New Books in Literary Studies

What does ethnography look like when presented as fiction? In this episode, we talk with Alexandros Plasatis, author of the new book Made by Sea and Wood, in Darkness (Spuyten Duyvil, 2021) a linked book of short stories based on the lives of Egyptian immigrant fishermen and other marginalized residents of a Greek town. Alexandros describes the fieldwork he conducted as a waiter in his family’s all-night café with a diverse clientele before explaining how and why he transitioned from studying anthropology to creative writing. He tells us how his fieldwork provided the basis for his novel, drawing on his conversations and experiences with the café’s clients to write semi-fictional stories that ring true. Finally, he describes how he uses writing to work with immigrant communities in England, including “the other side of hope”, a new print and online literary magazine dedicated to the stories of immigrants and refugees. Read an excerpt from Alexandros’ book here. Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

He's the destroyer of evil, the pervasive one in whom all things lie. He is brilliant, terrifying, wild and beneficent. He is both an ascetic and a householder, both a yogi and a guru. He encompasses the masculine and the feminine, the powerful and the graceful, the Tandava and the Laasya, the darkness and the light, the divine and the human. What can we learn from this bundle of contradictions, this dreadlocked yogi? How does he manage the devotions and duties of father, husband and man of the house, and the demands and supplications of a clamorous cosmos? In The Reluctant Family Man (Penguin, 2019), Nilima Chitgopekar uses the life and personality of Shiva-his self-awareness, his marriage, his balance, his detachment, his contentment-to derive lessons that readers can practically apply to their own lives. With chapters broken down into distinct frames of analysis, she defines concepts of Shaivism and interprets their application in everyday life. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Martha Moffitt Peacock, Professor of Art History at Brigham Young University about her new book, Heroines, Harpies, and Housewives: Imaging Women of Consequence in the Dutch Golden Age, out in 2020 with Brill. In Heroines, Harpies, and Housewives, Peacock provides a novel interpretive approach to the artistic practice of imaging women of consequence in the Dutch Golden Age. From the beginnings of the new Republic, visual celebrations of famous heroines who crossed gender boundaries by fighting in the Revolt against Spain or by distinguishing themselves in arts and letters became an essential and significant cultural tradition that reverberated throughout the long seventeenth century. This collective memory of consequential heroines who equaled, or outshone, men is frequently reflected in empowering representations of other female archetypes: authoritative harpies and noble housewives. Such enabling imagery helped in the structuring of gender norms that positively advanced a powerful female identity in Dutch society. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What more can we learn about legendary American writer Elizabeth Bishop (1911-79), dubbed by Bethany Hicok “the most stunning poet of the twentieth century”, by exploring the wonderful archives of her life and work at Vassar? Why are literary archives coming back into vogue? How do new techniques in digital humanities create novel possibilities for archival-based research and publication? And how can we develop collaborative methods of studying and teaching in literary archives? In this lively, well-crafted podcast, leading Bishop scholar Bethany Hicok of Williams College completely fails to control her infectious enthusiasm for Elizabeth Bishop’s writings. She explains to Duncan McCargo why Bishop has become for her the poet of the pandemic, and above all what happened when she spent three weeks embedded in the Vassar archives with sixteen other scholars and poets – a project that resulted in this beautifully produced and copiously illustrated edited volume. Since Elizabeth Bishop and the Literary Archive is an Open Access publication, you can and should download it (free of charge), so you can read along here. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Iain McGee, a PhD student in the Department of Religion and Theology at the University of Bristol (UK), where he also teaches Applied Linguistics. We talk about his book Understanding the Paragraph and Paragraphing (Equinox, 2018), the paragraph as a break in the text, about the paragraph as a unit of the text, and about the ¶. Iain McGee : "Often writing instruction in classroom environments is readerless in terms of the actual text and in terms of who will engage with it. Many writers in classrooms know that the only reader will be the teacher. But when it comes to writing for purposeful reasons, then we will be thinking of the reader, and the reader will have certain (as Michael Hoey puts it) textual colligation expectations, that means that the reader will be expecting paragraphs to flow in a certain way, will be expecting certain ways of organizing that text. And so, for the writer in that environment, the writer needs to be aware of those discourse-specific ways in which we communicate. One of the points I make in the book is that, Alexander Bain and his work in particular never really considered the reader and as such, made rather prescriptive, one-size-fits-all comments on what good paragraphing is. But in reality, the genre very much determines how we will go about writing our paragraphs, for example, how many sentences we might have, or the kinds of links between the paragraphs, for example, those links will be very different between reading an article in a newspaper and reading a journal article. And so, that sensitivity to genre is one of the focal points of my research, and I want to draw attention to the fact that we need to understand genres better so that we can make comments about the paragraph which are more intelligent, more specific, and more relevant to the actual readers of real genres and to the writers engaged with those genres." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew Karp is a historian of the U.S. Civil War era and its relationship to the nineteenth-century world. He received his Ph.D. in History from the University of Pennsylvania in 2011 and joined the Princeton faculty in 2013. The piece we are talking about is The Politics of a Second Gilded Age, published in February 2021 in The Jacobin. His first book, This Vast Southern Empire: Slaveholders at the Helm of American Foreign Policy (Harvard UP, 2016) explores the ways that slavery shaped U.S. foreign relations before the Civil War. Karp is now at work on a book about the emergence of anti-slavery mass politics in the United States, and in particular the radical vision of the Republican Party in the 1850s. Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, acclaimed scholar and critic Louis Menand, Professor of English at Harvard University and staff writer at The New Yorker, offers a new intellectual and cultural history of the postwar years. The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World: Art and Thought in the Cold War (Farrar, Straus & Giroux, 2021), Professor Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05(at)gmail.com or dr.danamalone(at)gmail.com or find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: the importance of expanding the boundaries of academic theory through interdisciplinary studies, why you need to build and acknowledge your own support network, the social construction of race and racism, and a discussion of the book Relative Races. Our guest is: Dr. Brigitte Fielder, an Associate Professor at the University of Wisconsin-Madison. She is (with Jonathan Senchyne) co-editor of Against a Sharp White Background: Infrastructures of African-American Print and author of Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Her work has been published in various journals and edited collections. She is currently writing a book on racialized human-animal relationships in the long nineteenth century, which shows how childhood becomes a key site for (often simultaneous) humanization and racialization. Our host is: Dr. Christina Gessler, a historian of women and gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pirates and Publishers: A Social History of Copyright in Modern China (Princeton University Press, 2019) is a detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China. In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on a vast range of previously underutilized archival sources to show how copyright was received, appropriated, and practiced in China, within and beyond the legal institutions of the state. Contrary to common belief, copyright was not a problematic doctrine simply imposed on China by foreign powers with little regard for Chinese cultural and social traditions. Shifting the focus from the state legislation of copyright to the daily, on-the-ground negotiations among Chinese authors, publishers, and state agents, Wang presents a more dynamic, nuanced picture of the encounter between Chinese and foreign ideas and customs. Developing multiple ways for articulating their understanding of copyright, Chinese authors, booksellers, and publishers played a crucial role in its growth and eventual institutionalization in China. These individuals enforced what they viewed as copyright to justify their profit, protect their books, and crack down on piracy in a changing knowledge economy. As China transitioned from a late imperial system to a modern state, booksellers and publishers created and maintained their own economic rules and regulations when faced with the absence of an effective legal framework. Exploring how copyright was transplanted, adopted, and practiced, Pirates and Publishers demonstrates the pivotal roles of those who produce and circulate knowledge. Fei-Hsien Wang is associate professor at the Department of History, Indiana University Bloomington. She is a historian of modern China, with a particular interest in how information, ideas, and practices were produced, transmitted, and consumed across different societies in East Asia. Her research has revolved around the relations between knowledge, commerce, and political authority after 1800. She is Associate Editor of the American Historical Review. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Banking on the Chinese Frontier: Foreign Banks, Global Finance and the Making of Modern China, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In recent years the phrase “revisionist history” has emerged as a label for politically-correct reexaminations of an unalterable understanding of our past. As James M. Banner, Jr. demonstrates in his book The Ever-Changing Past: Why All History Is Revisionist History (Yale UP, 2021), such a definition ignores how historical knowledge in the West has always been fluid and subject to reinterpretation by scholars. As Banner illustrates, such revisionism occurs in a variety of ways and can reflect everything from the discovery of new information to the reconsideration of the past from different perspectives the present. These approaches are evident even in the earliest works of history, and reflect the changes that have taken place in civilization over time. By addressing recent public controversies at which revisionism was at the heart, Banner shows that It is through this process that we better understand who we are today and the course we will take as a society going forward. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paul Contino’s Catholic reading of Dostoevsky’s final masterwork, premised on the novel’s “powerful capacity to inspire readers to be better people”, follows hero Alyosha Karamazov’s spiritual maturation as a “monk in the world”, his ministry to his brothers, and his ultimate message of hope. In Dostoevsky's Incarnational Realism: Finding Christ among the Karamazovs (Cascade Books, 2020), Contino argues that Alyosha exemplifies incarnational realism – a theologically-informed way of life in which the human being apprehends reality in the light of Christ’s incarnation and acts upon it – in his relationships with those around him, resisting totalization in favor off attentiveness to the particularities of human experience. In this interview we discuss the theological underpinnings of Dostoevsky’s narrative, the relationship between characters Alyosha and The Idiot’s Prince Myshkin as two attempts to portray Christian love in action, the recurring problem of theodicy in Dostoevsky’s oeuvre, squaring Dostoevsky’s criticism of Catholicism with a Catholic reading of his novel, teaching The Brothers Karamazov, and reading Dostoevsky counter-culturally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since 2000, there has been a boom in Indonesian popular novels and films set overseas, showing young Indonesians living in foreign countries and having life changing adventures there. In the last 20 years, there have been at least 150 such novels and films released – many more than in the first 55 years of Indonesian independence. In this episode, Associate Professor David Reeve speaks to Dr Natali Pearson about his latest project looking at Indonesian romance novels and films set overseas, discussing the reasons behind the rise of this literary genre and how it conflicts with the lived experiences of many in the Indonesian diaspora. About Associate Professor David Reeve: Associate Professor David Reeve has been visiting Indonesia for over 50 years as a diplomat, researcher, historian, lecturer, language teacher and project manager. He was a founding figure in Australian Studies at Universitas Indonesia in the 1980s and was Resident Director of the ACICIS program in Yogyakarta in the late 1990s. He has worked in eight Indonesian universities and several in Australia. He is retired from UNSW and is now completing a biography of Indonesian historian Onghokham, to be published in January 2022. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joanna Scott is the author of 12 works of fiction, including Arrogance, a PEN/Faulkner finalist; and The Manikin, a finalist for the Pulitzer Prize. Her awards include a MacArthur Fellowship, a Guggenheim fellowship, and the Rosenthal Award from the American Academy of Arts and Letters. The episode explores the line between fact and fantasy, between what’s known, forgotten, or less known than characters in these short stories may believe. The degree to which we’re all limited by our sense of perspective is a related theme here as Scott argues, aptly enough, that a story is always in the first-person at some level because it’s an act of make-belief in a world without certainty. Among other writers invoked in this session were Harold Pinter and his ability to bring characters from distinctively different backgrounds into conflict, Marcel Proust for his attention to detail (a writerly trait Scott shares), and finally Jorge Borges for the ability to show a mind at play with the kind of paradoxes that Scott likewise relishes. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers? If that’s the case, stop whatever you are doing and get ahold of Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and Will Write For Food, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. Will Write for Food has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. Will Write for Food has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Reference Book in 2005. The second edition won the Gourman World Cookbook Award in 2010 for best book in the USA in its category, and the third edition won a Silver Nautilus award in the Creative Process category. Now a fourth edition is being released in May 2021 by Hachette Go. When Jacob first wrote Will Write for Food, she confesses to having a somewhat “snobby” view of food bloggers, a segment of the food writing world that was just gaining momentum. In the latest iteration of Will Write for Food, Jacob dedicates a lengthy and comprehensive chapter to food blogging, charting the meteoric rise of the superstars such as David Lebovitz, Deb Perlman (The SmittenKitchen), and Ree Drummond (The Pioneer Woman), as well as outlining the considerable challenges to making a food blog pay. Will Write for Food also delves into the knotty problem of cultural appropriation, at a moment when food writing is becoming more global and inclusive, and offers solid advice on how to celebrate foreign cuisines not by purloining them but by assiduous attribution and helping to shine a generous spotlight on the chefs and restauranteurs creating these innovations. Will Write for Food deftly navigates the immense role played by social media in food writing today — another aspect of the guild that Jacob confesses was not on her radar screen when she wrote the first edition of the book. And while social media stardom is not a sure path to success in food writing, Jacob is at pains to point out that it is an important part of the food writer’s toolbox, as is photography and videography, and a strong writer’s voice, adroit recipe writing skills, and an ability to convey the sensual aspects of food to the page. Dianne Jacob is a writing coach, author, and free-lance editor. She has coached food writers around the world, and many have signed with major publishers and appeared in leading broadsheets, websites, podcasts, and magazines. Dianne’s popular blog and indispensable newsletter helps writers and bloggers keep up with trends, issues, and techniques in the world of food writing. Dianne is a popular speaker and teacher throughout the world. She is the co-author of two cookbooks with Chicago chef Craig Priebe, The United States of Pizza (Rizzoli, 2015) and Grilled Pizzas & Piadinas (DK Publishing, 2008). Find out more about Dianne on her website, www.diannej.com. Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For most of the eighteenth century, the format, size, and price of the earliest novels meant that they would have been sold and bought alongside Protestant religious texts. In When Novels Were Books (Harvard UP, 2020) Jordan Alexander Stein brings the insights of book history into conversation with literary criticism. He explores the antecedents that stretch the story of the novel all the way to the early seventeenth century. The norms of character representation that emerged in Protestant conversion narratives were picked up by the earliest proto-novels. Spiritual and literary rhetorical forms, book trade markets, and networks of readers mingled for much of the novel's eighteenth-century development. The material features of novels as books opens new vistas for literary studies and the historiography of the rise of the Anglophone novel. This is a must read for those interested in book history, literary studies, or book culture in the seventeenth and eighteenth centuries. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. Kevin M. Jones' The Dangers of Poetry: Culture, Politics, and Revolution in Iraq (Stanford University Press, 2020) is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq. Reuben Silverman is a PhD candidate at University of California, San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ann, Fran, & Mary Ann (53rd State Press, 2020) is a new play by Erin Courtney, one of the most exciting contemporary American playwrights. This is a play that engages with themes of science, religion, and trauma through a highly theatrical and character-driven storytelling style. Ann and Mary Ann were both witnesses of traumatic events in their childhoods and were drawn to neuroscience as a way to understand and perhaps heal from their trauma. When Mary Ann begins experimenting with inducing spiritual experience, Ann's skepticism regarding the supernatural drives a wedge between them. When Ann's patient Fran begins experiencing Capgras syndrome, which convinces her that her loved ones are imposters, Mary Ann's desire to heal Fran conflicts with Ann's desire to study her. The interactions of these three characters open questions of medical ethics, the meaning of faith, and the possibility of healing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is the second episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies. This episode features two of the winners in Creative Writing: Poetry: Benjamín Naka-Hasebe Kingsley, whose poetry collection Colonize Me explores the lives of those communities and peoples on the intersections of indigeneity, migration, Asian, queerness, and lower class; and Jan-Henry Gray, whose collection Documents traces Gray’s upbringing as a queer undocumented Filipino American. Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York and is an assistant professor of poetry and nonfiction in Old Dominion University’s MFA program. His poetry collection Colonize Me won the AAAS award in Creative Writing: Poetry. Jan-Henry Gray currently teaches at Adelphi University in New York. Born in the Philippines and raised in California where he worked as a chef, Jan lived undocumented in the U.S. for more than 32 years. His poetry collection Documents won honorable mention in Creative Writing: Poetry. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Cards: The History and Power of Tarot (University Press of Mississippi, 2021), Patrick Maille examines the history of Tarot cards and their place in popular culture. The Cards starts with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. Part Two delves into specific areas of popular culture—art, television, movies, and comics—and how Tarot is used in works such as The Andy Griffith Show, Dark Shadows, Neil Gaiman's Books of Magic, and Live and Let Die. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

James Fredal is Associate Professor in the Department of English at The Ohio State University. The recipient of multiple awards for his work in rhetorical theory and history, Fredal is the author in 2006 of Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes and now The Enthymeme: Syllogism, Reasoning and Narrative in Ancient Greek Rhetoric (Penn State UP, 2020). Central to rhetorical theory, the enthymeme is most often defined as a truncated syllogism. Suppressing a premise that the audience already knows, this rhetorical device relies on the audience to fill in the missing information, thereby making the argument more persuasive. James Fredal argues that this view of the enthymeme is wrong. Presenting a new exegesis of Aristotle and classic texts of Attic oratory, Fredal shows that the standard reading of Aristotle's enthymeme is inaccurate--and that Aristotle himself distorts what enthymemes are and how they work. From close analysis of the Rhetoric, Topics, and Analytics, Fredal finds that Aristotle's enthymeme is, in fact, not syllogistic and is different from the enthymeme as it was used by Attic orators such as Lysias and Isaeus. Fredal argues that the enthymeme, as it was originally understood and used, is a technique of storytelling, primarily forensic storytelling, aimed at eliciting from the audience an inference about a narrative. According to Fredal, narrative rather than formal logic is the seedbed of the enthymeme and of rhetoric more broadly. The Enthymeme reassesses a fundamental doctrine of rhetorical instruction, clarifies the viewpoints of the tradition, and presents a new form of rhetoric for further study and use. This groundbreaking book will be welcomed by scholars and students of classical rhetoric, the history of rhetoric, and rhetorical theory as well as communications studies, classical studies, and classical philosophy. Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is Carrie Lynn, welcoming you back to New Books in Literary Studies, a podcast channel on the New Books Network. Today I’m looking forward to sharing with you Time and Antiquity in American Empire: Roma Redux (Oxford UP, 2021) by Dr. Mark Storey, a book about two empires—America and Rome—and, as Storey puts it, the forms of time we create when we think about these empires together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular literary genres that have reimagined America's and Rome's sometimes strange orbit, specifically Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, Storey builds a more fundamental inquiry into how we imagine both our politics and ourselves within historical time. He outlines a new relationship between text and context, and between history and culture. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He was a founding member of the British Association of Nineteenth-Century Americanists and has held fellowships at the University of Virginia and the Houghton Library at Harvard. His research and teaching interests lie broadly in American literature and culture, and he is currently working on projects in two areas: critical theory and historical time, and horror and the gothic. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does the Mahābhārata – a gargantuan epic tale from ancient India – have the teach about life wisdom? Learn three core themes of the ancient Sanskrit epic – along with a story of one of its most compelling female characters – from Dr. Arti Dhand, Associate Professor at the University of Toronto and host of The Mahābhārata Podcast. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America. Charlie Brown's America: The Popular Politics of Peanuts (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang. Blake Scott Ball is Assistant Professor of History at Huntingdon College. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. Michael D. Nichols's Religion and Myth in the Marvel Cinematic Universe (McFarland, 2021) is first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions. Nichols places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this ground-breaking work, Michael Sells (the Barrows Professor Emeritus of the History and Literature of Islam and Professor emeritus of comparative literature at the University of Chicago) translates sixty-one poems that form the Tarjuman al-ashwaq or The Translator of Desires by Muhyiddin Ibn 'Arabi (Princeton University Press, 2021). The poems are presented here both in Arabic and English, and are accompanied by an introduction and commentary. The masterful and accessible translations are truly a thrilling literary experience. Ibn ‘Arabi’s poems evoke numerous themes, such as of flora and fauna, nature, sacred spaces, especially of the Kaaba, love, longing, and grief. For instance, the longing of a lost beloved, which Sufis would have read as the Divine, is a central thematic thread woven throughout the collection of poetry, and is gendered feminine. The collection of poems along with Sells critical introduction and notes provides stunning insights to both the tradition of Arabic love poetry and to the mystical thought and poetic prowess of Ibn 'Arabi. This collection of poems will be of interest to anyone interested in Arabic poetry, Islamic literature, Ibn 'Arabi, Sufism, and much more. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Historians of the Enlightenment have studied the period’s substantial advances in world cartography, as well as the decline of utopia imagined in geographic terms. Literary critics, meanwhile, have assessed the emerging novel’s realism and in particular the genre’s awareness of the wider world beyond Europe. Jason Pearl unites these lines of inquiry in Utopian Geographies and the Early English Novel (University of Virginia Press, 2014),arguing that prose fiction from 1660 to 1740 helped demystify blank spaces on the map and make utopia available anywhere. This literature incorporated, debunked, and reformulated utopian conceptions of geography. Reports of ideal societies have always prompted skepticism, and it is now common to imagine them in the future, rather than on some undiscovered island or continent. At precisely the time when novels began turning from the fabulous settings of romance to the actual locations described in contemporaneous travel accounts, a number of writers nevertheless tried to preserve and reconfigure utopia by giving it new coordinates and parameters. Margaret Cavendish, Aphra Behn, Daniel Defoe, Jonathan Swift, and others told of adventurous voyages and extraordinary worlds. They engaged critically and creatively with the idea of utopia. If these writers ultimately concede that utopian geographies were nowhere to be found, they also reimagine the essential ideals as new forms of interiority and sociability that could be brought back to England. Questions about geography and utopia drove many of the formal innovations of the early novel. As this book shows, what resulted were new ways of representing both world geography and utopian possibility. Akash Ondaatje is a Research Associate at Know History. He studied at McGill University (B.A. History) and Queen’s University (M.A. History), where he researched human-animal relations and transatlantic exchanges in eighteenth-century British culture. Contact: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mirza Ghalib is one of the most celebrated poets in the Urdu literary canon. Yet, at the time, Ghalib was prolific in both Urdu and Persian. His output in Persian output dwarfs his Urdu writing (at least in its published form), and he often openly dismissed his Urdu works, once writing: Look into the Persian so that you may see paintings of myriad shades and hues; Pass by the collection in Urdu for it is nothing but drawings and sketches. Ghalib: A Wilderness at My Doorstep: A Critical Biography (Allen Lane, 2021) by Professor Mehr Afshan Farooqi explores the work of Mirza Ghalib to perhaps explain why the power made the switch from Urdu to Persian and back to Urdu. In this interview, I ask Mehr to introduce us to Ghalib and his work. We explore Ghalib as both a poet and a person, and why he made the switch from writing in Urdu to Persian and back again. Mehr Afshan Farooqi is currently an associate professor of Urdu and South Asian Literature at the University of Virginia. Her research publications address complex issues of Urdu literary culture particularly in the context of modernity. A well-known translator, anthologist, and columnist, she is the editor of the pioneering two-volume work The Oxford India Anthology of Modern Urdu Literature. More recently, she has published the acclaimed monograph The Postcolonial Mind: Urdu Culture, Islam and Modernity in Muhammad Hasan Askari. Farooqi also writes a featured column on Urdu literature of the past and present in the Dawn. Mehr can be followed on Twitter at @FarooqiMehr You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ghalib: A Wilderness At My Doorstep. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Ken Hyland, Professor of Applied Linguistics in Education at the University of East Anglia, UK. We talked about his book Second Language Writing (Cambridge UP, 2019), the importance of reflection to teaching, and about the importance of teaching to research, and about the importance of research to reflection. Interviewer : "I wonder whether second language writing isn't sometimes identifying itself too closely with language learning, and not–––well, it should be writing in a second language, shouldn't it? You know, put something up front which is what this is really about." Ken Hyland : "Yeah, I think that one thing that an emphasis on second language writing has given us is the recognition that writing is important. I don't think that there is a university anywhere now that doesn't have a writing center or at least an office where students can go and get consultation about their texts. Writing has been recognized as important, and also in native-English-speaking contexts as well, and in UK universities. And in fact, when we look at writing at advanced levels, like PhDs and writing for publication, language doesn't really come into it anymore. It's a rhetorical issue. And this crude native/nonnative polarization I think breaks down entirely. You know, it's counterproductive, because it demoralizes second-language writers who are trying to get their PhD or publish in journals, and it ignores the very real writing problems experienced by native English speakers, by L1s, you know. So, the L1s get ignored, in favor of the L2s, who get the courses, but everyone's unhappy because it's seen as a language issue rather than as a writing issue." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, we are talking to Mark Krotov, the publisher and co-editor of n + 1, a magazine of politics, essays and fiction described once: “like Partisan Review, but not dead” (Keith Gessen, co-founder). Mark was born in Moscow and left Russia for Atlanta at the age of six. He graduated from Columbia in 2008. Before joining n + 1, he was an assistant editor at Farrar, Straus and Giroux, an editor at Overlook Press and a senior editor at Melville House. Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode will be the first of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies. Since 1987, the book awards at the annual Asian American Studies Association conference (or AAAS) has given valuable attention onto the works in Asian American Studies that have been leading the field, and have spotlighted works that seek to generatively disrupt, challenge, or undo the norms of Asian American Studies, keeping the field dynamic in its ideas, animated in its possible uses, and broadly affective in its possible impacts to educators, organizers, and the general public. This first episode in the series will focus on the book awards in Social Sciences and Literary Studies. First, we will begin with our interview with Jian Neo Chen, whose book Trans Exploits: Trans of Color Cultures and Technologies in Movement (Duke UP, 2019) documents the threads of critical trans of color organizing and theory within the past twenty years. Our second interview will be with Quynh Nhu Le, whose book Unsettled Solidarities: Asian and Indigenous Cross-Representations in the Américas (Temple UP, 2019) attempts to rethink the categories of indigenous and settler identities, to consider broader transnational forms of racial settler colonialism in the Americas. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Erez Series is comprised of the Concise Guides to the full gamut of Jewish thought, from the Torah to modern halakha (Jewish law) and Mahshava (Jewish philosophy). The late Rabbi Adin Even Israel Steinsaltz zt"l was one of the leading thinkers of the modern age and the most prolific author of Jewish thought and commentary since the middle ages. The Erez Series distills the essence of 4 of the principal schools of the Jewish tradition Torah, the Sages (Hazal), Halakha, and Mahshava as a tool for review or introduction to the world of Jewish thought. Join us as we talk with Rabbi Meni Even Israel, executive director of the Steinsaltz Center, about his father's life and legacy, including his volumes in the Concise Guides to Torah, the Sages, Halakha, and Mahshava. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Simon Critchley's Tragedy, the Greeks, and Us (Vintage, 2020) does not offer a comprehensive theory of tragedy. Instead, it takes issue with the bland simplifications that philosophers have offered in place of a robust engagement with tragedies, plural. Critchley examines Nietzche's wishful speculation on the origin of tragedy, Aristotle's dry and under-examined notion of catharsis, and Plato's excessive hatred of tragedy, finding that each attempt to find an essence of tragedy ignores the fact that tragedy as a form is uninterested in tidy endings or comforting morals. Critchley insists we go back to the experience of theatre in search of what Anne Carson calls a "more devastating" account of what it's like to watch these plays, which somehow resonate with us after more than two thousand years. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Impossible Stories: On the Space and Time of Black Destructive Creation (Ohio State UP, 2021), John Murillo offers bold new readings of recent and canonical Black creative works within an Afro-pessimistic framework to excavate how time, space, and blackness intersect—or, rather, crash. Building on Michelle Wright’s ideas about dislocation from time and space as constitutive to being Black in America, as well as on W. E. B. DuBois’s theories of temporalization, he reconsiders the connections between physical phenomena and principles, literature, history, and the fragmented nature of Black time and space. Taking as his lens the fragment—fragmented bodies, fragments of memories, fragments of texts—Murillo theorizes new directions for Black identity and cultural production. Combining a critical engagement of physics and metaphysics with innovative readings of Gayl Jones’s Corregidora, Octavia Butler’s Kindred, Toni Morrison’s Beloved, Kiese Laymon’s Long Division, Dionne Brand’s A Map to the Door of No Return, and Paul Beatty’s The Sellout, he offers new ways to think about anti-Black racism and practice Black creativity. Ultimately, in his equally creative and analytical responses to depictions of Black people left out of history and barred from spaces, Murillo argues that through Afro-pessimism, Black people can fight the anti-Black cosmos. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I interview Dinty W. Moore and Zoë Bossiere, the editors of the new anthology The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction (Rose Metal Press, 2020). The anthology brings together the best of Brevity Magazine, which publishes works of literary nonfiction that are less than 750 words. So how do you write about, say, the experience of becoming a mother or losing a father or coming of age or the nature of our age, all in less than 750 words? And how do you do it powerfully, beautifully, and artfully? It seems impossible. And yet for over twenty years, this is exactly what Brevity has given us: thousands of literary gems that glow and pulse with our humanity. Today I get a chance to ask Dinty and Zoë about how these 750-words-or-less wonders work and how the magazine has fostered a new literary genre into American letters. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eleni Kefala's book The Conquered: Byzantium and America on the Cusp of Modernity (Dumbarton Oaks, 2021) probes issues of collective memory and cultural trauma in three sorrowful poems composed soon after the conquest of Constantinople and Tenochtitlán. These texts describe the fall of an empire as a fissure in the social fabric and an open wound on the body politic, and articulate, in a familiar language, the trauma of the conquered. Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christina Ward’s newest book American Advertising Cookbooks: How Corporations Taught Us to Love Spam, Bananas, and Jell-O (Process Media, 2019) examines a familiar but understudied sub-genre of commercially published cookbooks. Advertising cookbooks were most popular in the middle decades of the 20th century. They are usually published by a company or industry interest group rather than an individual chef or writer, and they serve as instructions for consumers to use the products of that company or industry. As Ward explains, advertising cookbooks introduced American consumers to new convenience foods like Jell-O and SPAM or to unfamiliar ingredients like pineapples and bananas. Ward tells a history of cookbooks that draws a direct line between Puritan austerity and gender roles, Amelia Simmons, World’s Fairs, Home Economists, and Jell-O recipes. Essentially, Ward argues that American cooks at each stage needed (or wanted) experts to tell them how to eat and cook. Advertising cookbooks fill a specific gap in knowledge home cooks can’t rely on inherited or communally held knowledge to use new ingredients or appliances. Part of this story is also the story of advertising itself and how it changed dramatically with Edward Bernays through the practices of “psychological coercion” and the birth of public relations. The book is organized into photo chapters that provide readers with an archive of examples of advertising cookbooks at work with their garish colors (the result of low quality printing, Ward suggests) and unusual combinations in elaborate arrangements. The cookbooks give today’s readers a lot to laugh at (like ham wrapped bananas with cheese sauce), but Ward also highlights the “sinister side” of advertising cookbooks. The United Fruit Company brought pineapples and bananas to consumers in creative ways, but they also participated in colonial projects that created the term “banana republic.” Similarly, advertising cookbooks played into ethnic stereotypes and created racist caricatures such as Aunt Jemima and Uncle Ben. Advertising cookbooks play a unique role in American food culture; it isn’t always clear if the cookbooks created demand or responded to an existing demand in the market. Either way, Ward suggests that these cookbooks represent an American cuisine and culture worthy of more scholarly attention. Christina Ward is an author and editor at Feral House. She is a contributor to Serious Eats, Edible Milwaukee, The Wall Street Journal, The Milwaukee Journal/Sentinel, Remedy Quarterly, and Runcible Spoon magazines. Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The only constant in Western history is change. Susan Lee Johnson, Harry Reid Endowed Chair in the History of the Intermountain West at UNLV, knows this better than most. Author of the Bancroft Prize Winning "Roaring Camp," (2000), Johnson's new book is a testament to the changing nature of Western history. In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020) Johnson writes about shifting ideas about the region's meaning across the span of the twentieth century through the lens of two mid-twentieth century "minor historians" of Kit Carson: Quantrille McClung, a librarian at the Denver Public Library, and Bernice Blackwelder, a former CIA employee and radio entertainer. Johnson tells the history of these two women's often mundane, quintessentially American, lives in the urban 20th century West, and their fasciation with Kit Carson, the 19th century explorer (if you ask some historians) or colonizer (if you ask many others). Johnson's intensely personal book is less a history of Carson, and more a history of how history is written, and the practical facts of life - an uncomfortable desk, a pesky spouse - that go into creating knowledge and what happens when new knowledge hits the mainstream. As Kit Carson's tangled legacy shows, once knowledge is created, it's difficult to keep it corralled. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Turkey, Egypt, and Syria: A Travelogue (Syracuse UP, 2019) vividly captures the experiences of prominent Indian intellectual and scholar Shibli Nu'mani (1857-1914) as he journeyed across the Ottoman Empire and Egypt in 1892. A professor of Arabic and Persian at the Mohammedan Anglo-Oriental (MAO) College at Aligarh, Nu'mani took a six-month leave from teaching to travel to the Ottoman Empire in search of rare printed works and manuscripts to use as sources for a series of biographies on major figures in Islamic history. Along the way, he collected information on schools, curricula, publishers, and newspapers, presenting a unique portrait of imperial culture at a transformative moment in the history of the Middle East. Nu'mani records sketches and anecdotes that offer rare glimpses of intellectual networks, religious festivals, visual and literary culture, and everyday life in the Ottoman Empire and Egypt. First published in 1894, the travelogue has since become a classic of Urdu travel writing and has been immensely influential in the intellectual and political history of South Asia. This translation by Gregory Maxwell Bruce, the first into English, includes contemporary reviews of the travelogue, letters written by the author during his travels, and serialized newspaper reports about the journey, and is deeply enriched for readers and students by the translator's copious multilingual glosses and annotations. Nu'mani's chronicle offers unique insight into broader processes of historical change in this part of the world while also providing a rare glimpse of intellectual engagement and exchange across the porous borders of empire. Asad Dandia is a graduate student of Islamic Studies at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to John Thompson, Emeritus Professor, Fellow of Jesus College, Cambridge, about his new book Book Wars: The Digital Revolution in Publishing (Polity, 2021). We discuss crowdfunding, audio books, distribution chains, social media, self-publishing, ebooks, Amazon, retail, and oh, also those things that are made of paper and glued together and have words printed in them. Interviewer: "One of the real eye-openers for me in the book was the distance, historically speaking, between readers and publishers. Now, as I think about it, and as I compare what a company like Amazon does to what traditional publishers do, well, I begin to notice that publishers are on the side of authors and content and that publishers have an obligation, even, on that side." John Thompson: "Yes, they have an obligation to authors. Publishers are good and professional at developing content. And if they're good publishers, they have a well thought-through and sophisticated marketing and publicity operation that helps to create visibility for books. But on this last point alone–––making books known to others–––the opportunity created by the digital revolution is not just that you make books visible by using traditional media like advertising in the newspaper, but that you are able to reach out directly to readers and consumers and make your books visible to them directly, in much the way that Amazon does when they send an email blast to an Amazon user that says, 'You might be interested in this book.' But why can't publishers do that themselves? Now, thanks to the digital revolution, the opportunity is created for publishers to develop relationships with readers, and to do so at scale. It simply wasn't possible, prior to the digital revolution and prior to the Internet. But now it is. And so that is a huge transformation that publishers are beginning to avail themselves of and which will, I think, continue to change the industry." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How should we understand creative work? In Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021), Michael Siciliano, an assistant professor of sociology at Queen's University, Canada, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth--Palestinian Arabs, African Americans, Spanish Republicans--in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times: Yiddish Poetry of Struggle from Scottsboro to Palestine (Harvard UP, 2020) effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York-based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee's "God's Black Lamb," Moyshe Nadir's "Closer," and Esther Shumiatsher's "At the Border of China." These poets dreamed of a moment when "we" could mean "we workers" rather than "we Jews." Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain. Amelia Glaser is Associate Professor of Russian and Comparative Literature at the University of California, San Diego, where she also directs the Russian, East European, and Eurasian Studies, and Jewish Studies, programs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Muslim world is not commonly associated with science fiction. Religion and repression have often been blamed for a perceived lack of creativity, imagination and future-oriented thought. However, even the most authoritarian Muslim-majority countries have produced highly imaginative accounts on one of the frontiers of knowledge: astrobiology, or the study of life in the universe. Islam, Science Fiction and Extraterrestrial Life: The Culture of Astrobiology in the Muslim World by Jörg Matthias Determann (I.B. Tauris, 2020) argues that the Islamic tradition has been generally supportive of conceptions of extra-terrestrial life, and in this engaging account, Jörg Matthias Determann provides a survey of Arabic, Bengali, Malay, Persian, Turkish, and Urdu texts and films, to show how scientists and artists in and from Muslim-majority countries have been at the forefront of the exciting search. Determann takes us to little-known dimensions of Muslim culture and religion, such as wildly popular adaptations of Star Wars and mysterious movements centerd on UFOs. Repression is shown to have helped science fiction more than hurt it, with censorship encouraging authors to disguise criticism of contemporary politics by setting plots in future times and on distant planets. The book will be insightful for anyone looking to explore the science, culture and politics of the Muslim world and asks what the discovery of extra-terrestrial life would mean for one of the greatest faiths. Asad Dandia is a graduate student of Islamic Studies at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Quiet Spiders of the Hidden Soul: Mykola (Nik) Bazhan’s Early Experimental Poetry (Academic Studies Press, 2020) presents a collection of early works by Mykola Bazhan, one of the most enigmatic figures in Ukrainian literature of the twentieth century. The volume was prepared and edited by Oksana Rosenblum, Lev Fridman, and Anzhelika Khyzhnia. The name of Mykola Bazhan is probably quite new to English-language readers. Quiet Spiders of the Hidden Soul is an excellent introduction into both life and writing of the Ukrainian poet who participated in one of the most vibrant creative periods of Ukrainian literature—the 1920s—who survived the Stalinist regime, and who somehow managed to preserve the magic of his style and language while being a Soviet functionary. In this regard, the title is rather eloquent: Bazhan’s writing arises at the intersections of multiple inner struggles, compromises, and uncertainties. His language, which may appear cryptic, is some sort of manifestations of a soul that is tortured by doubts and that tries to win the war with itself. Bazhan’s language is hard to render: it gives freedom and, at the same time, it entraps readers and translators as it asks for minute dissections on the micro levels. From this perspective, the language is a tool of both survival and creativity. The poetry and prose pieces, which are included in this volume, are supplemented with critical essays and commentaries, which amplifies the accomplishments of the project. Quiet Spiders of the Hidden Soul provides further insights into both Ukrainian and Soviet literatures. Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, we are talking to writer and editor Chris Lehmann, an editor of The Baffler, a former managing editor of The New Republic and a former editor of In These Times. He was described by the TNR’s owner as someone, who “who was able to restore stability of The New Republic after a decade of incessant turmoil.” Chris is an author of political and cultural thought long-form journalism himself and the author of two books about money – Rich People Things: Real Life Secrets of the Predator Class (Haymarket, 2011) and The Money Cult: Capitalism, Christianity, and the Unmaking of the American Dream (Melville, 2017) – about the influence of Christianity on American capitalism. He is working on another book proposal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In American Writers and World War I (Oxford University Press, 2020), David A. Rennie argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. He examines texts by Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway. Recent research has focused on constituencies of identity--such as gender, race, and politics--registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War I argues that even authors' hallmark "anti-war" works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers--in well-known texts, autobiography, correspondence, and neglected works--this study contends that writers' reactions were multifaceted, and subject to change--in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next fifty years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control--and feminism. However, while widening opportunities for women were seen as progress, feminists were regularly caricatured as man-haters, cast in the role of ugly sisters, witches or wicked fairies in the fairy-tale. Carol Dyhouse's new book Love Lives: From Cinderella to Frozen (Oxford UP, 2021) is about the reshaping of women's lives, loves and dreams since 1950, the year in which Walt Disney's film Cinderella gave expression to popular ideas of romance, and at a time when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings. It ends with the runaway success of Disney's Frozen, in 2013--a film with relevance to very different times. Along the way, it illuminates how women's expectations and emotional landscapes have shifted, asking bold questions about how women's lives have been transformed since 1950. How have women's changing life experiences been mirrored in new expectations about marriage, intimacy, and family life? How have new forms of independence through education and work, and greater control over childbearing, altered women's life ambitions? And were feminists right to believe that sexual equality would improve relationships between men and women? Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies