New Books in Literary Studies

The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone' (Berghahn Books) engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature. Adam Brown is a Senior Lecturer in Media Studies at Deakin University, Australia, and a volunteer at the Jewish Holocaust Centre in Melbourne, where he initiated the digitization of the Centre’s survivor video testimony collection. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jennifer J. Davis speaks with Honorée Fanonne Jeffers, Professor of English at the University of Oklahoma, about The Age of Phillis (Wesleyan UP, 2020), Jeffers’s latest collection of poems centered on the remarkable life of America’s first poet of African descent, Phillis Wheatley Peters. The Society of Early Americanists recently selected The Age of Phillis as the subject for their Common Reading Initiative for 2021. Prof. Jeffers has published four additional volumes of poetry including The Glory Gets and The Gospel of Barbecue, and alongside fiction and critical essays. She lives in Norman, Oklahoma. In The Age of Phillis, Jeffers draws on fifteen years of research in archives and locations across America, Europe and Africa to envision the world of Phillis Wheatley Peters : from the daily rhythms of her childhood in Senegambia, the trauma of her capture and transatlantic transport, to the icy port of Boston where she was enslaved and educated. In our conversation, Jeffers speaks to the origins of this project, reveals how she embarked on the research and writing process, and shares a few powerful poems from the volume. Jennifer J. Davis is Associate Professor of History and Women’s & Gender Studies at the University of Oklahoma, and the Co-Editor of the Journal of Women’s History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hasidic leader R. Nachman of Braslav (1772–1810) has held a place in the Jewish popular imagination for more than two centuries. Some see him as the (self-proclaimed) Messiah, others as the forerunner of modern Jewish literature. Existing studies struggle between these dueling readings, largely ignoring questions of aesthetics and politics in his work. Permanent Beginning: R. Nachman of Braslav and Jewish Literary Modernity (SUNY Press, 2020) lays out a new paradigm for understanding R. Nachman’s thought and writing, and, with them, the beginnings of Jewish literary modernity. Yitzhak Lewis examines the connections between imperial modernization processes in Eastern Europe at the turn of the eighteenth century and the emergence of “modern literature” in the storytelling of R. Nachman. Reading his tales and teachings alongside the social, legal, and intellectual history of the time, the book’s guiding question is literary: How does R. Nachman represent this changing environment in his writing? Lewis paints a nuanced and fascinating portrait of a literary thinker and creative genius at the very moment his world was evolving unrecognizably. He argues compellingly that R. Nachman’s narrative response to his changing world was a major point of departure for Jewish literary modernity. Yitzhak Lewis is Assistant Professor of Humanities at Duke Kunshan University, China. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does it mean to be a Brahmin, and what could it mean to become one? The ancient Indian mythological figure Viśvāmitra accomplishes just this, transforming himself from a king into a Brahmin by cultivation of ascetic power. The book, Crossing the Lines of Caste, examines legends of the irascible Viśvāmitra as occurring in Sanskrit and vernacular texts, oral performances, and visual media to show how the "storyworlds" created by these various retellings have adapted and reinforced Brahmin social identity over the millennia. Adheesh Sathaye is Associate Professor, Sanskrit Literature And Folklore, University of British Columbia. You can check out his online class "Narrative Literature in Premodern India" here. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Laughter After: Humor and the Holocaust (Wayne State University Press, 2020), Co-editors David Slucki, Loti Smorgon Associate Professor of Contemporary Jewish Life and Culture at the Australian Centre for Jewish Civilisation at Monash University, Gabriel N. Finder, professor in the department of German Languages and Literatures and former director of the Jewish Studies Program at the University of Virginia and Avinoam Patt, the Doris and Simon Konover Professor of Judaic Studies and director of the Center for Judaic Studies and Contemporary Jewish Life at the University of Connecticut, have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah? This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception. Dr Max Kaiser teaches at the University of Melbourne. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This book by renowned Professor of History Jeremy Black presents an insightful and hugely entertaining exploration of the political and cultural context of the Bond books and films. In The World of James Bond: The Lives and Times of 007 (Rowman and Littlefield, 2017), Jeremy Black offers a historian’s interpretation from the perspective of the 21st century, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Flemng books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on popular fears and anxieties in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood commenced the Bond film series, thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Professor Black's well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of the character of James Bond. Professor Jeremy Black MBE, Is Professor of History Emeritus at the University of Exeter. And a Senior Associate at the Foreign Policy Research Institute. A graduate of Queens College, Cambridge with a First, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement.” Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, and the University of Rouen’s online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century. The translations in Bird Talk and Other Stories by Xu Xu: Modern Tales of a Chinese Romantic. (Stone Bridge Press, 2020)--spanning a period of some thirty years, from 1937 until 1965--bring to life some of Xu Xu’s most representative short fictions from prewar Shanghai and postwar Hong Kong and Taiwan. The Afterword illustrates that Xu Xu’s idealistic tendencies in defiance of the politicization of art exemplify his affinity with European romanticism and link his work to global literary modernity. Frederik H. Green is an associate professor of Chinese at San Francisco State University. He is the author of numerous articles and book chapters on the literature and culture of the Qing dynasty and the Republican Period, Sino-Japanese cultural relations, post-socialist Chinese cinema, and contemporary Chinese art. He holds a BA in Chinese Studies from Cambridge University and an MPhil and PhD in Chinese literature from Yale University. He is a translator of Chinese and associate professor of Chinese at San Francisco State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Do you have an active intellectual life? That is a question you may feel uncomfortable answering these days given that the very phrase “intellectual life” can strike some people as pretentious or self-indulgent, even irresponsible in a time of pandemic disease. But what better time could there be for an examination of the subject of the inner life? And what is “the intellectual life,” anyway? In her 2020 book, Lost in Thought: The Hidden Pleasures of an Intellectual Life (Princeton University Press, 2020), Zena Hitz explores the interior world and shows that intellectual endeavor is not simply a matter of reading by oneself but can encompass everything from a lifelong fascination with falcons to strategies for retaining one’s sanity and humanity in a gulag or producing ground-breaking political and sociological writings in a prison cell in Mussolini’s Italy. In the course of her book, Hitz deploys real-world examples from young Einstein in his day job in a Swiss patent office to Malcolm X’s encounter with the fellow prison inmate who first urged him to embark on a life-changing course of reading to Dorothy Day’s encounters with books throughout her life and their influence on her youthful secular radicalism to her conversion to Catholicism and continued activism. We also encounter St. Augustine and take a deep dive into Elena Ferrante’s Neapolitan Novels and travel with a Preston Sturges hero in a screwball comedy/social commentary film. Hitz’s reader-friendly examination of the intellectual life is ideal reading for the millions of us confined to our homes due to the coronavirus and who now have time to read and think seriously about matters of mortality and the meaning of life, which are suddenly front and center in our daily lives. And at a time of pandemic-related economic peril for liberal arts colleges and programs, Hitz’s take on what ailed them even before our current crisis and her prescription for a way forward for those that survive the next several years are must reading for not only academics but all citizens who care about how civilization itself carries on. Give a listen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lara Harb’s Arabic Poetics: Aesthetic Experience in Classical Arabic Literature (Cambridge University Press, 2020) is a delightful and formidable study on the details and development of poetics and aesthetics in medieval Arabic literature. The central theme of this splendid book centers on the emergence of the evocation of wonder as a key aesthetic experience and criterion connected to the beauty and eloquence of speech in medieval Muslim intellectual thought. With breathtaking clarity and painstaking elaboration, Harb charts the key literary tropes, categories, and strategies, as well as the broader intellectual and theological stakes, such as the question of the Qur’an’s inimitability, invested in how poetry was imagined, experienced, and evaluated in this context. The strength of this book lies in the meticulous care with which it walks readers through a complex yet deeply fascinating discursive arcade of thinkers, texts, and poetic registers. While focused on the thought of the preeminent eleventh century scholar ‘Abd al-Qāhir al-Jurjānī, Arabic Poetics presents and explores a panoply of scholars and texts situated at the intersection of religion, and literature. Written with sparkling clarity, this book will also make an excellent text to teach in various undergraduate and graduate courses on the Muslim Humanities, Arabic, Religion and Literature, and Religious Studies more broadly. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his sixth thesis on the philosophy of history, Walter Benjamin wrote, “The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious.” Edgar Garcia is one such historian…and if you’re not yet convinced of Benjamin’s dictum, you should listen to this interview. In Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu (University of Chicago Press, 2019) Garcia sets sparks flying by inviting us to explore the literature and theory created by 20th and 21st century writers who deploy sign systems that, according to the creation myth of European hegemony, alphabetized thought supposedly superseded and destroyed. Akin to Paul Gilroy’s The Black Atlantic in ambition and originality, Signs of the Americas not only pries open a fascinating archive but also forces us to question the organizational principles that govern intellectual history and cultural criticism in this hemisphere. In this interview, we discuss work by Jaime de Angulo, Cecilia Vicuña, John Borrows, and Gloria Anzaldúa, as well as Garcia’s own Skins of Columbus: A Dream Ethnography (Fence Books, 2019), which serves as a kind of poetic companion to Signs. David Gutherz is a Teaching Fellow in Social Thought at the University of Chicago. His research deals with the history of the human sciences, with a special interest in how intellectuals have aided and undermined authoritarian movements. You can find out more about his work at www.davidmaxgutherz.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Poetry as Prayer in the Sanskrit Hymns of Kashmir (Oxford University Press, 2019), Hamsa Stainton explores the relationship between 'poetry’ and ‘prayer’ in South Asia through close examination of the history of Sanskrit hymns of praise (stotras) in Kashmir from the eighth century onwards. Beyond charting the history and features of the stotra genre, Hamsa Stainton presents the first sustained study of the Stutikusumāñjali, an important work dedicated to the god Śiva, one bearing witness to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. Poetry as Prayer illumines how these Śaiva poets integrate poetics, theology and devotion in the production of usage of Sanskrit hymns, and more broadly expands our understanding Hindu bhakti itself. Hamsa Stainton is an Assistant Professor in the School of Religious Studies at McGill University. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This book is a translation and study of The Subhedar's Son (Oxford University Press, 2019), an award-winning Marathi biographical novel written in 1895 by Rev. Dinkar Shankar Sawarkar, who writes about his own father, Rev.Shankar Nana (1819-1884). Nana, a Brahmin, was among the early Christian converts of the Church Missionary Society in Western India. The Subhedar's Son provides a fascinating insight into Brahmanical-Christian conversions of the era, along with attitudes surrounding such conversions. In this podcast, we interview Deepra Dandekar – author of this book, and Sawarkar’s own great-grand-daughter–about this text and its important context. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself: Blackness and the End of Man (Harvard University Press, 2020) delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure―the rat, the cock, the mule, the dog, and the shark―in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people―all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene. Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa's west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? In her new book, The Metamorphoses of Myth in Fiction since 1960, Professor Kathryn Hume examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. She argues that these artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Hume elicits an understanding of the current uses of mythology in fiction. Kathryn (Kit) Hume started as a medievalist in Old English, Middle English, and Old Norse, but has become a specialist in contemporary fiction. Her books have investigated fantasy, Pynchon’s Gravity’s Rainbow, Italo Calvino’s novels, and a great many contemporary Anglophone writers. She also drew on her experience as a job placement officer to write Surviving your Academic Job Hunt: Advice for Humanities PhDs. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Shakespeare for Snowflakes: On Slapstick and Sympathy (Zero Books, 2020), Ian Burrows examines the fraught meeting place of slapstick and tragedy, asking us under what literary and performative conditions we extend and withhold sympathy. Using source material as diverse as YouTube comments and the plays of Sarah Kane and William Shakespeare, Burrows forces us to confront the limits of our own empathy. This book also provides a useful entry point into the question of trigger warnings in academic lectures: after a trigger warning on one of Burrows’ lectures came to the attention of the British press, Burrows found himself the center of a controversy over the use of content warnings on material related to sexual assault. Burrows makes the case that such warnings are not an impediment to learning, and in fact may allow some students to more fruitfully engage with this topic. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The “Mongol turn” in the thirteenth and fourteenth centuries forged new political, commercial, and religious circumstances in Eurasia. This legacy can be found in the “sudden appearances” of common themes, styles, motifs, and even pigments that circulated across the continents. Drawing on visual as well as textual sources from eight unique locations that spanned between Siena in Italy and Quanzhou in China, Roxann Prazniak maps out in Sudden Appearances an elaborate thirteenth-century network of cultural and commercial exchanges that “produced an ascendant materialism and intervisuality that emphasized human agency.” Join me as I discuss Sudden Appearances: The Mongol Turn in Commerce, Belief, and Art (University of Hawaii Press 2019) with Dr. Prazniak. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational/transregional networks of Buddhism in twentieth-century Inner Mongolia and Manchuria that connected to the Republic of China, Tibet, and the Empire of Japan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced. John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at [email protected] and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies (Rowman & Littlefield, 2018), Diana Senechal examines words, concepts, and phrases that demand reappraisal. Targeting a variety of terms, the author contends that a “good fit” may not always be desirable; delivers a takedown of the adjective “toxic”; and argues that “social justice” must take its place among other justices. This book also includes a critique of our modern emphasis on quick answers and immediate utility. By scrutinizing words and phrases that serve contemporary fads and follies, this book stands up against the excesses of language and offers engaging alternatives. Drawing on literature, philosophy, social sciences, music, and technology, Senechal offers a rich framework to make fresh connections between topics. Combining sharp criticism, lyricism, and wit, Mind over Memes argues for judicious and imaginative speech. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a book of encounters. Part memoir, part essay, and partly a guide to maximizing your capacity for fulfillment and expression, The Poetry of Everyday Life: Storytelling and the Art of Awareness (Cornell University Press, 2016) taps into the artistic side of what we often take for granted: the stories we tell, the people we love, the metaphors used by scientists, even our sex lives. A folklorist, writer, and cultural activist, Steve Zeitlin explores how poems serve us in daily life and how they are used in times of personal and national crisis. In the first book to bring together the perspectives of folklore and creative writing, Zeitlin explores meaning and experience, covering topics ranging from poetry in the life cycle to the contemporary uses of ancient myths." This convergence of poetry and folklore," he suggests, "gives birth to something new: a new way of seeing ourselves, and a new way of being in the world." Written with humor and insight, the book introduces readers to the many eccentric and visionary characters Zeitlin has met in his career as a folklorist. Covering topics from Ping-Pong to cave paintings, from family poetry nights to delectable dishes at his favorite ethnic restaurants, The Poetry of Everyday Life will inspire readers to expand their consciousness of the beauty that resides in everyday things and to use creative expression to engage and animate that beauty toward living a more fulfilling awakened life, full of laughter. To live a creative life is the best way to engage with the beauty of the everyday. The multiple author It Takes A Pandemic poem can be found here. To hear Steve Zeitlin and Amanda Dargan’s “Double Coffin” bluegrass song, go here. Rachel Hopkin PhD is a UK born, US based folklorist and radio producer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Dr. Mitchell Nathanson, author of the book Bouton: The Life of a Baseball Original (University of Nebraska Press, 2020). Nathanson, a professor of law at the Jeffrey S. Moorad Center for the Study of Sports at Villanova University, examines the life of Jim Bouton, a journeyman pitcher whose 1970 book, “Ball Four,” was a lightning rod for controversy and became one of the best sports books of all time. Nathanson examines the dynamics behind the crafting and publishing of “Ball Four,” Bouton’s diary of the 1969 major league baseball season. He examines the contributions of Leonard Shecter, the former New York Post sportswriter who helped shape Bouton’s narrative. More importantly, Nathanson presents a more well-rounded portrait of Bouton, a free-thinking man who marched to his own beat and was not afraid to buck the establishment. Bouton’s youth, his early successes with the New York Yankees and fall from grace are chronicled. Well-researched with interviews from key figures in his lifetime, “Bouton” provides context and reveals the man behind a work that was vilified fifty years ago as a “kiss-and-tell” book but is now lauded as a sports classic. Nathanson brings fresh perspective and delivers an unvarnished, critical view of Bouton. Bob D’Angelo earned his master’s degree in history from Southern New Hampshire University in May 2018. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He is currently a digital news producer for Cox Media Group. Bob can be reached at [email protected]. For more information, visit Bob D’Angelo’s Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. In The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018), Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did―and can―have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Vyāsa Redux: Narrative in Epic Mahābhārata (Anthem Press, 2019), Kevin McGrath examines the complex and enigmatic Vyāsa, both the primary creative poet of the Sanskrit epic Mahābhārata and a key character in the very epic he composes. In doing so McGrath focuses on what he considers the late Bronze Age portions of the epic feature prioritizing the concerns if the warrior class. In his discussion, McGrath distinguishes between plot and story and how this distinction comes to bear on the differences between preliterate and literate phases of the epic’s compositional history. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode, Lee Pierce (she/they interviews John R. Gallagher of University of Illinois about Update Culture and the Afterlife of Digital Writing (Utah State University Press, 2020) a dynamic look at the life of a text in the 21st century. Looking at wealth of case studies among Amazon reviewers, redditors, and established journals, Update Culture is a deep diver into the many factors that contribute to the circulation of a digital text. The key three themes Gallagher explores include timing, attention, and management and they provide rhetorical points of access to understand the ever-evolving conditions of digital writing across genres and mediums. I hope you enjoy listening as I much as I enjoyed chatting with John about this instructive book. I’d love to hear from you at [email protected] or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd. ~lee Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.” In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear them. Shaw shows us what it might mean to listen deeply and profoundly, with our minds, yes, but also with our souls, our spirits, our very bones. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Brian Collins' book The Other Rāma Matricide and Genocide in the Mythology of Paraśurāma (SUNY Press, 2020) examines a fascinating, understudied figure appearing in Sanskrit narrative texts: Paraśurāma, i.e., “Rāma with the Axe”. Though he is counted as among the ten avatāras of Viṣṇu, his biography is quite grisly: Paraśurāma is best known for decapitating his own mother and launching a genocidal campaign to annihilate twenty-one generations of the warrior caste. Why do ancient Sanskrit mythmakers elevate such an arguably transgressive and antisocial figure to so exalted a religious status? The Other Rāma explores this question by undertaking analysis of the Paraśurāma myth cycle using the methods of comparative mythology and psychoanalysis. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner’s wide-ranging literary output to assess the author’s life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family’s tales and the larger history of the region to which it was tied. Yet it took Faulkner’s journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After a life lived in obscurity, Emily Dickinson emerged after death as one of the greatest poets of her time. In These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson (W. W. Norton, 2020), Martha Ackermann traces her evolution as a poet by focusing on some of the key moments in her life that defined and shaped her as a writer. The daughter of a prosperous attorney, Dickinson did not have the concerns of work or marriage that defined the lives of the women of her era. Without them she was able to focus on composing poems, a task to which she dedicated herself at an early age. While the vast majority of her poems remained unpublished during her lifetime, this did not reflect her desire to be distinguished. In response to an article by Thomas Wentworth Higginson, she sent him four of her poems, inaugurating what would become a lifelong correspondence between the two of them. Though Higginson was instrumental in the posthumous publication of Dickinson’s poems, it took Dickinson’s death in 1886 before she gained the distinction she had desired throughout her life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education. Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia). Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"Man is born free, and everywhere he is in chains." The opening sentence of 18th century philosopher Jean-Jacques Roussau's The Social Contract poses a central question for all of us. Why do we live under conditions of inequality, violence, dependency and general unhappiness (just look on twitter!) if society is made by us and for us? Why does it seem that modern human beings are not liberated but in fact subjugate themselves voluntarily to a system that robs them off their freedom? Rousseau's thought has informed much of modern political theory and philosophy and inspired people everywhere to think about the balance between individual liberty and collective existence. In order to understand better the lasting influence of Rousseau and his current significance, I spoke with Melissa Schwartzberg, who is Silver Professor of Politics at New York University and a specialist in political theory. Melissa's research is in the historical origins and normative logic of democratic institutions. This means she examines the principles underlying democracies and also the way democratic practices, from constitutions to elections, work out today. Professor Schwartzberg is the author of several books: Counting the Many: The Origins and Limits of Supermajority Rule, and Democracy and Change (Cambridge University Press, 2013). Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Robert Elmer, who is a communications specialist at Seattle Pacific University, a prolific writer of historical fiction, and the author of over fifty published titles, has published a ground-breaking anthology of prayers that he has collected from English and American puritans. The value of Piercing Heaven: Prayers of the Puritans (Lexham Press, 2020) is that it provides access into a world of religious practice that is otherwise lost – many puritans refusing on principle to put their prayers to paper. Trawling through published sermons and other sources, Elmer discovered prayers reflecting a huge range of contexts, situations, and geographical and denominational background. Piercing heaven: Prayers of the puritans organises these prayers in thematic sections. Tune in to find out why these prayers are so surprising – and what they tell us about the interior life of the hotter sort of English and American protestants. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic. In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“In the game of thrones you either win or you die”––with over 10 million viewers per episode of Game of Thrones, one of the most successful television shows of all time, George R.R. Martin definitely wins. The success of the show is even more amazing considering it’s genre television––fantasy, to be exact. Some assert that the power of George R.R. Martin’s A Song of Ice and Fire, the book series upon which the crowning jewel of HBO is based, comes from the author’s willingness to ignore the conventions of the fantasy genre. Not so, argues Dr. Joseph Young in his new book, George R. R. Martin and the Fantasy Form (Routledge, 2019) Using the frameworks of literary theory relevant to modern fantasy, Dr. Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of the genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program. Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important book for both students and critics of Martin’s work, arguing for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose. Dr. Joseph Rex Young lives and works in Dunedin, New Zealand, where he pursues his research interests in Gothic literature, neo-Romanticism, and the intellectual history and structure of modern fantasy narrative. He has taught at universities in Bosnia and Herzegovina, Germany, and New Zealand. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Another heavenly day” is the opening line of Samuel Beckett’s play Happy Days (1961), where Winnie sits buried to her waist in sand, with her husband Willie stuck a few feet away from her … but language, memory, and consciousness are not all she has. Beckett’s plays, novels, poetry, radio plays, and prose reveal our deepest humanity by stripping language to its bare essentials. Beckett wrote much of his work after 1945 in French, a language he learned mostly as an adult, and then translated it back into his native English to purge it of clichés and stock phrases. In the resulting works he reveals how our bodies moving through space are far more than vessels for a roving consciousness. They contain a hint of transcendence which manifests itself as the human need for self-expression through which we locate ourselves — in time, in relation to others, and in relation to ourselves. I spoke with Beckett expert, scholar, and theater director Nicholas Johnson at the Samuel Beckett Theatre at Trinity College Dublin, Ireland, where Beckett taught for a short time in the 1920s before giving up on academia, moving to Paris, and becoming a writer next to James Joyce, Gertrude Stein, Ernest Hemingway, and others. Our conversation shows how Beckett’s work is surprisingly optimistic about the power of art and language to give us meaning. “You must go on, I can’t go on, I’ll go on” is the final line of Beckett’s 1953 novel The Unnamable. Johnson explained how these words show Beckett’s relentless commitment to strip our existence down to the basics (who we are, what we have, what we want) and then move deeper from there. Instead of adding more words and complexity, Beckett shows that our searching may be our life’s meaning and that not knowing what we want is, in fact, the key to knowing ourselves. “You have to pay attention and be as informed as possible; you have to try to understand things; and you have to speak out!” is Johnson’s summary of what Beckett’s works mean for him. In a time of historic and political turmoil, it’s an urgent imperative and we would do well to heed it. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Jātaka tales, or stories of the Buddha’s previous lives as a bodhisatta, are included in the Pāli Canon and have for centuries been a rich source of inspiration in Theravada Buddhism. In addition to these classical Jātaka, a number of other non-canonical Jātaka tales emerged in Southeast Asia and were widely circulated throughout the region. Collections of these tales are conventionally referred to as the Paññāsa Jātaka, or the “Fifty Jātaka”. Once considered minor and apocryphal, the Paññāsa Jātaka are now recognized as the lifeblood of the region’s literature and an important source of traditional culture. Chris Baker and Pasuk Pongpaichit have translated twenty-one of the best-known tales from the Thai collection of the Paññāsa Jātaka in their recently published book From the Fifty Jātaka: Selections from the Thai Paññāsa Jātaka (Silkworm Books, 2019). In addition to the elegant and approachable translations, Baker and Phongpaichit have included an insightful introduction on the Paññāsa Jātaka and have also provided synopses of all sixty-one tales. Both an entertaining and informative book, “From the Fifty Jātaka” will be appreciated both by the layman as well as the scholar. Please join us as we explore these fascinating tales and the origins of some risqué Thai tree names on today’s podcast. Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The fact that secrecy and the concealment of information is important in today’s China is hardly a secret in itself, yet the ways that this secrecy is structured and sustained in such a vast society is not especially well understood. A lot more must be at play than simply the PRC state’s vast censorship apparatus when it comes to obscuring everything from the leadership’s private lives to dark chapters of country’s recent history. Margaret Hillenbrand’s Negative Exposures: Knowing What Not to Know in Contemporary China (Duke University Press, 2020) sheds unique light on the operation of what she calls China’s culture of ‘public secrecy’. Focusing on the storied afterlives and artistic re-purposings of photographic images from key junctures of China’s twentieth-century – the Nanjing Massacre, the Cultural Revolution and the Tiananmen Square protests – Hillenbrand shows how they expose the subtle contours of what it is permissible and what impermissible to know. The book’s highly original and at times haunting exploration of photographic afterlives in art, literature and online offers up a nuanced but also forceful picture of how secrecy reigns in the PRC, and indeed beyond. Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paul Celan's poetry marks the end of European modernism: he is the last poet of the era where the poetic "I" could center a subjective vision of the world through language. Celan bears witness to the Holocaust as the irredeemable rupture in European civilization, but he does so in German, the language of the perpetrators who murdered his parents along with millions of others. How do you bear witness to suffering, murder and loss in the language of the murderers? How can poetry account for the inhumanity of the Holocaust without aestheticizing it? How can language prevail when words fail to express what really happened to millions upon millions at the hands of a people who claimed to be the height of civilization? I spoke with Amir Eshel, a critic and poet who is also Edward Clark Crossett Professor of Humanistic Studies and Professor of German Studies and Comparative Literature at Stanford University. His books include: Poetic Thinking Today (forthcoming with Stanford University Press in 2019); Futurity: Contemporary Literature and the Quest for the Past (University of Chicago Press 2013); as editor, The German-Hebrew Dialogue: Studies of Encounter and Exchange (2018), and with Uli Baer, an edited book of essays on Hannah Arendt, Hannah Arendt: zwischen den Disziplinen. He's published several books on poetry after the Holocaust and on writings about the Palestinian expulsion. In 2018 Amir published a book with the artist Gerhard Richter, called Zeichnungen/רישומים, a book which brings together 25 drawings by Richter from the cycle 40 Tage and Eshel’s bi-lingual poetry in Hebrew and German. Eshel first encountered Celan in Hebrew translations before learning German himself. I read Celan in (my native) German but not until I have moved to America and started writing and mostly speaking in English. Amir and I met, in a way, as an Israeli and a German, via Celan's poetry. We talked about the experience of reading Celan, how being estranged by language can come close to grasping another's experience that we will never know, and why poetry never quite lives only in a familiar idiom. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mary Wollstonecraft Godwin Shelley wrote Frankenstein, or The Modern Prometheus when she was nineteen years old on a bet. The novel spawned two centuries of creatures that turn against their makers. It examines the limits of scientific innovation, whether the quest for knowledge must be tempered by morality, and why human beings tend to ostracize, persecute and sometimes kill anything that does not look like them. I spoke with Julie Carlson, a professor at the University of California, Santa Barbara and the author of a gripping biography of Mary Shelley's family, England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley (among other books). Shelley's mother was Mary Wollstonecraft, the first modern feminist and a free thinker vilified for her ideas of equality. Her father was a philosopher. In some ways, Mary Shelley was an experiment herself. We also discussed what it means that a woman wrote the first science fiction novel, and why the book and the "daemon" Shelley imagined still proves so powerful today, 200 years after its first publication. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout her new book, HandiLand: The Crippest Place on Earth (University of Michigan Press 2019), Elizabeth A. Wheeler uses a fictional place called HandiLand as a yardstick for measuring how far American society has progressed toward social justice and how much remains to be done. In a rich array of chapters, Wheeler considers the new prominence of youth with disabilities in contemporary young adult and children’s literature. From these and other sources, she derives principles for understanding social justice from the everyday experiences of adults and families with disabilities, including her own. Wheeler intersperses literary analysis with personal memoir in an effort to fashion tool kits for those whose “work, ideas, and hands touch young people with disabilities,” which is all of us. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout her new book, HandiLand: The Crippest Place on Earth (University of Michigan Press 2019), Elizabeth A. Wheeler uses a fictional place called HandiLand as a yardstick for measuring how far American society has progressed toward social justice and how much remains to be done. In a rich array of chapters, Wheeler considers the new prominence of youth with disabilities in contemporary young adult and children’s literature. From these and other sources, she derives principles for understanding social justice from the everyday experiences of adults and families with disabilities, including her own. Wheeler intersperses literary analysis with personal memoir in an effort to fashion tool kits for those whose “work, ideas, and hands touch young people with disabilities,” which is all of us. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While there are still occasional uses of it today, the term "Central Europe" carries little of the charge that it did in the 1980s and early 1990s, and as a political and intellectual project it has receded from the horizon. Proponents of a distinct cultural profile of these countries―all involved now in the process of Transatlantic integration―used "Central European", as a contestation with the geo-political label of Eastern Europe. In Transatlantic Central Europe: Contesting Geography and Redefining Culture beyond the Nation (Central European University Press, 2019), Jessie Labov discusses the transnational set of practices connecting journals with other media in the mid-1980s, disseminating the idea of Central Europe simultaneously in East and West. A range of new methodologies, including GIS-mapping visualization, is used, repositing the political-cultural journal as one central node of a much larger cultural system. What has happened to the liberal humanist philosophy that "Central Europe" once evoked? In the early years of the transition era, the liberal humanist perspective shared by Havel, Konrád, Kundera, and Michnik was quickly replaced by an economic liberalism that evolved into neoliberal policies and practices. The author follows the trajectories of the concept into the present day, reading its material and intellectual traces in the post-communist landscape. She explores how the current use of transnational, web-based media follows the logic and practice of an earlier, 'dissident' generation of writers. Jessie Labov is the Director of Academic and Institutional Development at McDaniel College Budapest, and a Resident Fellow in the Center for Media, Data and Society, at Central European University. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nicholas R. Jones’s book, Staging Habla de Negros: Radical Performance of the African Diaspora in Early Modern Spain (Penn State University Press, 2019), analyzes white appropriations of black African voices in Spanish theater in the sixteenth through eighteenth centuries, when performing habla de negros—how Africanized Castilian was commonly referred to—was in fashion. Jones problematizes long-held beliefs among literary critics and linguists that habla de negros as represented in dominant Spanish literature was exclusively racist stereotypes, and instead seeks to theorize habla de negros as a radical performance that “allow[s] black expression and black sensibilities to emerge whether there are black bodies present or not.” This elegant book demonstrates that black voices, speakers, bodies, subjects, were visible, present, and constitutive parts of the early modern Castilian soundscape and society and succeeds in drawing modern readers’ attention to their importance. By centering black historical and literary figures, Jones shows how black populations of early modern Spain participated in the formation of Black experience beyond Brazil, the Caribbean and the United States. Elizabeth Spragins is assistant professor of Spanish at the College of the Holy Cross. Her current book project is on corpses in early modern Mediterranean narrative. You can follow her on Twitter @elspragins. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies