Boxcars711 Old Time Radio

The Red Skelton Show, which premiered on 30 September 1951, was not only one of the longest running variety series on television, but also one of the first variety shows to make the successful transition from radio to television. Despite his popularity as an entertainer in nightclubs, vaudeville, radio and 26 feature films, Skelton was unsure of the new medium. Consequently, he continued his weekly radio broadcasts while simultaneously working on the first two season of his television show. The series originally aired in a half-hour format on NBC. Despite an outstanding first year in which his show was ranked fourth in the Nielsens and won two Emmy awards, the series' ratings toppled in its second season. When NBC canceled the show, it was immediately picked up by CBS, and The Red Skelton Show became a Tuesday night staple from 1954 to 1970.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."THIS EPISODE:January 21, 1950. CBS network origination, AFRTS rebroadcast. John Gail is found dead in a flower shop...with the burglar alarm still ringing. Possibly also dated May 8, 1949. Larry Thor, Morton Fine (writer), David Friedkin (writer), Irene Tedrow, Howard McNear, Jack Kruschen, Edgar Barrier, Herb Vigran, Alexander Courage (composer), Wilbur Hatch (conductor), Elliott Lewis (producer, director), Charles Calvert, Jerry Hausner. 1/2 hour.

DOUBLE FEATURE: Castaways (11-28-56)Haunted Corpse (7-25-57)X MINUS ONE was an NBC science fiction series that was an extension, or revival, of NBC's earlier science fiction series, DIMENSION X. which ran from Apr. 8, 1950 through Sept. 29, 1951. Both are remembered for bringing really first rate science fiction to the air. The first X MINUS ONE shows used scripts from DIMENSION X, but soon created new shows from storied from the pages of Galaxy Magazine. A total of 125 programs were broadcast, some repeats or remakes, until the last show of Jan. 9, 1958. There was a one-program revival attempt in 1973, shown at the end of the log.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982.THIS EPISODE:The Meteorite - April 11, 1977. Program #631. CBS network. Sponsored by: G-E CB Radios, Buick, Allied Van Lines, Ballantine Books. E. G. Marshall (host), Roy Winsor (writer), John Beal, Marian Seldes, Joe Silver, Evie Juster, Russell Horton. 52 minutes.

The show first broadcast its fantastic thirty-minute crime mystery series in May 1942 and did not finish until September 1948. There were more than 450 shows of murder and intrigue in all. Although it ran for 6 years it was broadcast for only one year on a national network. The show opened to the sound of footsteps and an eerie whistle, which went on throughout the introductory music. The Whistler always began the show with the opening lines; I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak??

Ronald Colman and his wife Benita Hume starred in the Halls of Ivy, a very well-written, superbly acted radio program that was full of warmth and wit. The show aired from 1950 to 1952 on NBC and is not often mentioned when old-time radio programs are the topic of conversation, but it is one of my favorites. The combination of Mr. & Mrs. Colman's acting and Don Quinn's writing made for an enjoyable half-hour's worth of entertainment. The show was created by Don Quinn who for many, many years put words in the mouths of Fibber McGee and Molly. Quinn wrote jokes that made you think. On the McGee program there was a fast and furious onslaught of crazy puns, mangled cliches, and double-meanings. Sometimes all at once -- when delivered by the superb timing of the talented Jim Jordan as Fibber.

2000 AD (2000 Plus) is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds throng as audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.

Danger With Granger arrived too late in the Golden Age of Radio to have any real impact on the listening public. Mutual aired this show, starting in 1956, on Monday nights at 8:30 pm. It was a half hour show that featured a private eye in New York City, STEVE GRANGER. His two primary companions were Cal Hendrix, a reporter who served as an all-purpose source of criminal info, and Jake Rankin, a police detective with whom he had a grudging rivalry. The writing on the show seemed to incorporate most of the standard cliche's of the P.I. world. Granger, who was both the star and the first-person narrator of the show (not an uncommon practice with radio gumshoes), never saw a woman, instead "he gave the doll the once-over." He didn't kick with his foot, he "lifted a size 10." Instead of paying cash, he "forked over numbered lettuce." The mysteries he solved were fairly reasonable, and while he was a tough guy who roughed up lesser mortals, he seemed to get knocked unconscious at least once in every program. A total of 28 episodes survived and are in trading currency.

Abbott Mysteries was a comedy-mystery radio program adapted from the novels of Frances Crane (1896-1981). Initially a summer replacement for Quick As a Flash, the series was heard on Mutual and NBC between the years 1945 and 1955. The Mutual series, sponsored by Helbros Watches, debuted June 10, 1945, airing Sundays at 6pm. Scripts were by Howard Merrill and Ed Adamson in the lighthearted tradition of Mr. and Mrs. North. Julie Stevens and Charles Webster starred as Jean and Pat Abbott, a San Francisco married couple who solved murder mysteries. In the supporting cast were Jean Ellyn, Sydney Slon and Luis Van Rooten. Moving to 5:30pm in 1946, Les Tremayne and Alice Reinheart took over the roles until the end of the series on August 31, 1947. Seven years later, the characters returned October 3, 1954, on NBC in The Adventures of the Abbotts, broadcast on NBC Sunday evenings at 8:30pm. The Abbotts were portrayed by Claudia Morgan and Les Damon. The NBC series ran until June 12, 1955.THIS EPISODE:January 23, 1955. Program #1. NBC network origination, AFRTS rebroadcast. "The Royal Purple Scooter". Not auditioned. Les Damon, Claudia Morgan, Ann Corio, Mandel Kramer, Frances Crane (creator), David Pfeffer, Howard Merrill (writer), Dewey Bergman (composer, conductor), Bernard L. Schubert (producer), Ted Lloyd (producer), Harry Frazee (director, recordist), Roger Tuttle (announcer). 28:38.

ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Great special effects will grab your attention, accented by creepy organ rips. Stories are offered such as death gathered round a card table at a local chapter of The Suicide Club, or a man who desperately tries to hire a 24 hour bodyguard all the while trying to make himself the victim of a murder, and other baffling peculiar tales of yore. Also known as Mystery Time and Mystery Time Classics, this one is sure to excite and mystify.

Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who created the show, Ed Gardner.THIS EPISODE:Duffy's Tavern. December 14, 1951. NBC net origination, Nostalgia Broadcasting Corporation syndication. Commercials added locally. Archie's old teacher from P. S. 4 ("Turkey Neck Tompkins") is visiting the Tavern and joins in a Round Table Discussion! "Fats" plays and sings, "Sweet Lorraine." Ed Gardner, Ed Pinchon, Charlie Cantor. 29:28.

Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere.

All Gas and Gaiters is a British sitcom that aired on BBC1 from 1966 to 1971. It was written by Pauline Devaney and Edwin Apps, a husband-and-wife team. They used the pseudonym John Wraith when writing the pilot. David Climie and Austin Steele co-wrote the 1968 special. All Gas and Gaiters re-ran on radio from 1971 to 1972. All Gas and Gaiters is set in the close of St Oggs Cathedral, and concerns the rivalries amongst the clergymen in it. The Bishop is easygoing; his friend the Archdeacon is elderly, tippling, and still with an eye for an attractive woman; and the Rev. Noote is naÃve and accident prone. Their wish to live a quiet bachelor life is ruined by the overbearing Dean, who tries to bring rule by the book to the Cathedral. The series initially aroused some controversy because of its portrayal of senior churchmen as bungling incompetents, although some churchmen quite enjoyed it, partly because it made them look human. In the opening credits, the Church of Saint Mary in Chesterfield with its twisted spire was shown as the fictional "St. Ogg's".

The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as THE true adult western and one of the finest old time radio shows. Some listeners (such as old time radio expert John Dunning) have argued that the radio version of Gunsmoke was far more realistic than the television program. Episodes were aimed at adults, and featured some of the most explicit content of the day: there were violent crimes and scalpings, massacres and opium addicts. Miss Kitty's occupation as a prostitute was made far more obvious on the radio version than on television. Many episodes ended on a down-note, and villains often got away with their crimes.

Dramatic Adventure AnthologyBroadcast 4/27/1952-6/28/1953 30 minutesThe Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase.

Mr. Keen, Tracer of Lost Persons was one of network radio's longest running detectives, although listening to it now would hardly explain why. This kind, elderly, boring sleuth, in company with his bumbling assistant, Mike Clancy, was on the airwaves from 1937 to 1955, logging nearly 20 years of fighting crime. The series came out of the soap opera fiction factory of Frank and Anne Hummert and encompassed most of the trite dialogue and snail plotting of daytime serials. Over the years it changed days, time slots, sponsors, and even networks (although it was usually on CBS) and it was a 30 minute weekly show for nearly all of it run, changing to the daily 15 minute show in 1952. Bennett Kilpack was the voice of Mr. Keen and Jim Kelly played Clancy. Later in the run Keen was played by Arthur Hughes and finally, Phil Clarke.

Speed Gibson of the International Secret PoliceTODAY'S SHOW: (4 Episodes)"The Octopus Gang Active" (1-02-37) " Secret Police" (1-09-37) "Hong Kong" (1-16-37) "A Shooting Attempt" (1-23-37)The thrilling adventures of Speed Gibson follows the exploits of another flying âaceâ. This popular character held the listeners attention with his tracking down of international crime operatives. Speed and his pals are on the trail of a super-gang and its dreaded leader "The Octopus." The enemy of society had his tentacles in crime everywhere, and without the International Secret Police, the world would be his oyster. The fifteen-minute episode is action-packed! Strangely, the boy who played Speed is not known, says the authoritative "On the Air, The Encyclopedia of Old Time Radio," Speed's pal is Barney Dunlap, acted by John Gibson. Barney's OK, but no match for the cunning of the Octopus and his gang.

Pat Novak, For Hire â 1949-1950 Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.

Barry Craig (AKA Barry Crane" and then "Barrie Craig)Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality." Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today.

Abbott & Costello were one of the greatest comedy teams in the history of show business. They mastered the straightman/clown relationship, creating a magical chemistry that would take them from the burlesque stage to radio, to broadway, to film...and finally, to television.THIS EPISODEFebruary 10, 1944. NBC network, KFI, Los Angeles aircheck. Sponsored by: Camels, Prince Albert Pipe Tobacco. The opening routine is about St. Valentine's Day and abbreviations. Guest Charles Laughton joins the cast in, "The Adventures Of Robinson Crusoe." Ted R. Gamble (of the Treasury Department), speaks from Washington, D. C. about the Fourth War Loan. Bud Abbott, Lou Costello, Freddie Rich and His Orchestra, Connie Haines, Ken Niles, Elvia Allman, Charles Laughton, Mel Blanc, Ted R. Gamble. 29:38.Charles Laughton His extravagant, bravura style of acting, which made his portrayals of Nero, Henry VIII and Captain Bligh so memorable, was perfectly suited for Charles Laughton's two famous horror roles--that of the evil, whip-cracking Dr. Moreau in Island of Lost Souls (Erle C. Kenton, 1932) and the pathetic Quasimodo in The Hunchback of Notre Dame (William Dieterle, 1939).

Bulldog Drummond has come to wreak havoc on unsuspecting killers, counterfeiters, and underworld characters. The opening of the show starts with a the sounds of footsteps, foghorn, then two shots ring out, followed by three blows of a police officer's whistle. Bulldog, who's really name is Hugh (played by George Coulouris), was a methodical crime-solving sleuth who let nothing get in his way of his goal, which was to put a stop to crime! Bulldog believed in uncomplicated and decisive means of getting his way with the lords of the underworld. This usually led to their swift capture, and the easing of the city's burden brought about by these ruthless thugs.THIS EPISODE:September 10, 1945. Mutual network. "Murder In The Death House". Sustaining. A convicted killer is knifed to death in his cell, while awaiting execution. The only two suspects have airtight alibis. . 29:07.

For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.

Bob Bailey played George Valentine as a detective handy man, who got his jobs from responses to a newspaper ad. Part-time detective and writer Dan Holiday in Box 13 also used the premise. It pays to advertise! The shows follow the usual formats of crime caper shows, with toughs, mysterious rendezvous and people who aren't who they say they are. Francis Robinson first played Brooksie, then Virginia Gregg took the role through its best years. Both ladies played Brooksie smart and sassy. Brooksie took every occasion to make it clear to George that the case he was the most off base on was the "Case of the Missing Engagement Ring." In the late '40's, an organist was used for the scene transitions, and sound effects were fairly minimal, as the show was loaded with snappy patter. In the 1950's, the music turns orchestral, and the production values are a little more thorough.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of "Brave New World" and booked author Aldous Huxley to narrate his famous novel. "Weâll never get a sponsor anyway," CBS vice president Howard Barnes explained to Time, "so we might as well try anything." The CBS Workshop regularly featured the works of the worldâs greatest writers. including Ray Bradbury, Archibald MacLeish, William Saroyan, Lord Dunsany and Ambrose Bierce.

Starting as a replacement show for Gangbusters and Counterspy, the series premiered December 11, 1957 and it ran until June 13, 1958. Quoting from Astounding Magazine, "Exploring Tomorrow is the first science fiction radio show of science-fictioneers, by science- fictioneers, and for science-fictioneers" The shows were narrated by the editor of Astounding Magazine, John W. Campbell, Jr., with scripts written by Gordon Dickson, Robert Silverberg and many other notable science fiction writers. THIS EPISODE:The Convict - Poul Anderson (author), John Campbell Jr. (host), Guy Wallace (announcer). 20 minutes.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBCâs Blue Network in January 1941. Inner Sanctum Mysteries featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned and the famous âcreaking doorâ slowly began to open. Every week, Inner Sanctum Mysteries told stories of ghosts, murderers and lunatics. Produced in New York, the cast usually consisted of veteran radio actors, with occasional guest appearances by such Hollywood stars Boris Karloff, Peter Lorre and Claude Rains.What made Inner Sanctum Mysteries unique among radio horror shows was its host, a slightly-sinister sounding man originally known as âRaymond.â The host had a droll sense of humor and an appetite for ghoulish puns, and his influence can be seen among horror hosts everywhere, from the Crypt-Keeper to Elvira. Raymond Edward Johnson was the showâs host until 1945; Paul McGrath took over the role until the show left the air in 1952. Producer Hiram Brown would utilize the creaking door again in the 1970s, when he produced and directed The CBS Radio Mystery Theater.Inner Sanctum Mysteries was inducted into the Radio Hall of Fame in 1988.

Arch Oboler's shows are well represented -- this series of Lights Out was syndicated in The Devil and Mr. O offerings of 1970 - 73. A transcribed syndication of original broadcasts from 1942 - 43 with Arch Oboler as the host. With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten." Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

THE TODD MATTER ( Originally presented in 5 episodes, contained here in 2 episodes)SHOW TWO OF TWOSeptember 13, 1956. Program #1. CBS network. "The Todd Matter". Sustaining. An expensive tip from an ex-con starts Johnny on the trail of stolen goods, and a murder attempt! The system cue has been deleted. Amerigo Moreno (music supervisor), Bob Bailey, Barbara Fuller, Frank Gerstle (doubles), Jack Johnstone (producer, director), John Dawson (writer), Lawrence Dobkin (quadruples), Marvin Miller (doubles), Roy Rowan (announcer), Shirley Mitchell (doubles), Vivi Janis.

DIARY OF FATE is a mystery and horror program where âFateâ narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their âFateâ. In This episode, March 16, 1948. Program #14. Finley syndication. "Joe Mattock". Commercials added locally. Book 63, page 397. A truck driver and his beautiful hitch-hiker commit murder to get their hands on $100,000, kept in a little black bag. The date is subject to correction. Ivan Ditmars (music), Larry Finley (producer), Hal Sawyer, Frank Albertson, Gloria Blondell, Herb Lytton, Jerry Hausner, Ray Ehrlenborn (probable sound effects). 26:47THIS EPISODE:June 15, 1948. Program #27. Finley syndication. "Nelson Walker". Commercials added locally. Book 97, page 302. A drifter faces "an instant of horror." Not auditioned. The date is subject to correction. Larry Finley (producer), Gloria Blondell, Herb Lytton, Jack Edwards Jr., Pat McGeehan, Ray Ehrlenborn (probable sound effects), Hal Sawyer, Bern Surrey. 27:06.

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator "with the action-packed expense account." The show aired on CBS Radio from February 11, 1949 to September 30, 1962. There were 811 episodes in the 12-year run, and over 720 still exist today. Each story started with a phone call from an insurance agent, calling on Johnny to investigate an unusual claim. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. In 1955, radio actor Bob Bailey, fresh from his long run as George Valentine in LET GEORGE DO IT, stepped into the role as the fourth Johnny Dollar. CBS Radio revived Yours Truly, Johnny Dollar with this new leading man, a new director, and a new format. The program changed from a 30-minute, one-episode-per-week affair to a 15-minute, five-nights-a-week.The Todd Matter aired January 9-13, 1956 starring Bob Bailey. All five 15 minute parts are included.THIS EPISODE:THE TODD MATTER ( Originally presented in 5 episodes, contained here in 2 episodes)September 13, 1956. Program #1. CBS network. "The Todd Matter". Sustaining. An expensive tip from an ex-con starts Johnny on the trail of stolen goods, and a murder attempt! The system cue has been deleted. Amerigo Moreno (music supervisor), Bob Bailey, Barbara Fuller, Frank Gerstle (doubles), Jack Johnstone (producer, director), John Dawson (writer), Lawrence Dobkin (quadruples), Marvin Miller (doubles), Roy Rowan (announcer), Shirley Mitchell (doubles), Vivi Janis. 13:55.

SUSPENSE was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.THIS EPISODE:January 14, 1952. CBS network. "The Fall River Tragedy". Sponsored by: Auto-Lite. Lizzie Borden tells her side of the story! Agnes Moorehead, Harlow Wilcox (commercial spokesman), Joseph Kearns, Elliott Lewis (producer, director), Gil Doud (writer), Peggy Webber, Will Wright, Herb Butterfield, Lucien Moraweck (composer), Lud Gluskin (conductor), Rolfe Sedan, Stuffy Singer, Larry Thor (announcer), Bert Holland (commercial spokesman). 29:29."Lizzie Borden took an ax, and gave her mother 40 whacks; when she saw what she had done, she gave her father 41. Most of us know the grisly rhyme, but not the whole story. Who was Lizzie Borden? Did she really murder her father and stepmother on that muggy morning in August 1892? Or does she stand wrongly accused"?

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.

Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. THIS EPISODE:Dan Holiday finds himself in possession of a little girl...with two mothers! A man with a gun and his henchman have some other ideas. Ted Hedager (writer, director), Rudy Schrager (composer, conductor). Note: This episode is also known as "Rendezvous In The Park At Night"

Dangerous Assignment first aired in 1949. Brian Donlevy played the lead as Steve Mitchell in this international spy series. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. The director was Bill Cairn and the writer for the series was Robert Ryf. Dangerous Assignment is a product of the Cold War, with mystery and intrigue cropping up across the globe. Mitchell, an agent for an unnamed U.S. goverment agency, is dispatched to some exotic, faraway place at the beginning of each episode. The plot is always good, working against the unspeakable evil (Communism).

Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes.Groucho Marx did 26 movies total, of these 15 were with his brothers Chico and Harpo. Of those 15 movies only 14 were actually released. The first movie was a silent film, that Groucho is said to of cut up the movie into guitar picks, to prevent it's release. Needless to say, he didn't like it. Although students of the cinema still try to find a copy of the film, feeling it has great historical value. They were one of the world's most famous comedy teams. They had their own zany brand of slapstick comedy. That was mixed with quick witted one-liners, usually delivered by Groucho. Some of Groucho's one-liners were often imitated, even by some of todays biggest comedians. You can also find them in some of the old Buggs Bunny cartoons. There were six brothers, all born in New York City. Manfred Marx died in infancy.

BEYOND MIDNIGHTA replacement series for SF 68, this South African horror anthology was far more successful than its predecessor, running from 1968 through 1969. Its success may have been due in part to producer Michael McCabe - who also produced SF 68 - honing his talents to a higher degree. Little else is known about it, including the number of shows produced. As far as I can discover, there were at least 43 episodes, all in half-hour format.THIS EPISODE:"The Visits" (1969) *Exact Date Is UnknownAn old man who makes regular monthly visits to an abandoned house is the key to a dark secret out of the past.

THREE EPISODES:"Daddy's An Elk" (1-22-39) "Barking Rabbit" (5-11-39) And "Golf Tea" (5-18-39)The Baby Snooks Show was an American radio program starring comedienne and Ziegfeld Follies alumna Fanny Brice as a mischievous young girl who was 40 years younger than the actress who played her when she first went on the air. The series began on CBS September 17, 1944, airing on Sunday evenings at 6:30pm as Toasties Time. The title soon changed to The Baby Snooks Show, and the series was sometimes called Baby Snooks and Daddy. In 1944, the character was given her own show, and during the 1940s, it became one of the nation's favorite radio situation comedies, with products from a variety of sponsors (Post Cereals, Sanka, Spic-n-Span, Jell-O) being touted by a half-dozen announcers -- John Conte (early 1940s), Tobe Reed (1944-45), Harlow Willcox (mid-1940s), Dick Joy, Don Wilson and Ken Wilson. Hanley Stafford was best known for his portrayal of Snooks' long-suffering, often-cranky father, Lancelot âDaddyâ Higgins, a role played earlier by Alan Reed on the 1936 Follies broadcasts. Lalive Brownell was âMommyâ Higgins, also portrayed by Lois Corbet (mid-1940s) and Arlene Harris (after 1945). Beginning in 1945, child impersonator Leone Ledoux was first heard as Snookâs younger brother Robespierre, and Snooks returned full circle to the comics when comic book illustrator Graham Ingels and his wife Gertrude named their child Robby (born 1946) after listening to Ledoux's Robespierre baby voices.

The Navy Colt, by Frank Gruber, from Johnny Fletcher Mystery (NBC) aired on March 25, 1946 starring Albert Decker and Mike Mazurki. Book agents Johnny Fletcher and Sam Cragg find their low finances and the Chicago winter incompatible, so they accept an offer of $10.00 to punch James Maxwell in the nose. When the deed is done, the debt remains unpaid, the two are accused of Maxwell's murder, and the only thing which stands between them and destitution is an antique colt revolver.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze.

THE HALLMARK PLAYHOUSE was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. THIS EPISODE:This classic story about a boy and his horse still stands strong. It's more an inspiring account of growing up and gaining self-assurance than it is a horse story. Wells is a surprising choice for narrating this book. His voice is urban and sophisticated, with no hint of soft edges that might be more suitable for a novel set in a simpler time in the American West. Fortunately, Wells deftly handles the life lessons discovered by 9-year-old Ken. Through Wells's voice we sense the vast gap between Ken's gentle mother and his demanding father, and what each parent brings to the son.

Arthur Godfrey was born in New York City. While his family was originally well off, his mother was unsuccessful as a performer with aspirations to fame and stardom that never materialized, and his father was a failed sportswriter who left the family. With the family in sudden poverty, Godfrey tried to help them survive by going on the road accepting odd jobs, and hoboing. He served in the United States Navy from 1920 to 1924 as a radio operator on naval destroyers. Additional training in radio came during Godfrey's service in the Coast Guard from 1927 to 1930. It was during a Coast Guard stint in Baltimore that he appeared on a local talent show and became popular enough to land his own brief weekly program.

Amos Jones and Andy Brown worked on a farm near Atlanta, Georgia, and during the episodes of the first week, they made plans to find a better life in Chicago, despite warnings from a friend. With four ham and cheese sandwiches and $24, they bought train tickets and headed for Chicago where they lived in a State Street rooming house and experienced some rough times before launching their own business, the Fresh Air Taxi Company. With the listening audience increasing in the spring and summer of 1928, the show's success prompted the Pepsodent Company to bring it to the NBC Blue Network on August 19, 1929. At this time the Blue Network was not heard on stations in the West. Western listeners complained to NBC, they wanted to hear the show. Under special arrangements Amos 'n' Andy debuted coast-to-coast November 28, 1929 on NBC's Pacific Orange Network and continued on the Blue. At the same time, the serial's central characters -- Amos, Andy and George "The Kingfish" Stevens -- relocated from Chicago to Harlem. Amos was naÃve but honest, hard-working and (after his 1933 marriage to Ruby Taylor) a dedicated family man. Andy was more blustering, with overinflated self-confidence. Andy, being a dreamer, tended to let Amos do most of the work. Their lodge leader, the Kingfish, was always trying to lure the two into get-rich-quick schemes. Other characters included John Augustus "Brother" Crawford, an industrious but long-suffering family man; Henry Van Porter, a social-climbing real estate and insurance salesman; Frederick Montgomery Gwindell, a hard-charging newspaperman; William Lewis Taylor, the well-spoken, college-educated father of Amos's fiancee; and "Lightning", a slow-moving Stepin Fetchit-type character. The Kingfish's catch phrase "Holy mackerel!" soon entered the American lexicon.

Gang Busters was an American dramatic radio program heralded as "the only national program that brings you authentic police case histories." It premiered as G-Men, sponsored by Chevrolet, on July 20, 1935. After the title was changed to Gang Busters January 15, 1936, the show had a 21-year run through November 20, 1957. Beginning with a barrage of loud sound effects â guns firing and tires squealing â this intrusive introduction led to the popular catch phrase "came on like Gang Busters."The series dramatized FBI cases, which producer-director Phillips H. Lord arranged in close association with Bureau director J. Edgar Hoover. Hoover insisted that only closed cases would be used.

The Green Hornet program began in January of 1936 and played to December 5, 1952. The shows typically ran thirty minutes and ran twice a week in the beginning years. They later reverted to being broadcast once a week. The last season of the show in 1952 the show reverted back to a twice a week schedule. Al Hodge played the role of Britt Reid for seven years. Fran Striker, a co-creator of the Lone Ranger, wrote all of the scripts for the Green Hornet until April 1944. After that, several other writers were brought in to script the show. The writing output of Fran Striker was incredible. While he was scripting the Green Hornet he was also writing the scripts for the Lone Ranger program. Following Al Hodge, three other radio actors played Britt Reid. Donovan Faust took the role for the 1943 season. Robert Hall played the part for three years, from 1943 to 1946. Jack McCarthy finished the last years of the series from 1946 through 1952. Thus ended a tremendous 16-year radio program full of action, high-speed chases, and the overcoming of evil by the Green Hornet.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch.

Bonanza chronicled the weekly adventures of the Cartwright family, headed by wise widowed patriarch Ben Cartwright (played by Lorne Greene). He had three biological sons, each by a different wife: the oldest was the intelligent and moody Adam Cartwright (Pernell Roberts); the second was the fun and lovable Eric, better known to viewers by his middle name: "Hoss" (Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or "Little Joe" (Michael Landon). The family's cook was the Chinese immigrant Hop Sing (Victor Sen Yung). The family lived on a thousand-square-mile ranch called "The Ponderosa", on the shore of Lake Tahoe in Nevada; the name refers to the Ponderosa Pine, common in the West.THIS EPISODE:Enter Mark TwainOctober 10, 1959Samuel Clemens arrives in Virginia City to write for the Territorial Enterprise at the same time a crooked politician tries to lay claim on the Ponderosa.

The Adventures of Frank Race, by Bruce Ells Productions, was first heard in May of 1949. The main character, Frank Race, was an attorney before World War II. As a result of his activities in the war, when it was over, he traded his law books for a career with the OSS. There, "Adventure" became his business. Tom Collins played the role of Frank Race initially, immediately following his stint as Chandu, The Magician. The lead role was taken over later by Paul Dubof.