New Books in Literary Studies

The Iliad is among the oldest surviving works of literature, but for a long time The Iliad wasn’t written down. It’s a story that has influenced the world for over three thousand years, but for the ancient Greeks, it was history. One man, Homer, is credited with writing The Iliad, but it’s more likely that The Iliad was composed by many ancient storytellers—a lot of whom were women. Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and Director of the Center for Hellenic Studies at Harvard University. His books include Homer: The Preclassic and The Ancient Greek Hero in 24 Hours. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over the course of the sixteenth and seventeenth centuries, works of botany underwent a radical change in the English book trade. A genre that was once produced in smaller cheaper formats became lavishly produced, authoritative editions. But as Early Modern Herbals and the Book Trade (Cambridge UP, 2022) shows, the relationships between making, producing, and consuming of botanical and medical knowledge was much more fluid. Today I am discussing this new book with the author Sarah Neville. Sarah Neville is Associate Professor of English and Creative Director of Lord Denney's Players at Ohio State University. Sarah serves as an assistant editor of the New Oxford Shakespeare and an associate coordinating editor of the Digital Renaissance Editions, as well as the writer/producer/director of the documentary Looking for Hamlet, 1603, available on Youtube. John Yargo is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Studies in Philology, Early Theatre, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It makes sense that historian Nathanial Philbrick calls Moby-Dick the “American Bible.” Along with being a story of adventure and danger, it’s also a celebration of pluralism and a critique of social and religious hierarchies. In this episode, Yale professor John Peters takes a deep dive into the many facets of this iconic tale. John Durham Peters is the María Rosa Menocal Professor of English and of Film & Media Studies at Yale University. He is the author of Speaking into the Air: A History of the Idea of Communication, Courting the Abyss: Free Speech and the Liberal Tradition, and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Haruki Murakami has often been accused of being a feckless, merely popular writer, but in The Existentialist Vision of Haruki Murakami (Cambria Press, 2022) Michael Ackland demonstrates that this is not the case, arguing that Murakami has not only assimilated the existentialist heritage but innovatively changed and revitalized it, thereby placing exciting personal possibilities within the reach of his worldwide readership. Ackland’s study begins by tracing the troubled introduction of such alien conceptions as individualism, democracy and citizens’ rights, and self-interested autonomy into Japan. It argues that Haruki Murakami was seminally exposed to these ideas, and to their modern reconfiguration in French existentialism, during the student protests of the late 1960s, and that the dissent and radicalism of this period has been rechanneled into his fiction. The first two chapters introduce readers to this formative period and to major, recurring concerns in Murakami’s fiction. Then modern existentialism itself is discussed in terms of its philosophical roots in the writings of Jean-Paul Sartre and Albert Camus, and of its fictional dramatization in the works of such authors as Fyodor Dostoevsky and Franz Kafka, and finally as it was received in Japan. Usually foreign conceptions undergo considerable recasting in Japan to heighten their relevance and innovative potential. This, too, is a hallmark of Murakami’s adaptations, and part of his virulent critique of Japanese socialization and conformity, which is traced initially in such important short fiction as “The Elephant Vanishes” and “Sleep.” The bulk of this monograph focuses on the place of existentialism in Murakami’s major novels. It argues that much-maligned “Murakami man” actually represents a carefully calculated case of failed or partial socialization, which leaves him ripe for unconventional personal developments, and eventually to become an exemplary existentialist figure. In Japan, according to Murakami, the individual typically becomes a regimented, exhaustively worked foot-soldier of contemporary capitalism, or archetypal salaryman, with the potential for terrible excesses underscored by telling allusions to war atrocities and the holocaust. Or the individual can become a free-thinking agent and vibrant alternative to the Japanese consensual norm. Independent decision-making and action are all important, for as Sartre famously stated, “human freedom precedes essence.” In other words, we make ourselves—how this is possible is explored in three chapters, which examine in succession Murakami’s vision of childhood and formative years, his use of the supernatural and metaphor to disrupt social norms and to radically expand the challenges confronting individuals, and his evolving conception of what constitutes meaningful, accessible existentialist action. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Shakespeare on the Shades of Racism (Routledge, 2021), Ruben Espinosa explores the works of the early modern dramatist in the context of Trump-era immigration policies, anti-Black police violence, and the enduring legacy of white supremacy in American life. Espinosa is Professor of English at Arizona State University. He is the author of the previous monograph, Masculinity and Marian Efficacy in Shakespeare’s England, and the co-editor of the collection Shakespeare and Immigration, both available through Routledge. Shakespeare on the Shades of Race, an urgent new book that offers an important critique of racism and white supremacy to bear on As You Like It, The Tempest and Othello, alongside Luis Alberto Urrea’s The Devil’s Highway, Toni Morrison’s Desdemona, and Keith Hamilton Cobb’s American Moor. John Yargo is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Queer Transfigurations: Boys Love Media in Asia (University of Hawai‘i Press, 2022), edited by James Welker, brings together twenty-one scholars exploring BL media, its fans, and its sociocultural impacts in a dozen countries in East, Southeast, and South Asia—and beyond. Contributors draw on their expertise in an array of disciplines and fields, including anthropology, fan studies, gender and sexuality studies, history, literature, media studies, political science, and sociology to shed light on BL media and its fandoms. The boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity and since the 2000s has become a global media phenomenon, weaving its way into anime, prose fiction, live-action dramas, video games, audio dramas, and fan works. BL’s male–male romantic and sexual relationships have found a particularly receptive home in other parts of Asia, where strong local fan communities and locally produced BL works have garnered a following throughout the region, taking on new meanings and engendering widespread cultural effects. Queer Transfigurations reveals the far-reaching influences of the BL genre, demonstrating that it is truly transnational and transcultural in diverse cultural contexts. It has also helped bring about positive changes in the status of LGBT(Q) people and communities as well as enlighten local understandings of gender and sexuality throughout Asia. Queer Transfigurations shows that, some fifty years after the first BL manga appeared in print, the genre is continuing to reverberate and transform lives. James Welker is a professor in the Department of Cross-Cultural Studies, Kanagawa University, Yokohama, Japan. His research focuses primarily on gender and sexuality in postwar and contemporary Japan, especially fan cultures, feminisms, and the LGBT(Q) community. He is the author of Transfigurations: Redefining Women in Late Twentieth-Century Japan (forthcoming). Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In From Schlemiel to Sabra: Zionist Masculinity and Palestinian Hebrew Literature (Indiana UP, 2019), Philip Hollander examines how masculine ideals and images of the New Hebrew man shaped the Israeli state. In this innovative book, Hollander uncovers the complex relationship that Jews had with masculinity, interrogating narratives depicting masculinity in the new state as a transition from weak, feminized schlemiels to robust, muscular, and rugged Israelis. Turning to key literary texts by S. Y. Agnon, Y. H. Brenner, L. A. Arieli, and Aharon Reuveni, Hollander reveals how gender and sexuality were intertwined to promote a specific Zionist political agenda. A Zionist masculinity grounded in military prowess could not only protect the new state but also ensure its procreative needs and future. Self-awareness, physical power, fierce loyalty to the state and devotion to the land, humility, and nurture of the young were essential qualities that needed to be cultivated in migrants to the state. By turning to the early literature of Zionist Palestine, Hollander shows how Jews strove to construct a better Jewish future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Once referred to by the New York Times as the "Israeli Faulkner," A. B. Yehoshua's fiction invites an assessment of Israel's Jewish inheritance and the moral and political options that the country currently faces in the Middle East. The Retrospective Imagination of A. B. Yehoshua is an insightful overview of the fiction, nonfiction, and hundreds of critical responses to the work of Israel's leading novelist. Instead of an exhaustive chronological-biographical account of Yehoshua's artistic growth, Yael Halevi-Wise calls for a systematic appreciation of the author's major themes and compositional patterns. Specifically, she argues for reading Yehoshua's novels as reflections on the "condition of Israel," constructed multifocally to engage four intersecting levels of signification: psychological, sociological, historical, and historiosophic. Each of the book's seven chapters employs a different interpretive method to showcase how Yehoshua's constructions of character psychology, social relations, national history, and historiosophic allusions to traditional Jewish symbols manifest themselves across his novels. The Retrospective Imagination of A. B. Yehoshua (Penn State UP, 2020) ends with a playful dialogue in the style of Yehoshua's masterpiece, Mr. Mani, that interrogates his definition of Jewish identity. Masterfully written, with full control of all the relevant materials, Halevi-Wise's assessment of Yehoshua will appeal to students and scholars of modern Jewish literature and Jewish studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Frankenstein is a name we all know, even for those who haven’t read Mary Shelley’s novel. But the monster you might imagine is quite different from the one Shelley wrote about in Frankenstein; or, The Modern Prometheus. In fact, Shelley’s writing has much more to say about ethics, philosophy, and modern scientific advancement than many ghost story enthusiasts would guess. In this episode, Professor Deidre Lynch discusses the wisdom and warnings found in Mary Shelley’s Frankenstein. Deidre Lynch teaches in the English department at Harvard University. Some of her works include Janeites: Austen's Disciples and Devotees and The Economy of Character : Novels, Market Culture, and the Business of Inner Meaning. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Born into an aristocratic family, Russian author Leo Tolstoy’s life was forever changed when he served as an officer in the Crimean War. The brutality he witnessed during the war transformed him from a privileged, aristocratic author to a non-violent anarchist. War and Peace explores the brutal reality of what happens when we make war more humane. Tolstoy’s work has inspired nonviolent pacifist movements across the globe and influenced leaders such as Mahatma Gandhi and Martin Luther King Jr. Samuel Moyn is the Henry R. Luce Professor of Jurisprudence at Yale Law School and Professor of History at Yale University. He is the author of Not Enough: Human Rights in an Unequal World, The Last Utopia: Human Rights in History, and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A major poet, Paul Laurence Dunbar (1872-1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the "poet laureate of his race" hid the private struggles of a man who, in the words of his famous poem, felt like a "caged bird" that sings. In Paul Laurence Dunbar: The Life and Times of a Caged Bird (Princeton UP, 2022), Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents' survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three. Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As the nineteenth century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically solved with the help of new technologies like the social survey, photography, and film. What ensued was nothing other than a "racial data revolution," one which rendered African American life an inanimate object of inquiry in the name of social order and racial regulation. At the very same time, African American cultural producers and intellectuals such as W. E. B. Du Bois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston staged their own kind of revolution, un-disciplining racial data in ways that captured the dynamism of Black social life. Autumn Womack's The Matter of Black Living: The Aesthetic Experiment of Racial Data, 1880-1930 (U Chicago Press, 2022) excavates the dynamic interplay between racial data and Black aesthetic production that shaped late nineteenth-century social, cultural, and literary atmosphere. Through assembling previously overlooked archives and seemingly familiar texts, Womack shows how these artists and writers recalibrated the relationship between data and Black life. The result is a fresh and nuanced take on the history of documenting Blackness. The Matter of Black Living charts a new genealogy from which we can rethink the political and aesthetic work of racial data, a task that has never been more urgent. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ever since T. B. Macaulay leveled the accusation in 1835 that 'a single shelf of a good European library was worth the whole native literature of India,' South Asian literature has served as the imagined battleground between local linguistic multiplicity and a rapidly globalizing English. In response to this endless polemic, Indian and Pakistani writers set out in another direction altogether. They made an unexpected journey to Latin America. The cohort of authors that moved between these regions include Latin-American Nobel laureates Pablo Neruda and Octavio Paz; Booker Prize notables Salman Rushdie, Anita Desai, Mohammed Hanif, and Mohsin Hamid. In South Asian Writers, Latin American Literature, and the Rise of Global English (Cambridge UP, 2022), Roanne Kantor claims that they formed the vanguard of a new, multilingual world literary order. Their encounters with Latin America fundamentally shaped the way in which literature written in English from South Asia exploded into popularity from the 1980s until the mid-2000s, enabling its global visibility. Roanne L. Kantor is Assistant Professor of English at Stanford University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lawrence of Arabia has become one of the most well known films in the world. It inspired Steven Spielberg to become a filmmaker and President Barack Obama considers it one of his favorite films. But few people know the book behind the movie. In this episode, host Zachary Davis speaks with Professor Charles Stang about Seven Pillars of Wisdom; the autobiographical account of British soldier T. E. Lawrence while he fought alongside rebel forces during the Arab Revolt in WWI. Charles Stang is Professor of Early Christian Thought and Director of the Center for the Study of World Religions at Harvard University. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nearly 40 years after the Emancipation Proclamation was signed, American writer, sociologist and civil rights activist W. E. B. DuBois shed light on Black life in America and what it meant to be seen through a White gaze. In his 1905 text The Souls of Black Folk, DuBois explores the rich and complex African American world and how it helped shape the broader American culture. James Campbell is Professor of US History at Stanford University. He is the author of Slavery and the University - Histories and Legacies and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Fans of Sherlock Holmes will delight to investigate Victorian England, a world where crimes large and small abound and where dark corners and well-lit drawing rooms alike hide villainy. In The Game Is Afoot: The Enduring World of Sherlock Holmes (Rowman & Littlefield, 2022), Jeremy Black traces how Holmes and his milieu evolved in Sir Arthur Conan Doyle's books and how Holmes continues to resonate today. Black explores the context of Doyle's ideas and stories and why they struck such a chord with readers in London, and ultimately the world. He portrays a complex man with eclectic interests, from soccer to spiritualism, from cricket to divorce law reform. Standing twice for Parliament, Doyle was a committed meritocrat whose political experiences and values were expressed through his writings. Reading the Holmes stories through the lens of Doyle's multifaceted career, Black throws fresh light on the values expressed in them and how Holmes would have been perceived at the time. He traces the imperial strand in the Holmes stories and Doyle's treatment of America and Europe. Drawing on a masterful knowledge both of Doyle's era and his writings, this entertaining and wide-ranging book uses the Holmes stories to bring Victorian England to vibrant life, a world where crimes large and small abound and where dark corners and well-lit drawing rooms alike hide villainy. Holmes was a hero and an inspiration for many a character who redefined the idea of detection and the detective, a private man of great public importance. Here is his story. Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The original production of Fiddler on the Roof won nine Tony awards, held the record for the longest-running Broadway musical, and was adapted into a hit movie. But the musical itself was an adaptation of Sholem Aleichem’s Tevye Stories. Aleichem aimed to create a high literature for Yiddish-speaking readers, but his influence spread much further, to a new country, a new language, and a new medium. Harvard Professor Saul Noam Zaritt discusses the stories behind the musical. Saul Noam Zaritt is an Assistant Professor of Yiddish Studies at Harvard University. He is a founding editor of In geveb, an open-access digital journal of Yiddish studies. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In or, on being the other woman (Duke UP, 2022), Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life—from art and motherhood to trap music and love—as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Zora Neale Hurston was an important figure in the Harlem Renaissance, but her novels didn’t conform to the style of her contemporaries. As a result, her work was almost lost—until the writer Alice Walker found her unmarked grave in 1974. Now, Hurston’s novel Their Eyes Were Watching God is on high school reading lists across the US. Dartmouth professor and poet Joshua Bennett discusses the novel’s longstanding impact and what it can teach us about cancel culture. Joshua Bennett is an Assistant Professor of English and Creative Writing at Dartmouth College. He is the author of The Sobbing School. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. You can hear the full interview with Professor Bennett on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Julia May Jonas is a writer, director, and the founder of theater company Nellie Tinder. She has taught at Skidmore College and NYU and lives in Brooklyn with her family. Vladimir (Simon & Schuster, 2022) is her first novel. Books Recommended in this Episode: Iris Murdoch, The Sea, The Sea Vladimir Nabokov, Laughter In the Dark Vladimir Nabokov, Pnin Sarah Moss, Ghost Wall Elisa Albert, Human Blues Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With the pressing work of decolonising our reading lists gaining traction in UK higher educational contexts, Decolonising the Conrad Canon (Liverpool UP, 2022) shows how those author-Gods most associated with the colonial literary canon can also be retooled through decolonial, queer, feminist readings. This book finds pockets of powerful anti-colonial resistance and queer dissonance in Joseph Conrad's lesser-known works - breathing spaces from the colonial rhetoric that dominates his novels - and traces the female characters who voice them off the page and into their transmedia (digital/illustrative/cinematic) afterlives. From Immada and Edith's queer gaze in The Rescue and the periodical illustrations that accompanied its initial serialization, to Aïssa's sustained critique of imperialism in An Outcast of the Islands and her portrayal on mass-market paperback book covers, to the structural female bonds of Almayer's Folly and Nina's embodiment in Chantal Akerman's adaptation La Folie Almayer, this book centres Conrad's female characters as viable, meaning-making citizens of the canon. Through this intervention, Decolonising the Conrad Canon proposes an innovative model for teaching, reading and studying not just Joseph Conrad's work but the colonial literary canon more broadly. Dr. Alice Kelly is a Postdoctoral Fellow at the University of Edinburgh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mohsin Hamid is the author of five novels -- The Last White Man, Exit West, How to Get Filthy Rich in Rising Asia, The Reluctant Fundamentalist, and Moth Smoke -- and a book of essays, Discontent and Its Civilizations. His writing has been translated into forty languages, featured on bestseller lists, and adapted for the cinema. Born in Lahore, he has spent about half his life there and much of the rest in London, New York, and California. Mohsin Recommends: Michael Ondaatje, The English Patient Kazuo Ishiguro, The Remains of the Day Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Christopher Krentz is an Associate Professor at the University of Virginia, where he has a joint appointment with the departments of English and American Sign Language. He is also the author of Writing Deafness: The Hearing Line in Nineteenth-Century American Literature and editor of A Mighty Change: An Anthology of Deaf American Writing, 1816–1864, as well as numerous articles about disability in literature and culture. He is currently director of the University of Virginia’s Disability Studies Initiative and helped found their American Sign Language Program. Characters with disabilities are often overlooked in fiction, but many occupy central places in literature by celebrated authors like Chinua Achebe, Salman Rushdie, J. M. Coetzee, Anita Desai, Jhumpa Lahiri, Edwidge Danticat, and others. These authors deploy disability to do important cultural work, writes Christopher Krentz in his innovative study, Elusive Kinship: Disability and Human Rights in Postcolonial Literature (Temple UP, 2022). Such representations not only relate to the millions of disabled people in the Global South, but also make more vivid such issues as the effects of colonialism, global capitalism, racism and sexism, war, and environmental disaster. Krentz is the first to put the fields of postcolonial studies, studies of human rights and literature, and literary disability in conversation with each other in a book-length study. He enhances our appreciation of key texts of Anglophone postcolonial literature of the Global South, including Things Fall Apart and Midnight’s Children. In addition, he uncovers the myriad ways fiction gains energy, vitality, and metaphoric force from characters with extraordinary bodies or minds. Depicting injustices faced by characters with disabilities is vital to raising awareness and achieving human rights. Elusive Kinship nudges us toward a fuller understanding of disability worldwide. Autumn Wilke works in higher education as an ADA coordinator and diversity officer and is also an author and doctoral candidate with research/topics related to disability and higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself. Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman’s Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can a library change the world? How can an art library change the art school or the gallery? Or even an art practice? In Shelf Documents: Art Library as Practice (Royal Academy of Fine Arts in Antwerp, 2021), artists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action. In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. shelf documents is rooted in a collaborative book acquisition project, initiated by the artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated over 200 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked. Heide Hinrichs, Elizabeth Haines, and Jo-ey Tang speak to Pierre d’Alancaisez about working with institutions, working slowly, and working together to interfere with the permanence of libraries. Heide Hinrichs is an artist who works with found and existing materials. For the first Kathmandu Triennale, she developed the project On Some of the Birds of Nepal. In 2018, she published Silent Sisters/Stille Schwestern, an unauthorised German translation of Theresa Hak Kyng Cha’s novel Dictee. Elizabeth Haines is a historian and Vice-Chancellor’s Fellow at the University of Bristol. Her interdisciplinary interest in the materiality of knowledge productions draws on her education in fine arts. Jo-ey Tang is an artist, curator, and writer. He was previously the director of exhibitions at the Beeler Galery at Columbus College of Art & Design and is currently the director of Kadist, San Francisco. The list of books involved in the project is available at second-shelf.org. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“These United States are themselves the greatest poem.” When Walt Whitman wrote this line, he was an unknown Brooklyn newspaper man. But his work would transform American poetry and offer a new vision of American identity—one that was diverse, urban, and embodied. In this episode, Harvard professor Elisa New discusses Walt Whitman’s legacy. Elisa New is the Powell M. Cabot Professor of American Literature at Harvard University. She is the creator and host of the TV show Poetry in America, and author of The Line's Eye: Poetic Experience, American Sight and New England, Beyond Criticism: Rereading America's First Literature. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The 1750s are remembered as a high point of China's Qing Dynasty: a time of power, prestige, and social harmony. But The Story of the Stone paints a different picture: one of harmful traditions, political corruption, and inter-generational conflict. Over 250 years later, it's one of the most loved novels in Chinese literature, with dozens of adaptations and an entire field of scholarship dedicated to it. In this episode, Stanford professor Ronald Egan discusses the revolutionary story and its enduring impact. Ronald Egan is the Confucius Institute Professor of Sinology at Stanford University. He is the author of Li Qingzhao: China's Foremost Woman Poet, The Literary Works of Ou-yang Hsui, and more. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There is only one surviving copy of The Life and Passion of William of Norwich, but its story continues to haunt us. When 12th-century monk Thomas of Monmouth learned of a young boy’s murder in his community, he accused his Jewish neighbors of the heinous crime. Over the course of two decades, he wrote a seven-volume conspiracy theory, building out the accusation and cementing it in history. Stanford professor Rowan Dorin discusses the book’s creation and its challenging legacy. Rowan Dorin is Assistant Professor of History at Stanford University. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Modernist literature at the end of the British empire challenges conventional notions of homeland, heritage, and community.The waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished. In The Obsolete Empire: Untimely Belonging in Twentieth-Century British Literature (Johns Hopkins UP, 2021), Philip Tsang brings together an unusual constellation of writers—Henry James, James Joyce, Doris Lessing, and V. S. Naipaul—to trace an aesthetics of frustrated attachment that emerged in the wake of imperial decline. Caught between an expansive Britishness and an exclusive Englishness, these writers explored what it meant to belong to an empire that did not belong to them.Thanks to their voracious reading of English fiction and poetry in their formative years, all of these writers experienced a richly textured world with which they deeply identified but from which they felt excluded. The literary England they imagined, frozen in time and out of place with the realities of imperial decline, in turn figures in their writings as a repository of unconsummated attachments, contradictory desires, and belated exchanges. Their works arrest the linear progression from colonial to postcolonial, from empire to nation, and from subject to citizen. Drawing on a rich body of scholarship on affect and temporality, Tsang demonstrates how the British empire endures as a structure of desire that outlived its political lifespan. By showing how literary reading sets in motion a tense interplay of intimacy and exclusion, Tsang investigates a unique mode of belonging arising from the predicament of being conscripted into a global empire but not desired as its proper citizen. Ultimately, The Obsolete Empire asks: What does it mean to be inside or outside any given culture? How do large-scale geopolitical changes play out at the level of cultural attachment and political belonging? How does literary reading establish or unsettle narratives of who we are? These questions preoccupied writers across Britain's former empire and continue to resonate today. Dr. Philip Tsang is Assistant Professor at Colorado State University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It’s easy to write off his message that communication is vital for human existence. He’s a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book’s pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway’s profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women’s, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press’s authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How people traveled, and how people wrote about travel, changed in the interwar years. Novel technologies eased travel conditions, breeding new iterations of the colonizing gaze. The sense that another war was coming lent urgency and anxiety to the search for new places and "authentic" experiences. In Interwar Itineraries: Authenticity in Anglophone and French Travel Writing (Amherst College Press, 2022), Emily O. Wittman identifies a diverse group of writers from two languages who embarked on such quests. For these writers, authenticity was achieved through rugged adventure abroad to economically poorer destinations. Using translation theory and new approaches in travel studies and global modernisms, Wittman links and complicates the symbolic and rhetorical strategies of writers including André Gide, Ernest Hemingway, Michel Leiris, Isak Dinesen, Beryl Markham, among others, that offer insight into the high ethical stakes of travel and allow us to see in new ways how models of the authentic self are built and maintained through asymmetries of encounter. This book is available open-access here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When French author Jules Verne wrote Around the World in 80 Days in the late 1800s, scheduled global travel was practically science fiction, and 80 days seemed impossibly fast. But his techno-futurist novel inspired everyday adventurers to traverse the globe by boat, train, bike, and foot—and beat his protagonist’s record. Harvard professor Joyce Chaplin discusses what we can learn from Jules Verne’s classic novel. Joyce Chaplin is the James Duncan Phillips Professor of Early American History at Harvard University. She is the author of Round About The Earth: Circumnavigation from Magellan to Orbit. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wendy Doniger's After the War: The Last Books of the Mahabharata (Oxford UP, 2022) is a new translation of the final part of the Mahabharata, the great Sanskrit Epic poem about a devastating fraternal war. In this aftermath of the great war, the surviving heroes find various deaths, ranging from a drunken debacle in which they kill many of their own comrades to suicide through meditation and, finally, magical transportation to both heaven and hell. Bereaved mothers and widows on earth are comforted when their dead sons and husbands are magically conjured up from heaven and emerge from a river to spend one glorious night on earth with their loved ones. Ultimately, the bitterly opposed heroes of both sides are reconciled in heaven, but only when they finally let go of the vindictive masculine pride that has made each episode of violence give rise to another. Throughout the text, issues of truth and reconciliation, of the competing beliefs in various afterlives, and of the ultimate purpose of human life are debated. This last part of the Mahabharata has much to tell us both about the deep wisdom of Indian poets during the centuries from 300 BCE to 300 CE (the dates of the recension of this enormous text) and about the problems that we ourselves confront in the aftermath of our own genocidal and internecine wars. The author, a distinguished translator of Sanskrit texts (including the Rig Veda, the Laws of Manu, and the Kamasutra), puts the text into clear, flowing, contemporary prose, with a comprehensive but unintrusive critical apparatus. This book will delight general readers and enlighten students of Indian civilization and of great world literature. Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joshua A. Fogel and Matthew Fraleigh's edited volume Sino-Japanese Reflections: Literary and Cultural Interactions between China and Japan in Early Modernity (de Gruyter, 2022) offers ten richly detailed case studies that examine various forms of cultural and literary interaction between Japanese and Chinese intellectuals from the late Ming to the early twentieth century. The authors consider efforts by early modern scholars on each side of the Yellow Sea to understand the language and culture of the other, to draw upon received texts and forms, and to contribute to shared literary practices. Whereas literary and cultural flow within the Sinosphere is sometimes imagined to be an entirely unidirectional process of textual dissemination from China to the periphery, the contributions to this volume reveal a more complex picture: highlighting how literary and cultural engagement was always an opportunity for creative adaptation and negotiation. Examining materials such as Chinese translations of Japanese vernacular poetry, Japanese engagements with Chinese supernatural stories, adaptations of Japanese historical tales into vernacular Chinese, Sinitic poetry composed in Japan, and Japanese Sinology, the volume brings together recent work by literary scholars and intellectual historians of multiple generations, all of whom have a strong comparative interest in Sino-Japanese studies. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson’s “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kimberly Anne Coles is Professor of English at the University of Maryland; her first book, Religion, Reform and Women’s Writing in Early Modern England, was published with Cambridge University Press in 2008. Her work has been supported by the John W. Kluge Center, the Warburg Institute, and the Folger Shakespeare Library. Today, we are discussing Bad Humor: Race and Religious Essentialism in Early Modern England, which was published by the University of Pennsylvania Press in 2022. In Bad Humor, Professor Coles charts how concerns around lineage, religion and nation converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Professor Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Professor Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Jackson W. Crawford is Instructor of Nordic Studies and Coordinator of the Nordic Program at the University of Colorado-Boulder. Crawford is the author and translator of The Wanderer’s Havamal and The Poetic Edda: Stories of the Norse Gods and Heroes. Both books are available from Hackett Publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alice Elliott Dark is the author of the novels Fellowship Point and Think of England, and two collections of short stories, In The Gloaming and Naked to the Waist. Her work has appeared in, among others, The New Yorker, Harper's, DoubleTake, Ploughshares, A Public Space, Best American Short Stories, Prize Stories: The O.Henry Awards, and has been translated into many languages. "In the Gloaming," a story, was chosen by John Updike for inclusion in The Best American Short Stories of The Century and was made into films by HBO and Trinity Playhouse. Her non-fiction reviews and essays have appeared in The New York Times, The Washington Post, and many anthologies. She is a recipient of a fellowship from the National Endowment for the Arts and an Associate Professor at Rutgers-Newark in the English department and the MFA program. Books Recommended in this episode: Fellowship Point (Simon and Schuster, 2022) Alice Recommends: Elena Ferrante, The Neapolitan Quartet Jean Stafford, The Catherine Wheel Willa Cather, The Professor’s House Joanne Beard, Festival Days Mary Oliver, Upstream Rebecca Solnit, Orwell’s Roses Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roger Zelazny (1937-1995) combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. In Roger Zelazny (University of Illinois Press, 2021), F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with …And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as “Home Is the Hangman” and “24 Views of Mt. Fuji, by Hokusai.” Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. F. (Francis) Brett Cox is the Charles A. Dana Professor of English at Norwich University. In addition to his critical study of Roger Zelazny (recently awarded second place for nonfiction in the 2022 Locus Awards), he has published over thirty short stories, most of which appear in his collection The End of All Our Exploring: Stories (Fairwood Press, 2018). He has also co-edited the anthology Crossroads: Tales of the Southern Literary Fantastic (Tor, 2004). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Elliott Rabin about his book The Biblical Hero: Portraits in Nobility and Fallibility (Jewish Publication Society, 2020). Approaching the Bible in an original way—comparing biblical heroes to heroes in world literature—Rabin addresses a core biblical question: What is the Bible telling us about what it means to be a hero? Focusing on the lives of six major biblical characters—Moses, Samson, David, Esther, Abraham, and Jacob—Rabin examines their resemblance to hero types found in (and perhaps drawn from) other literatures and analyzes why the Bible depicts its heroes less gloriously than do the texts of other cultures. Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Mark Andryczyk, translator of Volodymyr Rafeyenko’s novel Mondegreen: Songs about Death and Love (Harvard Ukrainian Research Institute, 2022). A mondegreen is something that is heard improperly by someone who then clings to that misinterpretation as fact. Fittingly, Mondegreen: Songs about Death and Love explores the ways that memory and language construct our identity, and how we hold on to it no matter what. The novel tells the story of Haba Habinsky, a refugee from Ukraine’s Donbas region, who has escaped to the capital city of Kyiv at the onset of the Ukrainian–Russian war. His physical dislocation—and his subsequent willful adoption of the Ukrainian language—place the protagonist in a state of disorientation during which he is forced to challenge his convictions. Written in beautiful, experimental style, the novel shows how people—and cities—are capable of radical transformation and how this, in turn, affects their interpersonal relations and cultural identification. Taking on crucial topics stirred by Russian aggression that began in 2014, the novel stands out for the innovative and probing manner in which it dissects them, while providing a fresh Donbas perspective on Ukrainian identity. Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I can point you to mountains of research about prisons. I can also recommend at least a dozen Netflix documentaries, and highlight a handful of radical activists and scholars. There’s a lot of intellectual work done about prison. But what about intellectual work done in prison? As part of this week’s “ideas in strange places” theme, we want to play you this episode from right near when we started Darts and Letters, where we ask what kind of radical thought can come from the extreme oppression prisoners endure. We’ll be back with brand new episodes on September 18th, until then we’re replaying the best of our catalogue with a different theme each week. In Prison Notebooks… First, in the opening essay, host Gordon Katic discusses the long history of radical prison writing. From Thoreau to Gramsci, MLK, Oscar Wilde, Eugene Debs, Emma Goldman, and even Wittgenstein. Next (@5:36), Chandra Bozelko served 6 years, three months, and 11 days in a women’s prison in Connecticut. While inside, she started an award-winning newspaper column. She tells us what writing did for her while inside, and what everyday prison intellectualism really looks like. Then (@42:30), Justin Piché edits one of the most amazing academic journals you will ever come across. It’s called the Journal of Prisoners on Prisons. It has been around for over thirty years. In each and every edition, you will see brilliant scholarly work—it just so happens that this work is written by prisoners themselves. —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. —————————-CONTACT US————————- To stay up to date, follow us on Twitter and Instagram. If you’d like to write us, email [email protected] or tweet Gordon directly. —————————-CREDITS—————————- This episode of Darts and Letters was produced by Jay Cockburn. Research and support from David Moscrop and Addye Susnick. Our theme song and music was created by Mike Barber, and our graphic design was created by Dakota Koop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Kushnameh is unique, literally. Only one copy of the “Epic of Kush”exists, sitting in the British Library. Hardly anything is known about its author, Iranshah. It features a quite villainous protagonist, the tusked warrior Kush, who carves a swathe of destruction across the region. And it spans nearly half the world, with episodes in Spain, the Maghreb, India, China and even Korea. It was that last reference that encouraged academics in Korea to study the Kushnameh, and bring Kaveh Hemmat to do its first-ever English translation, published by the University of California Press this year. Kaveh L. Hemmat is assistant professor, professional faculty in History at Benedictine University, scholar of world history and Islamicate culture, director of the NEH-funded Khataynameh Translation Project, an unusually determined cyclist, and a dabbler in sundry pursuits ranging from sourdough bread baking to drawing. He completed his Ph.D at the University of Chicago in the Department of Near Eastern Languages and Civilizations in 2014. His research focuses on interaction between the Islamic world and East Asia and the importance of this interaction to Islamic political thought and premodern global political history. In this interview, Kaveh and I discuss this unique document and the cultural and political context behind its writing. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of the Kushnameh. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our first August rebroadcast was John and Pu's 2019 interview with SF superstar Cixin Liu (you may want to re-listen to that episode before this one!). Here, they reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work. They consider whether our world is like a cabinet in a basement, and what kind of optimism or pessimism might be available to science fiction writers. They compare the interview to a recent profile of Liu in The New Yorker, and ponder the advantages and disadvantages of pressing writers to weigh in on the hot-button topics of the day. Discussed in this episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Jiayang Fan, “Liu Cixin’s War of the Worlds” (New Yorker interview/profile) Yuri Slezkine, The House of Government: A Saga of the Russian Revolution Isaac Asimov, The End of Eternity George Melies (dir.), A Voyage to the Moon Fritz Lang (dir.), Metropolis Frant Gwo (dir.), The Wandering Earth Ivan Goncharov, Oblomov Transcript available here. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roanne Kantor tells us about World Literature, in the ideas and practices of readers, writers, and scholars. Spatial metaphors like libraries, closets, and airport bookshops, help her imagine the “world” in world literature. In the episode Roanne references work by many scholars in the field, including David Damrosch’s What is World Literature (Princeton UP, 2003); Debjani Ganguly’s This Thing Called the World (Duke UP, 2016), and Gloria Fisk’s Orhan Pamuk and the Good of World Literature (Columbia UP, 2018). In the longer version of our conversation, we talked about how little magazines from the 1970s New York literary scene, like Ed Sanders’ Fuck You: A Magazine of the Arts, circulated in South Asia, inspiring avant-garde magazines like Arvind Krishna Mehrotra’s damn you/a magazine of the arts. Roanne is an assistant professor of English and Comparative Literature at Stanford University. She has a brand new book, South Asian Writers, Latin American Literature, and the Rise of Global English, (Cambridge UP, 2022). If you want to learn more about the world of world lit, check it out. This week’s image of an airport bookshop at the Incheon International Airport in South Korea, was photographed by Adli Wahid and made publicly available on Wikimedia Commons under a Creative Commons License. Music used in promotional material: ‘Six More Weeks’ by Evening Fires Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sohini Sarah Pillai talks about epics, long narrative poems about heroic events – whether all such poems can be called epics, and how they continue to generate cultural and political material. The conversation covers epic poems ranging from the Iliad to Jack Mitchell’s The Odyssey of Star Wars. Sohini Pillai is Assistant Professor of Religion at Kalamazoo College where she teaches courses on religious traditions in South Asia. She is a comparatist of South Asian religious literature and her area of specialization is the Mahabharata and Ramayana narrative traditions with a particular focus on retellings created in Hindi and Tamil. She is also the co-editor with Nell Shapiro Hawley of Many Mahabharatas (State University of New York Press, 2021). Image by Saronik Bosu (This image is a work of fan art that adapts characters from the Star Wars franchise owned by Lucasfilm ltd.) Music used in promotional material: ‘Yoliyoli’ by 33nano Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It’s stardate 99040.01 and lead producer Jay Cockburn is temporarily taking over command of Darts and Letters for an episode. For this episode, as part of the week’s theme of “ideas in strange places” we boldly go into the strange new worlds of science fiction, revealing how it’s long been a vehicle for radical thought. We dig into post-scarcity, Afrofuturism, and feminist speculative fiction as we set our phasers to fun and go where no podcast has gone before. This episode is a rebroadcast from our catalogue. We’re revisiting some of our favourites until the new season of Darts and Letters launches on September 18th. First (@10:54), Cory Doctorow is a journalist, activist, blogger, and author of many books including the post-scarcity speculative fiction novel Walkaway. He takes us through the idea of a post-scarcity world as he breaks down the idea of abundance and what we might do with it, or not. Then, (@34:52), Nalo Hopkinson is a science fiction writer, editor, professor, and author of Brown Girl in the Ring. She talks to us about Afrofuturism as a critical lens and different ways of seeing the future for different communities — and re-imagining the present. Plus, be sure to read her own recommendation: Sister Mine. Finally, (@49:43), Batya Weinbaum is a poet, artist, professor, and the editor of FemSpec, an academic journal of feminist speculative fiction. She charts the history of feminism in science fiction and how art, including novels, helps drive social, political, and economic change. —————————-CONTACT US————————- To stay up to date, follow us on Twitter and Instagram. If you’d like to write to us, email [email protected] or tweet Gordon directly. —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. —————————-CREDITS—————————- Darts and Letters is hosted and edited by Gordon Katic; this episode our guest host and lead producer is Jay Cockburn. Gordon Katic is our editor. Our managing producer is Marc Apollonio. Our research assistants for this episode were Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is unfeeling? According to today’s guest, Xine Yao, unfeeling includes “a broad range of affective modes, including withholding, disregard, growing a thick skin, refusing to care, opacity, numbness, dissociation, inscrutability, frigidity, insensibility, obduracy, flatness, insensitivity, disinterest, coldness, heartlessness, fatigue, desensitization, and emotional unavailability.” In short, Xine argues in a new book from Duke University Press, titled Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America, “people who are disaffected break from affectability and present themselves as unaffected” (11). Xine is a Lecturer of English before 1900 at University College London. Xine is a BBC Radio 3/AHRC New Generation Thinker and the co-host of the PhDivas Podcast which focuses on social justice and academia across the STEM/Humanities divide. Disaffected is an urgent book that examines how sentimentality was (and is) a part of the political architecture of white supremacy and governmentality—and the forms of unfeeling that writers of color used (and continue to use) to roil that architecture. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe. Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions. Caryn Rose can be found on Twitter and you can read her work in her newsletter. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies