New Books in Literary Studies

This is the third episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies (AAAS). This episode features two of the winners in Creative Writing Prose: Xuan Juliana Wang, whose collection Home Remedies explores the new generation of Chinese diasporic wanderers, and Ricco Villanueva Siasoco, whose collection The Foley Artist provides a new treatment of queer Filipinx diasporic lives. Xuan Juliana Wang was a Wallace Stegner Fellow at Stanford University and received her MFA from Columbia University. Her work has appeared in The Atlantic, Ploughshares, The Best American Nonrequired Reading and the Pushcart Prize Anthology. Her collection Home Remedies won the 2021 AAAS award in Creative Writing: Prose. Ricco Villanueva Siasoco received his MFA from the Bennington Writing Seminars and is finishing his Ed.D. from Teachers College, Columbia University. He has received fellowships from The Center for Fiction, Lambda Literary, The National Endowment for the Humanities, and is a board member of Kundiman. His collection The Foley Artist won honorable mention in Creative Writing: Prose. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Däubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste. Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. Salvatore Pappalardo's book Modernism in Trieste: The Habsburg Mediterranean and the Literary Invention of Europe, 1870-1945 (Bloomsbury, 2021) seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Green River Valley, Robert Lashley's third book of poetry, is a moving and complex tribute to the Hilltop neighborhood of Tacoma, Washington. Whether writing about finding love in the aisles of Value Village, the ex drug runner who now feeds pigeons in the park, or the pain of being mocked for expressing emotion at the barber shop, Lashley unites exacting attention to detail with universal themes of trauma and survival. Lashley's Tacoma comes alive in this book like Wilson's Pittsburgh, Borges' Buenos Aires, or Gornick's New York. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Despite the proliferation of scientific ecology in the second half of the 20th C emphasizing the interconnection between environment and humanity, Wild Abandon: American Literature and the Identity Politics of Ecology (Cambridge UP, 2020) considers the intersection of ecology with the radical politics of the 1960s and 1970s. This intellectual/literary history considers altered forms of the American wilderness narrative influenced by the ideas and vocabulary taken from psychoanalysis and various identity-based social movements that emerged in this chaotic moment. By deep reading the works of Edward Abbey, Simon Ortiz, Toni Morrison, Margaret Atwood, and Jon Krakuer, among others, Dr. Menrisky demonstrates how these authors either dramatized or undermined concepts of ecological authenticity within the identity politics of ecology, or IPE. In this framework, IPE represents a story of oscillation: a back-and-forth between writers attempting to shore up a narrative of ecological authenticity and those willing to question it. IPE’s legacy remains within contemporary environmental conversations highlighted by concepts such as #liveauthentic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Volodymyr Vynnychenko is one of the most ambiguous and controversial Ukrainian writers of the twentieth century. In an intricate and highly entangled way, his persona combines an artist and a statesman whose political views include both national aspirations of Ukraine and the pursuit of programs which were marked by socialist and federalist ideas. His writing opens a window into cultural and political contestations that were taking place in Ukraine in the wake of the collapse of the Russian Empire and on the eve of the creation of the Soviet Union. The complexity of these dramatic and drastic changes manifests itself in Vynnychenko’s writing, which is marked by psychological nuances and emotional crevices. George Mihaychuk’s Disharmony and Other Plays (Canadian Institute of Ukrainian Studies Press, 2020) invites the reader to delve into a psychological world of characters who try to deal with moral doubts, hesitations, and uncertainties. In the introduction, George Mihaychuk outlines the pillars of Vynnychenko’s dramas. The author situates Vynnychenko in the context of European modernism while providing trajectories that connect Vynnychenko to Hegel and Kant. The moral issues that Vynnychenko explores in and through his dramas resonate with the Dostoyevskian voice. His characters are split, tormented, haunted by the desire to be honest and genuine with themselves. Is it possible to be genuine with oneself? What does it mean to be honest with oneself, after all? George Mihaychuk’s Disharmony and Other Plays invites readers to take a bold journey into the deep and dark corners of the soul. Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over the course of a long and successful legal career, Morris Ernst established himself as one of Americas foremost civil libertarians. Yet his advocacy of free speech – an advocacy that established the case law on which much of the subsequent jurisprudence is based – stands in stark contrast with his opposition to communism and his longstanding support for J. Edgar Hoover and his anticommunist campaigns. In The Rise and Fall of Morris Ernst, Free Speech Renegade (U Chicago Press, 2021), Samantha Barbas explores these contradictions to better understand Ernest and his legacy for our times. The son of Jewish immigrants, as a young man in college Ernst developed a gift for argumentation and an interest in progressive politics. Entering private practice after earning his law degree, he developed a reputation as a free speech crusader during the 1920s thanks to a series of high-profile legal victories and his leadership within the American Civil Liberties Union (ACLU). Yet even while developing a national reputation as a liberal attorney Ernst adopted a strident opposition to communism that sometimes put him at odds with his peers. Such was his antipathy to it that he emerged as one of Hoover’s most visible defenders on the left in the 1940s and 1950s, even supplying the FBI director with insider information on ACLU activities. As Barbas explains, such activities reflected his desire to remain relevant at a time when his greatest achievements increasingly lay behind him. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Edison Hark, the star of The Good Asian (Image Comics: 2021), the new comic series written by Pornsak Pichetshote and illustrated by Alexandre Tefenkgi, never signed up to investigate a murder in Chinatown. As the only Chinese-American law enforcement officer in the United States, he travels to San Francisco in 1936 to help find a Chinese maid who has run away from the household of the man who raised him. But he stumbles upon a crime scene that harkens back to an old crime legend: a hitman for the old Tongs, back for revenge. But while The Good Asian tells a thrilling noir story of crime, detectives and investigations, it also tells the story of the Chinese community, who at the time were still under scrutiny under laws like the Chinese Exclusion Act. The comic grapples with ideas of racial prejudice, respectability politics, and identity. In this interview, Pornsak and I talk about the setting and genre of The Good Asian, and what it means to star a Chinese-American lead in such a well-known genre. Pornsak Pichetshote was a Thai-American rising star editor at DC’s Vertigo imprint where he worked on such comics perennials as The Sandman and Swamp Thing. He left Vertigo to become an executive in DC Entertainment’s media team, where he started and oversaw DC TV’s department. He is also the writer of Infidel, also for Image Comics, which was his first work as a writer. He can be followed on Twitter at @real_pornsak, and on Instagram at @real_psak. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Good Asian. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Julia Jarcho's Writing and the Modern Stage: Theater beyond Drama (Cambridge UP, 2017) is a fascinating argument for the centrality of writing in experimental theater from Gertrude Stein to Suzan-Lori Parks. Countering arguments that locate the theatrical avant-garde solely in the live event, Jarcho focuses on playwrights and theatre makers whose theater insists on and even revels in language. This book will be of interest to fans of experimental theatre, or to playwrights and theatre makers interested in reconceptualizing the work that writing does on stage. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kin by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga. Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Helen Sword, writing champion, brings us into the word gym. Or maybe kitchen. Either way, The Writer's Diet: A Guide to Fit Prose (U Chicago Press, 2016) is a short, sharp introduction to great writing based around 5 principles: --use active verbs whenever possible; --favour concrete language over vague abstractions; --avoid long strings of prepositional phrases; --employ adjectives and adverbs only when they contribute something new to the meaning of a sentence; --reduce your dependence on four pernicious “waste words”: it, this, that, and there. There are examples of the good - William Shakespeare, Emily Dickinson, Martin Luther King Jr., John McPhee, A. S. Byatt, Richard Dawkins, Alison Gopnik, and well, the bad. But you can fix the bad - really Dr Sword's point. Dr Helen Sword received her doctorate in comparative literature from Princeton University and has lived since 2001 in New Zealand, where she is a Professor of Humanities at the University of Auckland and runs a private writing consultancy, WriteSpace Limited. Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore. Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview. Some of the works mentioned in the conversation: The Freeze exhibitions That Jerry Saltz tweet Richard Serra, Weight and Measure Danielle Brathwaite-Shirley, Black Trans Archive Pilvi Takala, The Trainee Cameron Rowland, 3 & 4 Will. IV c. 73 The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2 A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it. Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's The Congo Tribunal, Valeria Luiselli's novel Lost Children Archive, the practice of Forensic Architecture, and Nicolas Winding Refn's film Only God Forgives. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light. Frans-Willem Korsten holds the chair in “Literature and Society” at the Erasmus School of Philosophy and works at the Leiden University Centre for the Arts in Society in the Netherlands. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ideas about how to study and understand cultural history—particularly literature—are rapidly changing as new digital archives and tools for searching them become available. This is not the first information age, however, to challenge ideas about how and why we value literature and the role numbers might play in this process. The Values in Numbers: Reading Japanese Literature in a Global Information Age (Columbia UP, 2021) tells the longer history of this evolving global conversation from the perspective of Japan and maps its potential futures for the study of Japanese literature and world literature more broadly. Hoyt Long offers both a reinterpretation of modern Japanese literature through computational methods and an introduction to the history, theory, and practice of looking at literature through numbers. He weaves explanations of these methods and their application to literature together with critical reflection on the kinds of reasoning such methodologies facilitate. Chapters guide readers through increasingly complex techniques while making novel arguments about topics of fundamental concern, including the role of quantitative thinking in Japanese literary criticism; the canonization of modern literature in print and digital media; the rise of psychological fiction as a genre; the transnational circulation of modernist forms; and discourses of race under empire. Long models how computational methods can be applied outside English-language contexts and to languages written in non-Latin scripts. Drawing from fields as diverse as the history of science, book history, world literature, and critical race theory, this book demonstrates the value of numbers in literary study and the values literary critics can bring to the reading of difference in numbers. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic (MCD x Fsg Originals, 2021) features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020), Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher Kit Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo. Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen in as we speak with McComas Taylor (Associate Professor and Reader in Sanskrit, The Australian National University) about his brand-new translation of the Viṣṇu Purāṇa. This is the second time the Viṣṇu Purāṇa has been translated into English, the last time being nearly two centuries ago. Attentive to out the aesthetics of out-loud utterance, this beautiful translation is in blank-verse, faithful to the original Sanskrit, and available Open Access. We also speak about the World Sanskrit Conference, an upcoming Sanskrit Narrative volume, and studying Sanskrit online with McComas Taylor. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After a turbulent political revolt against the military superpower of the early modern world, the tiny Dutch Republic managed to situate itself as the dominant printing and book trading power of the European market. The so-called Dutch Golden Age has long captured the attention of art historians, but for every one painting produced by the Dutch during the seventeenth century, at least 100 books were printed. In The Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2019), Andrew Pettegree and Arthur der Weduwen present the untold story of how a group of family-owned businesses transformed the economics of printing and selling and conquered the European communications economy. This printing revolution helped to turn their pluralistic population into a highly literate and engaged society. Andrew Pettegree (@APettegree) is Professor of Modern History at the University of St Andrews and Director of the Universal Short Title Catalogue. He is the author of over a dozen books in the fields of Reformation history and the history of communication including Reformation and the Culture of Persuasion (Cambridge University Press, 2005), The Book in the Renaissance (Yale University Press, 2010), The Invention of News (Yale University Press, 2014), and Brand Luther: 1517, Print and the Making of the Reformation (Penguin, 2015). Arthur der Weduwen (@A_der_Weduwen) is a British Academy Postdoctoral Research Fellow at the University of St Andrews and Deputy Director of the Universal Short Title Catalogue. He researches and writes on the history of the Dutch Republic, books, news, libraries and early modern politics. He is the author of Dutch and Flemish Newspapers of the Seventeenth Century (2 vols., Brill, 2017), and two books on early newspaper advertising in the Netherlands (both Brill, 2020). His latest project is The Library, A Fragile History, co-written with Andrew Pettegree and published by Profile in 2021. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how Beauvoir is still relevant in the age of intersectionality and identity politics. Meryl Altman is Professor of English and Women's Studies at DePauw University. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Babbling Barbarians: How Translators Keep Us Civilized is based on an in-depth filmed conversation between Howard Burton and Princeton University Professor David Bellos, author of the bestselling book, Is That A Fish in Your Ear? Translation and the Meaning of Everything, many fascinating features of language and translation are explored at length. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The First World War poet and composer Ivor Gurney (1890–1937) spent the last fifteen years of his life confined in a Kent mental hospital before dying prematurely of tuberculosis. How good was Gurney's war poetry, and has his music stood the test of time? Why did try to re-write Shakespeare's plays? How far do recently uncovered archives transform our understandings both of Ivor Gurney's troubled life and his remarkable work? Kate Kennedy of the Oxford Centre for Life-Writing discusses her ground-breaking biography of Ivor Gurney Dweller in Shadows (Princeton 2021) with Duncan McCargo, in an unusual podcast that includes readings of his poetry, and two specially recorded examples of his music. The podcast opens and closes with Kate Kennedy (cello) and Simon Over (piano) performing Gurney's song Sleep. We also hear Simon accompany Dominic Bevan as he sings Severn Meadows, a rare example of Gurney setting his own words to music. Rare treats lie in store for the listener. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1928 linguist Yuen Ren Chao had reason to celebrate. The Nationalist government had just recognized his system for writing Chinese, Gwoyeu Romatzyh, so he gleefully wrote (using the system) in his diary: "G.R. yii yu jeou yueh 26 ry gong buh le. Hooray!!!" (G.R. was officially announced on September 26. Hooray!!!). He was not the only one excited about the prospect of scraping Chinese characters either. In the global context of phonocentric dominance both the Nationalists and the Communists waged war on Chinese characters, seeking new, scientific, modern, and entirely phonetic writing system. Ultimately, however, Chao's three exclamation marks were somewhat in vain. China's "script revolution" ended, and the Chinese Communist Party opted to simplify Chinese characters instead — a process and history deftly traced by Chinese Grammatology: Script Revolution and Literary Modernity, 1916–1958 (Columbia University Press, 2019). In Chinese Grammatology Yurou Zhong explores the history of the script revolution, tracing where it came from, how it changed over time, and how it was finally contained. Sharply written, beautifully constructed and filled with fascinated case studies, this is a real treat for those interested in modern Chinese history and literature, as well as anyone curious about global script reforms in the twentieth century. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raúl Diego Rivera Hernández's book Narratives of Vulnerability in Mexico's War on Drugs (Palgrave MacMillan, 2020) explores the current human rights crisis created by the War on Drugs in Mexico. It focuses on three vulnerable communities that have felt the impacts of this war firsthand: undocumented Central American migrants in transit to the United States, journalists who report on violence in highly dangerous regions, and the mourning relatives of victims of severe crimes, who take collective action by participating in human rights investigations and searching for their missing loved ones. Analyzing contemporary novels, journalistic chronicles, testimonial works, and documentaries, the book reveals the political potential of these communities' vulnerability and victimization portrayed in these fictional and non-fictional representations. Violence against migrants, journalists, and activists reveals an array of human rights violations affecting the right to safe transit across borders, freedom of expression, the right to information, and the right to truth and justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Literature is a technology like any other. And the writers we revere--from Homer, Shakespeare, Austen, and others--each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. Literature's great invention was to address problems we could not solve: not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all. Wonderworks: The 25 Most Powerful Inventions in the History of Literature (Simon & Schuster, 2021) reviews the blueprints for twenty-five of the most powerful developments in the history of literature. These inventions can be scientifically shown to alleviate grief, trauma, loneliness, anxiety, numbness, depression, pessimism, and ennui--all while sparking creativity, courage, love, empathy, hope, joy, and positive change. They can be found all throughout literature--from ancient Chinese lyrics to Shakespeare's plays, poetry to nursery rhymes and fairy tales, and crime novels to slave narratives. An easy-to-understand exploration of the new literary field of story science, Wonderworks teaches you everything you wish you learned in your English class. Based on author Angus Fletcher's own research, it is an eye-opening and thought-provoking work that offers us a new understanding of the power of literature. Colin Miller and Dr. Keith Mankin host the popular medical podcast, PeerSpectrum. Colin works in the medical device space and Keith is a retired pediatric orthopedic surgeon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. Written by Ruth Ahnert, Sebastian Ahnert, Nicole Coleman, and Scott Weingart, The Network Turn: Changing Perspectives in the Humanities (Cambridge UP, 2021) contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. Ruth Ahnert is Professor of Literary History and Digital Humanities, Queen Mary University of London. Sebastian Ahnert is University Lecturer, Department of Chemical Engineering and Biotechnology, University of Cambridge. Nicole Coleman is Digital Research Architect, Stanford University Libraries. Scott Weingart is Director of the Navari Family Center for Digital Scholarship at the University of Notre Dame. Katie McDonough is Senior Research Associate, The Alan Turing Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pan plays a central role in European mythology, originating as a figure who represented all that was impossible to tame in the world, something anyone who has ever worked with goats will understand. This primitive origin was slowly assimilated by the Greeks as a celebration of life and vitality, although through Plato’s radical dualism and the moral inflection introduced by Christianity, his transition from goatlike deity to devil leaves us with a complicated relationship today towards everything he represented, giving birth to a collection of complexes and pathologies that demand addressing. Joining me to discuss these ideas is Sharon Coggan, here to discuss her new book Sacred Disobedience: A Jungian Analysis of the Saga of Pan and the Devil (Lexington Books, 2020). Synthesizing Jungian psychology with the history of mythology and theology, Coggan works her way through the history of Pan as a way of thinking about the development of various forms of consciousness, both individual and social. This is then a history of myth and religion, but with the goal of developing a psychological and sociological diagnosis, and thinking about what sort of cure might be called for. Sharon Coggan is a recently retired professor who spent much of her career at the University of Colorado in Denver, and founded the Religious Studies Program where she served as director for many years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his book Jewish Bible Translations: Personalities, Passions, Politics, Progress (Jewish Publication Society, 2020), Leonard Greenspoon is the first to examine thoroughly Jewish Bible translations from the third century BCE to our day. It is an overdue corrective of an important story that has been regularly omitted or downgraded in other histories of Bible translation. Examining a wide range of translations over twenty-four centuries, Greenspoon delves into the historical, cultural, linguistic, and religious contexts of versions in eleven languages: Arabic, Aramaic, English, French, German, Greek, Hungarian, Italian, Russian, Spanish, and Yiddish. He profiles many Jewish translators, among them Buber, Hirsch, Kaplan, Leeser, Luzzatto, Mendelssohn, Orlinsky, and Saadiah Gaon, framing their aspirations within the Jewish and larger milieus in which they worked. Greenspoon differentiates their principles, styles, and techniques—for example, their choice to emphasize either literal reflections of the Hebrew or distinctive elements of the vernacular language—and their underlying rationales. As he highlights distinctive features of Jewish Bible translations, he offers new insights regarding their shared characteristics and their limits. Additionally, Greenspoon shows how profoundly Jewish translators and interpreters influenced the style and diction of the King James Bible. Accessible and authoritative for all from beginners to scholars, Jewish Bible Translations enables readers to make their own informed evaluations of individual translations and to holistically assess Bible translation within Judaism. Leonard Greenspoon is Philip M. and Ethel Klutznick Chair in Jewish Civilization and a professor of theology and of classical and Near Eastern studies at Creighton University. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Would there have been a Third World without the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs and their constituent societies and cultures are written in reference to the West, the interdependence of the Second and Third Worlds is evident not only from a common nomenclature but also from their near-simultaneous disappearance around 1990. From Internationalism to Postcolonialism: Literature and Cinema Between the Second and the Third Worlds (McGill-Queen's UP, 2020) addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion of writers and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim - the literary and cinematic independence of the literatures and cinemas of these societies from the West - they did forge what Ngugi wa Thiong'o called "the links that bind us," along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-)Soviet experience through the lens of postcolonial theory, it documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience. Jessica Bachman is a PhD Candidate at the University of Washington. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Rachel Sagner Buurma (associate professor of English literature at Swarthmore College) and Laura Heffernan (associate professor of English at the University of North Florida). We talk about there book The Teaching Archive: A New History for Literary Study (University of Chicago Press, 2020) and the great figures of English Studies--the professors and the students. Laura Heffernan : "There is this real sense right now that the ability to read carefully, to learn how to think critically, to learn how to write well, and to conceive of those things as part of a larger life is under threat for the majority of American students. And one of the things our book really tries to do is to recover just how many of those students have participated in the making of English Studies, a discipline which is now being taking away from students, essentially. And so, our intellectual histories need really now to incorporate the institutions where such majors in the humanities are under threat and show, in really material ways as we do, that those students at those schools helped to make some of the core concepts and methods in the humanities." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today on the podcast, Ruth Mazo Karras, the Lecky Professor of History at Trinity College Dublin talks about her new book, Thou Art the Man: The Masculinity of David in the Christian and Jewish Middle Ages, out this year, 2021 with University of Pennsylvania Press. "How do we approach the study of masculinity in the past?" Ruth Mazo Karras asks. Medieval documents that have come down to us tell a great deal about the things that men did, but not enough about what they did specifically as men, or what these practices meant to them in terms of masculinity. Yet no less than in our own time, masculinity was a complicated construct in the Middle Ages. In Thou Art the Man, Karras focuses on one figure, King David, who was important in both Christian and Jewish medieval cultures, to show how he epitomized many and sometimes contradictory aspects of masculine identity. For late medieval Christians, he was one of the Nine Worthies, held up as a model of valor and virtue; for medieval Jews, he was the paradigmatic king, not just a remnant of the past, but part of a living heritage. In both traditions he was warrior, lover, and friend, founder of a dynasty and a sacred poet. But how could an exemplar of virtue also be a murderer and adulterer? How could a physical weakling be a great warrior? How could someone whose claim to the throne was not dynastic be a key symbol of the importance of dynasty? And how could someone who dances with slaves be noble? Exploring the different configurations of David in biblical and Talmudic commentaries, in Latin, Hebrew, and vernacular literatures across Europe, in liturgy, and in the visual arts, Thou Art the Man offers a rich case study of how ideas and ideals of masculinity could bend to support a variety of purposes within and across medieval cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Germán Campos Muñoz, The Classics in South America: Five Case Studies (Bloomsbury, 2021) examines the long and complex history of the Greco-Roman tradition in South America, arguing that the Classics have played a crucial, though often overlooked, role in the self-definition in the New World. Chronicling and theorizing this history through a detailed analysis of five key moments, chosen from the early and late colonial period, the emancipatory era, and the 20th and 21st centuries, it also examines an eclectic selection of both literary and cinematographic works and artefacts such as maps, letters, scientific treatises, songs, monuments, political speeches, and even the drafts of proposals for curricular changes across Latin America. The heterogeneous cases analysed in this book reveal cultural anxieties that recur through different periods, fundamentally related to the 'newness' of the continent and the formation of identities imagined as both Western and non-Western – a genealogy of apprehensions that South American intellectuals and political figures have typically experienced when thinking of their own role in world history. In tracing this genealogy, The Classics in South America innovatively reformulates our understanding of well-known episodes in the cultural history of the region, while providing a theoretical and historical resource for further studies of the importance of the Classical tradition across Latin America. Germán Campos Muñoz is Associate Professor of World Literature at Appalachian State University, USA. His research interests include textual circulation, migration and translation; pedagogy; and world and comparative literature. He has published articles on Latin America and the classical tradition. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In At Penpoint: African Literatures, Postcolonial Studies, and the Cold War (Duke UP, 2020), Monica Popescu traces the development of African literature during the second half of the twentieth century to address the intertwined effects of the Cold War and decolonization on literary history. Popescu draws on archival materials from the Soviet-sponsored Afro-Asian Writers Association and the CIA-funded Congress for Cultural Freedom alongside considerations of canonical literary works by Ayi Kwei Armah, Ngugi wa Thiong'o, Ousmane Sembène, Pepetela, Nadine Gordimer, and others. She outlines how the tensions between the United States and the Soviet Union played out in the aesthetic and political debates among African writers and intellectuals. These writers decolonized aesthetic canons even as superpowers attempted to shape African cultural production in ways that would advance their ideological and geopolitical goals. Placing African literature at the crossroads of postcolonial theory and studies of the Cold War, Popescu provides a new reassessment of African literature, aesthetics, and knowledge production. Monica Popescu is Associate Professor and William Dawson Scholar of African Literatures in the Department of English at McGill University. She is the author of South African Literature beyond the Cold War and The Politics of Violence in Post-communist Films. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? DM us your suggestion on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: Ros Pyne’s path through higher education, how she found her way to her current job, her role at Bloomsbury Publishers, what Open Access [OA] is and is not, how OA can democratize knowledge, and what she’s hopeful about. Our guest is: Ros Pyne, who is the Global Director of Research and Open Access at Bloomsbury Publishers. She has worked in academic publishing since 2007, initially as an editor, and for the last eight years in roles focusing on open access. She has a particular interest in bringing open access to long-form scholarship and to the humanities, and is the co-author of several reports on open access books. She holds a degree in English from the University of Cambridge, and an MA in early modern English literature from King’s College London. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode might be interested in: Open access at Bloomsbury Directory of Open Access Books OAPEN OA Books Toolkit (for anyone interested in learning more about what open access books are and how they work) Open Access Books Network (a free online network for people working on open access books or interested in getting involved) Open Access and the Humanities (a 2014 book by an open access expert Martin Paul Eve that’s still an excellent primer on this topic) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Rob Tempio, the editor of a wonderful collection of books from Princeton University Press called "Ancient Wisdom for Modern Readers." The series presents the timeless and timely ideas of classical thinkers in lively new translations. Enlightening and entertaining, these books make the practical wisdom of the ancient world accessible for modern life. The titles of the various volumes gives you a good idea of what's on offer. How to Drink (Obsopeous) How to Be Content (Horace) How to Be a Bad Emperor (Suetonius) How to Think about God (Cicero) How to Win an Argument (Cicero) How to Be Free (Epicutetus) How to Run a Country (Cicero) How to Grow Old (Cicero) How to Keep your Cool (Seneca) There are 19 pearls of Ancient Wisdom currently in the series with more to come. Enjoy! Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Black Aliveness, or A Poetics of Being (Duke University Press, 2012), Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world. Dr. Kevin Quashie (he/his) is a professor in the department of English at Brown University. He is the author or editor of four books, including Black Aliveness and The Sovereignty of Quiet: Beyond Resistance in Black Culture (2012). His studying now is organized by the phrase "a book of black ideas." Dr. Lee Pierce (they & she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and William Cowper worried extensively about atheism's dystopian possibilities and routinely represented atheists as being beyond the pale of human sympathy. In Godless Fictions in the Eighteenth Century: A Literary History of Atheism (Cambridge University Press, 2020), Dr. James Bryant Reeves challenges traditional notions of secularization that equate modernity with unbelief, revealing how reactions against atheism instead helped sustain various forms of religious belief throughout the “Age of Enlightenment.” He demonstrates that hostility to unbelief likewise produced various forms of religious ecumenicalism, with authors depicting non-Christian theists from around Britain's emerging empire as sympathetic allies in the fight against irreligion. Godless Fictions traces a literary history of atheism in eighteenth-century Britain for the first time, revealing a relationship between atheism and secularization far more fraught than has previously been supposed. James Bryant Reeves is an assistant professor of English at Texas State University in San Marcos. His work has appeared in Eighteenth-Century Studies, Eighteenth-Century Fiction, the Keats-Shelley Journal, and SEL Studies in English Literature 1500–1900. He has received fellowships and awards from the National Endowment for the Humanities Summer Scholar, Linacre College, Oxford, and UCLA, where he earned his PhD in 2016. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book Typical Girls: The Rhetoric of Womanhood in Comic Strips (Ohio State Press, 2021) Susan Kirtley examines female-created comics that were nationally syndicated starting in the late 1970s-2010. Kirtley uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women’s roles at a time of great change in history and in comic art. This impressive, engaging, and timely study illustrates how these comics express the complexities of women’s experiences, especially as such experiences were shaped by shifting and often competing notions of womanhood and feminism. Including the comics of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls is an important history of the representation of womanhood and women’s rights in popular comic strips. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This interview features Drs. Peter Bisschop (Leiden University) and Yuko Yokochi (Kyoto University) and their work on the monumental Skandapurāṇa project. Started in the 1990's, the project is aimed at creating a critical edition of the Skandapurāṇa along with documenting its variations over time as well producing important studies of the text. Their latest instalment of this project (Volume 5, featuring Chapters 92-112 of the Skandapurāṇa, with an introduction and annotated English synopsis) addresses the incorporation of Vaisnava mythology in the text. Thanks to generous support of the J. Gonda Fund Foundation, the e-book version of this volume is available in Open Access here. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Mahabharata preserves powerful journeys of women recognized as the feminine divine and the feminine heroic in the larger culture of India. Each journey upholds the unique aspects of women's life. Feminine Journeys of the Mahabharata: Hindu Women in History, Text, and Practice (Palgrave Macmillan, 2021) analytically examines the narratives of eleven women from the Mahabharata in the historical context as well as in association with religious and cultural practices. Lavanya Vemsani brings together history, myth, religion, and practice to arrive at a comprehensive understanding of the history of Hindu women, as well as their significance within religious Indian culture. Additionally, Vemsani provides important perspective for understanding the enduring legacy of these women in popular culture and modern society. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nostalgia has received increasing attention for its role in shaping contemporary social and political life in the United States. Dr. Badia Ahad-Legardy distinguishes Afro-Nostalgia as a framework to think about the relationship between affect, black historical memory, and joy. Afro-Nostalgia: Feeling Good in Contemporary Black Culture (University of Illinois Press, 2021) mines black aesthetic practices that return to the past to generate good feelings for black audiences and makers. The past is not always available for black people as a site of good feelings, when one considers the realities of slavery, Jim Crow segregation, and racial inequality. Yet, contemporary cultural producers explore nostalgia through the subjects of slavery, food, visual culture, and music. Ahad-Legardy weaves together personal reflections and analyzes an eclectic archive to show how black people can turn to the past as a foundation from which to build hope for the present and future. She shows that despite the real traumas of the past and present for African Americans, nostalgia has the capacity to produce black joy. Dr. Badia Ahad-Legardy is a Professor in the Department of English and Vice Provost for Faculty Affairs at Loyola University Chicago. She is also the author of Freud Upside Down: African American Literature and Psychoanalytic Culture from the University of Illinois Press. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. Veronika Pehe's Velvet Retro: Postsocialist Nostalgia and the Politics of Heroism in Czech Popular Culture (Berghahn Books, 2020) locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory. Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The People's Porn: A History of Handmade Pornography in America (Reaktion Books, 2020) is a beautifully written and groundbreaking historical study of homemade, handmade and amateur pornographic artifacts. Covering everything from erotic scrimshaw to amateur videos on the web, Lisa Sigel offers a fascinating account of what ordinary people thought about sexuality and desire. This hidden chapter of American sexual history is not only a much-needed counterbalance to ahistorical arguments which dominate pornography today, it’s also a reminder of humanity’s prodigious tendency to create and communicate sexual desires. At times, the images and objects presented in this book might appear shocking, crude, grotesque, problematic, confrontational, unrestrained, unruly; but in the end they are deeply human. Zachary Lowell holds an MA in global studies from Humboldts Universtität zu Berlin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Unstable Masks: Whiteness and American Superhero Comics (Ohio State UP, 2020), Sean Guynes and Martin Lund have assembled more than fifteen chapters that interrogate our thinking about superheroes, especially those written and created in the United States, and how those heroes participate in reifying the whiteness of American politics, culture, and worldview. Even as we have seen attempts to diversify the representation within the superhero genre, there is a continued reinscribing of the normative whiteness that frames not only the narratives themselves, but the ideas and images conveyed by the authors, artists, and producers of these works. As Lund and Guynes note, much analysis has been done about the superheroes, especially paying attention to those heroes who deviate from the norm in terms of race, gender, and sexuality. But what has been missing in a great deal of the scholarship is an analysis of the predominant whiteness of superheroes and how the constructed narrative of the genre, of defeating a threat to a particular way of life, country, people, continues to reaffirm the overarching whiteness of this genre. As Lund noted in conversation, the marquee superheroes are unhyphenated, they are simply the normal, everyday superhero, and they are also, by default, white. Whereas Black, or LatinX superheroes are classified as such, and they are thus distinguished from the “normal” superhero. It is not only the characters themselves, in the panels, but also the structure of the story that complies with an understanding of whiteness, and a hierarchy that is often racially structured. The superhero is tasked with fighting for the “good” – but who defines that good, and who benefits from that preserved good? This very understanding of the job of the superhero, to fight for “truth, justice, and the American way” builds on the basis that truth is the same for all members of the society, justice is equally distributed, and the American way is quite clear. Except that none of these are accurate depictions of the reality for those living in the United States (or elsewhere). How we discuss the goals that the superheroes pursue is tied into what it is that we anticipate being restored by a superhero who confronts an enemy. The chapters in Unstable Masks explore this dynamic, focusing on the exceptions as well as those who make up the vast majority of this imaginary space, examining how whiteness informs the understanding of the superhero. The contributing authors not only examine different superheroes at different periods, but they also reach back to examine the way that the superhero genre fits within the American cultural and literary tradition of the western, detective fiction, and the conquest of the frontier where individuals imposed “law and order” on “ungoverned” or “unstable” parts of the continent. This is a fascinating collection; taken together, this edited volume an impressive consideration of the superhero genre, those who created these characters, and the audiences who consume and interact with these ideas. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the future of the book? In Book Wars: The Digital Revolution in Publishing (Polity, 2021) John Thompson, Professor of Sociology at the University of Cambridge, examines the impact of digital technology on the publishing industry. The book grapples with broad questions of the changing nature of capitalism, the idea of information capital, and offers a detailed engagement with the development of the e-book, the rise of Google and Amazon, and new business models such as crowdfunding. A fascinating study of the past, present, and future of publishing, the book will be essential reading for all New Books Network listeners, and anyone interested in books! Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I've had 18 years of formal education - why is writing so hard? Today's guests Dr Katherine Firth explains the disease's cure. The book Level Up Your Essays guides the reader through university essay writing, running through stages including essay plans, developing research strategies, writing with distinction, finishing strongly with editing, and getting your referencing right. Katherine Firth manages learning programs for undergraduates and graduates in university settings, and has been developing students as writers for more than a decade. She runs writing workshops for doctoral students and currently runs the academic program at International House, a college of the University of Melbourne. She is co-author of Your PhD Survival Guide and gives writing advice on her blog Research Degree Insiders. Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Brooke Rollins, Assistant Professor of English at Lehigh University. We talk about lots of Greeks and about one Frenchman and (if you write) also about you. Brooke Rollins : "I think there is a way that practice in reading and writing–––that it lines up so nicely with physical training. You know, to run a marathon, you don't simply just run 26.2 miles every day to practise for that. There are things that gradually take you up to that, but it's persistent. It's over an extended period of time. Regularity in reading and writing is important. And I certainly feel like the contemporary university doesn't do enough of that with writing. There's first-year courses, and then the thinking is, 'Well, they've had that, they've passed that bar, and now they can move on to their fields and not worry about writing anymore. We've taken care of that.' But in fact, writing development is necessary along the whole course of study. That's why writing-in-the-discipline programs are so important." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Constance Congdon's 2 Washington Square (Broadway Play Publishing, 2020) is a free-wheeling adaptation of Henry James' novel Washington Square set on the cusp of the 1960s as one era gives way to a startlingly different one. As always, Congdon's dialogue crackles with intensity and wit, echoing James' own razor-sharp observations of characters from eighty years earlier. This play also includes several dynamic and compelling roles for women actors. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction. Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In an era of rampant Islamophobia, literary representations of Muslims and anti Muslim bigotry tell us a lot about changing concepts of cultural difference. In Islamophobia and the Novel (Columbia University Press, 2018), Peter Morey, Professor at the University of Birmingham, analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Morey discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling. In our conversation we discussed anti-Muslim prejudice, the tension between narrative and power, literature and its relationship to Islamophobia, the “market for the Muslim,” stereotyping, authenticity and the burden of representation, aesthetic expectations, economic constraints, multiculturalism, securitization, effects of 9/11, the global novel, and Critical Muslim Literary Studies. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A new approach to puritan studies has been emerging in recent decades, but until now, no single volume has tried to gather in a comprehensive way the new histories of this literature. In A History of American Puritan Literature (Cambridge UP, 2020), edited by Kristina Bross and Abram Van Engen, eighteen leading scholars in the field help to mark a turning point in our understanding of the literary cultures of the American puritans, even as the publication of this volume signals 400 years since the Mayflower landing. This new approach is geographically and thematically broader than previous generations of similar literary histories. It is increasingly clear that the literatures emerging from early modern puritans were not written in a vacuum. More attention is being paid to the Caribbean, European, and global influences on the production of puritan texts. And with this expanded geography, a new generation of scholars are moving beyond some of the more well-covered themes, such as typology and the jeremiad, and reading the old texts with new questions: What does American Puritan literature tell us about early American attitudes toward gender, the environment, and science, to list only a few of the themes covered. Tune in to hear the editors of this volume describe this brilliant collection of scholarship. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I interview Anahid Nersessian, professor of English at UCLA, about her book, Keats’s Odes: A Lover’s Discourse (University of Chicago Press, 2021). In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem. The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between [Nersessian] and Keats, and not just Keats.” Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses—and she, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats’s enduring work. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies