New Books in Literary Studies

Saronik tells Kim about Alice Walker’s book Anything We Love Can Be Saved, where she talks about her many cats over the years, and how they represented her connection with the cosmos. Image: “Rescued from the rough streets of Prospect Lefferts Gardens, Princess Marmalade earned her PhD in Meowological Studies in 2019, with an advanced certificate in acritical napping.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In an exciting new book titled Vital Strife: Sleep, Insomnia, and the Early Modern Ethics of Care (Cornell UP, 2022), Benjamin Parris shows how early modern writing about care and sleep were deeply indebted with the Stoic principle of oikeiosis. While sleep could imperil the Christian soul, insomnia too could have deleterious effects on both communal and individual life. In Parris’s analysis, early modern writings by William Shakespeare, Jasper Heywood, John Milton, and Margaret Cavendish on the conjunction of sleep and care—and the Stoic philosophy that influenced those writers—opened onto startling revelations about both our obligation to the self and to an ethical engagement with society at large. Parris is Visiting Assistant Professor of English at the University of Pittsburgh, and his work has appeared in Shakespeare Studies, Modern Philology, and SEL: Studies in English Literature. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Born and raised in South Bend, Indiana, Tess holds a B.A. in English with an Honor’s Concentration in Creative Writing from the University of Notre Dame. After graduating in 2015, she began an MFA in Creative Writing from NYU, where she was a Lillian Vernon Fellow. After earning her MFA, Tess worked alongside her former professor Jonathan Safran Foer, providing research and writing for his book of nonfiction about the climate crisis. We Are the Weather was published by FSG in 2019. As a freelance writer, editor, and research assistant, Tess’s experience also includes documenting the history of the Notre Dame Center for Social Concerns; contributing a history of Westside, Atlanta to an urban revitalization plan by Thadani Architects + Urbanists; creating science content for the American Museum of Natural History; editing Bruce Rits Gilbert’s debut book, John Prine, One Song at a Time, a tribute to the folk musician written in the wake of Prine’s death from the novel coronavirus; and working as a fact-checker on Mysteries of Mental Illness, a PBS docuseries about the history of psychiatry in America. In 2021, the publishing houses Knopf (North America), Éditions Gallmeister (France), Guanda (Italy), and Kiepenheuer & Witsch (Germany) preempted Tess’s debut novel The Rabbit Hutch, along with her sophomore novel Honeydew. Recommended Books: Hernan Diaz, Trust Sean Carroll, Something Deeply Hidden Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When reading a crime novel, we usually learn the crime within the first few page turns; the trick is discovering the perpetrator. Perhaps this is what makes Franz Kafka’s 1914 book The Trial so haunting—the crime itself is never revealed. Kafka was born in the Austro-Hungarian Empire in 1883 and died in 1924, never experiencing the Nazis or Hitler’s totalitarian rise to power. Yet his book seems to prophesize the most dangerous aspects of unchecked bureaucracy, legal systems, and arbitrary power. Columbia University Professor Mark Anderson discusses the legacy of Franz Kafka and how his brutal and terrifying novel helped birth the term “Kafkaesque.” Mark Anderson is the Director of Undergraduate Germanic Studies and a Professor of Germanic Languages at Columbia University. He is the author of books such as Kafka’s Clothes and Reading Kafka: Prague, Politics and the Fin de Siecle. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Saronik talks with Kim about Jacques Derrida’s cat. Derrida writes about his cat, who makes him rather anxious, in “The Animal That Therefore I Am (More to Follow)” trans. David Wills, Critical Inquiry 28, no. 2 (Winter 2002): 369-418. https://www.jstor.org/stable/1344276 Image: “Beatrix or Bea or BeaBea is a tiny cat living her tiny cat life.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kim talks with Gina Dominick about Ursula Le Guin’s short story “Schrödinger’s Cat” and the philosophical stakes of Schrödinger’s thought experiment. Le Guin’s story was published in her collection, The Compass Rose (Harper Collins, 1982). There are many PDFs of it scattered across the internet. Gina mentions Jacques Derrida’s writing on “Plato’s Pharmacy” in Dissemination, trans. Barbara Johnson (Chicago UP, 1981). Much the same is true of the PDF scattering here. Gina Dominick is a medievalist, anti-capitalist rebel, and co-conspirator in the original high theory. She is a PhD candidate in the Department of English at NYU, who teaches high school philosophy and spent Halloween afternoon re-caulking her tub. She knows way more about Adorno than Kim does. By far. Image: “Leo was rescued off the streets of Harlem 3.5 years ago and has lived comfortably in a town house with two humans ever since.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Samuel Smiles’ Self-Help isn’t just an advice manual. It represents the invention of a genre, and not a moment too soon. Smiles was writing at a time when work conditions were extremely poor, and people were looking for ways to educate themselves and improve their conditions. Although Smiles may have written Self-Help with one particular society’s troubles in mind, his advice swiftly travelled around the globe to places like Japan and Egypt. Beth Blum is an assistant professor of English at Harvard University. She specializes in modernist and contemporary literature. She is the author of The Self-Help Compulsion: Searching for Advice in Modern Literature. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women’s poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu’s linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women’s diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women’s movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women’s voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women’s movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at [email protected] or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Against Marginalization: Convergences in Black and Latinx Literatures (Ohio State University Press, 2022), Jose O. Fernandez examines thematic, aesthetic, historical, and cultural commonalities among post-1960s Black and Latinx writers, showing how such similarities have propelled their fight against social, cultural, and literary marginalization by engaging, adopting, and subverting elements from the larger American literary tradition. Drawing on the work of scholars in both literary traditions--including those who engage with the civil rights movements of the 1960s and 1970s--Fernandez finds intriguing points of convergence. His cross-cultural and comparative analysis puts Black and Latinx authors and literary works into the same frame as he considers the plays of Amiri Baraka and Luis Valdez, the fiction of James Baldwin and Rudolfo Anaya, the essays of Ralph Ellison and Richard Rodriguez, novels by Alice Walker and Helena María Viramontes, and the short fiction of Edward P. Jones and Junot Díaz. Against Marginalization thus uncovers points of correspondence and convergence among Black and Latinx literary and cultural legacies, interrogating how both traditions have moved from a position of literary marginalization to a moment of visibility and critical recognition. Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism (Routledge, 2020), associate professor of media and cultural studies at the University of Nottingham Hongwei Bao returns with a theory-driven, methodologically-diverse, empathetic, and insightful analysis of LGBTQ literature and visual culture in postsocialist China. A thorough introduction positions Bao as a participant observer and explores key concepts including “postsocialist metamorphosis,” defined as “the transformation of subjectivity, desire and sense of belonging in the postsocialist era” (4). After exploring the history of homosexuality’s (re-)emergence in China’s reform era by tracing public, intellectual discourse, Bao counters the misperception that Chinese gay and lesbian identities are the result of the influence of global (Western) gay culture. Instead, he identifies a variety of gender and sexual subjectivities unique to China’s postsocialist conditions and historical context. Each chapter then explores rich case studies from queer China, touching upon a wide variety of cultural production types. From poetry to papercutting art, from comrade (tongzhi)/gay literature to girls’ love fan fiction, from lesbian films to activist documentaries, and from a drag show in Shanghai to a public performance of a same-sex wedding in Beijing, Queer China provides unique analysis and insights and also acts as an archive of queer cultural production in postsocialist China. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Andrei Nae's book Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context. In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of the Vault, we hear Harry Berger’s talk about Leonardo da Vinci and Vassari’s "Lives of the Painters." Harry Berger was a scholar of Renaissance English literature who wrote books about art history, anthropology, and philosophy. He taught at UC Santa Cruz, where he was an emeritus professor until he died in 2021, at age 96. Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Modern imagination of the Puritans typically casts them in a repressive, conservative light. But that wasn't always the case. Abolitionist activists in the nineteenth century, especially in New England, understood their Puritan heritage as one with radical political and spiritual responsibilities. Kenyon Gradert's new book, Puritan Spirits in the Abolitionist Imagination (U Chicago Press, 2020) tells the surprising story of unexpected connections between the English Civil Wars and the literary drumbeats for a holy war in late antebellum America. Your host, Ryan Shelton (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Andrea Barrett began writing fiction seriously in her thirties and published her first novel, Lucid Stars, in 1988. She’s particularly well known as a writer of historical fiction. Barrett, whose work reflects her lifelong interest in science and natural history, received the National Book Award for her fifth book, Ship Fever, a collection of stories featuring scientists, doctors, and naturalists. In 2001 she received a MacArthur Fellowship and was also a Fellow at the Cullman Center for Scholars and Writers at the New York Public Library. Servants of the Map was a finalist for the 2003 Pulitzer Prize in Fiction. In addition to other prizes and awards she’s also been a finalist for The Story Prize and received the Rea Award for the Short Story. Today I talked to her about Natural History: Stories (Norton, 2022). Barrett has lived in Rochester, NY and in western Massachusetts, where she taught creative writing for fifteen years at Williams College. She and her husband, photographer Barry Goldstein, now live on the eastern side of the Adirondack Mountains, in the Champlain Valley. Recommended Books: Andrea Wulf, The Invention of Nature A.S. Byatt, The Children’s Book Ed Yong, An Immense World Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reframing Disability in Manga (University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past. Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell. Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular. Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020). Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In part one of our Halloween Special on Cats, Kim talks with John Guilliory about Montaigne’s essay “An Apology for Raymond Sebond.” Montaigne asks us: “When I play with my cat, how do I know that she is not passing time with me rather than I with her?” John Guillory is a professor of English at New York University. He is a scholar of Renaissance literature, who is known for his work on why we read what we read, in Cultural Capital: The Problem of Literary Canon Formation (University of Chicago Press: 1993). Image: “Lyra is half-seductress, half-glutton, all puss.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Posthumous Memoirs of Brás Cubas is such a complex and clever allegory of Brazilian society that many readers didn’t initially understand just how searing its critique really was. Its author, Joaquim Maria Machado de Assis, was the grandson of former slaves writing to and about the slaveholding class at the time and is widely regarded as the most prominent Brazilian writer of all time. His writing is noted for its formal experimentation, and while this book is certainly funny and self-aware, it also communicates the cruelty of the Brazilian elite. Flora Thomson-DeVeaux is the translator of a new English version of The Posthumous Memoirs of Brás Cubas, as well as many other texts. Sidney Charlhoub is a professor of History and of African and African American Studies at Harvard University. His books include Machado de Assis, historiador, about the literature and ideas of Machado de Assis and A força da escravidão: ilegalidade e costume no Brasil oitocentista on illegal enslavement in nineteenth-century Brazil. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the early 19th century, slavery was still a brutal reality in southern U.S. states, and a growing movement to abolish slavery nationwide was taking hold. In 1851, Harriet Beecher Stowe published her first novel, Uncle Tom’s Cabin. It was intended to be an anti-slavery book, to provide a positive view of Black people in America. But it also has another, more complicated legacy, unintentionally birthing new racist stereotypes. Professor Robin Bernstein is a Professor of African and African American Studies and of Studies of Women, Gender and Sexuality at Harvard University. She is the author of Racial Innocence: Performing American Childhood from Slavery to Civil Rights as well as Cast Out: Queer Lives in Theater and a children’s book titled Terrible, Terrible! See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Chelsea Martin's new book Tell Me I'm An Artist (Soft Skull Press, 2022). Martin's first novel, tell me i'm an artist, is published with Soft Skull Press. Her previous books include caca dolce (Soft Skull, 2017), even though i don't miss you (short flight/long drive, 2013), and others. She currently lives in spokane, wa with her husband and child. Recommended Books: Emma Bolden, The Tiger and the Cage Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Brothers Karmazov is Fyodor Dostoevsky’s last novel. In it, he presents his ideas about culture, the human soul, and God, and he uses his characters, the brothers Ivan, Dimitri, and Alyosha, as examples of his philosophical ideas. These brothers have to reconcile with the past, but also for their part in it. This book was a response to the conditions in Russia at the time it was written. And since then, it’s continued to shape philosophy itself. Yuri Corrigan is an Associate Professor of Russian and Comparative Literature at Boston University. He studies the intersections of philosophy, religion, and psychology in modern Russian and European literature. He is the author of Dostoevsky and the Riddle of the Self and is working on two new books, titled Soul Wars and Chekhov as a Moral Thinker. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What do children love most about books? Leaving their mark on inviting white spaces? Or that enchanting feeling when a book marks them as its own, taking them off to where the wild things are? Back in 2021, Elizabeth and John invited illustrious and illuminating book historian Leah Price to decode childhood reading past and present. The conversation explores the tactile and textual properties of great children’s books and debate adult fondness for juvenile literature. Leah asks if identifying with a literary character is a sign of virtuous imagination, or of craziness and laziness. She also schools John on what makes a good association copy, and reveals her son’s magic words when he wants her to tell a story: Read it! For many years an English Professor at Harvard, Leah is founder and director of the Rutgers Initiative for the Book, and she tweets at @LeahAtWhatPrice. Her What We Talk About When We Talk About Books recently won Phi Beta Kappa’s Christian Gauss Award. Sometime around the turn of the millennium, the concern about distinguishing between juvenile and adult books seemed to shift from moral panic about speeding up sexual maturity to worry about turning back the clock on what we now call adulting through the mainstreaming of young adult literature. Mentioned in the episode: Patrick Mc Donnell, A Perfectly Messed-Up Story “Association copy”–e.g. Frida Kahlo’s goofily annotated and illustrated Works of Edgar Allen Poe. Mo Willem, We Are in a Book! (An Elephant and Piggie Book) Manners with a Library Book Dorothy Kunhardt, Pat the Bunny Erica Carle, The Very Hungry Caterpillar Peggy Rathmann, Ten Minutes Till Bedtime Maurice Sendak, Where the Wild Things Are Richard Wilbur, The Disappearing Alphabet Dr. Seuss, On Beyond Zebra! Miguel Cervantes, Don Quixote Charlotte Lenox, The Female Quixote Recallable Books: what else should I read if I enjoyed this episode? (Leah) Francis Spufford, The Child that Books Built: A Life in Reading (Elizabeth) E. Nesbit The Railway Children: not to mention The Phoenix and the Carpet and Five Children and It (John) Wanda Gag, Millions of Cats: it’s The Road for cats… John also wrote a children’s book, back when his kids were tiny: Time and the Tapestry: A William Morris Adventure Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alia Trabucco Zerán, award-winning author of The Remainder (La Resta), and Women Who Kill (Las Homicidas), and Sophie Hughes, Alia’s translator and finalist for the International Booker Prize talk with Novel Dialogue host Chris Holmes about a novel that has shaped their lives as writers and thinkers: The Hole by José Revueltas. Sophie and Alia discuss how The Hole, written while Revueltas was held in the infamous Lecumberri prison, purposefully makes readers feel lost in a small, confined space. Reading a section from her co-translation of The Hole, published in 1969 as El Apando, Sophie considers how the novel’s intense feelings of confinement and limitation prompt a contemplation of what exactly defines freedom. The conversation turns on how the novel does not spare you from having “been victim of a violent book yourself,” and that literature which confronts our shared inhumanity toward prisoners should make you feel uncomfortable. In a series of thoughtful exchanges, the novelist and her translator confront the difficulties of preserving the immersiveness of the novel’s affect while being attuned to the precise choices and sacrifices of drawing out the novel in English. The episode ends with our season’s signature question, and a wonderful example of untranslatable Chilean Spanish from Alia. Mentioned in this episode: Hurricane Season, Fernanda Melchor, trans. Sophie Hughes (2020) Paradais, Fernanda Melchor, trans. Sophie Hughes (2022) The Hole, José Revueltas, trans. Sophie Hughes and Amanda Hopkinson (1969/2018) El Luto Humano (The Stone Knife), José Revueltas (1990) Jorge Borges Sergio Chejfec Amanda Hopkinson, translator Lecumberri Prison, “The Black Palace” Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Martin Fárek's India in the Eyes of Europeans: Conceptualization of Religion in Theology and Oriental Studies (Karolinum Press, Charles University, 2021) is centred around the claim that although the research in Oriental and religious studies seemingly presents unbiased, objective interpretations of Indian traditions, it really puts forward distorted images which primarily reflect the researchers’ own European culture. A thorough examination demonstrates to what extent Oriental studies as well as other humanities are still influenced by theological preconceptions. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Terrible We: Thinking with Trans Maladjustment (Duke UP, 2022), Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development. The Terrible We is the Duke University Press Scholars of Color First Book Award recipient Cameron Awkward-Rich is Assistant Professor of Women, Gender, Sexuality Studies at the University of Massachusetts, Amherst, and author of Dispatch and Sympathetic Little Monster. Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What would an “anti-field history” of Buddhist Studies look like? What does the social history of knowledge look like when it both includes and exceeds the West/Nonwest binary, the ethnonational subject, the secular humanist gaze, and the moral narratives and metaphysical content of modernism? Matt W. King explores these critical questions and models innovative approaches in his second monograph, In the Forest of the Blind (Columbia University Press 2022), which uses Faxian’s Record of Buddhist Kingdoms to expose “ecologies of interpretation” in both nineteenth-century European Orientalist scholarship and Inner Asian monastic cultures. Although Faxian’s The Record of Buddhist Kingdoms (Foguoji) is a fifth-century CE travelogue about the Chinese Buddhist monk’s journey into Central and South Asia, it later became the subject of Europe’s first study of “Buddhist Asia” in the nineteenth century in Jean-Pierre Abel-Rémusat’s Relation des Royaumes Bouddhiques, which was then translated from French into Mongolian by the Buryat scholar Dorji Banzarov, and then by the Mongolian monk Zava Damdin Lubsangdamdin from Mongolian into Tibetan. Tracing this fascinating history of trans-Eurasian circulation of knowledge production, King argues that “the circulatory history of Faxian’s Record is not simply about Buddhist Asia forged in Europe into other places that were not Europe,” rather, the story is organized “by a chain of site-specific and differing orientations to knowledge itself – of treatments for traces of the past, of methodology.” In six creatively organized chapters, King discusses first discusses how Faxian’s Record “orders time by means of space” in its early Chinese context, and then delves into the history of Orientalist Buddhist Studies showing how Abel-Rémusat’s “poaching” of Qing sources facilitated the disciplining of Buddhist Asia into an object of a transregional science. In Chapters 3 and 5, we see an inversion of the Orientalist gaze and learn about the reception and reinterpretation of Orientalist scholarship among the “Oriental” subjects themselves, who attempted to make sense of Buddhist history, geography, and Asia’s place and time in the world through Faxian’s Record, via Abel-Rémusat’s translation and scholarship. Here, King shows us that Abel-Rémusat’s science of Buddhist Asia was turned, or rather silenced, into chö-jung (history of the Dharma). Unlike models from world history and transcultural studies that tend to focus on movement, contact, and exchange, In the Forest of the Blind instead focuses innovatively on connected but place-bound interpreters who hardly knew of each other and “who began anew from the silence of analytical practices staged elsewhere.” As an example of an “anti-field history,” this book, in King’s words, attempts “not to look past the fetish of the subject, but to find the disciplinary implications of centerless, overlapping, and mutually incomprehensible relations of knowledge-power that are coproductive but unbeholden to any specific relation of force (such as colonizer/colonized).” The aim of the book, King explains, is “to imagine new disciplinary futures in Buddhist and Asian studies by implicating the disciplinary present in a more diverse, global, subversive, and dispersed disciplinary past that is more attentive to negative space and absence than to impact or influence.” Ending the book with a complete, annotated English translation of the Tibetan version of Faxian’s Record, which was translated from a Mongolian translation of the French translation of the Chinese original, In the Forest of the Blind provides the readers with rich notes about continuities and discrepancies across all four trans-Eurasian versions. Matthew King is an Associate Professor in Transnational Buddhism in the Department of Religious Studies at the University of California, Riverside. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen's existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names-"enemies of the people;" the "missing," the "disappeared," "ghost" detainees in "black sites"-but they are subject to the same fate of political erasure. Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life "unbearable," unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the "life" of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s episode focuses on the new book by Lydia Moland, who is a Professor of Philosophy at Colby College. Her book, Lydia Maria Child: A Radical American Life (U Chicago Press, 2022) offers a powerful window into questions of humility and its relationship to racism and other forms of discrimination in American history. We talk about Child’s ideas, particularly as they relate to many of the issue facing contemporary American society. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ellen Doré Watson speaks to managing editor Emily Everett about her poem “In Which Raging Weather is a Gift,” which appears in The Common’s spring issue. Ellen talks about the importance of letting a poem surprise you as the first draft comes together. She also discusses her thoughts on the revision process, her work translating poetry and prose, and the years she spent running the Smith College Poetry Center. Ellen Doré Watson’s fifth full-length collection is pray me stay eager. Her poems have appeared in The American Poetry Review, Tin House, Orion, and The New Yorker. She has translated a dozen books from Brazilian Portuguese, including the work of Adelia Prado. Watson served as poetry editor of The Massachusetts Review and director of the Poetry Center at Smith College for decades, and currently offers manuscript editing and workshops online. ­­Read Ellen’s poems in The Common at thecommononline.org/tag/ellen-dore-watson. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma's edited anthology Three Centuries of Travel Writing by Muslim Women (Indiana University Press 2022) is a collection of travel writings from the late 19th century to the early and mid-20th century. It captures the fascinating lives of diverse Muslim women as they travelled for religious pilgrimage, political reasons, education, and for leisure. This anthology not only recovers the voices of women from a broad range of languages, Urdu, Punjabi, Turkish, and Persian but also provides the historical and cultural contexts necessary to understand the full significance of what these women were trying to convey of their experiences in their context. Such fascinating travel excerpts include those of Mirza Khalil and the Nur Begum’s pilgrimage to hajj or those of the Egyptian Huda Shaarawi or Amina Said’s travel related to their thinking of feminism, the Indonesian communist Suharti Suwarto’s visit to the Soviet Union or the Indian nurse Mehr al-Nisa navigating new life in Ohio, to name just a few of the 45 examples documented here. The historical experiences of Muslim women offers a fascinating and understudied point of insight into the role of imperial, colonial, and global history. The original texts gathered are accessible via the accompanying website for you to check out and explore. This anthology will be of interest to anyone working on travel, colonial history, Muslim women, and comparative literature, Islamic Studies. It will also be an excellent resource in many courses that cover a range of topics be it religious piety, feminism, travel, travel writing, and much more. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sandeep Banerjee's book Space, Utopia and Indian Decolonization: Literary Pre-Figurations of the Postcolony (Routledge, 2021) illuminates the spatial utopianism of South Asian anti-colonial texts by showing how they refuse colonial spatial imaginaries to re-imagine the British Indian colony as the postcolony in diverse and contested ways. Focusing on the literary field of South Asia between, largely, the 1860s and 1920s, it underlines the centrality of literary imagination and representation in the cultural politics of decolonization. This book spatializes our understanding of decolonization while decoupling and complicating the easy equation between decolonization and anti-colonial nationalism. The author utilises a global comparative framework and reads across the English-vernacular divide to understand space as a site of contested representation and ideological contestation. He interrogates the spatial desire of anti-colonial and colonial texts across a range of genres, namely, historical romances, novels, travelogues, memoirs, poems, and patriotic lyrics. The book is the first full-length literary geographical study of South Asian literary texts and will be of interest to an interdisciplinary audience in the fields of Postcolonial and World Literature, Asian Literature, Victorian Literature, Modern South Asian Historiography, Literature and Utopia, Literature and Decolonization, Literature and Nationalism, Cultural Geography, and South Asian Studies. Dr. Sandeep Banerjee is Associate professor at McGill University in Canada. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joseph Conrad, who published 20 books and several best-sellers by the time of his death, was also a sailor. Heart of Darkness follows seaman Charles Marlow’s journey down a river in Africa. It is Conrad’s most well-known book today. This tale of colonialism in Africa is shrouded in mystery, and the book itself has fallen in and out of favor since its publication. Harvard professor Maya Jassanoff discusses why Heart of Darkness is an exemplar of what it means to read a text within its historical context. Maya Jassanoff is a Harvard professor of History. Her book The Dawn Watch: Joseph Conrad in a Global World won the Cundill Prize in History. She is also the author of Liberty’s Exiles: American Loyalists in the Revolutionary World and Edge of Empire: Lives, Culture, and Conquest in the East, 1750-1850. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others. The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebel Book Club is an online and in-person book club. Each month, over 1,000 people get together to discuss a non-fiction book, occasionally with the author as a participant. For new members, use code: REBELREADER Ben Keene is an entrepreneur, author, and food journalist. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose? Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book Criticism and Politics: A Polemical Introduction (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Watching our favorite TV shows and movies today, it’s easy to take the relatable characters and familiar settings for granted. But when Henrik Ibsen debuted his play A Doll’s House, realism was a shocking, new approach. Professor Derek Miller discusses what realism can teach us about our reality and how A Doll’s House rocked the 19th century theatre scene. Derek Miller is the John L. Loeb Associate Professor of the Humanities at Harvard University. He teaches in the English department as well as courses in theater, dance, and media. He is the author of Copyright and the Value of Performance, 1770-1911 and is currently working on a project titled Visualizing Broadway. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode from the Vault, we hear from historian Eric Hobsbawm, a frequent visitor at the New York Institute for the Humanities. His talk, Literacy and the Tower of Babel, took place in November 1984. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Censorship, Urdu literature, Islam, and progressive secular nationalisms in colonial India and Pakistan have a complex, intertwined history. Sarah Waheed, Assistant Professor at the University of South Carolina, offers a timely examination of the role of progressive Muslim intellectuals in the Pakistan movement in her new book, Hidden Histories of Pakistan: Censorship, Literature, and Secular Nationalism in Late Colonial India (Cambridge University Press, 2022). She delves into how these left-leaning intellectuals drew from long-standing literary traditions of Islam in a period of great duress and upheaval, complicating our understanding of the relationship between religion and secularism. Rather than seeing 'religion' and 'the secular' as distinct and oppositional phenomena, this book demonstrates how these concepts themselves were historically produced in South Asia and were deeply interconnected in the cultural politics of the left. Through a detailed analysis of trials for blasphemy, obscenity, and sedition, and feminist writers, Waheed argues that Muslim intellectuals engaged with socialism and communism through their distinctive ethical and cultural past. In so doing, she provides a fresh perspective on the creation of Pakistan and South Asian modernity. In our conversation we discuss leftist Muslim ideals, Urdu literary network, deconstructing the religious/secular binary, the banning of the controversial “Burning Embers” collection, the renowned writer Saadat Hasan Manto, the politics of sexuality, South Asia’s colonial legacies, poet Faiz Ahmad Faiz, Islamic traditions of aesthetics and ethics, legal trials on obscenity and blasphemy, feminist poet Fahmida Riaz, the gender politics of progressive intellectual spaces, and notions of South Asian Muslim nationalism and communal identity. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I spoke with Carles Prado-Fonts on his recently published book Secondhand China: Spain, the East, and the Politics of Translation (Northwestern UP, 2022). This transcultural study of cultural production brings to light the ways Spanish literature imagined China by relying on English- and French-language sources. Carles Prado-Fonts examines how the simultaneous dependence on and obscuring of translation in these cross-cultural representations created the illusion of a homogeneous West. He argues that Orientalism became an instrument of hegemony not only between “the West and the rest” but also within the West itself, where Spanish writers used representations of China to connect themselves to Europe, hone a national voice, or forward ideas of political and cultural modernity. Uncovering an eclectic and surprising archive, Prado-Fonts draws on diverse cultural artifacts from popular literature, journalism, and early cinema to offer a rich account of how China was seen across the West between 1880 and 1930. Enrique Gaspar, Luis de Oteyza, Vicente Blasco Ibáñez, and lesser-known authors writing in Spanish and Catalan put themselves in dialogue with Leo Tolstoy, John Dewey, W. Somerset Maugham, Bertrand Russell, Pearl Buck, and André Malraux, as well as stereotypical figures from popular culture like Fu Manchu and Charlie Chan. Throughout, Prado-Fonts exposes translation as a technology of cultural hegemony and China as an appealing object for representation. A timely contribution to our understanding of how we create and consume knowledge about the world, Secondhand China is essential reading for scholars and students of Orientalism, postcolonial studies, translation studies, comparative literature, and cultural studies. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In August of 1945, the United States dropped an atomic bomb on two Japanese cities, Hiroshima and Nagasaki. Less than a year later, American journalist John Hersey traveled to Hiroshima and interviewed survivors of the bombing. The subsequent article was published by The New Yorker in 1946. Hiroshima was published as a book two months later. MIT Professor Christopher Capozzola discusses why he thinks every American should read Hiroshima. Christopher Capozzola is a professor of History at MIT. He is the author of Uncle Sam Wants You: World War I and the Making of the Modern American Citizen and Bound by War: How the United States and the Philippines Build America’s First Pacific Century. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A. M. Homes most recent book is The Unfolding (Viking, 2022). Her previous work includes, This Book Will Save Your Life, which won the 2013 Orange/Women’s Prize for Fiction, Music For Torching, The End of Alice, In a Country of Mothers, and Jack, as well as the short-story collections, Days of Awe, Things You Should Know and The Safety of Objects, the bestselling memoir, The Mistress’s Daughter along with a travel memoir, Los Angeles: People, Places and The Castle on the Hill, and the artist’s book Appendix A: A.M. Homes has been the recipient of numerous awards including Fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Arts, NYFA, and The Cullman Center for Scholars and Writers at The New York Public Library, along with the Benjamin Franklin Award, and the Deutscher Jugendliteraturpreis. She was a Co-Executive Producer and Writer on David E. Kelly and Stephen King’s, Mr. Mercedes, Co-Executive Producer and Writer on Falling Water and has created original television pilots for HBO, FX and CBS and was a writer/producer of the Showtime series The L Word. Recommended Books: Melissa Febos Maria Popova, Figuring —”The Marginalian” Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do literature and other cultural forms shape how we imagine the planet, for better or worse? In this rich, original, and long awaited book, Jennifer Wenzel tackles the formal innovations, rhetorical appeals, and sociological imbrications of world literature that might help us confront unevenly distributed environmental crises, including global warming. The Disposition of Nature: Environmental Crisis and World Literature (Fordham UP, 2019) argues that assumptions about what nature is are at stake in conflicts over how it is inhabited or used. Both environmental discourse and world literature scholarship tend to confuse parts and wholes. Working with writing and film from Africa, South Asia, and beyond, Wenzel takes a contrapuntal approach to sites and subjects dispersed across space and time. Reading for the planet, Wenzel shows, means reading from near to there: across experiential divides, between specific sites, at more than one scale. Impressive in its disciplinary breadth, Wenzel’s book fuses insights from political ecology, geography, anthropology, history, and law, while drawing on active debates between postcolonial theory and world literature, as well as scholarship on the Anthropocene and the material turn. In doing so, the book shows the importance of the literary to environmental thought and practice, elaborating how a supple understanding of cultural imagination and narrative logics can foster more robust accounts of global inequality and energize movements for justice and livable futures. Jennifer Wenzel teaches at Columbia University. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality. Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced. Mentioned in the episode Yoshikazu Nango, "A new form of 'solitary space'...." (2021) Haruki Murakami's detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history. Walter Scott's Waverley novels: can we also understand the novel as an immersive machine that leaves readers half in their actual world? Lewis Carrol's Alice's Adventures in Wonderland (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif) Ian Bogost on e-readers C S Lewis's wardrobe as portal in The Lion the Witch and the Wardrobe (1950) Lukacs focuses on the dizzying and transformative scale in Naturalism in "Narrate or Describe?" (1936) Wearable heart monitors as feedback machines for watching scary movies. The pre-history of Pokemon Go is various games played by early users of VR headsets on trains. Sword Art Online is a breakout popular example of Japanese stories of players trapped inside a game-world Thomas Boellstroff, Coming of Age in Second Life We Met in Virtual Reality Neil Stephenson's Snow Crash (1992) coined the concept of the metaverse. Recallable Books Madeline L'Engle The Wind in the Door (1973). Cervantes, Don Quixote (1606/1615) Futari Okajima Klein Bottle (1989) Collections such as Immersed in Technology, Future Visions, Virtual Realities and their Discontents; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection. Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We don’t even know the real name of the 11th century author Murasaki Shikibu. But we do know that her book, The Tale of Genji, is arguably one of the most influential Japanese texts to date. Genji quickly captured its readers’ imaginations with political intrigue and court drama, but it can also be read as an astute critique of Japanese elite society. Reginald Jackson is an associate professor of Pre-modern Japanese Literature and Performance at the University of Michigan. He is the author of Textures of Mourning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yan Ge and Jeremy Tiang are both writers who accumulate languages. Sitting down with host Emily Hyde, they discuss their work in and across Chinese and English, but you’ll also hear them on Sichuanese, the dialect of Mandarin spoken in Yan Ge’s native Sichuan province, and on the Queen’s English as it operates in Singapore, where Jeremy grew up. Yan is an acclaimed writer in China, where she began publishing at age 17. She now lives in the UK. Her novel Strange Beasts of China came out in English in 2020, in Jeremy’s translation. Jeremy, in addition to having translated more than 20 books from Chinese, is also a novelist and a playwright currently based in New York City. This conversation roams from cryptozoology to Confucius, from the market for World Literature to the patriarchal structure of language. Yan reads from the “Sacrificial Beasts” chapter of her novel, and Jeremy envies the brevity and compression of her Chinese before reading his own English translation. Throughout this warmhearted conversation, Yan and Jeremy insist upon particularity: upon the specificity of language, even in translation, and the distinctiveness of identity, even in a globalized world. We learn more about Yan’s decision to write in English, and Jeremy’s cat chimes in with an answer to our signature question about untranslatability! Tune in and keep a look out for Yan’s English-language debut, Elsewhere, a collection of stories, due out in 2023. Mentions: -Yiyun Li -Liu Xiaobo -Jhumpa Lahiri -Confucius -Strange Beasts of China -Tilted Axis Press -State of Emergency -Yu char kway -Wittgenstein Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does the state support writers? In State Sponsored Literature: Britain and Cultural Diversity after 1945 (Oxford UP, 2020), Asha Rogers, Senior Lecturer in Contemporary Postcolonial Literature at the University of Birmingham, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford UP, 2021) focuses on the iteration of the trope of ‘the monstrous vegan’ across 200 years of Anglophone literature. Explicating, through such monsters, veganism’s relation to utopian longing and challenge to the conceptual category of the ‘human’, the book explores ways in which ethical identities can be written, represented, and transmitted. Reading Veganism proposes that we can recognize and identify the monstrous vegan in relation to four key traits. First, monstrous vegans do not eat animals, an abstinence that generates a seemingly inexplicable anxiety in those who encounter them. Second, they are hybrid assemblages of human and nonhuman animal parts, destabilizing existing taxonomical classifications. Third, monstrous vegans are sired outside of heterosexual reproduction, the product of male acts of creation. And, finally, monstrous vegans are intimately connected to acts of writing and literary creation. The principal contention of the book is that understandings of veganism, as identity and practice, are limited without a consideration of multiplicity, provisionality, failure, and insufficiency within vegan definition and lived practice. Veganism’s association with positivity, in its drive for health and purity, is countered by a necessary and productive negativity generated by a recognition of the horrors of the modern world. Vegan monsters rehearse the key paradoxes involved in the writing of vegan identity. Emelia Quinn is Assistant Professor of World Literatures & Environmental Humanities at the University of Amsterdam. Prior to this position she received her DPhil (PhD) in English from the University of Oxford. She is author of Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford UP, 2021) and co-editor of Thinking Veganism in Literature and Culture: Towards a Vegan Theory (Palgrave Macmillan, 2018) and The Edinburgh Companion to Vegan Literary Studies (Edinburgh UP, 2022) Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, Carlos Rojas shares with us his experience as a translator. He has translated several renowned authors in the Chinese-speaking world, including Yan Lianke, Yu Hua, Jia Pingwa, and Ng Kim Chew, into English. Among the literary translations, Carlos has translated ten books written by Yan Lianke, including novels, short stories, novellas, and essay collections. The books include Lenin’s Kisses (2012), The Four Books (2015), Marrow (2016), The Explosion Chronicles: A Novel (2017), The Years, Months, Days: Two Novellas (2017), The Day the Sun Died (2018), Three Brothers: Memories of My Family (2020), the most recent Hard Like Water (2021) and Discovering Fiction (2022), and the forthcoming Heart Sutra (2023). Yan Lianke is one of the most famous and prolific authors in China. He is the winner of the Newman Prize for Chinese Literature and the Franz Kafka Prize and a two-time finalist for the Man Booker International Prize. He teaches at Renmin University in Beijing and the Hong Kong University of Science and Technology. His works have been translated into more than 30 languages including English, French, German, Spanish, Italian, Swedish, Danish, Norwegian, Czech, Hungarian, Japanese, Korean, Vietnamese, Mongolian and Portuguese. Carlos Rojas is Professor of Asian and Middle Eastern Studies at Duke University. His research focuses on modern Chinese literature and culture, as well as gender, sexuality, and feminist studies. Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Selling your soul to the devil in exchange for your deepest desire is a common theme in many western stories. The origins of this theme can be traced back to the German legend of Faust. The most well known version today is an epic poem, Faust, written by German poet Johann Wolfgang von Goethe. Part of the reason Faust continues to resonate with audiences is that everyone can relate to this feeling of striving against our own human limitations. John Hamilton is a professor of Comparative Literature in German at Harvard. He is the author of the books Music, Madness, and the Unworking of Language, Philology of the Flesh, and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies