New Books in Literary Studies

Kyokutei Bakin's Nansō Satomi hakkenden is one of the monuments of Japanese literature. This multigenerational samurai saga was one of the most popular and influential books of the nineteenth century and has been adapted many times into film, television, fiction, and comics. An Ill-Considered Jest, the first part of Hakkenden, tells the story of the Satomi clan patriarch Yoshizane and his daughter Princess Fuse. An ill-advised comment forces Yoshizane to betroth his daughter to the family dog, creating a supernatural union that ultimately produces the Eight Dog Warriors. Princess Fuse's heroic and tragic sacrifice, and her strength, intelligence, and self-determination throughout, render her an immortal character within Japanese fiction. Eight Dogs is the culmination of centuries of premodern Japanese tale-telling, combining aspects of historical romance, fantasy, Tokugawa-era popular fiction, and Chinese vernacular stories. Glynne Walley's lively translation--Eight Dogs, or 'Hakkenden': Part One—An Ill-Considered Jest (Cornell UP, 2021)--conveys the witty and colorful prose of the original, producing a faithful and entertaining edition of this important literary classic. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a world that demands faith in progress and growth, Limbo (Fitzcarraldo, 2019) is a companion for the stuck, the isolated, delayed, stranded and those in the dark. Fusing memoir with a meditation on creative block and a cultural history of limbo, Dan Fox considers the role that fallow periods and states of inbetween play in art and life. Limbo is an essay about getting by when you can't get along, employing a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and its opposites. From the Headington Shark to radical behavioural experiments, from life aboard a container ship to Sun Ra's cosmology, Limbo argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal. Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal and use of emptiness and allied concepts (such as voids, nothingness, or limbo) in philosophical, political, religious, and social studies are influenced by the imagination and construction of physical space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo (Cambridge UP, 2021) grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Diplomatic relationships between Indigenous sovereigns and colonial and settler governments were defined by language. In some cases, cultural divides were narrowed using common metaphors. In others, objects such as wampum belts were employed as visual records of past agreements. Speeches were carefully recorded, copied, and cited in later negotiations; treaties were ‘signed’ using symbols of name, clan or nation. The treaty texts themselves sit within a constellation of other texts; this is a large, complex and still understudied archive. In Sensitive Negotiations: Indigenous Diplomacy and British Romantic Poetry (SUNY Press, 2021), Nikki Hessell reveals the ways in which poetic texts figure in diplomacy in the 19th and 20th centuries. The book ranges across the colonial world, from the Grand River Six Nations, the Native South, to the Great Lakes ‘middle ground’. It then turns to South Africa and New Zealand. It is deeply researched and powerfully contextual. It is also reflective, challenging those of us who work on Indigenous / settler relations to position ourselves in relation to the history and texts we study. Nikki Hessell is Associate Professor at Victoria University in Wellington New Zealand. Charles Prior is Senior Lecturer in Early Modern History at the University of Hull (UK), where he co-leads the Treatied Spaces Research Cluster. His latest publication is Settlers in Indian Country (Cambridge University Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Bible is not only a book but also a collection of books. It has many authors but also at the same time many editors. It has not only been translated from one language to another but also translated with different doctrinal and methodological frameworks. It is not only a product of history but also a product of conglomeration of cultures, religions, beliefs, and practices. It is read with intense devotion by hundreds of millions of people, stands as authoritative for Judaism and Christianity, and informs and affects the politics and lives of the religious and non-religious around the world. But how well do we really know it? The Bible is so familiar, so ubiquitous that we have begun to take our knowledge of it for granted. In A Most Peculiar Book: The Inherent Strangeness of the Bible (Oxford UP, 2021), Kristin Swenson addresses the dirty little secret of biblical studies that the Bible is a weird book. It is full of surprises and contradictions, unexplained impossibilities, intriguing supernatural creatures, and heroes doing horrible deeds. It does not provide a simple worldview: what "the Bible says" on a given topic is multi-faceted, sometimes even contradictory. Yet, Swenson argues, we have a tendency to reduce the complexities of the Bible to aphorisms, bumper stickers, and slogans. Swenson helps readers look at the text with fresh eyes. Rather than dismiss the Bible as an outlandish or irrelevant relic of antiquity, Swenson leans into the messiness full-throttle. Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Historian Kevin Starr described Carey McWilliams as "the finest nonfiction writer on California—ever" and "the state's most astute political observer." But as Peter Richardson argues in American Prophet: The Life and Work of Carey McWilliams (University of California Press, 2019), McWilliams was also one of the nation's most versatile and productive public intellectuals of his time. Richardson's absorbing and elegant biography traces McWilliams's extraordinary life and career. Drawing from a wide range of sources, it explores his childhood on a Colorado cattle ranch, his early literary journalism in Los Angeles, his remarkable legal and political activism, his stint in state government, the explosion of first-rate books between 1939 and 1950, and his editorial leadership at The Nation. Along the way, it also documents McWilliams's influence on a wide range of key figures, including Cesar Chavez, Hunter S. Thompson, Mike Davis, screenwriter Robert Towne, playwright Luis Valdez, and historian Patricia Limerick. Barbara Berglund Sokolov is a historian of the American West. She is also the convener of the Joy of History Book Club, an online history seminar open to anyone. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1884, sixty-eight prisoners convicted of terrorism and revolutionary activity were transferred to a new maximum-security prison at Shlissel'burg Fortress near St. Petersburg. Inhuman conditions in the prison caused severe mental and physical deterioration among the prisoners, and over half died. However, the survivors fought back to reform the prison and improve the inmates' living conditions. Their memoirs enshrined their experience in revolutionary mythology and served as an indictment of the Tsarist autocracy's loss of moral authority. Writing Resistance: Revolutionary Memoirs of Shlissel’burg Prison (UCL Press, 2021) features three of these memoirs--translated into English for the first time--as well as an introductory essay that analyzes the memoirs' construction of a collective narrative of resilience, resistance, and renewal. The first extended study of these memoirs in English, this book uncovers an important episode in the history of political imprisonment. It will be of interest to scholars and students of the Russian revolution, carceral history, penal practice and behaviors, and prison and life writing. Dr. Sarah J. Young is Associate Professor of Russian at University College London, where she teaches nineteenth- and twentieth-century Russian literature, culture and thought. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Liang Luo's book The Global White Snake (U Michigan Press, 2021) examines the Chinese White Snake legends and their extensive, multidirectional travels within Asia and across the globe. Such travels across linguistic and cultural boundaries have generated distinctive traditions as the White Snake has been reinvented in the Chinese, Japanese, Korean, and English-speaking worlds, among others. Moreover, the inter-Asian voyages and global circulations of the White Snake legends have enabled them to become repositories of diverse and complex meanings for a great number of people, serving as reservoirs for polyphonic expressions ranging from the attempts to consolidate authoritarian power to the celebrations of minority rights and activism. The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations. Huiying Chen is a Ph.D. candidate at University of Illinois at Chicago. She studies the history of travel in eighteenth-century China. She can be reached at hchen87 AT uic.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paula Richman and Rustom Bharucha's book Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments (Oxford UP, 2021) examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mary Wollstonecraft’s A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women’s rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft’s thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, Wollstonecraft: Philosophy, Passion, and Politics (Princeton UP, 2020) restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book’s format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as “Painting,” “Music,” “Memory,” “Property and Appearance,” and “Rank and Luxury,” Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil—and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft’s approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now. Tejas Parasher is Junior Research Fellow in Political Thought and Intellectual History at King’s College, University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Howard talks to Henry Hardy, Fellow of Wolfson College, University of Oxford, and the author of In Search of Isaiah Berlin: A Literary Adventure about the many joys—and occasional frustrations—of being the principal editor of one of the 20th century's most captivating public intellectuals. Howard Burton is the founder of Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rewriting Buddhism: Pali Literature and Monastic Reform in Sri Lanka, 1157–1270 (UCL Press, 2020) is the first intellectual history of premodern Sri Lanka’s most culturally productive period. This era of reform (1157–1270) shaped the nature of Theravada Buddhism both in Sri Lanka and also Southeast Asia and even today continues to define monastic intellectual life in the region. Alastair Gornall argues that the long century’s literary productivity was not born of political stability, as is often thought, but rather of the social, economic and political chaos brought about by invasions and civil wars. Faced with unprecedented uncertainty, the monastic community sought greater political autonomy, styled itself as royal court, and undertook a series of reforms, most notably, a purification and unification in 1165 during the reign of Parakramabahu I. He describes how central to the process of reform was the production of new forms of Pali literature, which helped create a new conceptual and social coherence within the reformed community; one that served to preserve and protect their religious tradition while also expanding its reach among the more fragmented and localized elites of the period. Rewriting Buddhism is available for free open-access download at uclpress.com/buddhism. Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, kingship and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Before Farah Jasmine Griffin’s father died, he wrote to her a note ending with a line “read until you understand.” He would die years later when she was nine, and that line has guided her literary curiosity. In Read Until You Understand: The Profound Wisdom of Black Life and Literature (Norton, 2021), Griffin shares the indispensable lessons of Black wisdom that rooted her from the searing rhetoric of David Walker and Frederick Douglass to compelling Black prose of Toni Morrison and James Baldwin, to the Black soul sounds of Gladys Knight and the Pips and Marvin Gaye. Weaving memoir, history, and culture, Griffin explores the themes such as mercy, love, death, beauty, and grace to help readers wrestle with the continuing struggle for freedom and American democracy. N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Values in Numbers: Reading Japanese Literature in a Global Information Age (Columbia UP, 2021), Hoyt Long offers both a reinterpretation of modern Japanese literature through computational methods and an introduction to the history, theory, and practice of looking at literature through numbers. He weaves explanations of these methods and their application together with reflection on the kinds of reasoning such methodologies facilitate. Hoyt Long is Associate Professor of Japanese Literature, and East Asian Languages and Civilizations at the University of Chicago. Katie McDonough is Senior Research Associate, The Alan Turing Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Home Press is a tiny local publishing house and press in Tel Aviv Jaffa. Uri Yoeli and Nana Ariel, a couple, established it in their apartment in 2019. The Home Press booklets are thin, hand-sewn with needle and thread, printed in small, numbered editions, and as opposed to bibliophilic books - cheaply produced and sold. They vary from prose and poetry to history and artist books. Home Press is an independent venture, inspired by the history of self publishing, but not nostalgic. It is a local, ecological home for books, largely detached from the book market, fueled by love for words, books and people. Nana Ariel is a writer, a researcher and a teacher. She teaches rhetoric at Tel Aviv University, formerly a visiting scholar at Harvard University. She published articles in international magazines, and is the author of books in Hebrew, including: “Manifestos: Restless Writing on the Brink of the 21st Century”, and the children’s book “The Most Boring Book in the World”. Uri Yoeli is a writer, independent historian and a highschool teacher. He is the author of several books in Hebrew, including “We Need to Talk about the Rabbi: A Story of a Little Street between Jaffa and Tel-Aviv”, and “The Voice of Thunder: Notes and Stories in First Person”. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Medieval Kashmir in its golden age saw the development of some of the most sophisticated theories of language, literature, and emotion articulated in the pre-modern world. James D. Reich's book To Savor the Meaning: The Theology of Literary Emotions in Medieval Kashmir (Oxford UP, 2021) examines the overlap of literary theory and religious philosophy in this period by looking at debates about how poetry communicates emotions to its readers, what it is readers do when they savor these emotions, and why this might be valuable. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As in colonial situations elsewhere, Korean experiences of Japanese empire featured many attempts by the imperial authorities to regulate intimate aspects of Korean life, including intermarriage between colonizer and colonized peoples. While official messaging and policy promoted Korean-Japanese unions, cultural output including films, short stories and novels from the time also focused on the topic, including works by Korean writers authored in both Korean and Japanese languages. In Imperial Romance: Fictions of Colonial Intimacy in Korea, 1905-1945 (Cornell UP, 2020), Su Yun Kim places the works of several prominent authors alongside official documents and media reports from the time to show how these reflect the political, ethnic, linguistic and of course affective complexities of romantic relations in an imperial setting. This intriguing book offers a revealing window into a lesser-studied dimension of empire at the interpersonal level, shedding light on questions of identity, domination and sentiment amid a colonial history which remains contested to this day. Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sheathing the Bodkin: Combating Suicide is based on an in-depth filmed conversation between Howard Burton and poet, author and historian Jennifer Michael Hecht. After intriguing details about how she combines writing poetry, doing scholarly history and public writing, this wide-ranging conversation movingly embellishes upon Jennifer Michael Hecht’s book, Stay: A History of Suicide and the Philosophies Against It, which is an intellectual and cultural history of the most persuasive arguments against suicide from the Stoics and the Bible to Dante, Shakespeare, Wittgenstein, and such twentieth-century writers as Albert Camus. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Rachel Zolf—a poet whose “interdisciplinary practice explores questions about history, knowledge, subjectivity, responsibility, and the limits of language, meaning, and the human”—about their new book, No One’s Witness: A Monstrous Poetics, published by Duke University Press. In the text (which is both an essay in the etymological sense of an attempt as well as a longform poem, a making), Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“Niemand / zeugt für den / Zeugen. [No one / bears witness for the / witness.]”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness articulates the Nazi holocaust as part of a constellation of horror that includes the trans-Atlantic slave trade, Israeli occupation of Palestine, and settler-colonial practices across the globe Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps, and language. Zolf’s No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel (LSU Press, 2020), Melissa Daniels-Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience. In this provocative and challenging book, Daniels-Rauterkus contests the long-standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction. Combining literary history with close textual analysis, Daniels-Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels-Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America. With Afro-Realisms and the Romances of Race, Daniels-Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Beyond Conversation: Collaboration and the Production of Writing (Utah State UP, 2021), William Duffy revives the topic and connects it to the growing interest in collaboration within digital and materialist rhetoric to demonstrate that not only do the theory, pedagogy, and practice of collaboration need more study but there is also much to be learned from the doing of collaboration. Our conversation focuses on the processes that remain elusive during a collaborative project (and thus are difficult to teach in a classroom or recognized by the academic ecosystem), the risky accounts that live alongside collaborations, and a few ideas to think about and apply the next time you collaborate. Sarah Kearns (@annotated_sci) is an acquisition editor for an open scholarship publishing platform, a freelance science writer, and loves baking bread. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Thomas O. Haakenson's book Grotesque Visions: The Science of Berlin Dada (Bloomsbury, 2021) focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Trauma, Primitivism and the First World War: The Making of Frank Prewett (Bloomsbury Academic, 2021), Joy Porter examines the extraordinary life of Frank “Toronto” Prewett and the history of trauma, literary expression, and the power of self-representation after WWI. She sheds new light on how the First World War affected the Canadian poet, and how war-induced trauma or “shell-shock” caused him to pretend to be an indigenous North American. Porter investigates his influence of, and acceptance by, some of the most significant literary figures of the time, including Siegfried Sassoon, Edmund Blunden, Wilfred Owen and Robert Graves. In doing so, Porter skillfully connects a number of historiographies that usually exist in isolation from one another and rarely meet. By bringing together a history of the WWI era, early twentieth century history, Native American history, the history of literature, and the history of class Porter expertly crafts a valuable contribution to the field. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

First Words, Last Words: New Theories for Reading Old Texts in Sixteenth Century India (Oxford UP, 2021) charts an intense "pamphlet war" that took place in sixteenth-century South India. Yigal Bronner and Lawrence McCrea explore this controversy as a case study in the dynamics of innovation in early modern India, a time of great intellectual innovation. This debate took place within the traditional discourses of Vedic Hermeneutics and its increasingly influential sibling discipline of Vednta, and its proponents among the leading intellectuals and public figures of the period. First Words, Last Words traces both the issue of sequence and the question of innovation through an in-depth study of this debate and through a comparative survey of similar problems in Judaism, Christianity, and Islam, revealing that the disputants in this controversy often pretended to uphold traditional views, when they were in fact radically innovative. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The rich and complex prose of the celebrated Russian author Fyodor Dostoevsky provides a detailed look at the fabric of European literary and social discourse and continues to attract scholarly attention, even 200 years after his birth. 2021 marks the bicentenary of Dostoevsky’s birth. To commemorate this occasion, join us in conversation with Prof. Slobodanka Vladiv-Glover, Adjunct Associate Professor, School of Languages, Literature, Cultures and Linguistics at Monash University, as she takes us through the brief-yet-colourful life, most notable works, and myths surrounding the celebrated Russian author. The discussion is an extension of “The Dostoevsky Journal: A Comparative Literature Review”, published by Brill and edited by Prof. Vladiv-Glover. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is the third episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies (AAAS). This episode features two of the winners in Creative Writing Prose: Xuan Juliana Wang, whose collection Home Remedies explores the new generation of Chinese diasporic wanderers, and Ricco Villanueva Siasoco, whose collection The Foley Artist provides a new treatment of queer Filipinx diasporic lives. Xuan Juliana Wang was a Wallace Stegner Fellow at Stanford University and received her MFA from Columbia University. Her work has appeared in The Atlantic, Ploughshares, The Best American Nonrequired Reading and the Pushcart Prize Anthology. Her collection Home Remedies won the 2021 AAAS award in Creative Writing: Prose. Ricco Villanueva Siasoco received his MFA from the Bennington Writing Seminars and is finishing his Ed.D. from Teachers College, Columbia University. He has received fellowships from The Center for Fiction, Lambda Literary, The National Endowment for the Humanities, and is a board member of Kundiman. His collection The Foley Artist won honorable mention in Creative Writing: Prose. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Däubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste. Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. Salvatore Pappalardo's book Modernism in Trieste: The Habsburg Mediterranean and the Literary Invention of Europe, 1870-1945 (Bloomsbury, 2021) seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Green River Valley, Robert Lashley's third book of poetry, is a moving and complex tribute to the Hilltop neighborhood of Tacoma, Washington. Whether writing about finding love in the aisles of Value Village, the ex drug runner who now feeds pigeons in the park, or the pain of being mocked for expressing emotion at the barber shop, Lashley unites exacting attention to detail with universal themes of trauma and survival. Lashley's Tacoma comes alive in this book like Wilson's Pittsburgh, Borges' Buenos Aires, or Gornick's New York. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Despite the proliferation of scientific ecology in the second half of the 20th C emphasizing the interconnection between environment and humanity, Wild Abandon: American Literature and the Identity Politics of Ecology (Cambridge UP, 2020) considers the intersection of ecology with the radical politics of the 1960s and 1970s. This intellectual/literary history considers altered forms of the American wilderness narrative influenced by the ideas and vocabulary taken from psychoanalysis and various identity-based social movements that emerged in this chaotic moment. By deep reading the works of Edward Abbey, Simon Ortiz, Toni Morrison, Margaret Atwood, and Jon Krakuer, among others, Dr. Menrisky demonstrates how these authors either dramatized or undermined concepts of ecological authenticity within the identity politics of ecology, or IPE. In this framework, IPE represents a story of oscillation: a back-and-forth between writers attempting to shore up a narrative of ecological authenticity and those willing to question it. IPE’s legacy remains within contemporary environmental conversations highlighted by concepts such as #liveauthentic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over the course of a long and successful legal career, Morris Ernst established himself as one of Americas foremost civil libertarians. Yet his advocacy of free speech – an advocacy that established the case law on which much of the subsequent jurisprudence is based – stands in stark contrast with his opposition to communism and his longstanding support for J. Edgar Hoover and his anticommunist campaigns. In The Rise and Fall of Morris Ernst, Free Speech Renegade (U Chicago Press, 2021), Samantha Barbas explores these contradictions to better understand Ernest and his legacy for our times. The son of Jewish immigrants, as a young man in college Ernst developed a gift for argumentation and an interest in progressive politics. Entering private practice after earning his law degree, he developed a reputation as a free speech crusader during the 1920s thanks to a series of high-profile legal victories and his leadership within the American Civil Liberties Union (ACLU). Yet even while developing a national reputation as a liberal attorney Ernst adopted a strident opposition to communism that sometimes put him at odds with his peers. Such was his antipathy to it that he emerged as one of Hoover’s most visible defenders on the left in the 1940s and 1950s, even supplying the FBI director with insider information on ACLU activities. As Barbas explains, such activities reflected his desire to remain relevant at a time when his greatest achievements increasingly lay behind him. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Volodymyr Vynnychenko is one of the most ambiguous and controversial Ukrainian writers of the twentieth century. In an intricate and highly entangled way, his persona combines an artist and a statesman whose political views include both national aspirations of Ukraine and the pursuit of programs which were marked by socialist and federalist ideas. His writing opens a window into cultural and political contestations that were taking place in Ukraine in the wake of the collapse of the Russian Empire and on the eve of the creation of the Soviet Union. The complexity of these dramatic and drastic changes manifests itself in Vynnychenko’s writing, which is marked by psychological nuances and emotional crevices. George Mihaychuk’s Disharmony and Other Plays (Canadian Institute of Ukrainian Studies Press, 2020) invites the reader to delve into a psychological world of characters who try to deal with moral doubts, hesitations, and uncertainties. In the introduction, George Mihaychuk outlines the pillars of Vynnychenko’s dramas. The author situates Vynnychenko in the context of European modernism while providing trajectories that connect Vynnychenko to Hegel and Kant. The moral issues that Vynnychenko explores in and through his dramas resonate with the Dostoyevskian voice. His characters are split, tormented, haunted by the desire to be honest and genuine with themselves. Is it possible to be genuine with oneself? What does it mean to be honest with oneself, after all? George Mihaychuk’s Disharmony and Other Plays invites readers to take a bold journey into the deep and dark corners of the soul. Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Edison Hark, the star of The Good Asian (Image Comics: 2021), the new comic series written by Pornsak Pichetshote and illustrated by Alexandre Tefenkgi, never signed up to investigate a murder in Chinatown. As the only Chinese-American law enforcement officer in the United States, he travels to San Francisco in 1936 to help find a Chinese maid who has run away from the household of the man who raised him. But he stumbles upon a crime scene that harkens back to an old crime legend: a hitman for the old Tongs, back for revenge. But while The Good Asian tells a thrilling noir story of crime, detectives and investigations, it also tells the story of the Chinese community, who at the time were still under scrutiny under laws like the Chinese Exclusion Act. The comic grapples with ideas of racial prejudice, respectability politics, and identity. In this interview, Pornsak and I talk about the setting and genre of The Good Asian, and what it means to star a Chinese-American lead in such a well-known genre. Pornsak Pichetshote was a Thai-American rising star editor at DC’s Vertigo imprint where he worked on such comics perennials as The Sandman and Swamp Thing. He left Vertigo to become an executive in DC Entertainment’s media team, where he started and oversaw DC TV’s department. He is also the writer of Infidel, also for Image Comics, which was his first work as a writer. He can be followed on Twitter at @real_pornsak, and on Instagram at @real_psak. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Good Asian. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Julia Jarcho's Writing and the Modern Stage: Theater beyond Drama (Cambridge UP, 2017) is a fascinating argument for the centrality of writing in experimental theater from Gertrude Stein to Suzan-Lori Parks. Countering arguments that locate the theatrical avant-garde solely in the live event, Jarcho focuses on playwrights and theatre makers whose theater insists on and even revels in language. This book will be of interest to fans of experimental theatre, or to playwrights and theatre makers interested in reconceptualizing the work that writing does on stage. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kin by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga. Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Helen Sword, writing champion, brings us into the word gym. Or maybe kitchen. Either way, The Writer's Diet: A Guide to Fit Prose (U Chicago Press, 2016) is a short, sharp introduction to great writing based around 5 principles: --use active verbs whenever possible; --favour concrete language over vague abstractions; --avoid long strings of prepositional phrases; --employ adjectives and adverbs only when they contribute something new to the meaning of a sentence; --reduce your dependence on four pernicious “waste words”: it, this, that, and there. There are examples of the good - William Shakespeare, Emily Dickinson, Martin Luther King Jr., John McPhee, A. S. Byatt, Richard Dawkins, Alison Gopnik, and well, the bad. But you can fix the bad - really Dr Sword's point. Dr Helen Sword received her doctorate in comparative literature from Princeton University and has lived since 2001 in New Zealand, where she is a Professor of Humanities at the University of Auckland and runs a private writing consultancy, WriteSpace Limited. Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore. Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview. Some of the works mentioned in the conversation: The Freeze exhibitions That Jerry Saltz tweet Richard Serra, Weight and Measure Danielle Brathwaite-Shirley, Black Trans Archive Pilvi Takala, The Trainee Cameron Rowland, 3 & 4 Will. IV c. 73 The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2 A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it. Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's The Congo Tribunal, Valeria Luiselli's novel Lost Children Archive, the practice of Forensic Architecture, and Nicolas Winding Refn's film Only God Forgives. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light. Frans-Willem Korsten holds the chair in “Literature and Society” at the Erasmus School of Philosophy and works at the Leiden University Centre for the Arts in Society in the Netherlands. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ideas about how to study and understand cultural history—particularly literature—are rapidly changing as new digital archives and tools for searching them become available. This is not the first information age, however, to challenge ideas about how and why we value literature and the role numbers might play in this process. The Values in Numbers: Reading Japanese Literature in a Global Information Age (Columbia UP, 2021) tells the longer history of this evolving global conversation from the perspective of Japan and maps its potential futures for the study of Japanese literature and world literature more broadly. Hoyt Long offers both a reinterpretation of modern Japanese literature through computational methods and an introduction to the history, theory, and practice of looking at literature through numbers. He weaves explanations of these methods and their application to literature together with critical reflection on the kinds of reasoning such methodologies facilitate. Chapters guide readers through increasingly complex techniques while making novel arguments about topics of fundamental concern, including the role of quantitative thinking in Japanese literary criticism; the canonization of modern literature in print and digital media; the rise of psychological fiction as a genre; the transnational circulation of modernist forms; and discourses of race under empire. Long models how computational methods can be applied outside English-language contexts and to languages written in non-Latin scripts. Drawing from fields as diverse as the history of science, book history, world literature, and critical race theory, this book demonstrates the value of numbers in literary study and the values literary critics can bring to the reading of difference in numbers. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020), Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher Kit Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo. Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen in as we speak with McComas Taylor (Associate Professor and Reader in Sanskrit, The Australian National University) about his brand-new translation of the Viṣṇu Purāṇa. This is the second time the Viṣṇu Purāṇa has been translated into English, the last time being nearly two centuries ago. Attentive to out the aesthetics of out-loud utterance, this beautiful translation is in blank-verse, faithful to the original Sanskrit, and available Open Access. We also speak about the World Sanskrit Conference, an upcoming Sanskrit Narrative volume, and studying Sanskrit online with McComas Taylor. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After a turbulent political revolt against the military superpower of the early modern world, the tiny Dutch Republic managed to situate itself as the dominant printing and book trading power of the European market. The so-called Dutch Golden Age has long captured the attention of art historians, but for every one painting produced by the Dutch during the seventeenth century, at least 100 books were printed. In The Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2019), Andrew Pettegree and Arthur der Weduwen present the untold story of how a group of family-owned businesses transformed the economics of printing and selling and conquered the European communications economy. This printing revolution helped to turn their pluralistic population into a highly literate and engaged society. Andrew Pettegree (@APettegree) is Professor of Modern History at the University of St Andrews and Director of the Universal Short Title Catalogue. He is the author of over a dozen books in the fields of Reformation history and the history of communication including Reformation and the Culture of Persuasion (Cambridge University Press, 2005), The Book in the Renaissance (Yale University Press, 2010), The Invention of News (Yale University Press, 2014), and Brand Luther: 1517, Print and the Making of the Reformation (Penguin, 2015). Arthur der Weduwen (@A_der_Weduwen) is a British Academy Postdoctoral Research Fellow at the University of St Andrews and Deputy Director of the Universal Short Title Catalogue. He researches and writes on the history of the Dutch Republic, books, news, libraries and early modern politics. He is the author of Dutch and Flemish Newspapers of the Seventeenth Century (2 vols., Brill, 2017), and two books on early newspaper advertising in the Netherlands (both Brill, 2020). His latest project is The Library, A Fragile History, co-written with Andrew Pettegree and published by Profile in 2021. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how Beauvoir is still relevant in the age of intersectionality and identity politics. Meryl Altman is Professor of English and Women's Studies at DePauw University. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Babbling Barbarians: How Translators Keep Us Civilized is based on an in-depth filmed conversation between Howard Burton and Princeton University Professor David Bellos, author of the bestselling book, Is That A Fish in Your Ear? Translation and the Meaning of Everything, many fascinating features of language and translation are explored at length. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1928 linguist Yuen Ren Chao had reason to celebrate. The Nationalist government had just recognized his system for writing Chinese, Gwoyeu Romatzyh, so he gleefully wrote (using the system) in his diary: "G.R. yii yu jeou yueh 26 ry gong buh le. Hooray!!!" (G.R. was officially announced on September 26. Hooray!!!). He was not the only one excited about the prospect of scraping Chinese characters either. In the global context of phonocentric dominance both the Nationalists and the Communists waged war on Chinese characters, seeking new, scientific, modern, and entirely phonetic writing system. Ultimately, however, Chao's three exclamation marks were somewhat in vain. China's "script revolution" ended, and the Chinese Communist Party opted to simplify Chinese characters instead — a process and history deftly traced by Chinese Grammatology: Script Revolution and Literary Modernity, 1916–1958 (Columbia University Press, 2019). In Chinese Grammatology Yurou Zhong explores the history of the script revolution, tracing where it came from, how it changed over time, and how it was finally contained. Sharply written, beautifully constructed and filled with fascinated case studies, this is a real treat for those interested in modern Chinese history and literature, as well as anyone curious about global script reforms in the twentieth century. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The First World War poet and composer Ivor Gurney (1890–1937) spent the last fifteen years of his life confined in a Kent mental hospital before dying prematurely of tuberculosis. How good was Gurney's war poetry, and has his music stood the test of time? Why did try to re-write Shakespeare's plays? How far do recently uncovered archives transform our understandings both of Ivor Gurney's troubled life and his remarkable work? Kate Kennedy of the Oxford Centre for Life-Writing discusses her ground-breaking biography of Ivor Gurney Dweller in Shadows (Princeton 2021) with Duncan McCargo, in an unusual podcast that includes readings of his poetry, and two specially recorded examples of his music. The podcast opens and closes with Kate Kennedy (cello) and Simon Over (piano) performing Gurney's song Sleep. We also hear Simon accompany Dominic Bevan as he sings Severn Meadows, a rare example of Gurney setting his own words to music. Rare treats lie in store for the listener. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Literature is a technology like any other. And the writers we revere--from Homer, Shakespeare, Austen, and others--each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. Literature's great invention was to address problems we could not solve: not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all. Wonderworks: The 25 Most Powerful Inventions in the History of Literature (Simon & Schuster, 2021) reviews the blueprints for twenty-five of the most powerful developments in the history of literature. These inventions can be scientifically shown to alleviate grief, trauma, loneliness, anxiety, numbness, depression, pessimism, and ennui--all while sparking creativity, courage, love, empathy, hope, joy, and positive change. They can be found all throughout literature--from ancient Chinese lyrics to Shakespeare's plays, poetry to nursery rhymes and fairy tales, and crime novels to slave narratives. An easy-to-understand exploration of the new literary field of story science, Wonderworks teaches you everything you wish you learned in your English class. Based on author Angus Fletcher's own research, it is an eye-opening and thought-provoking work that offers us a new understanding of the power of literature. Colin Miller and Dr. Keith Mankin host the popular medical podcast, PeerSpectrum. Colin works in the medical device space and Keith is a retired pediatric orthopedic surgeon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raúl Diego Rivera Hernández's book Narratives of Vulnerability in Mexico's War on Drugs (Palgrave MacMillan, 2020) explores the current human rights crisis created by the War on Drugs in Mexico. It focuses on three vulnerable communities that have felt the impacts of this war firsthand: undocumented Central American migrants in transit to the United States, journalists who report on violence in highly dangerous regions, and the mourning relatives of victims of severe crimes, who take collective action by participating in human rights investigations and searching for their missing loved ones. Analyzing contemporary novels, journalistic chronicles, testimonial works, and documentaries, the book reveals the political potential of these communities' vulnerability and victimization portrayed in these fictional and non-fictional representations. Violence against migrants, journalists, and activists reveals an array of human rights violations affecting the right to safe transit across borders, freedom of expression, the right to information, and the right to truth and justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. Written by Ruth Ahnert, Sebastian Ahnert, Nicole Coleman, and Scott Weingart, The Network Turn: Changing Perspectives in the Humanities (Cambridge UP, 2021) contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. Ruth Ahnert is Professor of Literary History and Digital Humanities, Queen Mary University of London. Sebastian Ahnert is University Lecturer, Department of Chemical Engineering and Biotechnology, University of Cambridge. Nicole Coleman is Digital Research Architect, Stanford University Libraries. Scott Weingart is Director of the Navari Family Center for Digital Scholarship at the University of Notre Dame. Katie McDonough is Senior Research Associate, The Alan Turing Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies