote (“collateral damage”) lives and groups of lives. Zoetropes and the Politics of Humanhood (Ohio State University Press, 2020)looks at a variety of these zoerhetorics and the zoetropes or rhetorical devices those discourses contain, and how they build on the necropolitical concept that we are constantly parsing populations into worthy lives, subhuman lives, and lives sentenced to death. Through a series of case studies, including microbial life (at the American Gut Project), fetal life (at the National Memorial for the Unborn), and vital human life (at two of the nation’s premier fitness centers)—and in conversation with cutting-edge theories of race, gender, sexuality, and disability—this book brings to light the discursive practices that set the terms for inclusion into humanhood and make us who we are. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Thanks to Allison L. Rowland for joining us today on New Books Network. Dr. Rowland is Maurer Associate Professor of Performance and Communication Arts at St. Lawrence University and invites “arguments, discourses, responses, and feedback” (her words) at [email protected]. Thanks also to artist Sarah Knobel for the book’s cover art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As much of the world’s population is currently discovering, living through a historical cataclysm is a more common fact of human existence than one might think. Perhaps one reason why this is easily forgotten is the fact that it is hard to make the empathetic leap between oneself and other people from other times and cultures. For this and many other reasons, Xiaoqiao Ling’s Feeling the Past in Seventeenth-Century China (Harvard University Asia Center) offers readers a richly revealing window into sensory worlds at a particularly cataclysmic time, showing how Chinese literati dealt with the traumatic transition from the Ming to the Qing dynasty, and the Manchu conquest of the Han world which brought this about. Exploring writing in numerous genres from plays to memoirs and erotic novels, and translating extensively from these captivating works, Ling demonstrates the striking level of embodied intimacy that these men professed as they wrestled with commitments to community, family and selfhood in their own era of political and social upheaval. Xiaoqiao Ling is Associate Professor of Chinese at Arizona State University. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Carrie Tippen talks Kara Keeling and Scott Pollard about their new book, Table Lands: Food in Children's Literature, published June 2020 by University of Mississippi Press. Table Lands contributes to a growing body of scholarship in the subfield of literary food studies, which combines the methods of literary analysis with the interdisciplinary theories of food, culture, and identity. Keeling and Pollard explain that they were first interested in food in children’s literature as symbols or metaphors, but in Table Lands, they have complicated their understanding of these moments as important cultural work. The didactic nature of children’s literature makes the genre a unique window into processes of cultural and identity creation as children learn manners, morals, food taboos, and appropriate behavior through the rewards and punishments doled out to fictional characters. Arranged roughly chronologically, the chapters explore food as a cultural signifier in familiar texts for children like Winnie the Pooh, Peter Rabbit, and Little House on the Prairie, along with some less canonical texts like 19th century cookbooks for children and Alice Waters’ books about her daughter Fanny. They range from the edgy YA series of Weetzie Bat novels to Maurice Sendak’s picture book In the Night Kitchen and the hit animated Disney-Pixar film Ratatouille. The book also attempts to represent the diversity of children’s literature in the US. The authors argue that Louise Erdrich’s Birchbark novels actively write against The Little House books which devalue, misunderstand, and erase indigenous culture to offer a counternarrative of the American West focused on Native American experiences of land stewardship and relationships to food. Similarly, the final chapter devoted to Thanhha Lai’s Inside Out and Back Again argues that Lai is writing against the representation of the refugee experience written by non-Vietnamese authors for non-Vietnamese audiences, revising and refuting what they call the “gratitude narrative” expected of refugees. Throughout Table Lands, Keeling and Pollard contextualize literary characters’ experiences with food into relevant literature on how food shapes the practice and performance of identity in everyday life. Kara Keeling and Scott Pollard are Professors of English at Christopher Newport University. Kara is Director of the Childhood Studies Minor and teaches courses on Children’s and Young Adult literature. Scott teaches courses in World Literature and Food in Literature. Together they have authored a number of articles on the subject and edited the 2011 essay collection Critical Approaches to Food in Children’s Literature from Routledge. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From Red-Baiting to Blacklisting: The Labor Plays of Manny Fried (SIU Press 2020) collects three plays by Manny Fried alongside a thorough explanation of his work and life by theatre scholar Barry Witham. Witham traces Fried’s long career as a labor organizer and Communist Party militant, as well as the obsessive lengths the FBI went to in order to suppress his activism. Fried is unique among American playwrights in his intimate knowledge of the inner workings of the labor movement, and this knowledge is fully evident in the plays. Issues of red-baiting, deindustrialization, and religious bigotry take center stage in his work, which carries the radical tradition of Clifford Odets and the Federal Theatre Project into the long decline of labor beginning in the 1960s and continuing to this day. From Red-Baiting to Blacklisting is a must-read for anyone interested in the intersection of theatre and the labor movement. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 2009, a novel was released in Norway with a fairly simple premise; the author would simply write about himself, his life and his attempts to write. The autobiographical novel would be the first in a 6-volume series that would eventually total over 3,500 pages written in just 3 short years. The frenzied pace at which it was produced would only be matched by the frenzied pace at which it was consumed, with each volume hitting the bestseller list, and it would all eventually be translated into over 30 languages. The author was Karl Ove Knausgaard, and the novel was called ​My Struggle​. With the dust finally settling in the wake of the enormous controversy the book stirred up, many people are starting to move in to analyze the work with a more critical lens, trying to examine what the work actually achieves, what it’s place might be in the larger canon of literature, and elements of it we should be skeptical of. One of those critical examiners is Kim Adrian in her book ​Dear Knausgaard: Karl Ove Knausgaard’s My Struggle (Fiction Advocate, 2020)​, a collection of short letters written to the man himself where she wrestles with his work. While Adrian is herself a fan of Knausgaard, she is not uncritical of him, and even finds herself frustrated at various moments with his views on writing, literature, politics, gender and identity, but this dynamic gives the book an interesting back-and-forth as it helps her wrestle with these topics. Kim Adrian is a visiting lecturer in English at Brown University, and is the author of the memoir The 27th Letter of the Alphabet and ​Sock​. She has had both fiction and nonfiction appear in a number of outlets, including ​Tin House,​ ​The Gettysburg Review​, and ​The Seneca Review​. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gaurav Desai’s Commerce with the Universe: Africa, India, and the Afrasian Imagination (Columbia University Press, 2013), offers an alternative history of East Africa in the Indian Ocean world. Reading the life narratives and literary texts of South Asians writing in and about East Africa, Gaurav Desai highlights many complexities in the history of Africa's experience with slavery, migration, colonialism, nationalism, and globalization. Consulting Afrasian texts that are literary and nonfictional, political and private, he broadens the scope of African and South Asian scholarship and inspires a more nuanced understanding of the Indian Ocean's fertile routes of exchange. Desai shows how the Indian Ocean engendered a number of syncretic identities and shaped the medieval trade routes of the Islamicate empire, the early independence movements galvanized in part by Gandhi's southern African experiences, the invention of new ethnic nationalisms, and the rise of plural, multiethnic African nations. Calling attention to lives and literatures long neglected by traditional scholars, Desai introduces rich, interdisciplinary ways of thinking not only about this specific region but also about the very nature of ethnic history and identity. Traveling from the twelfth century to today, he concludes with a look at contemporary Asian populations in East Africa and their struggle to decide how best to participate in the development and modernization of their postcolonial nations without sacrificing their political autonomy. Gaurav Desai is Professor of English at the University of Michigan, Ann Arbor. Micheal Rumore is a PhD candidate at the Graduate Center, City University of New York. His work focuses on the Indian Ocean as an African diasporic site. He can be reached at [email protected]. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Vanita Reddy, in her book Fashioning Diaspora: Beauty, Femininity and South Asian American Culture (Duke University Press, 2016), locates diasporic transnationality, affiliations and intimacies through the analytic of beauty. Through her analysis of Asian American literary fiction and performance artwork and installations, Reddy lingers on moments, objects and subjective positions that reveal the potentiality of beauty. Not just a site for neoliberal complicity, beauty, in its presence as well as absence, also emerges as something subversive. The re-articulation of the bindi and the saree, objects that are otherwise imbued with upper-caste, Hindu hetero-reproductive symbolisms, in the works of performance artists, offer queer queer subversion of power structures. Beauty also becomes the site of not just physical but also social (im)mobility as Reddy presents the complicated ways in which beauty relates to aspiration. Central to her project is upending the male-centric understanding of the relationship between the diaspora and the “nation”. Focussing not only on female narratives of movement and mobility but also interrogating the vulnerability and queer-ness of male subject positions, Reddy provides a nuanced interrogation of how “frivolous” beauty becomes the site of transformative transnational journeys. In the first three chapters, she looks at the literary fiction that either centrally or marginally deploys beauty as the site of narrating stories about the diaspora. Chapter 4 and 5 look at feminist performances and cyber representations of objects like the bindi and saree that deliberately challenge the essentialization of these objects and destabilizes them not just to narrate stories of movement but emphasize potential for mobilization through seemingly non-serious, beautiful artifacts. Vanita Reddy is an Assistant Professor of English at Texas A&M University. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In American Daredevil: Comics, Communism, and The Battles of Lev Gleason (Chapterhouse Publishing, 2020), Brett Dakin, Gleason’s great-nephew delves into the life of his famous relative. Gleason rose to the top of the comic publishing world during its Golden Age, publishing Daredevil and Crime Does Not Pay among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism. Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Psychiatry has lagged behind many clinical specialties in recognizing the importance of narrative for understanding and effectively treating disease. With this book, Bradley Lewis makes the challenging and compelling case that psychiatrists need to promote the significance of narrative in their practice as well. Narrative already holds a prominent place in psychiatry. Patient stories are the foundation for diagnosis and the key to managing treatment and measuring its effectiveness. Even so, psychiatry has paid scant scholarly attention to the intrinsic value of patient stories. Fortunately, the study of narrative outside psychiatry has grown exponentially in recent years, and it is now possible for psychiatry to make considerable advances in its appreciation of clinical stories. Narrative Psychiatry: How Stories Can Shape Clinical Practice (Johns Hopkins UP, 2011) picks up this intellectual opportunity and develops the tools of narrative for psychiatry. Lewis explores the rise of narrative medicine and looks closely at recent narrative approaches to psychotherapy. He uses philosophic and fictional writings, such as Anton Chekhov’s play Ivanov, to develop key terms in narrative theory (plot, metaphor, character, point of view) and to understand the interpretive dimensions of clinical work. Finally, Lewis brings this material back to psychiatric practice, showing how narrative insights can be applied in psychiatric treatments―including the use of psychiatric medications. Nothing short of a call to rework the psychiatric profession, Narrative Psychiatry advocates taking the inherently narrative-centered patient-psychiatrist relationship to its logical conclusion: making the story a central aspect of treatment. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Around the world Muslims praise the Prophet Muhammad through the recitation of lyrical poetry. In West Africa, Arabic praise poetry has a rich history informed by local literary, spiritual, and ritual elements. Oludamini Ogunnaike, assistant professor of Religious Studies at the University of Virginia, explores this abundant heritage in Poetry in Praise of Prophetic Perfection: A Study of West African Arabic Madih Poetry and its Precedents (Islamic Texts Society, 2020). In this social setting praise poetry draws from traditional Islamic materials but also employs patterns and concepts from West Africa sources and practices. Ogunnaike translates numerous poems and contextualizes them within a deep intellectual well of Sufi thought. He also places these poems within the realm of lived religious practice and presents them as part of everyday contemporary life in West Africa. In our conversation we discuss the place of praise poetry as a genre, the broader literary tradition it relies on, Sufi theology, the wider intellectual heritage of West Africa, Ibrahim Niass and the Tijaniyyah order, audiences recitations and readings, the functions of these poems in practice, the process of translation, and how these sources might be used in classrooms. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How Do We Write Our Personal History at the Same Time That It’s Written for Us? Today I talked to Suri Hustvedt about this question and others as we discuss her book Memories of the Future (Simon and Schuster, 2019). The Literary Review (UK) has called Hustvedt “a twenty-first-century Virginia Woolf.” She’s the author of seven novels, four collections of essays, and two works of nonfiction. She has a PhD in English literature from Columbia University and lectures in psychiatry at Weill Cornell Medical College. Hustvedt is the recipient of numerous awards, including the European Essay Prize. Topics covered in this episode include: What it can mean to be a heroine instead of a hero, including in regards to which emotions might conventionally be considered “off-limits.” The role that the author’s over-a-dozen drawings play in this novel. Musings on what the roots of ambition might be, and how ambition and shame as well as memory and imagination are often so intertwined. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

If Jay Gatsby is the embodiment of patriotism, what does that mean for America? Join NBN host Lee Pierce and author Greil Marcus as they take a deep dive into how F. Scott Fitzgerald’s vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive. In Under the Red White and Blue: Patriotism, Disenchantment, and the Stubborn Myth of The Great Gatsby" (Yale University Press, 2020), renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald’s The Great Gatsby. An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald’s story has become a key to American culture and American life itself. Marcus follows the arc of The Great Gatsby from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins’s 2006 Gatz and Baz Luhrmann’s critically reviled (here celebrated) 2013 movie version—the fourth, so far. Greil Marcus has written many books, including Mystery Train, Lipstick Traces, The Old, Weird America, and The History of Rock 'n' Roll in Ten Songs. With Werner Sollors he is the editor of A New Literary History of America. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices. Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention. The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail. Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I talk with Pernilla Myrne about her exciting and excellently researched book Female Sexuality in the Early Medieval Islamic World: Gender and Sex in Arabic Literature, published with IB Taurus in 2020. Pernilla Myrne is an Associate Professor of Arabic Literature and History at the University of Gothenburg in Sweden, where she also earned her PhD in 2008. Her research interests include the representation of women in pre-modern Arabic literature, attitudes to sexuality in medieval Islam, and women as creative subjects. In today’s discussion, Myrne shares with us the origins of her book, some of its findings, and the process of collecting the many, many sources she used to make this book an essential resource of many a thing female sexuality, including pleasure, sexual comedy, and women’s bodies. Among Myrne’s impressive range of sources are medical, Islamic legal, literary, and entertainment sources. Contrary to popular and even scholarly expectations, medieval erotic literature emphasized female sexual satisfaction, including via teaching male readers how precisely to ensure that their female partner reaches an orgasm. Other specific themes we discuss in today’s interview include the Greek influences on Islamic writers writing about sex and sexuality, female desire, the two-seed theory, female orgasm, and lesbian love. The book would be welcome by anyone interested in gender and sexuality, medieval literature, and female representation in various genres, such as medical, erotic, and religio-legal literature. Shehnaz Haqqani is Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and questions of change and tradition in Islam. She also vlogs on YouTube; her videos focus on dismantling the patriarchy and are available at here. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Fifty Playwrights on their Craft (Bloomsbury, 2018), Caroline Jester and Caridad Svich talk to writers from the US, the UK, and countries around the world about what it means to be a playwright today. Playwrights range from avant-gardists like Erik Ehn and Sibyl Kempson to well-known playwrights like Willy Russell and Paula Vogel. Each playwright provides a definition of what a playwright is, as well as thoughts about the role of playwriting in our current age of digital storytelling. Taken together, these interviews provide evidence that the craft of playwriting has never been as diverse, as exciting, or as necessary as it is right now. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jeremy Black, the prolific professor of history at Exeter University, has published a stunningly attractive volume entitled, Mapping Shakespeare: An Exploration of Shakespeare’s World through Maps (Bloomsbury, 2018). This lavishly illustrated volume compiles maps of the world, of Europe, of England, of English counties, and of English villages, to illustrate its author’s detailed description of the history of cartography and of the ways in which space and locality was represented in the medieval period and early modernity. In this podcast, Professor Black talks about the book’s preparation, and how illustrated works require different kinds of writing processes from conventional monographs, as well as highlighting those parts of the history of cartography that he finds most compelling. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ahmed El-Shamsy’s Rediscovering the Islamic Classics: How Editors and Print Culture Transformed an Intellectual Tradition (Princeton University Press, 2020) is an astonishing scholarly feat that presents a detailed, sophisticated, and thoroughly enjoyable intellectual and social history of the modern publishing industry on what we today consider canonical books of Islamic thought. “Painstakingly researched” would be a description too mild for the depth and breadth of sources and analysis that El-Shamsy mobilizes in this book. Over the course of its 8 delightfully written chapters, readers meet some known and many less known book collectors, editors, Muslim reformers, early Salafis, and European Orientalists whose thought, outlook, normative agendas, and wide-ranging efforts produced a distinct corpus of classical Islamic texts. The canonization of what counted as “classical” was itself a markedly modern move and gesture, El-Shamsy argues. Populated with fascinating narratives of manuscript hunting, editorial discoveries and frustrations, and collaborations between Arab scholars and European Orientalists, Rediscovering the Islamic Classics combines the literary flair of a sumptuous novel with the textual density of a philological masterpiece. This carefully crafted and argued book represents both a profound tribute to a mesmerizingly layered archive of tradition and its actors, and a tremendous service to the field of Islamic Studies in particular and Religious Studies more broadly. It will also make a great text to teach in courses on intellectual history, manuscript studies, modern Islam, Muslim reform, and Islamic Law. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies