New Books in Literary Studies

Reflecting the Past: Place, Language, and Principle in Japan's Medieval Mirror Genre (Harvard UP, 2020) is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval. Despite the Mirrors’ common concerns and commitments, traditional linguistic and disciplinary boundaries have downplayed or obscured their significance for medieval thinkers. Through their treatment here as a multilingual, multi-structured genre, the Mirrors are revealed, however, as the dominant mode for reading and writing the past over almost three centuries of Japanese history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material. But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience. In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing how Journey to the West and the Monkey King have had an impact on popular culture far beyond China, through Japan, Southeast Asia and the West. Julia Lovell is a Professor of Modern Chinese History and Literature at Birkbeck, University of London. Her research primarily focuses on the relationship between culture and modern Chinese nation-building, and on the wide-ranging impacts of modern China’s encounters with the world beyond its borders. She is the author of several well-received histories of China, including The Opium War: Drugs, Dreams and the Making of China (Pan Macmillan: 2011), and Maoism: A Global History (Bodley Head: 2019). She has also translated several works of Chinese literature, including The Real Story of Ah-Q and Lust, Caution. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Monkey King. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian. The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do we think about situations and things do not exist but might, engage in pretense and fiction, and create new works of art? These are central cases in which we’re using our imaginations, but what is imagination, and how should it be explained? In Explaining Imagination (Oxford University Press, 2020), Peter Langland-Hassan distinguishes using mental imagery to think about things and thinking about imaginary things, and proceeds to give a reductive account of both. On his view, imagining isn’t a sui generis mental state, as the received view holds. Instead, it can be reduced to more basic states, in particular belief, desire, and intention. Langland-Hassan, who is associate professor of philosophy at the University of Cincinnati, uses his account to explain the central cases of imagination, defends his view against objections, and considers how recent advances in Deep Learning might help explain the creative process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Young adult literature featuring LGBTQ+ characters is booming. In the 1980s and 1990s, only a handful of such titles were published every year. Recently, these numbers have soared to over one hundred annual releases. Queer characters are also appearing more frequently in film, on television, and in video games. This explosion of queer representation, however, has prompted new forms of longstanding cultural anxieties about adolescent sexuality. What makes for a good “coming out” story? Will increased queer representation in young people’s media teach adolescents the right lessons and help queer teens live better, happier lives? What if these stories harm young people instead of helping them? In Queer Anxieties of Young Adult Literature and Culture (UP of Mississippi, 2020), Derritt Mason considers these questions through a range of popular media, including an assortment of young adult books; Caper in the Castro, the first-ever queer video game; online fan communities; and popular television series Glee and Big Mouth. Mason argues themes that generate the most anxiety about adolescent culture—queer visibility, risk taking, HIV/AIDS, dystopia and horror, and the promise that “It Gets Better” and the threat that it might not—challenge us to rethink how we read and engage with young people’s media. Instead of imagining queer young adult literature as a subgenre defined by its visibly queer characters, Mason proposes that we see “queer YA” as a body of transmedia texts with blurry boundaries, one that coheres around affect—specifically, anxiety—instead of content. Derritt Mason is associate professor of English at the University of Calgary. He is coeditor of Queer as Camp: Essays on Summer, Style, and Sexuality. John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Laura Eastlake’s Ancient Rome and Victorian Masculinity (Oxford University Press, 2019) examines Victorian receptions of ancient Rome from the French Revolution to the First World War, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature were at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire. These manifold and often contradictory representations were used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde. In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models. Using approaches from literary and cultural studies, reception studies, and gender studies, and ranging across the topics of education, politics, empire, and late Victorian decadence, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity. Dr. Laura Eastlake is a senior lecturer in English literature at Edge Hill University in the UK, with degrees in the Classics, classical reception, and Victorian literature, with additional research interests in sensation fiction, Victorian humour and substance-use, and the late-Victorian Gothic. Check out her exhibition at The Atkinson museum: Fatal Attraction: Lilith and Her Sisters. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Migrating Tales: The Talmud's Narratives and Their Historical Context (University of California Press, 2014) situates the Babylonian Talmud, or Bavli, in its cultural context by reading several rich rabbinic stories against the background of Greek, Syriac, Arabic, Persian, and Mesopotamian literature of late antiquity and the early Middle Ages, much of it Christian in origin. In this nuanced work, Richard Kalmin argues that non-Jewish literature deriving from the eastern Roman provinces is a crucially important key to interpreting Babylonian rabbinic literature, to a degree unimagined by earlier scholars. Richard Kalmin is the Theodore R. Racoosin Professor of Talmud and Rabbinics at The Jewish Theological Seminary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at [email protected] or [email protected]. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: the steps to creating a writing career after college; the children’s book market; the difference between a pitch, a hook, a logline, and a synopsis; the importance of building a support network; and a discussion of the book Premeditated Myrtle. Our guest is: Elizabeth C. Bunce, the author of the Myrtle Hardcastle mystery book series. Elizabeth’s books are inspired by real places and cultures of the past, often with otherworldly or magical elements. She has been writing for as long as she can remember, and has always been interested in literature, folklore, history, and culture. She studied English and anthropology in college. When she’s not writing, she’s usually making something—cosplay, needlework, historical costuming, quilting—but not cooking. Your host is: Dr. Christina Gessler, a historian of women, gender, and sexuality. She specializes in decoding diaries written by rural women in 19th century America. She belongs to a critique group for children’s book writers, and has been an active member of SCBWI for over a decade. When she’s not reading, writing, podcasting, or teaching, she can be spotted taking walks along the shore and working on her nature photography. She seldom cooks. Listeners to this episode might be interested in: Premeditated Myrtle by Elizabeth Bunce Wired for Story by Lisa Cron The Magic Words: Writing Great Books for Children and Young Adults by Cheryl Klein Book in a Month by Victoria Lynn Schmidt Stealing Hollywood: Screenwriting Tricks for Authors by Andrea Sokoloff The Society of Children’s Book Writers and Illustrators The Highlights Foundation The Vermont College of Fine Arts MFA in Writing for Children and Young Adults Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Anna Veprinska about her book Empathy in Contemporary Poetry after Crisis (Palgrave Macmillan, 2021) recently published by Palgrave Macmillan. In it, Veprinska examines the representation of empathy in contemporary poetry that responds to moments of traumatic crisis, focusing specifically on the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. Rather than taking a straightforward approach that uncritically heralds empathy, Veprinska explores the various techniques poets use that invite and refuse empathy, thereby displaying empathetic dissonance, a term that Veprinska coins to describe the struggle poets and poetry have with the question of the value and possibility of empathy in the face of the crises to which they respond. Veprinska’s text is anchored by a tripartite structure of negation in which she explores the unsaid, the unhere, and the ungod, all of which deal with the internally fractured and dissonant nature of poetic empathy. By mingling textual analysis with philosophy, psychology, history, and trauma studies, Empathy in Contemprary Poetry after Crisis seeks to sketch out and approach the limits of empathy and to show how poetry is uniquely situated as a medium through which we can be with each other in the aftermath of world-altering events. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While there has been a recent boom in Jewish literacy and learning within the US, few resources exist to enable American Jews to experience the rich primary sources of Yiddish culture. Stepping into this void, Miriam Udel has crafted collection, Honey on the Page: A Treasury of Yiddish Children's Literature (NYU Press, 2020), which offers a feast of beguiling original translations of stories and poems for children. Arranged thematically―from school days to the holidays―the book takes readers from Jewish holidays and history to folktales and fables, from stories of humanistic ethics to multi-generational family sagas. Featuring many works that are appearing in English for the first time, and written by both prominent and lesser-known authors, this anthology spans the Yiddish-speaking globe―drawing from materials published in Eastern Europe, New York, and Latin America from the 1910s, during the interwar period, and up through the 1970s. With its vast scope, Honey on the Page offers a cornucopia of delights to families, individuals and educators seeking literature that speaks to Jewish children about their religious, cultural, and ethical heritage. Complemented by whimsical, humorous illustrations by Paula Cohen, an acclaimed children’s book illustrator, Udel’s evocative translations of Yiddish stories and poetry will delight young and older readers alike. Miriam Udel is associate professor of German Studies and Jewish Studies at Emory University. She was ordained in 2019 as part of the first cohort of the Executive Ordination Track at Yeshivat Maharat, a program designed to bring qualified mid-career women into the Orthodox rabbinate. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Terrorism is a cancer, an infection, an epidemic, a plague. For more than a century, this metaphor has figured insurgent violence as contagion in order to contain its political energies. In Epidemic Empire: Colonialism, Contagion, and Terror, 1817–2020 (University of Chicago Press, 2021), Anjuli Fatima Raza Kolb, Associate Professor at the University of Toronto, shows that this trope began in responses to the Indian Mutiny of 1857 and tracks its tenacious hold through 9/11 and beyond. Raza Kolb assembles a diverse archive from colonial India, imperial Britain, French and independent Algeria, the postcolonial Islamic diaspora, and the neoimperial United States. Across literary, administrative, medical, and other non-literary sources, she reveals the tendency to imagine anticolonial rebellion, and Muslim insurgency specifically, as a virulent form of social contagion. In our conversation we discuss “imperial disease poetics,” British colonialism in South Asia, the 1857 rebellion, global cholera outbreaks, the Hajj pilgrimage, Bram Stoker’s Dracula, the struggle for Algerian independence, Albert Camus’ The Plague, the 1966 film The Battle of Algiers, Frantz Fanon, Djamila Boupacha, Salman Rushdie representation of radical Islamism, the 9/11 Commission Report, the Senate Intelligence Committee Report on Torture, and the Osama bin Laden mission. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dispute over land and kingdom may lie at the heart of this story of war between cousins the Pandavas and the Kouravas but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this translation of the complete Mahabharata (Penguin, 2015), Bibek Debroy takes on a great journey with incredible ease. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Founded in 1935 by a young publisher disillusioned with the class prejudices of the interwar publishing trade, Penguin Books set out to make good books available to all. The 'Penguin Specials', a series of current affairs books authored by leading intellectuals and politicians, embodied its democratising mission. Published over fifty years and often selling in vast quantities, these inexpensive paperbacks helped to shape popular ideas about subjects as varied as the welfare state, homelessness, social class and environmental decay. In Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988 (Manchester UP, 2020), Dean Blackburn tells a story about the ideas that shaped post-war Britain. Between the late-1930s and the mid-1980s, Blackburn argues, Britain witnessed the emergence and eclipse of a 'meritocratic moment', at the core of which was the belief that a strong relationship between merit and reward would bring about social stability and economic efficiency. Equal opportunity and professional expertise, values embodied by the egalitarian aspirations of Penguin's publishing ethos, would be the drivers of social and economic progress. But as the social and economic crises of the 1970s took root, many contemporary thinkers and politicians cast doubt on the assumptions that informed meritocratic logic. Britain's meritocratic moment had passed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Suyoung Son’s book Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China (Harvard UP, 2018) examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation. Combining approaches from various disciplines, such as history of the book, literary criticism, and bibliographical and textual studies, Suyoung Son reconstructs the publishing practices of two seventeenth-century literati-cum-publishers, Zhang Chao in Yangzhou and Wang Zhuo in Hangzhou, and explores the ramifications of these practices on eighteenth-century censorship campaigns in Qing China and Chosŏn Korea. By giving due weight to the writers as active agents in increasing the influence of print, this book underscores the contingent nature of print’s effect and its role in establishing the textual authority that the literati community, commercial book market, and imperial authorities competed to claim in late imperial China. Suyoung Son is an Associate Professor at Cornell University. She is a literary and cultural historian of early modern China (1500-1900). Aliki Semertzi is a PhD Candidate in International Law, at the Geneva Graduate Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Shyam Sharma, Associate Professor and Graduate Program Director in the Department of Writing and Rhetoric at Stony Brook University. We talk about how mutually appreciative attitudes advance Writing in the Disciplines, about how other languages matter to writing in English, and about how US Presidents have changed the ways we teach writing and learn to write. Interviewer: "Where does language come in to the sort of writing development called Writing Studies or English for Academic Purposes or Academic Literacies?" Shyam Sharma: "Well, there are language-focused academic curriculums around the world. But language is not writing. If it was, then I wouldn't have my job. You know, for the most part, students who speak English as a native language wouldn't need to learn anything about genres and conventions and writing and rhetoric and communication. And so, where English is taught in non-English-speaking regions, the concern about language buries everything so far down that it is difficult for people to foreground it and to pay specialized attention to it and to develop research programs and to be funded and to be recognized and so on." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of New Books in Literary Studies, Miranda Corcoran speaks to Ulrich Baer and Smaran Dayal about their unique anthology, Fictions of America: The Book of Firsts (Warbler Press, 2020). An expansive collection of literary firsts, Fictions of America brings together works that broke boundaries, sparked new movements and changed how we think about America. This stunning anthology begins with one of the first pieces of American literature, an Iroquois creation myth, before deftly moving along to other notable firsts – the first poetry published in the American colonies, the first work of literature by an African American author, the first gay-themed American poetry. Fictions of America is an original anthology that captures the vibrancy and diversity of American literature in all its many forms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is it possible to conceive of the American diet without bagels? Or Star Trek without Mr. Spock? Are the creatures in Maurice Sendak’s Where the Wild Things Are based on Holocaust survivors? And how has Yiddish, a language without a country, influenced Hollywood? These and other questions are explored in this stunning and rich anthology of the interplay of Yiddish and American culture, entitled How Yiddish Changed America and How America Changed Yiddish (Restless Books, 2020), and edited by Ilan Stavans and Josh Lambert. It starts with the arrival of Ashkenazi immigrants to New York City’s Lower East Side and follows Yiddish as it moves into Hollywood, Broadway, literature, politics, and resistance. We take deep dives into cuisine, language, popular culture, and even Yiddish in the other Americas, including Canada, Argentina, Cuba, Mexico, and Colombia. The book presents a bountiful menu of genres: essays, memoir, song, letters, poems, recipes, cartoons, conversations, and much more. Authors include Nobel Prize–winner Isaac Bashevis Singer and luminaries such as Grace Paley, Cynthia Ozick, Chaim Grade, Michael Chabon, Abraham Cahan, Sophie Tucker, Blume Lempel, Irving Howe, Art Spiegelman, Alfred Kazin, Harvey Pekar, Ben Katchor, Paula Vogel, and Liana Finck. Readers will laugh and cry as they delve into personal stories of assimilation and learn about people from a diverse variety of backgrounds, Jewish and not, who have made the language their own. The Yiddish saying states: Der mentsh trakht un got lakht. Man plans and God laughs. How Yiddish Changed America and How America Changed Yiddish illustrates how those plans are full of zest, dignity, and tremendous humanity. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Lucy Alford, professor of English Literature at Wake Forest University, about her book Forms of Poetic Attention, recently published by Columbia University Press. Alford argues that, though poetry is ‘made’ of language, its main medium is attention, that poems act fundamentally as instruments for tuning and refining readerly and writerly attention. Following this assertion, Alford, through a wide variety of poetic readings (from al-Khansāʾ to Charles Bukowski, Sappho to Paul Celan—and many in between and around), breaks down the different modalities of attention that emerge in different poems. The overarching dichotomy that Alford identifies differentiates between poetic attention that has an object—transitive—and another, more nebulous form without an object—intransitive. In each of these types, Alford further delineates dynamic coordinates, which are formal-semantic aspects of a poem that lead into various modes of poetic attention: contemplation, desire, recollection, and imagination for transitive; and vigilance, resignation, idleness, and boredom for intransitive. In crafting this lexicon, Alford not only provides a new theory for poetic analysis, but alo expands the theoretical boundaries beyond the confines of the poetic. Instead, she argues, by paying attention to poetry as a subject and object of attention, poetry, through its requirement and production of attention, can train, hone, and refine our capacities for perception and judgment off the page, enabling us to become more attentive beings in a world that increasingly treats attention as a precious commodity. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso. Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world. But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities. Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again. Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Cassandra Falke, professor of English Literature ad UiT, The Arctic University of Norway, about her book The Phenomenology of Love and Reading (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, The Phenomenology of Love and Reading recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading. The Phenomenology of Love and Reading accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. Falke shows through deft readings of both philosophical and literary texts, as well as ruminations on the experience of reading, how the act of reading can strengthen our capacity to love by giving us practice in love´s habits—attention, empathy, and a willingness to be overwhelmed. Confounding our expectations, literature equips us for the confounding events of love, which, Falke suggests, are not rare and fleeting, but rather constitute the most meaningful and durable part of our everyday life. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Howard Sherman's Another Day's Begun: Thornton Wilder's Our Town in the 21st Century (Bloomsbury Publishing, 2021) provides a fascinating tour of contemporary productions of Wilder's great play. Why does this play from 1938 continue to speak to contemporary audiences, and how does it speak differently in different settings? How is it both timeless and continually timely? And how have contemporary stagings dealt with its reputation as a wholesome, dull chestnut? Whether performed in a maximum security prison, at a hospital, or at prestigious theatres like Manchester's Royal Exchange Theatre, Our Town communicates a universal message about paying careful attention to the small details of life. The "our" of its title refers not just to fictional Grover's Corners, New Hampshire, but to all of us. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Charles Hirschkind’s lyrical and majestic new book The Feeling of History: Islam, Romanticism, and Andalusia (University of Chicago Press, 2020) represents a profound work of retrieval that launches and executes a stinging rebuke of an ontology of Europe that presumes its exceptionalism. The central focus of Hirschkind’s study is Andalucismo, or a discursive, aesthetic, and political tradition that seeks to disrupt the alleged cleavage between medieval and modern Spain by recovering the deep and penetrating imprints of Muslim Iberia on contemporary Spanish society. To engage Spain’s Muslim and Jewish past not as a bygone and irrelevant relic but as indelibly entwined to the present requires a form of attunement to the past that is activated by the sensoria and suspicious of historicist rigor. In the course of this poetically charged book, one meets a range of thinkers from across the political spectrum, and travels in unexpected avenues of inquiry such as the centrality of Flamenco to Andalucismo. The Feeling of History combines piercing attention to the productive importance of the sensoria in encountering the past with an astonishingly lucid critique of dominant strands of the discipline of history. What emerges from this exercise is not only a richly textured interrogation of a hugely important though often lampooned tradition of Andalucismo, but also a politically urgent reconsideration of modern secular conceptions of how the past must engage and make claims on the present. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his pathbreaking graphic novel, Berlin (Drawn and Quarterly, 2018), Jason Lutes creates a multifaceted exploration of urban life during the Weimar Republic. The book contains a variety of mostly fictional characters, all of whom capture aspects of the political, cultural, and social life of Berlin during the final years of Germany’s first democratic experiment. Beautifully drawn, this work provides a compelling alternative to readers used to reading only textual accounts of the period. Much the narrative revolves around two characters: Marthe Müller and Kurt Severing. The former is an art student from Cologne, spending time in Berlin. The latter is a journalist and keen observer of Weimar politics. The journey of these two characters as well as many others reveals much about the specific situation in Germany during this era as well as elements of the human condition. The novel appeals not only to the increasing number of graphic book readers, but also to anyone interested in the failure of Weimar democracy, the nature of popular culture during the 1920s, and the history of sexuality. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In their co-edited volume, Ms. Marvel’s America: No Normal (University Press of Mississippi, 2020), Jessica Baldanzi and Hussein Rashid focus on the superhero Ms. Marvel, Kamala Khan. The first Muslim superhero to headline her own series, the teenager Kamala Khan is also a second-generation Pakistani immigrant who lives in New Jersey. Her complex identities and storyline in the comic world of Marvel welcomes a multifaceted exploration, one that exists at the nexus of religion, gender, culture, race, and much more. By bringing together scholars from a range of disciplines including literature, cultural studies, religious studies, pedagogy, and communications, the edited volume engages in a fascinating conversation around the character of Ms. Marvel. The book contains accessibly written essays from and about diverse voices on an array of topics, such as fashion, immigration, history, race, and fandom. The volume also includes an exclusive interview with Ms. Marvel author and cocreator G. Willow Wilson by gender studies scholar Dr. Shabana Mir. This text is a fantastic classroom resource that can work in numerous courses on Islam, such as those that focus gender or American Islam to broad courses on religion, such as religion and popular culture. The text is also useful text for educators, such as those in primary and secondary school, who may want to incorporate Ms. Marvel in their own curriculum. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michelle Kundmueller, Assistant Professor of Political Science at Old Dominion University, presents a thoughtful analysis of both Homer’s Iliad and Odyssey in her analysis of how we might want to think about human excellence and human failings not only in classical literature, but in our own time. In Homer's Hero: Human Excellence in the Iliad and the Odyssey (SUNY Press, 2019), Kundmueller, a political theorist, brings together literary texts and classic political theory texts, most notably Plato’s Republic, to shape her reading of the heroes of the Iliad and the Odyssey. Kundmueller argues that we should read these two Homeric texts together, and that we can learn from both of them, given the distinct emphasis in each text on human excellence, but also on human failings, and how the texts emphasize the public and the private, and the attraction that each sphere holds. Homer’s Hero shows the intertwined relationship between the Iliad and the Odyssey, not as the continuation of a story per se, but as reflective of each other, tracing themes and concepts that are presented as connected but differently emphasized by the heroes central to each text. The thrust of the Iliad is the question that surrounds the love of honor and the value this love provides for the individual and for the society. This theme is braided into the Odyssey, but is not the thrust of the Odyssey, which is more focused on the desire and longing for home and for human community. These themes are woven through both texts, as Kundmueller explains, but each text has a greater emphasis on its particular theme. These themes are as important to us today as they were when Homer was singing these tales in ancient Greece. And Homer’s Hero helps us think about these broader themes as it also compels the reader to consider how these heroes, but Odysseus in particular, embody human excellence, or fall short in trying to reach that capacity. Finally, Homer’s Hero explores how these themes and ideals are connected to the concept of politics, especially our thinking about what it is that politics provides for us, as citizens in community. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street: Writing and Thinking Place (U Chicago Press, 2019), Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history. Tim Cresswell is the Ogilvie Professor of Geography at the University of Edinburgh. Maxwell Street: Writing and Thinking Place was published in 2019 by the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

During the nineteenth century, the grand hotel emerged as a vital part of London life. Originally catering to elite visitors needing a place to stay in the short term, they soon came to perform a variety of roles in the social and cultural life of the city. In Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories (The Ohio State University Press, 2019), Barbara Black describes what these majestic establishments represented to those who worked in them and those who patronized them. As she explains, hotels embodied a convergence of various trends, as steam locomotives brought an increasing number of affluent travelers to the capital. What the grand hotels offered them was a temporary fantasy of luxury in an environment that was neither public nor private but one that offered a mixture of the two. For some, hotels were a place of mystery and potential danger; for others, a destination where they could engage in behavior that would otherwise be restricted in public. Though many of these grand hotels have been demolished or repurposed, their legacy lives on in the literature of the era – an enduring testament to the impression they left upon their age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew A. Vogan, who has published several books on the religious history and literature of seventeenth-century Scotland, and several editions of works by Covenanter preachers and theologians, talks today about his latest project. David Dickson’s sermons on the Old Testament book of Lamentations were recorded in manuscript by one of his listeners in 1628. Since then, the notes have remained in private hands, most recently in the possession of the library of the University of Glasgow, where Dickson taught. In Sermons on Jeremiah's Lamentations (Reformation Heritage Books, 2020), Vogan (with Chris Coldwell) has edited these notes, presenting modern readers with an accessible and carefully annotated edition of an important sermon series from one of the most influential early modern Scottish theologians. Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Decades before he wrote his epic work Paradise Lost, John Milton was an active republican and polemicist. How Milton came to espouse such radical views is just one of the key themes of Nicholas McDowell’s Poet of Revolution: The Making of John Milton (Princeton UP, 2020), the first book of a projected two-volume biography of the famous author. The son of a prosperous scrivener, Milton enjoyed the benefits of a quality education heavily influenced by Italian humanism. This extensive instruction in foreign languages and classical authors was viewed by Milton as a necessary requirement for a career as a poet, one to which he dedicated himself during his time at university. Yet as McDowell demonstrates Milton’s Puritan faith also played an important role in his intellectual development, especially as he found his beliefs increasingly at odds with the emerging Laudian influence on the Anglican church. This motivated the young intellectual to write a series of pamphlets after his return from a lengthy trip to France and Italy in 1638-9, works which signaled his growing engagement with politics on the eve of England’s plunge into a devastating civil war in the 1640s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On this episode, I interview Mario Telò, professor of Classics and Comparative Literature at the University of California, Berkeley, about his new book, Archive Feelings: A Theory of Greek Tragedy, recently published by The Ohio State University Press. In the text, Telò examines how contemporary theorizations of the archive (especially Derrida’s Mal d’Archive) and the death drive (in Freud as well as Bersani, Butler, Edelman, Deleuze, Lacan, Rancière, and Žižek) can help us understand the aesthetic experience of tragedy. Archive Feelings: A Theory of Greek Tragedy locates the tragic genre's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his exciting and thorough book, The Golden Calf between Bible and Qur'an: Scripture, Polemic, and Exegesis from Late Antiquity to Islam (Oxford, 2020), Michael Pregill explores the biblical and Qur'anic episode of the golden calf as understood by various Jewish, Christian, and Muslim sources. The incident refers, of course, to when the Israelites created a golden calf in the absence of the Prophet Musa. Pregill shows that the episode's various interpretations across time reflect the cultural, religious, ideological, social, textual, and other contexts in which the issue was being discussed. Each community sought to legitimate its own existence, theology, and tradition through its interpretation. So, for instance, the episode is central to Jewish and Christian arguments over the inheritance of the covenantal legacy of Israel. Each community also appropriates and subverts the apologetic renderings and tropes of the other communities, not passively accepting or rejecting but strategically negotiating with it to adapt to new contexts. The episode therefore becomes crucial for the community’s self-identification. More specific to Islam is a key component of his argument that while western academic scholars draw heavily from the tafsir tradition, they fail to situate the episode in its historical context in the late antique milieu. In our discussion today, Pregill describes the golden calf episode at length from biblical and Qur’anic perspectives. He summarizes some of the major arguments and contributions of the book, identifies scholars with whom he is in conversation, discusses the status of Qur’anic studies today, reflects on the identity of the mysterious Samiri in the Qur’anic version, emphasizes the recent diminished importance and the dire need of exploring tafsir (Qur’anic exegesis) in the study of Islam, explains the relationship between western scholars of Islam (or the Qur’an specifically) and classical Muslim exegetes, and a lot more. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Michael Gorra about his new book The Saddest Words: William Faulkner's Civil War (Liveright, 2020). This episode touches on two of William Faulkner’s novels in particular: The Sound and the Fury as well as Absalom, Absalom! It considers the role of memory and history, Faulkner’s alcoholism, the sexual exploitation practiced by plantation owners, and the greater presence of Nathan Bedford Forrest over Robert E. Lee in Faulkner’s fiction writings. Ties to today’s reckoning for racial justice is a part of the episode, too. The author of Portrait of a Novel, a finalist for the Pulitzer Prize, Michael Gorra is a Professor English Language and Literature at Smith College and the editor of the Norton Critical Editions of As I Lay Dying and The Sound and the Fury. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since the presidency of Ronald Reagan, John Winthrop's famous phrase, "We shall be as a city upon a hill," has become political creed and rallying cry for American exceptionalism. But for over three centuries the text of Winthrop's "Model of Christian Charity" was largely forgotten in the American textual canon. In a charming book of textual history, the Henry Charles Lea Professor Emeritus at Princeton University, Daniel T. Rodgers, tells a fascinating tale with surprising twists and turns about how an obscure Puritan treatise became indispensable political rhetoric for late-twentieth-century American politics and into the new millennium. As a City on a Hill: The Story of America's Most Famous Lay Sermon (Princeton University Press, 2018) traces Winthrop's model from its seventeenth-century context, through centuries of neglect and forgetfulness, to its unlikely and meteoric rise as a foundational text of the American idea. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Teaching in Times of Crisis: Applying Comparative Literature in the Classroom (Routledge, 2021) explores how comparative methods, which are instrumental in reading and teaching works of literature from around the world, also provide us with tools to dissect and engage the moments of crises that permeate our contemporary political realities. The book is written in the form of a series of classroom reflections—or memos—capturing the political environment preceding and proceeding the 2016 US presidential election. It examines the ways in which the ethics involved in reading comparatively can be employed by teachers and students alike to map and foster "lifelines for cultural sustainability" (to borrow the term from Djelal Kadir’s Memos from the Besieged City) that are essential for creating and maintaining a healthy multicultural society. Nyawalo achieves this through comparative readings of postcolonial films, LGBTQ texts, French slam poetry, as well as episodes from Star Trek: The Next Generation, among other materials. The classroom reflections captured in each memo are shaped by the Appalachian setting in which the discussions and lessons took place. Inspired by this setting, the author develops pedagogic ethics of comparison—a method of reading comparatively—which privileges the local educational spaces in which students find themselves by mapping the contested cultural politics of Appalachian realities onto a world literature curriculum. Mich Yonah Nyawalo is an Associate Professor of Critical Ethnic, Black/Race Studies at Xavier University, Cincinnati, Ohio. His areas of specialization are globalization studies, postcolonial criticism, African literatures (including audio and visual cultures from the continent), media studies, critical pedagogy, and service learning. The years he has spent living and studying in Kenya, Uganda, France, Sweden, and the United States have highly defined his academic projects, which appropriate a mixture of critical tools and scholarly texts derived from the fields of African, African diaspora, and African-American studies. Some of the classes he teaches include World Literature, Black Transnationalism, Comparative Feminist Literature, Comparative Queer Theory and Literature, Introduction to Media and Culture, Graphic Novels and Animation, as well as Video Games and Virtual Worlds. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, I talk with Dora Zhang, associate professor of English and comparative literature at the University of California, Berkeley, about her book Strange Likeness: Description in the Modernist Novel, published by the University of Chicago Press in 2020. While description has been “near universally devalued” in literary thinking, and particularly in Modernism, Zhang argues that descriptive practices were in fact a crucial site of attention and experimentation for a number of early modernist writers. She focuses on the works of Virginia Woolf, Henry James, and Marcel Proust to investigate how modernist descriptive techniques shift from a transcription of visuals to a translation and revelation of relations—social, formal, and experiential—between disparate phenomena. These writers maintained realism’s descriptive intentions to empirically document the world but expanded these commitments in new ways to render immaterial phenomena into language. In doing so, Zhang carries us beyond the classic dichotomies between narration and description and definition and description in order to rethink description and its place in the novel and, more broadly, literature. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sailor Song: The Shanties and Ballads of the High Seas (University of Washington Press, 2020) by performer and scholar Gerry Smyth includes lyrics and commentary for dozens of sea shanties, as well as a brief history of the genre. The world that emerges in these 19th century sailor songs is surprisingly multi-cultural; in a sense, sea shanties were the first sonic products of globalization, combining African-American work songs, Irish ballads, and English folk tunes. This book is designed to be used by performers and ensembles looking for singable versions of these ribald and entertaining songs. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Although nearly every other television form or genre has undergone a massive critical and popular reassessment or resurgence in the past twenty years, the game show’s reputation has remained both remarkably stagnant and remarkably low. Scholarship on game shows concerns itself primarily with the history and aesthetics of the form, and few works assess the influence the format has had on American society or how the aesthetics and rhythms of contemporary life model themselves on the aesthetics and rhythms of game shows. In Truth and Consequences: Game Shows in Fiction and Film (University Press of Mississippi, 2020), author Mike Miley seeks to broaden the conversation about game shows by studying how they are represented in fiction and film. Writers and filmmakers find the game show to be the ideal metaphor for life in a media-saturated era, from selfhood to love to family to state power. The book is divided into “rounds,” each chapter looking at different themes that books and movies explore via the game show. By studying over two dozen works of fiction and film—bestsellers, blockbusters, disasters, modern legends, forgotten gems, award winners, self-published curios, and everything in between—Truth and Consequences argues that game shows offer a deeper understanding of modern-day America, a land of high-stakes spectacle where a game-show host can become president of the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Say What Your Longing Heart Desires: Women, Prayer & Poetry in Iran (Stanford University Press, 2020) by Niloofar Haeri is a stunning and absorbing ethnography of the lived ritual experiences of contemporary Iranian women. The place of Persian poetry, especially in the tradition of erfan or mysticism, is central to many features of Iranian life, be it in school curriculum for children, who learn to recite these poems when they are young, or at family gatherings over meal. Poetry, particularly, informs other aspects of ritual life, namely prayer or namaz, and do’a (supplication). By capturing conversations that unfold during Qur’an and poetry classes, Haeri showcases how a group of educated, middle-class women encounter, engage, and embody the lived legacies of classical poetry of Rumi, Hafez, Saadi and many more in their day to day lives. In highlighting these intimate moments of conversation with God (do’a) or through the use of prayers composed by the Imams, Haeri highlights how prayer and ritual acts ebb and flow through affective moments of life while being subjected to intellectual challenges by its supplicant. Ritual life for these Iranian women is not rote or stale, but rather richly complex, deliberate, and emotive, challenging how we approach religious debates that are seemingly persistent in the landscape of Iranian society while further disrupting the use of simple binaries of secular-sacred or private-public when discussing gendered Muslim piety. This book will be of interest to those who think and write about ritual life in Islam, ethnography, Iran, Shi‘ism, gender, and much more. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Olena Palko’s Making Ukraine Soviet: Literature and Cultural Politics under Lenin and Stalin (Bloomsbury Academic Press 2020) offers an intriguing investigation that zeroes in on the intersection of history and literature, politics and literature. The main focus of the book is comprised of two iconic figures in the history of Ukrainian literature: Pavlo Tychyna and Mykola Khvyl’ovyi. Through a complex and multilayered investigation of archival materials and historical documents, Olena Palko further advances the understanding of the formative years in the history of Soviet Ukraine. The two protagonists around whom the book seems to revolve offer additional venues for unraveling the highly entangled history not only of Ukraine under the Soviet Union but also of the Soviet Union itself. The theoretical framework of the book allows to consider multiple developments and influences that contributed to the specificity of the Soviet establishment in Ukraine. As the author of the book emphasizes, the conversation about the Soviet years in Ukraine asks not only for scrupulous reading of various documents but also for the acceptance of inherent ambiguities that the Soviet presence brought forth in Ukraine and beyond. Making Ukraine Soviet highlights the entangled and contested political and historical developments that took place in Soviet Ukraine, particularly during the first decade of the USSR; it also invites the readers to look at the writings by Tychyna and Khvyl’ovyi as an additional venue to not only better understand the milieu in which the writers worked but to also see how their writing responded to the environment that within a few years underwent profound and drastic changes. Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin. In The Japanese Discovery of Chinese Fiction: The Water Margin and the Making of a National Canon (Columbia UP, 2019), William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself. Jingyi Li is a PhD Candidate in Japanese Cultural and Literary History, University of Arizona Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to care for your beautiful mind. Wish we’d bring in an expert about something? Email us at [email protected] or [email protected]. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear: differences between trade books and monographs, how to translate academic scholarship for wider audiences, risks and rewards of writing for trade, and trade books as a means to address justice issues related to access to knowledge and audience hierarchies. Our guest is: Dr. Donna Freitas, a longtime researcher and scholar on topics related to sex on campus, Title IX, and sexual assault. She has spoken about her work at more than 200 colleges and universities across the United States. Donna is also the author of many books, both fiction and nonfiction, among them, Consent on Campus: A Manifesto (Oxford University Press) and Consent: A Memoir of Unwanted Attention (Little, Brown). She has appeared on NPR, The Today Show, and many other radio and news programs to talk about her research, and her work has been published in The New York Times, The Washington Post, and The Wall Street Journal among other places. Her novel, The Nine Lives of Rose Napolitano will be published in April 2021 by Pamela Dorman Books/Viking in over twenty countries and languages. She lives in Brooklyn. Your host is: Dr. Dana Malone, a higher ed scholar and practitioner. Dana was a follower and admirer of Donna’s work for many years and had the good fortune to connect with her in person when Donna served as a reviewer for Dana’s book, From Single to Serious (Rutgers UP). Things that make Dana’s heart happy include making delicious, healthy food, yoga, and wandering the coastline of the Jersey shore. Listeners to this episode might be interested in: Freitas, D. (2017). The Happiness Effect: How Social Media is Driving a Generation to Appear Perfect at Any Cost. Oxford University Press. Freitas, D. (2010). Sex and the Soul: Juggling Sexuality, Spirituality, Romance, and Religion on America’s College Campus. Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nerdfighteria started over a decade ago by brothers Hank and John Green who decided to provide literacy themed programming on their website and YouTube channel. With almost three million members, Nerdfighteria is more than just a space for fans to talk about the work of John Green and other young adult authors. In her new book, Narratives, Nerd Fighters, and New Media (University of Iowa Press, 2020), Jennifer Burek Pierce explores the ways the media platforms created by the Green brothers have become spaces for fans to not only learn about the writing of John Green, and more recently his brother Hank as well, but to also share their own fan art and make connections with one another. Burek Pierce examines the ways in which readers use videos and other activities to engage authors and other readers. Nerdfighters are readers and Burek Pierce's work examines not only the online community they have created, but how this community tells us about reading in the digital age. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Anthony Valerio's Before the Sidewalk Ended: A Walk with Shel Silverstein (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mark Nowak's Social Poetics (Coffee House Press, 2020) is a history of the poetry workshop "from below and to the left." Inspired by previous workers' poetry workshops led by writers like June Jordan and Ngũgĩ wa Thiong'o, Nowak's book traces the history of worker poetry both in the US and abroad. It also details Nowak's own involvement with workers' poetry workshops held with autoworkers facing layoffs, farm workers in Hudson Valley, and metal workers in South Africa. Nowak shows that poetry is not a luxury for the elite, but a vital tool in describing working class lives and in imagining a classless future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies