Boxcars711 Old Time Radio

Hollywood Star Playhouse - This 30 minute anthology program was heard over three different networks during its three seasons. Many leading Hollywood stars appeared before the microphones for this programs original scripts. Marilyn Monroe made her radio debut on the 08/31/52 broadcast. Several programs were intended to become new series. On 04/13/52, the broadcast # 99 of The Six Shooter w/James Stewart did indeed become a new NBC series The Six Shooter in 1953, while the broadcast of 05/18/52 #104 Safari w/Ray Milland failed to make it. There was a title change to this series. During the third network change to NBC the series picked up the sponsorship of the American Bakers and the series was called Bakerâs Theater Of Stars. THIS EPISODE:January 29, 1951. CBS network origination, AFRS rebroadcast. "Later Than You Think". Racketeer Nick LaGrange has been bailed out of jail, much to the annoyance of the district attorney. A bomb has been planted in LaGrange's car, set to explode in sixteen minutes. The show makes excellent use of sound effects; good radio! The system cue has been deleted. Victor Mature, Herbert Rawlinson (host), Jack Johnstone (director), Jeff Alexander (composer, conductor), Maggie Morely, Freeman Lusk (?), Theodore Von Eltz, Wilms Herbert, Paul Dubov. 24:52.

The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; âthe witching hour, when night is darkest, our fears are the strongest, our strength at its lowest ebbâ Midnight! â when graves gape open and death strikes!â

"Rocky Fortune" about a wanderer that took odd jobs to support himself and never stayed in one place too long. He almost always seemed to meet beautiful women along with trouble. Sinatra was good and was proving to Hollywood that he could do serious work. When casting began for the movie "From Here To Eternity", Frank campaigned tirelessly for a part and because of that and a good word put in for him by Gardner, who he was now separated from, he won a part that would mark his return to Hollywood. Sadly for us, it also meant he didn't have time to do radio and "Rocky Fortune" was rather short lived, although it was popular. It only ran from 1953 - 1954, but" It was a very good year".

Although Molle Mystery Theatre was initially sponsored by Molle Shaving Cream, other sponsors (such as Bayer Aspirin, Ironized Yeast, Phillips Milk of Magnesia) also sponsored the program. Sometimes, when it was not sponsored by Molle, the program was called "Mystery Theater". The show was first heard on NBC, on 9/7/43. Time slot was originally Sunday nights at 9:00 PM, but was later moved to Tuesday at 9:00 PM, and Friday at 10:00 PM. In 1948, the show moved to CBS (Tues, 8:00 PM), and in 1951, it moved to ABC, where it was called "Mark Sabre", and heard on Wednesdays at either 8:00 PM or 9:30 PM. The shows were tight and tension filled, with a fine orchestra score and solid production values. Classic tales from well-known authors, as well as modern unknowns were presented, and the endings were often twists or shockers.

The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.

Hear It Now, an American radio program on CBS, began in 1950 and was hosted by Edward R. Murrow and produced by Fred Friendly. It ran for one hour on Fridays at 9 p.m. One of the most popular and best selling records of 1948 was I Can Hear It Now 1933-1945. The record was a collaboration between Edward R. Murrow and Fred W. Friendly. The record interwove historical events with speeches and Murrow's narration and marked the beginning of one of the most famous pairings in journalism history. The huge success of the record prompted the pair to parlay it into a weekly radio show for CBS. That show was Hear It Now. The show had a "magazine format." It drove to include a variety of sounds from current events such as an atom smasher at work or artillery fire from Korea. It was the artillery fire that produced one of the show's more poignant moments as it backdropped the words of American soldiers fighting the Korean War. The entire premise of the show was to include the "actual sound of history in the making," according to Murrow. Some of the show's audio was what Time Magazine called "fairly routine" in 1950. Such audio soundbites as Communist China's General Wu and Russia's Vishinsky along with the U.S. Delegate Warren Austin were included among the routine group of audio use. Television, by 1955, usurped radio in terms of audience share and a reluctant Murrow, in 1951, set about doing a TV version of the radio show called See It Now. With the inception of the television version of the show in 1951 Hear It Now ended its on air run.

Stars and movies with Oscars were the idea - in most cases, the movie stars recreated their academy award roles for the show, or in other cases, fine actors played the parts and gave it a different character. Both ways make for great radio drama and first class Hollywood motion picture star entertainment. The Lux Radio Theater had been doing this kind of radio show in the grandest manner for many years, but sponsor Squibb had the hubris and deep pockets to take on the competition by doing Academy Award Theater right after the Second World War. The year 1946 was pre-television, and so movies were still the major American visual art form, with radio the other popular network entertainment. In this final pre-TV time, Academy Award Theater was thought of as a premier radio production, a wow show, much like CinemaScope was to be in the 1950's when Hollywood felt the box office blow of early TV.

Perry Mason is the longest running lawyer show in American television history. Its original run lasted nine years and its success in both syndication and made-for-television movies confirm its impressive stamina. Mason's fans include lawyers and judges who were influenced by this series to enter their profession. The Mason character was created by mystery writer Erle Stanley Gardner and delivered his first brief in the novel The Case of the Velvet Claws (1933). From 1934 to 1937 Warners produced six films featuring Mason. A radio series also based on Mason ran every weekday afternoon on CBS radio from 1944 to 1955 as a detective/soap opera. When the CBS television series was developed as an evening drama, the radio series was changed from Perry Mason to The Edge of Night and the cast renamed so as not to compete against the television series.

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network, 1934-1935; CBS 1935-1955), adapted first Broadway stage and then (and especially) films to hour-long live radio presentations and became the standard by which future radio and early television anthologies would be judged. Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936 until January 22, 1945.THIS EPISODE:SpellboundDr. Constance Petersen (Ingrid Bergman) is a psychoanalyst at a mental hospital. The other (male) doctors constantly accuse her of being too intellectual and not expressing her emotions. The new head of the hospital, Dr. Anthony Edwardes (Gregory Peck), arrives and turns out to be surprisingly young and good-looking. He and Constance fall in love. However, Edwardes has his own mental problems: whenever he sees a white object with black lines on it, he enters a state of intense stress. When reading a signed copy of Edwardes's book on the guilt complex, Constance notices that the signature is different to that of the man who has arrived at the hospital. She realizes that Edwardes is an imposter. It transpires that the real Dr. Edwardes has been murdered, and the man who assumed his identity is the chief suspect. But Constance believes he is suffering from amnesia and could be exonerated if his repressed memories could be unearthed.

The Avenger is an Old Time Radio show aired by the South African Broadcasting System in the 1940s. It featured a biochemist crime-fighter by the name of Jim Brandon. Mr. Brandon had two inventions which assisted him in the fight against crime. Mr. Brandon was able to pick up telpathic thought flashes and had a diffusion capsule which allowed him to become invisible.

People are Funny was a television game show that premiered and ended on NBC from 1954-1961. It was shot in the outside world and dared people to do stunts for fun for spectators. This was done to "reveal the true nature" of their guests. This show was considered a predecessor to most of the reality game shows we know today, such as "Survivor" and MTV's "Jackass." Art Linkletter was the more well-known host of the show. Viewers grew up with him, but not just on People are Funny. He was also seen on Life With Linkletter (1950-52 & 1969-70), Art Linkletter's House Party (1952-69), and The Art Linkletter Show (1963).THIS EPISODE:October 1954. NBC network. Sponsored by: Pamper Shampoo, Prom Home Permanent, Forever Yours. A man is told to give a mink coat to a strange woman, and then take it back! A widowed school teacher returns from her trip around the world. This program is either TV audio or a simulcast. Art Linkletter, John Guedel (producer). 29:52.

Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series. The films began in 1935 with Crime Does Not Pay: Buried Loot. For the most part, actors who appeared in B-films were featured, but occasionally, one of MGM's major stars would make an appearance. The radio series aired in New York on WMGM (October 10, 1949-October 10, 1951) and then moved to the Mutual network (January 7-December 22, 1952). Actors included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander.THIS EPISODE:October 17, 1949. Program #2. MGM syndication. "All American Fake". Commercials added locally. Taylor Dunn is a con-man who looks like football hero Kit Marlowe. He uses the resemblance to swindle people. Even his wife doesn't know that he's a phoney! The date above is the date of the first broadcast on WMGM, New York, from which this syndication version may have been taken. Jon Gart (composer, conductor), Sidney Blackmer, Marx B. Loeb (director), Ira Marion (writer). 27:13

Richard Diamond, Private Detective was a radio show starring Dick Powell which aired from 1949 to 1953, first on NBC, then ABC and finally on CBS. The title character was a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. The television series was produced by Powell's company, Four Star Television, and that series ran for 3 years from 1957 to 1960. On TV, David Janssen played the hard boiled private eye and his secretary renamed âSamâ, was only ever shown on camera from the waist down, most assurardidly to display her beautiful legs. It was later leared that the legs belonged to Mary Tyler Moore. Original music by Frank DeVol and pete rugolo and later by richard shores. Good scripts, a solid cast and Powellâs exceptional talent made a good time 30 minute program that was quite popular during that Golden Age of Radio. So Letâs sit back now, relax and enjoy this truly otr radio classic.,â, Dick powell as Richard Diamond.., Private Detective.

Mr. Moto is small in stature but strong and an expert in judo. He was the title character of a series of books, beginning with No Hero (1935; British title: Mr Moto Takes a Hand, reprint title: Your Turn, Mr. Moto), and of eight films between 1937 and 1939, in which he was portrayed by Peter Lorre. With the beginning of World War II, Mr. Moto fell out of favor with Americans, and no new books or movies about him appeared between 1942 and 1957. A dedicated and cold-blooded spy for Imperial Japan, Moto is not a conventional hero. He does not look for opportunities to commit violence but has no problem with killing people who obstruct his plans, and he would not hesitate to take his own life if necessary. But he is a master of concealing his true nature while under cover, and usually appears dull, naive, utterly harmless. He does not try to correct the bigoted attitudes of Westerners toward him and other Asians, and is not above encouraging such condescension. It often works to his advantage, leading Westerners to ignore or underestimate him.THIS EPISODE:May 20, 1951. NBC network. "A Force Called X07". Sustaining. Mr. Moto foils a communist plot to destroy part of New York with a portable atomic weapon. The music bridges have been deleted. The program may be dated March 26, 1951. James Monks, Peter Capell, John P. Marquand (creator), Harry W. Junkin (writer, director), John Larkin, Gavin Gordon, Scott Tennyson, Fred Collins (announcer). 27:56.

Luke Slaughter Of Tombstone - CBS started the year 1958 off with the introduction on January 1, 1958 of Frontier Gentleman. That series lasted 41 broadcasts. Near the end of the year, the network launched Have Gun, Will Travel on November 11, 1958, which continued for 106 programs. In between, a very short series was offered and discontinued after only 16 broadcasts, Luke Slaughter Of Tombstone. Sam Buffington starred as Luke Slaughter, a Civil War cavalryman who turned to cattle ranching in post war Arizona territory near Fort Huachuca. William N. Robson, known from his work with such series as Escape, Suspense and The CBS Radio Workshop, directed.

Rogue's Gallery came to the Mutual network on September 27, 1945 with Dick Powell portraying Richard Rogue, a private detective who invariably ended up getting knocked out each week and spending his dream time in acerbic conversation with his subconscious self, Eugor. Rogue's Gallery was, in a sense, Dick Powell's rehearsal for Richard Diamond, Private Detective. Powell played private detective Richard Rogue, who trailed luscious blondes, protected witness, and did whatever else detectives do to make a living. It was a good series, though not destined to make much of a mark. Under the capable direction of Dee Englebach and accompanied by the music of Leith Stevens, Powell floated through his lines with the help of such competents as Lou Merrill, Gerald Mohr, Gloria Blondell, Tony Barrett, and Lurene Tuttle. Peter Leeds played Rogue's friend Eugor, an obscure play on names with Eugor spelling Rogue backwards. The gimmick in Rogue's Gallery was the presence of an alter ego, "Eugor," who arrived in the middle of the show to give Rogue enough information for his final deduction. Eugor was a state of mind, achieved when Rogue was knocked unconcious.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

Mr. Keen, Tracer of Lost Persons was one of network radio's longest running detectives, although listening to it now would hardly explain why. This kind, elderly, boring sleuth, in company with his bumbling assistant, Mike Clancy, was on the airwaves from 1937 to 1955, logging nearly 20 years of fighting crime. The series came out of the soap opera fiction factory of Frank and Anne Hummert and encompassed most of the trite dialogue and snail plotting of daytime serials.

Broadcast constantly sometimes once a week sometimes 3 times a week By Mutual, between 1942 and 1956. Western Drama mainly for the young ones or maybe just the young at heart. I say the young at heart, because The Cisco Kid and his likeable but simple partner Pancho were a couple of lovable rogues and because there was usually a lovely senorita around in every episode who fell madly in love with Sisco, there may well have been an element of lady listeners included in the audience rating figures. Here they were, these two Mexican bandits, travelling from sunset to sunset (because that's where they always road off to at the end of each episode) robbing the rich, but I wouldn't say giving it to the poor. At least they did it in a kind and humorous way. It was more a question of the victim being relieved of the heavy burden of his or her riches, rather than having some of their prized possessions taken away from them. Half the fun in the series was listening to Pancho try to explain in his simple Mexican way that the sheriff's posse was hard on their heels and to quote him, "Ceesco, eef they catch up with us, perhaps they weel keel us."

THE MAN CALLED XSponsored by Frigidaire and later General Motors, this spy series starred Herbert Marshall as Ken Thurston, Intelligence Agent. Marshall, British by birth, starred in films with many of the greatest, especially Detreich in Blonde Venus, Bette Davis in The Virgin Queen, Vincent Price in The Fly, and a great cast in The Razor's Edge, where he portrayed W. Somerset Maugham.

The Green Hornet program began in January of 1936 and played to December 5, 1952. The shows typically ran thirty minutes and ran twice a week in the beginning years. They later reverted to being broadcast once a week. The last season of the show in 1952 the show reverted back to a twice a week schedule. Al Hodge played the role of Britt Reid for seven years. Fran Striker, a co-creator of the Lone Ranger, wrote all of the scripts for the Green Hornet until April 1944. After that, several other writers were brought in to script the show. The writing output of Fran Striker was incredible. While he was scripting the Green Hornet he was also writing the scripts for the Lone Ranger program.

Spy Catcher (BBC) 1960-1961. A series of true stories in the unceasing search for enemy spys in wartime. Based on the memoirs of Lt. Col. Oreste Pinto of Allied Counterintelligence Services. The shows were extremly popular during the golden age of radio.THIS EPISODE:"Traitor In The Forest" - Takes place in the winter of 1944 when the scope of war activities in Europe had widened. Col. Pinto was assigned to infultrate the spy network in enemy territory as well as gain intelligence that would aid in the protection of allied forces into Belgium and Holland. This incident investigates a document found in the pocket of a dead German officer. The part of Lt. Col. Oreste Pinto is played by Vernon Archer.

"The Cedar Lake Mystery" (3-14-38) and "The Train Wreckers Mystery" (4-18-38)Blair of the Mounties is the story of the Royal Northwest Mounted Police -- a fictional series based on the work of the Northwest Mounted Police before the World War I. It was a fifteen minute weekly serial heard every Monday for 36 weeks beginning January 31st, 1938 and running through the 3rd of October of 1938. It may have been on the air as early as 1935, although thereâs no actual proof of this. Little is known of the series other than it followed the exploits of Sgt. Blair of the Northwest Mounted Police. and probably was the inspiration for Trendell, Campbell and Muir's Challenge of the Yukon. The series was written by Colonel Rhys Davies, who also played the Colonel Blair in the series. Jack Abbot played the Constable. Jack French, one of OTRâs best researchers says this about the series: âBlair is not restricted to Canada, as other Mounties, as we find him, in a few cases, in Great Britain, solving cases. Overall the series is amateurishly written, with the actor playing Blair coming accros as a bit stuffy.â

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.

Honest Harold The Homemaker - AKA: THE HAROLD PEARY SHOW 1950 - 1951 First Show: Sep 17, 1950 Last Show: Jun 13, 1951 Number Shows: 38 Audition Show: Aug 23, 1950 Series Description: Harold Peary began his radio career at age 13 and was a popular actor through the 1930's. In the end of the 1930's he played assorted characters on FIBBER MCGEE AND MOLLY, including a stuffed-shirt type named Gildersleeve. The character of Gildersleeve developed into a sizeable, eventually leading to the series THE GREAT GILDERSLEEVE. This was due to no small part to the ability of Harold Peary. In 1950, Harold Peary decided to move from NBC to CBS, assuming that the sponsor for THE GREAT GILDERSLEEVE, the Kraft Food Company, would follow, bringing that series to CBS. When Kraft didn't move, HONEST HAROLD, THE HOMEMAKER (also known as THE HAROLD PEARY SHOW) was created.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.THIS EPISODE:June 21, 1945. Mutual network. "The Naked Mountain". Sustaining. A melodrama about two Spanish war orphans who sabotage the jeep being driven by an American officer. "Good" propaganda for Spanish War Relief. Arch Oboler (writer, producer, director, narrator), Franchot Tone, Lurene Tuttle, Tommy Cook, Joel Davis. 1/2 hour.

Dangerous Assignment - This thirty-minute international spy adventure featured Steve Mitchell (Brian Donlevy), and investigator of crimes in exotic locations. 60 episodes. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. Other cast members were GeGe Pearson, Ken Peters, Betty Lou Gerson, Dan OâHerlihy. The director was Bill Cairn and the writer for the series was Robert Ryf. The opening was the same every week âYeah, danger is my assignment. I get sent to a lot of places I canât even pronounce. They all spell the same thing though, trouble.â He would be summoned to his bossâs office where he would be given his assignment; he would then fly halfway across the globe to save the day!THIS EPISODE:August 9, 1950. NBC network. Sponsored by: Wheaties. Steve Mitchell travels to Secondi on the Gold Coast of Africa to stop trouble being stirred up by the local witch doctors. Brian Donlevy, Frank Martin (commercial spokesman), William Conrad, Robert Ryf (writer), Basil Adlam (composer), Ralph Hollenbeck (conductor), Bill Cairn (producer, director). 29:30.

Dimension X â 1950-1951 These were stories written by well-known science fiction authors dramatised by very high quality actors. It was a thirty-minute adult science fiction drama series with 45 episodes being broadcast before it was later revived as X Minus One. The shows were narrated by Norman Rose, perfecting the combination between authoritative resonance and dark irony.THIS EPISODE:June 24, 1950. NBC network. "Destination Moon". Sustaining. The story is adapted from the George Pal movie of the same name. The story of the first expedition to the moon. The program is interrupted after eighteen minutes for a news bulletin announcing that North Korea has declared war on and has invaded South Korea. The closing credits have been deleted. Robert Heinlein (author), Wendell Holmes, Ralph Bell, Santos Ortega, Van Woodward (producer), Norman Rose (host), Edward King (director), Bob Warren (announcer), Roger De Koven, Ralph Bell. 28:49.

The Clitheroe Kid was James Robertson Clitheroe, Jimmy Clitheroe to most, who by some strange coincidence did come from the town of that name without having to change his family name! At his full height he was 4ft 3in, and played the naughty schoolboy from 1958 to 1972. Although plausable from a distance, he was not really able to pass himself off as a youngster close up, so a TV career did not really take off too well, but at the peak of his fame the radio show was raking in about 10 million listeners, although by the end this had dropped to a tenth of that figure. Clitheroe was a very private person, and the shows became a sort of escape for him, as well as the release from the worries of his diminutive size, but despite this, his popularity increased and increased, making this series one of the longer running on the radio - a total of 17 series. It is surprising then that with such a success, and with such a long run that the shows are rarely broadcast.

In The Name Of The Law (1936) - was a True Crime radio show from 1936. It says "In the name of the law, we bring you another of the thrilling stories in this exciting series, taken from actual police case files."In the name of the Law, we bring you another of the thrilling stories in this exciting series, taken from actual police case files."Mrs Mary James found dead in her pool 8-05-35. Her husband Bob is suspected. He had been married several times before and a previous wife was also found dead under suspicious circumstances. Police investigation led to the Killer's arrest. Was it Bob James?

THE ADVENTURES OF MAISIE - Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison,who did decades of scripting for the silver screen along with Broadway plays and magazine fiction. From the first, MGM wanted Ann Sothern to play Maisie. She began in Hollywood as an extra in 1927. "Maisie and I were just together - I just understood her," Sothern, born Harriette Arlene Lake, said after several of the films made her a star. Throughout the 1930s and '40s, Ann Sothern and Lucille Ball, like many performers in Hollywood, had not one but two careers - one in motion pictures and one on radio. MGM Studios had created the series of ten motion pictures based on a brash blonde with a heart "of spun gold." Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison, who did decades of scripting for the silver screen along with Broadway plays and magazine fiction.

The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.

Have Gun â Will Travel was a popular American Western television series that aired on CBS from 1957 through 1963. It was one of the few television shows to spawn a successful radio version. The radio series debuted on November 23, 1958. The show followed the adventures of Paladin, a gentleman-turned-gunfighter (played by Richard Boone on television, and by John Dehner on radio), who preferred to settle problems without violence, yet, when forced to fight, excelled.

Adventures of Frank Merriwell first ran on NBC radio from March 26 to June 22, 1934 as a 15-minute serial airing three times a week at 5:30pm. Sponsored by Dr. West's Toothpaste, this program starred Donald Briggs in the title role. Harlow Wilcox was the announcer. After a 12-year gap, the series returned October 5, 1946 as a 30-minute NBC Saturday morning show, continuing until June 4, 1949. Lawson Zerbe starred as Merriwell, Jean Gillespie and Elaine Rostas as Inza Burrage, Harold Studer as Bart Hodge and Patricia Hosley as Elsie Belwood. The announcer was Harlow Wilcox, and the Paul Taubman Orchestra supplied the background music. There are at least three generations of Merriwells: Frank, his half-brother Dick, and Frank's son, Frank Jr. There is a marked difference between Frank and Dick. Frank usually handled challenges on his own. Dick has mysterious friends and skills that help him, especially an old Indian friend without whom the stories would not have been quite as interesting.

There were four series under the HALL OF FANTASY banner, all produced by Richard Thorne. The first HALL OF FANTASY originated from radio station KALL in Salt Lake City, Utah. Richard Thorne and Carl Greyson were announcers for the station and produced the rather barebones shows, possibly late in 1946 and into 1947. The series consisted of 26 shows. Broadcast dates for the shows are not known. The shows were written or adapted by Robert Olson and directed by Mr. Thorne. Most were classic murder mysteries with traditional endings; the evil-doer got his just rewards. The series was sponsored by the Granite Furniture Company, although existing shows are missing the commercials, apparently because they were inserted live.

The Secrets of Scotland Yard was an independent production of the Towers of London syndicate in England for world wide distribution. Each week, an audience of anxious radio-listeners tuned in to hear these true crime stories of the London Metropolitan Police unfold, as the detectives at the Yard investigated some of Englandâs most famous criminals. Their trials have become legendary. Stories presented in the series include the theft of the British crown jewels by Colonel Thomas Blood; the story of a man who finds an armless and legless body wrapped in ribbons and lace; or the strange story of two close brothers who love one another enough to contemplate the murder of a brotherâs affluent, yet unsightly and ignorant, wife. Murders, forgery, and robberies all get a through review on the program. Each time, Scotland Yard detectives are afoot to solve the crime mystery!

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Broadcast to the nation from WMAQ/Chicago, the show entertained America until March 1956, and continued on NBCâs Monitor until 1959. Jim Jordan died on April 1, 1988. Marian Jordan died on April 7, 1961. Fibber McGee and Molly was inducted into the Radio Hall of Fame in 1989. First Broadcast date April 16, 1935. Last Broadcast date September 6, 1959.

The Falcon - This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including "The Killers", "Spartacus" and "Cimarron"; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was "Falcon"; Later Charles McGraw starred in a short lived TV version of "Casablanca" (1955 - 1956) in the character of Rick; He also had a role on the detective drama "Staccato" (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA. THIS EPISODE:April 22, 1951. NBC network. "The Case Of The Missing Miss". Sponsored by: Kraft Salad Oil (being introduced), Kraft Caramels. Michael Waring tackles the mysterious Premium Oil Company. Why do Senators commit suicide, and who is Jean Colbert? Les Damon, Ed Herlihy (announcer), Bernard L. Schubert (producer), Ken Lynch, Drexel Drake (creator), Eugene Wang (writer), Richard Lewis (director), Arlo (music). 29:36.

The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. THIS EPISODE: 1952. Syndicated, AFRTS rebroadcast. "The Telegram". A chauffeur with a taste for murder and a poor ability to spell is tripped up by a telegram and a long string of co-incidences. The date is approximate. Orson Welles (narrator), Harry Alan Towers (producer), Ira Marion (writer), Sidney Torch (composer, conductor). 24:10.

Bronco was a Western series on ABC from 1958 through 1962. The program starred Ty Hardin as Bronco Layne, a former Confederate officer who wandered the Old West, meeting such famous people as Wild Bill Hickok, Billy the Kid, Jesse James, Theodore Roosevelt, Belle Starr and Cole Younger. Bronco was born when Warner Bros. executives and actor Clint Walker clashed over Walker's contract on the series Cheyenne. Walker had walked out on his show over such stringent clauses as a requirement that he kick back half of all personal appearance fees to Warner Bros., and that he only record for Warner music labels. When the two sides came to an impasse, the network hired newcomer Ty Hardin to play the new character of Bronco Layne, but kept the title of Cheyenne. When Walker came back to his series, Bronco Layne was spun off into his own show. Bronco at first alternated with another Western series, Sugarfoot, featuring Will Hutchins. In 1960, the two began alternating with Cheyenne under the Cheyenne title. Sugarfoot was dropped in 1961, leaving only Bronco and Cheyenne to alternate. Other Warner Bros. westerns in production around this time included Maverick with James Garner, Jack Kelly, and Roger Moore, Colt .45 with Wayde Preston, and Lawman with John Russell; series characters occasionally crossed over into each others' shows.

The travelers continue to explore the coastline, and find a passageway marked by Saknussemm as the way ahead. However, it is blocked by what appears to be a recent cave-in and the three despair at being unable to hack their way through the granite wall. The adventurers proceed to blast the rock with gun cotton and paddle out to sea to escape the blast, but the explosion is larger than they expected and they are swept away as the sea rushes into the large open gap in the ground. After spending hours being swept along at lightning speeds by the water, the raft ends up inside a large chimney filling with water and magma. Terrified, the three are rushed upwards, through stifling heat, and are ejected onto the surface from a side-vent of a volcano. When they regain consciousness, they discover that they have been thrown out of Stromboli, at the southern tip of Italy. They return to Hamburg to great acclaim - Professor Lidenbrock is hailed as one of the great scientists of history, Axel marries his sweetheart GraÃben, and Hans eventually returns to his peaceful life in Iceland.

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker."

For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.

Night Beat - Frank Lovejoy stars as Randy Stone, a toughened, street-wise Chicago Star reporter working the Nightbeat in the early 1950's. Sometimes the capers are cops and robbers. Or just normal people in trouble. Sometimes they deserve it. Sometimes fate twists their arm. Sometimes they're just too scared or confused to know the difference. Lovejoy is a seasoned pro of radio and film with an honest, gripping delivery. Solid supporting casts, good writing and direction.

Tales of the Texas Rangers, a western adventure old-time radio drama, premiered on July 8, 1950, on the NBC radio network and remained on the air through September 14, 1952. Movie star Joel McCrea starred as Texas Ranger Jayce Pearson, who used the latest scientific techniques to identify the criminals and his faithful horse, Charcoal, to track them down. The shows were reenactments of actual Texas Ranger cases. The series was produced and directed by Stacy Keach, Sr., and was sponsored for part of its run by Wheaties. Captain Manuel T. "Lone Wolf" Gonzaullas, a Ranger for 30 years and who was said to have killed 31 men during his career, served as consultant for the series. The series was adapted for television from 1955 to 1957. During the opening and closing credits of the TV show, the actors would march toward the camera and sing the theme song, "We are the Texas Rangers", to the tune of "The Eyes of Texas Are Upon You", which is also the tune of "I've Been Working on the Railroad".

Inner Sanctum Mysteries was a popular old-time radio program that aired from January 7, 1941 to October 5, 1952. Created by Himan Brown, the anthology series featured stories of mystery, terror and suspense. The tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. A total of 526 episodes are known to have been produced. The early 1940s programs opened with Raymond Edward Johnson introducing himself as, "Your host, Raymond," in a mocking sardonic voice. A spooky melodramatic organ score punctuated Raymond's many morbid jokes and playful puns. Raymond's closing was an elongated "Pleasant dreeeammsss?!" His tongue-in-cheek style and ghoulish relish of his own tales became the standard for many such horror narrators to follow, from fellow radio hosts like Ernest Chappell (on Cooper's later series, Quiet, Please) and Maurice Tarplin (on The Mysterious Traveler) to EC Comics' Crypt-Keeper in various incarnations of Tales from the Crypt. In interviews, EC publisher Bill Gaines stated that he based EC's three horror hosts not on Raymond but on Old Nancy, host of radio's earlier The Witch's Tale (1931-38). When Johnson left the series in 1946, he was replaced by Paul McGrath, who did not keep the "Raymond" name and was known only as "your host" or "Mr. Host." Beginning in 1945, Lipton Tea sponsored the series, pairing first Raymond and then McGrath with cheery commercial spokeswoman Mary Bennett, whose blithesome pitches for Lipton tea contrasted sharply with the macabre themes of the stories, and who primly chided the host for his trademark dark humor and creepy manner.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze.

ABBOTT & COSTELLO SHOW - They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbrook, Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show's longtime announcer, doubling as an exasperated foil to Abbott & Costello's mishaps (and often fuming in character as Costello insulted his on-air wife routinely); he was succeeded by Michael Roy, with annoncing chores also handled over the years by Frank Bingman and Jim Doyle. The show went through several orchestras during its radio life, including those of Ennis, Charles Hoff, Matty Matlock, Jack Meaking, Will Osborne, Freddie Rich, Leith Stevens, and Peter van Steeden. The show's writers included Howard Harris, Hal Fimberg, Parke Levy, Don Prindle, Ed Cherokee, Len Stern, Martin Ragaway, Paul Conlan, and Ed Forman, as well as producer Martin Gosch. Sound effects were handled mostly by Floyd Caton.

The Unexpected 1948 Program #115. Hamilton Whitney syndication. "The Mink Coat". Music fill for local commercial insert. A not-so-dumb book-keeper buys herself a mink coat with company funds. The date is approximate. Frank Burt (writer), Frank Danzig (director), Lurene Tuttle, Robert Libbott (writer). 15:14.Program #124. Hamilton Whitney syndication. "The Revere Cup". Music fill for local commercial insert. A woman who is cheated out of her inheritance gets all her money back, almost. The date is approximate. Lurene Tuttle, Frank Danzig (director), Robert Libbott (writer), Frank Burt (writer). 14:40.