Boxcars711 Old Time Radio

The Price Of Fear - For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.EPISODE:Program #1. Syndicated, KCRW-FM, Santa Monica, California aircheck. "Not Wanted On The Voyage". Sustaining. An eternal triangle aboard an ocean liner, with murder for the crippled wife. Vincent Price (host, narrator), William Ingraham (writer), Margaret Courtney, Sheila Grant, Henry Stamper, John Dias (director), Shandor Ellis. 28:05.

People are Funny was a television game show that premiered and ended on NBC from 1954-1961. It was shot in the outside world and dared people to do stunts for fun for spectators. This was done to "reveal the true nature" of their guests. This show was considered a predecessor to most of the reality game shows we know today, such as "Survivor" and MTV's "Jackass." Art Linkletter was the more well-known host of the show. Viewers grew up with him, but not just on People are Funny. He was also seen on Life With Linkletter (1950-52 & 1969-70), Art Linkletter's House Party (1952-69), and The Art Linkletter Show (1963).

Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere.THIS EPISODE:January 16, 1949. CBS network. Sponsored by: Palmolive Soap, Palmolive Shaving Cream, Lustre Creme Shampoo. As Mr. Conklin cracks down on discipline at Madison High, Miss Brooks is assigned to the stock room. The program is possibly dated February 6 or 8, 1949. Eve Arden, Verne Smith (announcer), Richard Crenna, Gale Gordon, Jane Morgan, Wilbur Hatch (music), Jeff Chandler, Gloria McMillan. 29:48.

The Lone Ranger was a long-running early radio and television show based on characters created by George W. Trendle, and developed by writer Fran Striker. The titular character is a masked cowboy in the American Old West, who gallops about righting injustices, usually with the aid of a clever and laconic American Indian called Tonto, and his horse Silver. He would famously say "Heigh-ho Silver, away!" to get the horse to gallop.

Rogue's Gallery came to the Mutual network on September 27, 1945 with Dick Powell portraying Richard Rogue, a private detective who invariably ended up getting knocked out each week and spending his dream time in acerbic conversation with his subconscious self, Eugor. Rogue's Gallery was, in a sense, Dick Powell's rehearsal for Richard Diamond, Private Detective. Powell played private detective Richard Rogue, who trailed luscious blondes, protected witness, and did whatever else detectives do to make a living. It was a good series, though not destined to make much of a mark. Under the capable direction of Dee Englebach and accompanied by the music of Leith Stevens, Powell floated through his lines with the help of such competents as Lou Merrill, Gerald Mohr, Gloria Blondell, Tony Barrett, and Lurene Tuttle. Peter Leeds played Rogue's friend Eugor, an obscure play on names with Eugor spelling Rogue backwards.

Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou Gerson.

Life with Luigi was a radio comedy-drama series which began September 21, 1948 on CBS. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived television version in 1952, and was later replaced by Vito Scotti. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma. The show was often seen as the Italian counterpart to the radio show The Goldbergs, which chronicled the experience of Jewish immigrants in New York.THIS EPISODE:March 6, 1949. CBS network. Sustaining. Luigi gets a letter from the income tax department! Has he paid his "E Pluribus Unum Tax?" .. Alan Reed (?), Bob Stevenson (announcer), Cy Howard (writer, producer, director), Hans Conried, J. Carrol Naish, Jody Gilbert, Joe Forte, Lou Derman (writer), Lyn Murray (music), Mac Benoff (writer), Mary Shipp. 29:37.

The Adventures of Ozzie and Harriet, an American radio and television series, was once the longest-running, live-action situation comedy on American television, having aired on ABC from 1952 to 1966 after a ten-year run on radio. Starring former bandleader Ozzie Nelson and his wife, vocalist Harriet, the show's sober, gentle humor captured a large, sustaining audience, even if it never reached the top ten in the actual ratings and later critics tended to dismiss it as fostering a slightly unrealistic picture of post-World War II American family life.

The Adventures of Frank Race was a 1949-50 radio adventure serial syndicated by Bruce Ellis Productions. The 30-minute program was first broadcast in some markets beginning May 1, 1949. An attorney who turned international adventurer after WWII, Frank Race (Tom Collins, Paul Dubov) mainly investigated insurance scams. After the first 22 shows, Dubov took over the title role. Tony Barnett portrayed Mark Donovan. The series was written and directed by Joel Murcott and Buckley Angel. The announcer was Art Gilmore, and Ivan Ditmars provided the background organ music.THIS EPISODE:May 22, 1949. Program #4. Broadcasters Program Syndicate syndication. "Seventeen, Black". Commercials added locally. An embezzler from Yonkers has committed suicide after taking $70,000. Tom Collins, Tony Barrett, Buckley Angel (writer, director), Joel Murcott (writer, director), Bruce Eells (producer), Art Gilmore (announcer), Ivan Ditmars (organist), Paul Dubov. 26:31.

Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who created the show, Ed Gardner.THIS EPISODE:January 12, 1951. NBC network. Sponsored by: RCA Victor, Anacin. Archie becomes smitten with beautiful Mary Ann, not knowing she's from the Draft Board! Archie accuses her of being a "Matzah Hari." The system cue is added live. Ed Gardner, Bert Gordon, Charlie Cantor, Cesar Concepcion and His Orchestra. 30:02.

SCREEN GUILD THEATER - The theatrical society in U.S.A. is termed as Theatre Guild. Founded in New York City in 1918 by Lawrence Langner (1890-1962) and others, the group proposed to produce high-quality, noncommercial plays. Its board of directors shared responsibility for choice of plays, management, and production. After the premiere of George Bernard Shawâs Heartbreak House in 1920, the Guild became his U.S. agent and staged 15 of his plays. It also produced successful plays by Eugene OâNeill, Maxwell Anderson, and Robert Sherwood and featured actors such as the Lunts and Helen Hayes. It helped develop the American musical by staging Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945); later also producing the radio series Theatre Guild on the Air (1945-53) and even presented plays on television.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."

THE FALCON: This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including "The Killers", "Spartacus" and "Cimarron"; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was "Falcon"; Later Charles McGraw starred in a short lived TV version of "Casablanca" (1955 - 1956) in the character of Rick; He also had a role on the detective drama "Staccato" (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA.THIS EPISODE:November 19, 1950. NBC network. "The Case Of The Puzzling Pinup". Sponsored by: Kraft Miracle Whip, Velveeta, Kraft Dinner. A dead woman is found with a gun in her hand. Where is the other body? A newspaper photographer has a set of photos worth $500,000, but dies right after being punched by "The Falcon." The photographer's beautiful "partner" admits to killing the photographer and then is shot herself! Les Damon, Ed Herlihy (announcer), Drexel Drake (creator). 29:38.

Matinee Theater represented a serious attempt by CBS to provide quality dramatic programming for its Sunday afternoon listeners. A continuation of the series Dangerously Yours, it was renamed Matinee Theater with a view towards presenting "a greater range of stories". That broader scope was able to accommodate such episodes as "Beautiful Dreamer" (the Stephen Foster story) and "The Love Story of Elizabeth Barrett and Robert Browning". Victor Jory and several different female stars paired to bring classics like "Wuthering Heights", "Jane Eyre", and "The Scarlet Pimpernel" to the audience, as well as a number of more contemporary works. The first of these thirty-minute broadcasts aired October 22, 1944 and the final one on April 8, 1945. The Vick Chemical Company sponsored throughout. THIS EPISODE:As the First World War ends a soldier wanders out of a Midlands asylum. Smithy was found in the trenches having lost his memory and all contact with the past. Amidst the noise of the armistice celebrations he meets a music hall actress. They fall in love, marry, move to a country cottage, and have a son. On a trip alone to Liverpool Smithy is involved in an accident. His original memory returns, but he now remembers nothing at all about his new life. Written by Jeremy Perkins. Writer is [email protected]

The Theatre Guild On The Air - The theatrical society in U.S.A. is termed as Theatre Guild. Founded in New York City in 1918 by Lawrence Langner (1890-1962) and others, the group proposed to produce high-quality, noncommercial plays. Its board of directors shared responsibility for choice of plays, management, and production. After the premiere of George Bernard Shawâs Heartbreak House in 1920, the Guild became his U.S. agent and staged 15 of his plays. It also produced successful plays by Eugene OâNeill, Maxwell Anderson, and Robert Sherwood and featured actors such as the Lunts and Helen Hayes. It helped develop the American musical by staging Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945); later also producing the radio series Theatre Guild on the Air (1945-53) and even presented plays on television.THIS EPISODE:February 24, 1946. ABC network. "Dead End". Sponsored by: United States Steel. The story of New York's slums that led to the creation of the "Dead End Kids," and is based on the play and film of the same name. Agnes Young, Alan Baxter, Anne Burr, Ann Thomas, Arnold Stang, Danny Leon, George Hicks (commercial spokesman), Joan Tetzel, Norman Brokenshire (announcer), Richard Conte, Sidney Kingsley (author). 59:20.

THE UNEXPECTED - Weird 15 minute stories that have a âtwistâ ending. The listener gets a sudden shock, as this time of program should intend to deliver. Actors included Barry Sullivan, Lurene Tuttle and Virginia Gregg, who played Helen Asher in the Richard Diamond detectve series. Director is Frank Danzig.

THE MILTON BERLE SHOW - In 1934-36, Berle was heard regularly on The Rudy Vallee Hour, and he got much publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety program broadcast on CBS from September 6, 1936 to August 29, 1937. In 1939, he was the host of Stop Me If You've Heard This One with panelists spontaneously finishing jokes sent in by listeners. Three Ring Time, a comedy-variety show sponsored by Ballantine Ale was followed by a 1943 program sponsored by Campbell's Soups. The audience participation show Let Yourself Go (1944-45) could best be described as slapstick radio with studio audience members acting out long suppressed urges (often directed at host Berle). Kiss and Make Up, on CBS in 1946, featured the problems of contestants decided by a jury from the studio audience with Berle as the Judge. He also made guest appearances on many comedy-variety radio programs during the 1930s and 1940s. Scripted by Hal Block and Martin Ragaway, The Milton Berle Show brought Berle together with Arnold Stang, later a familiar face as Berle's TV sidekick.

The Clock, Imported from Austrailia, was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; âSunrise and sunset, promise and fulfilment, birth and death â the whole drama of life is written in the sands of timeâ. This is a great series where the main theme seems to be Retribution. Stories as told by Father Time.THIS EPISODE:April 27, 1947. Grace Gibson syndication. "The Criminal Mind". Commercials added locally. The perfect crime...committed by a policeman! WRVR rebroadcast date: September 21, 1973. The program was heard on ABC on the date above and on August 4, 1947. Lawrence Klee (writer), Harp McGuire (narrator, as "The Clock"), John Saul (director), Grace Gibson (producer), Ken Wayne, John Mellion, George Sterling, Joe McCormick, Owen Weingart. 26:24.

The Devil and Mr. 'O' - With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten." Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician. Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios.

The Six Shooter, the only radio series staring James Stewart, aired on September 20, 1953. In this radio western, Jimmy played Britt Ponset, a man with a reputation for having a fast gun but is really very different from the hard, tough talking gun slinger type. Here the hero is a slow talking, thinking man who is ready with his gun, but first looks for options to violence. James Stewart played this character very well. Jimmy had appeared on many other radio shows including the Hollywood Star Playhouse where the character of Britt Ponset was introduced in an episode called "The Six Shooter". The same script was used for the audition of THE SIX SHOOTER series, again with Jimmy as Britt. The show aired between September 1953 and June 1954.

The Clitheroe Kid was James Robertson Clitheroe, Jimmy Clitheroe to most, who by some strange coincidence did come from the town of that name without having to change his family name! At his full height he was 4ft 3in, and played the naughty schoolboy from 1958 to 1972. Although plausable from a distance, he was not really able to pass himself off as a youngster close up, so a TV career did not really take off too well, but at the peak of his fame the radio show was raking in about 10 million listeners, although by the end this had dropped to a tenth of that figure. Clitheroe was a very private person, and the shows became a sort of escape for him, as well as the release from the worries of his diminutive size, but despite this, his popularity increased and increased, making this series one of the longer running on the radio - a total of 17 series.

The Saint â 1945-1951 There were at least 24 episodes broadcast of this series. It was a fascinating detective adventure series based on the books by Leslie Charteris. Edgar Barrier first played Simon Templar, aka The Saint, a debonair private detective in January 1945. He was then played by Brian Aherne in June 1945 and later Vincent Price from July 1947 up until May 1951. The Saint was said to have been like a modern day Robin Hood. He didnât care for justice and always helped victims hindered by the lawâs restrictions.

Pat Novak, For Hire â 1949-1950 Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.

Wild Bill Hickock - This juvenile western followed the same format as the TV show of the same name that ran throughout the same years. This format certainly was not new as the charismatic hero and comic side-kick was something that had been done before with Hopalong Cassidy and The Cisco Kid, and to some extent with the Lone Ranger. FIRST BROADCAST: May 17, 1951 LAST BROADCAST: February 12, 1956 SPONSORS: Kellog CAST: Guy Madison and Andy Devine. ANNOUNCERS: Charlie Lyon PRODUCERS/DIRECTORS: Paul Pierce.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were "The Man who Went Back to Save Lincoln" (a time travel fantasy), and an adaptation of "Donovan's Brain".THIS EPISODE:February 7, 1948. CBS network. "Donovan's Brain". Sustaining. The classic tale of the mad scientist and his "brain in the bottle." The story was previously produced on "Suspense," as two half hour programs, on May 18 and May 25, 1944 (see cat. #245 and #61158). John McIntire (doubles), Robert Montgomery (host, performer), William Johnstone, Wally Maher, Jeanette Nolan, Joseph Kearns (announcer, performer), Curt Siodmak (author), Robert L. Richards (adaptor), William Spier (producer, director, editor), Lucien Moraweck (composer), Lud Gluskin (conductor), Burne Surrey (sound effects), Bob Anderson (sound engineer). 61:28.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear!THIS EPISODE:October 9, 1946. CBS network. "It Happened Tomorrow". Sponsored by: Squibb. The delightful story about the newspaper reporter who had access to the next day's newspaper! Eddie Bracken, Ann Blyth, Hugh Brundage (announcer), Frank Wilson (adaptor), Leith Stevens (composer, conductor), Dee Englebach (producer, director). 29:36.

Authorâs Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.THIS EPISODE:July 28, 1944. NBC network. "Two Of A Kind". Sustaining. Two divers descend beneath the sea to rescue men and papers from a sunken sub. H. Vernon Dickson (writer). 1/2 hour.

Gunsmoke - The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as THE true adult western and one of the finest old time radio shows.THIS EPISODE:July 5, 1952. CBS network. "Never Pester Chester". Sustaining. Two Texas cowboys drag Chester behind a horse for fun, almost killing him. Marshal Dillon brings in the cowboys...without his guns. The script was used on the Gunsmoke television series on November 16, 1957. William Conrad, Parley Baer, Howard McNear, Georgia Ellis, Paul Dubov, Lou Krugman, Jack Kruschen, Roy Rowan (announcer), Don Diamond, John Meston (writer), Norman Macdonnell (director), Rex Koury (composer, conductor), Gil Stratton. 30:27.

The Martin and Lewis Show - On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings.THIS EPISODE:November 9, 1951. NBC netwoek. Sponsored by: Dentyne, Chesterfield, Anacin. Unedited tape. The recording features lots of fooling around, including some near off-color jokes. The first tune is, "It's The Toast Of The Town," and takes almost ten minutes to play. Guest Danny Thomas and the boys do their version of, "You Bet Your Life." A funny recording, the audience sounds like it's having a great time, and was obviously intended for editing. Great Martin and Lewis. When Jimmy Wallington declines to read an Anacin commercial, Dean suggests that he put his head through the window "and the pane will be gone." Dean Martin, Jerry Lewis, Dick Mack (producer, director), Dick Stabile and His Orchestra, Jimmy Wallington (announcer), Bonnie Bishop (vocal), Danny Thomas, Norman Lear (writer), Ed Simmons (writer). 1:05:48.

My Friend Irma, created by writer-director-producer Cy Howard, was a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films and television, while Howard scored with another radio comedy hit, Life with Luigi. Dependable and level-headed Jane Stacy (Cathy Lewis) narrated the misadventures of her innocent and bewildered roommate, Irma Peterson (Marie Wilson), a dim-bulb stenographer. Wilson portrayed the character on radio, in two films and a TV series. The successful radio series with Marie Wilson ran on CBS Radio from April 11, 1947 to August 23, 1954. The TV version, seen on CBS from January 8, 1952 until June 25, 1954, was the first series telecast from the CBS Television City facility in Hollywood. The movie My Friend Irma (1949) starred Marie Wilson and Diana Lynn but is mainly remembered today for introducing Dean Martin and Jerry Lewis to moviegoers, resulting in even more screen time for Martin and Lewis in the sequel, My Friend Irma Goes West (1950).THIS EPISODE:April 11, 1947. CBS network. "Irma Meets Jane". Sustaining. The first show of the series; how Jane met Irma. Irma invites Jane's wealthy boss to dinner, and Al shows up, Irma's impoverished boyfriend. Cathy Lewis, Marie Wilson, John Brown. 1/2 hour.

Casey, Crime Photographer - The adventures of Casey, crack photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940âs. Casey hung out at the Blue Note CafÃ, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Caseyâs girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Caseyâs pictures. This live series was set in and broadcast from, New York City.THIS EPISODE:July 17, 1947. CBS network. "Self-Made Hero". Sponsored by: Anchor Hocking Glass. Wellington Cliffside wants more than anything to be a hero and impress his bobby-soxed lady-love. The script was used previously on the program on March 18, 1944 and July 8, 1944. Alonzo Deen Cole (writer), Archie Bleyer (music), Herman Chittison (piano), Jack Grimes, Jan Miner, John Dietz (director), John Gibson, Staats Cotsworth, Tony Marvin (announcer), George Harmon Coxe (creator). 29:38.

From the age of twelve, Bob Hope worked at a wide variety of odd jobs at a local board walk. When not doing this he would busk, doing dance and comedy patter to make extra money. He entered many dancing and amateur talent contests, and won prizes for his impersonation of Charlie Chaplin. He also boxed briefly and unsuccessfully under the name Packy East, making it once as far as the semi-finals of the Ohio novice championship. Fallen silent film comedian Fatty Arbuckle saw one of his performances and in 1925 got him steady work with Hurley's Jolly Follies. A year later Hope had formed an act called the Dancemedians with George Burns (who would also live to see his own 100th birthday) and the Hilton Sisters, conjoined twins who had a tap dancing routine. Hope and his partner George Byrne had an act as a pair of Siamese twins as well, and both danced and sang while wearing blackface before friends advised Hope that he was funnier as himself.

The NBC University Theater - dramatic anthology Offered novels, with programs for college credit. Broadcast History : July 30th, 1948 - February 14th, 1951 NBC. Mostly 60 minutes. Mostly aired on Sundays, with occasional weeknight airings. Announcer : Don Stanley Music : Albert Harris, Henry Russell Director : Andrew C. Love Writers : Claris A. Ross, Ernest Kinoy, George Lefferts, Jack C. Wilson Sound Effects : Bob Holmes, Rod Sutton.THIS EPISODE:The Posthumous Papers of the Pickwick Club, better known as The Pickwick Papers, is the first novel by Charles Dickens. It was originally an idea by the illustrator Robert Seymour, although in his preface to the 1867 edition, Dickens strenuously denied this, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book." At any event, Dickens was asked to contribute to the project as an up and coming writer following the success of Sketches by Boz, published in 1836. Dickens, supremely confident as ever, increasingly took over the unsuccessful monthly publication after Seymour had committed suicide. With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books and other merchandise.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal minerâs daughter, was born in Peoria on November 15, 1898.

Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE:November 18, 1949. NBC network. " The Uninvited ". Sustaining. A weepy ghost story set in England. A bit heavy handed. Ray Milland, June Foray, John Dehner, Lewis Allen. 1/2 hour.

Nightfall is the title of a radio drama series produced and aired by CBC Radio ( Canadian Broadcasting Corporation ) from July 1980 to June 1983. While primarily a supernatural/horror series, Nightfall featured some episodes in other genres, such as science fiction, mystery, fantasy, and human drama. One episode was even adapted from a folk song by Stan Rogers. Some of Nightfall's episodes were so terrifying that the CBC registered numerous complaints and some affiliate stations dropped it. Despite this, the series went on to become one of the most popular shows in CBC Radio history, running 100 episodes that featured a mix of original tales and adaptations of both classic and obscure short stories. THIS EPISODE:July 11, 1980. Program #2. CBC origination, NPR network, WPBH-FM, Middlefield, Conn. aircheck. "The Monkey's Paw". Sustaining. A horror tale about three wishes. The WPBH-FM rebroadcast date is January 31, 1982. W. W. Jacobs (author), Henry Ramer (host), Ruth Springford, Eric House, Chris Wiggins, Michael Wincott, Graham Haley, John Jessop (recording engineer), Bill Robinson (sound effects), Doris Buchanan, Bill Howell (producer, director), John Douglas (story editor). 29:09.

The Sealed Book starred Philip Clarke as the keeper of the book, a croaking, cackling hermit, with knowledge of the black arts, who in each show unlocked the great padlock that kept the sealed book safe from prying eyes. There was a spook story each week with tales of secrets and mysteries of mankind through the ages. This MUTUAL network entry in the horror and mystery genre was far from the best remembered, such as Suspense, Quiet Please, and Inner Sanctum. The Sealed Book begins with a classic intro, in which when gonged, we are escorted by the tuxedoed announcer with unseen organist as the keeper of the book opens the ponderous, albeit squeaky door "to the secret vault wherein is kept the great sealed book, in which is recorded all the secrets and mysteries of mankind through the ages, Here are tales of every kind, tales of murder, of madness, of dark deeds strange and terrible beyond all belief." First broadcast date march 18th 1945. Last broadcast date september 9th 1945. Narrated by Philip Clarke and written by Bob Arthur and David Kogan, this mystery anthology was aired over the MUTUAL network Sunday nights at 10:30 p.m.

Night Beat - Frank Lovejoy stars as Randy Stone, a toughened, street-wise Chicago Star reporter working the Night Beat in the early 1950's. Sometimes the capers are cops and robbers. Or just normal people in trouble. Sometimes they deserve it. Sometimes fate twists their arm. Sometimes they're just too scared or confused to know the difference. Lovejoy is a seasoned pro of radio and film with an honest, gripping delivery. Solid supporting casts, good writing and direction.

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker."Beginning October 4, 1949, the show was adapted for television for the DuMont Television Network, but Bendix's film contracts prevented him from appearing in the role. Instead, Jackie Gleason starred along with Rosemary DeCamp as wife Peg, Gloria Winters as daughter Barbara (Babs), Lanny Rees as son Chester Jr. (Junior), and Sid Tomack as Gillis, Riley's manipulative best buddy and next-door neighbor.

In 1946 and 1950-1951 Nero Wolfe was aired on radio. Sidney Greenstreet played Nero Wolfe in the later series. The two earlier series have only one episode each available. A variety of actors played Archie Goodwin. NETWORK: NBC, SPONSOR: SUSTAINED, TIME: Fridays: 8:00 - 8:30 pm STARS: Sidney Greenstreet as Nero Wolfe. Archie played by various actors WRITER: Louis Vittes based on the stories by Rex Stout; ANNOUNCER: Don Stanley; PRODUCER: Edwin Fadiman; DIRECTOR: J. Donald Wilson.

DIARY OF FATE is a mystery and horror program where âFateâ narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their âFateâ.THIS EPISODE:April 6, 1948. Program #17. Finley syndication. "The Entry Of Tyler White". Commercials added locally. Book 93, page 861. The story of Tyler White who is about to be executed for a murder he did not commit...because of a stray dog and a forgotten cigarette lighter. The date is subject to correction. Herb Lytton, Ruth Perrott, Herbert Rawlinson, Tyler McVey, Hal Sawyer, Ray Erlenborn (probable sound effects), Bob Lowery, Ivan Ditmars (organ), Larry Finley (producer). 28:39.

TWO EPISODES FROM 1945"The Little Gift" and "The Mad King Of Bavaria"A series of mystery and drama from the 1940's, always with a theme that surrounded some aspect of the precious gem, always the stories of admiration, smuggling, and thievery and the evil deeds of those who wished to possess them. Today we bring you two episodes.

Jeff Regan, Investigator was one of the three detective shows Jack Webb did before Dragnet (see also Pat Novak For Hire and Johnny Modero: Pier 23). It debuted on CBS in July 1948. Webb played JEFF REGAN, a tough private eye working in a Los Angeles investigation firm run by Anthony J. Lyon. Regan introduced himself on each show "I get ten a day and expenses...they call me the Lyon's Eye." The show was fairly well-plotted, Webb's voice was great, and the supporting cast were skillful. Regan handled rough assignments from Lion, with whom he was not always on good terms. He was tough, tenacious, and had a dry sense of humor. The voice of his boss, Anthony Lion, was Wilms Herbert. The show ended in December 1948 but was resurrected in October 1949 with a new cast; Frank Graham played Regan (later Paul Dubrov was the lead) and Frank Nelson portrayed Lion. This version ran on CBS, sometimes as a West Coast regional, until August 1950. Both versions were 30 minutes, but the day and time slot changed several times. A total of 29 episodes from this series are in trading currency.THIS EPISODE:October 2, 1948. CBS network. "The Man With The Key". Sustaining. Jeff, a private investigator, is hired to protect a safe deposit box key for seven hours. Bob Stevenson (announcer), Herb Butterfield, Jack Webb, June Martell, Ken Christy, Marvin Miller, Paul Frees, Yvonne Peattie, E. Jack Neuman (writer), Larry Roman (writer), Sterling Tracy (producer). 29:49.

INHERITANCE - A Dramatized look into American History. NBC Networ in cooperation with the AMERICAN LEGION Sundays 4:30 - 5:00 pm PRUDUCER/DIRECTOR: Albert McCleary ANNOUNCER: John Wald MUSIC: Robert Armbruster.

The Witch's Tale was a horror-fantasy radio series which aired from 1931 to 1938 on WOR and Mutual and in syndication. The program was created, written and directed by Alonzo Deen Cole, who was born February 22, 1897 in St. Paul, Minnesota and died April 7, 1971. Cole's spooky show was hosted by Old Nancy, the Witch of Salem, who introduced a different terror tale each week. The role of Old Nancy was created by stage actress Adelaide Fitz-Allen, who died in 1935 at the age of 79. Cole replaced her with 13-year-old Miriam Wolfe, and Martha Wentworth was also heard as Old Nancy on occasion. Cole himself provided the sounds of Old Nancy's cat, Satan. Cole's wife, Marie O'Flynn, portrayed the lead female characters on the program, and the supporting cast included Mark Smith and Alan Devitte. For syndication, the shows were recorded live during broadcast and distributed to other stations. These recordings were destroyed by Cole in 1961, so few episodes survive. Cole was also the writer, producer and director of the radio mystery-crime drama, Casey, Crime Photographer.

Burns and Allen are one of the most beloved couple in old time radio. They got started, like many of the greats of old time radio, in vaudeville, which is really just the touring popular entertainment in America prior to movies. Gracie was the sparkplug of the act, always the center of attention. George played the foil, the guy vainly trying to make sense of the ditzy world of Gracie. By the early 30s, Gracie was probably the best known woman on radio. Gracie often sang in a voice that showed she was also an excellent comedienne songstress. The shows had names after the sponsors, such as Maxwell House Coffee Time, or The Ammident Show - it was the Burns and Allen show to the public. Other fine radio actors were a part of the fun. Mel Blanc did the happy postman, and was also famous for his zany characters on The Jack Benny Show, and his own Mel Blanc Show. Elliott Lewis, a veteran of many radio dramas, played many of the bit parts on the Burns and Allen shows of the 40s. Burns & Allen were touring England in 1929 when they made their first radio appearance on the BBC. Gracie Allen died on August 27, 1964. George Burns died on March 9, 1996. First Broadcast date february 15th 1932. Last Broadcast date may 17th 1950.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

Hollywood Startime - Return Of Frank JamesFrank James, the brother of Jesse James, has been laying low, living as a farmer and taking care of Clem, the son of one of the members of the James gang. He gets word that Jesse was killed by Bob and Charlie Ford, he hoped that the law would deal with them but when he learns that the railroad man whom he and Jesse terrorized contracted them to kill Jesse and helped them get off, he goes after them. Clem whom he told to remain on the farm goes with him and when it's impossible for him to do so, Frank has no choice to let him tag along. Now in order to cover their tracks they start telling people that Frank James is dead and that they saw it. Eleanor Stone, a female reporter, who wants to write about it interviews them and they are both taken with each other. But eventually she learns who Frank is from the Pinkerton detective who is tracking them but doesn't turn them in. But eventually Frank learns that his farm hand, Pinky has been arrested as his accomplice and is about to be hung. Now short of knowing who Frank is, he has not done anything to help Frank, so Frank has to decide what is more important getting the Fords or helping Pinky. Written by: [email protected]

The Jack Benny Program is a classic comedy that is truly one of the best-loved programs from the Golden Age of Radio. It started life as The Canada Dry Program in 1932 on the Blue Network and finished off as The Lucky Strike Program on CBS in 1955. In between, it kept the audience in stitches and established Benny as one of America's all-time great comedians. The format of the show, and the personality of its star, so well honed in two decades on radio, made the transition to television almost intact. Jack's stinginess, vanity about his supposed age of 39, basement vault where he kept all his money, ancient Maxwell automobile, and feigned ineptness at playing the violin were all part of the act. Added to Jack's famous pregnant pause and exasperated "Well!" were a rather mincing walk, an affected hand to the cheek, and a painted look of disbelief when confronted by life's little tragedies.