New Books in Literary Studies

In 1818, the East India Company defeated the Maratha confederacy, acquiring vast domains in central and western India. Through coercion if not outright violence, the Company transformed many aspects of India's social, economic, and cultural landscape. This book charts one such shifting landscape-Marathi language literary culture-in order to expand the field of world and comparative literature. Kedar A. Kulkarni describes the way Marathi literary culture, entrenched in performative modes of production and reception, especially balladry and epic storytelling, saw the germination of a robust, script-centric dramatic culture, owing to colonial networks of literary exchange and the newfound wide availability of print technology. However, the process was far from a simple mutation of genre. He demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers, translators, among many others. And, these people also participated in a global conversation that left its mark on theory in the twentieth century. Ultimately, World Literature and the Question of Genre in Colonial India: Poetry, Drama, and Print Culture 1790-1890 (Bloomsbury, 2022) situates Marathi literature within contemporary world literature studies and critiques “eurochronology”- the perceived backwardness of colonial and postcolonial locales when compared with literatures produced in Euro-American metropoles. Reading through archives and ephemera, it demonstrates that literary cultures in colonized locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity. Dr. Kedar A. Kulkarni teaches at FLAME University, Pune. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Aquaman and the War against Oceans (University of Nebraska Press, 2022), Ryan Poll explores ways the New 52 reimagining of Aquaman--a massive overhaul and rebranding of all DC Comics--transformed the character from a joke to an important figure of ecological justice. In this series, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll argues that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become a site of warfare and mass death. Poll contends that the series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by visualizing and verbalizing how the oceans are both beyond the projects of the "human" and "humanism," and simultaneously, all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Black Madness :: Mad Blackness (Duke UP, 2019), Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives that bridge research, policy, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sometime around 450 BC in ancient Greece, a young Thucydides went with his father to hear the historian Herodotus speak. After the lecture, Thucydides announced that writing history was his life’s calling. He later wrote History of the Peloponnesian War, a chronicle of the 27-year civil war between the Athenians and the Spartans. Thucydides believed that history is cyclical, and he saw written history as more than just record keeping. He wanted to know why certain events unfolded as they did. In fact, Thucydides is one of the first Western historians to document a historical event year by year. Professor Richard Billows is a professor of History at Columbia University. He specializes in Ancient Greek and Roman history. He is the author of Before and After Alexander and Marathon: The Battle that Changed Western Civilization, among other books. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why we must learn to tell new stories about our relationship with the earth if we are to avoid climate catastrophe. Reading literature in a time of climate emergency can sometimes feel a bit like fiddling while Rome burns. Yet, at this turning point for the planet, scientists, policymakers, and activists have woken up to the power of stories in the fight against global warming. In Literature for a Changing Planet (Princeton UP, 2022), Martin Puchner ranges across four thousand years of world literature to draw vital lessons about how we put ourselves on the path of climate change—and how we might change paths before it’s too late. From the Epic of Gilgamesh and the West African Epic of Sunjata to the Communist Manifesto, Puchner reveals world literature in a new light—as an archive of environmental exploitation and a product of a way of life responsible for climate change. Literature depends on millennia of intensive agriculture, urbanization, and resource extraction, from the clay of ancient tablets to the silicon of e-readers. Yet literature also offers powerful ways to change attitudes toward the environment. Puchner uncovers the ecological thinking behind the idea of world literature since the early nineteenth century, proposes a new way of reading in a warming world, shows how literature can help us recognize our shared humanity, and discusses the possible futures of storytelling. If we are to avoid environmental disaster, we must learn to tell the story of humans as a species responsible for global warming. Filled with important insights about the fundamental relationship between storytelling and the environment, Literature for a Changing Planet is a clarion call for readers and writers who care about the fate of life on the planet. Prof. Martin Puchner is Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1987, Toni Morrison published her fourth novel, Beloved, based on the story of Margaret Garner, a woman who escaped slavery with her child. Garner and her daughter were discovered by slave catchers. Rather than have her return to slavery, Garner killed her child. In Beloved, Morrison’s character Sethe has a similar story, but years later she meets a young girl who is the incarnation of the daughter she had killed. When Beloved came out, it immediately became Morrison’s most acclaimed work. It was nominated for the National Book Award and won a Pulitzer Prize in 1988. Beloved examines community, motherhood, identity, slavery, freedom, and our relationship to the past. Amy Hungerford is the Vice President for Arts and Sciences as well as Dean of the Faculty of Arts and Sciences at Columbia University. She is a professor of English and the author of Making Literature Now and The Holocaust of Texts: Genocide, Literature, and Personification. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Kevin Wilson about his new novel Now Is Not the Time to Panic (Ecco Press, 2022). Kevin Wilson is the author of two collections, Tunneling to the Center of the Earth (Ecco/Harper Perennial, 2009), which received an Alex Award from the American Library Association and the Shirley Jackson Award, and Baby You’re Gonna Be Mine (Ecco, 2018), and three novels, The Family Fang (Ecco, 2011), Perfect Little World (Ecco, 2017) and Nothing to See Here (Ecco, 2019), a New York Times bestseller and a Read with Jenna book club selection. His fiction has appeared in Ploughshares, Southern Review, One Story, A Public Space, and elsewhere, and has appeared in Best American Short Stories 2020 and 2021, as well as The PEN/O. Henry Prize Stories 2012. He has received fellowships from the MacDowell Colony, Yaddo, and the KHN Center for the Arts. He lives in Sewanee, Tennessee, with his wife, the poet Leigh Anne Couch, and his sons, Griff and Patch, where he is an Associate Professor in the English Department at Sewanee: The University of the South. Recommended Books: Elizabeth Tan, Rubik Gwendolyn MacEwan, Julian the Magician Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Beginning in the 17th century, European countries began colonizing countries east of Europe. They imposed their own ideas over local cultures and extracted free labor and resources. One way that European colonizers justified this exploitation was through an academic discipline called Orientalism. In 1978, Edward Said, a professor of literature at Columbia University, published a book of the same name, Orientalism. In his critique, he challenged Europeans’ construction of the so-called “East,” laid bare the biases of Orientalist study, and transformed the course of humanities scholarship. Stathis Gourgouris is a professor of classics, English, and comparative literature at Columbia University. He is the author of books such as Dream Nation: Enlightenment, Colonization, and the Institution of Modern Greece and Does Literature Think?: Literature as Theory for an Antimythical Era. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Lydia Millet about her new novel Dinosaurs (Norton, 2022). Lydia Millet has written more than a dozen novels and story collections. Her novel A Children's Bible was a New York Times "Best 10 Books of 2020" selection and shortlisted for the National Book Award. In 2019 her story collection Fight No More received an Award of Merit from the American Academy of Arts and Letters, and her collection Love in Infant Monkeys was a finalist for the Pulitzer Prize in 2010. She also writes essays, opinion pieces, book reviews, and other ephemera and has worked as an editor and staff writer at the Center for Biological Diversity since 1999. She lives in the desert outside Tucson with her family. Recommendations: Dan Flores, American Serengeti Dan Flores, Wild New World Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As a young student at Christ’s College Cambridge, John Milton announced to the world that he was going to write the greatest poem that the world has ever seen. He didn’t want to sit among the epic geniuses Homer and Virgil, he wanted to surpass them. Decades later, Milton wrote Paradise Lost, reworking and embellishing the stories of Adam and Eve’s fall from paradise and Satan’s fall from heaven to create what is unquestionably the greatest epic poem written in English. Erik Gray is a professor of English and comparative literature at Columbia University. His books include The Art of Love Poetry, Milton and the Victorians, and The Poetry of Indifference: from the Romantics to the Rubáiyát. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s guest, Erin Webster, is the author of The Curious Eye: Optics and Literature in Early Modern England (Oxford University Press, 2020). A book that casts its attention on the early modern period far and wide, The Curious Eye will be of interest to anyone interested in early modern mathematics, optic technology, poetic theory, and the contested relation of empiricism and empire. Erin is Professor of English at the College of William and Mary. Erin is a former Research Fellow and SSHRC Postdoctoral Fellow in the Humanities, at the University of London, and is the recipient of the Milton Society of America’s James Holly Hancock Award for a distinguished article on the poet. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay’s 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay’s lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France’s own imperial history. That history, along with McKay’s complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance’s most celebrated writers. Be sure to check out this episode’s special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste! Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature (Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history. Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature (Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history. Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

You probably already know the story of Snow White—as well as Little Red Riding Hood, Briar Rose, The Frog Prince, and so many others. These tales have a rich history of oral storytelling. They’ve travelled through culture, adapted and readapted in each retelling and reaching as far as the popular Disney movies that our kids watch over and over. Jacob and Wilhelm Grimm saw the power of this folklore and made it their life’s mission to compile and preserve it. But while we tend to think of Grimms’ Fairy Tales as stories for children, the themes found in Jacob and Wilhelm’s book can be pretty mature…and a little dark. Columbia professor Annie Pfeifer discusses how the Grimm brothers ended up creating a whole new literary genre and their stories have been shaped and molded throughout history. Annie Pfeifer is an Assistant Professor of Germanic Languages at Columbia University. She has published articles in The New German Critique, German Life and Letters, and the peer-reviewed volumes Que(e)rying Consent and Iran and the West and edited a collection of essays titled “Walk I absolutely Must” in 2019. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Hester Blum, editor of a new edition of Moby-Dick (Oxford UP, 2022). "It will be a strange sort of a book, tho', I fear; blubber is blubber you know; tho' you may get oil out of it, the poetry runs as hard as sap from a frozen maple tree;--& to cook the thing up, one must needs throw in a little fancy.... Yet I mean to give the truth of the thing, spite of this." Moby-Dick has a monumental reputation. Less well known are the novel's unexpectedly weird, funny, tantalizing, messy, and wondrous moments. Narrator Ishmael, along with the whaleship Pequod's other meanest mariners, and renegades and castaways, is beguiled into joining Captain Ahab in his vengeful pursuit of the white whale that dismasted him. But along the way, Ishmael takes the reader along many a detour into variegated ways of knowing. In a tone strangely compounded of fun and fury, Moby-Dick brings outlandish curiosity to bear on the multitudinous, oceanic scale of our diverse world. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more. Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The African Heritage of Latinx and Caribbean Literature (Cambridge University Press, 2022) unearths a buried African archive within widely-read Latinx writers of the last fifty years. It challenges dominant narratives in World Literature and transatlantic studies that ignore Africa's impact in broader Latin American culture. Sarah Quesada argues that these canonical works evoke textual memorials of African memory. She shows how the African Atlantic haunts modern Latinx and Caribbean writing, and examines the disavowal or distortion of the African subject in the constructions of national, racial, sexual, and spiritual Latinx identity. Quesada shows how themes such as the 19th century 'scramble for Africa,' the decolonizing wars, Black internationalism, and the neoliberal turn are embedded in key narratives. Drawing from multilingual archives about West and Central Africa, she examines how the legacies of colonial French, Iberian, British and U.S. Imperialisms have impacted on the relationships between African and Latinx identities. This is the first book-length project to address the African colonial and imperial inheritance of Latinx literature. -From the Cambridge University Press website. Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Thomas Mann published The Magic Mountain in 1924, tuberculosis had a deadly hold on Europe and the United States, killing one in seven adults in the late 19th and early 20th centuries. If that wasn’t enough, Mann’s writing was interrupted by the First World War, so it took him twelve years to finish the book. Mann was a modern, experimental writer who wrote about the major issues of his time—not only the war and the pandemic, but also industrialization, class resentment, and rising nationalism. The characters of The Magic Mountain live in a sanitorium, recovering from tuberculosis. The experiences they have and the people they meet there symbolize many of the big ideas circulating Europe at the time. Professor Pericles Lewis of Yale University discusses Thomas Mann’s literary legacy and the encyclopedic nature of The Magic Mountain. Pericles Lewis is the Douglas Tracy Smith Professor of Comparative Literature and Professor of English at Yale University. His works include Modernism, Nationalism, and the Novel and Religious Experience and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the face of a Korean cultural world preoccupied with newness, literary output from the more measured and regulated Choson period (1392-1910) can seem difficult to engage with for readers both inside and outside the country. But as Ksenia Chizhova’s Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday (Columbia UP, 2021) shows, a particular genre of late-Chsoson lineage novels reflect not only the staid norms of Confucian patriarchy and heredity, but also a more textured world of unruly emotions, gendered family disputes, calligraphic creativity and scandal simmering under the surface of mundane domestic life. Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1869, Hayyim Habshush, a Yemeni Jew, accompanied the European orientalist Joseph Halévy on his archaeological tour of Yemen. Twenty years later, Habshush wrote A Vision of Yemen a memoir of their travels, that provides a vivid account of daily life, religion, and politics. More than a simple travelogue, it is a work of trickster-tales, thick anthropological descriptions, and reflections on Jewish-Muslim relations. At its heart lies the fractious and intimate relationship between the Yemeni coppersmith and the "enlightened" European scholar and the collision between the cultures each represents. The book thus offers a powerful indigenous response to European Orientalism. A Vision of Yemen: The Travels of a European Orientalist and His Native Guide--a Translation of Hayyim Habshush's Travelogue (Stanford UP, 2019) is the first English translation of Habshush's writings from the original Judeo-Arabic and Hebrew and includes an accessible historical introduction to the work. The translation maintains Habshush's gripping style and rich portrayal of the diverse communities and cultures of Yemen, offering a potent mixture of artful storytelling and cultural criticism, suffused with humor and empathy. Habshush writes about the daily lives of men and women, rich and poor, Jewish and Muslim, during a turbulent period of war and both Ottoman and European imperialist encroachment. With this translation, Alan Verskin recovers the lost voice of a man passionately committed to his land and people. Drora Arussy, EdD, MA, MJS, is the Senior Director of the ASF Institute of Jewish Experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is freedom? If we are free, why do we feel anxiety? How do I relate to the world? Saint Augustine of Hippo asked himself these questions around 400 AD as he wrote Confessions—indeed, as he lived his life. At various points in his life, Augustine was a Manichaean, a Platonist, an academic, a father, and a thief. He was on a quest for truth, an understanding of himself as an individual and a human being. Augustine wrote this text in his forties when he was a bishop. Formally speaking, it is a prayer, a confession to God, but it also an extremely influential philosophical text and one of the earliest ever autobiographies. Columbia Professor Dhananjay Jagannathan discusses the huge existential questions that Augustine tackled and the conclusions he drew that have influenced modern philosophy. Dhananjay Jagannathan is an Assistant Professor of Philosophy at Columbia University. His research focuses on ancient Greek and Roman philosophy and the history of ethics, and he is currently writing a book on Aristotle’s moral epistemology. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Born and raised in South Bend, Indiana, Tess holds a B.A. in English with an Honor’s Concentration in Creative Writing from the University of Notre Dame. After graduating in 2015, she began an MFA in Creative Writing from NYU, where she was a Lillian Vernon Fellow. After earning her MFA, Tess worked alongside her former professor Jonathan Safran Foer, providing research and writing for his book of nonfiction about the climate crisis. We Are the Weather was published by FSG in 2019. As a freelance writer, editor, and research assistant, Tess’s experience also includes documenting the history of the Notre Dame Center for Social Concerns; contributing a history of Westside, Atlanta to an urban revitalization plan by Thadani Architects + Urbanists; creating science content for the American Museum of Natural History; editing Bruce Rits Gilbert’s debut book, John Prine, One Song at a Time, a tribute to the folk musician written in the wake of Prine’s death from the novel coronavirus; and working as a fact-checker on Mysteries of Mental Illness, a PBS docuseries about the history of psychiatry in America. In 2021, the publishing houses Knopf (North America), Éditions Gallmeister (France), Guanda (Italy), and Kiepenheuer & Witsch (Germany) preempted Tess’s debut novel The Rabbit Hutch, along with her sophomore novel Honeydew. Recommended Books: Hernan Diaz, Trust Sean Carroll, Something Deeply Hidden Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In an exciting new book titled Vital Strife: Sleep, Insomnia, and the Early Modern Ethics of Care (Cornell UP, 2022), Benjamin Parris shows how early modern writing about care and sleep were deeply indebted with the Stoic principle of oikeiosis. While sleep could imperil the Christian soul, insomnia too could have deleterious effects on both communal and individual life. In Parris’s analysis, early modern writings by William Shakespeare, Jasper Heywood, John Milton, and Margaret Cavendish on the conjunction of sleep and care—and the Stoic philosophy that influenced those writers—opened onto startling revelations about both our obligation to the self and to an ethical engagement with society at large. Parris is Visiting Assistant Professor of English at the University of Pittsburgh, and his work has appeared in Shakespeare Studies, Modern Philology, and SEL: Studies in English Literature. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1848, as political movements and events were sweeping Europe and Marx and Engels penned their famous Communist Manifesto, Kierkegaard wrote in a letter: “No, politics is not for me. To follow politics, even if only domestic politics, is nowadays an impossibility, for me, at any rate. I love to focus my attention on lesser things, in which one may sometimes encounter exactly the same.” This negation of politics (and it’s negation) is the starting point for Bartholomew Ryan with his book Kierkegaard’s Indirect Politics: Interludes with Lukacs, Schmitt, Benjamin and Adorno (Brill, 2014), which looks at Kierkegaard’s own thinking and it’s effect on several more explicitly political thinkers. Kierkegaard’s own politics are somewhat ambivalent, and one might struggle to fit them onto today’s political landscape, but Ryan has a different project in mind. Instead, Kierkegaard’s elusiveness, ambiguity and cultivation of the single individual in all their inner psychological and spiritual richness are shown to be inspiring for thinking politics and history in new ways. In the four figures Ryan looks at Kierkegaard’s presence in all their thinking, both explicit and implicit, emerging with a sophisticated form of inwardness capable of standing against despair, despotism and reification. Bartholomew Ryan is a philosophy research fellow at the NOVA Institute of Philosophy at the NOVA University Lisbon, where he works at the intersection of literature and philosophy. He is a coeditor of several books; Fernando Pessoa and Philosophy: Countless Lives Inhabit Us (2021), Faces of the Self: Autobiography, Confession, Therapy (2019), Nietzsche and Pessoa: Ensaios (2016), and Nietzsche and the Problem of Subjectivity (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Saronik tells Kim about Alice Walker’s book Anything We Love Can Be Saved, where she talks about her many cats over the years, and how they represented her connection with the cosmos. Image: “Rescued from the rough streets of Prospect Lefferts Gardens, Princess Marmalade earned her PhD in Meowological Studies in 2019, with an advanced certificate in acritical napping.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There’s nothing better or more important in life than a good friend. For Roman statesman and philosopher Cicero, the emphasis was on “good.” Cicero lived through the assassination of Caesar, one of the most famous examples of betrayal between friends in history. But according to Cicero’s treatise On Friendship, you must be virtuous to be a good friend, and, he argues, bad people cannot really be friends. In this text, Cicero examines true friendship, tough love, social transaction, and affection. Professor Katharina Volk of Columbia University discusses the role of friendship in ancient Rome and how this text in particular has kept Latin alive. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When reading a crime novel, we usually learn the crime within the first few page turns; the trick is discovering the perpetrator. Perhaps this is what makes Franz Kafka’s 1914 book The Trial so haunting—the crime itself is never revealed. Kafka was born in the Austro-Hungarian Empire in 1883 and died in 1924, never experiencing the Nazis or Hitler’s totalitarian rise to power. Yet his book seems to prophesize the most dangerous aspects of unchecked bureaucracy, legal systems, and arbitrary power. Columbia University Professor Mark Anderson discusses the legacy of Franz Kafka and how his brutal and terrifying novel helped birth the term “Kafkaesque.” Mark Anderson is the Director of Undergraduate Germanic Studies and a Professor of Germanic Languages at Columbia University. He is the author of books such as Kafka’s Clothes and Reading Kafka: Prague, Politics and the Fin de Siecle. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Saronik talks with Kim about Jacques Derrida’s cat. Derrida writes about his cat, who makes him rather anxious, in “The Animal That Therefore I Am (More to Follow)” trans. David Wills, Critical Inquiry 28, no. 2 (Winter 2002): 369-418. https://www.jstor.org/stable/1344276 Image: “Beatrix or Bea or BeaBea is a tiny cat living her tiny cat life.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kim talks with Gina Dominick about Ursula Le Guin’s short story “Schrödinger’s Cat” and the philosophical stakes of Schrödinger’s thought experiment. Le Guin’s story was published in her collection, The Compass Rose (Harper Collins, 1982). There are many PDFs of it scattered across the internet. Gina mentions Jacques Derrida’s writing on “Plato’s Pharmacy” in Dissemination, trans. Barbara Johnson (Chicago UP, 1981). Much the same is true of the PDF scattering here. Gina Dominick is a medievalist, anti-capitalist rebel, and co-conspirator in the original high theory. She is a PhD candidate in the Department of English at NYU, who teaches high school philosophy and spent Halloween afternoon re-caulking her tub. She knows way more about Adorno than Kim does. By far. Image: “Leo was rescued off the streets of Harlem 3.5 years ago and has lived comfortably in a town house with two humans ever since.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women’s poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu’s linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women’s diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women’s movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women’s voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women’s movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Andrei Nae's book Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context. In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Against Marginalization: Convergences in Black and Latinx Literatures (Ohio State University Press, 2022), Jose O. Fernandez examines thematic, aesthetic, historical, and cultural commonalities among post-1960s Black and Latinx writers, showing how such similarities have propelled their fight against social, cultural, and literary marginalization by engaging, adopting, and subverting elements from the larger American literary tradition. Drawing on the work of scholars in both literary traditions--including those who engage with the civil rights movements of the 1960s and 1970s--Fernandez finds intriguing points of convergence. His cross-cultural and comparative analysis puts Black and Latinx authors and literary works into the same frame as he considers the plays of Amiri Baraka and Luis Valdez, the fiction of James Baldwin and Rudolfo Anaya, the essays of Ralph Ellison and Richard Rodriguez, novels by Alice Walker and Helena María Viramontes, and the short fiction of Edward P. Jones and Junot Díaz. Against Marginalization thus uncovers points of correspondence and convergence among Black and Latinx literary and cultural legacies, interrogating how both traditions have moved from a position of literary marginalization to a moment of visibility and critical recognition. Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism (Routledge, 2020), associate professor of media and cultural studies at the University of Nottingham Hongwei Bao returns with a theory-driven, methodologically-diverse, empathetic, and insightful analysis of LGBTQ literature and visual culture in postsocialist China. A thorough introduction positions Bao as a participant observer and explores key concepts including “postsocialist metamorphosis,” defined as “the transformation of subjectivity, desire and sense of belonging in the postsocialist era” (4). After exploring the history of homosexuality’s (re-)emergence in China’s reform era by tracing public, intellectual discourse, Bao counters the misperception that Chinese gay and lesbian identities are the result of the influence of global (Western) gay culture. Instead, he identifies a variety of gender and sexual subjectivities unique to China’s postsocialist conditions and historical context. Each chapter then explores rich case studies from queer China, touching upon a wide variety of cultural production types. From poetry to papercutting art, from comrade (tongzhi)/gay literature to girls’ love fan fiction, from lesbian films to activist documentaries, and from a drag show in Shanghai to a public performance of a same-sex wedding in Beijing, Queer China provides unique analysis and insights and also acts as an archive of queer cultural production in postsocialist China. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Samuel Smiles’ Self-Help isn’t just an advice manual. It represents the invention of a genre, and not a moment too soon. Smiles was writing at a time when work conditions were extremely poor, and people were looking for ways to educate themselves and improve their conditions. Although Smiles may have written Self-Help with one particular society’s troubles in mind, his advice swiftly travelled around the globe to places like Japan and Egypt. Beth Blum is an assistant professor of English at Harvard University. She specializes in modernist and contemporary literature. She is the author of The Self-Help Compulsion: Searching for Advice in Modern Literature. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Andrea Barrett began writing fiction seriously in her thirties and published her first novel, Lucid Stars, in 1988. She’s particularly well known as a writer of historical fiction. Barrett, whose work reflects her lifelong interest in science and natural history, received the National Book Award for her fifth book, Ship Fever, a collection of stories featuring scientists, doctors, and naturalists. In 2001 she received a MacArthur Fellowship and was also a Fellow at the Cullman Center for Scholars and Writers at the New York Public Library. Servants of the Map was a finalist for the 2003 Pulitzer Prize in Fiction. In addition to other prizes and awards she’s also been a finalist for The Story Prize and received the Rea Award for the Short Story. Today I talked to her about Natural History: Stories (Norton, 2022). Barrett has lived in Rochester, NY and in western Massachusetts, where she taught creative writing for fifteen years at Williams College. She and her husband, photographer Barry Goldstein, now live on the eastern side of the Adirondack Mountains, in the Champlain Valley. Recommended Books: Andrea Wulf, The Invention of Nature A.S. Byatt, The Children’s Book Ed Yong, An Immense World Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of the Vault, we hear Harry Berger’s talk about Leonardo da Vinci and Vassari’s "Lives of the Painters." Harry Berger was a scholar of Renaissance English literature who wrote books about art history, anthropology, and philosophy. He taught at UC Santa Cruz, where he was an emeritus professor until he died in 2021, at age 96. Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Modern imagination of the Puritans typically casts them in a repressive, conservative light. But that wasn't always the case. Abolitionist activists in the nineteenth century, especially in New England, understood their Puritan heritage as one with radical political and spiritual responsibilities. Kenyon Gradert's new book, Puritan Spirits in the Abolitionist Imagination (U Chicago Press, 2020) tells the surprising story of unexpected connections between the English Civil Wars and the literary drumbeats for a holy war in late antebellum America. Your host, Ryan Shelton (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reframing Disability in Manga (University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past. Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell. Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular. Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020). Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Posthumous Memoirs of Brás Cubas is such a complex and clever allegory of Brazilian society that many readers didn’t initially understand just how searing its critique really was. Its author, Joaquim Maria Machado de Assis, was the grandson of former slaves writing to and about the slaveholding class at the time and is widely regarded as the most prominent Brazilian writer of all time. His writing is noted for its formal experimentation, and while this book is certainly funny and self-aware, it also communicates the cruelty of the Brazilian elite. Flora Thomson-DeVeaux is the translator of a new English version of The Posthumous Memoirs of Brás Cubas, as well as many other texts. Sidney Charlhoub is a professor of History and of African and African American Studies at Harvard University. His books include Machado de Assis, historiador, about the literature and ideas of Machado de Assis and A força da escravidão: ilegalidade e costume no Brasil oitocentista on illegal enslavement in nineteenth-century Brazil. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In part one of our Halloween Special on Cats, Kim talks with John Guilliory about Montaigne’s essay “An Apology for Raymond Sebond.” Montaigne asks us: “When I play with my cat, how do I know that she is not passing time with me rather than I with her?” John Guillory is a professor of English at New York University. He is a scholar of Renaissance literature, who is known for his work on why we read what we read, in Cultural Capital: The Problem of Literary Canon Formation (University of Chicago Press: 1993). Image: “Lyra is half-seductress, half-glutton, all puss.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Chelsea Martin's new book Tell Me I'm An Artist (Soft Skull Press, 2022). Martin's first novel, tell me i'm an artist, is published with Soft Skull Press. Her previous books include caca dolce (Soft Skull, 2017), even though i don't miss you (short flight/long drive, 2013), and others. She currently lives in spokane, wa with her husband and child. Recommended Books: Emma Bolden, The Tiger and the Cage Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the early 19th century, slavery was still a brutal reality in southern U.S. states, and a growing movement to abolish slavery nationwide was taking hold. In 1851, Harriet Beecher Stowe published her first novel, Uncle Tom’s Cabin. It was intended to be an anti-slavery book, to provide a positive view of Black people in America. But it also has another, more complicated legacy, unintentionally birthing new racist stereotypes. Professor Robin Bernstein is a Professor of African and African American Studies and of Studies of Women, Gender and Sexuality at Harvard University. She is the author of Racial Innocence: Performing American Childhood from Slavery to Civil Rights as well as Cast Out: Queer Lives in Theater and a children’s book titled Terrible, Terrible! See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do children love most about books? Leaving their mark on inviting white spaces? Or that enchanting feeling when a book marks them as its own, taking them off to where the wild things are? Back in 2021, Elizabeth and John invited illustrious and illuminating book historian Leah Price to decode childhood reading past and present. The conversation explores the tactile and textual properties of great children’s books and debate adult fondness for juvenile literature. Leah asks if identifying with a literary character is a sign of virtuous imagination, or of craziness and laziness. She also schools John on what makes a good association copy, and reveals her son’s magic words when he wants her to tell a story: Read it! For many years an English Professor at Harvard, Leah is founder and director of the Rutgers Initiative for the Book, and she tweets at @LeahAtWhatPrice. Her What We Talk About When We Talk About Books recently won Phi Beta Kappa’s Christian Gauss Award. Sometime around the turn of the millennium, the concern about distinguishing between juvenile and adult books seemed to shift from moral panic about speeding up sexual maturity to worry about turning back the clock on what we now call adulting through the mainstreaming of young adult literature. Mentioned in the episode: Patrick Mc Donnell, A Perfectly Messed-Up Story “Association copy”–e.g. Frida Kahlo’s goofily annotated and illustrated Works of Edgar Allen Poe. Mo Willem, We Are in a Book! (An Elephant and Piggie Book) Manners with a Library Book Dorothy Kunhardt, Pat the Bunny Erica Carle, The Very Hungry Caterpillar Peggy Rathmann, Ten Minutes Till Bedtime Maurice Sendak, Where the Wild Things Are Richard Wilbur, The Disappearing Alphabet Dr. Seuss, On Beyond Zebra! Miguel Cervantes, Don Quixote Charlotte Lenox, The Female Quixote Recallable Books: what else should I read if I enjoyed this episode? (Leah) Francis Spufford, The Child that Books Built: A Life in Reading (Elizabeth) E. Nesbit The Railway Children: not to mention The Phoenix and the Carpet and Five Children and It (John) Wanda Gag, Millions of Cats: it’s The Road for cats… John also wrote a children’s book, back when his kids were tiny: Time and the Tapestry: A William Morris Adventure Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alia Trabucco Zerán, award-winning author of The Remainder (La Resta), and Women Who Kill (Las Homicidas), and Sophie Hughes, Alia’s translator and finalist for the International Booker Prize talk with Novel Dialogue host Chris Holmes about a novel that has shaped their lives as writers and thinkers: The Hole by José Revueltas. Sophie and Alia discuss how The Hole, written while Revueltas was held in the infamous Lecumberri prison, purposefully makes readers feel lost in a small, confined space. Reading a section from her co-translation of The Hole, published in 1969 as El Apando, Sophie considers how the novel’s intense feelings of confinement and limitation prompt a contemplation of what exactly defines freedom. The conversation turns on how the novel does not spare you from having “been victim of a violent book yourself,” and that literature which confronts our shared inhumanity toward prisoners should make you feel uncomfortable. In a series of thoughtful exchanges, the novelist and her translator confront the difficulties of preserving the immersiveness of the novel’s affect while being attuned to the precise choices and sacrifices of drawing out the novel in English. The episode ends with our season’s signature question, and a wonderful example of untranslatable Chilean Spanish from Alia. Mentioned in this episode: Hurricane Season, Fernanda Melchor, trans. Sophie Hughes (2020) Paradais, Fernanda Melchor, trans. Sophie Hughes (2022) The Hole, José Revueltas, trans. Sophie Hughes and Amanda Hopkinson (1969/2018) El Luto Humano (The Stone Knife), José Revueltas (1990) Jorge Borges Sergio Chejfec Amanda Hopkinson, translator Lecumberri Prison, “The Black Palace” Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Brothers Karmazov is Fyodor Dostoevsky’s last novel. In it, he presents his ideas about culture, the human soul, and God, and he uses his characters, the brothers Ivan, Dimitri, and Alyosha, as examples of his philosophical ideas. These brothers have to reconcile with the past, but also for their part in it. This book was a response to the conditions in Russia at the time it was written. And since then, it’s continued to shape philosophy itself. Yuri Corrigan is an Associate Professor of Russian and Comparative Literature at Boston University. He studies the intersections of philosophy, religion, and psychology in modern Russian and European literature. He is the author of Dostoevsky and the Riddle of the Self and is working on two new books, titled Soul Wars and Chekhov as a Moral Thinker. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Martin Fárek's India in the Eyes of Europeans: Conceptualization of Religion in Theology and Oriental Studies (Karolinum Press, Charles University, 2021) is centred around the claim that although the research in Oriental and religious studies seemingly presents unbiased, objective interpretations of Indian traditions, it really puts forward distorted images which primarily reflect the researchers’ own European culture. A thorough examination demonstrates to what extent Oriental studies as well as other humanities are still influenced by theological preconceptions. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What would an “anti-field history” of Buddhist Studies look like? What does the social history of knowledge look like when it both includes and exceeds the West/Nonwest binary, the ethnonational subject, the secular humanist gaze, and the moral narratives and metaphysical content of modernism? Matt W. King explores these critical questions and models innovative approaches in his second monograph, In the Forest of the Blind (Columbia University Press 2022), which uses Faxian’s Record of Buddhist Kingdoms to expose “ecologies of interpretation” in both nineteenth-century European Orientalist scholarship and Inner Asian monastic cultures. Although Faxian’s The Record of Buddhist Kingdoms (Foguoji) is a fifth-century CE travelogue about the Chinese Buddhist monk’s journey into Central and South Asia, it later became the subject of Europe’s first study of “Buddhist Asia” in the nineteenth century in Jean-Pierre Abel-Rémusat’s Relation des Royaumes Bouddhiques, which was then translated from French into Mongolian by the Buryat scholar Dorji Banzarov, and then by the Mongolian monk Zava Damdin Lubsangdamdin from Mongolian into Tibetan. Tracing this fascinating history of trans-Eurasian circulation of knowledge production, King argues that “the circulatory history of Faxian’s Record is not simply about Buddhist Asia forged in Europe into other places that were not Europe,” rather, the story is organized “by a chain of site-specific and differing orientations to knowledge itself – of treatments for traces of the past, of methodology.” In six creatively organized chapters, King discusses first discusses how Faxian’s Record “orders time by means of space” in its early Chinese context, and then delves into the history of Orientalist Buddhist Studies showing how Abel-Rémusat’s “poaching” of Qing sources facilitated the disciplining of Buddhist Asia into an object of a transregional science. In Chapters 3 and 5, we see an inversion of the Orientalist gaze and learn about the reception and reinterpretation of Orientalist scholarship among the “Oriental” subjects themselves, who attempted to make sense of Buddhist history, geography, and Asia’s place and time in the world through Faxian’s Record, via Abel-Rémusat’s translation and scholarship. Here, King shows us that Abel-Rémusat’s science of Buddhist Asia was turned, or rather silenced, into chö-jung (history of the Dharma). Unlike models from world history and transcultural studies that tend to focus on movement, contact, and exchange, In the Forest of the Blind instead focuses innovatively on connected but place-bound interpreters who hardly knew of each other and “who began anew from the silence of analytical practices staged elsewhere.” As an example of an “anti-field history,” this book, in King’s words, attempts “not to look past the fetish of the subject, but to find the disciplinary implications of centerless, overlapping, and mutually incomprehensible relations of knowledge-power that are coproductive but unbeholden to any specific relation of force (such as colonizer/colonized).” The aim of the book, King explains, is “to imagine new disciplinary futures in Buddhist and Asian studies by implicating the disciplinary present in a more diverse, global, subversive, and dispersed disciplinary past that is more attentive to negative space and absence than to impact or influence.” Ending the book with a complete, annotated English translation of the Tibetan version of Faxian’s Record, which was translated from a Mongolian translation of the French translation of the Chinese original, In the Forest of the Blind provides the readers with rich notes about continuities and discrepancies across all four trans-Eurasian versions. Matthew King is an Associate Professor in Transnational Buddhism in the Department of Religious Studies at the University of California, Riverside. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies