New Books in Literary Studies

In this episode Kim and Chad talk about Julia Kristeva’s theory of “intertextuality.” Chad references Chapter 3 of Kristeva’s book Desire in Language: A Semiotic Approach to Literature and Art, Translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez, (Columbia UP 1980). The last quote (the permanent revolt one) is from Chapter 15, “Europhilia-Europhobia,” of Kristeva’s Intimate Revolt: The Powers and Limits of Psychoanalysis, Translated by Jeanie Herman, (Columbia UP, 2002). Chad Hegelmeyer is a postdoc in English at NYU. He wrote a dissertation about fact checking! The Capybara still stands, proudly, in place of Chad. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In A Vertical Art: On Poetry (Princeton UP, 2022), acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Sentences That Create Us: Crafting a Writer’s Life in Prison (Haymarket Books, 2022) is an expansive resource for incarcerated writers. With over 50 contributors like Reginald Dwayne Betts, Randall Horton, and Nicole Shawan Junior, this resource provides the foundations for crafting a vibrant literary life with the carceral state. The guide offers advice including editing, publishing works, and developing prison writing groups while weaving first-person narratives. The Sentences That Create Us will show incarcerated people and allies how to release their stories that prisons caged. N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Colm Tóibín, the new laureate for Irish fiction, talks to Joseph Rezek of Boston University, and guest host Tara K. Menon of Harvard. The conversation begins with Colm’s latest novel The Magician, about the life of Thomas Mann, and whether we can or should think of novelists as magicians and then moves swiftly from one big question to the next. What are the limitations of the novel as a genre? Would Colm ever be interested in a writing a novel about an openly gay novelist? Why and how does death figure in Colm’s fiction? Each of Colm’s revealing, often deeply personal answers illuminates how both novels and novelists work. As Thoman Mann wrote of the “grubby business” of writing novels, Colm reminds us of the “day to day dullness of novel writing.” Insight and inspiration only arrive, he warns, after long, hard days of work. Mentioned in this episode: Robinson Crusoe (1719), Daniel Defoe Pride and Prejudice (1813), Jane Austen The Portrait of a Lady (1881), Henry James The Wings of the Dove(1902), Henry James The Ambassadors (1903), Henry James The Golden Bowl(1904), Henry James The Blackwater Lightship(1999), Colm Tóibín The Master (2004), Colm Tóibín Brooklyn(2009), Colm Tóibín The Testament of Mary(2012), Colm Tóibín Nora Webster(2015), Colm Tóibín The Magician(2021), Colm Tóibín Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, Kim and Saronik discuss Roland Barthes’ essay “The Death of the Author” printed in Image Music Text, translated by Stephen Heath, New York: Hill and Wang, 1977. The image for this week is plate three from Jules Morel, Manuel d’Anatomie Artistique. Paris: Grand, 1877. Medical Heritage Library Collections on Internet Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"As a result of the historic catastrophe in which Titus of Rome destroyed Jerusalem and Israel was exiled from its land, I was born in one of the cities of the Exile,” S. Y. Agnon declared at the 1966 Nobel Prize ceremony. “But always I regarded myself as one who was born in Jerusalem.” Agnon’s act of literary imagination fueled his creative endeavor and is explored in these pages. Jerusalem and the Holy Land (to say nothing of the later State of Israel) are often two-faced in Agnon’s Hebrew writing. Depending on which side of the lens one views Eretz Yisrael through, the vision of what can be achieved there appears clearer or more distorted. These themes wove themselves into the presentations at an international conference convened in 2016 by the Yeshiva University Center for Israel Studies in New York City, in honor of the fiftieth anniversary of Agnon’s Nobel Prize. The essays from that conference, collected in Agnon’s Tales of the Land of Israel (Pickwick Publications, 2021), explore Zionism’s aspirations and shortcomings and the yearning for the Land from afar from S. Y. Agnon’s Galician hometown, which served as a symbol of Jewish longing worldwide. Contributing authors: Shulamith Z. Berger, Shalom Carmy, Zafrira Cohen Lidovsky, Steven Gine, Hillel Halkin, Avraham Holtz, Alan Mintz, Jeffrey Saks, Moshe Simkovich, Laura Wiseman, and Wendy Zierler. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we talk to Sigurður Gylfi Magnússon about Wasteland with Words (Reaktion, 2010) and about microhistory as a method. Iceland is an enigmatic island country marked by contradiction: it’s a part of Europe, yet separated from it by the Atlantic Ocean; it’s seemingly inhospitable, yet home to more than 300,000. Wasteland with Words explores these paradoxes to uncover the mystery of Iceland. In Wasteland with Words Sigurdur Gylfi Magnússon presents a wide-ranging and detailed analysis of the island’s history that examines the evolution and transformation of Icelandic culture while investigating the literary and historical factors that created the rich cultural heritage enjoyed by Icelanders today. Magnússon explains how a nineteenth-century economy based on the industries of fishing and agriculture—one of the poorest in Europe—grew to become a disproportionately large economic power in the late twentieth century, while retaining its strong sense of cultural identity. Bringing the story up to the present, he assesses the recent economic and political collapse of the country and how Iceland has coped. Throughout Magnússon seeks to chart the vast changes in this country’s history through the impact and effect on the Icelandic people themselves. Up-to-date and fascinating, Wasteland with Words is a comprehensive study of the island’s cultural and historical development, from tiny fishing settlements to a global economic power. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many readers know Lewis as an author of fiction and fantasy literature, including the Chronicles of Narnia and the Space Trilogy. Others know him for his books in apologetics, including Mere Christianity and The Problem of Pain. But few know him for his scholarly work as a professor of medieval and Renaissance literature. What shaped the mind of this great thinker? In The Medieval Mind of C. S. Lewis: How Great Books Shaped a Great Mind (InterVarsity, 2022), Jason Baxter argues that Lewis was deeply formed not only by the words of Scripture and his love of ancient mythology, but also by medieval literature. For this undeniably modern Christian, authors like Dante and Boethius provided a worldview that was relevant to the challenges of the contemporary world. Here, readers will encounter an unknown figure to guide them in their own journey: C. S. Lewis the medievalist. Jason M. Baxter (PhD, University of Notre Dame) is associate professor of fine arts and humanities at Wyoming Catholic College. He is the author of An Introduction to Christian Mysticism, The Infinite Beauty of the World: Dante's Encyclopedia and the Names of God, and A Beginner’s Guide to Dante's Divine Comedy. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at [email protected] and follow him on Twitter @JTRhardt Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“One should really only do philosophy as poetry.” What could Ludwig Wittgenstein have meant by this? What was the context for this odd remark? In Wittgenstein’s Artillery: Philosophy as Poetry (MIT Press, 2021), James Klagge provides a perspective on Wittgenstein as a person and how his life intersected with his work, in particular in the transition from his early Tractatus Logico-Philosophicus to the later Philosophical Investigations. Based on private notebooks and memoirs by some of Wittgenstein’s students, Klagge, a professor of philosophy at Virginia Tech, sees Wittgenstein’s interactions with his students as gradually prodding him to come grips with the problem of how to influence the frames of mind that people take to philosophical problems. Poetry, along with parables, similes, and other imaginative presentations, exemplify a way of addressing these non-cognitive attitudes – and Wittgenstein conceded that he was not entirely successful in his efforts. Carrie Figdor is professor of philosophy at the University of Iowa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer). Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset. Image source: Witches dancing in forest, in the Compedium Maleficarum of Francesco Mario Guazzo, published in 1608. Available on Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. In Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels (University of Mississippi Press, 2022), Dr. Josef Benson and Dr. Doug Singsen provide a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. They identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern UP, 2018) re-constellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization. By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies. G.S. Sahota is associate professor of Literature at UC Santa Cruz, where he holds the Aurora chair in Sikh and Punjab Studies. His first book, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern University Press, 2018), was awarded the Modern Language Initiative Grant of the Mellon Foundation. He is currently undertaking research toward two separate books (Transposed Minds: Indo-German Cultural Exchange and a Critique of Identity, and The Name of Reason: Sikhism, Secularism, and a Future Philosophy), pursuing a photography project on the gurdwaras of California, composing fragmentary thought-images, and learning Italian. Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on literary rhetoric and economic thought. He co-hosts the podcast High Theory and is a co-founder of the Postcolonial Anthropocene Research Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For better or worse, artists write. But why would a visual artist write a novel? How should such a novel be experienced? How does the artist’s novel compare or compete with literary fiction as we know it? David Maroto, the author of The Artist's Novel: A New Medium (Mousse Publishing, 2020) considers the proliferation of artists writing novels as a sign of the emergence of a new medium. Artists engaging in this new medium do so in order to address artistic issues by means of novelistic devices, favouring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. Maroto’s work is the first to explore the subject of the artist’s novel in depth. David Maroto speaks to Pierre d’Alancaisez about the artist’s novel and the demands it makes on its readers and, as he found out through his own practice, on its curators and publishers. David reads from Benjamin Seror's Mime Radio and voices the mythical satyr Marsyas but, sadly, stops short of singing. David Maroto is a visual artist, researcher, writer, and curator based in Rotterdam. David Maroto’s first novel Illusion The Book Lovers, a project by David Maroto and Joanna Zielinska Benjamin Seror’s Mime Radio Goldin+Senneby‘s Headless Ale Cecchetti’s exhibition at Ujazdowski Castle Alex Cecchetti’s novel Tamam Shud Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode Kim and Saronik discuss Bruno Latour’s essay, “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern.” Critical Inquiry 30 (Winter 2004): 225-248. Image source: M. Platen, The New Curative Treatment of Disease: Handbook of Hygienic Rules of Life, Health Culture, and the Cure of Ailments Without the Aid of Drugs… London : Bong & Co., 1893, p. 668 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy. John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out? Mentioned in the Episode: David Graeber and David Wengrow, The Dawn of Everything. In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises the otherworldly prose style of Anna's beloved E. R. Eddison, best known for The Worm Ouroboros (1922) J. R. R. Tolkien, "On Fairy Stories" E. Nesbit The Phoenix and the Carpet Lord Dunsany, King of Elfland's Daughter Ursula Le Guin The Books of Earthsea Recallable Books: Sylvia Townsend Warner, Kingdoms of Elfin (and read this lovely Ivan Kreilkamp article on her earlier strange great Lolly Willowes) Lloyd Alexander Chronicles of Prydain N. K. Jemisin, The Fifth Season Read transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Saronik asks Chad about narrators in fiction, and life, who cannot be trusted – their quirks, productive unreliabilities, their effect on present politics, the works! We talk around Wayne C. Booth’s The Rhetoric of Fiction. Chad Hegelmeyer is a postdoc in English at NYU. His current project is sunbathing while reading Hannah Arendt. The Capybara stands, proudly, in place of Chad. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jacob Mchangama, founder and director of the think tank Justitia, has written a one-volume history of freedom of thought, which ranges from the lone Demosthenes of 4th-century BCE Athens to the recent controversies regarding Donald Trump. In Free Speech: A History from Socrates to Social Media (Basic Books, 2022) , Mchangama argues that the history of freedom of thought has recurrent themes, such as a free speech entropy: the perception of rulers or governments that if speech is not restricted then social or political decline or disorder is inevitable. Mchangama also notes how restrictions usually have the unintended effect of emboldening the speakers and making the forbidden speech even more attractive to potential listeners. This history also reveals advocates of free speech less familiar to Western readers, such as the ninth-century Persian scholar Ibn al-Rawandi, a theologian and later skeptic whose life illustrates the debates possible in medieval Islam. Mchangama reviews the modern debates regarding freedom of thought and the latest iterations of arguments about whether free speech will lead to social decline and chaos. Mchangama is a champion of free speech but his history provides a fair minded account of the concerns of speech restrictionists throughout history. Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An interview with Jennifer Egan, winner of the Pulitzer Prize and the National Book Critics Circle Award, and author most recently of The Candy House (Scribner, 2022), the story of the intersections across space and time of characters desperate to understand their interior lives. At the hub of these stories, a machine capable of capturing and sharing memories, and even offering the possibility of joining a collectivity of consciousness. Jennifer Egan, as always, balances perfectly the profound intellectual problems of existence with characters who feel deeply real by virtue of their uncommon minds. We get to talking about how her process is one of discovery through the unconscious practice of writing, and the ways in which certain ideas of what the reader should feel and experience guide her structure. We discuss her creation of the futuristic machine in The Candy House that, in the end, fashions what only the novel can produce: a window into the minds and memories of another. On the subject of movement back and forth through time and place, Jennifer credits a marvelous children’s novel for the concept of parallel worlds into which characters can dip in and out of. In an incredibly wide-ranging discussion, we touch upon Dungeons and Dragons, the longest and possibly best 18th century novel, the possibility of reading The Candy House as the predecessor to A Visit from the Goon Squad, and so much more. Jennifer Recommends: Lauren Groff, Matrix Samuel Richardson, Clarissa Rye Curtis, Kingdomtide Henry Fielding, Tom Jones Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An interview with Jennifer Egan, winner of the Pulitzer Prize and the National Book Critics Circle Award, and author most recently of The Candy House (Scribner, 2022), the story of the intersections across space and time of characters desperate to understand their interior lives. At the hub of these stories, a machine capable of capturing and sharing memories, and even offering the possibility of joining a collectivity of consciousness. Jennifer Egan, as always, balances perfectly the profound intellectual problems of existence with characters who feel deeply real by virtue of their uncommon minds. We get to talking about how her process is one of discovery through the unconscious practice of writing, and the ways in which certain ideas of what the reader should feel and experience guide her structure. We discuss her creation of the futuristic machine in The Candy House that, in the end, fashions what only the novel can produce: a window into the minds and memories of another. On the subject of movement back and forth through time and place, Jennifer credits a marvelous children’s novel for the concept of parallel worlds into which characters can dip in and out of. In an incredibly wide-ranging discussion, we touch upon Dungeons and Dragons, the longest and possibly best 18th century novel, the possibility of reading The Candy House as the predecessor to A Visit from the Goon Squad, and so much more. Jennifer Recommends: Lauren Groff, Matrix Samuel Richardson, Clarissa Rye Curtis, Kingdomtide Henry Fielding, Tom Jones Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Time and again, antebellum Americans justified slavery and white supremacy by linking blackness to disability, defectiveness, and dependency. In The Mark of Slavery: Disability, Race, and Gender in Antebellum America (University of Illinois Press, 2021), historian Jenifer L. Barclay examines the ubiquitous narratives that depicted black people with disabilities as pitiable, monstrous, or comical, narratives used not only to defend slavery but argue against it. As she shows, this relationship between ableism and racism impacted racial identities during the antebellum period and played an overlooked role in shaping American history afterward. Barclay also illuminates the everyday lives of the ten percent of enslaved people who lived with disabilities. Devalued by slaveholders as unsound and therefore worthless, these individuals nonetheless carved out an unusual autonomy. Their roles as caregivers, healers, and keepers of memory made them esteemed within their own communities and celebrated figures in song and folklore. Prescient in its analysis and rich in detail, The Mark of Slavery is a powerful addition to the intertwined histories of disability, slavery, and race. Jenifer L. Barclay is an Assistant Professor of History at SUNY Buffalo. Her research places African American history in conversation with the “new” disability history, a field that emphasizes disability as a lived human experience embedded in a set of socially constructed ideas that change over time, across cultures, and in relation to other categories of identity such as race, gender, class and sexuality. She earned her Ph.D. in African American History at Michigan State University. Jerrad P. Pacatte is a Ph.D. candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers University-New Brunswick. A social historian of gender, slavery, and emancipation in early America and the Atlantic World, Jerrad is currently completing his dissertation, entitled “The Work of Freedom: African American Women and the Ordeal of Emancipation in New England, 1740-1840” which examines the everyday lives, labors, and emancipation experiences of African-descended women in late-colonial and early republic New England. Jerrad is also increasingly interested in the history of slavery and disability in the context of early America; his research examining the lives and physically-disabling nature of enslavement in early New England will be published in two peer-reviewed anthologies - one of which is co-edited by Jenifer L. Barclay and Stefanie Hunt Kennedy - early next year. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In In Praise of Good Bookstores (Princeton University Press, 2022), Jeff Deutsch, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode Saronik asks Kim about the aura. The idea comes from Walter Benjamin’s 1935 essay “The Work of Art in the Age of Mechanical Reproduction.” Besides the central text, the episode references Benjamin’s 1940 essay, “On the Concept of History” in which the Angel of History appears. We also talk about Oscar Wilde’s 1891 essay “The Soul of Man Under Socialism.” And make a passing mention of the British artist Banksy. The image is a photograph that Kim took of a painting of peaches in an art museum in Amsterdam. She forgets artist and title of the painting, and would welcome reminders from listeners. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. Sherryl Vint's Science Fiction (MIT Press, 2021)focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness. Frances Sacks is a journalist and graduate of Wesleyan University where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Growing Out of Communism: Russian Literature for Children and Teens, 1991-2017 (Brill, 2021) explores the rise of a new body of literature for children and teens following the collapse of the Soviet Union in 1991 and the subsequent transformation of the publishing industry. Lanoux, Herold, and Bukhina first consider the Soviet foundations of the new literature, then chart the influx of translated literature into Russia in the 1990s. In tracing the development of new literature that reflects the lived experiences of contemporary children and teens, the book examines changes to literary institutions, dominant genres, and archetypal heroes. Also discussed are the informal networks and online reader responses that reflect the views of child and teen readers. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to High Theory! High Theory is a podcast in which we get high on the substance of theory. And we ask the three standard questions, to each other, and our guests. We invite you to listen and learn, and think critically! This podcast comes at difficult ideas from the academy with irreverence. Wikipedia says that “critical theory” is “the reflective assessment and critique of society and culture in order to reveal and challenge power structures,” which suggests a rather serious subject, but we think theory is hardly dense and somber and sober. In these times, we need to love, and finding the buzz of curiosity and delight in critical thinking, we want to bring that joy to you. We aim to distill some solid points from our ramblings. We are looking at theory differently, and making pretty wild connections. Like maybe having and loving a dog will make you a better activist. Or hating on Humbert Humbert might help you sift through fake news. If you have an idea you would like us to talk about, let us know! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the hills north of Rome about a month ago I met a woman, a writer, so blown away by her Dottoressa, her psychoanalyst, that she announced to the surprise of all around her (surprised I want to add that she was in analysis in the first place) that she was writing a book about her treatment. I thought of H.D. I thought of Alison Bechdel. Then I thought of Emma Lieber. The Writing Cure (Bloomsbury, 2020), Lieber’s first book, is a hybrid text—equal parts the work of an analysand, a new clinician, a scholar of Russian literature, and a divorcing mother. It is also the work of a Lacanian-influenced analyst whose analytic credential comes from an institute not especially associated with the work of Lacan; as such, the book functions as a kind of “pass”, a representation of what it is that the author wants to present to a community of analysts who she hopes will see her as a peer. Her writing is creaturely by which I mean her words are close to the ground. She is funny. She is droll. She takes you into a nook and a cranny and your heart breaks. Always almost conversational, until she stops talking to you. The result is very beautiful and elusive. Her voice is precisely that: hers. She reveals but also conceals. The reader could want more. The reader could want less. But the reader is left wanting. How else can an analyst write about her own treatment but to tell the truth only to also tell it (a la E. Dickinson) a tad slant? Embracing auto-theory as a burgeoning psychoanalyst is no simple task. Lieber refers to certain writers bearing this hyphenated moniker, among them Maggie Nelson, Paul Preciado and Barbara Browning but not her own analyst who is known for her use of the same genre. Of course reading about an analysis—like watching two people fuck in a car—can feel prurient: “I didn’t mean to look but then I could not turn away.” Lieber nevertheless finds a way to circumvent our voyeuristic wishes. We meet her and then again, we are left wondering; we are left to wonder—which is kind of perfect for a book written by an analyst about her analysis—about her. She remains through her final written utterances, a powerful transference-magnet. Tracy Morgan is the founding editor of NBiP and in private practice in NYC and Rome, Italy She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shola von Reinhold is the author of LOTE, a novel about getting lost in the archives and finding what the archives have lost. LOTE won the 2021 James Tait Black prize so who better to join Shola on Novel Dialogue than Ben Bateman of Edinburgh University, lead judge of the prize committee? This conversation takes listeners back to all yesterday’s parties as Shola, Ben, and Aarthi time travel to the Harlem Renaissance and the interwar modernist era. Shola offers up Richard Bruce Nugent as their current figure of fascination (or “transfixion” to use a key image from LOTE), and wonders what it would have been like to move through Harlem and London by Nugent’s side. Recovering the stories of black writers and artists is essential to Shola’s literary project. It is also inseparable from restoring queerness to the once hyper-masculine and “muscular” paradigm of modernism. In a stirring discussion of the aesthetic forms and moods of historical recovery, Ben and Shola sink into the “purpleness” of the fin-de-siècle and explore the critical power of black sensuousness. Talk of decadence, ornamentality, and frivolity shapes the latter half of this episode, and Doris Payne, the West Virginian jewel thief, emerges as an exquisitely improbable modernist heroine! Mentioned in this episode: -Richard Bruce Nugent -Dorothy Heyward and DuBose Heyward, Porgy -E.M. Forster -David Levering Lewis, When Harlem was in Vogue -Saidiya Hartman -Benjamin Kahan, The Book of Minor Perverts -James Joyce, Ulysses -Willa Cather, “Paul’s Case” -Ornamentality via Kant, Hegel, and Adolf Loos -Susan Sontag -Doris Payne – a.k.a “Diamond Doris” -Édouard Glissant Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean. Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Antarcticness: Inspirations and Imaginaries (UCL Press, 2022) edited by Ilan Kelman Antarcticness joins disciplines, communication approaches, and ideas to explore meanings and depictions of Antarctica. Personal and professional words in poetry and prose, plus images, present and represent Antarctica, as presumed and as imagined, alongside what is experienced around the continent and by those watching from afar. These understandings explain how the Antarctic is viewed and managed while identifying aspects that should be more prominent in policy and practice. The authors and artists place Antarctica, and the perceptions and knowledge through Antarcticness, within inspirations and imaginations, without losing sight of the multiple interests pushing the continent’s governance as it goes through rapid political and environmental changes. Given the diversity and disparity of the influences and changes, the book’s contributions connect to provide a more coherent and encompassing perspective of how society views Antarctica, scientifically and artistically, and what the continent provides and could provide politically, culturally, and environmentally. Offering original research, art, and interpretations of different experiences and explorations of Antarctica, explanations meld with narratives while academic analyses overlap with first-hand experiences of what Antarctica does and does not – could and could not – bring to the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Literature in Motion: Translating Multilingualism Across the Americas (Columbia University Press, 2022), Ellen C. Jones centers not just translation but multilingualism as both an artistic practice and scholarly lens through which to examine the production and reception of literature across the Americas. Focusing on writers who use mixed language forms such as “Spanglish,” “Portunhol,” and “Frenglish,” she shows how these authors and their translators use multilingualism to disrupt binaries and hierarchies in language, gender, and literary production itself. In this episode of NBN, Ellen Jones discusses the complex relationship and perceived tensions between translation and multilingualism, the sociopolitical forces that have shaped the status of multilingualism within the United States, her experience translating Susana Chávez-Silverman’s multilingual writing, multilingualism as queer practice in Giannina Braschi’s Yo-Yo Boing! and Tess O’Dwyer’s English-only translation of Yo-Yo Boing!, indigenous multilingualism in Wilson Bueno’s Mar Paraguayo and its public life as an art exhibition by Andrew Forster in collaboration with translator Erín Moure, the collaborative joy of editing special issues on multilingualism for the literary journal Asymptote, and more. Tune in to learn about all this and more! Ellen C. Jones is a literary translator, writer, and editor based in Mexico City. Jennifer Gayoung Lee is a writer and data analyst based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth’s new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth’s clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser’s address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence. B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award. Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipient of the Massachusetts Cultural Council Fellowship and the City of Boston Artist Fellowship. She teaches creative writing at GrubStreet and at Massachusetts College of Art and Design. Read Shubha’s story in The Common at thecommononline.org/a-very-full-day. Read more at shubhasunder.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We don’t think of Canada as a republic. Even in its modern and vibrantly multi-cultural form, there is something monarchical about the place. The Queen appears on every coin, on the $20 bill, and pretty often in portrait form, placed over the home team’s net in hockey rinks from coast to coast. Politically, Canada’s status as a constitutional monarchy shapes a collective identity that prizes political moderation, consensus, and that strives for egalitarian values. But there was a time when Canada might have taken a republican turn. Between 1837 and 1867 – a period bracketed by rebellion and Confederation – a group of writers debated the virtues of American-style republican government versus British constitutional monarchy. In these discussions, American culture and political institutions were a dominant frame of reference. In Between Empire and Republic: America in the Colonial Canadian Imagination (Lexington, 2022), Oana Godeanu-Kenworthy employs three Anglophone authors – John Richardson, Susanna Moodie and Thomas Chandler Haliburton - as a lens that helps us to understand a period of possible political futures as states formed in the wake of revolution, and Canada defined itself in contrast to its southern neighbor. About the author: Oana Godeanu-Kenworthy is Associate Teaching Professor in the Department of Global & Intercultural Studies at Miami University (Ohio). See also: “Canada has long feared the chaos of US Politics”, The Conversation (8 March 2022) About the host: Charles Prior is Head of the School of Humanities and Reader in History at the University of Hull (UK). He co-leads the Treatied Spaces Research Group. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When I Grow Up, the latest graphic nonfiction narrative from New Yorker cartoonist Ken Krimstein, is based on six of hundreds of newly discovered, never-before-published autobiographies of Eastern European Jewish teenagers. These autobiographies, submitted in a writing contest, were hidden away at the outbreak of World War II, and were only discovered seven decades later. In When I Grow Up, the author brings these stories, their authors, and their entire world, to life. David Gottlieb is the Director of Jewish Studies at the Spertus Institute for Jewish Learning and Leadership in Chicago. He is the author of Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode I talk with Daniel Y. Kim, Associate Professor of English and American Studies at Brown University, about his 2020 book Intimacies of Conflict: Cultural Memory and the Korean War, published by New York University Press. Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal—but often unacknowledged—consequences of the Korean War in both domestic and transnational histories of race. Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association. Adhy Kim is a doctoral candidate in Comparative Literature at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A Companion to The Story of the Stone: A Chapter-by-Chapter Guide (Columbia UP, 2021), co-authored by Susan Chan Egan and Pai Hsien-yung (Columbia University Press, 2021), is a straightforward guide to the Chinese literary classic, The Story of the Stone (also known as Dream of the Red Chamber), that was written at a time when readers had plenty of leisure to sort through the hundreds of characters and half a dozen subplots that weave in and out of the book’s 120 chapters. The Story of the Stone is widely held to be the greatest work of Chinese literature, beloved by readers ever since it was first published in 1791. The story revolves around the young scion of a mighty clan who, instead of studying for the civil service examinations, frolics with his maidservants and girl cousins. The narrative is cast within a mythic framework in which the protagonist’s rebellion against Confucian strictures is guided by a Buddhist monk and a Taoist priest. Embedded in the novel is a biting critique of imperial China’s political and social system. Each chapter of A Companion to The Story of the Stone: A Chapter-by-Chapter Guide summarizes and comments on each chapter of the novel. The companion provides English-speaking readers—whether they are simply dipping into this novel or intent on a deep analysis of this masterpiece—with the cultural context to enjoy the story and understand its world. The book is keyed to David Hawkes and John Minford’s English translation of The Story of the Stone and includes an index that gives the original Chinese names and terms. Susan Chan Egan is an independent scholar. She is the author of A Latterday Confucian: Reminiscences of William Hung (1893–1980) (1987), coauthor of A Pragmatist and His Free Spirit: The Half-Century Romance of Hu Shi and Edith Clifford Williams (2009), and cotranslator of Wang Anyi’s The Song of Everlasting Sorrow: A Novel of Shanghai (Columbia, 2008), among other books. Pai Hsien-yung (Bai Xianyong) is an acclaimed fiction writer and a professor emeritus of East Asian languages and cultural studies at the University of California, Santa Barbara. His books include Taipei People (1971) and Crystal Boys (1983). He has taught The Story of the Stone for decades and is the author of a popular three-volume guide in Chinese on which this book is based. Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In What John Knew and What John Wrote: A Study in John and the Synoptics (Fortress, 2020), Wendy E. S. North investigates whether or not the author of John could have crafted his Gospel with knowledge of the Synoptics. Unlike previous approaches, which have usually treated the Gospel according to John purely as a piece of literature, this book undertakes a fresh approach by examining how John’s author reworks material that can be identified within his own text and also in the Jewish Scriptures. An assessment of these techniques allows North then to compare the Gospel of John with its Synoptic equivalents, and to conclude at last that John indeed worked with the knowledge of the Synoptic texts at certain points. Wendy E. S. North is a honorary research fellow in the department of theology and religion at the University of Durham. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at [email protected] and follow him on Twitter @JTRhardt Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shozan Jack Haubner is the pen name of a Zen monk whose essays have appeared in The Sun, Tricycle, Buddhadharma, and the New York Times, as well as in the Best Buddhist Writing series. His book Zen Confidential: Confessions of a Wayward Monk is the winner of a 2012 Pushcart Prize. His most recent book, Single White Monk: Tales of Death, Failure, and Bad Sex (Although Not necessarily in that Order) is out now from Shambhala Publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar. The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling of putting on a costume or a mask, as well as what Du Bois called "double consciousness." In conclusion, we followed the old ND custom of asking Charlie about treats that sustain him while writing. Later, we reached out with this season's question about what new talent he'd love to acquire miraculously. He had a lightning-fast response: "the ability to stop myself from saying a thing I already know I will regret. I would use this on a daily, if not hourly, basis." Mentioned: Dale Carnegie How to Win Friends and Influence People (1936) W. E. B. Du Bois on "double consciousness" (and so much more): Souls of Black Folk (1903) Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Harsh conditions, intense isolation, and acute danger inevitably impacted the making and communicating eighteenth-century scientific knowledge leading up to the first International Polar Year in 1882. In her new book, Explorations in the Icy North: How Travel Narratives Shaped Arctic Science in the Nineteenth Country (University of Pittsburgh Press, 2021), Nanna Katrine Lüders Kaalund demonstrates the instability of nineteenth-century scientific practices and the challenges of producing travel narratives about the harsh Arctic field by comparing an array of transnational arctic travel narratives, including British, Danish, Canadian, American, and indigenous perspectives. On their return to the metropole, explorers and their backers discovered that organizing and controlling perceptions of their venture became as tricky to navigate as the expeditions themselves. Noting the ambivalent relationship among religion, commerce, and scientific interests, Explorations in the Icy North examines tensions between the types of scientific results expected from exploratory missions based on differing focuses of trading companies and religious missions. Uncovering the transnational nature of Arctic exploration, Kaalund reveals how far beyond the metropole explorations and the narratives that followed ultimately influenced the understanding of field science, helping to establish Western perspectives about the arctic. While grappling with issues of institutionalization and professionalization of science, Explorations in the Icy North provides meaningful insight, explaining the need for research stations created by the end of the century while detailing the significance of public consumption of science through the lens of the travel narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process. The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social justice) warriors. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For this episode, I met historian and writer Dr. Lydia Pyne. She is author of Postcards: The Rise and Fall of the World’s First Social Network (Reaktion, 2021).. Postcards is a global exploration of postcards as artifacts at the intersection of history, science, technology, art, and culture. Postcards are usually associated with banal holiday pleasantries, but they are made possible by sophisticated industries and institutions, from printers to postal services. When they were invented, postcards established what is now taken for granted in modern times: the ability to send and receive messages around the world easily and inexpensively. Fundamentally they are about creating personal connections—links between people, places, and beliefs. Lydia Pyne examines postcards on a global scale, to understand them as artifacts that are at the intersection of history, science, technology, art, and culture. In doing so, she shows how postcards were the first global social network and also, here in the twenty-first century, how postcards are not yet extinct. Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show in Permanent Crisis: The Humanities in a Disenchanted Age (U Chicago Press, 2021), this crisis isn’t new—in fact, it’s as old as the humanities themselves. Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world. Paul Reitter is professor of Germanic languages and literatures at the Ohio State University. He is the author and editor of many books, including The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-de-Siecle Europe. Chad Wellmon is professor of German studies and history at the University of Virginia. He is the author and editor of many books, The Rise of the Research University: A Sourcebook and Organizing Enlightenment: Information Overload and the Invention of the Modern Research University. Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Faulkner, one of America's most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance--his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South--demanding that we reevaluate the Nobel laureate's life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words: William Faulkner's Civil War (Liveright Publishing, 2020) argues that even despite these contradictions--and perhaps because of them--William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner's biography and his literary characters, Gorra illuminates what Faulkner maintained was "the South's curse and its separate destiny," a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South's revanchism. Driven by currents of violence, a "Lost Cause" romanticism not only defined Faulkner's twentieth century but now even our own age. Through Gorra's critical lens, Faulkner's mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America's history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, "was" and "again." Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that "the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning." Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra's travels through the South--including Faulkner's Oxford, Mississippi--and commentaries on Faulkner's fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Sweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Larissa Fasthorse's new collection of plays includes the wildly successful plays The Thanksgiving Play/What Would Crazy Horse Do? (Theatre Communications Group, 2021). In both plays, Fasthorse explores issues facing contemporary Native Americans, but also white America's complicated self-identity in an era of multiculturalism. In The Thanksgiving Play, four white people with varying degrees of theatre experience try to stage a historically sensitive Thanksgiving pageant for a local school, with predictably disastrous results. What Would Crazy Horse Do? features the last two members of a fictional tribe who are forced to confront uncomfortable aspects of their own history when they learn that their grandfather participated in a reenactment of a powwow as part of a Klan rally. This gut-churning play reveals the fallacy of any ideology of racial purity, whether involving whites, indigenous peoples, or any other group. Together, these two plays are a riotously funny but ultimately unsettling look at contemporary politics of race and representation. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies