Boxcars711 Old Time Radio

Abbott & Costello were one of the greatest comedy teams in the history of show business. They mastered the straightman/clown relationship, creating a magical chemistry that would take them from the burlesque stage to radio, to broadway, to film...and finally, to television.THIS EPISODEFebruary 10, 1944. NBC network, KFI, Los Angeles aircheck. Sponsored by: Camels, Prince Albert Pipe Tobacco. The opening routine is about St. Valentine's Day and abbreviations. Guest Charles Laughton joins the cast in, "The Adventures Of Robinson Crusoe." Ted R. Gamble (of the Treasury Department), speaks from Washington, D. C. about the Fourth War Loan. Bud Abbott, Lou Costello, Freddie Rich and His Orchestra, Connie Haines, Ken Niles, Elvia Allman, Charles Laughton, Mel Blanc, Ted R. Gamble. 29:38.Charles Laughton His extravagant, bravura style of acting, which made his portrayals of Nero, Henry VIII and Captain Bligh so memorable, was perfectly suited for Charles Laughton's two famous horror roles--that of the evil, whip-cracking Dr. Moreau in Island of Lost Souls (Erle C. Kenton, 1932) and the pathetic Quasimodo in The Hunchback of Notre Dame (William Dieterle, 1939).

Bulldog Drummond has come to wreak havoc on unsuspecting killers, counterfeiters, and underworld characters. The opening of the show starts with a the sounds of footsteps, foghorn, then two shots ring out, followed by three blows of a police officer's whistle. Bulldog, who's really name is Hugh (played by George Coulouris), was a methodical crime-solving sleuth who let nothing get in his way of his goal, which was to put a stop to crime! Bulldog believed in uncomplicated and decisive means of getting his way with the lords of the underworld. This usually led to their swift capture, and the easing of the city's burden brought about by these ruthless thugs.THIS EPISODE:September 10, 1945. Mutual network. "Murder In The Death House". Sustaining. A convicted killer is knifed to death in his cell, while awaiting execution. The only two suspects have airtight alibis. . 29:07.

For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.

Bob Bailey played George Valentine as a detective handy man, who got his jobs from responses to a newspaper ad. Part-time detective and writer Dan Holiday in Box 13 also used the premise. It pays to advertise! The shows follow the usual formats of crime caper shows, with toughs, mysterious rendezvous and people who aren't who they say they are. Francis Robinson first played Brooksie, then Virginia Gregg took the role through its best years. Both ladies played Brooksie smart and sassy. Brooksie took every occasion to make it clear to George that the case he was the most off base on was the "Case of the Missing Engagement Ring." In the late '40's, an organist was used for the scene transitions, and sound effects were fairly minimal, as the show was loaded with snappy patter. In the 1950's, the music turns orchestral, and the production values are a little more thorough.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of "Brave New World" and booked author Aldous Huxley to narrate his famous novel. "Weâll never get a sponsor anyway," CBS vice president Howard Barnes explained to Time, "so we might as well try anything." The CBS Workshop regularly featured the works of the worldâs greatest writers. including Ray Bradbury, Archibald MacLeish, William Saroyan, Lord Dunsany and Ambrose Bierce.

Starting as a replacement show for Gangbusters and Counterspy, the series premiered December 11, 1957 and it ran until June 13, 1958. Quoting from Astounding Magazine, "Exploring Tomorrow is the first science fiction radio show of science-fictioneers, by science- fictioneers, and for science-fictioneers" The shows were narrated by the editor of Astounding Magazine, John W. Campbell, Jr., with scripts written by Gordon Dickson, Robert Silverberg and many other notable science fiction writers. THIS EPISODE:The Convict - Poul Anderson (author), John Campbell Jr. (host), Guy Wallace (announcer). 20 minutes.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBCâs Blue Network in January 1941. Inner Sanctum Mysteries featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned and the famous âcreaking doorâ slowly began to open. Every week, Inner Sanctum Mysteries told stories of ghosts, murderers and lunatics. Produced in New York, the cast usually consisted of veteran radio actors, with occasional guest appearances by such Hollywood stars Boris Karloff, Peter Lorre and Claude Rains.What made Inner Sanctum Mysteries unique among radio horror shows was its host, a slightly-sinister sounding man originally known as âRaymond.â The host had a droll sense of humor and an appetite for ghoulish puns, and his influence can be seen among horror hosts everywhere, from the Crypt-Keeper to Elvira. Raymond Edward Johnson was the showâs host until 1945; Paul McGrath took over the role until the show left the air in 1952. Producer Hiram Brown would utilize the creaking door again in the 1970s, when he produced and directed The CBS Radio Mystery Theater.Inner Sanctum Mysteries was inducted into the Radio Hall of Fame in 1988.

Arch Oboler's shows are well represented -- this series of Lights Out was syndicated in The Devil and Mr. O offerings of 1970 - 73. A transcribed syndication of original broadcasts from 1942 - 43 with Arch Oboler as the host. With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten." Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

THE TODD MATTER ( Originally presented in 5 episodes, contained here in 2 episodes)SHOW TWO OF TWOSeptember 13, 1956. Program #1. CBS network. "The Todd Matter". Sustaining. An expensive tip from an ex-con starts Johnny on the trail of stolen goods, and a murder attempt! The system cue has been deleted. Amerigo Moreno (music supervisor), Bob Bailey, Barbara Fuller, Frank Gerstle (doubles), Jack Johnstone (producer, director), John Dawson (writer), Lawrence Dobkin (quadruples), Marvin Miller (doubles), Roy Rowan (announcer), Shirley Mitchell (doubles), Vivi Janis.

DIARY OF FATE is a mystery and horror program where âFateâ narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their âFateâ. In This episode, March 16, 1948. Program #14. Finley syndication. "Joe Mattock". Commercials added locally. Book 63, page 397. A truck driver and his beautiful hitch-hiker commit murder to get their hands on $100,000, kept in a little black bag. The date is subject to correction. Ivan Ditmars (music), Larry Finley (producer), Hal Sawyer, Frank Albertson, Gloria Blondell, Herb Lytton, Jerry Hausner, Ray Ehrlenborn (probable sound effects). 26:47THIS EPISODE:June 15, 1948. Program #27. Finley syndication. "Nelson Walker". Commercials added locally. Book 97, page 302. A drifter faces "an instant of horror." Not auditioned. The date is subject to correction. Larry Finley (producer), Gloria Blondell, Herb Lytton, Jack Edwards Jr., Pat McGeehan, Ray Ehrlenborn (probable sound effects), Hal Sawyer, Bern Surrey. 27:06.

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator "with the action-packed expense account." The show aired on CBS Radio from February 11, 1949 to September 30, 1962. There were 811 episodes in the 12-year run, and over 720 still exist today. Each story started with a phone call from an insurance agent, calling on Johnny to investigate an unusual claim. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. In 1955, radio actor Bob Bailey, fresh from his long run as George Valentine in LET GEORGE DO IT, stepped into the role as the fourth Johnny Dollar. CBS Radio revived Yours Truly, Johnny Dollar with this new leading man, a new director, and a new format. The program changed from a 30-minute, one-episode-per-week affair to a 15-minute, five-nights-a-week.The Todd Matter aired January 9-13, 1956 starring Bob Bailey. All five 15 minute parts are included.THIS EPISODE:THE TODD MATTER ( Originally presented in 5 episodes, contained here in 2 episodes)September 13, 1956. Program #1. CBS network. "The Todd Matter". Sustaining. An expensive tip from an ex-con starts Johnny on the trail of stolen goods, and a murder attempt! The system cue has been deleted. Amerigo Moreno (music supervisor), Bob Bailey, Barbara Fuller, Frank Gerstle (doubles), Jack Johnstone (producer, director), John Dawson (writer), Lawrence Dobkin (quadruples), Marvin Miller (doubles), Roy Rowan (announcer), Shirley Mitchell (doubles), Vivi Janis. 13:55.

SUSPENSE was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.THIS EPISODE:January 14, 1952. CBS network. "The Fall River Tragedy". Sponsored by: Auto-Lite. Lizzie Borden tells her side of the story! Agnes Moorehead, Harlow Wilcox (commercial spokesman), Joseph Kearns, Elliott Lewis (producer, director), Gil Doud (writer), Peggy Webber, Will Wright, Herb Butterfield, Lucien Moraweck (composer), Lud Gluskin (conductor), Rolfe Sedan, Stuffy Singer, Larry Thor (announcer), Bert Holland (commercial spokesman). 29:29."Lizzie Borden took an ax, and gave her mother 40 whacks; when she saw what she had done, she gave her father 41. Most of us know the grisly rhyme, but not the whole story. Who was Lizzie Borden? Did she really murder her father and stepmother on that muggy morning in August 1892? Or does she stand wrongly accused"?

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.

Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer. THIS EPISODE:Dan Holiday finds himself in possession of a little girl...with two mothers! A man with a gun and his henchman have some other ideas. Ted Hedager (writer, director), Rudy Schrager (composer, conductor). Note: This episode is also known as "Rendezvous In The Park At Night"

Dangerous Assignment first aired in 1949. Brian Donlevy played the lead as Steve Mitchell in this international spy series. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. The director was Bill Cairn and the writer for the series was Robert Ryf. Dangerous Assignment is a product of the Cold War, with mystery and intrigue cropping up across the globe. Mitchell, an agent for an unnamed U.S. goverment agency, is dispatched to some exotic, faraway place at the beginning of each episode. The plot is always good, working against the unspeakable evil (Communism).

Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes.Groucho Marx did 26 movies total, of these 15 were with his brothers Chico and Harpo. Of those 15 movies only 14 were actually released. The first movie was a silent film, that Groucho is said to of cut up the movie into guitar picks, to prevent it's release. Needless to say, he didn't like it. Although students of the cinema still try to find a copy of the film, feeling it has great historical value. They were one of the world's most famous comedy teams. They had their own zany brand of slapstick comedy. That was mixed with quick witted one-liners, usually delivered by Groucho. Some of Groucho's one-liners were often imitated, even by some of todays biggest comedians. You can also find them in some of the old Buggs Bunny cartoons. There were six brothers, all born in New York City. Manfred Marx died in infancy.

BEYOND MIDNIGHTA replacement series for SF 68, this South African horror anthology was far more successful than its predecessor, running from 1968 through 1969. Its success may have been due in part to producer Michael McCabe - who also produced SF 68 - honing his talents to a higher degree. Little else is known about it, including the number of shows produced. As far as I can discover, there were at least 43 episodes, all in half-hour format.THIS EPISODE:"The Visits" (1969) *Exact Date Is UnknownAn old man who makes regular monthly visits to an abandoned house is the key to a dark secret out of the past.

THREE EPISODES:"Daddy's An Elk" (1-22-39) "Barking Rabbit" (5-11-39) And "Golf Tea" (5-18-39)The Baby Snooks Show was an American radio program starring comedienne and Ziegfeld Follies alumna Fanny Brice as a mischievous young girl who was 40 years younger than the actress who played her when she first went on the air. The series began on CBS September 17, 1944, airing on Sunday evenings at 6:30pm as Toasties Time. The title soon changed to The Baby Snooks Show, and the series was sometimes called Baby Snooks and Daddy. In 1944, the character was given her own show, and during the 1940s, it became one of the nation's favorite radio situation comedies, with products from a variety of sponsors (Post Cereals, Sanka, Spic-n-Span, Jell-O) being touted by a half-dozen announcers -- John Conte (early 1940s), Tobe Reed (1944-45), Harlow Willcox (mid-1940s), Dick Joy, Don Wilson and Ken Wilson. Hanley Stafford was best known for his portrayal of Snooks' long-suffering, often-cranky father, Lancelot âDaddyâ Higgins, a role played earlier by Alan Reed on the 1936 Follies broadcasts. Lalive Brownell was âMommyâ Higgins, also portrayed by Lois Corbet (mid-1940s) and Arlene Harris (after 1945). Beginning in 1945, child impersonator Leone Ledoux was first heard as Snookâs younger brother Robespierre, and Snooks returned full circle to the comics when comic book illustrator Graham Ingels and his wife Gertrude named their child Robby (born 1946) after listening to Ledoux's Robespierre baby voices.

The Navy Colt, by Frank Gruber, from Johnny Fletcher Mystery (NBC) aired on March 25, 1946 starring Albert Decker and Mike Mazurki. Book agents Johnny Fletcher and Sam Cragg find their low finances and the Chicago winter incompatible, so they accept an offer of $10.00 to punch James Maxwell in the nose. When the deed is done, the debt remains unpaid, the two are accused of Maxwell's murder, and the only thing which stands between them and destitution is an antique colt revolver.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze.

THE HALLMARK PLAYHOUSE was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. THIS EPISODE:This classic story about a boy and his horse still stands strong. It's more an inspiring account of growing up and gaining self-assurance than it is a horse story. Wells is a surprising choice for narrating this book. His voice is urban and sophisticated, with no hint of soft edges that might be more suitable for a novel set in a simpler time in the American West. Fortunately, Wells deftly handles the life lessons discovered by 9-year-old Ken. Through Wells's voice we sense the vast gap between Ken's gentle mother and his demanding father, and what each parent brings to the son.

Arthur Godfrey was born in New York City. While his family was originally well off, his mother was unsuccessful as a performer with aspirations to fame and stardom that never materialized, and his father was a failed sportswriter who left the family. With the family in sudden poverty, Godfrey tried to help them survive by going on the road accepting odd jobs, and hoboing. He served in the United States Navy from 1920 to 1924 as a radio operator on naval destroyers. Additional training in radio came during Godfrey's service in the Coast Guard from 1927 to 1930. It was during a Coast Guard stint in Baltimore that he appeared on a local talent show and became popular enough to land his own brief weekly program.

Amos Jones and Andy Brown worked on a farm near Atlanta, Georgia, and during the episodes of the first week, they made plans to find a better life in Chicago, despite warnings from a friend. With four ham and cheese sandwiches and $24, they bought train tickets and headed for Chicago where they lived in a State Street rooming house and experienced some rough times before launching their own business, the Fresh Air Taxi Company. With the listening audience increasing in the spring and summer of 1928, the show's success prompted the Pepsodent Company to bring it to the NBC Blue Network on August 19, 1929. At this time the Blue Network was not heard on stations in the West. Western listeners complained to NBC, they wanted to hear the show. Under special arrangements Amos 'n' Andy debuted coast-to-coast November 28, 1929 on NBC's Pacific Orange Network and continued on the Blue. At the same time, the serial's central characters -- Amos, Andy and George "The Kingfish" Stevens -- relocated from Chicago to Harlem. Amos was naÃve but honest, hard-working and (after his 1933 marriage to Ruby Taylor) a dedicated family man. Andy was more blustering, with overinflated self-confidence. Andy, being a dreamer, tended to let Amos do most of the work. Their lodge leader, the Kingfish, was always trying to lure the two into get-rich-quick schemes. Other characters included John Augustus "Brother" Crawford, an industrious but long-suffering family man; Henry Van Porter, a social-climbing real estate and insurance salesman; Frederick Montgomery Gwindell, a hard-charging newspaperman; William Lewis Taylor, the well-spoken, college-educated father of Amos's fiancee; and "Lightning", a slow-moving Stepin Fetchit-type character. The Kingfish's catch phrase "Holy mackerel!" soon entered the American lexicon.

Gang Busters was an American dramatic radio program heralded as "the only national program that brings you authentic police case histories." It premiered as G-Men, sponsored by Chevrolet, on July 20, 1935. After the title was changed to Gang Busters January 15, 1936, the show had a 21-year run through November 20, 1957. Beginning with a barrage of loud sound effects â guns firing and tires squealing â this intrusive introduction led to the popular catch phrase "came on like Gang Busters."The series dramatized FBI cases, which producer-director Phillips H. Lord arranged in close association with Bureau director J. Edgar Hoover. Hoover insisted that only closed cases would be used.

The Green Hornet program began in January of 1936 and played to December 5, 1952. The shows typically ran thirty minutes and ran twice a week in the beginning years. They later reverted to being broadcast once a week. The last season of the show in 1952 the show reverted back to a twice a week schedule. Al Hodge played the role of Britt Reid for seven years. Fran Striker, a co-creator of the Lone Ranger, wrote all of the scripts for the Green Hornet until April 1944. After that, several other writers were brought in to script the show. The writing output of Fran Striker was incredible. While he was scripting the Green Hornet he was also writing the scripts for the Lone Ranger program. Following Al Hodge, three other radio actors played Britt Reid. Donovan Faust took the role for the 1943 season. Robert Hall played the part for three years, from 1943 to 1946. Jack McCarthy finished the last years of the series from 1946 through 1952. Thus ended a tremendous 16-year radio program full of action, high-speed chases, and the overcoming of evil by the Green Hornet.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch.

Bonanza chronicled the weekly adventures of the Cartwright family, headed by wise widowed patriarch Ben Cartwright (played by Lorne Greene). He had three biological sons, each by a different wife: the oldest was the intelligent and moody Adam Cartwright (Pernell Roberts); the second was the fun and lovable Eric, better known to viewers by his middle name: "Hoss" (Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or "Little Joe" (Michael Landon). The family's cook was the Chinese immigrant Hop Sing (Victor Sen Yung). The family lived on a thousand-square-mile ranch called "The Ponderosa", on the shore of Lake Tahoe in Nevada; the name refers to the Ponderosa Pine, common in the West.THIS EPISODE:Enter Mark TwainOctober 10, 1959Samuel Clemens arrives in Virginia City to write for the Territorial Enterprise at the same time a crooked politician tries to lay claim on the Ponderosa.

The Adventures of Frank Race, by Bruce Ells Productions, was first heard in May of 1949. The main character, Frank Race, was an attorney before World War II. As a result of his activities in the war, when it was over, he traded his law books for a career with the OSS. There, "Adventure" became his business. Tom Collins played the role of Frank Race initially, immediately following his stint as Chandu, The Magician. The lead role was taken over later by Paul Dubof.

Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series. The films began in 1935 with Crime Does Not Pay: Buried Loot. For the most part, actors who appeared in B-films were featured, but occasionally, one of MGM's major stars would make an appearance. The radio series aired in New York on WMGM (October 10, 1949-October 10, 1951) and then moved to the Mutual network (January 7-December 22, 1952). Actors included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander.THIS EPISODE:December 5, 1949. Program #9. MGM syndication. "A Piece Of Rope". Commercials added locally. Dukie Defore works for a "service" business that murders people on contract...and Dukie always kills with a rope! The date above is the date of the first broadcast of this program on WMGM, New York from which this syndicated version may have been taken. Cameron Mitchell, Ira Marion (writer), Marx B. Loeb (director), Jon Gart (composer, conductor), Burton B. Turkas (technical advisor). 26:01.

The CBS Radio WorkshopBroadcast from 1936 through to 1947 with just an occasional break. Revived again from January 1956 to September 1957 as CBS Radio Workshop with pretty much the same format. Broadcast from 1936 through to 1947 with just an occasional break. Revived again from January 1956 to September 1957 as CBS Radio Workshop with pretty much the same format. This was drama with a difference. Columbia Workshop was not everybodyâs cup of tea and in terms of audience popularity it was always noted that it was never a strong contender for the title âRadios Top Rated Drama Seriesâ and yet it was always considered to be the drama program that led the way in radio standards. Columbia was the first to mexperiment with what radio drama was all about, introducing new techniques never before used in over the airwaves drama and because it received little encouragement from established writers, actors, etc., it was only by breaking new ground with new ideas and new techniques from writers who were not versed in the old ways that it was going to survive.THIS EPISODE:April 28, 1957. CBS net. "Lightship". Sustaining. A drama about a group of men aboard a lightship in a fog face boredom, madness, and disaster on a reef. Luis Van Rooten, Dan Ocko, Ralph Bell, Santos Ortega, Warren Sweeney (announcer). 25 minutes.

Arch Oboler (December 7, 1909 - March 19, 1987) was a Chicago-born scriptwriter, novelist, producer and director who was active in films, radio and television. boler generated much attention for his radio scripts, and his work in radio remains the outstanding period of his career. Although some noted a tendency for gruesomeness, he received praise as one of broadcasting's top talents, and he is regarded today as one of the innovators of old time radio.Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Ingrid Bergman, Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Crime Club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones suddenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson, begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books.

Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasnât. It is generally regarded as a âqualityâ show and it stands up extremely well. Frank Lovejoy (1914-1962) isnât remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth.THIS EPISODE:March 20, 1950. NBC net. Sustaining. Randy Stone meets a man in the park on a very hot day. The body is wearing a heavy overcoat! Mr. Henry Kazarian claims to be dead, and a doctor confirms it! A well written story, good radio! Part of the final public service announcement and the system cue have been deleted. Frank Lovejoy, Larry Marcus (writer, editor), Ben Wright, Betty Lou Gerson, Paul Dubov, Warren Lewis (director), Frank Worth (music), Jeff Corey, Lou Krugman. 28:52.

Before the recent "Reality TV" glut, there was "Reality Radio" and Night Watch was there. This show is a straight crime documentary with no music, sound effects, or actors. Police reporter Don Reid rode in a prowl car on the night shift with officers from the Culver City, California police department. While wearing a hidden microphone, he captures the sounds and voices of real life drama. From the worried child to the hardened criminal, their stories come through loud and clear. The names were changed to protect identities, but everything else in this gripping series is real. Text From www.otrfan.com/ THIS EPISODE:Juvenile Burglar. May 3, 1954. CBS net. Sustaining. The first report in the patrol car is a report of a burglary on Burlingame. A burglar is actually captured on-mike inside a gas station. He turns out to be a tearful fifteen year old who begs to be released. Excellent radio! The system cue has been deleted. Ron Perkins (technical advisor), Sterling Tracy (producer), Donn Reed (police recorder), W. N. Hildebrand, Jim Headlock (producer). 23:14.

Jack Benny had been only a minor vaudeville performer, but he became a national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS, and was consistently among the most highly rated programs during most of that run. With Canada Dry Ginger Ale as a sponsor, Benny came to radio on The Canada Dry Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933. Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsors General Tires, Jell-O and Grape Nuts. Lucky Strike was the radio sponsor from 1944 to the mid-1950s. The show returned to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948-49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired reruns of old radio episodes from 1956 to 1958 as The Best of Benny.

Mr. President ran on the ABC Radio Network from June of 1947 until September of 1953 and starred Edward Arnold and Betty Lou Gerson. Each week, Arnold would play the part of a different President of the United States in historical dramas based on real events - some familiar, many little-known and largely untold. The unique aspect of the show was that the identity of the President being portrayed would not be revealed until the end of the program - a guessing game that often challenged the most fervent and knowledgeable students of American history.THIS EPISODE:Andrew Jackson (March 15, 1767 â June 8, 1845) was the 7th President of the United States (1829â1837). He was also military governor of Florida (1821), commander of the American forces at the Battle of New Orleans (1815), and the eponym of the era of Jacksonian democracy. He was a polarizing figure who dominated American politics in the 1820s and 1830s. His political ambition combined with the masses of people shaped the modern Democratic Party.[1] Nicknamed "Old Hickory" because he was renowned for his toughness, Jackson was the first President primarily associated with the frontier, as he based his career in Tennessee.

Michael Shayne was a fictional sleuth created by Brett Halliday (a pen name for author Davis Dresser) who was first initiated into the fraternity for detectives in the 1939 novel "Dividend of Death". Dresser based the character on a âtall and rangyâ brawler who once saved his life during a braw in a Mexican cantina. The Shayne character would go on to appear in 69 novels, plus a long-running mystery magazineâand in 1941, was brought to the silver screen in Paramountâs Michael Shayne, Private Detective, an adaptation of Dividend of Death that starred Lloyd Nolan, and paved the way for six additional B-mysteries to follow. The New Adventures of Michael Shayneâpremiered on July 15, 1948 starring Jeff Chandler.

Inheritance. May 16, 1954. Program #6. NBC net. "Flight To Nowhere". Sustaining. Not auditioned. 4:30 P. M. The program is produced in co-operation with The American Legion. After the drama, the National Vice Commander of The American Legion, North Carolina, Thomas Byrd is the speaker. Albert McCleary (producer, director), John Wald (announcer), Robert Armbruster (composer, conductor), Thomas Byrd, Milt Kahn (writer), Whitfield Connor, John Dehner, Sam Edwards, Joe Cranston, Frank Gerstle, Anne Whitfield, Jack Carroll, Alice Rolf, Howard Culver. 29:51.

YOU ARE THEREAired: November 1939 to May 1940, CBS Blue NetworkA Dramatic Historical RecreationImagine if CBS radio news existed when the Bastille was stormed in 1789, or if radio reporters were stationed in Ford Theater as Lincoln was assassinated, or again at the Battle of Gettysburg? Indeed, such was the premise behind the CBS series, You Are There. Audiences witnessed history through the present-tense accounts of newsmen allegedly witnessing historical events transpiring before their eyes. Don Hollenbeck and John Daley (known for his TV game show panelist appearances) played the lead anchors, while real-life newsman provided the remote commentaries as the dramas unfolded. As show opened, an anchor would describe the present situation with "As it stands nowâ" and segue into commentaries, live remote feeds or analysis as the story unfurled.The show was well received, but perhaps was doomed to eventual failure in part due John Daly's emoting. Bernard DeVoto in Harper Magazine lamented: "We have heard his (Daly) voice vibrate with the real emotion, and our memory of the real simply turns the imagined to ham."

'The man you love to hate!', psychoanalyst-detective and male chauvinist pig, whose detection powers were dazzling, but whose treatment of females, especially his fluttery secretary Miss Frayle, verged on the abominable. Written by author Ernest Dudley, Morelle was overbearing, sarcastic, patronising, contemptuous, cruel and unusually vindictive, Morelle was nevertheless doted upon by millions of listeners to his adventures on the radio in the 1940s and 1950s. The first radio Morelle was played by the acerbic and distinctly toffish Dennis Arundell - a Fellow of St John's College, Cambridge, who later starred in many West End productions. A second series featured the even darker tones of Heron Carvic, later to write best-selling mysteries of his own, featuring the interfering spinster-sleuth Miss Seaton. In the 1950s, the part was played to pompous, thin-lipped perfection by Cecil Parker. The first Miss Frayle was played by author Dudley's wife, Jane Grahame, while a later incarnation was Sheila Sim. Through the 1950s Ernest Dudley wrote for both radio and television. His most popular TV series was 'Judge For Yourself', one of the earliest viewer-participation shows, in which, after a half-hour "trial", viewers were invited by Dudley to send in their verdicts, "Guilty" or "Not guilty". His catch-phrase, spoken to camera at the end, was always "Remember - you are the judge".

The Clock, Imported from Austrailia, was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; âSunrise and sunset, promise and fulfilment, birth and death â the whole drama of life is written in the sands of timeâ. This is a great series where the main theme seems to be Retribution. Stories as told by Father Time.First Broadcast November 3rd 1946 Last Broadcast May 23rd 1948

Orson Welles hosted and narrated the shows. Mr. Welles opened each show slightly differently but followed a standard format. For example, the show, "The Bathtub", open as follows:"This is Orson Welles speaking from London." (Big Ben starts chiming in the background). "The Black Museum, repository of death... Here, in this grim stone structure on the Thames which houses Scotland Yard, is a warehouse of homocide, where everyday objects, a piece of wire, a chemist's flask, a silver shilling, all are touched by murder." (dramatic music) Following the opening, Mr. Welles would introduce the museum's item or items of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater of the Air, remaining "obediently yours".

ENCORE THEATER was a 1946 Summer replacement series, sponsored by Schenley Labs, Inc. All shows had a medical theme, some concerned medical research, some covered personal stories of people in the medical field but all based on true stories. Schenley Labs, Inc. was the sponsor for the series. The shows aired Tuesday evenings from 9:30 to 10:00 PM over CBS affiliated stations. Members of the cast were typically well-known radio or screen actors, such as Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young or Lionel Barrymore. Producer for series was Bill Lawrence, who also directed the series. The announcer was Frank Graham. Music was by Leith Stevens. Scripts were written and adapted by Jean Holloway, Lloyd C. Douglas, Sidney Kingsley and Milton Geiger. Twelve of the thirteen scripts were adapted by Jean Holloway. The 1946 Summer series ended with the August 27th show, replaced by "Cresta Blanca Hollywood Players" (possibly known as "The Hollywood Players Company". There was a second ENCORE THEATER Summer series in 1949, however there is little information on it. It aired on Sundays. Eight shows are known to be in circulation. Known air dates are April 17, April 24, May 8 and June 5.

Today's Show:"The Antidote" (7-13-35) and "Its Finally Over" (10-12-35)FIRST BROADCAST: April 1935 LAST BROADCAST: February 1936 CAST: Gale Gordon, Maurice Franklin, Bruno Wick, James Meighan PRODUCER: Himan Brown This science-fiction adventure originally began as a comic strip. Flash Gordon had saved the world by firing a rocket at the planet Mongo which was on a collision course with earth. He had crashlanded on Mongo which was a planet packed with villains and baddies featuring lots of ray-guns and rockets.

The first two seasons of General Electric Theater established the half-hour anthology format of adaptations of popular plays, short stories, novels, magazine fiction and motion pictures. "The Eye of the Beholder," for example, a Hitchcock-like telefilm thriller starring Richard Conte and Martha Vickers, dramatized an artist's relationship with his model from differing, sometimes disturbing psychological perspectives. The addition of Ronald Reagan as program host commencing the third season 26 September 1954 reflected GE's decision to pursue a campaign of continuous, consistent company voice advertising. The Reagan role of program host and occasional guest star brought needed continuity to disparate anthology offerings. The casting of Don Herbert of TV's Watch Mr. Wizard fame in the role of "General Electric Progress Reporter" established a clear-cut company identity for commercials. "Outstanding entertainment" became the watchword of GE's public and employee relations specialists. Reagan, in the employ of BBDO, helped merchandise the concept within the company itself. The first of many promotional tours orchestrated by BBDO and the GE Department of Public Relations Services sent Reagan to twelve GE plant cities in November 1954 to promote the program idea, further his identity as spokesman, and become familiar with company people and products.

This hit radio series with Marie Wilson ran on CBS Radio from April 11, 1947 to August 23, 1954. The TV version, seen on CBS from January 8, 1952 until June 25, 1954, was the first series telecast from the CBS Television City facility in Hollywood. The movie My Friend Irma (1949) starred Marie Wilson and Diana Lynn but is mainly remembered today for introducing Dean Martin and Jerry Lewis to moviegoers, resulting in even more screen time for Martin and Lewis in the sequel, My Friend Irma Goes West (1950).THIS EPISODE:March 8, 1948. CBS net. Sponsored by: Swan Soap ($100,000 fur contest), Spry. "Jane's New Boyfriend". Not auditioned. Irma and Jane have had fights with Al and Richard. Plans are made for an intimate dinner for four. Professor Kropotkin is matched up with Mrs. O'Reilly. Marie Wilson, Cathy Lewis, John Brown, Cy Howard (creator, producer, director, writer), Parke Levy, Hans Conried, Frank Bingman (announcer), Leif Erickson, Gloria Gordon. 30:04

NBC University Theater is an unusual series that focused on reenacting novels by great authors for college classes. Many accredited American universities such as Washington State College, University of Louisville, and University of Tulsa, used this dramatic series as a supplement to correspondent college courses. The series' creators made study guides to accompany the courses. Students studying great literature by Steinbeck, Faulkner, Hemingway, Huxley, and many others listened to these shows every week. It was an ambitious series that remained popular despite its academic and non-commercial appeal. The shows are high quality and will please many fans of great literature.THIS EPISODE:At Heaven's Gate is the story of Sue Murdock, daughter of the powerful and wealthy Bogan Murdock. Sue struggles to escape her father's control in a southern American city before the Great Depression. She takes up with Jerry (Bull's Eye) Calhoun, a college football star who graduates to work in a bank controlled by her father. She leaves Jerry when he defends Sue's grandfather's honor. Sue takes her own apartment in a seedy part of town and starts associating with Slim Sarrett, a writer and intellectual. Her relationship with Slim falls apart after he is visited by an old lover. Sue falls into the care of a labor organizer named Sweetwater. Sarrett returns, but Sue will not have him.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns.THIS EPISODE:November 5, 1976. Program #547. CBS net. "The Secret Chamber". Sponsored by: True Value Hardware, Buick, Certainteed Insulation. Master Lock Burglar Alarms. E. G. Marshall (host), H. G. Wells (author), Arnold Moss (adaptor), Kristoffer Tabori, Earl Hammond, Court Benson, Catherine Byers. 52 minutes.