New Books in Literary Studies

Despite being set in the distant future on a remote desert planet, the story of resource extraction, power, politics, ecology, and religion told in Frank Herbert's sci-fi series Dune bears distinct parallels to real-world history and events. One example of Herbert's real-life inspirations comes in the characters of the Fremen, who Herbert based on both the Bedouin in the Middle East and Native American peoples. How are nomadic Indigenous peoples incorporated into and represented in Herbert's fictional universe, and what can we learn about real people and their history from these fictionalized representations? In this episode, I'm joined by Dune expert Dr. Kara Kennedy to discuss the Fremen of Dune , the inspirations and intentions behind the novels, Orientalism and literary representations of Islam and the Middle East, and what science fiction can teach us about both history and the future. Dr. Kennedy's book Women’s Agency in the Dune Universe: Tracing Women’s Liberation through Science Fiction is available here. Dr. Kennedy writes articles about Dune aimed at a general audience on her blog here. Follow Dr. Kennedy on Twitter @drkarakennedy and @dunescholar Music in this episode: Desert City by Kevin MacLeod. License. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Robin Vose (St. Thomas University) talks about his new monograph, The Index of Prohibited Books: Four Centuries of Struggle over Word and Image for the Greater Glory of God (Reaktion, 2022), censorship, and the Reformation.The first comprehensive history of the Catholic Church’s notorious Index, with resonance for ongoing debates over banned books, censorship, and free speech. For more than four hundred years, the Catholic Church’s Index Librorum Prohibitorum struck terror into the hearts of authors, publishers, and booksellers around the world, while arousing ridicule and contempt from many others, especially those in Protestant and non-Christian circles. Biased, inconsistent, and frequently absurd in its attempt to ban objectionable texts of every conceivable description—with sometimes fatal consequences—the Index also reflected the deep learning and careful consideration of many hundreds of intellectual contributors over the long span of its storied evolution. This book constitutes the first full study of the Index of Prohibited Books to be published in English. It examines the reasons behind the Church’s attempts to censor religious, scientific, and artistic works, and considers not only why this most sustained of campaigns failed, but what lessons can be learned for today’s debates over freedom of expression and cancel culture. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Shakespeare, who lived in England from 1564 to 1616, is one of the world’s most popular and most captivating authors. Even four hundred years after his death, his plays still attract audiences around the globe. Why is that? In this course, you’ll learn who Shakespeare was, what kinds of plays he wrote, and what makes his body of work perhaps the greatest work of art ever created. In Episodes Two and Three, Professor Smith offers a tour through Shakespeare’s moment in history and through Shakespeare’s life. You’ll learn about the key historical, religious, and cultural changes that shaped the era in which Shakespeare wrote, including the Renaissance, the Protestant Reformation, and the opening of the first ever public theaters in London. Next comes Shakespeare’s own life, with an explanation of why some people have questioned whether William Shakespeare really wrote the plays, and why the particular Renaissance education he received prepared him so well to be a playwright. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roma figures have been an essential part of European folklore, myths, and literary traditions for centuries, with writers from Cervantes to Shakespeare to Victor Hugo drawing on the stereotype of the free-spirited, bohemian "Gypsy." Post-World War II, Roma characters began to appear in a new literary medium: American comic books. Roma heroes and villains alike fill the pages of DC and Marvel comics, with iconic characters like Dr. Doom, Magneto, Scarlet Witch, and Nightcrawler depicted as Roma. Almost exclusively written and drawn by non-Romani, however, these characters are often flawed or stereotypical, or, in recent years, they've been stripped of their Roma identity. Despite this, Roma comic book characters have become an important source of inspiration and empowerment for Roma youth around the globe. In this episode, Roma human rights activist and pop culture expert Vicente Rodriguez Fernandez joins me to talk about depictions of Romani characters in comic books, film and TV, the use of Roma identity as a literary trope, and comics as a tool of empowerment for minority groups. Music in this episode: Desert City by Kevin MacLeod. License. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau’s ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many African Americans of the Civil War era felt a personal connection to Abraham Lincoln. For the first time in their lives, an occupant of the White House seemed concerned about the welfare of their race. Indeed, despite the tremendous injustice and discrimination that they faced, African Americans now had confidence to write to the president and to seek redress of their grievances. Their letters express the dilemmas, doubts, and dreams of both recently enslaved and free people in the throes of dramatic change. For many, writing Lincoln was a last resort. Yet their letters were often full of determination, making explicit claims to the rights of U.S. citizenship in a wide range of circumstances. Jonathan W. White's To Address You as My Friend: African Americans' Letters to Abraham Lincoln (UNC Press, 2021) presents more than 120 letters from African Americans to Lincoln, most of which have never before been published. They offer unflinching, intimate, and often heart-wrenching portraits of Black soldiers' and civilians' experiences in wartime. As readers continue to think critically about Lincoln's image as the "Great Emancipator," this book centers African Americans' own voices to explore how they felt about the president and how they understood the possibilities and limits of the power vested in the federal government. ​​Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England (U Pennsylvania Press, 2022), Urvashi Chakravarty excavates the ideologies of slavery that took root in early modern England in the period that preceded the development of an organized trade in enslaved persons. Despite the persistent fiction that England was innocent of racialized slavery, Chakravarty argues that we must hold early modern England—and its narratives of exceptional and essential freedom—to account for the frameworks of slavery that it paradoxically but strategically engendered. Slavery was not a foreign or faraway phenomenon, she demonstrates; rather, the ideologies of slavery were seeded in the quotidian spaces of English life and in the everyday contexts of England's service society, from the family to the household, in the theater and, especially, the grammar school classroom, where the legacies of classical slavery and race were inherited and negotiated. The English conscripted the Roman freedman's figurative "stain of slavery" to register an immutable sign of bondage and to secure slavery to epidermal difference, even as early modern frameworks of "volitional service" provided the strategies for later fictions of "happy slavery" in the Atlantic world. Early modern texts presage the heritability of slavery in early America, reveal the embeddedness of slavery within the family, and illuminate the ways in which bloodlines of descent underwrite the racialized futures of enslavement. Fictions of Consent intervenes in a number of areas including early modern literary and cultural studies, premodern critical race studies, the reception of classical antiquity, and the histories of law, education, and labor to uncover the conceptual genealogies of slavery and servitude and to reveal the everyday sites where the foundations of racialized slavery were laid. Although early modern England claimed to have "too pure an Air for Slaves to breathe in," Chakravarty reveals slavery was a quintessentially English phenomenon. Urvashi Chakravarty is Associate Professor of English at the University of Toronto and works on early modern English literature, critical race studies, queer studies, and the history of slavery, Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Dreamer and the Dream: Afrofuturism and Black Religious Thought (Ohio State UP, 2021), Professor Roger Sneed illuminates the interplay of Black religious thought with science fiction narratives to present a bold case for Afrofuturism as an important channel for Black spirituality. In the process, he challenges the assumed primacy of the Black church as the arbiter of Black religious life. Incorporating analyses of Octavia Butler’s Parable books, Janelle Monáe’s Afrofuturistic saga, Star Trek’s Captain Benjamin Sisko, Marvel’s Black Panther, and the philosophies of Sun Ra and the Nation of Islam, Sneed demonstrates how Afrofuturism has contributed to Black visions of the future. He also investigates how Afrofuturism has influenced religious scholarship that looks to Black cultural production as a means of reimagining Blackness in the light of the sacred. The result is an expansive new look at the power of science fiction and Afrofuturism to center the diversity of Black spirituality. Roger A. Sneed is Professor and Chair of Religion at Furman University in Greenville, South Carolina. His work involves the intersections of African American religious thought and culture, Christian thought and gay male sexualities, and religious ethics. He is a contributor for Huffington Post and has previously published the book Representations of Homosexuality: Black Liberation Theology and Cultural Criticism (Palgrave Macmillan, 2010). Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. [email protected] @carrielynnland Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roosevelt Montás is Senior Lecturer in American Studies and English at Columbia University. A specialist in Antebellum American literature and culture and in American citizenship, he focuses mainly on the history, meaning, and future of liberal education. This question motivates his book Rescuing Socrates: How the Great Books Changed My Life and Why They Matter for a New Generation (Princeton University Press, 2021). “Great Books” dominate “the Core” at Columbia University, where undergraduates must complete two years of non-departmental humanities courses. Montás teaches in the Core and was for ten years the director of the Center for the Core Curriculum. From this vantage point, he considers the function of “great books” today, particularly for members of historically marginalized communities like himself. In Rescuing Socrates, he recounts how a liberal education transformed his life as a Dominican-born American immigrant. As many academics deem the Western canon to be inherently chauvinistic and the general public increasingly questions the very value of the humanities, Montás takes a different approach. He argues: “The practice of liberal education, especially in the context of a research university, is pointedly countercultural.” The New York Times praised the book for its compelling argument “for the value of a Great Books education as the foundation for receiving the benefits of everything else a school has to offer.” I spoke with Montás about the complicated value of “great books,” the potential of a humanities education, and his conviction that a teacher in the humanities can trigger for students the beginning of a lifelong investigation of the self. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1983, ten years after W. H. Auden’s death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who gets to define generational cohorts and do they obscure more than illuminate? Guests Neil Howe, author of Generations Tony Tulathimutte, author of Why There’s No ‘Millennial’ Novel Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Shakespeare, who lived in England from 1564 to 1616, is one of the world’s most popular and most captivating authors. Even four hundred years after his death, his plays still attract audiences around the globe. Why is that? In this course, you’ll learn who Shakespeare was, what kinds of plays he wrote, and what makes his body of work perhaps the greatest work of art ever created. In Episode One, Emma Smith, Professor of Shakespeare Studies at the University of Oxford, tackles the question, Why read Shakespeare? You’ll learn what makes Shakespeare newly relevant for each new generation of audiences and discover what is unique about Shakespeare’s approach to writing--an approach that lets us not only watch but actually take part in his plays. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In April 2006, The Institute held a two day symposium about copyright and intellectual property, titled Comedies of Fair Use. In this session, Lewis Hyde talks about owning art and ideas. Hyde is a cultural critic and scholar, whose work focuses on the nature of imagination, creativity, and property. He is best known for his books, The Gift: Imagination and the Erotic Life of Property, and Trickster Makes This World: Mischief, Myth and Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Professor Matthew Thomas returns to explain how we can place the Gospels in time and context using both internal clues (literary evidence) and the external ones (anthropological evidence). These are the first steps on a path of the many centuries of transmission toward the Bible we have today; Matthew Thomas tells why they are so important and where they have led us. The papyrus (P66) of the Gospel of John in the Bodmer Library, Switzerland, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode from the Institute’s Vault, we hear the1982 Gallatin Lecture, in which Sir Edmund Leach discussed the work of Roman Jakobson, who he met in 1960, at Stanford’s Center for Advanced Study in the Behavioral Sciences. Jakobson was one of the pioneers of structural linguistics, and a major influence on Claude Levi-Strauss and Roland Barthes. He taught at Harvard from 1940 until his retirement in 1967. Leach was a British social anthropologist, and the provost of King's College, Cambridge from 1966 to 1979. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Mani Rao about her translation Saundarya Lahari: Wave of Beauty" (HarperCollins, 2022) Saundarya Lahari is a popular Sanskrit hymn celebrating the power and beauty of Sakti, the primordial goddess. In one hundred verses, it underlines the centrality of the feminine principle in Indian thought. Attributed to Adi Sankaracarya, Saundarya Lahari is a valuable source for understanding tantric ideas. Every verse is associated with yantras and encoded mantras for tantric rituals, and specific verses in the hymn are considered potent for acquiring good health, lovers, and even poetic skills. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Among the Jewish writers who emigrated from Eastern Europe to France in the 1910s and 1920s, a number chose to switch from writing in their languages of origin to writing primarily in French, a language that represented both a literary center and the promises of French universalism. But under the Nazi occupation of France from 1940 to 1944, these Jewish émigré writers—among them Irène Némirovsky, Benjamin Fondane, Romain Gary, Jean Malaquais, and Elsa Triolet—continued to write in their adopted language, even as the Vichy regime and Nazi occupiers denied their French identity through xenophobic and antisemitic laws. In Writing Occupation: Jewish Émigré Voices in Wartime France (Stanford UP, 2020), Julia Elsky argues that these writers reexamined both their Jewishness and their place as authors in France through the language in which they wrote. The group of authors Elsky considers depicted key moments in the war from their perspective as Jewish émigrés, including the June 1940 civilian flight from Paris, life in the occupied and southern zones, the roundups and internment camps, and the Resistance in France and in London. Writing in French, they expressed multiple cultural, religious, and linguistic identities, challenging the boundaries between center and periphery, between French and foreign, even when their sense of belonging was being violently denied. Julia Elsky is Assistant Professor of French at Loyola University Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this week’s episode from the Institute’s Vault, Molly Haskell talks about her 2009 book, Frankly, My Dear: "Gone with the Wind" Revisited, published by Yale University Press. Haskell grew up in Richmond, Virginia, and studied at the Sorbonne. She came to New York in the sixties to work for the French Film office, where she wrote a newsletter about French films. She wrote about movies for the Village Voice, Vogue, and New York magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew Thomas, theologian and biblical scholar, explains how the Bible got to be the Bible, how confident we can be in its historicity, and on what authority we can trust such judgments. We talk about the languages of the Scripture and their transmission over time, and how we see the emergence of the documents that would later become the Bible already in first-century Christian communities. Professor Thomas teaches Biblical languages and the history of the Bible, Patristics, and Early Christian interpretation of the Scriptures, especially Pauline Theology, at the Dominican School of Philosophy and Theology at UC Berkeley’s Graduate Theological Union. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lisa Swayze is the General Manager and Buyer at Buffalo Street Books, Ithaca’s cooperatively owned independent bookstore. You’ve heard me mention Buffalo Street Books on all episodes—and it is Lisa who has really transformed the store into a community space for all of our community, where anyone can find themselves represented in the books, events, and atmosphere of the bookstore. Hillary Smith is Southern Pomo and Coastal Miwok and originally from Northern California. She has been a bookseller on and off since 2009. In December 2021 she left her job as an indie bookstore manager in California and moved to Glens Falls, New York. She started Black Walnut Books as a queer and Native pop-up and online bookstore focusing on Indigenous, BIPOC and queer authors. In January Black Walnut Books will become a brick-and-mortar bookstore in the Shirt Factory in Glens Falls. Hannah Oliver Depp is the owner of Loyalty Bookstores in Petworth, DC and Silver Spring, MD. Loyalty serves all readers as a diverse, intersectional feminist bookstore and programming space. Oliver Depp is a founding member of the American Bookselling Association Committee on Diversity, Equity, and Inclusion and serves on the boards of Bookshop.org and as The President of the New Atlantic Independent Bookseller’s Association (NAIBA). Books Recommended: All the recommended books from our three booksellers can be found at the website, burnedbybooks.com Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this week’s episode from the Institute’s Vault, we hear a lecture on the revival of narrative in history by Laurence Stone. Professor Stone taught at Princeton from 1963 to 1990. He died in 1991. He is best known for his books The Crisis of the Aristocracy, 1558-1641, The Causes of the English Revolution, 1529-1642, and Family, Sex and Marriage in England 1500-1800. Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the fall of 1942, only the city of Stalingrad stood between Soviet survival and defeat as Hitler’s army ran rampant. With the fate of the USSR hanging in the balance, Soviet propaganda chiefs sent their finest writers into the heat of battle. After six months of terrifying work, these men succeeded in creating an enduring epic of Stalingrad. Their harrowing tales of valour and heroism offered hope for millions of readers. “Stalingrad lives!” went the rallying cry: the city had to live if the nation was to stave off defeat. In Stalingrad Lives!: Stories of Combat and Survival (McGill-Queen's Press, 2022) Ian Garner brings together a selection of short stories written at and after the battle. They reveal, for the first time in English, the real Russian narrative of Stalingrad - an epic story of death, martyrdom, resurrection, and utopian beginnings. Following the authors into the hellish world of Stalingrad, Garner traces how tragedy was written as triumph. He uncovers how, dealing with loss and destruction on an unimaginable scale, Soviet readers and writers embraced the story of martyred Stalingrad, embedding it into the Russian psyche for decades to come. Featuring lost work by Vasily Grossman alongside texts by luminaries such as Konstantin Simonov, Viktor Nekrasov, and Ilya Ehrenburg, Stalingrad Lives offers a literary perspective on the Soviet Union at war. Ian Garner is a cultural historian and translator in Kingston, Ontario. He completed his PhD at the University of Toronto in 2017 after studying at the University of Bristol and the St. Petersburg State Conservatory. Follow Ian on Twitter. Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Three centuries of English idioms—their unusual origins and unexpected interpretations. To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman’s introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won’t find another resource as comparable in scope or based on data even remotely as exhaustive. Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media. The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works. Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Milton is unrivalled--for the music of his verse and the breadth of his learning. In this brisk, topical, and engaging biography, Stephen B. Dobranski brushes the scholarly dust from the portrait of the artist to reveal Milton's essential humanity and his unwavering commitment to ideals--freedom of religion and the right and responsibility of all persons to think for themselves--that are still relevant and necessary in our times. Milton's epic poem, Paradise Lost, is considered by many to be English poetry's masterpiece. Samuel Johnson, not one for effusive praise, claimed that from Milton's books alone the Art of English Poetry might be learned. But Milton's renown rests on more than his artistic achievements. In a time of convulsive political turmoil, he justified the killing of a king, pioneered free speech, and publicly defended divorce. He was, in short, an iconoclast, an independent, even revolutionary, thinker. He was also an imperfect man--acrimonious, sometimes mean. Above all, he understood adversity. Afflicted by blindness, illness, and political imprisonment, Milton always sought to bear up and steer right onward through life's hardships. In Reading John Milton: How to Persist in Troubled Times (Stanford UP, 2022), Dobranski looks beyond Milton's academic standing, beyond his reputation as a dour and devout purist, to reveal the ongoing power of his works and the dauntless courage that he both wrote about and exemplified. Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Haruki Murakami, a global literary phenomenon, has said that he started writing fiction as a means of self-therapy. What he has not discussed as much is what he needed self-therapy for. This book argues that by understanding more about why Murakami writes, and by linking this with the question of how he writes, readers can better understand what he writes. Murakami's fiction, in other words, can be read as a search for self-therapy. In five chapters which explore Murakami's fourteen novels to date, Haruki Murakami and the Search for Self-Therapy: Stories from the Second Basement (Bloomsbury, 2022) argues that there are four prominent therapeutic threads woven through Murakami's fiction that can be traced back to his personal traumas - most notably Murakami's falling out with his late father and the death of a former girlfriend – and which have also transcended them in significant ways as they have been transformed into literary fiction. The first thread looks at the way melancholia must be worked through for mourning to occur and healing to happen; the second thread looks at how symbolic acts of sacrifice can help to heal intergenerational trauma; the third thread looks at the way people with avoidant attachment styles can begin to open themselves up to love again; the fourth thread looks at how individuation can manifest as a response to nihilism. Meticulously researched and written with sensitivity, the result is a sophisticated exploration of Murakami's published novels as an evolving therapeutic project that will be of great value to all scholars of Japanese literature and culture. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Regarded as the “9th Art”, French bande desinée have a much longer history of serious socio-political engagement than American comics. Since the Algerian War (1954–62), postcolonialism, migration, anti-racism are major themes in francophone comics. Mark McKinney’s newest book studies the genre from the formal dismantling of the French colonial empire in 1962 up to the present. Postcolonialism and Migration in French Comics (Leuven UP, 2021) analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics. Dr. Mark McKinney is Professor of French at Miami University, Ohio. Postcolonialism and Migration in French Comics(Leuven University Press, 2020) is the final installment of a trilogy of sorts that includes The Colonial Heritage of French Comics (Liverpool University Press, 2011) and Redrawing French Empire in Comics (Ohio State University Press, 2013). Dr. McKinney co-edited with Alec G. Hargreaves, Post-Colonial Cultures in France (Routledge, 1997) and edited History and Politics in French-Language Comics and Graphic Novels (University Press of Mississippi, 2008). From 2008-2015, along with Laurence Grove and Ann Miller, he edited the academic journal European Comic Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From governesses with supernatural powers to motor-car obsessed amphibians, the iconic images of English children's literature helped shape the view of the nation around the world. But, as Translating England into Russian: The Politics of Children's Literature in the Soviet Union and Modern Russia (Bloomsbury, 2021) reveals, Russian translators did not always present the same picture of Englishness that had been painted by authors. In this book, Elena Goodwin explores Russian translations of classic English children's literature, considering how representations of Englishness depended on state ideology and reflected the shifting nature of Russia's political and cultural climate. As Soviet censorship policy imposed restrictions on what and how to translate, this book examines how translation dealt with and built bridges between cultures in a restricted environment in order to represent images of England. Through analyzing the Soviet and post-Soviet translations of Rudyard Kipling, Kenneth Grahame, J. M. Barrie, A. A. Milne and P. L. Travers, this book connects the concepts of society, ideology and translation to trace the role of translation through a time of transformation in Russian society. Making use of previously unpublished archival material, Goodwin provides the first analysis of the role of translated English children's literature in modern Russian history and offers fresh insight into Anglo-Russian relations from the Russian Revolution to the present day. This ground-breaking book is therefore a vital resource for scholars of Russian history and literary translation. Polina Popova is a Ph.D. student at the history department of the University of Illinois at Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Writing With Scripture: Scripturalized Narrative in the Gospel of Mark (T&T Clark, 2022), Nathanael Vette proposes that the Gospel of Mark, like other narrative works in the Second Temple period, uses the Jewish scriptures as a model to compose episodes and tell a new story. Vette compares Mark's use of scripture with roughly contemporary works like Pseudo-Philo, the Genesis Apocryphon, 1 Maccabees, Judith, and the Testament of Abraham; diverse texts which, combined, support the existence of shared compositional techniques. This volume identifies five scripturalized narratives in the Gospel: Jesus' forty-day sojourn in the wilderness and call of the disciples; the feeding of the multitudes; the execution of John the Baptist; and the Crucifixion of Jesus. This fresh understanding of how the Jewish scriptures were used to compose new narratives across diverse genres in the Second Temple period holds important lessons for how scholars read the Gospel of Mark. Instead of treating scriptural allusions and echoes as keys which unlock the hidden meaning of the Gospel, Vette argues that Mark often uses the Jewish scriptures simply for their ability to tell a story. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Arya Aryan's The Post-War Novel and the Death of the Author (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this conversation (one of my favorite interviews ever), I talk with Noah Askin of the University of California at Irvine about why some popular children's books, songs, and movies seem to last forever. Is it because the successful ones are similar but different? Is it a fluke? Is it the marketing? Or is it the story that the song/book/movie/anything tells, or is, or is it perhaps the story we make of it. Noah Askin is Assistant Professor of Teaching Organization and Management at UC-Irvine in the Paul Merage School of Business. Prior to his arrival in Southern California, he was an Assistant Professor of Organizational Behavior at INSEAD, where he directed and taught multiple Executive Education programs in addition to teaching the organizational design and leadership core course in the MBA program. He has a popular TEDx talk on what makes popular songs succeed. Mel Rosenberg is a professor emeritus of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is co-founder of Ourboox, a web platform with some 240,000 ebooks that allows anyone to create and share flipbooks comprising text, pictures and videos. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike. The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides. The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Anna Hogeland about her new novel The Long Answer (Riverhead Books, 2022). Hogeland is a psychotherapist in private practice, with an MSW from Smith College School of Social Work and an MFA from UC Irvine. She lives in Vermont. Books Recommended: Lisa Marchiano, Motherhood: Facing and Finding Yourself Kayla Maiuri, Mother in the Dark Maddie Mortimer, Maps of Our Spectacular Bodies Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. Tom McLeish's The Poetry and Music of Science: Comparing Creativity in Science and Art (Oxford UP, 2021) challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime. Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ariana Huberman's Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production (Academic Studies Press, 2022) delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. It introduces the work of Latin American authors and artists who have been inspired by Jewish Mysticism from the 1960s to the present focusing on representations of dybbuks (transmigratory souls), the presence of Eros as part of the experience of mystical prayer, reformulations of Zoharic fables, and the search for Tikkun Olam (cosmic repair), among other key topics of Jewish Mysticism. The purpose of this book is to open up these aspects of their work to a broad audience who may or may not be familiar with Jewish Mysticism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Paris in 1953, one of the strangest and most popular plays of the 20th century premiered, Waiting for Godot, written by the Irish writer Samuel Beckett. Since the premier, people have been trying to figure out what this play means. It’s been interpreted in countless ways, with no definitive confirmation from Beckett one way or another. Waiting for Godot is famous as a play about nothing, but it has endured because it is in fact a play about life. For what is life but a sequential collection of waitings? Waiting for school to end. Waiting to find someone to love. Waiting to know what to do. Waiting to feel better. Waiting for money or recognition. And ultimately, the last waiting, waiting for death. And yet, between all these waitings, we find meaning to continue on. Peter Connor is a professor of French and Comparative Literature at Barnard College. He is the author of Georges Bataille and the Mysticism of Sin (Baltimore: Johns Hopkins U.P., 2000). See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Shakespeare is the greatest writer in history, and Hamlet is his greatest work. In Hamlet, Shakespeare gave us one of the first modern characters in literature. We are invited into the mind of Hamlet, to see how he thinks and acts in the face of love, grief, and revenge. It is a work of deep psychological complexity, and has inspired many writers to explore and reveal the inner lives of their characters. Part of what keeps Hamlet alive is its delicate balance of textured specificity and capacious vagueness. It is specific enough for Hamlet to feel real while also inviting endless interpretations. Michael Dobson is the director of the Shakespeare Institute in Stratford-upon-Avon. He is the author of “Cutting, interruption, and the end of Hamlet” See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs. But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid. SUPPORT THE SHOW You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. ABOUT THE SHOW For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Don Quixote was written by Spanish author Miguel de Cervantes. He wrote it in two parts. Part one was published in 1605, and part two ten years later, in 1615. The story is centered around a middle aged guy named Alonso Quijano who is obsessed with stories of brave medieval knights—so obsessed that he decides to create a new persona for himself and live in a fictitious world of his own creation as Don Quixote. Don Quixote goes on all sorts of misguided adventures; fighting a windmill, jousting with a flock of sheep, and usually losing these battles in humiliating fashion. Timothy Hampton is a professor of comparative literature and French at the University of California at Berkeley. He is the author of Fictions of Embassy: Literature and Diplomacy in Early Modern Europe See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sritama Chatterjee talks about a model of literary criticism that she developed in the process of writing her new essay on shipbreaking in Bangladesh. It is a form of materialist understanding for texts, places, and geographies together, taking into account particular signifiers of a place and looking at correspondent literary responses. Sritama is a literary and cultural theorist of the Indian Ocean World, in the Literature program at the Dietrich School of Arts and sciences, University of Pittsburgh. Her dissertation project titled, “Ordinary Environments and Aesthetics in Contemporary Indian Ocean Archipelagic Writing” has been awarded an Andrew Mellon Pre-Doctoral Fellowship from her graduate school for outstanding research and scholarly excellence. Her work on the Indian Ocean archipelagos also takes the shape of a collaborative public-facing, community project Delta Lives, which platforms communities in Sundarbans telling their stories. As part of her commitment to rethinking environmental humanities pedagogy, she has edited a cluster on “Water Pedagogies: From the Academy and Beyond” published by NICHE Canada which brings together a set of eleven articles from scholars and activists reflecting on water pedagogy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1934, tens of thousands of Communist guerillas fled Jiangxi, in an extended retreat through hazardous terrain to Shaanxi in the north, while under fire from their Nationalist enemies. The Long March, as it became to be known, helped build the legend of the Chinese Communist Party, and of its leader Mao. While on the Long March, Mao had a daughter, who was left behind to live with a local family due to the trek’s dangers That event inspired Michael X. Wang’s debut novel Lost in the Long March (Overlook Press, 2022), about one couple who faced a similar decision–whether to leave their child behind–and that decision’s repercussions decades later. In this interview, Michael and I talk about the Long March, what makes it a great setting for a novel, and how its story aligns with many other family stories from modern China. Michael X. Wang was born in Fenyang, a small coal-mining city in China’s mountainous Shanxi province. His short story collection, Further News of Defeat (Autumn House Press: 2020), won the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection and was a finalist for the 2021 CLMP Firecracker Award for Fiction. Michael’s work has appeared in the New England Review, Greensboro Review, Day One, and Juked, among others. He is currently an assistant professor of English and creative writing at Arkansas Tech University and lives in Russellville, Arkansas. He can be followed on Twitter at @MichaelXWang3. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Lost in the Long March. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kim Stanley Robinson, SF novelist of renown, has three marvelous trilogies: The Three Californias, Science in the Capital and Red Mars, Green Mars and Blue Mars. But lately it is The Ministry for the Future, his "science fiction nonfiction novel" (Jonathan Lethem) that has politicians, Eurocrats and the rest of us pondering how policy might fight climate change. In this Books in Dark Times conversation from the RTB vaults (you can also read a longer version that appeared as an article in our partner Public Books) Stan and John start out with Stan’s emerging from the Grand Canyon into the pandemic moment of late March, 2020. Then they discuss Stan’s sense that SF is the realism of the day and his take on “cognitive estrangement.” Finally, they happen upon a shared admiration for the great epic SF poet, Frederick Turner. Small fact connecting him to RTB-land: he completed a literature PhD directed by Frederic Jameson with a dissertation-turned-book on the novels of Phillip K. Dick. Mentioned in the Episode George Stewart, “Earth Abides“ Mary Shelley, “The Last Man“ M. P. Shiel, “The Purple Cloud“ John Clute, Encyclopedia of Science Fiction (on “fantastika”) Frederick Turner, “Genesis” and “Apocalypse“ Ursula Le Guin, “The Dispossessed: An Ambiguous Utopia” (1974; KSR praises such works as this for “power of poetry alone”) Darko Suvin, “Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre ” (1979; on cognitive estrangement) “The door dilated” a quote from Robert A. Heinlein in “Beyond This Horizon” Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The French writer Marcel Proust was fascinated by life. But he was even more interested in how we perceive life. In 1908, when he was in his late 30s, he began to write a novel that explored themes of memory, identity, and the passage of time. This project consumed him until he died in 1922. By the end, his novel came out at more than 1.2 million words—that’s 3,000-4,000 pages depending on the edition. Much of the work was inspired directly from his life, sometimes memories of the past, and sometimes experiences that were unfolding in the present. In English, the novel goes by the title In Search of Lost Time. Although it does have a plot of sorts, this book is more about ideas, and less about a storyline. Elisabeth Ladenson is Professor of French and Comparative Literature and General Editor of Romanic Review at Columbia University. She is the author of Proust’s Lesbianism. Michael Lucey is Professor in the French department at University of California Berkeley. He is the author of What Proust Heard: Novels and the Ethnography of Talk See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many people made the European Enlightenment, but probably nobody better represents the movement’s spirit than the French writer and philosopher Voltaire. He was a man of letters and strong critic of the Catholic Church. In 1759 Voltaire published one of his best known works, Candide. In this satirical fable, Voltaire used current events of the day—like the 7 Years War and the 1755 Lisbon earthquake—to explore larger philosophical questions, such as how there could be evil in a world created by a benevolent god. In Candide, Voltaire frees us from the naive optimism that there is a perfect order to things. Carla Hesse is the Peder Sather Professor of History at the University of California, Berkeley. She is the author of The Other Enlightenment: How French Women Became Modern See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Philip Nanton's new book Riff: The Shake Keane Story (Papillote Press, 2022) follows the life and work of Shake Keane, the peripatetic and creative poet and musician from St. Vincent. Keane was an influential figure in the 1960s London jazz scene, worked briefly for the government on his home island, and moved to New York where he built lasting relationships, all the while creating an extensive discography and numerous publications. Nanton's considerations of Keane's contributions to freeform jazz as well as his innovative approach to poetry will inspire readers to seek out the sounds and words he left behind. Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Becoming the Writer You Already Are (Sage, 2022) helps scholars uncover their unique writing process and design a writing practice that fits how they work. Author Michelle R. Boyd introduces the Writing Metaphor as a reflective tool that can help you understand and overcome your writing fears: going from "stuck" to "unstuck" by drawing on skills you already have at your fingertips. She also offers an experimental approach to trying out any new writing strategy, so you can easily fill out the parts of your writing process that need developing. The book is ideal for dissertation writing seminars, graduate students struggling with the transition from coursework to dissertation work, scholars who are supporting or participating in writing groups, and marginalized scholars whose writing struggles have prompted them to internalize the bias that others have about their ability to do exemplary research. Michelle R. Boyd is the founder of the InkWell Academic Writing Retreats. Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies