Sustainability, Climate Change, Renewable Energy, Politics, Activism, Biodiversity, Carbon Footprint, Wildlife, Regenerative Agriculture, Circular Economy, Extinction, Net-Zero · One Planet Podcast

What is the role of music in cinema and why it is such an important part of the storytelling process? How does music increase our capacity for empathy and wonder?Fabrizio Mancinelli is an Italian-American composer, songwriter, and conductor, best known for his musical contributions to the world of cinema. As a songwriter, he has created original scores for The Land of Dreams,The Snow Queen 3, The Boat, and the upcoming animated drama Mushka, among others. In 2017, he led the orchestral recording for the Academy Award-winning Green Book, and he recently scored the documentary Food 2050, which premiered at the UN Climate Change Conference in 2022."Food 2050 is a documentary about global warming and the food crisis all over the world. Global warming is made worse by the heavy production and consumption of meat, which leaves a heavy carbon footprint on Earth. We need to do better. We can do better. And the documentary is based on how the crisis is coming to the whole world in different ways, and we can figure out how to solve it in different ways all over the world, but to create a better environment, there is going to be a moment in which money will not be enough because the resources will be gone."https://fabriziomancinelli.uswww.instagram.com/fabmancinelliwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

What is the path to peace for the war in Ukraine? Is America still powerful enough to impose global order? The US has just 4.1% of the world's population, while the BRICS countries have 41.5%. In this conversation with economist Jeffrey Sachs, we discuss the origins of the conflict in Ukraine and NATO enlargement, US-China relations, and the decline of US dominance.Jeffrey Sachs is Director of the Center for Sustainable Development at Columbia University and President of the UN Sustainable Development Solutions Network, Sachs has been Special Advisor to three United Nations Secretaries-General. He was an economic adviser to Gorbachev, Yeltsin, and Former President of Ukraine, Leonid Kuchma. Sachs was twice named among Time magazine’s 100 most influential world leaders, received the Tang Prize in Sustainable Development, the Legion of Honor from France, and was co-recipient of the Blue Planet Prize. He is Co-Chair of the Council of Engineers for the Energy Transition, and academician of the Pontifical Academy of Social Sciences at the Vatican.Sachs has authored and edited numerous books, including three New York Times bestsellers: The End of Poverty (2005), Common Wealth: Economics for a Crowded Planet (2008), and The Price of Civilization (2011)."Young people should lead the way to a safer, cooperative, peaceful, environmentally sustainable, and fair world. We need to build the future. We want not to feel trapped in this mindless cycle of violence and environmental destruction. The problems that we face are solvable, and they are not driven by the needs of the people. They're driven by greed or the power-seeking of elites. And we need to have a new generation say: this is not working. We want a world that is at peace, that is shared in prosperity and that solves the environmental crises which have become so deep and are neglected, in part because we are wasting our time, our lives, our resources on these useless wars.”www.jeffsachs.orghttps://sdgacademy.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Richard Vevers is the Founder and CEO of The Ocean Agency. He is a fellow of The Explorers Club and an Adjunct Professor at the University of Rhode Island. He is best known for his leading role in the Emmy Award-winning documentary Chasing Coral on Netflix and his work has been featured in numerous publications and documentaries. Before diving into ocean and coral reef conservation, Vevers worked at some of the top London advertising agencies and then as an artist and underwater photographer. This background guides his unique creative and business-thinking approach to ocean conservation that includes inventing the camera that took Google Street View underwater, pioneering virtual reality ocean education, currently available to over 90 million kids, leading the most comprehensive underwater photographic survey of the world’s coral reefs, and developing a science-based global plan 50 Reefs."People just forget the importance of the ocean. It controls the climate system and sustains life. For example, there are 20 billion carbon-capturing sea creatures for every human being. They are sucking carbon out of the system and pooping it to the ocean floor. And this is one of the solutions happening on an epic scale in the ocean. And there are so many other examples like that. And if you think about our bodies, we're 60% water. And that water was once in the ocean with fish swimming through it."www.theoceanagency.orgwww.50reefs.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What role do the visual arts play in drawing upon history, activating democracy, and asking questions about what culture can do?Australian artist Anthony White lives and works in Paris. White’s artistic work revolves around the notion of reclaiming the act of dissent through the production of cultural objects. His research is situated at the intersection of several fields in the social space including, politics, human rights, and postcolonialism. His practice is centered around concepts of design and its history as a form of social and political expression. He works with painting, drawing, collage, and printmaking. Through this practice, he tackles relevant questions to our time, to encourage emancipation and new ways of thinking.Anthony White’s artwork has been exhibited in Australia, Europe, and Asia. He has received support through cultural agencies such as The Trust Company Australia, The National Association for the Visual Arts,(NAVA) and The Copyright Agency Limited (CAL). He has also received critical acclaim by recognition in the form of art prizes and reviews most notably The Marten Bequest Travelling Scholarship (2007) The Creative Art Fellowship at The National Library of Australia (2020) and acknowledgements in The Australia Financial Review, Art Collector Magazine Australia and also Elle Décor US edition. His exhibition Manifestation is on show from the 12–30 of July at Lennox Street Gallery, in Melbourne."Most of the landscape work that I'm making is heavily impastoed oil paintings, which are made with brushes and palette knives, and I was motivated to make a body of works about the climate catastrophe because of the short amount of time since I left Australia 14 years ago, the climate crisis has really hit areas of Australia in a such a dramatic way. That was a method of making the painting landscape orientated around different areas in Tasmania. I also felt that urgency to make the painting at that time. Growing up in Australia, the colonial legacy of landscape painters. And sailors, they had the tradition of actually drawing and painting, that was their basic skills. So they could draw and paint obviously in a pretty prescriptive way, but Australia's still quite fascinated with the landscape. When you grow up there, it's definitely something that stays within you. But I think that the story of the landscape, especially because it's not ours as an Australian, right? It will be interesting to see how that develops in the future and what happens with the story of Australian landscape and this story of Aboriginal landscape to come. It is an exciting place because Aboriginal person's perspective of landscape is much different because there are so many stories."www.anthonywhite.artwww.instagram.com/anthony_white_paris/www.metrogallery.com.au/exhibitions/manifestationwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Oceans Day! Today we’re streaming voices of environmentalists and artists with music courtesy of composer, producer and multi-instrumentalist Erland Cooper.Voices on this episode areGIULIO BOCCALETTIAuthor of Water, A BiographyNatural Resource Security & Environmental Sustainability ExpertChief Strategy Officer 2016–2020, The Nature ConservancyPAULA PINHODirector of Just Transition at the European Commission Directorate-General for EnergyRON GONENFounder & CEO of Closed Loop PartnersFmr. Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMARCIA DESANCTISJournalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless LifeJEAN WEINERGoldman Environmental Prize WinnerFounder of Fondation pour la Protection de la Biodiversité Marine, HaitiDERRICK EMSLEYCo-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co.DR. FARHANA SULTANACo-author: Water Politics: Governance, Justice & the Right to WaterFmr. UNDP Programme Officer, United Nations Development ProgrammeNEIL GRIMMERBrand President of SOURCE Global · Innovator of the SOURCE Hydropanel: Drinking Water Made from Sunlight and AirALAN JACOBSENDirector of PhotographyEmmy & Sundance Special Jury Award-Winning & Oscar Nominated DocumentariesRICHARD VEVERSFounder & CEO of The Ocean AgencyBRIAN WILCOXChief Engineer & Co-founder of Marine BioEnergyGrows Kelp in the Ocean to Provide Carbon-neutral FuelsSETH M. SIEGELEntrepreneur, Public Speaker & NYTimes Bestselling AuthorLet There Be Water: Israel’s Solution for a Water-Starved WorldTroubled Water: What's Wrong with What We DrinkJOELLE GERGISLead Author of the IPCC Sixth Assessment Report, Author of Humanity’s MomentJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastROB BILOTTEnvironmental Lawyer, Partner Taft Stettinius & Hollister LLPAuthor of Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPontJILL HEINERTHExplorer, Presenter, Author of Into The Planet: My Life as a Cave DiverOSPREY ORIELLE LAKEFounder & Executive Director of the Women's Earth & Climate Action Network InternationalAuthor of Uprisings for the Earth: Reconnecting Culture with Nature & ArtistJESS WILBERInternational Outreach Citizens’ Climate LobbyCoordinator, Senior Stewards Acting for the EnvironmentBERTRAND PICCARDAviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse FoundationIBRAHIM ALHUSSEINIFounder & CEO of FullCycle Fund GARY GRIGGSGlobal Oceans Hero Award-Winner · Distinguished Professor of Earth SciencesDirector Institute of Marine Sciences at UC Santa Cruz 1991 to 2017Sample Credits:BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited.BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited.UN Broadcast Excerpt, Greta Thunberg, Young Climate Activist at the Opening of the Climate Action Summit 2019, United Nations license 24 October 2022.CBS News Excerpt 1970. Fair usage, archive courtesy Leah Hodge, CBSwww.erlandcooper.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastArtworks by Mia Funk www.miafunk.comMusic from Folded Landscapes courtesy of Erland Cooper and Universal Music Ent

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Today we’re streaming voices of environmentalists, students, and teachers with music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast or reflectors of our participating students.Voices on this episode areBRITT WRAY Author of Generation Dread: Finding Purpose in an Age of Climate Crisis Researcher Working on Climate Change & Mental Health, StanfordJEFFREY SACHS President of UN Sustainable Development Solutions Network Director of Center for Sustainable Development, Columbia UniversityEVELINE MOL, Student Barnard CollegeBERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse FoundationAVA CLANCY, StudentMIRA PATLA, StudentDARA DIAMOND, StudentARIELLE DAVIS, StudentCLAIRE POTTER, Designer, Lecturer, Author of Welcome to the Circular EconomyMEGAN HEGENBARTH, Participating Student, University of MinnesotaGRACE PHILLIPS, Participating Student, Pitzer CollegeBIANCA WEBER, Participating Student, Syracuse UniversityELLEN EFSTATHIOU, Participating Student, Oberlin CollegeSURYA VIR, Participating Student, University of Wisconsin-MadisonMACIE PARKER, Participating Student, Boston UniversityBEILA UNGAR, Participating Student, Columbia UniversityCARL SAFINA, Ecologist, Founding President of Safina Center, Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace”Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

The Creative Process and One Planet Podcast wishes listeners Happy World Environment Day. For this special episode we celebrate the natural world with Artpark Bridges, the Parkinson's Community, independent living adults with Parkinson's disease, and People Inc, the Arts Experience, a day habilitation program for adults with developmental disabilities.  Artpark Bridges is a year-round community engagement program led by interdisciplinary artist Cynthia Pegado, dedicated to empowering adults of diverse abilities and backgrounds through expressive arts workshops and performance opportunities. Serving the Buffalo-Niagara Falls region of New York State, Artpark Bridges connects citizens with a sense of inclusion and purpose, healing and creative expression. Cynthia  Pegado Teaching artist and movement expert, Cynthia Cadwell Pegado, weaves her passion for immersive performance into the creative process of site-specific work for people of all abilities. Ms. Pegado is an eight-time New York State Council on the Arts (NYSCA) Community Arts awardee, for “Art Moves Me”, her interpretive dance program based on visual art, designed for the Burchfield Penney Art Center and "Sound Dance" designed for Artpark. She has choreographed performance works for students in Parkinson’s specific classes as well as public programs which include Global Water Dances (a worldwide network of choreographers advocating for water quality)Muriel Louveau French vocalist composer Muriel Louveau has been invited by Sonia Kozlova Clark ,director of Artpark festival, as an international artist in residence at Artpark in 2022 to create and customize virtual expressive voice classes facilitated by Cynthia for Artpark Bridges groups including the Parkinson's and People Inc communities. This ongoing program of classes  focuses on vocalizing skills and communal art-making with a theme of universal humanity."For me it is an artistic exchange but foremost a human experience. I cannot describe in words how this collaboration with the Artpark Bridges community inspires me, touches me, and opens my heart." Muriel Louveau, Artpark Bridges Sound Moves Me Artist-in-Residence.These recorded pieces have been developed with their students during "Our Garden " vocal workshop Poem "'Lily" written and read by Nancy (People Inc), "Nature" by Ed (PD group), "Fragile Beauty" by Nancy and Cynthia, "Garden of Love" by Cammie (People Inc).www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastFlower Duet - Leo DelibesCreative Commons  Attribution 3.0 Unported  CC BY 3.0https://creativecommons.org/licenses/by/3.0/Conducted by Philip Milman https://pmmusic.pro/

Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace."So we tend to take living for granted. I think that might be the biggest limitation of human intelligence is to not understand with awe and reverence and love that we live in a miracle that we are part of and that we have the ability to either nurture or destroy.The living world is enormously enriching to human life. I just loved animals. They're always just totally fascinating. They're not here for us. They're just here like we're just here. They are of this world as much as we are of this world. They really have the same claim to life and death and the circle of being."www.safinacenter.orgwww.carlsafina.orgwww.oneplanetpodcast.orgwww.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastPhoto: Carl Safina in Uganda

"The best way to get people to change a behaviour is to a) let them feel that they are in control (true or not) of the decision (as opposed to having a new legislation thrown upon them), b) give them the opportunity to say no (which actually increases the chance of them saying yes. And of course to show them that c) they have the ability/means to do it, and d) explain what’s in it for them on a personal level.But point a is really key here. As long as people feel that they are in control of their decisions and actions, you can get them to do anything."Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic.https://henrikfexeus.se/en/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic."The best way to get people to change a behaviour is to a) let them feel that they are in control (true or not) of the decision (as opposed to having a new legislation thrown upon them), b) give them the opportunity to say no (which actually increases the chance of them saying yes. And of course to show them that c) they have the ability/means to do it, and d) explain what’s in it for them on a personal level.But point a is really key here. As long as people feel that they are in control of their decisions and actions, you can get them to do anything."https://henrikfexeus.se/en/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Pablo Hoffman has always been passionate about plants and natural ecosystems, with special appreciation for research and dissemination with practical results for the production and conservation of native species. Pablo graduated in Forestry at the Federal University of Paraná (UFPR) 2002, had his Master’s in Forestry – UFPR 2014, currently he is a PhD candidate in Forestry. One of the Founders of the Sociedade Chauá, Pablo has been a board member since 2008. Currently is the Executive Director as well Coordinator of the Chauá Nursery of native species. A specialist in conservation, propagation and restoration of rare and endangered species of the Araucaria Forest, whose projects are locally and internationally recognized. As a result of Sociedade’s Chauá efforts to save endangered plant species Pablo was awarded the Marsh Award (2018), Whitley Award (2022), and Guardians of Nature (2022). As a life choice, working with conservation of rare and endangered plant species is the lifeblood of his personal and professional aspirations, to leave a positive legacy for the next generations, keeping the ecosystems alive with humans as part of it."Most of my family are cowboys and farmers. And I was like eight or nine years old. My grandmother was getting sick, and she always had a lot of plants at home in pots, and she asked me to help her to water the plants. And it was quite a good experience because when you start to like plants, it becomes like a viral thing. After some time I was growing my own plants, and I was very interested in doing her garden. And I would go to the forest and collect plants to grow at home like orchids that were beginning my first nursery.And it's a crazy love that grows when you start to understand how plants grow, and how the ecosystem functions. And how beautiful and amazing all this is. And we as humans are part of it, and I've always loved animals as well, but plants are my passion. And, of course, my, daughter's name is Flora. My wife, she's also a botanist, and she loves plants as well. So we live in the countryside where the farm has all kinds of plants. And I think one of the things that made me love and try to preserve and conserve the ecosystems and species is when you understand how slowly a plant or tree grows, and how much it takes to keep them healthy. And the interactions between the animals and plants, the pollinators and the dispersers within the ecosystem, it's something that everybody should know and see.Not scientifically, but understand in terms of just how beautiful these natural interactions really are. And we as humans are a part of it. We can have good interactions, or we can have bad interactions in terms of destroying ecosystems. Understanding we are a part of the ecosystem is an important part to keep in mind."www.sociedadechaua.orgwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ada Limón is the author of six books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her book Bright Dead Things was nominated for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Poetry Award. Her work has been supported most recently by a Guggenheim Fellowship. She grew up in Sonoma, California and now lives in Lexington, Kentucky where she writes, teaches remotely, and hosts the critically-acclaimed poetry podcast, The Slowdown. Her new book of poetry, The Hurting Kind, is forthcoming from Milkweed Editions in May 2022.Photo credit: Lucas Marquardt www.adalimon.netwww.creativeprocess.infowww.oneplanetpodcast.org

"If you look at the Himalayas, the frozen glaciers are feeding 1 billion people with milky white water. The real tragedy is if the Himalayan glaciers go the same way as Iceland. In many places in the world, glaciers are very important for agriculture and the basic water supply of people. So that's where I go into mythology in On Time and Water because in Nordic mythology, the world started with a cow, a frozen cow made of frost and snow. And it never made sense to me. But if you look at the Himalayas, how these frozen glaciers are feeding 1 billion people with milky white water that is better than normal water, then it makes total sense. Of course, the frozen cow - it's a glacier."Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water.www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water."If you look at the Himalayas, the frozen glaciers are feeding 1 billion people with milky white water. The real tragedy is if the Himalayan glaciers go the same way as Iceland. In many places in the world, glaciers are very important for agriculture and the basic water supply of people. So that's where I go into mythology in On Time and Water because in Nordic mythology, the world started with a cow, a frozen cow made of frost and snow. And it never made sense to me. But if you look at the Himalayas, how these frozen glaciers are feeding 1 billion people with milky white water that is better than normal water, then it makes total sense. Of course, the frozen cow - it's a glacier."www.andrimagnason.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So the whole community has known this guy as the most prolific hunter, and today he is preaching conservation of wildlife, Telling everyone "I loved animals. Animals are the best. They are wonderful ." So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation."Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the  protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist.She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country.Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. https://swnigerdeltaforestproject.org.ngwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the  protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist.She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country.Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. "So the whole community has known this guy as the most prolific hunter, and today he is preaching conservation of wildlife, Telling everyone "I loved animals. Animals are the best. They are wonderful ." So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation."https://swnigerdeltaforestproject.org.ngwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Adam Aron is a Professor in the Psychology Dept at UC San Diego. His research and teaching focus on the social science of collective action on the climate crisis. His climate activism has been through the Green New Deal at UC San Diego where he has worked on several campaigns such as fossil fuel divestment and also campus decarbonization via ElectrifyUC and he has also produced the documentary Coming Clean. Before switching to the climate crisis, Adam had a successful career in cognitive neuroscience. He earned his PhD from the University of Cambridge, and was a postdoctoral fellow at UCLA.“Psychology has something to tell us about why so few people are really engaged in the climate struggle. There are different components to this. First of all, there is what I call epistemic skepticism in the book, which is to say, skepticism about the facts of climate change. The second thing is threat perception, that threat levels are not as high as they should be. And the third is that people are skeptical about the response. They don't think that they can do anything, or they don't believe that groups or even countries can make a difference. Epistemic skepticism: psychologically this means that quite a lot of people, for example, the United States, don't believe in the human cause of heating. And the reason for that is very much to do in fact, with the systematic campaign of misinformation that's been fostered by the fossils industry, systematically set out to confuse people about the scientific consensus. We should be very threatened by this. In fact, the youth, generally speaking, are anxious to some extent about it. In effect, Mother Earth is saying, "I can't deal with what you're doing to me, people. I'm putting up my temperature." And if you're not feeling anxious, then you're not paying attention. That's the right way to feel on Planet Earth.”https://aronlab.org/climate-psychology-and-action-labhttps://ucsdgreennewdeal.nethttps://electrifyuc.org/www.youtube.com/watch?v=1N_dq9J7mDYJudith Butler on “Speaking Out of Place”: “In this work we see how every critical analysis of homelessness, displacement, internment, violence, and exploitation is countered by emergent and intensifying social movements that move beyond national borders to the ideal of a planetary alliance. As an activist and a scholar, Palumbo-Liu shows us what vigilance means in these times.  This book takes us through the wretched landscape of our world to the ideals of social transformation, calling for a place, the planet, where collective passions can bring about a true and radical democracy.”David Palumbo-Liu is the Louise Hewlett Nixon Professor and Professor of Comparative Literature at Stanford University. He has written widely on issues of literary criticism and theory, culture and society, race, ethnicity and indigeneity, human rights, and environmental justice. His books include The Deliverance of Others: Reading Literature in a Global Age, and Speaking Out of Place: Getting Our Political Voices Back. His writing has appeared in The Washington Post, The Guardian, The Nation, Al Jazeera, Jacobin, Truthout, and other venues.www.palumbo-liu.com https://twitter.com/palumboliu?s=20

Sagarika Sriram is currently a student at Jumeirah College in Dubai. She founded the organization Kids4abetterworld when she was 10 years old with a mission to educate and encourage young children to lead a more sustainable life and reduce their carbon footprint. Children are the worst affected by the effects of climate change,  yet most children do not participate in climate change discussions or take actions to live more sustainably because they do not have the awareness and capability to do so. Kids4abetterworld conducts awareness workshops on sustainability aiming to Educate, Motivate and Activate young children to  conserve natural resources, protect biodiversity, and positively  impact climate change. As a UN Climate Advisor, she has participated in the global consultations that will ensure children are made aware of their environmental rights and that UN member states protect and uphold these. Kids4abetterworld is a platform for young children  to connect  across the globe as they adopt sustainable lifestyles and drive systemic solutions to the climate crisis.www.k4bworld.comwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Listen to Part 4 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of AnimalsJEFFREY D. SACHS, President of the UN Sustainable Development Solutions Network, Director of Center for Sustainable Development, Columbia University, Economist, AuthorJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryMERLIN SHELDRAKE, Biologist & Bestselling Author of “Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures”, Winner of the Wainwright Prize 2021WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteARMOND COHEN, Executive Director of Clean Air Task ForcePIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumRON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCAIMEE NEZHUKUMATATHIL, Poet & Author of “World of Wonders: In Praise of Fireflies, Whale Sharks and Other Astonishments”ANA CASTILLO, Award-Winning Xicana Activist, Editor, Poet, Novelist & Artistwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Saudade, Mia Funk

Ashley Dawson is Professor of English at the Graduate Center / City University of New York and the College of Staten Island. Recently published books of his focus on key topics in the Environmental Humanities, and include People’s Power: Reclaiming the Energy Commons (O/R, 2020), Extreme Cities: The Peril and Promise of Urban Life in the Age of Climate Change (Verso, 2017), and Extinction: A Radical History (O/R, 2016). Dawson is the author of a forthcoming book entitled Environmentalism from Below (Haymarket) and the co-editor of Decolonize Conservation! (Common Notions, 2023). “The message is that indigenous sovereignty is connected to the preservation of biodiversity. And right now the statistics are really shocking on so-called protected areas, which currently constitute 17% of the planet. And the goal coming out of that Montreal conference for the biodiversity crisis last autumn is to roughly double that amount of protected areas, right? So the slogan was 30 by 30. 30% of the planet in protected area status by 2030. So we're really talking about massive expansion of protected areas. But within protected areas themselves, according to recent reports, only about 1% of the land actually has indigenous sovereignty. There are other arrangements like co-management, for instance, or indigenous people who are kind of encouraged to see their claims to conservation organizations with the guarantee that it will be protected and they'll have access of some kind. But, you know, as some of the indigenous activists who appeared at this conference and who are in the Decolonize Conservation! book said, they don't like the idea of co-management because it's essentially colonialism. They want control of their land.”https://ashleydawson.info www.haymarketbooks.org/books/2101-environmentalism-from-below#:~:text=Environmentalism%20from%20Below%20takes%20readers,fight%20to%20protect%20imperiled%20worlds https://viacampesina.org/en/ www.shackdwellersnamibia.comwww.palumbo-liu.com  https://twitter.com/palumboliu?s=20

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Naomi Oreskes is Henry Charles Lea professor of the History of Science and affiliated Professor of Earth and Planetary Sciences at Harvard University. She is a world-renowned earth scientist, historian, and public speaker. Oreskes is a leading voice in the role of science in society, the reality of anthropogenic climate change, and the role of disinformation in blocking climate action.In 2010, she and her co-author Erik Conway published Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming, where they identified something called the tobacco strategy that became paradigmatic in terms of corporate efforts to debunk science.This discovery led them to explore more deeply and more broadly the attack on science. They found that as science was demoted, the idea of market fundamentalism or the “magic of the market” became a mantra that covered up corporate malfeasance. In today's program, we discuss Oreskes’ and Conway's new book, The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market.https://histsci.fas.harvard.edu/people/naomi-oreskeswww.bloomsbury.com/us/big-myth-9781635573572/Judith Butler on “Speaking Out of Place”: “In this work we see how every critical analysis of homelessness, displacement, internment, violence, and exploitation is countered by emergent and intensifying social movements that move beyond national borders to the ideal of a planetary alliance. As an activist and a scholar, Palumbo-Liu shows us what vigilance means in these times.  This book takes us through the wretched landscape of our world to the ideals of social transformation, calling for a place, the planet, where collective passions can bring about a true and radical democracy.”David Palumbo-Liu is the Louise Hewlett Nixon Professor and Professor of Comparative Literature at Stanford University. He has written widely on issues of literary criticism and theory, culture and society, race, ethnicity and indigeneity, human rights, and environmental justice. His books include The Deliverance of Others: Reading Literature in a Global Age, and Speaking Out of Place: Getting Our Political Voices Back. His writing has appeared in The Washington Post, The Guardian, The Nation, Al Jazeera, Jacobin, Truthout, and other venues.www.palumbo-liu.com https://twitter.com/palumboliu?s=20https://speakingoutofplace.comPhoto credit: Kayana Szymczak

Listen to Part 2 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.BRITT WRAY - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityWALTER STAHEL - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life InstituteMATHIS WACKERNAGEL - Founder & President of the Global Footprint Network - World Sustainability Award WinnerJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastRICHARD VEVERS - Founder & CEO of The Ocean AgencyARMOND COHEN - Executive Director of Clean Air Task ForcePAULA PINHO - Director of Just Transition at the European Commission Directorate-General for EnergyMARTIN VON HILDEBRAND - Indigenous Rights Activist - Winner of Right Livelihood & Skoll Awards - Founder of Fundacion Gaia Amazonas, named #40 NGOs of the World by The Global JournalHAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts - NYU, Beihang University, East China UniversityBILL HARE - Founder & CEO of Climate Analytics, Physicist, Climate ScientistSIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Professor of Environmental Change & Public HealthLISA JACKSON PULVER - Deputy Vice-Chancellor of University of Sydney's Indigenous Strategy & Services Max Richter’s music featured in this episode:“Spring 1” from The New Four Seasons – Vivaldi RecomposedVladimir’s Blues” from The Blue Notebooks"Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour,Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.www.maxrichtermusic.comhttps://studiorichtermahr.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:MAX RICHTERINGRID NEWKIRK, Founder of PETABERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse FoundationCARL SAFINA, Ecologist, Founding President of Safina CenterCLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy”ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcastCYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composerJOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment”KATHLEEN ROGERS, President of EARTHDAY.ORGODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth TheorySIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible”ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing EquipmentNOAH WILSON-RICH, Co-founder & CEO of The Best Bees CompanyCHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent CatastrophesDAVID FARRIER, Author of “Footprints: In Search of Future Fossils”DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree”PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can SaveJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministrywww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

"At the Studio Richter Mahr, we're trying to make it as 360 degrees as possible. So the center of the building is a cafe, and that cafe is fueled, if you like, from the organic garden. So there are no food miles. We grow everything. The electricity comes from the solar on the roof. The building itself was upcycled from a big old tractor shed. And we took the insides out and put new insides in, which are all the studios.It's a project which really is the outcome of an idealistic vision of how creativity can coexist with the broader community, but it's something that Yulia and I passionately believe in. We believe in the possibility of creative work having an elevating effect in society more broadly.It's a challenging time, I feel like the next half a dozen decades maybe are the kind of pinch point where things can either start to get better or a lot worse. And that's to do with large-scale ideas about what society is and what it should do. And how we distribute wealth, power, opportunity, education, and creativity. And creative work, I think, can be a catalyst that can help us to see bigger contexts, and engage with deeper meanings. And these are all ways to figure out what's important and what isn't important.The world is very busy and we too tend to get sort of a bit sidetracked by things that are not important. Creativity is a way to reconnect with important things. So our children, they're facing probably some of the biggest challenges we've ever faced, in the way, they're existential. And I think the kinds of narratives, the kinds of perspectives that we put into the world with creativity can be a way to sort of elevate the gaze a little bit. You know, Beethoven, somebody who lived 250 years ago, makes my life better just every day. It's not huge, but it's a little bit better every day. And I think that's what creativity can do. And, if you multiply that across time and populations, you can make a little change, and I think that's what creativity can do."Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams.A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation.Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo.He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community.www.maxrichtermusic.comhttps://studiorichtermahr.comPhoto by William Waterworthwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams.A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation.Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo.He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community."At the Studio Richter Mahr, we're trying to make it as 360 degrees as possible. So the center of the building is a cafe, and that cafe is fueled, if you like, from the organic garden. So there are no food miles. We grow everything. The electricity comes from the solar on the roof. The building itself was upcycled from a big old tractor shed. And we took the insides out and put new insides in, which are all the studios.It's a project which really is the outcome of an idealistic vision of how creativity can coexist with the broader community, but it's something that Yulia and I passionately believe in. We believe in the possibility of creative work having an elevating effect in society more broadly.It's a challenging time, I feel like the next half a dozen decades maybe are the kind of pinch point where things can either start to get better or a lot worse. And that's to do with large-scale ideas about what society is and what it should do. And how we distribute wealth, power, opportunity, education, and creativity. And creative work, I think, can be a catalyst that can help us to see bigger contexts, and engage with deeper meanings. And these are all ways to figure out what's important and what isn't important.The world is very busy and we too tend to get sort of a bit sidetracked by things that are not important. Creativity is a way to reconnect with important things. So our children, they're facing probably some of the biggest challenges we've ever faced, in the way, they're existential. And I think the kinds of narratives, the kinds of perspectives that we put into the world with creativity can be a way to sort of elevate the gaze a little bit. You know, Beethoven, somebody who lived 250 years ago, makes my life better just every day. It's not huge, but it's a little bit better every day. And I think that's what creativity can do. And, if you multiply that across time and populations, you can make a little change, and I think that's what creativity can do."www.maxrichtermusic.comhttps://studiorichtermahr.comPhoto by William Waterworthwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastMax Richter’s music featured in this episode in order of appearance "On the Nature of Daylight” from The Blue Notebooks, Path 19: Yet Frailest” from Sleep, “Spring 1” fro

This Earth Week, remember to renew your commitment to sustainability and share your love for the planet.00:25 JERICHO BROWN - Pulitzer Prize-Winning Poet, Author of “The Tradition” & “The New Testament”00:39 JILL HEINERTH - Explorer, Presenter, Author of “Into The Planet: My Life as a Cave Diver”01:02 ALICE FULTON - Poet - Recipient of MacArthur “Genius”, NEA & Guggenheim Fellowships01:31 BERTRAND PICCARD - Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation: 1000+ Profitable Climate Solutions02:31 CHRIS BLACKWELL - Founder of Island Records - Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Amy Winehouse…Author of “The Islander: My Life in Music and Beyond"03:31 ALICE NOTLEY - Poet & Artist - Academy of American Poets Award Winner04:08 MIA FUNK - Artist, Writer & Host of The Creative Process reads “In My Dreams"04:45 MAX STOSSEL - Award-winning Poet, Filmmaker, Speaker - Creator of "Words That Move”05:04 GERALD FLEMING - Poet, Author of the collections “The Choreographer”, “One”, “Night of Pure Breathing”, among others05:29 MARGO BERDESHEVSKY - Award-winning Poet - "Kneel Said the Night”,"Before The Drought”, “Between Soul & Stone”05:56 SAM LEVY - Award-winning Cinematographer of “Lady Bird” “Frances Ha” “While We’re Young” “Confess, Fletch”06:31 CHAYSE IRVIN - Award-winning Cinematographer - “Blonde" starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s “BlacKkKlansman”06:57 KARINA MANASHIL - President of Mad Solar - Creative Confidante for Kid Cudi - Executive Producer of Netflix’s “Entergalactic”, A24’s “Pearl”, “X”07:37 CARL SAFINA - Ecologist - Founding President of Safina Center - NYTimes Bestselling Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace”, among otherswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastFlower Duet - Leo DelibesCreative Commons  Attribution 3.0 Unported  CC BY 3.0https://creativecommons.org/licenses/by/3.0/Conducted by Philip Milman https://pmmusic.pro/

“These long-lived connections provide a radically different example of the insight from one of the characters created by my fellow Southerner William Faulkner: 'The past is never dead. It's not even past.'And similarly long chains reach from the present into the future. Conventionally, we tend to think that the future is yet to be born or is even only just beginning to be conceived. But the climate future was already beginning to take shape when humans started centuries ago to inject more carbon into the atmosphere than the usual climate dynamics could handle in the usual ways, and climate parameters were forced to start changing. The vast and accelerating carbon emissions of the late 20th century and the early 21st century are building minimum floors under the extent of climate change in future centuries, barring radically innovative corrections of kinds that may or may not be possible.[Timothy Mitchell has written:]'The modes of common life that have arisen largely within the last one hundred years, and whose intensity has accelerated only since 1945, are shaping the planet for the next one thousand years, and perhaps the next 50,000.' The future is not inaccessible – we hold its fundamental parameters in our hands, and we are shaping them now. In this respect, the future is not unborn–it's not even future.”– The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right NowHenry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.www.merton.ox.ac.uk/people/professor-henry-shue https://press.princeton.edu/books/paperback/9780691202280/basic-rights https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generationwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.“These long-lived connections provide a radically different example of the insight from one of the characters created by my fellow Southerner William Faulkner: 'The past is never dead. It's not even past.'And similarly long chains reach from the present into the future. Conventionally, we tend to think that the future is yet to be born or is even only just beginning to be conceived. But the climate future was already beginning to take shape when humans started centuries ago to inject more carbon into the atmosphere than the usual climate dynamics could handle in the usual ways, and climate parameters were forced to start changing. The vast and accelerating carbon emissions of the late 20th century and the early 21st century are building minimum floors under the extent of climate change in future centuries, barring radically innovative corrections of kinds that may or may not be possible.[Timothy Mitchell has written:]'The modes of common life that have arisen largely within the last one hundred years, and whose intensity has accelerated only since 1945, are shaping the planet for the next one thousand years, and perhaps the next 50,000.' The future is not inaccessible – we hold its fundamental parameters in our hands, and we are shaping them now. In this respect, the future is not unborn–it's not even future.”– The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Nowwww.merton.ox.ac.uk/people/professor-henry-shue https://press.princeton.edu/books/paperback/9780691202280/basic-rights https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generationwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them.Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media.And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message.   It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.”Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.www.wcff.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them.Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media.And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message.   It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.”www.wcff.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process.It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there.And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda.”Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).www.piamancini.comhttps://opencollective.comhttps://democracy.earthwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).“I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process.It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there.And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda.”www.piamancini.comhttps://opencollective.comhttps://democracy.earthwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, you're that kind of person, get trained to really be part of the technological business revolution that's going on right now. Join up with companies that are doing clean energy work or work for an electric utility that's got the right commitment. If you're a policy person who doesn't like mucking around with numbers, then train yourself to understand the complexities of this and go into government or work in non-governmental organizations like mine and bring your brain to the table.If you look at universities' engineering programs, civil engineering, chemical, mechanical, and electrical, or you look at city planning departments around the world, and you open any catalog of any major university, within all those disciplines, there's going to be a major climate focus. It's like a unifying theme. So I'm seeing young people coming out of their training with a sense that their mission is within those areas, but there's no separating that in their minds from the need to control emissions on the planet and to get to a more livable climate. So, what I'm seeing is this massive amount of social energy and intellectual energy.”Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University.www.catf.uswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University.“The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, you're that kind of person, get trained to really be part of the technological business revolution that's going on right now. Join up with companies that are doing clean energy work or work for an electric utility that's got the right commitment. If you're a policy person who doesn't like mucking around with numbers, then train yourself to understand the complexities of this and go into government or work in non-governmental organizations like mine and bring your brain to the table.If you look at universities' engineering programs, civil engineering, chemical, mechanical, and electrical, or you look at city planning departments around the world, and you open any catalog of any major university, within all those disciplines, there's going to be a major climate focus. It's like a unifying theme. So I'm seeing young people coming out of their training with a sense that their mission is within those areas, but there's no separating that in their minds from the need to control emissions on the planet and to get to a more livable climate. So, what I'm seeing is this massive amount of social energy and intellectual energy.”www.catf.uswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Professor Lisa Jackson Pulver is a proud Aboriginal woman with connections to communities in southwestern New South Wales, South Australia, and beyond. She is the Deputy Vice-Chancellor of Indigenous Strategy and Services for the University of Sydney and leads the institution's strategy to advance Indigenous participation, engagement, education, and research, including the university's One Sydney, Many People 2021-2024 strategy.She is a recognized expert and tireless advocate for health and education. Her research focuses on capacity building for healthcare workers and improved health for Aboriginal and Torres Strait Islander people. She serves her country in the Royal Australian Air Force Specialist Reserve as a Group Captain and is a member of the Australian Statistical Advisory Committee, the Australian Medical Council, and the Health Performance Council of South Australia."So, I'll go back to One Sydney, Many People, because one of the four pillars is about Pemulian, the environment. And it is critical that for our mob, we come from the land. And when we go, we go back to the land. The land is so important. It has never been ceded or sold. It is such a precious resource. And it's fascinating. I work with a classical historian, and we've had many a conversation. And back in antiquity, people recognized the value of land. They recognized that if you damage the land, you won't be able to grow your crops. If you pollute the waters, you won't be able to drink or bathe and be refreshed, healthy, and clean. And somehow the industrial world kind of lost sight of that, right? Really, really lost sight of that. And the diversity of the ecology has evolved over billions of years to provide this beautiful thing called balance. And what we are now is a world profoundly out of balance in every part of it. And the pillaging and absolute mass slaughter of anything that is of the land or comes out of the land, in the modern parlance, is something that I know we will not be remembered well for in history.We are currently sitting in a very pointed part of history where, at the moment, we have got koalas crossing the roads in rather urbanized environments because we've completely broken their link to be able to eat, and they're starving. They're the ones that survived the fires. You know, we are at the moment on the pointed end of extinction of so many species in Australia that it just makes your heart break, if you think about it too closely, that biodiversity was part of the unique balance in our world."www.sydney.edu.auwww.sydney.edu.au/content/dam/corporate/documents/about-us/values-and-visions/one-sydney-many-people-digital.pdfSeason 2 of Business & Society focuses on Leaders, Sustainability & Environmental Solutions Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk www.oneplanetpodcast.org

“I still do workshops on oppression generally, but at this point, I've been focusing mostly on a workshop that's called Reclaiming Nature Writing, which has been a workshop that takes the idea of nature writing, which at least in the US has always been seen as a predominantly white male field and looks at writers that have existed for hundreds of years that have always been writing about nature but have maybe not been considered nature writers by the field generally.So we look at writers like Audre Lorde who wrote about nature all the time but is not usually seen as a nature writer. And many others like that because it addresses ideas of land trauma and severement from nature and what are the historical causes for that? And what are the systems of oppression that have led certain people to be disconnected from nature in certain ways? And how can we heal that by telling new stories about the outdoors and travel and nature in general?”Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.www.amandaemachado.comIG www.instagram.com/amandaemachado0www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.“I still do workshops on oppression generally, but at this point, I've been focusing mostly on a workshop that's called Reclaiming Nature Writing, which has been a workshop that takes the idea of nature writing, which at least in the US has always been seen as a predominantly white male field and looks at writers that have existed for hundreds of years that have always been writing about nature but have maybe not been considered nature writers by the field generally.So we look at writers like Audre Lorde who wrote about nature all the time but is not usually seen as a nature writer. And many others like that because it addresses ideas of land trauma and severement from nature and what are the historical causes for that? And what are the systems of oppression that have led certain people to be disconnected from nature in certain ways? And how can we heal that by telling new stories about the outdoors and travel and nature in general?”www.amandaemachado.comIG www.instagram.com/amandaemachado0www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“Technoscience in the first place has increased the power of our actions by orders of magnitude that you can't even really imagine. Nuclear warfare being the most stunning example of that awakened a whole generation to the need for something like engineering ethics, or the complexity of machines that only a very small group of people have sufficient expertise to even understand how they work. To the fact that the consequences of technology are often irreversible and don't appear until way in the future so that you and I don't even really need to think about them. Or at least in terms of the ordinary what is my duty or what is my contract to my children or my children's children or into the certain kind of future we can think of. So this is a complex of many problems. It touches on science and religion and art and history and sociology and everything.”Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.http://harold-sjursen.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.“Technoscience in the first place has increased the power of our actions by orders of magnitude that you can't even really imagine. Nuclear warfare being the most stunning example of that awakened a whole generation to the need for something like engineering ethics, or the complexity of machines that only a very small group of people have sufficient expertise to even understand how they work. To the fact that the consequences of technology are often irreversible and don't appear until way in the future so that you and I don't even really need to think about them. Or at least in terms of the ordinary what is my duty or what is my contract to my children or my children's children or into the certain kind of future we can think of. So this is a complex of many problems. It touches on science and religion and art and history and sociology and everything.”http://harold-sjursen.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Josh Kampel is the CEO of Clarim Media where he oversees the overall strategic direction of the organization as well as works closely with the management teams of the individual portfolio companies to build scalable products and services. Prior to Clarim, Josh served as CEO of Techonomy Media, which was sold to Clarim Holdings in 2018. At Techonomy, Josh spent 8 years driving sustainable business growth through strategic partnerships and new product development. He built Techonomy to be one of the leading media companies covering technology and it’s impact on business and society. Techonomy Climate 2023 takes place March 28th. The conference surveys the booming climate tech sector and highlight companies making the most significant impact.“Think about how do they deliver value to all of those constituents rather than just their shareholders. So they will create the more successful long-term companies, especially generationally, as Gen X and millennials care more and more about mission and purpose. This idea of greenwashing or now what we can call woke-washing and that ESG goals are typically held within PR groups, within companies. They just talk about what they're doing versus being held accountable. I think we will continue to see that paradigm shift towards accountability, transparency of companies doing the right thing. I'm impressed every day when I see next generation leaders, entrepreneurs, and educational institutions focus more on this idea of social entrepreneurship. That they're really embedding some of these core values into the next generation of leaders.”www.clarim-media.comhttps://techonomy.com/event/techonomy-climate-2023Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk www.oneplanetpodcast.org

“I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways.I'm like sat here in London and, you know, there's a reason why British brands go to India, Bangladesh, Pakistan, following the same colonial trade routes. It's also a system very much based on really unfair debt and a total lack of debt justice whereby Global South economies are having to earn foreign capital by opening themselves up to these export industries, whether that's cotton or coffee or garments. 80% of everything that Bangladesh exports are garments. It is a ludicrous position for an economy to be in. And it's very deliberate exploitation as well. Brands make these sourcing decisions very, very deliberately.They go where they think that workers' rights will be suppressed and environmental legislation will be suppressed. And if anything does happen that the government will step in and do the suppressing and just give them a sort of carte blanche to do whatever they want.So at the moment, it's very difficult to point at any part of the fashion industry and go, that's not exploitative. You know, that's exploiting the land, that's exploiting these people, that's based on fossil fuels. Those toxic dyes are going into the river. It's a deeply exploitative, industry.”Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull.www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull.“I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways.I'm like sat here in London and, you know, there's a reason why British brands go to India, Bangladesh, Pakistan, following the same colonial trade routes. It's also a system very much based on really unfair debt and a total lack of debt justice whereby Global South economies are having to earn foreign capital by opening themselves up to these export industries, whether that's cotton or coffee or garments. 80% of everything that Bangladesh exports are garments. It is a ludicrous position for an economy to be in. And it's very deliberate exploitation as well. Brands make these sourcing decisions very, very deliberately.They go where they think that workers' rights will be suppressed and environmental legislation will be suppressed. And if anything does happen that the government will step in and do the suppressing and just give them a sort of carte blanche to do whatever they want.So at the moment, it's very difficult to point at any part of the fashion industry and go, that's not exploitative. You know, that's exploiting the land, that's exploiting these people, that's based on fossil fuels. Those toxic dyes are going into the river. It's a deeply exploitative, industry.”www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Sarah Van Looy

“In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take.So when we started, we were mainly talking about the effects of extreme heat without being able to attribute them to climate change because obviously heat waves have occurred throughout history, and populations are more or less adapted to different climates. But now I think the science has moved on, and we can be much more competent about attributing either some extreme events or trends in extreme heat exposure, for example, to human-induced climate change. So it isn't just natural fluctuation. So that's a change. And as the evidence becomes stronger, of course, it also strengthens the case for climate action, which sadly, as we know at the moment, is not sufficient to really have the desired effect.So our knowledge has advanced, but the actions that we need to put into practice have not gone at the same speed. And so we're really facing an increasing climate emergency. And we don't know quite where it's going to end up, but it could end up 2.5%, 3% hotter than pre-industrial times on global average as we reach the end of the century.”Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy.  He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022.www.lshtm.ac.ukhttps://tylerprize.org www.interacademies.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast