New Books in Literary Studies

“These United States are themselves the greatest poem.” When Walt Whitman wrote this line, he was an unknown Brooklyn newspaper man. But his work would transform American poetry and offer a new vision of American identity—one that was diverse, urban, and embodied. In this episode, Harvard professor Elisa New discusses Walt Whitman’s legacy. Elisa New is the Powell M. Cabot Professor of American Literature at Harvard University. She is the creator and host of the TV show Poetry in America, and author of The Line's Eye: Poetic Experience, American Sight and New England, Beyond Criticism: Rereading America's First Literature. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mohsin Hamid is the author of five novels -- The Last White Man, Exit West, How to Get Filthy Rich in Rising Asia, The Reluctant Fundamentalist, and Moth Smoke -- and a book of essays, Discontent and Its Civilizations. His writing has been translated into forty languages, featured on bestseller lists, and adapted for the cinema. Born in Lahore, he has spent about half his life there and much of the rest in London, New York, and California. Mohsin Recommends: Michael Ondaatje, The English Patient Kazuo Ishiguro, The Remains of the Day Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The 1750s are remembered as a high point of China's Qing Dynasty: a time of power, prestige, and social harmony. But The Story of the Stone paints a different picture: one of harmful traditions, political corruption, and inter-generational conflict. Over 250 years later, it's one of the most loved novels in Chinese literature, with dozens of adaptations and an entire field of scholarship dedicated to it. In this episode, Stanford professor Ronald Egan discusses the revolutionary story and its enduring impact. Ronald Egan is the Confucius Institute Professor of Sinology at Stanford University. He is the author of Li Qingzhao: China's Foremost Woman Poet, The Literary Works of Ou-yang Hsui, and more. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There is only one surviving copy of The Life and Passion of William of Norwich, but its story continues to haunt us. When 12th-century monk Thomas of Monmouth learned of a young boy’s murder in his community, he accused his Jewish neighbors of the heinous crime. Over the course of two decades, he wrote a seven-volume conspiracy theory, building out the accusation and cementing it in history. Stanford professor Rowan Dorin discusses the book’s creation and its challenging legacy. Rowan Dorin is Assistant Professor of History at Stanford University. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It’s easy to write off his message that communication is vital for human existence. He’s a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book’s pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway’s profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women’s, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press’s authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Modernist literature at the end of the British empire challenges conventional notions of homeland, heritage, and community.The waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished. In The Obsolete Empire: Untimely Belonging in Twentieth-Century British Literature (Johns Hopkins UP, 2021), Philip Tsang brings together an unusual constellation of writers—Henry James, James Joyce, Doris Lessing, and V. S. Naipaul—to trace an aesthetics of frustrated attachment that emerged in the wake of imperial decline. Caught between an expansive Britishness and an exclusive Englishness, these writers explored what it meant to belong to an empire that did not belong to them.Thanks to their voracious reading of English fiction and poetry in their formative years, all of these writers experienced a richly textured world with which they deeply identified but from which they felt excluded. The literary England they imagined, frozen in time and out of place with the realities of imperial decline, in turn figures in their writings as a repository of unconsummated attachments, contradictory desires, and belated exchanges. Their works arrest the linear progression from colonial to postcolonial, from empire to nation, and from subject to citizen. Drawing on a rich body of scholarship on affect and temporality, Tsang demonstrates how the British empire endures as a structure of desire that outlived its political lifespan. By showing how literary reading sets in motion a tense interplay of intimacy and exclusion, Tsang investigates a unique mode of belonging arising from the predicament of being conscripted into a global empire but not desired as its proper citizen. Ultimately, The Obsolete Empire asks: What does it mean to be inside or outside any given culture? How do large-scale geopolitical changes play out at the level of cultural attachment and political belonging? How does literary reading establish or unsettle narratives of who we are? These questions preoccupied writers across Britain's former empire and continue to resonate today. Dr. Philip Tsang is Assistant Professor at Colorado State University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How people traveled, and how people wrote about travel, changed in the interwar years. Novel technologies eased travel conditions, breeding new iterations of the colonizing gaze. The sense that another war was coming lent urgency and anxiety to the search for new places and "authentic" experiences. In Interwar Itineraries: Authenticity in Anglophone and French Travel Writing (Amherst College Press, 2022), Emily O. Wittman identifies a diverse group of writers from two languages who embarked on such quests. For these writers, authenticity was achieved through rugged adventure abroad to economically poorer destinations. Using translation theory and new approaches in travel studies and global modernisms, Wittman links and complicates the symbolic and rhetorical strategies of writers including André Gide, Ernest Hemingway, Michel Leiris, Isak Dinesen, Beryl Markham, among others, that offer insight into the high ethical stakes of travel and allow us to see in new ways how models of the authentic self are built and maintained through asymmetries of encounter. This book is available open-access here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When French author Jules Verne wrote Around the World in 80 Days in the late 1800s, scheduled global travel was practically science fiction, and 80 days seemed impossibly fast. But his techno-futurist novel inspired everyday adventurers to traverse the globe by boat, train, bike, and foot—and beat his protagonist’s record. Harvard professor Joyce Chaplin discusses what we can learn from Jules Verne’s classic novel. Joyce Chaplin is the James Duncan Phillips Professor of Early American History at Harvard University. She is the author of Round About The Earth: Circumnavigation from Magellan to Orbit. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson’s “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wendy Doniger's After the War: The Last Books of the Mahabharata (Oxford UP, 2022) is a new translation of the final part of the Mahabharata, the great Sanskrit Epic poem about a devastating fraternal war. In this aftermath of the great war, the surviving heroes find various deaths, ranging from a drunken debacle in which they kill many of their own comrades to suicide through meditation and, finally, magical transportation to both heaven and hell. Bereaved mothers and widows on earth are comforted when their dead sons and husbands are magically conjured up from heaven and emerge from a river to spend one glorious night on earth with their loved ones. Ultimately, the bitterly opposed heroes of both sides are reconciled in heaven, but only when they finally let go of the vindictive masculine pride that has made each episode of violence give rise to another. Throughout the text, issues of truth and reconciliation, of the competing beliefs in various afterlives, and of the ultimate purpose of human life are debated. This last part of the Mahabharata has much to tell us both about the deep wisdom of Indian poets during the centuries from 300 BCE to 300 CE (the dates of the recension of this enormous text) and about the problems that we ourselves confront in the aftermath of our own genocidal and internecine wars. The author, a distinguished translator of Sanskrit texts (including the Rig Veda, the Laws of Manu, and the Kamasutra), puts the text into clear, flowing, contemporary prose, with a comprehensive but unintrusive critical apparatus. This book will delight general readers and enlighten students of Indian civilization and of great world literature. Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joshua A. Fogel and Matthew Fraleigh's edited volume Sino-Japanese Reflections: Literary and Cultural Interactions between China and Japan in Early Modernity (de Gruyter, 2022) offers ten richly detailed case studies that examine various forms of cultural and literary interaction between Japanese and Chinese intellectuals from the late Ming to the early twentieth century. The authors consider efforts by early modern scholars on each side of the Yellow Sea to understand the language and culture of the other, to draw upon received texts and forms, and to contribute to shared literary practices. Whereas literary and cultural flow within the Sinosphere is sometimes imagined to be an entirely unidirectional process of textual dissemination from China to the periphery, the contributions to this volume reveal a more complex picture: highlighting how literary and cultural engagement was always an opportunity for creative adaptation and negotiation. Examining materials such as Chinese translations of Japanese vernacular poetry, Japanese engagements with Chinese supernatural stories, adaptations of Japanese historical tales into vernacular Chinese, Sinitic poetry composed in Japan, and Japanese Sinology, the volume brings together recent work by literary scholars and intellectual historians of multiple generations, all of whom have a strong comparative interest in Sino-Japanese studies. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kimberly Anne Coles is Professor of English at the University of Maryland; her first book, Religion, Reform and Women’s Writing in Early Modern England, was published with Cambridge University Press in 2008. Her work has been supported by the John W. Kluge Center, the Warburg Institute, and the Folger Shakespeare Library. Today, we are discussing Bad Humor: Race and Religious Essentialism in Early Modern England, which was published by the University of Pennsylvania Press in 2022. In Bad Humor, Professor Coles charts how concerns around lineage, religion and nation converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Professor Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Professor Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Jackson W. Crawford is Instructor of Nordic Studies and Coordinator of the Nordic Program at the University of Colorado-Boulder. Crawford is the author and translator of The Wanderer’s Havamal and The Poetic Edda: Stories of the Norse Gods and Heroes. Both books are available from Hackett Publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alice Elliott Dark is the author of the novels Fellowship Point and Think of England, and two collections of short stories, In The Gloaming and Naked to the Waist. Her work has appeared in, among others, The New Yorker, Harper's, DoubleTake, Ploughshares, A Public Space, Best American Short Stories, Prize Stories: The O.Henry Awards, and has been translated into many languages. "In the Gloaming," a story, was chosen by John Updike for inclusion in The Best American Short Stories of The Century and was made into films by HBO and Trinity Playhouse. Her non-fiction reviews and essays have appeared in The New York Times, The Washington Post, and many anthologies. She is a recipient of a fellowship from the National Endowment for the Arts and an Associate Professor at Rutgers-Newark in the English department and the MFA program. Books Recommended in this episode: Fellowship Point (Simon and Schuster, 2022) Alice Recommends: Elena Ferrante, The Neapolitan Quartet Jean Stafford, The Catherine Wheel Willa Cather, The Professor’s House Joanne Beard, Festival Days Mary Oliver, Upstream Rebecca Solnit, Orwell’s Roses Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roger Zelazny (1937-1995) combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. In Roger Zelazny (University of Illinois Press, 2021), F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with …And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as “Home Is the Hangman” and “24 Views of Mt. Fuji, by Hokusai.” Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. F. (Francis) Brett Cox is the Charles A. Dana Professor of English at Norwich University. In addition to his critical study of Roger Zelazny (recently awarded second place for nonfiction in the 2022 Locus Awards), he has published over thirty short stories, most of which appear in his collection The End of All Our Exploring: Stories (Fairwood Press, 2018). He has also co-edited the anthology Crossroads: Tales of the Southern Literary Fantastic (Tor, 2004). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Elliott Rabin about his book The Biblical Hero: Portraits in Nobility and Fallibility (Jewish Publication Society, 2020). Approaching the Bible in an original way—comparing biblical heroes to heroes in world literature—Rabin addresses a core biblical question: What is the Bible telling us about what it means to be a hero? Focusing on the lives of six major biblical characters—Moses, Samson, David, Esther, Abraham, and Jacob—Rabin examines their resemblance to hero types found in (and perhaps drawn from) other literatures and analyzes why the Bible depicts its heroes less gloriously than do the texts of other cultures. Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Mark Andryczyk, translator of Volodymyr Rafeyenko’s novel Mondegreen: Songs about Death and Love (Harvard Ukrainian Research Institute, 2022). A mondegreen is something that is heard improperly by someone who then clings to that misinterpretation as fact. Fittingly, Mondegreen: Songs about Death and Love explores the ways that memory and language construct our identity, and how we hold on to it no matter what. The novel tells the story of Haba Habinsky, a refugee from Ukraine’s Donbas region, who has escaped to the capital city of Kyiv at the onset of the Ukrainian–Russian war. His physical dislocation—and his subsequent willful adoption of the Ukrainian language—place the protagonist in a state of disorientation during which he is forced to challenge his convictions. Written in beautiful, experimental style, the novel shows how people—and cities—are capable of radical transformation and how this, in turn, affects their interpersonal relations and cultural identification. Taking on crucial topics stirred by Russian aggression that began in 2014, the novel stands out for the innovative and probing manner in which it dissects them, while providing a fresh Donbas perspective on Ukrainian identity. Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I can point you to mountains of research about prisons. I can also recommend at least a dozen Netflix documentaries, and highlight a handful of radical activists and scholars. There’s a lot of intellectual work done about prison. But what about intellectual work done in prison? As part of this week’s “ideas in strange places” theme, we want to play you this episode from right near when we started Darts and Letters, where we ask what kind of radical thought can come from the extreme oppression prisoners endure. We’ll be back with brand new episodes on September 18th, until then we’re replaying the best of our catalogue with a different theme each week. In Prison Notebooks… First, in the opening essay, host Gordon Katic discusses the long history of radical prison writing. From Thoreau to Gramsci, MLK, Oscar Wilde, Eugene Debs, Emma Goldman, and even Wittgenstein. Next (@5:36), Chandra Bozelko served 6 years, three months, and 11 days in a women’s prison in Connecticut. While inside, she started an award-winning newspaper column. She tells us what writing did for her while inside, and what everyday prison intellectualism really looks like. Then (@42:30), Justin Piché edits one of the most amazing academic journals you will ever come across. It’s called the Journal of Prisoners on Prisons. It has been around for over thirty years. In each and every edition, you will see brilliant scholarly work—it just so happens that this work is written by prisoners themselves. —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. —————————-CONTACT US————————- To stay up to date, follow us on Twitter and Instagram. If you’d like to write us, email [email protected] or tweet Gordon directly. —————————-CREDITS—————————- This episode of Darts and Letters was produced by Jay Cockburn. Research and support from David Moscrop and Addye Susnick. Our theme song and music was created by Mike Barber, and our graphic design was created by Dakota Koop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Kushnameh is unique, literally. Only one copy of the “Epic of Kush”exists, sitting in the British Library. Hardly anything is known about its author, Iranshah. It features a quite villainous protagonist, the tusked warrior Kush, who carves a swathe of destruction across the region. And it spans nearly half the world, with episodes in Spain, the Maghreb, India, China and even Korea. It was that last reference that encouraged academics in Korea to study the Kushnameh, and bring Kaveh Hemmat to do its first-ever English translation, published by the University of California Press this year. Kaveh L. Hemmat is assistant professor, professional faculty in History at Benedictine University, scholar of world history and Islamicate culture, director of the NEH-funded Khataynameh Translation Project, an unusually determined cyclist, and a dabbler in sundry pursuits ranging from sourdough bread baking to drawing. He completed his Ph.D at the University of Chicago in the Department of Near Eastern Languages and Civilizations in 2014. His research focuses on interaction between the Islamic world and East Asia and the importance of this interaction to Islamic political thought and premodern global political history. In this interview, Kaveh and I discuss this unique document and the cultural and political context behind its writing. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of the Kushnameh. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roanne Kantor tells us about World Literature, in the ideas and practices of readers, writers, and scholars. Spatial metaphors like libraries, closets, and airport bookshops, help her imagine the “world” in world literature. In the episode Roanne references work by many scholars in the field, including David Damrosch’s What is World Literature (Princeton UP, 2003); Debjani Ganguly’s This Thing Called the World (Duke UP, 2016), and Gloria Fisk’s Orhan Pamuk and the Good of World Literature (Columbia UP, 2018). In the longer version of our conversation, we talked about how little magazines from the 1970s New York literary scene, like Ed Sanders’ Fuck You: A Magazine of the Arts, circulated in South Asia, inspiring avant-garde magazines like Arvind Krishna Mehrotra’s damn you/a magazine of the arts. Roanne is an assistant professor of English and Comparative Literature at Stanford University. She has a brand new book, South Asian Writers, Latin American Literature, and the Rise of Global English, (Cambridge UP, 2022). If you want to learn more about the world of world lit, check it out. This week’s image of an airport bookshop at the Incheon International Airport in South Korea, was photographed by Adli Wahid and made publicly available on Wikimedia Commons under a Creative Commons License. Music used in promotional material: ‘Six More Weeks’ by Evening Fires Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our first August rebroadcast was John and Pu's 2019 interview with SF superstar Cixin Liu (you may want to re-listen to that episode before this one!). Here, they reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work. They consider whether our world is like a cabinet in a basement, and what kind of optimism or pessimism might be available to science fiction writers. They compare the interview to a recent profile of Liu in The New Yorker, and ponder the advantages and disadvantages of pressing writers to weigh in on the hot-button topics of the day. Discussed in this episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Jiayang Fan, “Liu Cixin’s War of the Worlds” (New Yorker interview/profile) Yuri Slezkine, The House of Government: A Saga of the Russian Revolution Isaac Asimov, The End of Eternity George Melies (dir.), A Voyage to the Moon Fritz Lang (dir.), Metropolis Frant Gwo (dir.), The Wandering Earth Ivan Goncharov, Oblomov Transcript available here. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sohini Sarah Pillai talks about epics, long narrative poems about heroic events – whether all such poems can be called epics, and how they continue to generate cultural and political material. The conversation covers epic poems ranging from the Iliad to Jack Mitchell’s The Odyssey of Star Wars. Sohini Pillai is Assistant Professor of Religion at Kalamazoo College where she teaches courses on religious traditions in South Asia. She is a comparatist of South Asian religious literature and her area of specialization is the Mahabharata and Ramayana narrative traditions with a particular focus on retellings created in Hindi and Tamil. She is also the co-editor with Nell Shapiro Hawley of Many Mahabharatas (State University of New York Press, 2021). Image by Saronik Bosu (This image is a work of fan art that adapts characters from the Star Wars franchise owned by Lucasfilm ltd.) Music used in promotional material: ‘Yoliyoli’ by 33nano Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It’s stardate 99040.01 and lead producer Jay Cockburn is temporarily taking over command of Darts and Letters for an episode. For this episode, as part of the week’s theme of “ideas in strange places” we boldly go into the strange new worlds of science fiction, revealing how it’s long been a vehicle for radical thought. We dig into post-scarcity, Afrofuturism, and feminist speculative fiction as we set our phasers to fun and go where no podcast has gone before. This episode is a rebroadcast from our catalogue. We’re revisiting some of our favourites until the new season of Darts and Letters launches on September 18th. First (@10:54), Cory Doctorow is a journalist, activist, blogger, and author of many books including the post-scarcity speculative fiction novel Walkaway. He takes us through the idea of a post-scarcity world as he breaks down the idea of abundance and what we might do with it, or not. Then, (@34:52), Nalo Hopkinson is a science fiction writer, editor, professor, and author of Brown Girl in the Ring. She talks to us about Afrofuturism as a critical lens and different ways of seeing the future for different communities — and re-imagining the present. Plus, be sure to read her own recommendation: Sister Mine. Finally, (@49:43), Batya Weinbaum is a poet, artist, professor, and the editor of FemSpec, an academic journal of feminist speculative fiction. She charts the history of feminism in science fiction and how art, including novels, helps drive social, political, and economic change. —————————-CONTACT US————————- To stay up to date, follow us on Twitter and Instagram. If you’d like to write to us, email [email protected] or tweet Gordon directly. —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. —————————-CREDITS—————————- Darts and Letters is hosted and edited by Gordon Katic; this episode our guest host and lead producer is Jay Cockburn. Gordon Katic is our editor. Our managing producer is Marc Apollonio. Our research assistants for this episode were Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe. Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions. Caryn Rose can be found on Twitter and you can read her work in her newsletter. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is unfeeling? According to today’s guest, Xine Yao, unfeeling includes “a broad range of affective modes, including withholding, disregard, growing a thick skin, refusing to care, opacity, numbness, dissociation, inscrutability, frigidity, insensibility, obduracy, flatness, insensitivity, disinterest, coldness, heartlessness, fatigue, desensitization, and emotional unavailability.” In short, Xine argues in a new book from Duke University Press, titled Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America, “people who are disaffected break from affectability and present themselves as unaffected” (11). Xine is a Lecturer of English before 1900 at University College London. Xine is a BBC Radio 3/AHRC New Generation Thinker and the co-host of the PhDivas Podcast which focuses on social justice and academia across the STEM/Humanities divide. Disaffected is an urgent book that examines how sentimentality was (and is) a part of the political architecture of white supremacy and governmentality—and the forms of unfeeling that writers of color used (and continue to use) to roil that architecture. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hi! This is Darts and Letters. We’ve just become a part of New Books Network, so we want to introduce ourselves. Fundamentally, This is a show about the politics of ideas. Another way to say that would be “intellectuals”, but we don’t really gel with this classic idea of intellectuals being white guys at Harvard. We’re more populist than that, and we have a whole segment in this episode about what we really mean by populism. This is our first episode, and we made it in 2020 in the run up to Biden’s election. We’ve had 60 episodes since then and our production is tighter and we have a much clearer idea of who we are as a show, but we wanted to start by playing you this because I think we have stayed pretty true to our original goal of democratising ideas, and looking for them in unusual places. We’re taking a bit of a production break right now for summer, so until September we’re going to catch you up with our favourite episodes from the catalogue, then on September 18th we launch the new season of Darts and Letters. Until then we’re doing a different theme each week and our theme for this week is what I said before - ideas in strange places. Starting with episode 1, and the owner of the Pigeon Shit Bookstore. An intellectual of the street, who the show’s host Gordon found selling books in downtown Toronto. First, host Gordon Katic asks: what is an intellectual? Hard to say, but to quote the Supreme Court justice who tried to define pornography, “I know it when I see it.” Next (@10:48), we meet Daniel—the homeless bookseller of Bloor St, who might just be one of the most well-read people you’ve ever met. Then (@21:26), journalist and historian Thomas Frank rights the distorted historical record and redefines “populism.” We discuss his most recent book “The People, No: A Brief History of Anti-Populism.” Finally (@47:32), critical educational scholar and dissident Henry Giroux celebrates academics who are true ‘public intellectuals,’ and he attacks the neoliberal educational reforms that have made that kind of work so difficult. —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. —————————-CONTACT US————————- To stay up to date, follow us on Twitter and Facebook. If you’d like to write us, email [email protected] or tweet Gordon directly. —————————-CREDITS—————————- This week, Darts and Letters was produced by Jay Cockburn and Gordon Katic. Research and support from Addye Susnick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the creator of UlyssesGuide.com, The Guide to James Joyce's Ulysses (Johns Hopkins UP, 2022) weaves together plot summaries, interpretive analyses, scholarly perspectives, and historical and biographical context to create an easy-to-read, entertaining, and thorough review of Ulysses. In The Guide to James Joyce's 'Ulysses,' Patrick Hastings provides comprehensive support to readers of Joyce's magnum opus by illuminating crucial details and reveling in the mischievous genius of this unparalleled novel. Written in a voice that offers encouragement and good humor, this guidebook maintains a closeness to the original text and supports the first-time reader of Ulysses with the information needed to successfully finish and appreciate the novel. Deftly weaving together spirited plot summaries, helpful interpretive analyses, scholarly criticism, and explanations of historical and biographical context, Hastings makes Joyce's famously intimidating novel-one that challenges the conventions and limits of language-more accessible and enjoyable than ever before. He unpacks each chapter of Ulysses with episode guides, which offer pointed and readable explanations of what occurs in the text. He also deals adroitly with many of the puzzles Joyce hoped would "keep the professors busy for centuries." Full of practical resources-including maps, explanations of the old British system of money, photos of places and things mentioned in the text, annotated bibliographies, and a detailed chronology of Bloomsday (June 16, 1904-the single day on which Ulysses is set)-this is an invaluable first resource about a work of art that celebrates the strength of spirit required to endure the trials of everyday existence. The Guide to James Joyce's 'Ulysses' is perfect for anyone undertaking a reading of Joyce's novel, whether as a student, a member of a reading group, or a lover of literature finally crossing this novel off the bucket list. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Shakespeare’s comedy Much Ado About Nothing, Leonato says, “I pray thee peace; I will be flesh and blood. / For there was never yet philosopher / That could endure the toothache patiently, / However they have writ the style of gods / And make a push at chance and sufferance.” These lines serve as the inspiration for the title of a new book from today’s guest, Donovan Sherman. The Philosopher's Toothache: Embodied Stoicism in Early Modern English Drama, was published by Northwestern University Press in 2022. Donovan is a Professor of English at Seton Hall University; his previous book is Second Death: Theatricalities of the Soul in Shakespeare’s Drama (2016), from Edinburgh University Press. The Philosopher’s Toothache is a meditation on conceptual latticing of early modern theatre and the ancient Greek philosophy of Stoicism. Writers explored in the book range from James I to Shakespeare and Ben Jonson. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mark McGurl talks about disintermediation, a key term for internet commerce, and his new book about fiction in the age of digital self-publication. The fantasy of disintermediation lies at the heart of utopian dreams of the internet, but it turns out that not only is the internet actually a medium, and a vast economic engine, but self-publishing is a lot of work! Mark McGurl is a professor of English at Stanford University. If you want to learn more about the effects of Amazon’s self-publishing mechanism on literature, check out his new book, Everything and Less: The Novel in the Age of Amazon (Verso, 2021). His earlier book The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard UP, 2011) takes a similarly materialist perspective on literary production, and it was sort of a thing. His first book The Novel Art: Elevations of American Fiction after Henry James (Princeton UP, 2001), blames Henry James for making American novels into art. In a good way of course. This week’s image is a photograph of a printing press held in the collections of the Fort Nonquai Eshowe museum in South Africa, posted on Wikimedia commons. Music used in promotional material: ‘Internet, the day when all humans will disappear’ by Monplaisir Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Noreen Masud talks about the unnamed feelings and ambiguous modes of relationship occasioned by flat landscapes, and the act of looking at them, in twentieth century fiction, especially the novels of D.H. Lawrence, Willa Cather, and Gertrude Stein. Noreen Masud is a Lecturer at the University of Bristol, UK, currently working on flat landscapes in twentieth century literature. Her first academic book, Hard Language: Stevie Smith and the Aphorism, is out with OUP in 2022, and her first trade book, A Flat Place, will be released by Hamish Hamilton in the UK and Melville House Press in the US in 2023. Image: © 2022 Saronik Bosu Music used in promotional material: ‘In Your Hollow’ by Allysen Callery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s guests are Dennis Austin Britton and Kimberly Anne Coles who have co-edited a special issue of Spenser Studies in 2021, on “Spenser and Race.” Dennis is Associate Professor of English at the University of British Columbia; his previous book Becoming Christian: Race, Reformation, and Early Modern English Romance, was published through Fordham University Press in 2014. Dennis is the former board president of the Black Heritage Trail of New Hampshire. Kim is Professor of English at the University of Maryland; she has published Religion, Reform and Women’s Writing in Early Modern England, with Cambridge University Press in 2008; and Bad Humor: Race and Religious Essentialism in Early Modern England, with the University of Pennsylvania Press in 2022. We will be discussing the impetus and contributions of this special issue, which features brilliant scholarship by Tess Grogan, Anna Wainwright, Ayanna Thompson, Melissa Sanchez, Eric Song, Urvashi Chakravarty, Ross Lerner, Andrew Hadfield, Thomas Herron, and Benedict Robinson. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Claus Elholm Andersen talks about autofictionalization, a mode of narration that characterizes autotfiction, where the narrative consciousness or voice is placed with the experiencing character and not the narrator. Of particular interest here are texts produced after the financial crisis of 2008 which exemplify this mode, most importantly Karl Ove Knausgård’s series My Struggle (2009-2011). Claus Elholm Andersen is the Paul and Renate Madsen Assistant Professor of Scandinavian Studies at the University of Wisconsin-Madison. In his research, he is interested in the novel and in questions of fiction and fictionality: What it is, how it works, and what it implies. He is currently finishing up a book project on Karl Ove Knausgård and autofiction, titled The Very Edge of Fiction: Karl Ove Knausgård and the Autofictional Novel, in which he argues that Knausgård consciously engages with, and undermines, a long critical history of equating novels with fiction. He recently co-edited a special issue of Scandinavian Studies, with Dean Krouk, on Karl Ove Knausgård’s My Struggle and edited the first scholarly anthology on Knausgård, published in Scandinavia in 2017. His latest publications are an article on Danish novelist Helle Helle in Edda in 2019 and an article on Henrik Pontoppidan’s novel Lucky-Per in Scandinavian Studies. Image: © 2021 Saronik Bosu Music used in promotional material: ‘North’ by Sergey Cheremisinov Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Elizabeth McHenry talks about the moment in the history of African American literature in the decade following the 1896 legalization of segregation, the subject of her new book To Make Negro Literature: Writing, Literary Practice, and African American Authorship. She redirects attention to overlooked archives of unpublished and unsuccessful literary production and thereby offers a radically alternative genealogy of Black literature. Elizabeth McHenry is Professor of English at New York University and author of Forgotten Readers: Recovering the Lost History of African American Literary Societies, also published by Duke University Press. The book relies on a number of theoretical and disciplinary lenses to understand the epistemological and social conditions of print culture and literary community for African Americans between 1830 and 1940. It expands our definition of literacy and urges of us think about literature as broadly as it was conceived of in the nineteenth and into the twentieth centuries. Image: The Louisville Western Branch Library in Louisville, Kentucky Music used in promotional material: ‘Afro-American Symphony: II – Adagio’, William Grants Still Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private. In Petrarch: Everywhere a Wanderer (Reaktion Books, 2017), Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Laura Portwood-Stacer talks with Kim about book proposals. Laura is a consultant for academic authors. Her book, titled, appropriately, The Book Proposal Book (Princeton UP, 2021), is a how-to-guide for writing an outstanding book proposal. Through her business, Manuscript Works, Laura runs courses, workshops, and provides editorial assistance, to help academics navigate the world of publishing. Enrollment for her next “Book Proposal Accelerator Course” opens on Jan. 3, at 9am PST. Here’s the link: courses.manuscriptworks.com Image of several books from Wikimedia Commons. Music used in promotional material: Mozart Piano Concerto K.467 2mvt. by Cheong Lin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death’s End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu’s science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu’s work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction’s taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy. Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Adam Hanna’s Poetry, Politics, and the Law in Modern Ireland (Syracuse University Press, 2022) is a richly detailed exploration of how modern Irish poetry has been shaped by, and responded to, the laws, judgments, and constitutions of both of the island’s jurisdictions. Focusing on poets’ responses in their writing to such contentious legal issues as partition, censorship, paramilitarism, and the curtailment of women’s reproductive and other rights, this volume is the first in the growing field of law and literature to monograph exclusively on modern Ireland. Dr. Hanna unpacks the legal engagements of both major and non-canonical poets from every decade between the 1920s and the present day, including Rhoda Coghill, Austin Clarke, Paul Durcan, Elaine Feeney, Miriam Gamble, Seamus Heaney, Thomas Kinsella, Paula Meehan, Julie Morrissy, Doireann Ní Ghríofa, and W. B. Yeats. Poetry from the time of independence onward has been shaped by two opposing forces. On the one hand, the Irish public has traditionally had strong expectations that poets offer a dissenting counter-discourse to official sources of law. On the other hand, poets have more recently expressed skepticism about the ethics of speaking for others and about the adequacy of art in performing a public role. Dr. Hanna’s fascinating study illuminates the poetry that arises from these antithetical modern conditions. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Situated at the intersection of law and literature, nineteenth-century studies and post-colonialism, Colonial Law in India and the Victorian Imagination (Cambridge UP, 2021) draws on original archival research to shed new light on Victorian literature. Each chapter explores the relationship between the shared cultural logic of law and literature, and considers how this inflected colonial sociality. Leila Neti approaches the legal archive in a distinctly literary fashion, attending to nuances of voice, character, diction and narrative, while also tracing elements of fact and procedure, reading the case summaries as literary texts to reveal the common turns of imagination that motivated both fictional and legal narratives. What emerges is an innovative political analytic for understanding the entanglements between judicial and cultural norms in Britain and the colony, bridging the critical gap in how law and literature interact within the colonial arena. Leila Neti is an associate professor of English at Occidental College, Los Angeles. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne’s new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today’s guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison’s Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle’s Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yussef El Guindi's In a Clear Concise Arabic Tongue (Broadway Play Publishing, 2021) collects short plays and monologues from almost twenty years of this exciting playwright's career. Guindi writes mainly about Arab and Muslim character, but does so within the framework of the American immigrant story. These are stories of characters caught between the reductive ideas wider American society holds about them and the much more complex reality they know is obscured by stereotypes. These plays are funny, moving, political, personal, epic, and miniature. They represent the arc of a playwright coming to artistic maturity, and should be a welcome addition to any theatre or school festival of short work. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction. Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stanley Lombardo is Emeritus Professor of Classics, University of Kansas. His previous translations include Homer's Iliad (1997, Hackett) and Odyssey (2000, Hackett), Hesiod's Works & Days and Theogony (1993, Hackett), among others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Manuscripts teem with life. They are not only the stuff of history and literature, but they offer some of the only tangible evidence we have of entire lives, long receded. Hidden Hands: The Lives of Manuscripts and Their Makers (Riverrun, 2021) tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part. Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased, and the remnants of their labours destroyed. From the Cuthbert Bible, to works including those by the Beowulf poet, Margery Kempe, Julian of Norwich, Sir Thomas Malory, Chaucer, the Paston Letters and Shakespeare, Mary Wellesley describes the production and preservation of these priceless objects. With an insistent emphasis on the early role of women as authors and artists and illustrated with over fifty colour plates, Hidden Hands is an important contribution to our understanding of literature and history. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—Curious George. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism (University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism. Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, Curious about George illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Farah Bakaari talks about Trace, a core concept in deconstruction, that denotes an absent presence, a mark of something that is no longer there. She talks about how in her own work she has used the concept of trace to write about legacies of colonialism and slave trade in the Atlantic and Indian oceans, for which there is no archive that is conventionally legible. In the episode Farah mentions the work of Parisa Vaziri on Iranian cinema and music as an example of work that interrogates an historical trace. You can listen to Parisa discuss forthcoming book here. Farah Bakaari is a doctoral student in the Department of Literatures in English at Cornell University. Her research focuses on twentieth-century African literature, in particular the politics of time in anti-colonial and postcolonial works of art. She also works in memory studies and trauma theory. She holds a BA in English and Political Science from Grinnell College. Image: © 2021 Saronik Bosu Music used in promotional material: ‘The Lost and Forgotten’ by Hellenica Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Brecht and the Bible: A Study of Religious Nihilism and Human Weakness in Brecht's Drama of Morality and the City (UNC Press, 2020), Father G. Ronald Murphy argues that Brecht, atheist and Marxist though he was, was also a sensitive reader and interpreter of the Bible. Murphy persuasively shows that Brecht's use of Biblical texts was not only satirical, but was at times deadly serious, particularly concerning the theme of death itself. For Brecht, the Bible provides eloquent reminders of the finitude of life and of the necessity of work, of eating by the sweat of one's brow. The conflict between work and life, for example in the case of Mother Courage's paradoxical dependence on the war for her survival even as it kills her precious children, proves a major theme in Brecht. This is a work that should appeal to scholars of German literature, but also to anyone interested in the interpretation of Brecht, whether for scholarly or artistic reasons. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Toni Morrison’s Playing in the Dark: Whiteness and the Literary Imagination is a must-read for anyone interested in American literature and in the formation of American identity in general. In her short, incisive book, Nobel-prize winner Morrison explores the ways in which canonical authors like Edgar Allan Poe, Herman Melville, Mark Twain, Willa Cather, William Faulkner and Ernest Hemingway conspicuously invented African American characters for their projects of creating American identity – and how critics have deliberately overlooked, ignored or dismissed this dimension of the American canon. Morrison’s point is not to out these writers as racist or to cancel their works but to explain the role of African American figures in the aesthetic and artistic project of inventing American identity and a canon of national literature. I spoke with Paul Edwards, who is my colleague as Assistant Professor of English and Dramatic Literature at New York University and a book reviews editor for The Black Scholar. Professor Edwards’s current book project, The Black Wave: The New Negro Renaissance in Interwar Germany, reveals the effects of the New Negro/Harlem Renaissance in Germany from 1925 to 1938. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mahakavi Subramania Bharati was a multi-faceted genius, an innovative poet who initiated a new era in Tamil literature. He was the first writer to have introduced to the Tamil literary world a new genre called ‘novella’ by his composition of Ñānaratam (‘The Wisdom-chariot’) written in elegant Tamil prose. In Soaring with Bharati in the Wisdom-Chariot (Ñānaratam), Dr Radha Raghunathan gives the biographical background of Bharati, his association with Dr. Annie Besant of the Theosophical Society and his contributions for ‘New India’ and ‘Commonweal,’ and a translation of Bharati’s ‘novella’ Ñānaratam. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like The Walking Dead, Snowpiercer, Mad Max: Fury Road, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society, and the power of individuals to change the world. Katherine E. Sugg is a professor of English and Latino & Puerto Rican studies at Central Connecticut State University in New Britain, Connecticut. She teaches and writes on world literatures, Latino and comparative American studies, and film and media. She has also written several journal articles and published a book entitled Gender and Allegory in Transamerican Fiction and Performance. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. [email protected] @carrielynnland Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies