New Books in Literary Studies

Welcome to High Theory! High Theory is a podcast in which we get high on the substance of theory. And we ask the three standard questions, to each other, and our guests. We invite you to listen and learn, and think critically! This podcast comes at difficult ideas from the academy with irreverence. Wikipedia says that “critical theory” is “the reflective assessment and critique of society and culture in order to reveal and challenge power structures,” which suggests a rather serious subject, but we think theory is hardly dense and somber and sober. In these times, we need to love, and finding the buzz of curiosity and delight in critical thinking, we want to bring that joy to you. We aim to distill some solid points from our ramblings. We are looking at theory differently, and making pretty wild connections. Like maybe having and loving a dog will make you a better activist. Or hating on Humbert Humbert might help you sift through fake news. If you have an idea you would like us to talk about, let us know! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the hills north of Rome about a month ago I met a woman, a writer, so blown away by her Dottoressa, her psychoanalyst, that she announced to the surprise of all around her (surprised I want to add that she was in analysis in the first place) that she was writing a book about her treatment. I thought of H.D. I thought of Alison Bechdel. Then I thought of Emma Lieber. The Writing Cure (Bloomsbury, 2020), Lieber’s first book, is a hybrid text—equal parts the work of an analysand, a new clinician, a scholar of Russian literature, and a divorcing mother. It is also the work of a Lacanian-influenced analyst whose analytic credential comes from an institute not especially associated with the work of Lacan; as such, the book functions as a kind of “pass”, a representation of what it is that the author wants to present to a community of analysts who she hopes will see her as a peer. Her writing is creaturely by which I mean her words are close to the ground. She is funny. She is droll. She takes you into a nook and a cranny and your heart breaks. Always almost conversational, until she stops talking to you. The result is very beautiful and elusive. Her voice is precisely that: hers. She reveals but also conceals. The reader could want more. The reader could want less. But the reader is left wanting. How else can an analyst write about her own treatment but to tell the truth only to also tell it (a la E. Dickinson) a tad slant? Embracing auto-theory as a burgeoning psychoanalyst is no simple task. Lieber refers to certain writers bearing this hyphenated moniker, among them Maggie Nelson, Paul Preciado and Barbara Browning but not her own analyst who is known for her use of the same genre. Of course reading about an analysis—like watching two people fuck in a car—can feel prurient: “I didn’t mean to look but then I could not turn away.” Lieber nevertheless finds a way to circumvent our voyeuristic wishes. We meet her and then again, we are left wondering; we are left to wonder—which is kind of perfect for a book written by an analyst about her analysis—about her. She remains through her final written utterances, a powerful transference-magnet. Tracy Morgan is the founding editor of NBiP and in private practice in NYC and Rome, Italy She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shola von Reinhold is the author of LOTE, a novel about getting lost in the archives and finding what the archives have lost. LOTE won the 2021 James Tait Black prize so who better to join Shola on Novel Dialogue than Ben Bateman of Edinburgh University, lead judge of the prize committee? This conversation takes listeners back to all yesterday’s parties as Shola, Ben, and Aarthi time travel to the Harlem Renaissance and the interwar modernist era. Shola offers up Richard Bruce Nugent as their current figure of fascination (or “transfixion” to use a key image from LOTE), and wonders what it would have been like to move through Harlem and London by Nugent’s side. Recovering the stories of black writers and artists is essential to Shola’s literary project. It is also inseparable from restoring queerness to the once hyper-masculine and “muscular” paradigm of modernism. In a stirring discussion of the aesthetic forms and moods of historical recovery, Ben and Shola sink into the “purpleness” of the fin-de-siècle and explore the critical power of black sensuousness. Talk of decadence, ornamentality, and frivolity shapes the latter half of this episode, and Doris Payne, the West Virginian jewel thief, emerges as an exquisitely improbable modernist heroine! Mentioned in this episode: -Richard Bruce Nugent -Dorothy Heyward and DuBose Heyward, Porgy -E.M. Forster -David Levering Lewis, When Harlem was in Vogue -Saidiya Hartman -Benjamin Kahan, The Book of Minor Perverts -James Joyce, Ulysses -Willa Cather, “Paul’s Case” -Ornamentality via Kant, Hegel, and Adolf Loos -Susan Sontag -Doris Payne – a.k.a “Diamond Doris” -Édouard Glissant Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean. Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Antarcticness: Inspirations and Imaginaries (UCL Press, 2022) edited by Ilan Kelman Antarcticness joins disciplines, communication approaches, and ideas to explore meanings and depictions of Antarctica. Personal and professional words in poetry and prose, plus images, present and represent Antarctica, as presumed and as imagined, alongside what is experienced around the continent and by those watching from afar. These understandings explain how the Antarctic is viewed and managed while identifying aspects that should be more prominent in policy and practice. The authors and artists place Antarctica, and the perceptions and knowledge through Antarcticness, within inspirations and imaginations, without losing sight of the multiple interests pushing the continent’s governance as it goes through rapid political and environmental changes. Given the diversity and disparity of the influences and changes, the book’s contributions connect to provide a more coherent and encompassing perspective of how society views Antarctica, scientifically and artistically, and what the continent provides and could provide politically, culturally, and environmentally. Offering original research, art, and interpretations of different experiences and explorations of Antarctica, explanations meld with narratives while academic analyses overlap with first-hand experiences of what Antarctica does and does not – could and could not – bring to the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Literature in Motion: Translating Multilingualism Across the Americas (Columbia University Press, 2022), Ellen C. Jones centers not just translation but multilingualism as both an artistic practice and scholarly lens through which to examine the production and reception of literature across the Americas. Focusing on writers who use mixed language forms such as “Spanglish,” “Portunhol,” and “Frenglish,” she shows how these authors and their translators use multilingualism to disrupt binaries and hierarchies in language, gender, and literary production itself. In this episode of NBN, Ellen Jones discusses the complex relationship and perceived tensions between translation and multilingualism, the sociopolitical forces that have shaped the status of multilingualism within the United States, her experience translating Susana Chávez-Silverman’s multilingual writing, multilingualism as queer practice in Giannina Braschi’s Yo-Yo Boing! and Tess O’Dwyer’s English-only translation of Yo-Yo Boing!, indigenous multilingualism in Wilson Bueno’s Mar Paraguayo and its public life as an art exhibition by Andrew Forster in collaboration with translator Erín Moure, the collaborative joy of editing special issues on multilingualism for the literary journal Asymptote, and more. Tune in to learn about all this and more! Ellen C. Jones is a literary translator, writer, and editor based in Mexico City. Jennifer Gayoung Lee is a writer and data analyst based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award. Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipient of the Massachusetts Cultural Council Fellowship and the City of Boston Artist Fellowship. She teaches creative writing at GrubStreet and at Massachusetts College of Art and Design. Read Shubha’s story in The Common at thecommononline.org/a-very-full-day. Read more at shubhasunder.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth’s new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth’s clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser’s address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence. B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We don’t think of Canada as a republic. Even in its modern and vibrantly multi-cultural form, there is something monarchical about the place. The Queen appears on every coin, on the $20 bill, and pretty often in portrait form, placed over the home team’s net in hockey rinks from coast to coast. Politically, Canada’s status as a constitutional monarchy shapes a collective identity that prizes political moderation, consensus, and that strives for egalitarian values. But there was a time when Canada might have taken a republican turn. Between 1837 and 1867 – a period bracketed by rebellion and Confederation – a group of writers debated the virtues of American-style republican government versus British constitutional monarchy. In these discussions, American culture and political institutions were a dominant frame of reference. In Between Empire and Republic: America in the Colonial Canadian Imagination (Lexington, 2022), Oana Godeanu-Kenworthy employs three Anglophone authors – John Richardson, Susanna Moodie and Thomas Chandler Haliburton - as a lens that helps us to understand a period of possible political futures as states formed in the wake of revolution, and Canada defined itself in contrast to its southern neighbor. About the author: Oana Godeanu-Kenworthy is Associate Teaching Professor in the Department of Global & Intercultural Studies at Miami University (Ohio). See also: “Canada has long feared the chaos of US Politics”, The Conversation (8 March 2022) About the host: Charles Prior is Head of the School of Humanities and Reader in History at the University of Hull (UK). He co-leads the Treatied Spaces Research Group. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode I talk with Daniel Y. Kim, Associate Professor of English and American Studies at Brown University, about his 2020 book Intimacies of Conflict: Cultural Memory and the Korean War, published by New York University Press. Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal—but often unacknowledged—consequences of the Korean War in both domestic and transnational histories of race. Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association. Adhy Kim is a doctoral candidate in Comparative Literature at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When I Grow Up, the latest graphic nonfiction narrative from New Yorker cartoonist Ken Krimstein, is based on six of hundreds of newly discovered, never-before-published autobiographies of Eastern European Jewish teenagers. These autobiographies, submitted in a writing contest, were hidden away at the outbreak of World War II, and were only discovered seven decades later. In When I Grow Up, the author brings these stories, their authors, and their entire world, to life. David Gottlieb is the Director of Jewish Studies at the Spertus Institute for Jewish Learning and Leadership in Chicago. He is the author of Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A Companion to The Story of the Stone: A Chapter-by-Chapter Guide (Columbia UP, 2021), co-authored by Susan Chan Egan and Pai Hsien-yung (Columbia University Press, 2021), is a straightforward guide to the Chinese literary classic, The Story of the Stone (also known as Dream of the Red Chamber), that was written at a time when readers had plenty of leisure to sort through the hundreds of characters and half a dozen subplots that weave in and out of the book’s 120 chapters. The Story of the Stone is widely held to be the greatest work of Chinese literature, beloved by readers ever since it was first published in 1791. The story revolves around the young scion of a mighty clan who, instead of studying for the civil service examinations, frolics with his maidservants and girl cousins. The narrative is cast within a mythic framework in which the protagonist’s rebellion against Confucian strictures is guided by a Buddhist monk and a Taoist priest. Embedded in the novel is a biting critique of imperial China’s political and social system. Each chapter of A Companion to The Story of the Stone: A Chapter-by-Chapter Guide summarizes and comments on each chapter of the novel. The companion provides English-speaking readers—whether they are simply dipping into this novel or intent on a deep analysis of this masterpiece—with the cultural context to enjoy the story and understand its world. The book is keyed to David Hawkes and John Minford’s English translation of The Story of the Stone and includes an index that gives the original Chinese names and terms. Susan Chan Egan is an independent scholar. She is the author of A Latterday Confucian: Reminiscences of William Hung (1893–1980) (1987), coauthor of A Pragmatist and His Free Spirit: The Half-Century Romance of Hu Shi and Edith Clifford Williams (2009), and cotranslator of Wang Anyi’s The Song of Everlasting Sorrow: A Novel of Shanghai (Columbia, 2008), among other books. Pai Hsien-yung (Bai Xianyong) is an acclaimed fiction writer and a professor emeritus of East Asian languages and cultural studies at the University of California, Santa Barbara. His books include Taipei People (1971) and Crystal Boys (1983). He has taught The Story of the Stone for decades and is the author of a popular three-volume guide in Chinese on which this book is based. Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shozan Jack Haubner is the pen name of a Zen monk whose essays have appeared in The Sun, Tricycle, Buddhadharma, and the New York Times, as well as in the Best Buddhist Writing series. His book Zen Confidential: Confessions of a Wayward Monk is the winner of a 2012 Pushcart Prize. His most recent book, Single White Monk: Tales of Death, Failure, and Bad Sex (Although Not necessarily in that Order) is out now from Shambhala Publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In What John Knew and What John Wrote: A Study in John and the Synoptics (Fortress, 2020), Wendy E. S. North investigates whether or not the author of John could have crafted his Gospel with knowledge of the Synoptics. Unlike previous approaches, which have usually treated the Gospel according to John purely as a piece of literature, this book undertakes a fresh approach by examining how John’s author reworks material that can be identified within his own text and also in the Jewish Scriptures. An assessment of these techniques allows North then to compare the Gospel of John with its Synoptic equivalents, and to conclude at last that John indeed worked with the knowledge of the Synoptic texts at certain points. Wendy E. S. North is a honorary research fellow in the department of theology and religion at the University of Durham. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at [email protected] and follow him on Twitter @JTRhardt Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar. The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling of putting on a costume or a mask, as well as what Du Bois called "double consciousness." In conclusion, we followed the old ND custom of asking Charlie about treats that sustain him while writing. Later, we reached out with this season's question about what new talent he'd love to acquire miraculously. He had a lightning-fast response: "the ability to stop myself from saying a thing I already know I will regret. I would use this on a daily, if not hourly, basis." Mentioned: Dale Carnegie How to Win Friends and Influence People (1936) W. E. B. Du Bois on "double consciousness" (and so much more): Souls of Black Folk (1903) Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process. The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social justice) warriors. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Harsh conditions, intense isolation, and acute danger inevitably impacted the making and communicating eighteenth-century scientific knowledge leading up to the first International Polar Year in 1882. In her new book, Explorations in the Icy North: How Travel Narratives Shaped Arctic Science in the Nineteenth Country (University of Pittsburgh Press, 2021), Nanna Katrine Lüders Kaalund demonstrates the instability of nineteenth-century scientific practices and the challenges of producing travel narratives about the harsh Arctic field by comparing an array of transnational arctic travel narratives, including British, Danish, Canadian, American, and indigenous perspectives. On their return to the metropole, explorers and their backers discovered that organizing and controlling perceptions of their venture became as tricky to navigate as the expeditions themselves. Noting the ambivalent relationship among religion, commerce, and scientific interests, Explorations in the Icy North examines tensions between the types of scientific results expected from exploratory missions based on differing focuses of trading companies and religious missions. Uncovering the transnational nature of Arctic exploration, Kaalund reveals how far beyond the metropole explorations and the narratives that followed ultimately influenced the understanding of field science, helping to establish Western perspectives about the arctic. While grappling with issues of institutionalization and professionalization of science, Explorations in the Icy North provides meaningful insight, explaining the need for research stations created by the end of the century while detailing the significance of public consumption of science through the lens of the travel narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For this episode, I met historian and writer Dr. Lydia Pyne. She is author of Postcards: The Rise and Fall of the World’s First Social Network (Reaktion, 2021).. Postcards is a global exploration of postcards as artifacts at the intersection of history, science, technology, art, and culture. Postcards are usually associated with banal holiday pleasantries, but they are made possible by sophisticated industries and institutions, from printers to postal services. When they were invented, postcards established what is now taken for granted in modern times: the ability to send and receive messages around the world easily and inexpensively. Fundamentally they are about creating personal connections—links between people, places, and beliefs. Lydia Pyne examines postcards on a global scale, to understand them as artifacts that are at the intersection of history, science, technology, art, and culture. In doing so, she shows how postcards were the first global social network and also, here in the twenty-first century, how postcards are not yet extinct. Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show in Permanent Crisis: The Humanities in a Disenchanted Age (U Chicago Press, 2021), this crisis isn’t new—in fact, it’s as old as the humanities themselves. Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world. Paul Reitter is professor of Germanic languages and literatures at the Ohio State University. He is the author and editor of many books, including The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-de-Siecle Europe. Chad Wellmon is professor of German studies and history at the University of Virginia. He is the author and editor of many books, The Rise of the Research University: A Sourcebook and Organizing Enlightenment: Information Overload and the Invention of the Modern Research University. Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Faulkner, one of America's most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance--his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South--demanding that we reevaluate the Nobel laureate's life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words: William Faulkner's Civil War (Liveright Publishing, 2020) argues that even despite these contradictions--and perhaps because of them--William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner's biography and his literary characters, Gorra illuminates what Faulkner maintained was "the South's curse and its separate destiny," a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South's revanchism. Driven by currents of violence, a "Lost Cause" romanticism not only defined Faulkner's twentieth century but now even our own age. Through Gorra's critical lens, Faulkner's mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America's history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, "was" and "again." Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that "the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning." Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra's travels through the South--including Faulkner's Oxford, Mississippi--and commentaries on Faulkner's fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Sweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Larissa Fasthorse's new collection of plays includes the wildly successful plays The Thanksgiving Play/What Would Crazy Horse Do? (Theatre Communications Group, 2021). In both plays, Fasthorse explores issues facing contemporary Native Americans, but also white America's complicated self-identity in an era of multiculturalism. In The Thanksgiving Play, four white people with varying degrees of theatre experience try to stage a historically sensitive Thanksgiving pageant for a local school, with predictably disastrous results. What Would Crazy Horse Do? features the last two members of a fictional tribe who are forced to confront uncomfortable aspects of their own history when they learn that their grandfather participated in a reenactment of a powwow as part of a Klan rally. This gut-churning play reveals the fallacy of any ideology of racial purity, whether involving whites, indigenous peoples, or any other group. Together, these two plays are a riotously funny but ultimately unsettling look at contemporary politics of race and representation. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An interview with Allegra Hyde, author of Eleutheria (Vintage, 2020), a debut novel about an idealist who comes face to face with the allure and pitfalls of utopian eco-communities. Allegra and I discuss the need for hopeful narratives of a possible future in an age of climate disaster, and how and why art is poised to craft those narratives. We talk about the “stench of perfectionism” that invades some intentional communities, the pleasures of dumpster-diving with Freegans, the beautiful art of terrarium making, trying to live the solution when the world isn’t listening, and so much more. Books Recommended in this episode: Alexandra Kleeman, Something New Under the Sun Lydia Millet, A Children’s Bible Matt Bell, Appleseed Amitav Gosh, The Great Derangement Andreas Malm, How to Blow Up a Pipeline Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dinty W. Moore is author of The Accidental Buddhist and The Mindful Writer. He is a professor of nonfiction writing at Ohio University, the editor of Brevity Magazine, and lives in Athens, Ohio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, which he based on a popular millennium-old tale, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband's affections. Theft of a Tree recounts how Krishna stole the pārijāta, a wish-granting tree, from the garden of Indra, king of the gods. Krishna does so to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, Krishna plants the tree for Satyabhama--but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness. The poem's narrative unity, which was unprecedented in the literary tradition, prefigures the modern Telugu novel. Theft of a Tree is presented here in the Telugu script alongside the first English translation. Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eliza Jane Smith's Literary Slumming: Slang and Class in Nineteenth-Century France (Lexington Books, 2021) applies a sociolinguistic approach to the representation of slang in French literature and dictionaries to reveal the ways in which upper-class writers, lexicographers, literary critics, and bourgeois readers participated in a sociolinguistic concept the author refers to as "literary slumming", or the appropriation of lower-class and criminal language and culture. Through an analysis of spoken and embodied manifestations of the anti-language of slang in the works of Eugène François Vidocq, Honoré de Balzac, Eugène Sue, Victor Hugo, the Goncourt Brothers, and Émile Zola, Literary Slumming argues that the nineteenth-century French literary discourse on slang led to the emergence of this sociolinguistic phenomenon that prioritised lower-class and criminal life and culture in a way that ultimately expanded class boundaries and increased visibility and agency for minorities within the public sphere. Pallavi Joshi is a PhD student in French Studies at the University of Warwick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Mahabharata is one of the central works of Indian literature—its characters, lessons, and tropes are widely known and referenced in Indian popular culture, literary discussions and political debate. And like all classic works, it’s ripe for reinterpretations, deconstructions and adaptations. One such reinterpretation is Song of Draupadi (Aleph Book Company, 2021), written by Ira Mukhoty. Ira’s book puts the Mahabhrata’s female characters front and center, focusing the story around their struggles and their strengths in fighting for themselves—and the men they have to care for. Ira Mukhoty is the author of several books about India and Indian women throughout history, including Heroines: Powerful Indian Women of Myth and History (Aleph Book Company: 2017), Daughters of the Sun: Empresses, Queens and Begums of the Mughal Empire (Aleph Book Company: 2018), and Akbar: The Great Mughal (Aleph Book Company: 2020). Ira can be followed on Twitter at @mukhoty, and on Instagram at @iramukhoty. We’re also joined by Mariyam Haider, researcher-writer and spoken word artist in Singapore. Today, the three of us will talk about the Mahabharata, and how Song of Draupadi reinterprets its story and central characters. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Song of Draupadi. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ruth Ozeki, whose most recent novel is The Book of Form and Emptiness, speaks with critic Rebecca Evans and guest host Emily Hyde. This is a conversation about talking books, the randomness and serendipity of library shelves, and what novelists can learn in the editing room of a movie like Mutant Hunt. Ozeki is an ordained Zen Buddhist priest, and her novels unfold as warm-hearted parables that have been stuffed full of the messiness of contemporary life. The Book of Form and Emptiness telescopes from global supply chains to the aisles of a Michaels craft store and from a pediatric psychiatry ward to the enchanted stacks of the public library. The exigencies of environmental storytelling arch over this conversation. Evans asks Ozeki questions of craft (how to move a story through time, how to bring it to an end) that become questions of practice (how to listen to the objects stories tell, how to declutter your sock drawer). And we learn Ozeki’s theory of closure: her novels always pull together at the end so that readers are free to continue pondering the questions they raise. Mentioned in this episode: Mutant Hunt, directed by Tim Kinkaid (1987) My Year of Meats, Ruth Ozeki (1998) All Over Creation, Ruth Ozeki (2003) The Book of Form and Emptiness, Ruth Ozeki (2021) The Life-Changing Magic of Tidying Up, Marie Kondo (2014) Aarthi Vadde is Associate Professor of English at Duke University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in Index, a History of The: A Bookish Adventure from Medieval Manuscripts to the Digital Age (W.W. Norton & Company, 2022), hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Would a claim that human possession and property rights as merely temporary seem outlandish to a 21st-century thinker? How would this idea be received in Early Modern England? In today's NBN podcast, Dr. Erin Drew addresses this question in our discussion about her new book: The Usufructuary Ethos: Power, Politics, and Environment in the Long Eighteenth Century (University of Virginia Press, 2021). Using an environmental lens to analyze popular theology, moral philosophy, law, Drew also uses the poetry of John Evelyn, Anne Finch, John Philips, John Dyer, and James Grainger to deconstruct usufruct's legacy as a moral relationship between humans and their environments in late seventeenth- and early eighteenth England. During this period, "usufruct" appears as a common point of reference and comparison across philosophical, devotional, legal, and literary discussions of the ethical parameters of possessions, use, and power. Care for trees, for example, and ecologically represent literal connections among other beings and across generations if landlords acted as responsible stewards. By laying out the structure and implications of usufruct as an environmental ethic and its role in English discourse, Dr. Drew brings to light a subversive threat to an eighteenth-century English culture that proves surprisingly conservationist while drawing attention to parallels with contemporary environmental thought and assumption. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Sequoia Nagamatsu about his novel How High We Go in the Dark (William Morrow, 2022). In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus. Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resilience of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Zhao Feiyan (45-1 BCE), the second empress appointed by Emperor Cheng of the Han dynasty (207 BCE-220 CE), was born in slavery and trained in the performing arts, a background that made her appointment as empress highly controversial. Subsequent persecution by her political enemies eventually led to her being forced to commit suicide. After her death, her reputation was marred by accusations of vicious scheming, murder of other consorts and their offspring, and relentless promiscuity, punctuated by bouts of extravagant shopping. The Empress in the Pepper Chamber: Zhao Feiyan in History and Fiction (University of Washington Press, 2021), the first book-length study of Zhao Feiyan and her literary legacy, includes a complete translation of The Scandalous Tale of Zhao Feiyan (Zhao Feiyan waizhuan), a Tang dynasty (618-907 CE) erotic novella that describes in great detail the decadent lifestyle enjoyed by imperial favorites in the harem of Emperor Cheng. This landmark text was crucial for establishing writings about palace women as the accepted forum for discussing sexual matters, including fetishism, obsession, jealousy, incompatibility in marriage, and so on. Using historical documentation, Olivia Milburn reconstructs the evolution of Zhao Feiyan's story and illuminates the broader context of palace life for women and the novella's social influence. There are surprisingly few books about empresses, and even fewer about the history of emotions in premodern China. This book delivers both while at the same providing really satisfying textual criticism on the source material and its legacy stretching across multiple dynasties, and giving us a great primary source in translation. A great piece of research for those engaging with gender history, literature, and explorations of where history and fiction meet and diverge. Lance Pursey is a postdoctoral research fellow at the University of Aberdeen. He works on the history and archaeology of the Liao dynasty, and therefore is drawn to complicated questions of identity in premodern China like a moth is drawn to flame. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Islam's fourth caliph, Ali, can be considered one of the most revered figures in Islamic history. His nearly universal portrayal in Muslim literature as a pious authority obscures centuries of contestation and the eventual rehabilitation of his character. In Opposing the Imam: The Legacy of the Nawasib in Islamic Literature (Cambridge University Press, 2021), Nebil Husayn, Assistant Professor of Religious Studies at the University of Miami, examines the enduring legacy of the nawasib, early Muslims who disliked Ali and his descendants. The nawasib participated in politics and scholarly discussions on religion at least until the ninth century. However, their virtual disappearance in Muslim societies has led many to ignore their existence and the subtle ways in which their views subsequently affected Islamic historiography and theology. By surveying medieval Muslim literature across multiple genres and traditions including the Sunni, Mu'tazili, and Ibadi, Husayn reconstructs the claims and arguments of the nawasib and illuminates the methods that Sunni scholars employed to gradually rehabilitate the image of Ali from a villainous character to a righteous one. In our conversation we discussed approaching early Muslim sources, the spectrum of anti-ʿAlid positions, Ibn Taymiyya’s take, the rehabilitation of 'Ali, and the legacy of anti-ʿAlid sentiment within Sunni theology. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Information Revolution in Early Modern Europe (Cambridge University Press, 2021), Dr. Paul Dover argues that changes in the generation, preservation and circulation of information, chiefly on newly available and affordable paper, constituted an 'information revolution'. In commerce, finance, statecraft, scholarly life, science, and communication, early modern Europeans were compelled to place a new premium on information management. Dr. Dover argues that “paper, as never before, became the transactional medium; the repository of personal, communal, and institutional memory; the avenue of communication; the lifeblood of bureaucracies; and the foundation and residue of learning. Early modern Europeans, whether or not they sought to, and whether or not they were pleased with or trusted the new reality, put paper inscribed with text at the centre of their lives.” He argues that these developments had a profound and transformative impact on European life. The book focuses on “two related and simultaneous developments in early modern Europe: the great increase in information created and circulating in European society, largely rendered on paper, and the accompanying efforts to manage and make sense of it, also chiefly via paper.” The huge expansion in paper records and the accompanying efforts to store, share, organize and taxonomize them are intertwined with many of the essential developments in the early modern period, including the rise of the state, the Print Revolution, the Scientific Revolution, and the Republic of Letters. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stephanie Khattak speaks with Dr. Linda Legarde Grover, an award-winning author whose latest book interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior in Duluth, Minnesota: Gichigami Hearts: Stories and Histories from Misaabekong (U Minnesota Press, 2021) Dr. Grover is an Anishinaabe novelist and short story writer. She is a professor of American Indian Studies at the University of Minnesota Duluth and a member of the Bois Forte Band of Ojibwe. Her work, which spans fiction, nonfiction, and poetry, recounts stories of Ojibwe life in northeastern Minnesota individuals, families and communities set against the backdrop of indigenous tradition and impacts of historical and current events. In this interview, Dr. Grover shares the importance of stories and folklore traditions; her perspective as a scholar and storyteller, and the intrinsic value of maintaining - and strengthening - connections with people, places and communities beyond ourselves. Stephanie Khattak is a writer, artist, historian and folklore enthusiast. Visit stephaniekhattak.com to learn more, and connect on Twitter: @steph_khattak, Facebook: @khattakstudios or Instagram: @pinecurtainproject. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Women Writing Jewish Modernity, 1919–1939 (Northwestern UP, 2021), Allison Schachter rewrites Jewish literary modernity from the point of view of women. Focusing on works by interwar Hebrew and Yiddish writers, Schachter illuminates how women writers embraced the transgressive potential of prose fiction to challenge the patriarchal norms of Jewish textual authority and reconceptualize Jewish cultural belonging. Born in the former Russian and Austro‑Hungarian Empires and writing from their homes in New York, Poland, and Mandatory Palestine, the authors central to this book—Fradl Shtok, Dvora Baron, Elisheva Bikhovsky, Leah Goldberg, and Debora Vogel—seized on the freedoms of social revolution to reimagine Jewish culture beyond the traditionally male world of Jewish letters. The societies they lived in devalued women’s labor and denied them support for their work. In response, their writing challenged the social hierarchies that excluded them as women and as Jews. As she reads these women, Schachter upends the idea that literary modernity was a conversation among men about women, with a few women writers listening in. Women writers revolutionized the very terms of Jewish fiction at a pivotal moment in Jewish history, transcending the boundaries of Jewish minority identities. Schachter tells their story and in so doing calls for a new way of thinking about Jewish cultural modernity. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Gilded Age Manhattan, Catholic, Jewish, and Protestant leaders agonized over the fate of traditional religious practice amid chaotic and multiplying pluralism. Massive immigration, the anonymity of urban life, and modernity’s rationalism, bureaucratization, and professionalization seemingly eviscerated the sense of religious community. Yet fears of religion’s demise were dramatically overblown. Jon Butler finds a spiritual hothouse in the supposed capital of American secularism. By the 1950s Manhattan was full of the sacred. Catholics, Jews, and Protestants peppered the borough with sanctuaries great and small. Manhattan became a center of religious publishing and broadcasting and was home to august spiritual reformers from Reinhold Niebuhr to Abraham Heschel, Dorothy Day, and Norman Vincent Peale. A host of white nontraditional groups met in midtown hotels, while black worshippers gathered in Harlem’s storefront churches. Though denied the ministry almost everywhere, women shaped the lived religion of congregations, founded missionary societies, and, in organizations such as the Zionist Hadassah, fused spirituality and political activism. And after 1945, when Manhattan’s young families rushed to New Jersey and Long Island’s booming suburbs, they recreated the religious institutions that had shaped their youth. God in Gotham: The Miracle of Religion in Modern Manhattan (Harvard UP, 2020) portrays a city where people of faith engaged modernity rather than foundered in it. Far from the world of “disenchantment” that sociologist Max Weber bemoaned, modern Manhattan actually birthed an urban spiritual landscape of unparalleled breadth, suggesting that modernity enabled rather than crippled religion in America well into the 1960s. Jon Butler is Howard R. Lamar Emeritus Professor of American Studies, History, and Religious Studies at Yale University and Research Professor of History at the University of Minnesota. His books include the Los Angeles Times bestseller Becoming America and the prizewinning Awash in a Sea of Faith and The Huguenots in America. He is a past president of the Organization of American Historians. Justin McGeary is Directory of Christian Studies at John Witherspoon College and a graduate student at Union School of Theology, Wales. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shakespeare’s plays enjoy a great deal of popularity across the world, yet most of us study Shakespeare's local productions and scholarship. Shakespeare & East Asia (Oxford University Press, 2021) addresses this gap through a wide-ranging analysis of stage and film adaptations related to Japan, South Korea, China, Singapore, and Taiwan. The book builds on Alexa Alice Joubin’s already extensive publication record regarding the circulation of Shakespeare’s plays in East Asia. In particular, it expands on her previous book, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009). Shakespeare & East Asia focuses on post-1950 adaptations that were produced in, distributed across, or associated with East Asia. Joubin offers a nuanced view of what it means to think about Shakespeare and East Asia by carefully considering the international circulation of various stagings and films. She identifies a quartet of characteristics that distinguish these adaptations: innovations in form, the use of Shakespeare for social critiques, the questioning of gender roles, and the development of global patterns of circulation. The varied body of Shakespearan adaptations she examines are alternately funny, dramatic, and thought-provoking, but never boring. Several of the works described in both the interview and the book are available online through the Global Shakespeares Video and Performance Archive. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently completing Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, a book about contemporary media and Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, Archiving Mexican Masculinities in Diaspora (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript. Dr. Nicole Guidotti-Hernández first came into contact with the highly-curated archives of these two historical flashpoints and saw what other scholars and public audiences were supposed to see, but, she writes, “Yet I also saw something else that was harder to put into words” (12-13). By exemplifying rigorous interdisciplinary research, she puts into words how migration structured and created feelings. Mexican men’s intimacies, emotions, and desires, as a result of separation, influenced their lives as political and economic subjects. Over 16 chapters and 290 pages, Guidotti-Hernández offers field-shifting contributions to Latinx Studies, histories of migration and labor, and Gender and Sexuality. Readers interested in Latinx feminist and queer approaches to history, and those interested in the history of Mexicans in the United States, should immediately get their copy of Archiving Mexican Masculinities in Diaspora. Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mary Norris, The New Yorker's Comma Queen and best-selling author of Between You & Me, has had a lifelong love affair with words. In Greek to Me: Adventures of the Comma Queen (Norton, 2020), she delivers a delightful paean to the art of self-expression through accounts of her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, and reveals the surprising ways in which Greek helped form English. Greek to Me is filled with Norris's memorable encounters with Greek words, Greek gods, Greek wine--and more than a few Greek men. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An interview with Jessamine Chan, author of The School for Good Mothers (Simon and Schuster, 2022), a debut novel about the current and future terrors of state-disciplined forms of motherhood. Jessamine and I discuss the genesis of this near-future dystopia, and how she never considers genre when writing. We talk about the deep well of ingrained ideologies about the mothering and protection of children against unseen dangers, the complicated layers of the novel’s Philadelphia settings, including the real-life campus that inspired the fictional school, surveillance of racial minorities by police and child protective services, and so much more. Jessamine Recommends: “Where is your mother?” The New Yorker “Foster Care as Punishment” The New York Times Kim Brooks, Small Animals Liz Moore, Long Bright River Katie Gutierrez, More than You’ll Ever Know Ling Ma, Severance Alyssa Songsiridej, Little Rabbit Chloe Cooper Jones, Easy Beauty Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Questions relating to immigration are among the most heated topics on both sides of the Atlantic. Western societies have changed dramatically because of large-scale immigration in the last decades. Christians are also engaged in the discussion, attempting to find direction from the biblical texts. Overwhelmingly, persons in leading positions (both in the secular world and in churches and faith-based organizations) support the concept of “welcoming the stranger.” The Bible is seen by them as urging us to open the borders as wide as we can. In the broader population, however, reservations remain. Markus Zehnder, a Bible professor who has witnessed mass-migration first-hand, both in Europe and in the U.S., and who has been a migrant himself for over twenty years, attempts to step back and look at the whole of the complex biblical witness, instead of cherry-picking passages that further a specific agenda. Join us as we talk with Markus Zehnder about his recent book: The Bible and Immigration: A Critical and Empirical Reassessment (Pickwick Publications, 2021) Markus Zehnder is Professor of Old Testament and Semitics at Talbot School of Theology, Professor of Old Testament at ETF Leuven in Belgium, and Professor of Biblical Studies at Ansgar Theological Seminary in Norway. He is the author of numerous publications, including New Studies in the Book of Isaiah. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Guest host Chris Holmes sits down with Booker Prize winning novelist Damon Galgut and Andrew van der Vlies, distinguished scholar of South African literature and global modernisms at the University of Adelaide, Australia. Andrew and Damon tunnel down into the structures of Damon’s newest novel, The Promise to locate the ways in which a generational family story reflects broadly on South Africa’s present moment. The two discuss how lockdowns during the Covid-19 pandemic invoke for some the limitations on movement during the Apartheid era in South Africa. The Promise is a departure from Damon’s previous two novels, which were peripatetic in their global movement and range. Damon describes the ways in which this novel operates cinematically, as four flashes of a family’s long history, with the disembodied narrator being the one on the move. Damon provocatively divides novels into two traditions: those that provide consolation, and those that can provide true insight on the world but must do so with a cold distance. While he does not call The Promise an allegory, Damon admits to the fun that he has with inside jokes that play with allegorical connections, as long as the reader is in on the joke. Damon directly takes on his choice to leave a pregnant absence in the narrative’s insight into his black characters “sitting at the very heart of the book.” Mentioned in this Episode: The Promise, Damon Galgut (2021) The Good Doctor, Damon Galgut (2004) The Conservationist, Nadine Gordimer (1974) No Time Like the Present, Nadine Gordimer (2012) Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

King Vajiravudh ruled over Siam from 1910 to 1925. He is widely known to Thais as a nationalist king who proposed an essential ‘Thainess’ through his myriad of writings. Yet contrary to popular expectations, King Vajiravudh’s attitude towards the West was nothing short of ambivalent. In fact, King Vajiravudh’s dynamic practice of translating works of Western literature into Thai points to strong bonds of affection towards Great Britain and France in particular. To explore this connection, Dr Natali Pearson is joined by Dr Faris Yothasamuth who argues that King Vajiravudh’s fascination with the West and Western discourses heavily influenced his management of the Kingdom of Siam, and in doing so, shaped the country’s national identity. Dr Faris Yothasamuth is a lecturer at the Department of Literature, Kasetsart University, Thailand. He received PhD in International Comparative Literature and Translation Studies from The University of Sydney in 2021. Faris’s research and teaching expertise is Thai literature. His research interests include literature and history, and translation in Thailand’s (semi)colonial contexts. Faris’s current research focuses on representations of the Orient in Western popular novels that were translated into Thai during the colonial era. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This conversation, first aired in July 2021, features Brandeis poet Elizabeth Bradfield, and the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014). Sean reads his “Musica Universalis in Fairbanks,” (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolds his ideas about birds, borders, houses and “who was here before me.” Mentioned in This Episode: C.S. Giscombe, Into and Out of Dislocation C.S. Giscombe, Giscome Road Lorine Neidecker, Lake Superior Italo Calvino, Invisible Cities Anne Carson, Plainwater William Vollmann, The Ice-Shirt Listen and Read: Read transcript here: Sean Hill on Bodies in Space and Time Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An interview with Hillary Jordan and Cheryl Lu-Lien Tan, editors of Anonymous Sex, a collection of 27 explicit sex stories unattributed to the 27 writers listed in the byline. Cheryl, Hillary, and I discuss how exactly you get writers like Louise Erdrich, Rebecca Makkai, Helen Oyeyemi, and Robert Olen Butler to contribute a story when the conceit is sex. We talk about the problem with stale erotica and the search for fresh language with which to talk about sex and desire, the necessity of understanding sex as culturally constructed, and so much more. Hillary Recommends: Michael Cunningham, Flesh and Blood ----. A Home at the End of the World Cheryl Recommends: Fumiko Enchi, Masks ----. The Waiting Years The Novels of Muriel Spark Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies