New Books in Literary Studies

What would an “anti-field history” of Buddhist Studies look like? What does the social history of knowledge look like when it both includes and exceeds the West/Nonwest binary, the ethnonational subject, the secular humanist gaze, and the moral narratives and metaphysical content of modernism? Matt W. King explores these critical questions and models innovative approaches in his second monograph, In the Forest of the Blind (Columbia University Press 2022), which uses Faxian’s Record of Buddhist Kingdoms to expose “ecologies of interpretation” in both nineteenth-century European Orientalist scholarship and Inner Asian monastic cultures. Although Faxian’s The Record of Buddhist Kingdoms (Foguoji) is a fifth-century CE travelogue about the Chinese Buddhist monk’s journey into Central and South Asia, it later became the subject of Europe’s first study of “Buddhist Asia” in the nineteenth century in Jean-Pierre Abel-Rémusat’s Relation des Royaumes Bouddhiques, which was then translated from French into Mongolian by the Buryat scholar Dorji Banzarov, and then by the Mongolian monk Zava Damdin Lubsangdamdin from Mongolian into Tibetan. Tracing this fascinating history of trans-Eurasian circulation of knowledge production, King argues that “the circulatory history of Faxian’s Record is not simply about Buddhist Asia forged in Europe into other places that were not Europe,” rather, the story is organized “by a chain of site-specific and differing orientations to knowledge itself – of treatments for traces of the past, of methodology.” In six creatively organized chapters, King discusses first discusses how Faxian’s Record “orders time by means of space” in its early Chinese context, and then delves into the history of Orientalist Buddhist Studies showing how Abel-Rémusat’s “poaching” of Qing sources facilitated the disciplining of Buddhist Asia into an object of a transregional science. In Chapters 3 and 5, we see an inversion of the Orientalist gaze and learn about the reception and reinterpretation of Orientalist scholarship among the “Oriental” subjects themselves, who attempted to make sense of Buddhist history, geography, and Asia’s place and time in the world through Faxian’s Record, via Abel-Rémusat’s translation and scholarship. Here, King shows us that Abel-Rémusat’s science of Buddhist Asia was turned, or rather silenced, into chö-jung (history of the Dharma). Unlike models from world history and transcultural studies that tend to focus on movement, contact, and exchange, In the Forest of the Blind instead focuses innovatively on connected but place-bound interpreters who hardly knew of each other and “who began anew from the silence of analytical practices staged elsewhere.” As an example of an “anti-field history,” this book, in King’s words, attempts “not to look past the fetish of the subject, but to find the disciplinary implications of centerless, overlapping, and mutually incomprehensible relations of knowledge-power that are coproductive but unbeholden to any specific relation of force (such as colonizer/colonized).” The aim of the book, King explains, is “to imagine new disciplinary futures in Buddhist and Asian studies by implicating the disciplinary present in a more diverse, global, subversive, and dispersed disciplinary past that is more attentive to negative space and absence than to impact or influence.” Ending the book with a complete, annotated English translation of the Tibetan version of Faxian’s Record, which was translated from a Mongolian translation of the French translation of the Chinese original, In the Forest of the Blind provides the readers with rich notes about continuities and discrepancies across all four trans-Eurasian versions. Matthew King is an Associate Professor in Transnational Buddhism in the Department of Religious Studies at the University of California, Riverside. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen's existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names-"enemies of the people;" the "missing," the "disappeared," "ghost" detainees in "black sites"-but they are subject to the same fate of political erasure. Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life "unbearable," unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the "life" of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s episode focuses on the new book by Lydia Moland, who is a Professor of Philosophy at Colby College. Her book, Lydia Maria Child: A Radical American Life (U Chicago Press, 2022) offers a powerful window into questions of humility and its relationship to racism and other forms of discrimination in American history. We talk about Child’s ideas, particularly as they relate to many of the issue facing contemporary American society. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma's edited anthology Three Centuries of Travel Writing by Muslim Women (Indiana University Press 2022) is a collection of travel writings from the late 19th century to the early and mid-20th century. It captures the fascinating lives of diverse Muslim women as they travelled for religious pilgrimage, political reasons, education, and for leisure. This anthology not only recovers the voices of women from a broad range of languages, Urdu, Punjabi, Turkish, and Persian but also provides the historical and cultural contexts necessary to understand the full significance of what these women were trying to convey of their experiences in their context. Such fascinating travel excerpts include those of Mirza Khalil and the Nur Begum’s pilgrimage to hajj or those of the Egyptian Huda Shaarawi or Amina Said’s travel related to their thinking of feminism, the Indonesian communist Suharti Suwarto’s visit to the Soviet Union or the Indian nurse Mehr al-Nisa navigating new life in Ohio, to name just a few of the 45 examples documented here. The historical experiences of Muslim women offers a fascinating and understudied point of insight into the role of imperial, colonial, and global history. The original texts gathered are accessible via the accompanying website for you to check out and explore. This anthology will be of interest to anyone working on travel, colonial history, Muslim women, and comparative literature, Islamic Studies. It will also be an excellent resource in many courses that cover a range of topics be it religious piety, feminism, travel, travel writing, and much more. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ellen Doré Watson speaks to managing editor Emily Everett about her poem “In Which Raging Weather is a Gift,” which appears in The Common’s spring issue. Ellen talks about the importance of letting a poem surprise you as the first draft comes together. She also discusses her thoughts on the revision process, her work translating poetry and prose, and the years she spent running the Smith College Poetry Center. Ellen Doré Watson’s fifth full-length collection is pray me stay eager. Her poems have appeared in The American Poetry Review, Tin House, Orion, and The New Yorker. She has translated a dozen books from Brazilian Portuguese, including the work of Adelia Prado. Watson served as poetry editor of The Massachusetts Review and director of the Poetry Center at Smith College for decades, and currently offers manuscript editing and workshops online. ­­Read Ellen’s poems in The Common at thecommononline.org/tag/ellen-dore-watson. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joseph Conrad, who published 20 books and several best-sellers by the time of his death, was also a sailor. Heart of Darkness follows seaman Charles Marlow’s journey down a river in Africa. It is Conrad’s most well-known book today. This tale of colonialism in Africa is shrouded in mystery, and the book itself has fallen in and out of favor since its publication. Harvard professor Maya Jassanoff discusses why Heart of Darkness is an exemplar of what it means to read a text within its historical context. Maya Jassanoff is a Harvard professor of History. Her book The Dawn Watch: Joseph Conrad in a Global World won the Cundill Prize in History. She is also the author of Liberty’s Exiles: American Loyalists in the Revolutionary World and Edge of Empire: Lives, Culture, and Conquest in the East, 1750-1850. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sandeep Banerjee's book Space, Utopia and Indian Decolonization: Literary Pre-Figurations of the Postcolony (Routledge, 2021) illuminates the spatial utopianism of South Asian anti-colonial texts by showing how they refuse colonial spatial imaginaries to re-imagine the British Indian colony as the postcolony in diverse and contested ways. Focusing on the literary field of South Asia between, largely, the 1860s and 1920s, it underlines the centrality of literary imagination and representation in the cultural politics of decolonization. This book spatializes our understanding of decolonization while decoupling and complicating the easy equation between decolonization and anti-colonial nationalism. The author utilises a global comparative framework and reads across the English-vernacular divide to understand space as a site of contested representation and ideological contestation. He interrogates the spatial desire of anti-colonial and colonial texts across a range of genres, namely, historical romances, novels, travelogues, memoirs, poems, and patriotic lyrics. The book is the first full-length literary geographical study of South Asian literary texts and will be of interest to an interdisciplinary audience in the fields of Postcolonial and World Literature, Asian Literature, Victorian Literature, Modern South Asian Historiography, Literature and Utopia, Literature and Decolonization, Literature and Nationalism, Cultural Geography, and South Asian Studies. Dr. Sandeep Banerjee is Associate professor at McGill University in Canada. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others. The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebel Book Club is an online and in-person book club. Each month, over 1,000 people get together to discuss a non-fiction book, occasionally with the author as a participant. For new members, use code: REBELREADER Ben Keene is an entrepreneur, author, and food journalist. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose? Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book Criticism and Politics: A Polemical Introduction (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode from the Vault, we hear from historian Eric Hobsbawm, a frequent visitor at the New York Institute for the Humanities. His talk, Literacy and the Tower of Babel, took place in November 1984. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Watching our favorite TV shows and movies today, it’s easy to take the relatable characters and familiar settings for granted. But when Henrik Ibsen debuted his play A Doll’s House, realism was a shocking, new approach. Professor Derek Miller discusses what realism can teach us about our reality and how A Doll’s House rocked the 19th century theatre scene. Derek Miller is the John L. Loeb Associate Professor of the Humanities at Harvard University. He teaches in the English department as well as courses in theater, dance, and media. He is the author of Copyright and the Value of Performance, 1770-1911 and is currently working on a project titled Visualizing Broadway. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A. M. Homes most recent book is The Unfolding (Viking, 2022). Her previous work includes, This Book Will Save Your Life, which won the 2013 Orange/Women’s Prize for Fiction, Music For Torching, The End of Alice, In a Country of Mothers, and Jack, as well as the short-story collections, Days of Awe, Things You Should Know and The Safety of Objects, the bestselling memoir, The Mistress’s Daughter along with a travel memoir, Los Angeles: People, Places and The Castle on the Hill, and the artist’s book Appendix A: A.M. Homes has been the recipient of numerous awards including Fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Arts, NYFA, and The Cullman Center for Scholars and Writers at The New York Public Library, along with the Benjamin Franklin Award, and the Deutscher Jugendliteraturpreis. She was a Co-Executive Producer and Writer on David E. Kelly and Stephen King’s, Mr. Mercedes, Co-Executive Producer and Writer on Falling Water and has created original television pilots for HBO, FX and CBS and was a writer/producer of the Showtime series The L Word. Recommended Books: Melissa Febos Maria Popova, Figuring —”The Marginalian” Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In August of 1945, the United States dropped an atomic bomb on two Japanese cities, Hiroshima and Nagasaki. Less than a year later, American journalist John Hersey traveled to Hiroshima and interviewed survivors of the bombing. The subsequent article was published by The New Yorker in 1946. Hiroshima was published as a book two months later. MIT Professor Christopher Capozzola discusses why he thinks every American should read Hiroshima. Christopher Capozzola is a professor of History at MIT. He is the author of Uncle Sam Wants You: World War I and the Making of the Modern American Citizen and Bound by War: How the United States and the Philippines Build America’s First Pacific Century. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do literature and other cultural forms shape how we imagine the planet, for better or worse? In this rich, original, and long awaited book, Jennifer Wenzel tackles the formal innovations, rhetorical appeals, and sociological imbrications of world literature that might help us confront unevenly distributed environmental crises, including global warming. The Disposition of Nature: Environmental Crisis and World Literature (Fordham UP, 2019) argues that assumptions about what nature is are at stake in conflicts over how it is inhabited or used. Both environmental discourse and world literature scholarship tend to confuse parts and wholes. Working with writing and film from Africa, South Asia, and beyond, Wenzel takes a contrapuntal approach to sites and subjects dispersed across space and time. Reading for the planet, Wenzel shows, means reading from near to there: across experiential divides, between specific sites, at more than one scale. Impressive in its disciplinary breadth, Wenzel’s book fuses insights from political ecology, geography, anthropology, history, and law, while drawing on active debates between postcolonial theory and world literature, as well as scholarship on the Anthropocene and the material turn. In doing so, the book shows the importance of the literary to environmental thought and practice, elaborating how a supple understanding of cultural imagination and narrative logics can foster more robust accounts of global inequality and energize movements for justice and livable futures. Jennifer Wenzel teaches at Columbia University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Censorship, Urdu literature, Islam, and progressive secular nationalisms in colonial India and Pakistan have a complex, intertwined history. Sarah Waheed, Assistant Professor at the University of South Carolina, offers a timely examination of the role of progressive Muslim intellectuals in the Pakistan movement in her new book, Hidden Histories of Pakistan: Censorship, Literature, and Secular Nationalism in Late Colonial India (Cambridge University Press, 2022). She delves into how these left-leaning intellectuals drew from long-standing literary traditions of Islam in a period of great duress and upheaval, complicating our understanding of the relationship between religion and secularism. Rather than seeing 'religion' and 'the secular' as distinct and oppositional phenomena, this book demonstrates how these concepts themselves were historically produced in South Asia and were deeply interconnected in the cultural politics of the left. Through a detailed analysis of trials for blasphemy, obscenity, and sedition, and feminist writers, Waheed argues that Muslim intellectuals engaged with socialism and communism through their distinctive ethical and cultural past. In so doing, she provides a fresh perspective on the creation of Pakistan and South Asian modernity. In our conversation we discuss leftist Muslim ideals, Urdu literary network, deconstructing the religious/secular binary, the banning of the controversial “Burning Embers” collection, the renowned writer Saadat Hasan Manto, the politics of sexuality, South Asia’s colonial legacies, poet Faiz Ahmad Faiz, Islamic traditions of aesthetics and ethics, legal trials on obscenity and blasphemy, feminist poet Fahmida Riaz, the gender politics of progressive intellectual spaces, and notions of South Asian Muslim nationalism and communal identity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I spoke with Carles Prado-Fonts on his recently published book Secondhand China: Spain, the East, and the Politics of Translation (Northwestern UP, 2022). This transcultural study of cultural production brings to light the ways Spanish literature imagined China by relying on English- and French-language sources. Carles Prado-Fonts examines how the simultaneous dependence on and obscuring of translation in these cross-cultural representations created the illusion of a homogeneous West. He argues that Orientalism became an instrument of hegemony not only between “the West and the rest” but also within the West itself, where Spanish writers used representations of China to connect themselves to Europe, hone a national voice, or forward ideas of political and cultural modernity. Uncovering an eclectic and surprising archive, Prado-Fonts draws on diverse cultural artifacts from popular literature, journalism, and early cinema to offer a rich account of how China was seen across the West between 1880 and 1930. Enrique Gaspar, Luis de Oteyza, Vicente Blasco Ibáñez, and lesser-known authors writing in Spanish and Catalan put themselves in dialogue with Leo Tolstoy, John Dewey, W. Somerset Maugham, Bertrand Russell, Pearl Buck, and André Malraux, as well as stereotypical figures from popular culture like Fu Manchu and Charlie Chan. Throughout, Prado-Fonts exposes translation as a technology of cultural hegemony and China as an appealing object for representation. A timely contribution to our understanding of how we create and consume knowledge about the world, Secondhand China is essential reading for scholars and students of Orientalism, postcolonial studies, translation studies, comparative literature, and cultural studies. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality. Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced. Mentioned in the episode Yoshikazu Nango, "A new form of 'solitary space'...." (2021) Haruki Murakami's detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history. Walter Scott's Waverley novels: can we also understand the novel as an immersive machine that leaves readers half in their actual world? Lewis Carrol's Alice's Adventures in Wonderland (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif) Ian Bogost on e-readers C S Lewis's wardrobe as portal in The Lion the Witch and the Wardrobe (1950) Lukacs focuses on the dizzying and transformative scale in Naturalism in "Narrate or Describe?" (1936) Wearable heart monitors as feedback machines for watching scary movies. The pre-history of Pokemon Go is various games played by early users of VR headsets on trains. Sword Art Online is a breakout popular example of Japanese stories of players trapped inside a game-world Thomas Boellstroff, Coming of Age in Second Life We Met in Virtual Reality Neil Stephenson's Snow Crash (1992) coined the concept of the metaverse. Recallable Books Madeline L'Engle The Wind in the Door (1973). Cervantes, Don Quixote (1606/1615) Futari Okajima Klein Bottle (1989) Collections such as Immersed in Technology, Future Visions, Virtual Realities and their Discontents; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection. Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yan Ge and Jeremy Tiang are both writers who accumulate languages. Sitting down with host Emily Hyde, they discuss their work in and across Chinese and English, but you’ll also hear them on Sichuanese, the dialect of Mandarin spoken in Yan Ge’s native Sichuan province, and on the Queen’s English as it operates in Singapore, where Jeremy grew up. Yan is an acclaimed writer in China, where she began publishing at age 17. She now lives in the UK. Her novel Strange Beasts of China came out in English in 2020, in Jeremy’s translation. Jeremy, in addition to having translated more than 20 books from Chinese, is also a novelist and a playwright currently based in New York City. This conversation roams from cryptozoology to Confucius, from the market for World Literature to the patriarchal structure of language. Yan reads from the “Sacrificial Beasts” chapter of her novel, and Jeremy envies the brevity and compression of her Chinese before reading his own English translation. Throughout this warmhearted conversation, Yan and Jeremy insist upon particularity: upon the specificity of language, even in translation, and the distinctiveness of identity, even in a globalized world. We learn more about Yan’s decision to write in English, and Jeremy’s cat chimes in with an answer to our signature question about untranslatability! Tune in and keep a look out for Yan’s English-language debut, Elsewhere, a collection of stories, due out in 2023. Mentions: -Yiyun Li -Liu Xiaobo -Jhumpa Lahiri -Confucius -Strange Beasts of China -Tilted Axis Press -State of Emergency -Yu char kway -Wittgenstein Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We don’t even know the real name of the 11th century author Murasaki Shikibu. But we do know that her book, The Tale of Genji, is arguably one of the most influential Japanese texts to date. Genji quickly captured its readers’ imaginations with political intrigue and court drama, but it can also be read as an astute critique of Japanese elite society. Reginald Jackson is an associate professor of Pre-modern Japanese Literature and Performance at the University of Michigan. He is the author of Textures of Mourning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford UP, 2021) focuses on the iteration of the trope of ‘the monstrous vegan’ across 200 years of Anglophone literature. Explicating, through such monsters, veganism’s relation to utopian longing and challenge to the conceptual category of the ‘human’, the book explores ways in which ethical identities can be written, represented, and transmitted. Reading Veganism proposes that we can recognize and identify the monstrous vegan in relation to four key traits. First, monstrous vegans do not eat animals, an abstinence that generates a seemingly inexplicable anxiety in those who encounter them. Second, they are hybrid assemblages of human and nonhuman animal parts, destabilizing existing taxonomical classifications. Third, monstrous vegans are sired outside of heterosexual reproduction, the product of male acts of creation. And, finally, monstrous vegans are intimately connected to acts of writing and literary creation. The principal contention of the book is that understandings of veganism, as identity and practice, are limited without a consideration of multiplicity, provisionality, failure, and insufficiency within vegan definition and lived practice. Veganism’s association with positivity, in its drive for health and purity, is countered by a necessary and productive negativity generated by a recognition of the horrors of the modern world. Vegan monsters rehearse the key paradoxes involved in the writing of vegan identity. Emelia Quinn is Assistant Professor of World Literatures & Environmental Humanities at the University of Amsterdam. Prior to this position she received her DPhil (PhD) in English from the University of Oxford. She is author of Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford UP, 2021) and co-editor of Thinking Veganism in Literature and Culture: Towards a Vegan Theory (Palgrave Macmillan, 2018) and The Edinburgh Companion to Vegan Literary Studies (Edinburgh UP, 2022) Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does the state support writers? In State Sponsored Literature: Britain and Cultural Diversity after 1945 (Oxford UP, 2020), Asha Rogers, Senior Lecturer in Contemporary Postcolonial Literature at the University of Birmingham, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, Carlos Rojas shares with us his experience as a translator. He has translated several renowned authors in the Chinese-speaking world, including Yan Lianke, Yu Hua, Jia Pingwa, and Ng Kim Chew, into English. Among the literary translations, Carlos has translated ten books written by Yan Lianke, including novels, short stories, novellas, and essay collections. The books include Lenin’s Kisses (2012), The Four Books (2015), Marrow (2016), The Explosion Chronicles: A Novel (2017), The Years, Months, Days: Two Novellas (2017), The Day the Sun Died (2018), Three Brothers: Memories of My Family (2020), the most recent Hard Like Water (2021) and Discovering Fiction (2022), and the forthcoming Heart Sutra (2023). Yan Lianke is one of the most famous and prolific authors in China. He is the winner of the Newman Prize for Chinese Literature and the Franz Kafka Prize and a two-time finalist for the Man Booker International Prize. He teaches at Renmin University in Beijing and the Hong Kong University of Science and Technology. His works have been translated into more than 30 languages including English, French, German, Spanish, Italian, Swedish, Danish, Norwegian, Czech, Hungarian, Japanese, Korean, Vietnamese, Mongolian and Portuguese. Carlos Rojas is Professor of Asian and Middle Eastern Studies at Duke University. His research focuses on modern Chinese literature and culture, as well as gender, sexuality, and feminist studies. Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The author of more than thirty books of fiction and nonfiction and winner of the Nobel Prize in Literature, V. S. Naipaul (1932–2018) is one of the most acclaimed authors of the twentieth century. He is also one of the most controversial. Before settling in England, Naipaul grew up in Trinidad in an Indian immigrant community, and his depiction of colonized peoples has often been harshly judged by critics as unsympathetic, misguided, racist, and sexist. Yet other readers praise his work as containing uncommonly perceptive historical and psychological insight. In V. S. Naipaul's Journeys: From Periphery to Center (Columbia UP, 2020), Sanjay Krishnan offers new perspectives on the distinctiveness and power of Naipaul’s writing, as well as his shortcomings, trajectory, and complicated legacy. While recognizing the flaws and prejudices that shaped and limited Naipaul’s life and art, this book challenges the binaries that have dominated discussions of his writing. Krishnan reads Naipaul as self-subverting and self-critical, engaged in describing his own implication in what he saw as the malaise of the postcolonial world. Krishnan brings together close readings of major novels with considerations of Naipaul’s work as a united project, as well as nuanced assessments of Naipaul’s political commentary on ethnic nationalism and religious fundamentalism. Krishnan provides a Naipaul for contemporary times, illuminating how his life and work shed light on debates regarding migration, diversity, sectarianism, displacement, and other global challenges. Professor Sanjay Krishnan is teaches English at Boston University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Selling your soul to the devil in exchange for your deepest desire is a common theme in many western stories. The origins of this theme can be traced back to the German legend of Faust. The most well known version today is an epic poem, Faust, written by German poet Johann Wolfgang von Goethe. Part of the reason Faust continues to resonate with audiences is that everyone can relate to this feeling of striving against our own human limitations. John Hamilton is a professor of Comparative Literature in German at Harvard. He is the author of the books Music, Madness, and the Unworking of Language, Philology of the Flesh, and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Celeste Ng is the author of three novels, Everything I Never Told You, Little Fires Everywhere, and Our Missing Hearts. Her first novel, Everything I Never Told You (2014), was a New York Times bestseller, a New York Times Notable Book of 2014, Amazon’s #1 Best Book of 2014, and named a best book of the year by over a dozen publications. Her second novel, Little Fires Everywhere (2017) was a #1 New York Times bestseller, a #1 Indie Next bestseller, and Amazon's Best Fiction Book of 2017. It was named a best book of the year by over 25 publications, the winner of the Ohioana Award and the Goodreads Readers Choice Award 2017 in Fiction, and has spent over a year on the New York Times bestseller list. Little Fires Everywhere has been adapted as a limited series on Hulu, starring Reese Witherspoon and Kerry Washington. She is a recipient of the Pushcart Prize, a fellowship from the National Endowment for the Arts, and a Guggenheim Fellowship, among other honors. Recommended Books: Jason Mott, Hell of a Book Gabrielle Zevin, Tomorrow and Tomorrow and Tomorrow Kali Fajardo-Anstine, Woman of Light Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What comes to mind when we think of swans? Likely their beauty in domestic settings, their preserved status, their association with royalty, and possibly even the phrase ‘swan song’. Dr. Natalie Goodison’s Introducing the Medieval Swan (University of Wales Press, 2022) explores the emergence of each of these ideas, starting with an examination of the medieval swan in natural history, exploring classical writings and their medieval interpretations and demonstrating how the idea of a swan’s song developed. Dr. Goodison then proceeds to consider literary motifs of swan-to-human transformation, particularly the legend of the Knight of the Swan. Although this legend is known today only through Wagner’s opera, it was a best-seller in the Middle Ages, and courts throughout Europe strove to be associated as ancestors of this Swan Knight. Consequently, the swan was projected as an icon of courtly and eventual royal status. The book’s third chapter looks at the swan as icon of the Lancasters, particularly important during the reign of Richard II and the War of the Roses, and the final chapter examines the swan as an important item of feasting, focusing on cookery and husbandry to argue that over time the right to keep swans became an increasingly restricted right controlled by the English crown. Each of the swan’s medieval associations are explored as they developed over time to the modern day. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sarah Derbew’s new book Untangling Blackness in Greek Antiquity (Cambridge UP, 2022) asks how should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations. Get 20% off a copy of Untangling Blackness in Greek Antiquity using promo code UBGA2022 at Cambridge University Press (valid until February 2023). Keep up with Sarah’s work on Twitter @BlackAntiquity and on her website. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Great poetry or beautiful prose if often capable of challenging and delighting readers far more than dry, bland language. But why is that? Dalā’il al-Iʿjaz, or Indications of Inimitability, is a hugely influential Arabic text about exactly what it is that makes beautiful language beautiful. Its author, Abd al-Qāhir al-Jurjānī, used a theoretical, almost scientific method to demystify poetry and its lasting effects. Professor Alexander Key discusses why he’s working on the first English translation of this text and the huge impact that Jurjānī’s work has had on Arabic literary criticism. Alexander Key is an associate professor of Arabic and Comparative Literature at Stanford University. His studies focus on the intellectual history of the Arabic and Persian-speaking worlds. He is the author of Language Between God and the Poets. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this 2008 episode from the Vault we hear from fashion historian Anne Hollander, a longtime member of the Institute, and former president of the PEN American Center. Hollander was the author of Seeing Through Clothes, Moving Pictures, and Sex and Suits: The Evolution of Modern Dress. At the time of her death, in 2014, she was working on a book about clothes in literature, which is the subject of this talk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jane Satterfield speaks to managing editor Emily Everett about her poem “Letter to Emily Brontë,” which appears in The Common’s spring issue. Jane talks about her longstanding interest in the Brontë sisters, and why this pandemic poem is directed to Emily in particular. She also discusses letter-writing as a structure for poetry, and reads another poem published in The Common, “Totem,” which reflects on a childhood memory through more adult understanding. Jane Satterfield’s most recent book is Apocalypse Mix, which was awarded the Autumn House Poetry Prize selected by David St. John. She is the recipient of a National Endowment for the Arts poetry fellowship, the 49th Parallel Award for Poetry from Bellingham Review, the Ledbury Poetry Festival Prize, and more. New poetry and essays appear in DIAGRAM, Ecotone, Orion, Literary Matters, The Missouri Review, The Pinch, Tupelo Quarterly, and elsewhere. She is married to poet Ned Balbo and lives in Baltimore, where she is a professor of writing at Loyola University Maryland. ­­Read Jane’s poems and other writing in The Common at thecommononline.org/tag/Jane-Satterfield. Read more from Jane at janesatterfield.org. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. In Vineland Reread (Columbia UP, 2021), Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present. Interview by Christian B. Long. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Over 150 years later, Les Miserables is a story that still resonates with readers and audiences around the world. The story highlighted the unjust social class system of 19th century France by moving the underrepresented lives of the poor and miserable to center stage. But this wasn’t something unique to France. It was, and still is, a global issue. Victor Hugo knew this story had worldwide relevance and he wanted it to be accessible to all readers. Professor David Bellos is a Professor of French and Comparative Literature at Princeton University. He is a well-known translator and author of the translation studies text Is That A Fish in Your Ear? His teaching interests include modern and contemporary European fiction and translation studies. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“America” means something different to everyone. American novelist F. Scott Fitzgerald published The Great Gatsby, his account of the roaring twenties, the decade of economic growth and social change that followed the devastation of World War I. It’s a text that powerfully describes a country in flux, but it also captures something deeper and more enduring about American culture. David Alworth is a professor at Stony Brook University (SUNY), Associate of the Department of English at Harvard University, and Research Associate in the Harvard Kennedy School. He has written Site Reading: Fiction, Art, Social Form and The Look of the Book: Jackets, Covers, and Art at the Edges of Literature. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death By Shakespeare: Snakebites, Stabbings and Broken Hearts (Bloomsbury, 2020), as Dr. Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Dr. Harkup investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the twenty-first century, terms such as globalization, global, and world function as key words at the cusp of new frontiers in both historical writing and literary criticism. Practitioners of these disciplines may appear to be long time intimate lovers when seen from pre and early modern time periods, only to divorce with the coming of Anglophone world history in the twenty-first century. In recent years, works such as Martin Puchner's The Written World, Maya Jasanoff's The Dawn Watch, or the three novels that encompass Amitav Ghosh's Ibis Trilogy, have rekindled a variant of history and literature's embrace in a global register. Neilesh Bose's India After World History: Literature, Comparison, and Approaches to Globalization (Leiden UP, 2022) probes recent scholarship concerning reflections on global history and world literature in the wake of these developments, with a primary focus on India as a site of extensive theoretical and empirical advances in both disciplinary locations. Inclusive of reflections on the meeting points of these disciplines as well as original research in areas such as Neo-Platonism in world history, histories of violence, and literary histories exploring indentured labor and capitalist transformation, the book offers reflections on conceptual advances in the study of globalization by placing global history and world literature in conversation. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong’o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney’s extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. In this episode, I interview Kas Saghafi, associate professor of philosophy at the University of Memphis, about his book The World After the End of the World, published through SUNY Press in 2020. In this book, Kas Saghafi argues that the notion of “the end the world” in Derrida’s late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida’s work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida’s thought along these lines with similar concerns of Jean-Luc Nancy’s. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a “spectro-poetics” devoted to and assigned to the other’s singularity. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. In Karl Kraus and The Discourse of Modernity (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition. This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment. In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events. The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels. Karl Kraus and The Discourse of Modernity brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions. Ari Linden is an assistant professor in the Department of German Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. Nathaniel Hawthorne‘s 1850 novel The Scarlet Letter tells the dramatic story of a woman cast out of society for adultery and condemned to wear a badge of shame in Puritan New England. Renowned psychologist Carol Gilligan identifies Hawthorne’s masterpiece as “the American novel” because (as Hawthorne puts it toward the book’s end) it points to a “new truth [that would place] the whole relation between man and woman on a surer ground of mutual happiness.” Gilligan revolutionized our understanding of human development by listening to girls, and showing, in her landmark study, In A Different Voice: Psychological Theory and Human Development, how a “different voice” reveals something about our humanity that is more truthful, more authentic, and more generative for our lives together than the voice that privileges autonomy, identity and separation as moral ideals. Gilligan is the author of many other books, including a novel and the recent Why Does the Patriarchy Persist, and (with David Richards), Darkness Now Visible: Patriarchy’s Resurgence and Feminist Resistance. She explains how The Scarlet Letter is not only about the wages of sin and tragic love, but also about a vision of democracy that we have yet to realize fully, and about the way feminism is the key to achieving our democracy as it is threatened by the persistence of the patriarchy. Gilligan’s reading lifts Hawthorne’s book above its status as required reading, often assigned as a lesson in morality or a book about the long-gone past, by showing how The Scarlet Letter presents a vision of authentic love and a path to true democracy where equality and justice will be attained. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time. The Nigerian novelist Chinua Achebe's 1958 Things Fall Apart transformed the world by vividly imagining the story of an African community in English, the language of the colonizers, and yet on its own terms. It transformed not only the English language but allowed millions of readers to enter into a civilization and worldview that is at once highly specific yet resonant with universal themes. Manthia Diawara, the Mali-born and European and American-educated renowned filmmaker, most recently An Opera of the World, and author of many books himself, including We Won’t Budge: An African Exile in the World, explains why Things Fall Apart ranks among the great novels of all time. Manthia brings the book powerfully to life, and shows how reading this book brings you face-to-face with the great challenges and joys faced by all humans at all times. Read more. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ship Life: Seven Months of Voluntary Slavery (2022) is written in the form of a diary of a Ukrainian girl who worked as a bar server on an American cruise ship. Day after day, the author recreates from memory the real events of the seven months spent on board, sharing her impressions, discoveries, and experiences. Readers of this diary have the opportunity to visit more than 20 countries in Europe, North and Central America with the author, and most importantly - to learn firsthand what it is - ship life. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Her dissertation explores contested memory focusing on Ukraine and Russia. She also holds a Ph.D. in American literature (Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, 2007). In her dissertation on Richard Brautigan, she focuses on postmodernism in American literature. Currently, she is Visiting Assistant Professor in the Department of Russian and Eurasian program at Colgate University (Hamilton, NY). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one’s boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS. Find the NIAS Press book here. Translation editions by Vandkunsten are here. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’. In Against Decolonization: Taking African Agency Seriously (Hurst, 2022), Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine. Olúfẹ́mi Táíwò speaks to Pierre d’Alancaisez about the project of ‘decolonisation’ as intellectually unsound and unrealistic. Táíwò rejects decolonisation’s conflation of modernity with coloniality and takes to task the decolonisers’ confused attempts at undoing of global society’s foundations. He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers. This much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant. Olúfẹ́mi Táíwò is Professor of African Political Thought and Chair at the Africana Studies and Research Center, Cornell University. His writings have been translated into French, Italian, German and Portuguese. His book How Colonialism Preempted Modernity in Africa won the Frantz Fanon Award in 2015. NBN interview with Olúfẹ́mi on Africa Must Be Modern Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Boubacar Boris Diop is the author of Murambi: The Book of Bones, (Indiana UP, 2016; translated by Fiona McLaughlin), an unforgettable novel of the Rwandan genocide that blends journalistic research with finely drawn characterizations of perpetrators, victims, and bystanders. In this episode, Mr. Diop reads from Murambi, translated from French by Fiona McLaughlin, and speaks to Duke professor Sarah Quesada and host Aarthi Vadde about how his work on the novel spurred him to rethink his language of composition. Mr. Diop wrote his first five novels in French, but after Murambi, shifted to Wolof, the most widely spoken language in his home country of Senegal. Asked to describe the difference between writing in French and writing in Wolof, Mr. Diop sums it up memorably: “When I start writing in French, I shut the door; I shut the window…I don’t hear the words I’m writing. When I write in Wolof, I hear every word.” Sarah and Mr. Diop discuss whether translation can be an ally to a Wolof worldview or whether the sounds that Mr. Diop hears through his window will inevitably be lost to readers who encounter his Wolof novels in English or French. Their dialogue suggests that, while Wolof represents a form of linguistic emancipation from the legacy of a French colonial education, there is also discovery and freedom in raising the literary profile of Wolof for an international audience. Mr. Diop’s Doomi Golo: The Hidden Notebooks is the first Wolof novel to be translated into English and an excerpt from his second Wolof novel Bàmmeelu Kocc Barma is available in translation here. In response to our signature question of the season, Mr. Diop proposes that the Wolof word “keroog” is very difficult to translate but not impossible. And it spurs an impromptu comparison to the Spanish word “ahorita,” which like “keroog,” blurs the distinctions between present, past, and future. In an episode about personal and political memory, nothing could be more fitting! Mentioned in this episode: --Toni Morrison --Gabriel Garcia Marquez --Mario Vargas Llosa --Ernesto Sábato --Léopold Sédar Senghor --Doomi Golo: The Hidden Notebooks --Les Petits de la guenon (French Translation of Doomi Golo) --Bàmmeelu Kocc Barma – literally translated as Kocc Barma's Grave (Diop’s second Wolof novel) --Malaanum Lëndëm – Diop’s third Wolof novel --Alice Chaudemanche (French translator of Malaanum Lëndëm) --Pierre Nora – French historian --Marianne Hirsch --“Sites mémoriaux du génocide” – memorial sites of genocide (term used by UNESCO that qualify as heritage sites.) --Rwandan term – “ejo” (similar to keroog) from the language: Kinyarwanda Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity. Mary J. Magoulick is professor of English at Georgia College and State University. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies