The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

What can reading teach us about loss, healing, and survival? How can we transform anger into empathy? What can we learn from the creative act about turning personal setbacks into opportunities for self-discovery and growth?Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell. "If you want to check in and get some clarity on what you believe, I tell people, well, just write something really honest and emotionally naked and read it back to yourself, and you'll see a lot of what you believe, think, fear, regret, desire, et cetera.We always reveal ourselves in our work. The truth is, I identify far more with those on the outside than on the inside. And even though from the outside it looks like I'm on the inside – you know, I'm a successful author, professor, white, privileged, educated, straight male from the United States – you can't get more privileged than that in a patriarchal, misogynistic, racist society. But I don't identify with those people. And I don't know if it's because of my youth or just how I am in the world. When you read that passage from Ghost Dogs back to me about my hatred of all those things. That hatred for those kinds of injustices has never left me. In fact, they've just grown sharper."www.andredubus.comwww.andredubus.com/ghost-dogswww.andredubus.com/house-of-sand-and-fogwww.andredubus.com/such-kindnesswww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Of course, it creates a lot of applause when you speak about the beauty of nature that you have flown over with your hot air balloon, solar airplane, or whatever, but it changes nothing because the language of the key decision-makers is not the language of the beauty of nature. It's the language of profit, job creation, and developing the economy.The goal now is not just to revolutionize energy, like with Solar Impulse. The goal with Climate Impulse is to revolutionize aviation and show that we can decarbonize aviation. We can make it more efficient. Of course, it's not yet a jumbo jet with hydrogen. It's a two-seater airplane. But I want to make the ultimate flight to shake a little bit the certitudes of the people. If we go around the world nonstop with two people on board, this project can become like a flagship of climate action."Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth.http://www.solarimpulse.comhttps://climateimpulse.org/https://bertrandpiccard.com/Photos:Bertrand Piccard with Ilham Kadri, CEO Syensqo (main technological partner of Climate Impulse)Bertrand Piccard @ Solar Impulse, Jean Revillard

What is the future of green aviation? How do we share environmental solutions to unite people and change the climate narrative from sacrifice and fear to enthusiasm and hope?Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth."Of course, it creates a lot of applause when you speak about the beauty of nature that you have flown over with your hot air balloon, solar airplane, or whatever, but it changes nothing because the language of the key decision-makers is not the language of the beauty of nature. It's the language of profit, job creation, and developing the economy.The goal now is not just to revolutionize energy, like with Solar Impulse. The goal with Climate Impulse is to revolutionize aviation and show that we can decarbonize aviation. We can make it more efficient. Of course, it's not yet a jumbo jet with hydrogen. It's a two-seater airplane. But I want to make the ultimate flight to shake a little bit the certitudes of the people. If we go around the world nonstop with two people on board, this project can become like a flagship of climate action."http://www.solarimpulse.comhttps://climateimpulse.org/https://bertrandpiccard.com/Photos:COPSummitBertrand Piccard with Simon Stiell, Executive Secretary of the UNFCCCVille de Demain exhibition, Cité des sciences et de l'industrie, Paris

“This book is not just about Neanderthals. It's a book about us. I wanted to warn humans, to say there is something in us that is so efficient and dangerous. We've effectively collapsed many things and are now inducing the collapse of natural environments on the planet. And after that, we might even cause the collapse of ourselves as Homo sapiens.”Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature.http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcoverhttps://lampea.cnrs.fr/spip.php?article3767www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.phpwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Who were the Neanderthals? And what can our discoveries about them teach us about intelligence, our extractivist relationship to the planet, and what it means to be human?Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature.“This book is not just about Neanderthals. It's a book about us. I wanted to warn humans, to say there is something in us that is so efficient and dangerous. We've effectively collapsed many things and are now inducing the collapse of natural environments on the planet. And after that, we might even cause the collapse of ourselves as Homo sapiens.”http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcoverhttps://lampea.cnrs.fr/spip.php?article3767www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.phpwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So, to be able to develop an ecological mind, one must be ecological minded and really understand what it means to be interdependent and interconnected. So that brings together every kind of species we can think of, and we need to filter this way of thinking because when we are in a natural environment, we feel energized and uplifted. But how long does it last? And what do we do with it? To me, ecological mindedness, the topic of ECHIC (European Consortium for Humanities Institutes and Centres) is exactly this: being committed, developing a commitment towards the environment and towards well-being. It's only when we are really interdependent that we can thrive. And this was the core of this conference from various perspectives in an attempt to foster an interdisciplinary dialogue."Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeinghttps://www.routesnetwork.net https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures?Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity."So, to be able to develop an ecological mind, one must be ecological minded and really understand what it means to be interdependent and interconnected. So that brings together every kind of species we can think of, and we need to filter this way of thinking because when we are in a natural environment, we feel energized and uplifted. But how long does it last? And what do we do with it? To me, ecological mindedness, the topic of ECHIC (European Consortium for Humanities Institutes and Centres) is exactly this: being committed, developing a commitment towards the environment and towards well-being. It's only when we are really interdependent that we can thrive. And this was the core of this conference from various perspectives in an attempt to foster an interdisciplinary dialogue."https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeinghttps://www.routesnetwork.net https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How would the life of Jesus be told through the eyes of his mother? How can literature help us understand history and the nature of identity? Maciej Hen was born in 1955 in Warsaw. He graduated from the Cinematography Department at the Film School in Łódź. For years he has been trying his hand at diverse activities, from music to all fields of journalism and television lighting design. As a prose writer, Hen has published four novels so far: Według niej (2004, DUE; the English translation, According to Her, published in 2022 by Holland House Books, was shortlisted to the EBRD Literary Prize in 2023), Solfatara (2015, W.A.B., 2016 Gombrowicz Prize and shortlisted for the Norwid Prize and the Angelus Prize), Deutsch dla średnio zaawansowanych, Segretario and one non-fiction book, Beatlesi w Polsce (The Beatles in Poland)."I wondered who could be a better narrator of the story of Jesus than his own Jewish mother? When I was young, as a European Greco-Christian, I was aware of some of my Jewish history, but writing According to Her, I tried to imagine the issue of someone considered to be a Messiah or prophet by some Jewish followers. What could be the genuine story of something that really happened or was told? This led me to write a realistic novel about how it could have been."https://en.wikipedia.org/wiki/Maciej_Henwww.hhousebooks.com/shortlisted-ebrd-according-to-herwww.wydawnictwoliterackie.pl/autor/1271/maciej-henhttps://www.instagram.com/maciej.hen/www.facebook.com/profile.php?id=100064871385361www.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I have always thrown myself into everything, and that includes terrible things because I want to have the whole experience. Even if I know it's going to hurt for better or for worse, that has been how I've lived my life. And so it's given me a lot of information and allowed me to play a lot of different roles and understand a lot of different points of view.I'm the kind of person who – I don't do well in lectures - I don't like sitting for a very long time, but if I can listen while I'm drawing or painting, then I will actually retain more of what I'm hearing because it's connected now to what I've actually made while I'm listening to it. When I look at my paintings, I remember what I was reading at each section of the painting, so that's the way my brain works. And I think a lot of people who are creative, that's the way their brain works, where we need to develop one skill in order to develop another. And using your imagination is key to all of it."From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriends' Guide to Divorce, Lisa Edelstein's range of roles are as diverse as her talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.https://lisaedelstein.komi.io/www.lisaedelsteinpaintings.com/www.imdb.com/name/nm0249046www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastArtworks:“Beach Day”, “Marsha”, “Karen” Courtesy of the ArtistLisa Edelstein in the StudioPhoto credit: Holland Clement, Courtesy of the artist

How can the arts help us examine and engage with social issues? How do our families shape our views, memories, and experience of the world?From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriends' Guide to Divorce, Lisa Edelstein's range of roles are as diverse as her talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion."I have always thrown myself into everything, and that includes terrible things because I want to have the whole experience. Even if I know it's going to hurt for better or for worse, that has been how I've lived my life. And so it's given me a lot of information and allowed me to play a lot of different roles and understand a lot of different points of view.I'm the kind of person who – I don't do well in lectures - I don't like sitting for a very long time, but if I can listen while I'm drawing or painting, then I will actually retain more of what I'm hearing because it's connected now to what I've actually made while I'm listening to it. When I look at my paintings, I remember what I was reading at each section of the painting, so that's the way my brain works. And I think a lot of people who are creative, that's the way their brain works, where we need to develop one skill in order to develop another. And using your imagination is key to all of it."https://lisaedelstein.komi.io/www.lisaedelsteinpaintings.com/www.imdb.com/name/nm0249046www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: Mitch StoneCourtesy of the artist

The Making of Moon Man“So, as we started talking and going through what this could look like. I run a creator-owned superhero universe at Image Comics called the Massive-Verse, which is spearheaded by the main book I write called Radiant Black. I like to describe it as it's like Power Rangers with adult problems. It's very contemporary kind of reimaginings of superhero storytelling for the 2020s. So in that context, talking about what any type of new superhero and, in this case, what a new black superhero in 2024 could look like, what the threats would be, what the world might look like if it's maybe not even five minutes in the future. I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?”Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.moonmancomics.com https://imagecomics.comhttps://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastAudio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)

What does the future hold for our late-stage capitalist society with mega-corporations owning and controlling everything? How can the world-building skills of the makers of films and comics help us imagine a better future?Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.The Making of Moon Man“So, as we started talking and going through what this could look like. I run a creator-owned superhero universe at Image Comics called the Massive-Verse, which is spearheaded by the main book I write called Radiant Black. I like to describe it as it's like Power Rangers with adult problems. It's very contemporary kind of reimaginings of superhero storytelling for the 2020s. So in that context, talking about what any type of new superhero and, in this case, what a new black superhero in 2024 could look like, what the threats would be, what the world might look like if it's maybe not even five minutes in the future. I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?” -Kyle Higginsmoonmancomics.com https://imagecomics.comhttps://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastAudio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)

"Climate change gives us a chance to re-imagine the world in a way that every single human being can participate in. And so whether you're in a remote part of the United States or some other country, when you learn about climate change, it shouldn't just be the science. It should be the opportunity." –Kathleen RogersExcerpts of interviews from One Planet Podcast & The Creative Process.Voices on this episode are:KATHLEEN ROGERSPresident of EarthDay.ORGPOORVA JOSHIPURASenior VP, PETA UK - Author of Survival at Stake: How Our Treatment of Animals is Key to Human ExistenceDAVID FENTONFounder of Fenton Communications - Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator BRITT WRAYAuthor of Generation Dread: Finding Purpose in an Age of Climate CrisisResearcher Working on Climate Change & Mental Health, Stanford UniversityDR. FARHANA SULTANACo-author: Water Politics: Governance, Justice & the Right to WaterFmr. UNDP Programme Officer, United Nations Development ProgrammeANDRI SNÆR MAGNASON Icelandic Writer & Documentary Filmmaker Author of On Time and Water, The Casket of Time, LoveStar, Not OkTHOMAS CROWTHER Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of RestorDR. SHIV SOMESHWAR Fmr. European Chair for Sustainable Development & Climate Transition - Sciences PoPAULA PINHO Director of Just Transition at the European Commission Directorate-General for EnergyARMOND COHEN Executive Director of Clean Air Task ForceMAYA K. VAN ROSSUM Founder of Green Amendments For The Generations - Delaware Riverkeeper Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy EnvironmentMax Richter’s music featured in this episode:“Spring 1” from The New Four Seasons – Vivaldi Recomposed “Vladimir’s Blues” from The Blue NotebooksMusic is courtesy of Max Richter, Universal Music Enterprises,and Mute Song.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of UnsplashPhoto credit: Valdemaras D.

“The natural world has its own sonic language. Its own fingerprints. And that's one of the beautiful things about being out here. There is another acoustic environment, another sort of sonic fingerprint, and it is always changing. Every day is a sort of a different sound picture. I walk out the door and you do hear it changing over time. The leaves are coming in now, different kinds of bird song. The wind sounds different. It's a wonderful thing to be around and experience.” —Max RichterExcerpts of interviews from One Planet Podcast & The Creative ProcessSY MONTGOMERYNYTimes Bestselling Author of Of Time and Turtles: Mending the World, Shell by Shattered Shell, Secrets of the Octopus, The Hawk’s Way: Encounters with Fierce Beauty, and other booksMAX RICHTERAward-winning Composer, Pianist & Environmentalist (The Blue Notebooks, Waltz with Bashir, Arrival, Ad Astra) His album SLEEP is the most streamed classical record of all time. Cofounder of Studio Richter MahrMERLIN SHELDRAKEBiologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021THOMAS CROWTHEREcologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of RestorTIOKASIN GHOSTHORSEFounder/Host of First Voices Radio - Master Musician of the Ancient Lakota FluteERLAND COOPERNature’s Songwriter - Composer of “Folded Landscapes”RICK BASSEnvironmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While” - Fmr. Geologist - Organizer of Climate Aid: The Voice of the ForestPETER SINGER“Most Influential Living Philosopher” - Author, Founder of The Life You Can SaveKATHLEEN ROGERSPresident of EarthDay.ORGwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Photos courtesy of UnsplashPhoto credit: Kyle Johnson, Sebastian Unrau, Abner abiu Castillo diaz, Deepak Nautiyal

"I wanted to both look at the kind of vast, rich tapestry of spiritually adjacent practices among millennials and younger people, particularly in the unaffiliated world, but more broadly, what is the underlying ideology underpinning it all? This idea that religion is something for us because the goal of religion is to make us live our best lives, and it doesn't matter, which is the sort of shadow side of this, if it's true or not. If it's real or not. What matters is if it 'works for you.'"Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic,  Granta, The Washington Post, The Wall Street Journal, and other publications.www.taraisabellaburton.comwww.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBgwww.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What are we willing to give up to find meaning, connection, and a sense of belonging? What happens if we don't self-promote, self-create, and self-brand on social media? Will we find the right partner? Will we get into the right college? Or find the best job?Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic,  Granta, The Washington Post, The Wall Street Journal, and other publications."I wanted to both look at the kind of vast, rich tapestry of spiritually adjacent practices among millennials and younger people, particularly in the unaffiliated world, but more broadly, what is the underlying ideology underpinning it all? This idea that religion is something for us because the goal of religion is to make us live our best lives, and it doesn't matter, which is the sort of shadow side of this, if it's true or not. If it's real or not. What matters is if it 'works for you.'"www.taraisabellaburton.comwww.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBgwww.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How can we better educate young people about the future & the planet? How can we address eco-anxiety while providing students with climate optimism, hope, and solutions?Bryce Coon is the Director of Education at EarthDay.ORG, a nonprofit that champions climate education for all students and is the global driving force behind Earth Day. Previously, Coon was a high school teacher for 11 years in Montgomery County, teaching economics and leading a variety of projects for students, such as a school-wide tutoring program. Throughout his teaching career, Bryce participated in international fellowships where he studied climate education and policy in Asia, Europe, and Oceania.https://www.earthday.org/campaign/climate-environmental-literacy/Planet vs. Plastics www.earthday.org Sign The Global Plastic Treaty Petition https://action.earthday.org/global-plastics-treaty Toolkits: https://www.earthday.org/our-toolkits NDC Guide for Climate Education https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdfwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhotos courtesy of EARTHDAY.ORG

How can we reimagine a world without plastic? How can we push governments and companies to admit what they know about the health impacts of plastics and change public policy?Kathleen Rogers is the President of EARTHDAY.ORG. Under her leadership, it has grown into a global year-round policy and activist organization with an international staff. She has been at the vanguard of developing campaigns and programs focused on diversifying the environmental movement, highlighted by Campaign for Communities and Billion Acts of Green. Prior to her work at EARTHDAY.ORG, Kathleen held senior positions with the National Audubon Society, the Environmental Law Institute, and two U.S. Olympic Organizing Committees. She’s a graduate of the University of California at Davis School of Law, where she served as editor-in-chief of the law review and clerked in the United States District Court for the District of Columbia. EARTHDAY.ORG’s 2024 theme, Planet vs. Plastics, calls to advocate for widespread awareness of the health risks of plastics, rapidly phase out all single-use plastics, urgently push for a strong UN Treaty on Plastic Pollution, and demand to end fast fashion. Let's build a plastic-free planet for generations to come."The world recognizes that plastics have imperiled our future. Many environmentalists, myself included, view plastics as on par with, if not worse than, climate change because we do see a little light at the end of the tunnel on climate change. Babies vs. Plastics is a collection of studies, and we particularly focused on children and babies because their bodies and brains are more impacted than adults by the 30, 000 chemicals that assault us every day.We have histories littered with dozens of stories and court cases of malfeasance where companies knew for years before we, the public, did about the impacts. Climate change is a perfect example because we know Exxon scientists knew in 1957 that burning fossil fuels was creating climate change and that eventually, the temperature of the planet would heat up, and they hid it from us for 50-plus years. And more and more reports are coming out every day about what companies and some governments know. Tobacco companies knew tobacco caused cancer for decades before our scientists did. And so we have the same problem with plastics.”Planet vs. Plastics www.earthday.org Sign The Global Plastic Treaty Petition https://action.earthday.org/global-plastics-treaty Toolkits: https://www.earthday.org/our-toolkits NDC Guide for Climate Education https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdfwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhotos courtesy of EARTHDAY.ORG

Microplastics and nanoplastic pollution are currently blanketing the planet. They are in the air we breathe, the food we eat, and the water we drink, infiltrating our bodies and even brains and human embryos. Coca-Cola alone sells 100 billion+ single-use plastic bottles each year, ending up in landfills and the ocean. Earth’s population will reach 9.8 billion people by 2050. Two-thirds of humans will become city dwellers. Our waste will drive a mounting worldwide crisis.Highlights from our interview with Kathleen Rogers, the President of EarthDay.org. The full episode will be published next week.Planet vs. Plastics Sign The Global Plastic Treaty Petition www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past."Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. "My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past."www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage Courtesy of Dick Thomas JohnsonCreative Commons 2.0

"I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over."Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health.https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How can we improve animal-human relationships? How can we increase our sensitivity to the other animals who share this planet with us?Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health."I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over."https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"What are you trying to do with the portrait? On a basic level, you're trying to communicate something about the essence of who someone is. You're trying to figure out who they are, not necessarily who they present themselves as. The two things can quite often be different. And then, you're trying to find ways of showing that through their face, their posture, or any other context. My instinct is always to try to reduce down to the essential elements. We read faces. It's obviously very, very deep in our DNA, really our survival instinct. We are programmed to read faces in a very fine-tuned way.Painting is a two-dimensional thing. You're basically taking real, three-dimensional things and making them into fake, two-dimensional ones. When you get into the 3D space, some of those distinctions aren't there anymore. I remember when I showed David Hockney the VR project I'd been working on a few years ago, and he put his finger on this quite well. Most art is about perspective. Certainly, for what he is interested in. As soon as you see something in 3D, whether it's a physical sculpture or a virtual object, that's not there anymore because you're in the space with whatever's being shown, so you're in a very different place."Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro.www.jonathanyeo.comwww.bbcmaestro.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImages courtesy of Jonathan Yeo

How can the arts help cultivate our intuitive intelligence? What does visual art teach us about consciousness and the human condition?   Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro."What are you trying to do with the portrait? On a basic level, you're trying to communicate something about the essence of who someone is. You're trying to figure out who they are, not necessarily who they present themselves as. The two things can quite often be different. And then, you're trying to find ways of showing that through their face, their posture, or any other context. My instinct is always to try to reduce down to the essential elements. We read faces. It's obviously very, very deep in our DNA, really our survival instinct. We are programmed to read faces in a very fine-tuned way.Painting is a two-dimensional thing. You're basically taking real, three-dimensional things and making them into fake, two-dimensional ones. When you get into the 3D space, some of those distinctions aren't there anymore. I remember when I showed David Hockney the VR project I'd been working on a few years ago, and he put his finger on this quite well. Most art is about perspective. Certainly, for what he is interested in. As soon as you see something in 3D, whether it's a physical sculpture or a virtual object, that's not there anymore because you're in the space with whatever's being shown, so you're in a very different place."www.jonathanyeo.comwww.bbcmaestro.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImages courtesy of Jonathan Yeo

"The challenges facing our society at the moment effectively are the unintended consequence of a solution we found in the late 1700s when society was running out of energy, we had no more timber, and we realized we could dig underground for ancient fossilized woodland, which is basically what coal is from about 300 million years ago. The consequence of burning all that coal and then oil was a release of carbon dioxide, changing our atmosphere and warming the planet. So, it's a problem born out of our ingenuity and resourcefulness, but I'm confident that we will find the solution out of our ingenuity and resourcefulness."How have our psychology and cognitive biases altered the course of human history? What would you do if you had to rebuild our world from scratch?Lewis Dartnell is an author, researcher, and holds the Professorship in Science Communication at the University of Westminster. He researches astrobiology and the search for microbial life on Mars. He also works as a scientific consultant for the media and has appeared in numerous TV documentaries and radio shows. Dr. Dartnell has won several awards for his science writing and outreach work. He has published five books, including The Knowledge: How to Rebuild our World from Scratch; Origins: How the Earth Made Us; and Being Human: How Our Biology Shaped World History. http://www.lewisdartnell.comhttp://lewisdartnell.com/en-gb/2013/11/the-knowledge-how-to-rebuild-our-world-from-scratchwww.penguin.co.uk/books/433955/origins-by-lewis-dartnell/9781784705435www.penguin.co.uk/books/442759/being-human-by-dartnell-lewis/9781847926708www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Shortlist/Paul Stuart

How have our psychology and cognitive biases altered the course of human history? What would you do if you had to rebuild our world from scratch?Lewis Dartnell is an author, researcher, and holds the Professorship in Science Communication at the University of Westminster. He researches astrobiology and the search for microbial life on Mars. He also works as a scientific consultant for the media and has appeared in numerous TV documentaries and radio shows. Dr. Dartnell has won several awards for his science writing and outreach work. He has published five books, including The Knowledge: How to Rebuild our World from Scratch; Origins: How the Earth Made Us; and Being Human: How Our Biology Shaped World History. "The challenges facing our society at the moment effectively are the unintended consequence of a solution we found in the late 1700s when society was running out of energy, we had no more timber, and we realized we could dig underground for ancient fossilized woodland, which is basically what coal is from about 300 million years ago. The consequence of burning all that coal and then oil was a release of carbon dioxide, changing our atmosphere and warming the planet. So, it's a problem born out of our ingenuity and resourcefulness, but I'm confident that we will find the solution out of our ingenuity and resourcefulness."http://www.lewisdartnell.comhttp://lewisdartnell.com/en-gb/2013/11/the-knowledge-how-to-rebuild-our-world-from-scratchwww.penguin.co.uk/books/433955/origins-by-lewis-dartnell/9781784705435www.penguin.co.uk/books/442759/being-human-by-dartnell-lewis/9781847926708www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Shortlist/Paul Stuart

"The way I got into this field was working on the environmentally beneficial applications of AI, and I do believe that that's an impactful way of using AI techniques because there's so much data about the climate, satellite data, and sensor data, and the way to go about this is to work with domain experts. AI is never going to solve the problem on its own, but it can be a tool. So I think that there's a lot of promise there."What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable?Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing.https://www.sashaluccioni.comhttps://huggingface.co/http://www.climatechange.aihttps://wimlworkshop.org

What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable?Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing."The way I got into this field was working on the environmentally beneficial applications of AI, and I do believe that that's an impactful way of using AI techniques because there's so much data about the climate, satellite data, and sensor data, and the way to go about this is to work with domain experts. AI is never going to solve the problem on its own, but it can be a tool. So I think that there's a lot of promise there."https://www.sashaluccioni.comhttps://huggingface.co/http://www.climatechange.aihttps://wimlworkshop.org

"My area of work is sustainable development with a focus on climate. And you can ask what does sustainable development mean? To put it very simply, it means how do you have economic growth that is socially equitable and environmentally sustainable? It's not just that you have ecological sustainability; hence, that is sustainable development. Because lots of examples of economic, ecological, and ecologically sensitive growth need not be socially equitable. That's why this whole emphasis on just transition is not just about climate, but it's also about justice. It's about social equity in economic growth. Unlike in Europe, where there is now the call for degrowth or a circular economy, most parts of the world would look at you blankly if you talked about degrowth because they are hungry for growth.And so sustainable development is about managing these trade-offs, which is what I've been working on. My work is really focused on institutions, and how do you bring the best of science into development. And for me, development is also spatially informed. It's not just the statistical averages, but it's spatially informed because you have people living in cities, villages, and homesteads. So, how do you become geographically sensitive in your policymaking? And that comes from my own background in planning and architecture."Dr. Shiv Someshwar is a Development Clinician, diagnosing development of cities and nation states. A Visiting Professor at Columbia University, New York and at Sciences Po, Paris, he was the founder chair-holder of the European Chair for Sustainable Development and Climate Transition at Sciences Po. He helped set up the initial national and regional networks of the global Sustainable Development Solutions Network.His publications cover a range of issues: planning, institutions and governance of sustainable development; climate change mitigation, adaptation, risks and offsets; and ecosystem management. He edited Re-living the Memories of an Indian Forester: Memoirs of S. Shyam Sunder and is presently writing The Fallacy of Evidence-Based Policy Making.He convened and chaired the Independent Task Force on Creative Climate Action. Dr. Someshwar received a Ph.D. in urban planning from the University of California, Los Angeles, and he was a Bell-MacArthur fellow at Harvard University. He has two masters’ degrees, on housing and on environmental planning, and is also trained as a professional architect. He has previously worked at the Earth Institute, Columbia University, the Rockefeller Foundation in New York, and the World Bank in Washington D.C.https://www.sciencespo.fr/psia/sites/sciencespo.fr.psia/files/ITFClimateReport_Web.pdfwww.amazon.com/Reliving-Memories-Indian-Forester-Memoir/dp/9388337131www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do urbanization and rural development impact communities differently? How can we make public policy and enlightened self-interest advance climate action?Dr. Shiv Someshwar is a Development Clinician, diagnosing development of cities and nation states. A Visiting Professor at Columbia University, New York and at Sciences Po, Paris, he was the founder chair-holder of the European Chair for Sustainable Development and Climate Transition at Sciences Po. He helped set up the initial national and regional networks of the global Sustainable Development Solutions Network.His publications cover a range of issues: planning, institutions and governance of sustainable development; climate change mitigation, adaptation, risks and offsets; and ecosystem management. He edited Re-living the Memories of an Indian Forester: Memoirs of S. Shyam Sunder and is presently writing The Fallacy of Evidence-Based Policy Making.He convened and chaired the Independent Task Force on Creative Climate Action. Dr. Someshwar received a Ph.D. in urban planning from the University of California, Los Angeles, and he was a Bell-MacArthur fellow at Harvard University. He has two masters’ degrees, on housing and on environmental planning, and is also trained as a professional architect. He has previously worked at the Earth Institute, Columbia University, the Rockefeller Foundation in New York, and the World Bank in Washington D.C."My area of work is sustainable development with a focus on climate. And you can ask what does sustainable development mean? To put it very simply, it means how do you have economic growth that is socially equitable and environmentally sustainable? It's not just that you have ecological sustainability; hence, that is sustainable development. Because lots of examples of economic, ecological, and ecologically sensitive growth need not be socially equitable. That's why this whole emphasis on just transition is not just about climate, but it's also about justice. It's about social equity in economic growth. Unlike in Europe, where there is now the call for degrowth or a circular economy, most parts of the world would look at you blankly if you talked about degrowth because they are hungry for growth.And so sustainable development is about managing these trade-offs, which is what I've been working on. My work is really focused on institutions, and how do you bring the best of science into development. And for me, development is also spatially informed. It's not just the statistical averages, but it's spatially informed because you have people living in cities, villages, and homesteads. So, how do you become geographically sensitive in your policymaking? And that comes from my own background in planning and architecture."https://www.sciencespo.fr/psia/sites/sciencespo.fr.psia/files/ITFClimateReport_Web.pdfwww.amazon.com/Reliving-Memories-Indian-Forester-Memoir/dp/9388337131www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Scientists, artists, psychologists, conservationists, and spiritual leaders share their stories and insights on the importance of connecting with nature, preserving the environment, embracing diversity, and finding harmony in the world. Music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast.00:05 Adapting to Earth: Indigenous PerspectivesTIOKASIN GHOSTHORSE - Founder/Host of First Voices Radio - Founder of Akantu Intelligencehttps://firstvoicesindigenousradio.orghttps://akantuintelligence.org01:06 The Beauty and Fragility of the Natural WorldAPRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Centerwww.aprilgornik.comwww.thechurchsagharbor.org02:01 The Importance of Whales in EcosystemsNAN HAUSER - Whale Researcher - President, Center for Cetacean Research & Conservation - Director, Cook Islands Whale Researchhttps://whaleresearch.org03:27 The Importance of Community and Collective Well-beingROBERT WALDINGER - Co-Author of The Good Life: Lessons from the World's Longest Scientific Study of Happinesshttps://www.robertwaldinger.com04:19 The Power of Love, Respect, and UnityJULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of the films Common Ground & Kiss the Groundhttps://julianlennon.comhttps://commongroundfilm.org05:05 The Importance of Cultural and Scientific KnowledgeRUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Pastwww.sheldrake.org0:6:18 Mastering Confidence & Human PotentialIAN ROBERTSON - Author of How Confidence Works: The New Science of Self-belief - Co-Director of the Global Brain Health Institutehttps://ianrobertson.org07:01 The Magic of Coral ReefsGATOR HALPERN - Co-Founder & President of Coral Vita - UN Young Champion of the Earth - Forbes 30 Under 30 Social Entrepreneurhttps://coralvita.co08:06 Lessons from Ancient Trees and TundraDOUG LARSON - Biologist - Expert on Deforestation - Author of Cliff Ecology - The The Dogma Ate My Homeworkhttps://experts.uoguelph.ca/doug-larson09:36 Understanding the Flow of LifeMASTER SHI HENG YI - 35th Generation of Shaolin MastersHeadmaster of the Shaolin Temple Europewww.shihengyi.onlinewww.shaolintemple.euMax Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

In this episode on Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with artists and activists Isabella Frémaux and Jay Jordan about their book, We are ‘Nature’ Defending Itself: Entangling Art, Activism and Autonomous Zones Vagabonds/Pluto/Journal of Aesthetics & Protest, 2021. They tell the story of a 40-year struggle to preserve 4,000 acres of wetlands from being destroyed to make way for an airport, but the book is also a profound and beautiful meditation on what it means to live together and struggle together outside the logic of capitalist extraction and violence.Jay (formerly John) Jordan (they/them) is labelled a "Domestic Extremist" by the police, and “a magician of rebellion” by the press. Part-time author, sex worker and full time trouble maker, Jay is a lover of edges, especially between art and activism. They co-founded Reclaim the streets and the clown army.Isabelle Fremeaux (she/her) is a popular educator, facilitator, action researcher and deserter of the neoliberal academy where for a decade she was Senior Lecturer at Birkbeck College London. Co-author (with Jay) of the film/book Les Sentiers de L’utopie (2011, La Découverte), together they coordinate The Laboratory of Insurrectionary Imagination, bringing artists and activists together to co-design and deploy tools of disobedience. They live on the zad of Notre-dame-des-landes, a territory “lost to the Republic,” according to the French government.https://labo.zone/index.php/we-are-nature-defending-itself-entangling-art-activism-autonomous-zones/?lang=enwww.labo.zonehttps://www.theguardian.com/uk/2009/oct/27/police-spotter-card-john-jordanhttps://en.wikipedia.org/wiki/Reclaim_the_Streetswww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

“We're just a moving ecosystem and we've got this weird thing called consciousness that gives us this impression that we're somehow separate, but we are just part of the ecosystem. We're a bag of microbes that's interacting with all the microbes around us. And I think there's a real need for us to appreciate our harmony with nature and our interrelatedness with nature.”Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems?Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade.https://crowtherlab.com/about-tom-crowther https://restor.eco/?lat=26&lng=14.23&zoom=3www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems?Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade.“We're just a moving ecosystem and we've got this weird thing called consciousness that gives us this impression that we're somehow separate, but we are just part of the ecosystem. We're a bag of microbes that's interacting with all the microbes around us. And I think there's a real need for us to appreciate our harmony with nature and our interrelatedness with nature.”https://crowtherlab.com/about-tom-crowther https://restor.eco/?lat=26&lng=14.23&zoom=3www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

As we reach the tipping points of climate change, how will our world change? Greenland has already lost 4,700 billion metric tons of ice, an amount that is enough to flood the entire United States in 1.5 feet of water.Peter D. Ditlevsen is an Associate Professor at the Niels Bohr Institute at Copenhagen University. The institute was founded in 1921 as the Institute for Theoretical Physics. Ditlevsen is a Professor in Physics of Ice, Climate, and Earth. His fields of interest include climate research, turbulence, meteorology, complex systems, time series analysis, and statistical physics.What happens if we lose the Greenland ice sheet and pass the tipping points and Earth systems shut down?If that shuts down, roughly speaking, the climate of Northern Europe would be like the climate of Alaska. So, climate models that actually simulate what happens when it's shut down, would say that England becomes like Northern Norway, which means that food security and things like that will be threatened because you cannot grow many crops in Northern Norway. And other models say precipitation changes, so places that are wet might become dry, and so on. So, these are of course severe consequences for Europe, but in some sense, this is going in the opposite direction of global warming. We're all talking about we're getting into a warmer world, but I'm talking about a cooling here. But the warm water that does not then flow from the tropics into the North Atlantic will stay in the tropics. And there, you're not contra-balancing global warming. There you will have the heating on top of the global warming. And that I see as maybe the largest problem we have is that the tropics become even warmer. And we have to realize if you live in a place where mean temperatures are maybe late thirties Celsius and or rise to the forties livelihood becomes very difficult.https://nbi.ku.dk/english/staff/?pure=en/persons/peter-ditlevsen(77e9801a-6b31-4488-a282-6c99a406a5f1)/cv.htmlwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“I think one thing I learned from looking at the ancient trees is that there is no great benefit to anything of growing quickly and accumulating vast resources. Growing slowly and patiently and with fewer demands on the environment in which you live is just as healthy and perhaps more healthy than the endless hunger for more and more and more, which we see as a characteristic of our species.”What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry.Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework.https://experts.uoguelph.ca/doug-larson https://volumesdirect.com/products/the-dogma-ate-my-homework https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663Bhttps://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927 https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXUwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Doug Larson

What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry.Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework.“I think one thing I learned from looking at the ancient trees is that there is no great benefit to anything of growing quickly and accumulating vast resources. Growing slowly and patiently and with fewer demands on the environment in which you live is just as healthy and perhaps more healthy than the endless hunger for more and more and more, which we see as a characteristic of our species.”https://experts.uoguelph.ca/doug-larson https://volumesdirect.com/products/the-dogma-ate-my-homework https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663Bhttps://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927 https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXUwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Doug Larson

"The original edition of The Paradox of Choice came out in 2004, and the internet was just getting started in a major league way, and already the choice overload was a problem. I would say that from the modern perspective, 2004 seems like the 18th century, and as near as I can tell, all of these changes, every single one of them has made the problem substantially worse. The idea that you can get information to help guide you through - well, yeah, but what information do you believe? What's trustworthy? What's being motivated by an opportunity to sell you something? So there is a haze, there is this fog that we're operating in. And I think we just sort of give up in resignation and look at recommendations and hope that they're legitimate because how else do you get through the day?"Does having too many choices make us unhappy? How can we learn practical wisdom?Dr. Barry Schwartz is the Dorwin P. Cartwright Professor Emeritus of Social Theory and Social Action in the psychology department at Swarthmore College. He is the author of many books, including Why We Work, The Paradox of Choice: Why More Is Less, and co-author of Practical Wisdom: The Right Way to Do the Right Thing.www.swarthmore.edu/profile/barry-schwartzwww.simonandschuster.com/books/Why-We-Work/Barry-Schwartz/TED-Books/9781476784861 https://www.harpercollins.com/products/the-paradox-of-choice-barry-schwartz?variant=32207920234530https://www.penguinrandomhouse.com/books/307231/practical-wisdom-by-barry-schwartz-and-kenneth-sharpewww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Bill Holsinger-Robinson - CC BY 2.0

Does having too many choices make us unhappy? How can we learn practical wisdom?Dr. Barry Schwartz is the Dorwin P. Cartwright Professor Emeritus of Social Theory and Social Action in the psychology department at Swarthmore College. He is the author of many books, including Why We Work, The Paradox of Choice: Why More Is Less, and co-author of Practical Wisdom: The Right Way to Do the Right Thing."The original edition of The Paradox of Choice came out in 2004, and the internet was just getting started in a major league way, and already the choice overload was a problem. I would say that from the modern perspective, 2004 seems like the 18th century, and as near as I can tell, all of these changes, every single one of them has made the problem substantially worse. The idea that you can get information to help guide you through - well, yeah, but what information do you believe? What's trustworthy? What's being motivated by an opportunity to sell you something? So there is a haze, there is this fog that we're operating in. And I think we just sort of give up in resignation and look at recommendations and hope that they're legitimate because how else do you get through the day?"www.swarthmore.edu/profile/barry-schwartzwww.simonandschuster.com/books/Why-We-Work/Barry-Schwartz/TED-Books/9781476784861 https://www.harpercollins.com/products/the-paradox-of-choice-barry-schwartz?variant=32207920234530https://www.penguinrandomhouse.com/books/307231/practical-wisdom-by-barry-schwartz-and-kenneth-sharpewww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Bill Holsinger-Robinson - CC BY 2.0

Can we stop talking about growth and mediate an environmental crisis through the structures of capitalism?In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with Japanese scholar Kohei Saito, whose book, Marx in the Anthropocene sold over half a million copies. In it, Saito shows how late in life Marx came to a richer sense of production when he released that there was a law above the economic as he had conceived it—it was the law of Nature. Marx saw how disturbing Nature’s metabolism could bring about a “rift” that sent destructive ripples across human life.  Today we make the connection between that scholarly book and Kohei’s new book, Slow Down!!, which has just come out in English translation. Here he offers a sharp critique of liberal and socialist attempts to “sustain”—like the Green New Deal, and argues for a radical form of degrowth communism that de-celerates our compulsion to add more stuff into the world, in whatever form, and derails our compulsion to sustain, rather than revolutionize. Saito argues that we can lead much happier, and more healthy lives, if we emphasize use value, and revitalize democracy so we all have a hand in deciding what is valuable.“The Green New Deal presents itself as a kind of radical policy. If you look at the content, it's just simply the continuation of what capitalism wants to do. It's a massive investment in new, allegedly green industries, with the creation of more jobs with higher wages, but these are not the things that socialists or any environmentalists should be actually seeking because we recognize that capitalism is basically the root cause of the climate crisis and the misery of the workers. If so, I think it is high time to imagine something radically very different from business-as-usual capitalism.”Kohei Saito as an Associate Professor at the University of Tokyo. He completed his doctorate at the Humboldt University in Berlin. In 2018 he won the prestigious Deutscher Memorial Prize for Marxist research—becoming the first Japanese, and the youngest person, ever to win that prize. His books include: Slow Down! How Degrowth Communism Can Save the World (2023); Marx in the Anthropocene: Towards the Idea of Degrowth Communism (2022), Karl Marx’s Ecosocialism: Capital, Nature, and the Unfinished Critique of Political Economy (2017).https://researchmap.jp/7000022985?lang=enhttps://www.hachette.com.au/kohei-saito/slow-down-how-degrowth-communism-can-save-the-earthwww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with noted researcher and scholar Ben Franta about two new articles he has written that add to his growing archive of seminal work on climate change.  Ben tells us now the fossil fuel industry paid economists to join scientists in denying the true nature of the fossil fuel industry’s destruction of the environment. Economists argued that even if some science were correct, implementing change would be too costly. This became a powerful tool to stall and kill climate change legislation. Ben also talks about how communities have tried to sue fossil fuel companies for damages incurred by such misinformation and disinformation. In sum, we learn about what the industry has done, and how ordinary people and municipalities can fight back.Benjamin Franta is the founding head of the Climate Litigation Lab and a Senior Research Fellow at the University of Oxford Sustainable Law Programme. The Climate Litigation Lab is a multidisciplinary research initiative to inform, enable, and accelerate climate change litigation globally. Ben is also an Associate at the Institute for New Economic Thinking at the Oxford Martin School and an Associate Member of Nuffield College, Oxford, and a former research fellow at the Belfer Center for Science and International Affairs at the Harvard Kennedy School of Government. He is the recipient of numerous academic and research fellowships including the Stanford Interdisciplinary Graduate Fellowship and the National Science Foundation Graduate Research Fellowship. His research and writing have appeared in 10 languages, been featured in the Paramount+ documentary Black Gold, been cited in the U.S. Congressional Record, and been published in numerous scholarly and popular venues including Nature Climate Change, Global Environmental Change, The Guardian, Project Syndicate, and more. “For 40 years, the American Petroleum Institute has hired economists to argue it would be too expensive to try and control fossil fuels and that climate change wasn't that bad. The same go-to consultancy firm has been involved in every major climate policy fight from the very beginning and hired by the fossil fuel industry, but what are the courts going to do? It's not just the historical deception. It's an ongoing deception.”www.inet.ox.ac.uk/people/benjamin-franta www.smithschool.ox.ac.uk/oxford-sustainable-law-programme/research/climate-litigation-labwww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010,  he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010,  he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute."The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."www.sheldrake.orgwww.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · Photograph by Michele K. Short/HBO

How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent Anishinaabe legal theorist John Borrows and philosopher Paco Calvo about how we might learn about, learn with, and learn from our plant companions on this earth. Plants show signs of communication and of learning. They produce and respond to many of the same neurochemicals as humans, including anesthetics. They share resources with one another, and when under threat, emit signals of warning and of pain. While Barrows and Calvo both urge us to listen to the Earth, during this conversation we discover that these two thinkers are often listening for different things. The discussion reveals fascinating points of difference and commonality. And in terms of the latter, the point both John and Paco insist upon is that we maintain our separation from other beings at our peril and at a loss.Dr. John Borrows, BA, MA, JD, LLM, PhD, LLD, FRSC, is Canada's pre-eminent legal scholar and a global leader in the field of Indigenous legal traditions and Aboriginal rights. John holds the Canada Research Chair in Indigenous Law at the University of Victoria as well as the Law Foundation Chair in Aboriginal Justice and Governance.Paco Calvo is a renowned cognitive scientist and philosopher of biology, known for his groundbreaking research in the field of plant cognition and intelligence. He is a professor at the University of Murcia in Spain, where he leads the Minimal Intelligence Lab (MINT Lab), focusing on the study of minimal cognition in plants. Calvo’s interdisciplinary work combines insights from biology, philosophy, and cognitive science to explore the fascinating world of plant behavior, decision-making, and problem-solving.https://www.uvic.ca/law/facultystaff/facultydirectory/borrows.phphttps://www.um.es/mintlab/index.php/about/people/paco-calvo/(01:37) Exploring Plant Intelligence(07:26) The Role of Indigenous Knowledge in Understanding Intelligence(50:00) The Ethical Obligations to the More Than Human World(01:17:39) The Co-Evolutionary Perspective of Lifewww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.