Boxcars711 Old Time Radio

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator "with the action-packed expense account." The show aired on CBS Radio from February 11, 1949 to September 30, 1962. There were 811 episodes in the 12-year run, and over 720 still exist today. As originally conceived, Johnny Dollar was a smart, tough, wisecracking detective who tossed silver-dollar tips to waiters and bellhops. Dick Powell starred in the audition show, recorded in 1948, but withdrew from the role in favor of other projects. The role went instead to Charles Russell. With the first three actors to play Johnny Dollar -- radio actor Russell and movie tough-guy actors Edmond O'Brien and John Lund -- there was little to distinguish Johnny Dollar from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade). While always a friend of the police, Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected. After a year-long break (August 1954 to August 1955), the show changed from a 30-minute, one-episode-per-week affair to a 15-minute, five-nights-a-week serial that introduced the most successful Johnny Dollar: Bob Bailey, who had just come off another network detective series, Let George Do It.

Counterspy was an espionage drama radio series that aired on ABC and Mutual from May 18, 1942 to November 29, 1957. David Harding (Don MacLaughlin) was the chief of the United States Counterspies, a unit engaged during World War II in counterespionage against Japan's Black Dragon and Germany's Gestapo. With spies still lurking in the post-war years, the adventures continued apace well after World War II ended.

2000 AD (2000 Plus) is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds throng as audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.

The Clitheroe Kid was James Robertson Clitheroe, Jimmy Clitheroe to most, who by some strange coincidence did come from the town of that name without having to change his family name! At his full height he was 4ft 3in, and played the naughty schoolboy from 1958 to 1972. Although plausable from a distance, he was not really able to pass himself off as a youngster close up, so a TV career did not really take off too well, but at the peak of his fame the radio show was raking in about 10 million listeners, although by the end this had dropped to a tenth of that figure. Clitheroe was a very private person, and the shows became a sort of escape for him, as well as the release from the worries of his diminutive size, but despite this, his popularity increased and increased, making this series one of the longer running on the radio - a total of 17 series. It is surprising then that with such a success, and with such a long run that the shows are rarely broadcast. The humour was very obvious and probably wouldn't stand up in todays climes, but there has been one release from the BBC radio collection, so if you wanted to hear some of the shows, you can hunt this down in the shops. I would like to thank Tony Lang for the following information about the series. I do not have any of this series on tape myself, so if anyone has comments to make I would be most grateful. The scripts were generally written by James Casey and Frank Roscoe, with the shows production by James Casey. The series sprang from a single show broadcast on 24-4-56 as part of a Variety Playhouse series The pilot series did not have individual names for the episodes. The producer was Geoff Lawrence, with the music supplied by the BBC Northern Dance Orchestra, conducted by Alyn Ainsworth, and broadcast in the North of England only.

The adventures of Casey, crack photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940âs. Casey hung out at the Blue Note CafÃ, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Caseyâs girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Caseyâs pictures. This live series was set in and broadcast from, New York City.

The shows had names after the sponsors, such as Maxwell House Coffee Time, or The Ammident Show - it was the Burns and Allen show to the public. Other fine radio actors were a part of the fun. Mel Blanc did the happy postman, and was also famous for his zany characters on The Jack Benny Show, and his own Mel Blanc Show. Elliott Lewis, a veteran of many radio dramas, played many of the bit parts on the Burns and Allen shows of the 40s. Burns & Allen were touring England in 1929 when they made their first radio appearance on the BBC. Gracie Allen died on August 27, 1964. George Burns died on March 9, 1996. First Broadcast date february 15th 1932. Last Broadcast date may 17th 1950.

Buck Rogers In The 25th Century - The Mechanical Mole (Parts 4-5-6-7) 1939In 1987 NASA launches a manned probe on a 5 month trip around the solar system. The probe's pilot is Captain William "Buck" Rogers. Something goes awry causing the ships life support systems to freeze Buck in a cryogenic suspension. The malfunction sends Ranger 3 in a deep space orbit that will return the disable spacecraft to Earth in the year 2491. Buck awakens from his deep cryogenic sleep to find himself 500 years in the future. Earth is still recovering from the aftermath of a late 20th Century nuclear holocaust which nearly destroyed the planet. Due to his incredible fighter pilot skills Buck becomes a valuable member of the Earth's Defense Directorate, which is headed by Dr. Elias Huer. Captain Rogers also finds himself a part of a fighter squadron headed by the beautiful Colonel Wilma Deering. Among his other compatriots are Twiki -- a likable robot who becomes Buck's pal -- and Dr. Theopolis -- a mechanical brain in a box who is part of Earth's Computer Council.

Lights Out was an American old-time radio program featuring "tales of the supernatural and the supernormal." It was immensely popular, and was one of the first horror programs, predating Suspense and Inner Sanctum. In its heydey, Lights Out rivalled the popularity of those shows. Lights Out ran through several series and networks, from January 1, 1934 to August 6, 1947. The principal sponsor was Ironized Yeast. Most episodes were broadcast at midnight. Lights Out then made the transition to television in 1949, where it was broadcast until 1952. Created in Chicago by writer Wyllis Cooper in 1934.

THE MAN FROM HOMICIDETHIS EPISODE:Ice Pick Murder from The Man From Homicide aired September 16, 1950 starring Charles McGraw as Lieutenant Dana, one tough cop! A dead man has been found in a ditch, killed by an ice pick. Then, Harold Winthrop is killed by a gun. The corpse wore silk socks. What happens Next?

Diary of Fate is a mystery and horror program where âFateâ narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their âFateâ. In This episode, March 16, 1948. Program #14. Finley syndication. "Joe Mattock". Commercials added locally. Book 63, page 397. A truck driver and his beautiful hitch-hiker commit murder to get their hands on $100,000, kept in a little black bag. The date is subject to correction. Ivan Ditmars (music), Larry Finley (producer), Hal Sawyer, Frank Albertson, Gloria Blondell, Herb Lytton, Jerry Hausner, Ray Ehrlenborn (probable sound effects). 26:47

SHOW ONE OF TWOIn 1987 NASA launches a manned probe on a 5 month trip around the solar system. The probe's pilot is Captain William "Buck" Rogers. Something goes awry causing the ships life support systems to freeze Buck in a cryogenic suspension. The malfunction sends Ranger 3 in a deep space orbit that will return the disable spacecraft to Earth in the year 2491. Buck awakens from his deep cryogenic sleep to find himself 500 years in the future. Earth is still recovering from the aftermath of a late 20th Century nuclear holocaust which nearly destroyed the planet. Due to his incredible fighter pilot skills Buck becomes a valuable member of the Earth's Defense Directorate, which is headed by Dr. Elias Huer. Captain Rogers also finds himself a part of a fighter squadron headed by the beautiful Colonel Wilma Deering. Among his other compatriots are Twiki -- a likable robot who becomes Buck's pal -- and Dr. Theopolis -- a mechanical brain in a box who is part of Earth's Computer Council.

Mr. District Attorney was a popular radio crime drama which aired on NBC and ABC from April 3, 1939 to June 13, 1952 (and in transcribed syndication through 1953). The series focused on a crusading D.A., known throughout the series only as "Mister District Attorney," or "Chief", and was later translated to television. Created, written, and directed by former law student Ed Byron, the series was inspired by the early years of New York governor Thomas E. Dewey. It was Dewey's public war against racketeering which led to his election as governor. Phillips H. Lord, creator of Gangbusters, helped to develop the concept and coined the title. Byron lent an air of accuracy and immediacy to his scripts through close study of crime statistics, a library of criminology texts, following the newspapers, and even going around rough bars to gain tips, background, and color from crooks and police alike. His techniques sometimes enabled Byron to accurately predicting major crime waves before the news broke.

These shows were pitched at an aggressive level, anything-for-a-laugh, which perfectly suited Berle's comic style and profile. This also tended to make his programs very visual. Slapstick routines, outrageous costumes (Berle often appeared in drag), and various ludicrous skits became trademarks of his television humor. Audiences across the country wanted to see what Berle would do next, and he quite obviously thrived on this anticipation. From his malaprop greetings (e.g., "Hello, ladies and germs") to the frenetic, relentless pacing of his jokes and rejoinders, and even in his reputation for stealing and recycling material, Berle presented himself as one part buffoon and one part consummate, professional entertainer--a kind of veteran of the Borscht Belt trenches. Yet even within his shows' sanctioned exhibitionism, some of Berle's behavior could cross the line from affability to effrontery. At its worst, the underlying tone of the Berle programs can appear to be one of contempt should the audience not respond approvingly. In some cases, this led to a surprising degree of self-consciousness about TV itself--Texaco's original commercial spokesman, Sid Stone, would sometimes hawk his products until driven from the stage by a cop. But the uneven balance of excess and decorum proved wildly successful.

YOU ARE THERENovember 1939 to May 1940, CBS Blue NetworkDramatic historical recreationImagine if CBS radio news existed when the Bastille was stormed in 1789, or if radio reporters were stationed in Ford Theater as Lincoln was assassinated, or again at the Battle of Gettysburg? Indeed, such was the premise behind the CBS series, You Are There. Audiences witnessed history through the present-tense accounts of newsmen allegedly witnessing historical events transpiring before their eyes. Don Hollenbeck and John Daley (known for his TV game show panelist appearances) played the lead anchors, while real-life newsman provided the remote commentaries as the dramas unfolded. As show opened, an anchor would describe the present situation with "As it stands nowâ" and segue into commentaries, live remote feeds or analysis as the story unfurled.The show was well received, but perhaps was doomed to eventual failure in part due John Daly's emoting. Bernard DeVoto in Harper Magazine lamented: "We have heard his (Daly) voice vibrate with the real emotion, and our memory of the real simply turns the imagined to ham."

In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956THIS EPISODE:Secret Of The Incas (12-14-54)An Incan legend states that the Inca Empire was destroyed by the gods when a gold and jeweled starburst was stolen from the Temple of the Sun centuries ago, and that the ancient civilization will be reborn once the treasure is returned. Harry Steele (Charlton Heston), an American adventurer is seeking the artifact, as is his nemesis Thomas Mitchell, along with Elena Antonescu (Nicole Maurey), an Iron Curtain refugee.

Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can!

LET GEORGE DO ITDetective Drama (1946 - 54)Bob Bailey played George Valentine as a detective handy man, who got his jobs from responses to a newspaper ad. Part-time detective and writer Dan Holiday in Box 13 also used the premise. It pays to advertise! The shows follow the usual formats of crime caper shows, with toughs, mysterious rendezvous and people who aren't who they say they are.Network was Mutual, Sponsor was Standard Oil. STARS: Bob Bailey, Eddie Firestone Jr., Francis Robinson, Joe Kearn PRODUCER: Owen Vinson WRITER: Polly Hopkins MUSIC: Eddie Dunstedter.

Hollywood Radio Theater (Lux), one of the genuine classic radio anthology series (NBC Blue Network, 1934-1935; CBS 1935-1955), adapted first Broadway stage and then (and especially) films to hour-long live radio presentations and became the standard by which future radio and early television anthologies would be judged. Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936 until January 22, 1945. Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.

The CBS Radio Mystery Theater was an ambitious effort by veteran radio producer Himan Brown to revive interest in American radio drama. Every night from 1974 to 1982, host E. G. Marshall (later Tammy Grimes) ushered listeners through a creaking door -- similar to the one Brown used on Inner Sanctum decades earlier -- for an hour of âthe fear you can hear.â Brown produced nearly 200 new episodes of Mystery Theater every year, using both original scripts and adaptations of classic stories by Edgar Allen Poe, Mark Twain, Robert Louis Stevenson and Sir Arthur Conan Doyle. The Mystery Theater brought many veterans from radioâs golden age back before the microphone, including Agnes Moorehead, Richard Widmark, Celeste Holm, Mercedes McCambridge and Howard daSilva. The show also featured performances from many up-and-coming stage and film actors, including Tony Roberts, John Lithgow, Morgan Fairchild, Mandy Patinkin and Sarah Jessica Parker. The CBS Radio Mystery Theater won the George A. Peabody Award in 1975. After eight years and over 1,500 shows, the show ended its run on December 30, 1982. E. G. Marshall died on August 24, 1998. The CBS Radio Mystery Theater was inducted into the Radio Hall of Fame in 1990.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBCâs Blue Network in January 1941. Inner Sanctum Mysteries featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned and the famous âcreaking doorâ slowly began to open. Every week, Inner Sanctum Mysteries told stories of ghosts, murderers and lunatics. Produced in New York, the cast usually consisted of veteran radio actors, with occasional guest appearances by such Hollywood stars Boris Karloff, Peter Lorre and Claude Rains. What made Inner Sanctum Mysteries unique among radio horror shows was its host, a slightly-sinister sounding man originally known as âRaymond.â The host had a droll sense of humor and an appetite for ghoulish puns, and his influence can be seen among horror hosts everywhere, from the Crypt-Keeper to Elvira. Raymond Edward Johnson was the showâs host until 1945; Paul McGrath took over the role until the show left the air in 1952. Producer Hiram Brown would utilize the creaking door again in the 1970s, when he produced and directed The CBS Radio Mystery Theater. Inner Sanctum Mysteries was inducted into the Radio Hall of Fame in 1988.

21ST PRECINCT was one of the realistic police drama series of the early- to mid-1950's that were aired in the wake of DRAGNET. Hard-boiled private detective series that often portrayed police as inept or incompetent were losing favor. NBC's DRAGNET had proven that a realistic police show could attract and hold an audience. NOTE: The official title of the series according to the series scripts and the CBS series promotional materials was 21ST PRECINCT and not TWENTY-FIRST PRECINCT or TWENTY FIRST PRECINCT which appears in many Old-Time Radio books. In 1953 CBS decided to use New York City as the backdrop for their own half-hour police series and focus o the day-to-day operations of a single police precinct. Actual cases would be used as the basis for stories.

THE FALCON was the nom de guerre of a true man of mystery. He was either MICHAEL WARING, a shadowy figure who took on the underworld with the aid of his friend Sarge, avoiding the police because they tended to blame him for their unsolved crimes, created by Drexel Drake in 1936 and originally appearing in a series of novels and at least one short story. Or he was GAY STANHOPE FALCON, a sort of freelance adventurer and troubleshooter, definitely on the hardboiled side,.created by Michael Arlen in a 1940 short story. Either way, though, he was a man who made his living "keeping his mouth shut and engaging in dangerous entreprises," according to Otto Penzler et al's Detectionary. And, like Boston Blackie, a long, lucrative and convuluted career in film, radio and television soon followed, as The Falcon's occupation and even his name were changed from medium to medium.THIS EPISODE:July 17, 1952. NBC network. "The Case Of The King Of Clubs". Sustaining. Not auditioned. Michael Waring travels to Berlin for Army Intellignce, where he learns that "when trumps are led, the game can murder!" tThe system cue is added live. Les Damon, Drexel Drake (creator), Fred Collins (announcer), Bernard L. Schubert (producer, transcriber), Richard Lewis (director), Eugene Wang (writer), Lily Valente. 30:49.

EXPLORING TOMORROWStarting as a replacement show for Gangbusters and Counterspy, the series premiered December 11, 1957 and it ran until June 13, 1958. Quoting from Astounding Magazine, "Exploring Tomorrow is the first science fiction radio show of science-fictioneers, by science- fictioneers, and for science-fictioneers" The shows were narrated by the editor of Astounding Magazine, John W. Campbell, Jr., with scripts written by Gordon Dickson, Robert Silverberg and many other notable science fiction writers. THIS EPISODEHow Big Is A Man - Poul Anderson (author), John Campbell Jr. (host), Guy Wallace (announcer). 20 minutes.

He was born Alfred Damon Runyan in Manhattan, Kansas, and grew up in Pueblo, Colorado, where Runyon Field and Runyon Lake are named after him. He was a third-generation newspaperman, and started in the trade under his father in Pueblo. He worked for various newspapers in the Rocky Mountain area; at one of those, the spelling of his last name was changed from "Runyan" to "Runyon", a change he let stand. After a notable failure in trying to organize a Colorado minor baseball league, Runyon moved to New York City in 1910. For the next ten years he covered the New York Giants and professional boxing for the New York American. In his first New York byline, the American editor dropped the "Alfred", and the name "Damon Runyon" appeared for the first time. Broadcast from January to December 1949, "The Damon Runyon Theatre" dramatized 52 of Runyon's short stories for radio.The Damon Runyon Theater was a series that was syndicated across the USA beginning in early 1949. Damon Runyon was a gifted sports writer in New York City as well as being a great journalist and great short story writer. His stories were humorous ones, written in the "dem" and "dose" vernacular of the city's loveable and not so loveable characters of Broadway, the prize ring and the underworld. His most famous collection of short stories, Guys and Dolls, was on Broadway and later made into a movie. Many of his stories were filmed including Sorrowful Jones, A Pocketful of Miracles, Lady for a Day, Blue Plate Special, The Lemon Drop Kid (twice) and Little Miss Marker (four times). In addition to this The Damon Runyon Theater was syndicated for television in the mid 1950s.

This show represented a serious attempt by CBS to provide quality dramatic programming for its Sunday afternoon listeners. A continuation of the series "Dangerously Yours," it was renamed "Matinee Theater" with a view towards presenting "a greater range of stories." That broader scope was able to accommodate such episodes as "Beautiful Dreamer" (the Stephen Foster story) and "The Love Story of Elizabeth Barrett and Robert Browning." Victor Jory and several different female stars paired to bring classics like "Wuthering Heights," "Jane Eyre" and "The Scarlet Pimpernel" to the audience, as well as a number of more contemporary works. The first of these thirty-minute broadcasts aired October 22, 1944 and the final one on April 8, 1945. The Vick Chemical Company sponsored throughout.

IT'S HIGGINS SIRFirst Show: July 3, 1951Last Show: September 25, 1951The Roberts, a normal, middle income American family inherit a silver tea set from distant relative in England. The tea set is accompanied by it's caretaker, Higgins, their new butler. Normal family situations are punctuated by Higgin's smart aleck comments and his general disdain for otrt things American and all things common. The show was a Summer Replacement Series for The Bob Hope Show.CAST: Starring: Harry McNaughton (as Higgins), Vinton Hayworth, Peggy Allenby, Charles Nevil, Pat Hosley and Denise Alexander.Creator/Director: Paul Harrison Writers: Paul Harrison and Rick Vollick.

Amos 'n' Andy, still written entirely by the two stars, was the top-rated program of all in 1930, with a 54.4 rating and 30 million listeners (compare that to the Super Bowl's 44.2 rating in 2004). By this time, the wily, coniving Kingfish was becoming a major personality, eventually supplanting sensible Amos as star of the show (Freeman Gosden gave voice to both characters while Charles Correll played Andrew H. Brown).

There were four series under the HALL OF FANTASY banner, all produced by Richard Thorne. The first HALL OF FANTASY originated from radio station KALL in Salt Lake City, Utah. Richard Thorne and Carl Greyson were announcers for the station and produced the rather barebones shows, possibly late in 1946 and into 1947. The series consisted of 26 shows. Broadcast dates for the shows are not known. The shows were written or adapted by Robert Olson and directed by Mr. Thorne. Most were classic murder mysteries with traditional endings; the evil-doer got his just rewards. The series was sponsored by the Granite Furniture Company, although existing shows are missing the commercials, apparently because they were inserted live.

Mr. Moto is small in stature but strong and an expert in judo. He was the title character of a series of books, beginning with No Hero (1935; British title: Mr Moto Takes a Hand, reprint title: Your Turn, Mr. Moto), and of eight films between 1937 and 1939, in which he was portrayed by Peter Lorre. With the beginning of World War II, Mr. Moto fell out of favor with Americans, and no new books or movies about him appeared between 1942 and 1957. A dedicated and cold-blooded spy for Imperial Japan, Moto is not a conventional hero. He does not look for opportunities to commit violence but has no problem with killing people who obstruct his plans, and he would not hesitate to take his own life if necessary. But he is a master of concealing his true nature while under cover, and usually appears dull, naive, utterly harmless. He does not try to correct the bigoted attitudes of Westerners toward him and other Asians, and is not above encouraging such condescension. It often works to his advantage, leading Westerners to ignore or underestimate him.THIS EPISODE:Mr. I. A. Moto. July 1, 1951. NBC net. "Project 77". Sustaining. Not auditioned. A scientist is tortured to revealed the secrets of, "Project 77." John P. Marquand (creator), Harry W. Junkin (writer, director), Carol Irwin (producer), Bill Smith, Connie Lembcke, Bill Lipton, James Monks, Fred Collins (announcer), Scott Tennyson, Ian Martin. 29:35.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Ingrid Bergman, Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

Fred Allen (born John Florence Sullivan on May 31, 1894 in Cambridge, Massachusetts, died March 17, 1956 in New York City) was an American comedian whose absurdist, pointed radio show (1934â1949) made him one of the most popular and forward-looking humorists in the so-called classic era of American radio. His best-remembered gag may be his long-running mock feud with friend and fellow comedian Jack Benny, but Allen didn't need it to make or secure his own reputation. He was one of the most accomplished, daring humorists of his (and most any) time. The unchallenged master ad libber, he battled censorship and created routines whose style and substance alike influenced several future comic generations. Perhaps more than any of his generation, Fred Allen wielded an influence that outlived both his contemporaries and the medium that made him famous.

Space Patrol debuted on March 9, 1950 as a fifteen minute show on KECA-TV in Los Angeles, a little over 6 months before the Tom Corbett series began. The first half hour Saturday show began on December 30, 1950 and lasted until February 26, 1955. The fifteen minute shows were kinescoped for broadcast outside of the Los Angles area within a week or two of the California broadcast. In June of 1952 the Saturday shows were broadcast live from coast to coast and the daily 15 minute shows continued to be broadcast on the West Coast for at least three years after the coast to coast syndication had ended. The shows creator, Mike Moser, was a Navy veteran of World War II who had trained hurricane-hunter squadrons. In a 1952 Time article, Mr. Moser said the show was inspired while he was flying over the Pacific and thinking about the universe. He wanted kids to grow up with the same sense of wonder for the future he had experienced during his childhood with Flash Gordon and Buck Rogers. Broadcast History : September 18th, 1950 - March 19th, 1955 ABC. 30m, Mondays and Fridays at 5:30pm Cast : Ed Kemmer as Buzz Corry, Lyn Osborn as Cadet Happy Virginia Hewitt as Carol Karlyle Ken Mayer as Maj. Robbie Robertson, Norman Jolley as Dr. Malingro, Nina Bara as Tonga, Bela Kovacs as Prince Baccarritti - Announcers : DIck Tufeld, Dick Wesson - Producer/Directors : Larry Robertson, Mike Moser - Writer : Lou Huston - Notes : Ran concurrently on TV and Radio, with most of the same performers.

Nightfall is the title of a radio drama series produced and aired by CBC Radio ( Canadian Broadcasting Corporation ) from July 1980 to June 1983. While primarily a supernatural/horror series, Nightfall featured some episodes in other genres, such as science fiction, mystery, fantasy, and human drama. One episode was even adapted from a folk song by Stan Rogers. Some of Nightfall's episodes were so terrifying that the CBC registered numerous complaints and some affiliate stations dropped it. Despite this, the series went on to become one of the most popular shows in CBC Radio history, running 100 episodes that featured a mix of original tales and adaptations of both classic and obscure short stories. THIS EPISODE:August 29, 1980. Program #9. CBC origination, NPR net, WPBH-FM, Middlefield, Conn. aircheck. "The Body Snatchers". Sustaining. A story of the acquisition of fresh cadavers for medical school. The WPBH-FM rebroadcast date is October 10, 1981. Neil Munro (narrator), Graham Haley, Robert Christie, Richard Donat, Sean Mulcahy (doubles), Wendy Thatcher, Michael Wincott, Bill Robinson (sound effects), Eric House, John Jessop (recording engineer), John Douglas (senior story editor), Nina Callaghan (production assistant), Bill Howell (producer, director), Robert Louis Stevenson (author), Frank W. McEnaney (adaptor), Henry Ramer (host). 29:54

The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE:Arrowsmith tells the story of bright and scientifically-minded Martin Arrowsmith as he makes his way from a small town in the Midwest to the upper echelons of the scientific community. (He is born in Elk Mills, Winnemac, the same fictional state in which several of Lewis's other novels are set.) Along the way he experiences medical school, private practice as the only doctor in tiny Wheatsylvania, North Dakota, various stints as regional health official, the lure of high-paying hospital jobs. Finally, Arrowsmith is recognized by his former medical school mentor, Max Gottlieb, for a scientific paper he has written and is invited to take a post with a prestigious research institute in New York. The book's climax deals with Dr. Arrowsmith's discovery of a phage that destroys bacteria and his experiences as he faces an outbreak of bubonic plague on a fictional Caribbean island.

In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.THIS EPISODE:October 20, 1941. CBS net. "Blood and Sand". Sponsored by: Lux. The rise and fall of a great bull fighter, the role made famous by Rudolph Valentino. Kathleen Fitz, Lester Schott, Lou Merrill, Louis Silvers (music director), Elsa Brand, Erik Rolf, Gale Gordon, Howard McNear, Jeff Corey, Bruce Payne (doubles), Cecil B. DeMille, Anne Stone, Tyrone Power, Annabella, Bea Benaderet, Sanford Barnett (director), George Wells (adaptor), Charlie Forsyth (sound effects), Vicente Blasco Ibanez (author), Lois Collier (commercial spokesman), Nancy Bickell (commercial spokesman), Jo Swerling (screenwriter), Nick Toms (doubles), Paul Dubov, Walter Tetley, Ben Alexander (commercial spokesman), Julie Bannon (commercial spokesman), Melville Ruick (announcer). 59:45.

Murder At Midnight â 1946-1947The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; âthe witching hour, when night is darkest, our fears are the strongest, our strength at its lowest ebbâ Midnight! â when graves gape open and death strikes!âTHIS EPISODE:August 3, 1946. Program #8. Syndicated. "Nightmare". Commercials added locally. A woman has a very vivid dream that her husband is going to kill her! Anton M. Leader (director), Charles Paul (organ), Elspeth Eric, Joseph Ruscoll (writer), Walter Vaughn, Louis G. Cowan (producer). 27:15.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?"THIS EPISODE:IN THE DARK - 1/8/1981In a totalitarian state, a woman's husband fails to return home. Her best friend has mysteriously "divorced" her husband, and her friends refuse to talk to her. Despite evidence, she cannot believe the secret police have kidnapped her husband. Teri Keane, Carol Teitel, Ray Owens, Ralph Bell.

THIS EPISODE:The White Cliffs of Dover is one of those overlong MGM wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. Based on a poem by Alice Duer Miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. Irene Dunne plays an American girl who, in 1914, falls in love with titled Englishman Alan Marshal. At the end of World War 1 in 1918, it is painfully clear that Marshal will not be returning from the battlefields. Remaining loyal to her husband, Irene vows to raise their child in England. Played by Roddy McDowell in his early scenes, Irene's son grows up to be Peter Lawford. At the outbreak of World War 2, Irene despairs at the thought of losing another loved one, but Lawford convinces her that his dad would have wanted him to answer his country's call to the colors. While working as a Red Cross volunteer, Irene finds that she must tend her own mortally wounded son. Unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. Like many films of its ilk and era, White Cliffs of Dover struck a responsive chord with filmgoers, to the tune of a $4 million profit.

CANDY MATSON was the private eye star of Candy Matson, YUkon 2-8208, an NBC West Coast show which first aired in March 1949 and was created by Monty Masters. He cast his wife, Natalie Parks, in the title role of this sassy, sexy PI. Her understated love interest, Lt. Ray Mallard, was played by Henry Leff while her assistant and best pal, aptly named Rembrandt Watson, was the voice of Jack Thomas. Every show opened with a ringing telephone and our lady PI answering it with "Candy Matson, YU 2-8209" and then the organ swung into the theme song, "Candy". Each job took Candy from her apartment on Telegraph Hill into some actual location in San Francisco. The writers, overseen by Monty, worked plenty of real Bay Area locations into every plot.

The Real McCoys was a situation comedy that aired on the ABC network from 1957 through 1962. It aired for one more season on CBS before its end in 1963. The series revolved around the lives of a mountain family who originally hailed from West Virginia. The McCoys moved to California where they became dirt farmers. The family consisted of Grampa Amos McCoy, the head of the family played by Walter Brennan, his grandson Luke played by Richard Crenna, Luke's new bride Kate played by Kathleen Nolan, teenage sister Hassie played be Lydia Reed, and 11-year-old brother Little Luke played by Michael Winkelman. The Real McCoys paved the way for such rural hits as The Beverly Hillbillies and The Andy Griffith Show.

Adventures of Leonidas Witherall was a radio mystery series broadcast on Mutual in the mid-1940s. Based on the novels of Phoebe Atwood Taylor (writing as Alice Tilton), the 30-minute dramas were produced by Roger Bower and starred Walter Hampden as Leonidas Witherall, a New England boys' school instructor in Dalton, Massachusetts, a fictional Boston suburb. Witherall, who resembled William Shakespeare, is an amateur detective and the accomplished author of the "popular Lieutenant Hazeltine stories." His housekeeper Mrs. Mollett was played by Ethel Remey (1895-1979) and Jack MacBryde appeared as Police Sgt. McCloud. The announcer was Carl Caruso. Milton Kane supplied the music. The series began June 4, 1944 and continued until May 6, 1945.

-Sherlock Holmes is a fictional detective of the late 19th and early 20th centuries, who first appeared in publication in 1887. He is the creation of Scottish author and physician Sir Arthur Conan Doyle. A brilliant London-based detective, Holmes is famous for his intellectual prowess, and is renowned for his skillful use of deductive reasoning (somewhat mistakenly so called â see inductive reasoning) and astute observation to solve difficult cases. He is arguably the most famous fictional detective ever created, and is one of the best known and most universally recognisable literary characters in any genre. Conan Doyle wrote four novels and fifty-six short stories that featured Holmes. All but four stories are narrated by Holmes' friend and biographer, Dr. John H. Watson; two are narrated by Holmes himself, and two others are written in the third person. The first two stories, short novels, appeared in Beeton's Christmas Annual for 1887 and Lippincott's Monthly Magazine in 1890. The character grew tremendously in popularity with the beginning of the first series of short stories in The Strand Magazine in 1891; further series of short stories and two serialised novels appeared almost right up to Conan Doyle's death in 1930. The stories cover a period from around 1878 up to 1903, with a final case in 1914.

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. Bud Abbott was born in Asbury Park, NJ, October 2, 1897 and died April 24, 1974 in Woodland Hills, California. Lou Costello was born in Paterson, NJ, March 6, 1906 and died March 3, 1959 in East Los Angeles, California. After working as Allen's summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbrook, Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show's longtime announcer.

Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.

ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Great special effects will grab your attention, accented by creepy organ rips. Stories are offered such as death gathered round a card table at a local chapter of The Suicide Club, or a man who desperately tries to hire a 24 hour bodyguard all the while trying to make himself the victim of a murder, and other baffling peculiar tales of yore. Also known as Mystery Time and Mystery Time Classics, this one is sure to excite and mystify.

Mystery in the Air was a Summer series consisting of mystery / horror shows. The series was hosted by Peter Lorre who also played the title role in a few of the shows. The shows were well done and all entertaining! This collection is also included in the Peter Lorre Collection.