Boxcars711 Old Time Radio

Hancock's Half-Hour is the yardstick against which all subsequent British sitcoms have been measured, the vast majority failing to size up to its extremely high standards. Based on his famous radio show of the same name, the TV run consolidated Tony Hancock's standing as Britain's leading comic of the day, the entertainer providing ample proof that his wonderfully flexible face could be as expressive as his dextrous radio voice. Tony Hancock was at the height of his powers during the late 1950s, squeezing every comic ounce out of his lines, pulling off perfectly judged pauses and demonstrating a sense of timing to match the great Jack Benny's. His character - Anthony Aloysius St John Hancock - was invariably a loser, whose aspirations and plans were dashed by fate, circumstance, Sid James or, more often than not, his own pomposity or unfettered ambition.

The Ford Theater aired 1947 - 1949. It was broadcast on NBC until October 8, 1948 then moved to CBS. It was hosted by Howard Lindsay. The show tried to use good but not to famous radio performers. Producer George Zachary, first producer, attempting to use popular radio stars instead of Hollywood stars offered limited success. Followed was low ratings which forced the replacement of Zachary with Fletcher Markle, husband of radio legend Mercedes McCambridge. Needing a change the show moved to California and began starring celebrities from Hollywood like Lucille Ball. Jack Benny, Bob Hope, Bette Davis to mention a few. This combination made for a hit radio show.

Box 13 - The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling. Other stars in the series were Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal and Frank Lovejoy. Music was by Rudy Schrager and the writer was Russell Hughes. Announcer/Director was Vern Carstensen. The series was produced by Richard Sanville with Alan Ladd as co-producer.

Spy Catcher - (BBC) 1960-1961. A series of true stories in the unceasing search for enemy spys in wartime. Based on the memoirs of Lt. Col. Oreste Pinto of Allied Counterintelligence Services. The shows were extremly popular during the golden age of radio.THIS EPISODE:The Infernal Triangle - In May 1945 the war in Europe was over but the search for spys was still on and a mass of letters on known spy activities continued to pour in to the new intellegence headquarters located in the wing of a prison at the Hague known as the Hotel Orange. Amonst these letters was found a single sheet of paper, a cheap scribble pad with no water mark. The words in large blocked capital letters and unsigned, written In dutch, it read "Mrs. Sanders is a spy and it is your duty to investigate her". The investigation begins.

Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes. Another mainstay of these question and answer segments was the paper mache duck that would descend from the ceiling with one hundred dollars in tow whenever a player uttered the "secret word." The quiz show aspect of "You Bet Your Life" was always secondary, to the clever back-and-forth between host and contestant, which found Groucho at his funniest. It's in these interview segments that "You Bet Your Life" truly makes its mark as one of early television's greatest programs. Directed by: Robert Dwan.

2000 AD (2000 Plus) is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds tas audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.THIS EPISODE:1950. Mutual net origination, AFRS rebroadcast.. "Flying Saucers". Sustaining. Not auditioned. In the year 2012, a second "Zeus" rocket is about to be launched from White Sands. The saucers have been visiting for the last three months and are considered a potential threat. Ralph Bell, Luis Van Rooten, Bryna Raeburn, Pierre Gerson (writer), Ken Williams, Emerson Buckley (conductor), Elliot Jacoby (conductor), Walt Shaver (sound), Adrian Penner (sound), Martin Enghauser (engineer), Ken Marvin (announcer). 29:04.

Sherlock Holmes detective stories appeared on radio for more than 25 years, with a long list of performers playing the parts of Holmes and Dr Watson. FIRST BROADCAST: October 20th 1930 LAST BROADCAST: September 4th 1956. The stories were written by Edith Meiser, a self-confessed Holmes addict. These were so well written that she was warmly praised by Arthur Conan Doyleâs widow and son.

The Adventures Of Philip Marlowe - The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.THIS EPISODE:August 18, 1950. CBS network "The Dark Tunnel". Sustaining. A beautiful girl and a disfiguring fire...and it only starts with a guy getting beat up in an alley. Gerald Mohr, Roy Rowan (announcer), Lurene Tuttle, Bob Sweeney, Paul Dubov, Barney Phillips, Lawrence Dobkin, David Ellis, Raymond Chandler (creator). 30:04.

The Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase.THIS EPISODE:August 14, 1952. NBC network. "The Amusement Park". Sustaining. A young woman leaves her shooting gallery with a new friend to solve a murder and catch a pyromaniac. The system cue has been deleted. Adelaide Klein, Arthur Gary (announcer), Bill Lipton, Charles O'Neill (writer), Daniel Sutter (director, transcriber), Jack Lloyd, Lawrence Klee (creator, writer), Patrick Campbell, Sydney Smith, Walter Black. 29:27.

21ST PRECINCT was one of the realistic police drama series of the early- to mid-1950's that were aired in the wake of DRAGNET. Hard-boiled private detective series that often portrayed police as inept or incompetent were losing favor. NBC's DRAGNET had proven that a realistic police show could attract and hold an audience. In 1953 CBS decided to use New York City as the backdrop for their own half-hour police series and focus on the ay-to- day operations of a single police precinct. Actual cases would be used as the basis for stories. It was mentioned in each episode's closing by the announcer that, "Twenty-first Precinct is presented with the official cooperation of the Patrolmen's Benevolent Association an organization of more than 20,000 members of the Police Department, City of New York."

Adventures In ResearchEpisode 9 "The Immigrant Inventor" (3-30-43)Episode 10 "Dirty Hands" (4-06-43)A wonderfully informative old time radio series can be found in Adventures In Research. With tales that are not only wonderfully dramatic, but at the same time extremely interesting and entertaining. Adventures In Research offers the listener accounts in American scientific research history. You will be enthralled, as will your children. Best of all, in regards to providing a great educational tool for children, the episodes are made for their attention span, and run approximately fifteen minutes. Hear about the development of the parachute; History of 1st Regular Radio Broadcast; learn about the George Westinghouse; be amazed at The First American Patent; the horrible Dread Scourge - Typhus; be in awe of The Man Who Found A Continent; and so much more wonderful history.

1984-1986 There were 69 episodes in the original series. The series continued after that under various names and formats. "The point between reality and fantasy. Where imagination holds the key to new worlds. That point of no return---The Vanishing Point." Favorably compared to Rod Sterling's classic TV series, The Twilight Zone, these finely tuned radio dramas from the Canadian Broadcasting Corporation provide compelling excursions into the realm of mystery and fantasy.

Richard Diamond, Private Detective was a radio show starring Dick Powell which aired from 1949 to 1953, first on NBC, then ABC and finally on CBS. The title character was a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. The television series was produced by Powell's company, Four Star Television, and that series ran for 3 years from 1957 to 1960. On TV, David Janssen played the hard boiled private eye and his secretary renamed âSamâ, was only ever shown on camera from the waist down, most assurardidly to display her beautiful legs. It was later leared that the legs belonged to Mary Tyler Moore. Original music by Frank DeVol and pete rugolo and later by richard shores. Good scripts, a solid cast and Powellâs exceptional talent made a good time 30 minute program that was quite popular during that Golden Age of Radio. So Letâs sit back now, relax and enjoy this truly otr radio classic.,â, Dick powell as Richard Diamond.., Private Detective.THIS EPISODE:October 29, 1949. NBC net. Sustaining. Mrs. Lenore Kirby asks Diamond to help find her ex-private eye son named Bill Kirby. Bill soon turns up dead, with two very tough hombres out to get Kirby's shoe! Dick Powell doesn't sing on this show! Part of the last promotional announcement and the system cue have been deleted. Blake Edwards (writer), Dick Powell, Ed Begley, Edward King (announcer), Frank Worth (composer, conductor), Peggy Webber, Richard Sanville (director), Steve Dunne, Virginia Gregg, William Johnstone, Wilms Herbert. 29:28.

Baby Snooks - FIRST BROADCAST: 29th February 1936 as part of The Ziegfield Follies of the Air LAST BROADCAST: 29th May 1951 CAST: Fanny Brice as Baby Snooks. Henley Stafford as Lancelot âDaddyâ Higgins, Baby Snooks father. Lalive Brownell as âMommyâ Higgins (later played by Lois Corbet and Arlene Harris).Leone Ledoux as Snookâs little brother Roberspierre. ANNOUNCERS: John Conte (late 30s and early 40s). Tobe Reed (1944-45), Harlow Willcox (mid to late 1940s), Dick Joy, Don Wilson and Ken Wilson. VOCALIST: Bob Graham MUSIC: Meredith Willson (37-44), Carmen Dragon. PRODUCER-DIRECTORS: Mann Holiner (early 1940s), Al Kaye (1944), Ted Bliss, Walter Bunker, Arthur Stander. WRITERS: Phil Rapp, Jess Oppenheimer, Everett Freeman, Bill Danch, Sid Dorfman, Arthur Stander, Robert Fisher. SOUND EFFECTS: Clark Casey, David Light. Baby Snooks became a character for Fanny Brice at some point in the early 30s, nobody seems to know exactly when. What is for sure is that by 1934 Fanny was appearing on-stage in her baby costume as part of the Follies show on Broadway. In 1936, at 45 years of age, she used this baby persona to great effect on the CBS show The Ziegfield Follies of the Air and a radio legend was born.

THE MYSTERIOUS TRAVELER - Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can! Cast members included Jackson Beck, Lon Clark, Roger DeKoven, Elspeth Eric, Wendell Holmes, Bill Johnstone, Joseph Julian, Jan Miner, Santos Ortega, Bryna Raeburn, Frank Readick, Ann Shepherd, Lawson Zerbe and Bill Zuckert. Sound effects were by Jack Amrhein, Jim Goode, Ron Harper, Walt McDonough and Al Schaffer.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Manhunt - CRIME DRAMA1945-1946 15 Minutes transcribed syndication (ZIV network), with crime stories complete in each episode. CAST: Larry Haines as Drew Stevens. New York players were in support. The shows were well written and, for the time period, quite well performed. In Episode One "Clue Of The Masked Murderer", police are notiified of a murder. Upon arrival at the scene, they find nothing. Under their watch, a body suddenly appears and sends everyone into a search of surrounding apartments. As this investigation continues, a second body is discovered. Drew Stevens and his associate discover the motive and suspect. Can they make an arrest?In Episode Two, "The Contridicting Confessions", a mother and her son both confess to the murder of Andrew Winters, the woman's brother who owned the farm they all lived on. Winters was about to reposses the property and force the others to leave. Police attempting to solve the crime were further confussed by even a third confession.

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:October 19, 1951. Program #12. Lang-Worth syndication. "Blue Bride". Commercials added locally. Harry's involved in a counterfeiting scheme in Bordeaux. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 26:34.

The Haunting Hour - The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."THIS EPISODE:NBC syndication, WRVR-FM, New York aircheck. "Occupation Murder". Participating sponsors. Syndicated rebroadcast date: January 17, 1975. . 28:20.

The Philip Morris Playhouse - Philip Morris invested heavily in radio advertising throughout the 1930s and â40s, often having two weekly programs on competing networks. The first, a variety show that ran for twelve seasons (1934-47) and combined musical and dramatic elements, was called Johnny Presents, essentially giving Roventini "top billing" above all the big name guests that appeared on the broadcasts. The cigarette company also sponsored Philip Morris Playhouse, a dramatic anthology series that lasted 14 seasons (1939-53), finally switching to television. THIS EPISODE:July 29, 1949. CBS net. "The Ironman". Sponsored by: Philip Morris, Revelation Pipe tobacco. The three owners of a failing New York bar decide to do in a barfly after taking out an insurance policy on his life. This is not as easy as it sounds. A well done production of a classic story. William Spier (director, producer, editor), Sidney Miller, Jerry Hausner, Joseph Kearns, John Holbrook (announcer), Harold Swanton (writer), Lud Gluskin (music director), Art Ballinger (announcer), James Matthews. 29:35

Bold Venture - The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.THIS EPISODE:ZIV Syndication. "Slate's Stolen Identity". Commercials added locally. A southerner hires Slate and Sailor to take his client off a freighter (the "S. S. Paloma," Didn't that ship burn in "The Maltese Falcon?"). Slate is shanghaied, his identification papers are taken and is almost arrested as being Louis Gaspar. Humphrey Bogart, Lauren Bacall, Barton Yarborough, Jester Hairston (singing transitions), David Rose (composer, conductor). 26:39.

The Green Valley Line is "the story of a back-country railroad in the early years of the 20th Century". Not much is known about the people or history of the Green Valley Line radio show. It was probably a single radio station production, since it doesn't even have credits. There's a real live quality to the show, since there's mis-reading of dialogue, and skewed inflections, but that's a great deal of the charm with this rarely-heard local show. It has simple, direct dialogue and almost no sound effects except for the great sounds of the trains and some random railroad office sounds such as typewriters and such.

Dick Tracy had a long run on radio, from 1934 weekdays on NBC's New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC's weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of "Toot Toot, Tootsie" for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. Directors of the series included Mitchell Grayson, Charles Powers and Bob White. Cast members at various times included Walter Kinsella as Pat Patton, Helen Lewis as Tess Trueheart and Andy Donnelly and Jackie Kelk as Junior Tracy. Announcers were Ed Herlihy and Dan Seymour.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

The Great Gildersleeve (1941-1957) was the arguable founding father of the spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Hooked around a character who had been a staple on the classic radio hit Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest period in the 1940s, when Harold Peary graduated the character from the earlier show into the sitcom and in a quartet of likeable feature films at the height of the show's popularity.THIS EPISIODE:June 4, 1944. NBC network. Sponsored by: Kraft Parkay, Pabst-Ett. Eve's mother comes for a visit, and Gildersleeve meets his future mother-in-law. Bea Benaderet, Claude Sweeten (music), Earle Ross, Harold Peary, John Whedon (writer), Ken Carpenter (announcer), Lillian Randolph, Lurene Tuttle, Richard LeGrand, Sam Moore (writer), Shirley Mitchell (?), Walter Tetley. 29:32.

The Adventures Of Maisie - The first in 1939, was from the book "Dark Dame" by the writer Wilson Collison,who did decades of scripting for the silver screen along with Broadway plays and magazine fiction. From the first, MGM wanted Ann Sothern to play Maisie. She began in Hollywood as an extra in 1927. "Maisie and I were just together - I just understood her," Sothern, born Harriette Arlene Lake, said after several of the films made her a star. Throughout the 1930s and '40s, Ann Sothern and Lucille Ball, like many performers in Hollywood, had not one but two careers - one in motion pictures and one on radio. MGM Studios had created the series of ten motion pictures based on a brash blonde with a heart "of spun gold." Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison, who did decades of scripting for the silver screen along with Broadway plays and magazine fiction.

THE WEIRD CIRCLE was a syndicated series that was heard on Mutualstations November, 1943 through October, 1947 and very briefly inSeptember/October of 1947 on ABC. The show presented 30 minute tales of horror, frequently inspired by classic horror or ghost stories, frequently done by French authors. It opened with the sound of the surf and the chant-like opening, "In this cave by the restless sea, we are met to call from out of past, stories strange and weird. Bell keeper, toll the bell, so that all may know that we are gathered again in the Weird Circle".THIS EPISODE:April 13, 1945. Program #49. NBC syndication. "Mad Monkton". Commercials added locally. An excellent ghost story. Ancient prophesy and the unburied dead. Wilkie Collins (author). 26:00.

The Man Called X was an espionage radio drama which aired on CBS and NBC from July 10, 1944 to May 20, 1952. Herbert Marshall had the lead role of agent Ken Thurston who took on dangerous cases in a variety of exotic locations. Gordon Jenkins Orchestra supplied the background music. Leon Belasco played Mr. X's comedic sidekick, Pagan Zeldchmidt, who always turned up in remote parts of the world because he had a "cousin" there. Pagan would annoy and help Mr. X

Hollywood Radio Theater (Lux), one of the genuine classic radio anthology series (NBC Blue Network, 1934-1935; CBS 1935-1955), adapted first Broadway stage and then (and especially) films to hour-long live radio presentations and became the standard by which future radio and early television anthologies would be judged. Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936 until January 22, 1945.

Have Gun â Will Travel was a popular American Western television series that aired on CBS from 1957 through 1963. It was one of the few television shows to spawn a successful radio version. The radio series debuted on November 23, 1958. The show followed the adventures of Paladin, a gentleman-turned-gunfighter (played by Richard Boone on television, and by John Dehner on radio), who preferred to settle problems without violence, yet, when forced to fight, excelled.

The Price Of Fear - For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.EPISODE:Program #1. Syndicated, KCRW-FM, Santa Monica, California aircheck. "Not Wanted On The Voyage". Sustaining. An eternal triangle aboard an ocean liner, with murder for the crippled wife. Vincent Price (host, narrator), William Ingraham (writer), Margaret Courtney, Sheila Grant, Henry Stamper, John Dias (director), Shandor Ellis. 28:05.

People are Funny was a television game show that premiered and ended on NBC from 1954-1961. It was shot in the outside world and dared people to do stunts for fun for spectators. This was done to "reveal the true nature" of their guests. This show was considered a predecessor to most of the reality game shows we know today, such as "Survivor" and MTV's "Jackass." Art Linkletter was the more well-known host of the show. Viewers grew up with him, but not just on People are Funny. He was also seen on Life With Linkletter (1950-52 & 1969-70), Art Linkletter's House Party (1952-69), and The Art Linkletter Show (1963).

Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere.THIS EPISODE:January 16, 1949. CBS network. Sponsored by: Palmolive Soap, Palmolive Shaving Cream, Lustre Creme Shampoo. As Mr. Conklin cracks down on discipline at Madison High, Miss Brooks is assigned to the stock room. The program is possibly dated February 6 or 8, 1949. Eve Arden, Verne Smith (announcer), Richard Crenna, Gale Gordon, Jane Morgan, Wilbur Hatch (music), Jeff Chandler, Gloria McMillan. 29:48.

The Lone Ranger was a long-running early radio and television show based on characters created by George W. Trendle, and developed by writer Fran Striker. The titular character is a masked cowboy in the American Old West, who gallops about righting injustices, usually with the aid of a clever and laconic American Indian called Tonto, and his horse Silver. He would famously say "Heigh-ho Silver, away!" to get the horse to gallop.

Rogue's Gallery came to the Mutual network on September 27, 1945 with Dick Powell portraying Richard Rogue, a private detective who invariably ended up getting knocked out each week and spending his dream time in acerbic conversation with his subconscious self, Eugor. Rogue's Gallery was, in a sense, Dick Powell's rehearsal for Richard Diamond, Private Detective. Powell played private detective Richard Rogue, who trailed luscious blondes, protected witness, and did whatever else detectives do to make a living. It was a good series, though not destined to make much of a mark. Under the capable direction of Dee Englebach and accompanied by the music of Leith Stevens, Powell floated through his lines with the help of such competents as Lou Merrill, Gerald Mohr, Gloria Blondell, Tony Barrett, and Lurene Tuttle. Peter Leeds played Rogue's friend Eugor, an obscure play on names with Eugor spelling Rogue backwards.

Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou Gerson.

Life with Luigi was a radio comedy-drama series which began September 21, 1948 on CBS. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived television version in 1952, and was later replaced by Vito Scotti. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma. The show was often seen as the Italian counterpart to the radio show The Goldbergs, which chronicled the experience of Jewish immigrants in New York.THIS EPISODE:March 6, 1949. CBS network. Sustaining. Luigi gets a letter from the income tax department! Has he paid his "E Pluribus Unum Tax?" .. Alan Reed (?), Bob Stevenson (announcer), Cy Howard (writer, producer, director), Hans Conried, J. Carrol Naish, Jody Gilbert, Joe Forte, Lou Derman (writer), Lyn Murray (music), Mac Benoff (writer), Mary Shipp. 29:37.

The Adventures of Ozzie and Harriet, an American radio and television series, was once the longest-running, live-action situation comedy on American television, having aired on ABC from 1952 to 1966 after a ten-year run on radio. Starring former bandleader Ozzie Nelson and his wife, vocalist Harriet, the show's sober, gentle humor captured a large, sustaining audience, even if it never reached the top ten in the actual ratings and later critics tended to dismiss it as fostering a slightly unrealistic picture of post-World War II American family life.

The Adventures of Frank Race was a 1949-50 radio adventure serial syndicated by Bruce Ellis Productions. The 30-minute program was first broadcast in some markets beginning May 1, 1949. An attorney who turned international adventurer after WWII, Frank Race (Tom Collins, Paul Dubov) mainly investigated insurance scams. After the first 22 shows, Dubov took over the title role. Tony Barnett portrayed Mark Donovan. The series was written and directed by Joel Murcott and Buckley Angel. The announcer was Art Gilmore, and Ivan Ditmars provided the background organ music.THIS EPISODE:May 22, 1949. Program #4. Broadcasters Program Syndicate syndication. "Seventeen, Black". Commercials added locally. An embezzler from Yonkers has committed suicide after taking $70,000. Tom Collins, Tony Barrett, Buckley Angel (writer, director), Joel Murcott (writer, director), Bruce Eells (producer), Art Gilmore (announcer), Ivan Ditmars (organist), Paul Dubov. 26:31.

Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who created the show, Ed Gardner.THIS EPISODE:January 12, 1951. NBC network. Sponsored by: RCA Victor, Anacin. Archie becomes smitten with beautiful Mary Ann, not knowing she's from the Draft Board! Archie accuses her of being a "Matzah Hari." The system cue is added live. Ed Gardner, Bert Gordon, Charlie Cantor, Cesar Concepcion and His Orchestra. 30:02.

SCREEN GUILD THEATER - The theatrical society in U.S.A. is termed as Theatre Guild. Founded in New York City in 1918 by Lawrence Langner (1890-1962) and others, the group proposed to produce high-quality, noncommercial plays. Its board of directors shared responsibility for choice of plays, management, and production. After the premiere of George Bernard Shawâs Heartbreak House in 1920, the Guild became his U.S. agent and staged 15 of his plays. It also produced successful plays by Eugene OâNeill, Maxwell Anderson, and Robert Sherwood and featured actors such as the Lunts and Helen Hayes. It helped develop the American musical by staging Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945); later also producing the radio series Theatre Guild on the Air (1945-53) and even presented plays on television.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."

THE FALCON: This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including "The Killers", "Spartacus" and "Cimarron"; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was "Falcon"; Later Charles McGraw starred in a short lived TV version of "Casablanca" (1955 - 1956) in the character of Rick; He also had a role on the detective drama "Staccato" (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA.THIS EPISODE:November 19, 1950. NBC network. "The Case Of The Puzzling Pinup". Sponsored by: Kraft Miracle Whip, Velveeta, Kraft Dinner. A dead woman is found with a gun in her hand. Where is the other body? A newspaper photographer has a set of photos worth $500,000, but dies right after being punched by "The Falcon." The photographer's beautiful "partner" admits to killing the photographer and then is shot herself! Les Damon, Ed Herlihy (announcer), Drexel Drake (creator). 29:38.

Matinee Theater represented a serious attempt by CBS to provide quality dramatic programming for its Sunday afternoon listeners. A continuation of the series Dangerously Yours, it was renamed Matinee Theater with a view towards presenting "a greater range of stories". That broader scope was able to accommodate such episodes as "Beautiful Dreamer" (the Stephen Foster story) and "The Love Story of Elizabeth Barrett and Robert Browning". Victor Jory and several different female stars paired to bring classics like "Wuthering Heights", "Jane Eyre", and "The Scarlet Pimpernel" to the audience, as well as a number of more contemporary works. The first of these thirty-minute broadcasts aired October 22, 1944 and the final one on April 8, 1945. The Vick Chemical Company sponsored throughout. THIS EPISODE:As the First World War ends a soldier wanders out of a Midlands asylum. Smithy was found in the trenches having lost his memory and all contact with the past. Amidst the noise of the armistice celebrations he meets a music hall actress. They fall in love, marry, move to a country cottage, and have a son. On a trip alone to Liverpool Smithy is involved in an accident. His original memory returns, but he now remembers nothing at all about his new life. Written by Jeremy Perkins. Writer is [email protected]

The Theatre Guild On The Air - The theatrical society in U.S.A. is termed as Theatre Guild. Founded in New York City in 1918 by Lawrence Langner (1890-1962) and others, the group proposed to produce high-quality, noncommercial plays. Its board of directors shared responsibility for choice of plays, management, and production. After the premiere of George Bernard Shawâs Heartbreak House in 1920, the Guild became his U.S. agent and staged 15 of his plays. It also produced successful plays by Eugene OâNeill, Maxwell Anderson, and Robert Sherwood and featured actors such as the Lunts and Helen Hayes. It helped develop the American musical by staging Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945); later also producing the radio series Theatre Guild on the Air (1945-53) and even presented plays on television.THIS EPISODE:February 24, 1946. ABC network. "Dead End". Sponsored by: United States Steel. The story of New York's slums that led to the creation of the "Dead End Kids," and is based on the play and film of the same name. Agnes Young, Alan Baxter, Anne Burr, Ann Thomas, Arnold Stang, Danny Leon, George Hicks (commercial spokesman), Joan Tetzel, Norman Brokenshire (announcer), Richard Conte, Sidney Kingsley (author). 59:20.

THE UNEXPECTED - Weird 15 minute stories that have a âtwistâ ending. The listener gets a sudden shock, as this time of program should intend to deliver. Actors included Barry Sullivan, Lurene Tuttle and Virginia Gregg, who played Helen Asher in the Richard Diamond detectve series. Director is Frank Danzig.

THE MILTON BERLE SHOW - In 1934-36, Berle was heard regularly on The Rudy Vallee Hour, and he got much publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety program broadcast on CBS from September 6, 1936 to August 29, 1937. In 1939, he was the host of Stop Me If You've Heard This One with panelists spontaneously finishing jokes sent in by listeners. Three Ring Time, a comedy-variety show sponsored by Ballantine Ale was followed by a 1943 program sponsored by Campbell's Soups. The audience participation show Let Yourself Go (1944-45) could best be described as slapstick radio with studio audience members acting out long suppressed urges (often directed at host Berle). Kiss and Make Up, on CBS in 1946, featured the problems of contestants decided by a jury from the studio audience with Berle as the Judge. He also made guest appearances on many comedy-variety radio programs during the 1930s and 1940s. Scripted by Hal Block and Martin Ragaway, The Milton Berle Show brought Berle together with Arnold Stang, later a familiar face as Berle's TV sidekick.

The Clock, Imported from Austrailia, was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; âSunrise and sunset, promise and fulfilment, birth and death â the whole drama of life is written in the sands of timeâ. This is a great series where the main theme seems to be Retribution. Stories as told by Father Time.THIS EPISODE:April 27, 1947. Grace Gibson syndication. "The Criminal Mind". Commercials added locally. The perfect crime...committed by a policeman! WRVR rebroadcast date: September 21, 1973. The program was heard on ABC on the date above and on August 4, 1947. Lawrence Klee (writer), Harp McGuire (narrator, as "The Clock"), John Saul (director), Grace Gibson (producer), Ken Wayne, John Mellion, George Sterling, Joe McCormick, Owen Weingart. 26:24.

The Devil and Mr. 'O' - With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten." Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician. Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios.

The Six Shooter, the only radio series staring James Stewart, aired on September 20, 1953. In this radio western, Jimmy played Britt Ponset, a man with a reputation for having a fast gun but is really very different from the hard, tough talking gun slinger type. Here the hero is a slow talking, thinking man who is ready with his gun, but first looks for options to violence. James Stewart played this character very well. Jimmy had appeared on many other radio shows including the Hollywood Star Playhouse where the character of Britt Ponset was introduced in an episode called "The Six Shooter". The same script was used for the audition of THE SIX SHOOTER series, again with Jimmy as Britt. The show aired between September 1953 and June 1954.