New Books in Literary Studies

An interview with Cara Blue Adams, author of You Never Get It Back (University of Iowa Press, 2021). Cara and I discuss the joys of linked short story collections, the lack of adequate vocabulary to describe working people in the United States, the many moods of everyday life, and how humor works in her stories. These are stories of exquisite observation and the quiet beauty of everyday life. You Never Get It Back is a collection of linked stories that follows Kate, a young woman moving through her twenties and thirties, first as a research scientist and later as a budding writer. Kate is for this reader, the best of what makes us impossibly human—our need for others, matched against our desire to be meaningful as a singular person in the world. Cara Recommends: Maria Gainza, Optic Nerve Joan Didion, Play it as it Lays Franz Kafka, The Trial Sara Manguso, Very Cold People Sara Majka, Cities I’ve Never Lived In Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This week on Recall this Book, another delightful crossover episode from our sister podcast Novel Dialogue, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, RtB 53 featured Nobel Orhan Pamuk, RtB 54 brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and Jennifer Egan--prolific and prize-winning American novelist--than Ivan Kreilkamp? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, A Visit from the Goon Squad Reread. Jennifer Egan © Pieter M. van Hattem Their conversation ranges widely over Egan’s oeuvre–not to mention 18th and 19th century literature. Trollope, Richardson and Fielding are praised and compared to modern phenomena like TikTok and gamers streaming (including gamers streaming chess, a very special instance of getting inside someone else’s thought process). The PowerPoint chapter in Goon Squad gets special treatment, and tantalizing details from Egan’s forthcoming novel, The Candy House (April, 2022) make an appearance. Egan discusses her authorial impulse towards camouflage, her play with genre’s relationship to specialized lingos and argots–and the way a genre’s norms and structure can function like a “lifeline” and also a “portal.” Mentioned in the Episode Jennifer Egan: Visit from the Goon Squad; Look at Me; Manhattan Beach; The Keep Samuel Richardson: Clarissa; Pamela Henry Fielding, Shamela Herman Melville, Moby Dick Patrick O’Brian (e.g. Master and Commander) Alfred Hitchcock, Lifeboat Read the transcript here. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The late 19th and early 20th centuries in Europe were times of intense technological, social and political change and transformation, and so it’s no surprise that much of the art and literature of this period was equal in its innovative intensity, attempting to make sense of times that were radically out of joint. Traditional scholarship on this period has focused on the alienation and disassociation that can be experienced when trying to keep up with the frenetic pace of modern life. But is this what the artists and writers of the day were trying to communicate to their audience? Without discounting the alienating effects of modernity, Malika Maskarinec has stepped in with a fascinating monograph on the period, The Forces of Form in German Modernism (Northwestern UP, 2018), which challenges and complicates this reading, drawing our attention to other themes present in the work of the period. Turning to various archival sources to see what the artists and their peers were interested in, Maskarinec finds a collection of figures reflecting on questions of the forces and forms that hold bodies together against the weight of gravity. In this intellectual milieu, buildings and statues capacity to hold themselves up can be part of profound aesthetic experience, abstract shapes maintaining their position on a page can stir feelings of empathy, and even simple everyday activities such as laying down, standing up and walking around are activities of profound existential importance. Touching on figures such as Schopenhauer, Rodin, Simmel, Klee and Kafka, Maskarinec’s book is overflowing with insights that will help students and scholars of the period revisit these works with fresh eyes, and like the artists and writers discussed, she will prove an excellent interlocutor for all those interested in what it means to be human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Transcendentalists and Their World (Farrar, Straus and Giroux, 2021), Robert A. Gross offers a fresh view of the thinkers whose outsize impact on philosophy and literature would spread from tiny Concord to all corners of the earth. Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, and the Alcotts called this New England town home, and Thoreau drew on its life extensively in his classic Walden. But Concord from the 1820s through the 1840s was no pastoral place fit for poets and philosophers. The Transcendentalists and their neighbors lived through a transformative epoch of American life. A place of two thousand–plus souls in the antebellum era, Concord was a community in ferment, whose small, ordered society founded by Puritans and defended by Minutemen was dramatically unsettled through the expansive forces of capitalism and democracy and tightly integrated into the wider world. These changes challenged a world of inherited institutions and involuntary associations with a new premium on autonomy and choice. They exposed people to cosmopolitan currents of thought and endowed them with unparalleled opportunities. They fostered uncertainties, raised new hopes, stirred dreams of perfection, and created an audience for new ideas of individual freedom and democratic equality deeply resonant today. The Transcendentalists and Their World is both an intimate journey into the life of a community and a searching cultural study of major American writers as they plumbed the depths of the universe for spiritual truths and surveyed the rapidly changing contours of their own neighborhoods. It shows us familiar figures in American literature alongside their neighbors at every level of the social order, and it reveals how this common life in Concord entered powerfully into their works. No American community of the nineteenth century has been recovered so richly and with so acute an awareness of its place in the larger American story. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mabel Moraña's book Philosophy and Criticism in Latin America: From Mariátegui to Sloterdijk (Cambria Press, 2020) explores the complex relationships between the fields of philosophy and criticism, focusing on methodological, ideological and cultural aspects in which European canonical reflection connects, in many cases conflictively, with Latin American thought. Philosophy and criticism analyzes aspects of the work of influential modern thinkers (Benjamin, Foucault, Bourdieu, Sloterdijk) vis a vis the proposals of representative authors of Latin American philosophy (Mariátegui, Dussel, Bartra, Echeverría), trying to discover convergences and challenges between both slopes. Likewise, this volume focuses on crucial issues of our time: the crisis of humanism, the strategies of biopolitics, the problems of scarcity, violence, the critique of modernity, the world of affections, and the challenges of globalization. The marked profile of Latin American thought is thus imprinting its brand in current debates, revealing the thriving force of intellectual currents that resist epistemic domination in search of renewed forms of collective emancipation. Daniela Gutierrez Flores is a PhD candidate in Hispanic and Luso-Brazilian Studies at the University of Chicago Romance Languages and Literatures department. Follow her on Twitter @danielagtz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ignacio M. Sánchez Prado is Professor of Spanish, Latin American Studies, and Film and Media Studies at Washington University in St. Louis. His areas of research include Latin American intellectual history, neoliberal culture, world literary theory, and Mexican cultural studies. He is the author and editor of several books, including Screening Neoliberalism: Mexican Cinema 1988-2012 and most recently Strategic Occidentalism: On Mexican Fiction, The Neoliberal Book Market, and the Question of World Literature (Northwestern UP, 2018). Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture. In the course of this analysis, engages with theories of world literature, proposing that “world literature” is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a “strategic Occidentalism” in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists. Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol’s translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature. Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&M University at Qatar. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Founded in 1676 during a cosmopolitan early modern period, Mindröling monastery became a key site for Buddhist education and a Tibetan civilizational center. Its founders sought to systematize and institutionalize a worldview rooted in Buddhist philosophy, engaging with contemporaries from across Tibetan Buddhist schools while crystallizing what it meant to be part of their own Nyingma school. At the monastery, ritual performance, meditation, renunciation, and training in the skills of a bureaucrat or member of the literati went hand in hand. Studying at Mindröling entailed training the senses and cultivating the objects of the senses through poetry, ritual music, monastic dance, visual arts, and incense production, as well as medicine and astrology. Dominique Townsend investigates the ritual, artistic, and cultural practices inculcated at Mindröling to demonstrate how early modern Tibetans integrated Buddhist and worldly activities through training in aesthetics. Considering laypeople as well as monastics and women as well as men, A Buddhist Sensibility: Aesthetic Education at Tibet's Mindröling Monastery (Columbia UP, 2021) sheds new light on the forms of knowledge valued in early modern Tibetan societies, especially among the ruling classes. Townsend traces how tastes, values, and sensibilities were cultivated and spread, showing what it meant for a person, lay or monastic, to be deemed well educated. Combining historical and literary analysis with fieldwork in Tibetan Buddhist communities, this book reveals how monastic institutions work as centers of cultural production beyond the boundaries of what is conventionally deemed Buddhist. Jue Liang is scholar of Buddhism in general, and Tibetan Buddhism in particular. My research examines women in Tibetan Buddhist communities past and present using a combination of textual and ethnographical studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, Howard Burton talks with Ester Salgarella, Junior Research Fellow at St John's College, University of Cambridge, about her groundbreaking work on the intriguing relationship between Linear A and Linear B and its consequent sociohistorical implications. Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China. Transmitted in oral and written forms for centuries among the Nuosu, The Nuosu Book of Origins: A Creation Epic from Southwest China (U Washington Press, 2019) is performed by bimo priests and other tradition-bearers. Poetic in form, the narrative provides insights into how a clan- and caste-based society organizes itself, dictates ethics, relates to other ethnic groups, and adapts to a harsh environment. A comprehensive introduction to the translation describes the land and people, summarizes the work's themes, and discusses the significance of The Book of Origins for the understanding of folk epics, ethnoecology, and ethnic relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ghastly Tales from the Yotsuya Kaidan (Chisokudo, 2020) is a newly revised and corrected translation of what is perhaps the most famous and oft told tales of horror in Japan. The legend of Iwa and her curse blurs the lines between fact and fiction as it spins its terrifying tale of ghostly vengeance. For nearly three hundred years in the repertoire of itinerant storytellers, in dramatic performances on stage, and in modern adaptations for anime and film, Iwa’s story has lost none of its intoxicating power over the imagination. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ian Almond is Professor of World Literature at Georgetown University in Qatar, and author of six books, including Two Faiths, One Banner: When Muslims Marched with Christians across Europe’s Battlegrounds, published in 2011 by Harvard University Press and The Thought of Nirad C. Chaudhuri: Islam, Empire and Loss published by Cambridge University Press in 2015. His work has been translated into thirteen languages. His most recent work, World Literature Decentered: Beyond the West through Turkey, Mexico and Bengal, was published in 2021 by Routledge. World Literature Decentered offers a unique departure from world literature as it has been understood, theorized, and anthologized. It asks: what would world literature look like if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet,” World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world. Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&M University at Qatar. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Cloud of Longing: A New Translation and Eco-Aesthetic Study of Kalidasa's Meghaduta (Oxford UP, 2021) is a translation and full-length study of the great Sanskrit poet Kālidāsa's famed Meghadūta (literally: "The Cloud Messenger") with a focus on its interfacing of nature, feeling, figurative language, and mythic memory. While the Meghadūta has been translated a number of times, the last "almost academic" translation was published in 1976 (Leonard Nathan, The Transport of Love: The Meghadūta of Kālidāsa). This volume, however, is more than an Indological translation. It is a study of the text in light of both classical Indian and contemporary Western literary theory, and it is aimed at lovers of poetry and poetics and students of world literature. It seeks to widen the arena of literary and poetic studies to include classic works of Asian traditions. It also looks at the poem's imaginative portrayals of "nature" and "environment" from perspectives that have rarely been considered. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The account of the exodus of Israel out of Egypt led by Moses has shaped the theology and community identity of both Jewish people and Christians across the centuries, blossoming further in later scriptures and religious writings, as well as in art and music. Join us as we speak with Joshua Coutts about the book, Let My People Go: The Reception of Exodus Motifs in Jewish and Christian Literature, published by Brill. This volume brings together an international group of scholars to explore the re-use of the exodus narratives across a wide range of early Jewish and Christian literature including the Apocrypha and the New Testament. Dr. Joshua Coutts is Assistant Professor of New Testament at Providence Theological Seminary (Otterburne, MB). He completed a PhD at the University of Edinburgh in 2016. His most recent publication, The Divine Name in the Gospel of John, was published in 2017 by Mohr Siebeck (NBN Interview here). Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons: Natsume Soseki and the Properties of Modern Literature (Duke UP, 2021), Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Living Books: Experiments in the Posthumanities (MIT Press, 2021), Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project -- not as linear, bound and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Our conversation highlights the performative nature of publishing, the possibilities and limitations of open access, balancing experimentation with fixity, and how publishing practices are intertwined with neoliberalism, scholarly identity, technology, and culture. In addition, we discuss the different forms that this work has manifested as, including the digital open access version on PubPub, as well a call for researchers, publishers, and institutions to make room for more experimentation in their academic performances. Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Firebird and the Fox: Russian Culture under Tsars and Bolsheviks (Cambridge UP, 2019) by Jeffrey Brooks, Professor of History at Johns Hopkins University, is a summa of his lifetime study of Russian culture. In doing so, Brooks provides a needed corrective to the prior standard work, now over 50 years old. Firebird and the Fox chronicles a century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at [email protected] or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinves... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The 2015 #WakingTheFeminists Campaign for gender equality in Irish theatre highlighted the marginalization of women in this industry and led to several significant initiatives that interrogated existing theater practices and pushed for inclusion and representation. Inspired by this movement, three academics, David Clare, Fiona McDonagh, and Justine Nakase, joined forces to co-edit a two-volume collection of scholarship on Irish women playwrights. In this episode, these three scholars discuss their new volumes entitled The Golden Thread: Irish Women Playwrights (1716-2016) (Liverpool UP 2021). Spanning from the eighteenth-century to the present day, The Golden Thread brings together the work of leading scholars in Irish theater and women’s writing with that of theater practitioners to recover the often-hidden contributions of women playwrights. The collection develops a counter-canon of Irish playwrights that examines issues of class, sexuality, and disability. Colleen English is a scholar of Irish and Romantic literature based at Loyola University Chicago. She co-convenes the Irish Studies Scholarly Seminar at the Newberry Library. Twitter feed: https://twitter.com/colleenjenglish Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Leonard Cohen's troubled relationship with God is here mapped onto his troubled relationships with sex and politics. Analysing Covenantal theology and its place in Cohen's work, Marcia Pally's From This Broken Hill I Sing to You: God, Sex, and Politics in the Work of Leonard Cohen (Bloomsbury, 2021) is the first to trace a consistent theology across sixty years of Cohen's writing, drawing on his Jewish heritage and its expression in his lyrics and poems. Cohen's commitment to covenant, and his anger at this God who made us so prone to failing it, undergird the faith, frustration, and sardonic taunting of Cohen's work. Both his faith and ire are traced through: Cohen's unorthodox use of Jewish and Christian imagery His writings about women, politics, and the Holocaust His final theology, You Want It Darker, released three weeks before his death Professor Marcia Pally teaches at New York University, at Fordham University, and is an annual guest professor at Humboldt University’s Theology Faculty Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gill has been s a volunteer librarian at Claremont Primary School in Cape Town South Africa since 2010. Through her initiative she has been able to give several hundred children aged 6-14 from largely disadvantaged backgrounds access to books and advice about reading. She believes that this has been life changing for a significant number of her readers – as well as giving her life profound value. Gill is a great example of a social entrepreneur. Richard nominated her to speak at TEDxCapeTown, Watch her talk here For the love of books | Gill Grose | TEDxCapeTown Claremont Primary School Couchsurfing [email protected] <-- Gill will be glad to answer e-mails from those wanting more information About your host Richard Lucas Richard is a business and social entrepreneur who founded, led and/or invested in more than 30 businesses, Richard has been a TEDx event organiser, supports the pro-entrepreneurship ecosystem, and leads entrepreneurship workshops at all levels: from pre-schools to leading business schools. Richard was born in Oxford and moved to Poland in 1991. Read more here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse: American Literature and the Nuclear Complex (U Minnesota Press, 2020), Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A conversation with booksellers from three of the most dynamic, exciting, and community-oriented independent bookstores in the country. Lisa Swayze of Buffalo Street Books (Ithaca, NY), Michelle Malonzo of Changing Hands Bookstore (Tempe, AZ), and Alena Jones of Seminary Co-op Bookstores (Chicago, IL) join me and my special co-host, professor Kasia Bartoszynska for a roundup of their favorite books of the year, and a fascinating look into indie bookstores during the pandemic. Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Gloria Maité Hernández's Savoring God: Comparative Theopoetics (Oxford UP, 2021) compares two mystical works central to the Christian Discalced Carmelite and the Hindu Bhakti traditions: the sixteenth-century Spanish Cántico espiritual (Spiritual Canticle), by John of the Cross, and the Sanskrit Rāsa Līlā, originated in the oral tradition. These texts are examined alongside theological commentaries: for the Cántico, the Comentarios written by John of the Cross on his own poem; for Rāsa Līlā, the foundational commentary by Srīdhara Swāmi along with commentaries by the sixteenth-century theologian Jīva Goswāmī, from the Gauḍīya Vaiṣṇava school, and other Gauḍīya theologians. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism. Colleen and Viet reflect on the role of academic training in Viet's transformation from Asian-Americanist scholar into Asian-American novelist and discuss the peculiarities of immigrant Asian identity in terms of language. Mother tongues, bilingualism, orphaned language, and adopted language all become metaphors for how Asian-American writers must balance the loss of heritage and weight of expectation with the call to self-invention. Plus, Viet reveals the not-so-wholesome treats that enabled him to complete The Sympathizer! Mentioned in the Episode Frantz Fanon, Black Skin, White Masks Jean-Paul Sartre Nicholas Dames, "The Theory Generation" Maxine Hong Kingston, Woman Warrior John Okada, No-No Boy Cathy J. Schlund-Vials, Flashpoints for Asian-American Studies W.E.B. DuBois, Double Consciousness Gayatri Chakravorty Spivak, Double Bind Ocean Vuong Transcript Available Here: https://noveldialogue.org/transcripts/ Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Most of us think we know the story of Bambi—but do we? The Original Bambi: The Story of a Life in the Forest (Princeton UP, 2022) is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. For decades, readers’ images of Bambi have been shaped by the 1942 Walt Disney film—an idealized look at a fawn who represents nature’s innocence—which was based on a 1928 English translation of a novel by the Austrian Jewish writer Felix Salten. This masterful new translation gives contemporary readers a fresh perspective on this moving allegorical tale and provides important details about its creator. Originally published in 1923, Salten’s story is more somber than the adaptations that followed it. Life in the forest is dangerous and precarious, and Bambi learns important lessons about survival as he grows to become a strong, heroic stag. Jack Zipes’s introduction traces the history of the book’s reception and explores the tensions that Salten experienced in his own life—as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution. With captivating drawings by award-winning artist Alenka Sottler, The Original Bambi captures the emotional impact and rich meanings of a celebrated story. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In To Make Negro Literature: Writing, Literary Practice, and African American Authorship (Duke UP 2021), Elizabeth McHenry locates a hidden chapter in the history of Black literature at the turn of the twentieth century, revising concepts of Black authorship and offering a fresh account of the development of "Negro literature" focused on the never published, the barely read, and the unconventional. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Can We Be Wrong? The Problem of Textual Evidence in a Time of Data (Cambridge UP, 2020) by Andrew Piper tackles the problem of generalization with respect to text-based evidence in the field of literary studies. When working with texts, how can we move, reliably and credibly, from individual observations to more general beliefs about the world? The onset of computational methods has highlighted major shortcomings of traditional approaches to texts when it comes to working with small samples of evidence. This Cambridge Element combines a machine learning-based approach to detect the prevalence and nature of generalization across tens of thousands of sentences from different disciplines alongside a robust discussion of potential solutions to the problem of the generalizability of textual evidence. It exemplifies the way mixed methods can be used in complementary fashion to develop nuanced, evidence-based arguments about complex disciplinary issues in a data-driven research environment. Andrew Piper is Professor and William Dawson Scholar in the Department of Languages, Literatures, and Cultures at McGill University. He directs .txtlab, a laboratory for cultural analytics at McGill, and is editor of the Journal of Cultural Analytics. Katie McDonough is Senior Research Associate, The Alan Turing Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Kate Rigby's book Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation (Bloomsbury, 2020) rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship. Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project at the University of Leeds and this work are supported by the UK Arts & Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts & Humanities. A Syrian multinational, he studied at Yale and earned a certificate in beekeeping from SOILS Permaculture Association Lebanon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945–2008 (Cambridge UP, 2021), Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity. Interview by Christian B. Long. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes, or filled with bean bags and children's drawings--the history of the library is rich, varied, and stuffed full of incident. In The Library: A Rich and Fragile History (Basic Books, 2021), historians Andrew Pettegree and Arthur der Weduwen introduce us to the antiquarians and philanthropists who shaped the world's great collections, trace the rise and fall of literary tastes, and reveal the high crimes and misdemeanors committed in pursuit of rare manuscripts. In doing so, they reveal that while collections themselves are fragile, often falling into ruin within a few decades, the idea of the library has been remarkably resilient as each generation makes--and remakes--the institution anew. Beautifully written and deeply researched, The Library is essential reading for booklovers, collectors, and anyone who has ever gotten blissfully lost in the stacks. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“The good life” and “the American Dream “remain powerful animating principles in popular culture, politics, and also our individual psyches. I spoke with Professor Dora Zhang at the University of California at Berkeley who teaches a course on “the good life,” using mostly literary rather than philosophical texts. From Sophokles’s Antigone (441 B.C.) to Bong Joon-ho’s Parasite (2020); from Gustave Flaubert’s Madame Bovary (1856) to Lorraine Hansberry’s A Raisin in the Sun (1959), and from F. Scott Fitzgerald’s The Great Gatsby (1925) to the idea of “cruel optimism” advanced by literary critic Lauren Berlant, Zhang’s course is not intended to leave students depressed about their prospects but motivated to rethink what they’ve been told to hope for and aspire to. I loved this conversation with a gifted and brilliant teacher, which was also a sort of homecoming for me since I had been a freshman student at the University of California at Berkeley some 30 years ago, where I discovered that my love of literature could become the basis of a career. Professor Zhang is Associate Professor of English and Comparative Literature at UC Berkeley. Her research focuses on Anglo-American and European modernist fiction, literature and philosophy, novel theory, affect theory, visual culture, aesthetics, and ecocriticism. She received her Ph.D. in Comparative Literature from Princeton University and her B.A. in philosophy from the University of Toronto. Her book, Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020), shows how description is far more than stage-setting or background in modernist novels. She’s also published on Proust and photography, Woolf and the philosophy of language, the role of atmospheres in everyday life, and Roland Barthes's travels in China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Shaoling Ma, professor of Humanities (Literature) at Yale-NUS about her new book, The Stone and the Wireless: Mediating China, 1861-1906 (Duke UP, 2021). In this fascinating book, Ma grapples with theoretical and historical questions of media and mediation in the late Qing. Calling on a diverse set of sources, including diplomatic records, science fiction novels, modern poetry, and telegraphic dispatches among many others, Ma’s examines “mediation in terms of the discursive interactions with physical devices and material processes of communication” (49). By reading the treatment of documents and labor in Wu Jianren’s New Story of the Stone against representations of the new, “stoney” lithographic practices of the Dianshizhai Pictorial, or showing how the Boxer crisis shaped understandings of telegraphy and transmission, The Stone and the Wireless enriches not only Chinese studies, but also speaks broadly to scholarship on media and technology. In her conclusion, Ma teases readers with an interpretation of a very recent Chinese sci-fi novel, convincingly making the case for the contemporary political relevance of her study. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Humanist Reason: A History, an Argument, a Plan (Columbia UP, 2021), Eric Hayot develops the concept of “humanist reason” to understand the nature and purpose of humanist intellectual work and lays out a serious of principles that undergird this core idea. Rather than appealing to familiar ethical or moral rationales for the importance of the humanities, Humanist Reason lays out a new vision that moves beyond traditional disciplines to demonstrate what the humanities can tell us about our world. Eric Hayot is Distinguished Professor of Comparative Literature and Asian Studies at Penn State University, where he is also Director of the Center for Humanities and Information. His books include Chinese Dreams: Pound, Brecht, Tel quell (U of Michigan P), The Hypothetical Mandarin: Sympathy, Modernity, and Chinese Pain (Oxford UP), On Literary Worlds (Oxford UP), The Elements of Academic Style: Writing for the Humanities (Columbia UP), and, most recently, Humanist Reason (Columbia UP), published in 2021. He edited and co-edited numerous books and in 2018 he published with Lea Pao a translation of Peter Janich’s What is Information? (U of Minnesota P). Bryant Scott is a professor in the Liberal Arts department at Texas A & M University at Qatar. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

One Hundred Years of Solitude is a revered classic today fifty five years after it was first published in 1967. Today I talked to Alvaro Santana Acuña a sociologist and historian who describes the ingredients that went into manufacturing the success of this book. In Ascent to Glory: How One Hundred Years of Solitude Was Written and Became a Global Classic (Columbia UP, 2020), Alvaro Santana-Acuña first deconstructs the “fake news” surrounding García Márquez and then describes the cultural brokers, the literary cognoscenti of the Boom, the gatekeepers, the Spanish publishing industry and the Casa de las Americas who made the One Hundred Years of Solitude a bestseller across generations. The multitudinous references in this book are part of the archives that Alvaro Santana-Acuña has curated for an exhibition “Gabriel Garcia Márquez – The Making of a Global Writer” by the Harry Ransom Center at the University of Texas, Austin which will run till January 2022. Minni Sawhney is a professor of Hispanic Studies at the University of Delhi Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of William Germano, Professor of English at Cooper Union, New York, We talk about his new book On Revision: The Only Writing That Counts (U Chicago Press, 2021), about writers, and about readers and about text — everyone involved in the revision process. William Germano : "There an almost endless number of things one can say about revision because it is so crucial and yet so underdiscussed. In recent years, there have been a couple of events, or conversations, that have appeared, with other writers, and in particular writers who work on fiction, who have been addressing the enigma of revision. I'm so happy that revision is kind of (I hope) getting its due. Maybe this is revision's moment!" Watch Daniel Shea edit your science here. Write Daniel at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

ND stages a trialogue this week with MacArthur "Genius" Cristina Rivera Garza and Notre Dame critics Kate Marshall and Dominique Vargas. Professor Rivera Garza recalls roadtripping through Mexico in a bochito (a Volkswagen). For her, such drives became the mother of literary invention: there was no car radio and when family conversations died down, the window (and not an iPhone) became the screen that occupied her. In a more serious vein, CRG, Kate, and Dominique also discuss the role of linguistic mobility and translation in bringing Rivera Garza’s novels and essays to English-speaking audiences. CRG reflects on how books change when they cross languages and reminds us that the United States is the second largest Spanish-speaking country in the world. This episode productively estranges us from a number of received narratives about national monolingualism and experimental writing. Professor Rivera Garza rejects the notion of aesthetic individualism and the idealized image of the solitary writer. She declares that language always has plural roots and her work is underpinned by the belief that we only become individuals when community fails. Mentioned in the Episode Juan Rulfo Rosario Castellanos Ramón López Velarde Virginia Woolf Marguerite Duras Suzanne Jill Levine & Aviva Kana, Translators of The Taiga Syndrome Sarah Booker, Translator of Grieving: Dispatches from a Wounded Country Transcript available here. Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can it be that deeply religious poetry is being written by a committed socialist, literary revolutionary and modernist? How sacredness appears in working in the field? How one can pray after the “death of God”? This magical contradiction is being explored and explained in the book Abraham the Hebrew Believer: Secularism and Religion in the work of Abraham Shlonsky (1900-1973). The book is a journey to the world of one of the most creative figures in modern Hebrew culture. Dr. Rani Jaeger is a scholar and educator at the Shalom Hartman Institute in Jerusalem and the co-founder and rabbi of “Beit Tefila Israeli” in Tel-Aviv. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Katarzyna (Kasia) Bartoszyńska is an assistant professor of English and Women’s and Gender Studies at Ithaca College. Her research and teaching focuses on the novel form and the theories connected to it, combining a formalist investigation of textual mechanics with an interest in studies of gender, sexuality, race, and world literature. Prof. Bartoszyńska is also active in Polish-English translation. She has translated several texts by Zygmunt Bauman, including Sketches in the Theory of Culture (Polity 2018), Of God and Man (Polity 2015), and Culture and Art (2021) and is currently completing a translation of a book about Bauman's work by Dariusz Brzeziński. In this interview, she discusses her new book Estranging the Novel: Poland, Ireland and Theories of World Literature (Johns Hopkins University Press, 2021), a comparative study of two national literatures that also makes a serious intervention into the history of the novel as a literary form. Estranging the Novel: Poland, Ireland, and Theories of World Literature (Johns Hopkins UP, 2021) offers a new way of thinking about the development of the novel as a genre. The work pushes against the standard narrative of the novel's rise on two fronts, arguing that the focus on Anglo-French fiction, on the one hand, and realism, on the other, gives us an overly narrow sense of the novel's potential, and skews our readings of fiction from "other" parts of the world. Bartoszyńska uses three close readings of pairs of books from Poland and Ireland, spanning the eighteenth through the twentieth centuries, to demonstrate how mainstream theories of the novel fail to engage their most innovative features, because they do not conform to emerging conventions of realist fiction. Examining the features of these works that have been seen as deviations from the novel's teleology, such as satire, interlaced tales, or the use of the supernatural, she presents them as efforts to theorize the potential of the form and investigates the novel's world-building powers. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This volume explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire. The German Wigalois / Viduvilt adaptations grow from a multistage process: a German text adapted into Yiddish adapted into German, creating adaptations actively shaped by a minority culture within a majority culture. The Knight Without Boundaries: Yiddish and German Arthurian Wigalois Adaptations (Brill, 2021) examines five key moments in the Wigalois / Viduvilt tradition that highlight transitions between narratological and meta-narratological patterns and audiences of different religious-cultural or lingual background. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tracing more than two centuries of history, Shakespeare in Montana: Big Sky Country’s Love Affair with the World’s Most Famous Writer (University of New Mexico Press, 2020) uncovers a vast array of different voices that capture the state’s love affair with the world’s most famous writer. From mountain men, pioneers, and itinerant acting companies in mining camps to women’s clubs at the turn of the twentieth century and the contemporary popularity of Shakespeare in the Parks throughout Montana, the book chronicles the stories of residents across this incredible western state who have been attracted to the words and works of Shakespeare. Gretchen Minton explores this unique relationship found in the Treasure State and provides considerable insight into the myriad places and times in which Shakespeare’s words have been heard and discussed. By revealing what Shakespeare has meant to the people of Montana, Minton offers us a better understanding of the state’s citizens and history while providing a key perspective on Shakespeare’s enduring global influence. Gretchen Minton is a Professor of English at Montana State University in Bozeman, MT. Troy A. Hallsell is the 341st Missile Wing Historian at Malmstrom AFB, MT. The opinions expressed in this podcast do not represent the 341st Missile Wing, United States Air Force, and the Department of Defense. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raj Balkaran interviews Atmadarshan Laura Santoro co-owner of Dharma Kshetra Yoga and author of forthcoming book The Song of Your Soul (an original new translation of the Bhagavad Gita) on the role of yoga and Indian spirituality in fostering life wisdom. They discuss her rich relationship to the Bhagavad Gītā and issues of cultural appropriation in modern yoga movements. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Daniel Alexander Jones' Love Like Light: Plays and Performance Texts (53rd State Press, 2021) collects seven plays and performance texts from the past twenty-five years. Together, they provide a panoramic view of a remarkable playwright, songwriter, improviser, and performer. In our conversation we discuss Jones' early exposure to theatre as a high school student in Springfield, MA, his discovery of Ntozake Shange's work, his emergence in the Radical Alternative Theater scenes in Austin and the Twin Cities, and his more recent work at New York venues including Soho Rep and Joe's Pub. Love Like Light should be of interest to anyone interested in queer performance, Afromysticism, and abstract structures of performance writing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Snapshots of the Soul: Photo-Poetic Encounters in Modern Russian Culture (Cornell UP, 2021) considers how photography has shaped Russian poetry from the early twentieth century to the present day. Drawing on theories of the lyric and the elegy, the social history of technology, and little-known archival materials, Molly Thomasy Blasing offers close readings of poems by Boris Pasternak, Marina Tsvetaeva, Joseph Brodsky, and Bella Akhmadulina, as well as by the late and post-Soviet poets Andrei Sen-Sen'kov, Arkadii Dragomoshchenko, and Kirill Medvedev, to understand their fascination with the visual language, representational power, and metaphorical possibilities offered by the camera and the photographic image. Within the context of long-standing anxieties about the threat that visual media pose to literary culture, Blasing finds that these poets were attracted to the affinities and tensions that exist between the lyric or elegy and the snapshot. Snapshots of the Soul reveals that at the core of each poet's approach to writing the photograph is the urge to demonstrate the superior ability of poetic language to capture and convey human experience. Molly T. Blasing holds degrees in Slavic Languages and Literatures from Harvard University (AB, 2002) and the University of Wisconsin-Madison (MA, 2006; PHD, 2014). After teaching at Florida State University, Wellesley College, and Oberlin College, she joined the faculty of the University of Kentucky as Assistant Professor of Russian Studies in 2014 and was promoted to Associate Professor in July 2021. Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did it happen that, in the 13th century, Europe's largest library owned fewer than 2,000 volumes while Baghdad alone boasted of several libraries holding from 200,000 to 1,000,000 books each? In The Rise of the Arabic Book (Harvard UP, 2020), Beatrice Gruendler traces the story of the beginning of the revolution in book culture that happened in the first centuries of the Abbasid period in the Islamic lands of the Middle East. She does so by looking at the lives of people specializing and fulfilling different roles in a society that underwent a drastic technological revolution to accomodate them. Focusing on a range of social classes such as scholars and poets, craftsmen and traders, up to the large aristocratic book collectors, we read of the protagonists of this momentous revolution in knowledge, science, and book culture. Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jeremy Black, who recently retired as professor of history of Exeter University, has just published the two latest installments of his series of works on writers of literary fiction. England in the Age of Dickens, 1812-70 (Amberley, 2022) is an outstanding discussion of the worlds in which the most famous "Victorian novelist" engaged - even as it questions that reputation by reminding us that Dickens was often writing about an older England. In The Importance of Being Poirot (St Augustine's Press, 2021), Black turns his attention to Agatha Christie, showing how she sustained the moral framework that drove her detective fiction even as the world changed, sometimes in fundamental ways, around her. Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Charlie Louth’s illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke’s poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke’s words. Louth’s book follows the chronology of Rilke’s life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke’s itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke’s 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen’s College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He’s also translated Rilke’s Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Mike Palmquist, Professor of English (with a focus on rhetoric and composition) and also University Distinguished Teaching Scholar. We have a conversation. Mike Palmquist : "We tend to think, 'Oh, writing. Just learn how to put your sentences together. Learn how to develop a nice paragraph. Learn the rules of grammar.' And somehow that's supposed to transfer magically into another discipline. But in fact, the kinds of debate and discourse and discussion and reporting and inquiry that go on in a particular discipline are highly conditioned by the knowledge they share, by the things they think are important — by the conversations, in a sense, that are going on in that discipline. You really have to learn it. Otherwise, you'll just be writing about stuff but won't quite know how to connect it to what everybody else is researching and publishing on." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Book Industry Month continues with a memory-lane voyage back to a beloved early RtB episode. This conversation with Martin Puchner about the very origins of writing struck us as perfect companion to Mark McGurl's wonderful insights (in RtB 67, published earlier this month) about the publishing industry's in 2021, or as Mark tells it, the era of "adult diaper baby love." Aside from being a fabulous conversation about Martin's wonderful history of book production through the ages (The Written World) this episode brings back happy memories of Elizabeth and John piling their guests into a cozy sound booth at Brandeis, the kind of place that's utterly taboo in Pandemic America.So travel with us back to 2019 for a close encounter with the epic of Gilgamesh. The three friends discuss the different stages of world writing--from the time of the scribes to the time of great teachers like Confucius, Socrates and Jesus Christ, who had a very complicated relationship to writing. In Recallable Books, Martin recommends the fan fiction website Wattpad; Elizabeth recommends "No Reservations: Narnia," in which Anthony Bourdain goes through the wardrobe. John feints at recommending Dennis Tenen's book on the writing within coding before recommending the Brautigan Library. Come for the discussion of writing, stay for the impressions of Gollum! Discussed in this episode: The Written World: The Power of Stories to Shape People, History and Civilization, Martin Puchner Gilgamesh: A New Rendering in English Verse, David Ferry Wattpad "No Reservations: Narnia," Edonohana Plain Text: The Poetics of Computation, David Tenen The Brautigan Library Episode transcript available here: Episode 6 Puchner 3.28.19 Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This interview continues the conversation with Martin Gluckman, Researcher at University of Capetown and Director at Sanskrit Research Institute. We discuss his Panini Research Tool, Sanskrit Writer, Text to Speech Sanskrit tool and research into the Indus Valley Script. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies