Boxcars711 Old Time Radio

The Six Shooter, the only radio series staring James Stewart, aired on September 20, 1953. In this radio western, Jimmy played Britt Ponset, a man with a reputation for having a fast gun but is really very different from the hard, tough talking gun slinger type. Here the hero is a slow talking, thinking man who is ready with his gun, but first looks for options to violence. James Stewart played this character very well. Jimmy had appeared on many other radio shows including the Hollywood Star Playhouse where the character of Britt Ponset was introduced in an episode called "The Six Shooter". The same script was used for the audition of THE SIX SHOOTER series, again with Jimmy as Britt. The show aired between September 1953 and June 1954.

THE HAUNTING HOUR - The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."THIS EPISODE:NBC syndication. "The Thought" (1949). Commercials added locally. A mental telepathist in a nightclub reading the minds of his audience detects thoughts of murder. . 25 minutes.

DIARY OF FATE is a mystery and horror program where âFateâ narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their âFateâ.THIS EPISODE:June 1, 1948. Program #25. Finley syndication. "Phillip Vale". Commercials added locally. Book 63, page 209. Phillip Vale decides to kill his wealthy Aunt Ruth when he loses $20,000 of her money on a bad stock market investment. The date is subject to correction. Larry Finley (producer). 27:27.

Boston Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.THIS EPISODE: August 6, 1947. Program #121. Mutual network origination, Ziv syndication. Commercials added locally. Blackie tackles the "Butcher Boys" gang. Richard Kollmar. 26:38.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

The Lone Ranger was a long-running early radio and television show based on characters created by George W. Trendle, and developed by writer Fran Striker. The titular character is a masked cowboy in the American Old West, who gallops about righting injustices, usually with the aid of a clever and laconic American Indian called Tonto, and his horse Silver. He would famously say "Heigh-ho Silver, away!" to get the horse to gallop.

DEFENSE ATTORNEY - Playing radio's last lady crime fighter was a prominent actress, Mercedes McCambridge. The series began on NBC under the title "The Defense Rests" in the spring of 1951. NBC soon dropped it so ABC picked it up, kept the same cast, re-titled it :"Defense Attorney" and aired it from August 1951 to December 1952. McCambridge, portraying an attorney named Martha Ellis Bryant, spent virtually no time in the courtroom and instead was in the streets, solving crimes and mysteries. She was assisted by her boy friend, Jud Barnes, a reporter, played by Howard Culver (whose "Straight Arrow" series had just gone off the air.) Six episodes of the ABC series and one of the NBC version have survived and all attest to the excellent writing, good acting, and fast pace of a well-done adventure show. When Attorney Bryant solved her last case on 12-30-52, it brought down the curtain on OTR's lady crime fighters.

Counterspy was an espionage drama radio series that aired on ABC and Mutual from May 18, 1942 to November 29, 1957. David Harding (Don MacLaughlin) was the chief of the United States Counterspies, a unit engaged during World War II in counterespionage against Japan's Black Dragon and Germany's Gestapo. With spies still lurking in the post-war years, the adventures continued apace well after World War II ended.THIS EPISODE:Counterspy. April 4, 1950 - ABC network. "The Case Of The Magic Murder". Sponsored by: Pepsi Cola. Counterspy operative Peters is shot in the head while filling out a security questionnaire with a famous European jet engine scientist. Only a famous brain surgeon, who happens to be in Venezuela, can possibly save the agent's life! The system cue has been deleted. Leonard L. Bass (director), Paul Milton (writer), Don MacLaughlin, Mandel Kramer, Jesse Crawford (music), Jay Jackson (announcer), Phillips H. Lord (producer). 29:27.

Crime & Peter Chambers - This program was born from a detective book series and inspired by author Henry Kane who became the director and producer for the radio show. The series only ran five months, 30 minutes each episode, from April 6, 1954 to September 7, 1954. Peter Chambers was played by Dane Clark who also appeared on the Suspense radio shows. Chambers acted the role of a playboy detective with an eye for solving crime and a taste for the women. Bill Zuckert, who went on to guest star in many 1970s shows including The Mary Tyler Moore Show and the Partridge Family, plays Lt. Parker.

Although Molle Mystery Theatre was initially sponsored by Molle Shaving Cream, other sponsors (such as Bayer Aspirin, Ironized Yeast, Phillips Milk of Magnesia) also sponsored the program. Sometimes, when it was not sponsored by Molle, the program was called "Mystery Theater". The show was first heard on NBC, on 9/7/43. Time slot was originally Sunday nights at 9:00 PM, but was later moved to Tuesday at 9:00 PM, and Friday at 10:00 PM. In 1948, the show moved to CBS (Tues, 8:00 PM), and in 1951, it moved to ABC, where it was called "Mark Sabre", and heard on Wednesdays at either 8:00 PM or 9:30 PM. The shows were tight and tension filled, with a fine orchestra score and solid production values. Classic tales from well-known authors, as well as modern unknowns were presented, and the endings were often twists or shockers.

THEATER FIVE - This was ABC's attempt to recapture some of what radio was. The effort was not the best, but at least an effort was made. The stories ranged from science fiction, comedy, social drama and human interest drama, to detective mystery, psychological drama, melodrama and suspense drama. News programs help fill out the remaining time left in the 30 minute time spot from 5 - 5:30 p.m.

ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Great special effects will grab your attention, accented by creepy organ rips. Stories are offered such as death gathered round a card table at a local chapter of The Suicide Club, or a man who desperately tries to hire a 24 hour bodyguard all the while trying to make himself the victim of a murder, and other baffling peculiar tales of yore. Also known as Mystery Time and Mystery Time Classics, this one is sure to excite and mystify.

Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.THIS EPISODE:Pat Novak For Hire. April 2, 1949. Program #3. ABC network origination, AFRS rebroadcast. A priest puts Pat on the trail of an escaped convict named Joe Feldman. This leads to a slit throat, a dead cop, and the standard frame. Jack Webb, Raymond Burr, Richard Breen (writer), Basil Adlam (music), George Fenneman (announcer), Tudor Owen, Paul Frees (doubles), Parley Baer, Lurene Tuttle, William P. Rousseau (producer, director). 30:10.

THE MARTIN & LEWIS SHOW - On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team. THIS EPISODE:March 24, 1949. NBC network. Sustaining. Possibly their first show for NBC. Unedited tape, lots of wild ad libs with Bob. The program aired right before the program with guest William Bendix. The above date might be the recording session, possibly for broadcast April 3, 1949. Dean Martin, Jerry Lewis, Bob Hope, Flo McMichaels, Michael Roy, The Martingales, Dick Stabile and His Orchestra. 43:59

Television and radio pioneer Jack Parr has been called the most imitated personality in broadcasting. He virtually created the late-night talk show format as the host of The Tonight Show , one of television's longest continuously running programs. The Washington Post said, "Jack Paar was genuine, and the footprints he left on the loony moonscape of television are enormous; they will be there forever." As the stars of stage and screen were rising around him, Paar was becoming an icon himself, on television sets in the homes of millions of Americans across the country. During the Golden Age of television, Paar was its golden boy, charming guests and viewers alike. From 1957 to 1962, Paar was the king of late-night television as host of The Tonight Show, which NBC eventually renamed The Jack Paar Show. He turned it from a typical variety format into something very different. With a rare combination of intelligence, irreverence and intuition, he invented a new genre of programming that would become ubiquitous to television. Paar helped launch the careers of such performers as Carol Burnett, Woody Allen and Liza Minnelli, but his guests weren't limited to the glitterati. He discussed religion with Billy Graham, visited Albert Schweitzer in Africa, and talked politics with Richard Nixon, all before the transfixed eyes of the American television audience.

THE DEVIL & MR. OWith its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten." Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician. Oboler's shows are well represented -- this series of Lights Out was syndicated in The Devil and Mr. O offerings of 1970 - 73. A transcribed syndication of original broadcasts from 1942 - 43 with Arch Oboler as the host.

VANISHING POINT1984-1986 There were 69 episodes in the original series. The series continued after that under various names and formats. "The point between reality and fantasy. Where imagination holds the key to new worlds. That point of no return---The Vanishing Point." Favorably compared to Rod Sterling's classic TV series, The Twilight Zone, these finely tuned radio dramas from the Canadian Broadcasting Corporation provide compelling excursions into the realm of mystery and fantasy.

Crime Club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson, begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books.THIS EPISODE:September 11, 1947. Mutual network. "Fish For Entree". Sustaining. A corpse with a dead fish in his pocket is fished out of the harbor. Stedman Coles (writer), Walter Kinsella, Virginia Dwyer, Bill Smith, Julie Stevens, Paul Hammond. 1/2 hour.

"Spanglers Attic" (1-26-47)The Clock, Imported from Austrailia, was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; âSunrise and sunset, promise and fulfilment, birth and death â the whole drama of life is written in the sands of timeâ. This is a great series where the main theme seems to be Retribution. Stories as told by Father Time.

Flash Gordon - 1935-1936 FIRST BROADCAST: April 1935 LAST BROADCAST: February 1936 CAST: Gale Gordon, Maurice Franklin, Bruno Wick, James Meighan PRODUCER: Himan Brown This science-fiction adventure originally began as a comic strip. Flash Gordon had saved the world by firing a rocket at the planet Mongo which was on a collision course with earth. He had crashlanded on Mongo which was a planet packed with villains and baddies featuring lots of ray-guns and rockets.Today's Show: "Dale is Rescued by the Boys" (8-10-35) and "A Voice From The Shadows" (8-17-45)

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator "with the action-packed expense account." The show aired on CBS Radio from February 11, 1949 to September 30, 1962. There were 811 episodes in the 12-year run, and over 720 still exist today. As originally conceived, Johnny Dollar was a smart, tough, wisecracking detective who tossed silver-dollar tips to waiters and bellhops. Dick Powell starred in the audition show, recorded in 1948, but withdrew from the role in favor of other projects. The role went instead to Charles Russell. With the first three actors to play Johnny Dollar -- radio actor Russell and movie tough-guy actors Edmond O'Brien and John Lund -- there was little to distinguish Johnny Dollar from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade). While always a friend of the police, Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected.THIS EPISODE:October 14, 1950. CBS network. "The Yankee Pride Mater". Sustaining. Johnny investigates murder, intrigue and sabotage in mysterious Singapore. Edmond O'Brien, Gil Doud (writer), Alexander Courage (conductor),Ben Wright, Jaime del Valle (producer, director), Bob Stevenson (announcer), Jack Kruschen, Virginia Gregg, Tudor Owen, William Johnstone, Wally Maher, Ben Wright. 29:42.

Produced in about 1950 by Palladium Radio Productions, "The Planet Man" is the golly-gee-whillikers saga of Dantro, an intergalactic troubleshooter for an organization known as the League of Planets - "the law enforcement body for peace and justice in the celestial world." (Think of him as an outer-space version of Marshal Matt Dillon - "It's a chancy job, and it makes a [planet] man watchful...") With their center of operations situated on Planeria Rex, "the capital of the planets," the League sends their water-carrier Dantro out into the celestial world to maintain law and order "whenever danger threatens the universe." Dantro is assisted in his quest for law-and-order by the members of Earth's first rocket expedition: Dr. John Darrow, his daughter Pat, and engineer Slats, who are rescued by the Planet Man before their rocket comes perilously close to crashing into the moon. (The explanation for this is that Darrow and crew took on a pair of stowaways before blast-off, namely his nephew Billy and niece Jane - which makes a listener wonder why the heck they weren't in school.) These five individuals join forces with the Planet Man to defeat evildoers like Marston, the ruler of Mars who possesses an insatiable appetite for interplanetary domination.

The Mercury Theatre was a theatre company founded in New York City by Orson Welles and John Houseman. They had initial success in the theatre, then went to radio, and one of the most notable radio broadcasts of all time, The War of the Worlds. Welles had already worked extensively in radio drama, playing the Shadow for a year, and directing a seven-part adaptation of Victor Hugo's Les MisÃrables. In 1938, he was offered a chance to direct his own weekly, hour-long radio series, initially called First Person Singular, then The Mercury Theatre on the Air. Welles insisted his Mercury company--actors and crew--be involved in the radio series. This was an unprecedented and expensive request, especially for one so young as Welles. He won out, however, and went on to produce some of the finest radio drama of any era.

Michael Shayne was a fictional sleuth created by Brett Halliday (a pen name for author Davis Dresser) who was first initiated into the fraternity for detectives in the 1939 novel "Dividend of Death". Dresser based the character on a âtall and rangyâ brawler who once saved his life during a braw in a Mexican cantina. The Shayne character would go on to appear in 69 novels, plus a long-running mystery magazineâand in 1941, was brought to the silver screen in Paramountâs Michael Shayne, Private Detective, an adaptation of Dividend of Death that starred Lloyd Nolan, and paved the way for six additional B-mysteries to follow. The New Adventures of Michael Shayneâpremiered on July 15, 1948 starring Jeff Chandler.

Crime Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.THIS EPISODE:CBS network. "Billy Bonney, Bloodletter: Also Known As 'The Kid'". Sustaining. The story of the very violent life of young William Bonney. William Conrad (as Pat Garrett) plays the entire first scene by grunting six times. Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), William Conrad, Sam Edwards, Jane Webb, Dick Beals, Frederick Shields, Bob Lemond (announcer), Clayton Post, Tony Barrett, Harry Bartell, Barney Phillips. 29:32.

The Ford Theater aired 1947 - 1949. It was broadcast on NBC until October 8, 1948 then moved to CBS. It was hosted by Howard Lindsay. The show tried to use good but not to famous radio performers. Producer George Zachary, first producer, attempting to use popular radio stars instead of Hollywood stars offered limited success. Followed was low ratings which forced the replacement of Zachary with Fletcher Markle, husband of radio legend Mercedes McCambridge. Needing a change the show moved to California and began starring celebrities from Hollywood like Lucille Ball. Jack Benny, Bob Hope, Bette Davis to mention a few. This combination made for a hit radio show.

The Adventures of Frank Race was a 1949-50 radio adventure serial syndicated by Bruce Ellis Productions. The 30-minute program was first broadcast in some markets beginning May 1, 1949. An attorney who turned international adventurer after WWII, Frank Race (Tom Collins, Paul Dubov) mainly investigated insurance scams. After the first 22 shows, Dubov took over the title role. Tony Barnett portrayed Mark Donovan. The series was written and directed by Joel Murcott and Buckley Angel. The announcer was Art Gilmore, and Ivan Ditmars provided the background organ music.THIS EPISODE:July 24, 1949. Program #13. Broadcasters Program Syndicate syndication. "The Adventure Of The Garrulous Bartender". Commercials added locally. From $100,000 embezzlement, the trail leads to Juarez, Mexico, and murder. Tom Collins, Tony Barrett, Buckley Angel (writer, director), Joel Murcott (writer, director), Bruce Eells (producer), Ivan Ditmars (organist), Art Gilmore (announcer). 1/2 hour.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

TOP SECRET 6-12-50 to 10-26-50 NBC, various 30 minute timeslots. STAR: Ilona Massey as a Mata Hari-style operative in World War II. ORCHESTRAL: Roy Shield. WRITER-DIRECTOR: Harry W. Junkin. Top secret was highly effective, said Radio Life: the role played by the Hungarian actress was âtailor-made for her sultry voice and heavy accentâTHIS EPISODE:July 23, 1950. Program #7. NBC network. "Midnight For Danger". Sustaining. Cloaks and daggers in neutral Switzerland. An arthritic clockmaker holds the key to, "Operation Das." Allan Sloane (writer), Andrew Duggan, Earl Hammond, Fred Collins (announcer), Harry W. Junkin (writer), Ilona Massey, Peter Capell, Ronald Long, Roy Shield (composer, conductor), Ruth Yorke, Theo Goetz. 29:29.

The Green Hornet program began in January of 1936 and played to December 5, 1952. The shows typically ran thirty minutes and ran twice a week in the beginning years. They later reverted to being broadcast once a week. The last season of the show in 1952 the show reverted back to a twice a week schedule. Al Hodge played the role of Britt Reid for seven years. Fran Striker, a co-creator of the Lone Ranger, wrote all of the scripts for the Green Hornet until April 1944. After that, several other writers were brought in to script the show. The writing output of Fran Striker was incredible. While he was scripting the Green Hornet he was also writing the scripts for the Lone Ranger program.

Amos 'n' Andy was a situation comedy popular in the United States from the 1920s through the 1950s. The show began as one of the first radio comedy serials, written and voiced by Freeman Gosden and Charles Correll and originating from station WMAQ in Chicago, Illinois. After the series was first broadcast in 1928, it grew in popularity and became a huge influence on the radio serials that followed. Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions.THIS EPISODE:November 26, 1943. NBC network. Commercials deleted. Andy spreads the rumor that he's inherited $10,000 so he can find out who his true friends are. He shortly finds himself in the hospital about to be operated on by a madman! Freeman Gosden, Charles Correll, Harlow Wilcox (announcer), Donald Meek (guest), Ernestine Wade. 26:05. Audio condition: Excellent. Otherwise complete.

The Jack Benny Program is a classic comedy that is truly one of the best-loved programs from the Golden Age of Radio. It started life as The Canada Dry Program in 1932 on the Blue Network and finished off as The Lucky Strike Program on CBS in 1955. In between, it kept the audience in stitches and established Benny as one of America's all-time great comedians. The format of the show, and the personality of its star, so well honed in two decades on radio, made the transition to television almost intact. Jack's stinginess, vanity about his supposed age of 39, basement vault where he kept all his money, ancient Maxwell automobile, and feigned ineptness at playing the violin were all part of the act. Added to Jack's famous pregnant pause and exasperated "Well!" were a rather mincing walk, an affected hand to the cheek, and a painted look of disbelief when confronted by life's little tragedies.

This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

VOYAGE OF THE SCARLET QUEEN - First heard on Mutual featuring Elliott Lewis, who as Leonard Maltin writes in "The Great American Broadcast, "âwore every hat imaginable-actor, producer, and director-also penned a good number of scripts for series he supervised, including Suspense." And Maltin says of this show, "On the terrific late-1940's high-adventure series The Voyage of the Scarlet Queen he held down both jobs simultaneously as director and star." As Maltin continues, âLewis had the ability to make you believe whatever he said. Cast as the skipper on the high-adventure series The Voyage of the Scarlet Queen, he was completely convincing as seagoing ship's master Philip Carney-never corny or overblown." So let a master captain of drama chart a course to exotic ports of call and thrilling adventures. All you have to do is step aboard The Scarlet Queen.

I DEAL IN CRIME - Though he was much better in Barry Craig, Confidential Investigator, gravely-voiced William Gargan starred several more times on radio. This is another well done series.THIS EPISODEJanuary 21, 1946. ABC network. Sustaining. Possibly the first show of the series. William Gargan as detective Ross Dolan. Laura Shields hires Dolan to be her bodyguard. He finds plenty of murder. Dresser Dahlstead (announcer), Leonard Reeg (director), Skitch Henderson (composer, conductor), Ted Hediger (director), William Gargan. 29:31.

GangBusters was an American dramatic radio program heralded as "the only national program that brings you authentic police case histories." It premiered as G-Men, sponsored by Chevrolet, on July 20, 1935. After the title was changed to Gang Busters January 15, 1936, the show had a 21-year run through November 20, 1957. Beginning with a barrage of loud sound effects â guns firing and tires squealing â this intrusive introduction led to the popular catch phrase "came on like Gang Busters."The series dramatized FBI cases, which producer-director Phillips H. Lord arranged in close association with Bureau director J. Edgar Hoover. Hoover insisted that only closed cases would be used. The initial series was on NBC Radio from July 20 - October 12, 1935. It then aired on CBS from January 15, 1936 to June 15, 1940, sponsored by Colgate-Palmolive and Cue magazine. From October 11, 1940 to December 25, 1948, it was heard on the Blue Network, with various sponsors that included Sloan's Liniment, Waterman pens and Tide. Returning to CBS on January 8, 1949, it ran until June 25, 1955, sponsored by Grape-Nuts and Wrigley's chewing gum.

2000 AD (2000 Plus) is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds throng as audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.

RADIO CITY PLAYHOUSE - A Half-hour drama, sometimes comedy, often very exciting and suspenseful. The cast were made up of New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.

The Adventures of Sam Spade â 1946-1951Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou Gerson.

Murder By Experts. December 26, 1949. Mutual network. "The Case Of The Missing Mind". Sustaining. A comedy about a Broadway character being driven mad by "Mr. Aladdin." John Dickson Carr (host), Carl Eastman, Ann Shephard, William Zuckert, Bert Cowlan, Ralph Camargo, Phil Tonken (announcer), Robert A. Arthur (producer, director), David Kogan (producer, director), Emerson Buckley (conductor), Craig Rice (guest expert), Joseph Ruscoll (writer). 29:54.

MAN FROM HOMICIDE 1951 ABC show with Dan Duryea Lieutenant Lou Dana, the man from homicide. Dan Duryea stars in this action packed series heard on ABC.THIS EPISODE:July 16, 1951. ABC network. Sustaining. An excellent action-packed whodunit. "Old Man" Kelso, a man with $9 million is found dead with a spear through his body. Lieutenant Lou Dana investigates. Barney Phillips, Basil Adlam (composer, conductor), Bill Bouchey, Dan Duryea, Dick Powell, Dwight Hauser (director), Herb Butterfield, Joe Gilbert (writer), Orval Anderson (announcer), Tony Barrett. 29:30.

The Perada Treasure Episode22 and Episode 23 (11-14-39)SHOW TWO OF TWO

The Perada Treasure Episode20 and Episode 21 (11-14-39)SHOW ONE OF TWOCaptain Midnight was a U.S. radio serial broadcast from 1938 to 1949. Created by radio scripters Wilfred G. Moore and Robert M. Burtt, the program was developed at WGN in Chicago. Sponsored by the Skelly Oil Company, it began as a syndicated show in the fall of 1938, airing on a few midwest stations through the spring of 1940. In the fall of 1940, Ovaltine took over sponsorship, and the series was then heard nationally on the Mutual Radio Network where it remained until December, 1949.

Philo Vance was the detective creation of S. S. Van Dine first published in the mid 1920s. Vance, in the original books, is an intellectual so highly refined he seems he might be ghostwritten by P. G. Wodehouse. Take this quote from The Benson Murder Case, 1924, as Vance pontificates in his inimitable way: "That's your fundamental error, don't y' know. Every crime is witnessed by outsiders, just as is every work of art. The fact that no one sees the criminal, or the artist, actu'lly at work, is wholly incons'quential." Thankfully, the radio series uses only the name, and makes Philo a pretty normal, though very intelligent and extremely courteous gumshoe. Jose Ferrer played him in 1945. From 1948-1950, the fine radio actor Jackson Beck makes Vance as good as he gets. George Petrie plays Vance's constantly impressed public servant, District Attorney Markham. Joan Alexander is Ellen Deering, Vance's secretary and right-hand woman. The organist for the show is really working those ivories, and fans of old time radio organ will especially enjoy this series. Perhaps one reason the organist "pulls out all the stops" is because there seems to be little, if any, sound effects on the show. Philo Vance, the radio series, does pay homage to the original books in that both were, even in their own time, a bit out of date and stilted.THIS EPISODE:Program #7. ZIV Syndication. "The Poetic Murder Case". Commercials added locally. Two drama critics are murdered, with a poem knifed to their chests. A third critic is then killed, and the main suspect in, "Longfellow." Jackson Beck. 26:23.

The Wayside Theater. January 1, 1939. WBBM, Chicago. "The Adventure Of The Absent Minded Professor". Sponsored by: The Chicago Motor Club. The ultimate absent minded professor story...as the chemistry building explodes! Olan Soule, Patricia Dunlap, Addison Simmons (writer), Verne Smith (announcer), Bill Bouchey, Reese Taylor, Frank Dane, Herb Butterfield, Lesley Woods, Forrest Lewis. 29:29.

Perry Mason is the longest running lawyer show in American television history. Its original run lasted nine years and its success in both syndication and made-for-television movies confirm its impressive stamina. Mason's fans include lawyers and judges who were influenced by this series to enter their profession. The Mason character was created by mystery writer Erle Stanley Gardner and delivered his first brief in the novel The Case of the Velvet Claws (1933). From 1934 to 1937 Warners produced six films featuring Mason. A radio series also based on Mason ran every weekday afternoon on CBS radio from 1944 to 1955 as a detective/soap opera. When the CBS television series was developed as an evening drama, the radio series was changed from Perry Mason to The Edge of Night and the cast renamed so as not to compete against the television series.THIS EPISODE:The Case of the Crooked Candle from Perry Mason aired November 30, 1957. While Martha Bradford is waiting for her appointment at a beauty parlor, she meets Rita Bradford who apparently is also married to Joe Bradford and lives at the same address. Joe Bradford is preparing for a business meeting in San Diego. He makes plans to meet his wife Martha but fails to show up. Joe Bradford is found dead on his boat the next morning and Martha Bradford is accused of his murder when her fingerprints are found on a candle located on the boat.

It's A Crime Mr. Collins. 1956. Mutual network origination, syndicated. "The Brown Alligator Briefcase". Commercials added locally. Not auditioned. "Any girl would want to be alone in the Mediterranean moonlight, with a very handsome man...unless he were a murderer!" The accent of the Italian police chief sounds Transylvanian. The date is approximate. Mandel Kramer, Gail Collins, Richard Denning. 23:25.

Throughout the 1950s, Rod Serling had established himself as one of the hottest names in television, equally famous for his success in writing televised drama as he was for criticizing the medium's limitations. His most vocal complaints concerned the censorship frequently practiced by sponsors and networks. "I was not permitted to have my Senators discuss any current or pressing problem," he said of his 1957 production 'The Arena', intended to be an involving look into contemporary politics. "To talk of tariff was to align oneself with the Republicans; to talk of labor was to suggest control by the Democrats. To say a single thing germane to the current political scene was absolutely prohibited." THIS EPISODE:Portrait of a town drunk named Al Denton. This is a man who's begun his dying earlyâa long agonizing route through a maze of bottles. Al Denton, who would probably give an arm or a leg or a part of his soul to have another chance, to be able to rise up and shake the dirt from his body and the bad dreams that infest his consciousness.

FAVORITE STORY aired from September 1947 through December of 1949 hosted by Ronald Colman. This is an excellent dramatic series of great stories from classic literature brought to radio. It's popularity was so high and with such well done stories, it was rebroadcasted for many years.THIS EPISODE:MAN WITHOUT A COUNTRYThe protagonist of the story is a (fictional) young United States Army lieutenant named Philip Nolan, who developed a friendship with the visiting Aaron Burr. When Burr is tried for treason (as he actually was in 1807), Nolan was tried as an accomplice. During his testimony, Nolan bitterly renounced his nation, angrily shouting "D--n the United States! I wish I may never hear of the United States again!" (When the novel was first published, the word "damn" was considered too obscene for publication.) Upon conviction, the judge icily granted Nolan his wish: he was to spend the rest of his life on warships of the United States Navy, in exile, with no right to ever again set foot on U.S. soil, and with no mention ever again made to him about his country. The sentence is carried out to the letter. None of those in whose custody Nolan remains will speak to him about the U.S., and his newspapers are censored. Nolan is unrepentant at first, but over the years becomes sadder and wiser. Deprived of a homeland, Nolan slowly and painfully learned the true worth of his country. He missed it more than his friends or family, more than art or music or love or nature. Without it, he was nothing. Dying, he shows his room to an officer named Danforth; it is "a little shrine" of patriotism. The Stars and Stripes are draped around a picture of George Washington. Over his bed, Nolan had painted an eagle, with lightning "blazing from his beak" and his claw grasping the globe. At the foot of his bed was a dated map of the old territories. Nolan smiled. "Here, you see, I have a country!" Nolan dies content after Danforth finally tells him all that has happened to the U.S. since his sentence was imposed.

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal minerâs daughter, was born in Peoria on November 15, 1898. After years of hardship and touring in obscurity on the small-time show biz circuit, they arrived in Chicago in 1924, where they eventually performed on thousands of shows and developed 145 different voices and characters. Broadcast to the nation from WMAQ/Chicago, the show entertained America until March 1956, and continued on NBCâs Monitor until 1959. Jim Jordan died on April 1, 1988. Marian Jordan died on April 7, 1961. Fibber McGee and Molly was inducted into the Radio Hall of Fame in 1989. First Broadcast date April 16, 1935. Last Broadcast date September 6, 1959.