Boxcars711 Old Time Radio

The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer. THIS EPISODE: October 25, 1942. CBS network. "The Alibi". Sustaining. A domineering old lady controls all those around her...several of whom have a good reason for doing her in. J. Donald Wilson (writer, director), Wilbur Hatch (composer, conductor), Herbert Connor (writer). 29:31

Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere. THIS EPISODE: January 1, 1956. CBS network. Sponsored by: Colgate Toothpaste, Lustre Creme Shampoo, Palmolive Soap. "What The Board Of Education Means To Me." Walter's essay and Mr. Conklin's deafness. A funny show! The program may be dated January 4, 1956. Al Lewis (director, writer), Eve Arden, Jane Morgan, Richard Crenna, Leonard Smith, Verne Smith (announcer), Jeff Chandler, Gloria McMillan, Larry Berns (producer), Wilbur Hatch (music), Bob Lemond (announcer), Gale Gordon. 29:50.

Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasn't. It is generally regarded as a 'quality' show and it stands up extremely well. Frank Lovejoy (1914-1962) isn't remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. 'The Slasher', broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth. THIS EPISODE: April 9, 1950. NBC netWORK. Sustaining. Tom Morrison is a man with "noctophobia," a fear of darkness. He is being driven to commit murder by George Brewster. Nightbeat was being heard more than once a week at this time. Brian Donlevy appears on the show to promote his "Dangerous Assignment" series. Frank Lovejoy, Brian Donlevy, Jane Morgan, Larry Marcus (writer), Frank Worth (music), Warren Lewis (director), Ruth Perrott, David Ellis, Lurene Tuttle, Charles Seel, Margaret Brayton. 29:24.

Perry Mason is the longest running lawyer show in American television history. Its original run lasted nine years and its success in both syndication and made-for-television movies confirm its impressive stamina. Mason's fans include lawyers and judges who were influenced by this series to enter their profession. The Mason character was created by mystery writer Erle Stanley Gardner and delivered his first brief in the novel The Case of the Velvet Claws (1933). From 1934 to 1937 Warners produced six films featuring Mason. A radio series also based on Mason ran every weekday afternoon on CBS radio from 1944 to 1955 as a detective/soap opera. When the CBS television series was developed as an evening drama, the radio series was changed from Perry Mason to The Edge of Night and the cast renamed so as not to compete against the television series. This Episode: The Case of the Nervous Accomplice from Perry Mason aired October 5, 1957. Sybil Granger hires Perry to help her buy stock in her estranged husband's oil company on the sly. By this, Sybil hopes to force her husband's latest girlfriend, Roxy Howard, out of the company and his life altogether. Things get complicated when George Lutz enters the picture.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

ROCKY JORDAN was the title character of one of the better and more exotic radio detective series. In fact, it's one of the best detective series I have ever heard. The series had two separate incarnations. The first, A Man Named Jordan, started as a daily 15 minute show and after about six months changed to a weekly 30 minute show. It took place in Istanbul and the Cafe was described as "a small restaurant in a narrow street off Istanbul's Grand Bazaar, permeated with by the smoke of Oriental tobacco, alive with the babble of many tongues, and packed with intrigue." The second incarnation, Rocky Jordan, was a weekly 30 minute series took place in Cairo - "the gateway to the ancient East where adventure and intrigue unfold against the backdrop of antiquity." Jordan was a hard-boiled owner of the Cafe Tambourine who spent most of his time solving mysteries that he usually became involved in by accident. During the Cairo-based run, he often encountered Captain Sam Sabaaya of the Cairo police. John Dunning in his "On The Air: The Encyclopedia of Old Time Radio" describes Jordan as "a rugged hero who each week was confronted by a crime, a mystery, a beautiful woman or a combination of the three. It was a detective show with a difference: the Oriental background was played to the hilt, giving it a sound like no other." THIS EPSIODE: March 6, 1949. CBS Pacific network. "The Two O'Clock Man". Sustaining. A young boy breaks into the Cafe Tamboruine, and is later shot and killed. Rocky is held responsible! Jack Moyles, Larry Thor (announcer), Richard Aurandt (composer, conductor), Cliff Howell (producer, director), Larry Roman (editor), Gomer Cool (editor), William Froug (writer). 29:37.

The Mysterious Traveler - Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can! THIS EPISODE: February 19, 1952. Mutual network. "Strange New World". Sustaining. A shipwreck survivor on a British sub tells the story of being stranded on a desert island, being made to fight a war against giant crabs. David Kogan (writer, producer, director), Maurice Tarplin, Robert A. Arthur (writer). 1/2 hour.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear! THIS EPISODE: Brief Encounter (1946) is director David Lean's brilliantly-crafted, classic British masterpiece. It is one of the greatest romantic tearjerkers/weepers of all time, with a very downbeat ending. Lean's film is a simple but realistically-honest, unsentimental, self-told social melodrama of the quiet desperation involved in an illicit, extra-marital love affair between two married, middle-class individuals over seven weekly meetings, mostly against the backdrop of a railway station. The romantic couple includes a wife/mother looking for escape from her humdrum life and sterile marriage, and a dashing doctor. tale of The screenplay was adapted and based on playwright Noel Coward's 1935 short one-act (half-hour) stage play Still Life. It was expanded from five short scenes in a train station (the refreshment tea room of Milford Junction Station) to include action in other settings (the married woman's house, the apartment of the married man's friend, restaurants, parks, train compartments, shops, a car, a boating lake and at the cinema), although the film still maintains chaste minimalism.

The Untouchables is the name of a television series that ran from 1959 to 1963 on the American Broadcasting Company. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized the experiences of Eliot Ness, a real-life Prohibition Agent, as he fought crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage & incorruptibility, nicknamed the Untouchables. It was remade into a 1987 film by Brian De Palma also called The Untouchables, with a script by David Mamet. The stories often revolved around Ness' enmity with the criminal empire of Chicago mob boss Al Capone, and many focused on crimes related to Prohibition. The show starred Robert Stack as Eliot Ness and Neville Brand as Al Capone, and was narrated by Walter Winchell. The show drew harsh criticism from some Italian-Americans including Frank Sinatra[1], who felt it promoted negative stereotypes of them as mobsters and gangsters. The Capone family sued the show for $1,000,000 for its unauthorized use of Al Capone's likeness for profit. This Episode: The Troubleshooter adapted for radio aired originally October 12, 1961 starring Robert Stack as Eliot Ness with guest star Peter Falk, who went on to do Columbo. In the summer of 1934, a new gambling device was sweeping the nation: the punchboards. Even though they were nickel-and-dime games, it added up, they made more money than the numbers racket. After Ness and his men smash some of the punchboard manufacturing sites, the 5 members running the punchboards hold a meet at a building by the freight yards.

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE: A Farewell To Arms - Lieutenant Frederic Henry is a young American ambulance driver serving in the Italian army during World War I. At the beginning of the novel, the war is winding down with the onset of winter, and Henry arranges to tour Italy. The following spring, upon his return to the front, Henry meets Catherine Barkley, an English nurse's aide at the nearby British hospital and the love interest of his friend Rinaldi. Rinaldi, however, quickly fades from the picture as Catherine and Henry become involved in an elaborate game of seduction. Grieving the recent death of her fiancé, Catherine longs for love so deeply that she will settle for the illusion of it. Her passion, even though pretended, wakens a desire for emotional interaction in Henry, whom the war has left coolly detached and numb. When Henry is wounded on the battlefield, he is brought to a hospital in Milan to recover. Several doctors recommend that he stay in bed for six months and then undergo a necessary operation on his knee. Unable to accept such a long period of recovery, Henry finds a bold, garrulous surgeon named Dr. Valentini who agrees to operate immediately. Henry learns happily that Catherine has been transferred to Milan and begins his recuperation under her care.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today. THIS EPISODE: January 2, 1952. NBC network. "Death Of A Private Eye". Sustaining. Not auditioned. "(Barry) is hired to help a man pay a visit, but discovers instead that (the) visitor has a visitor first, death!" William Gargan, Himan Brown (director), Don Pardo (announcer), Louis Vittes (writer), Fran Carlon. 28:27

Amos 'n' Andy was a situation comedy popular in the United States from the 1920s through the 1950s. The show began as one of the first radio comedy serials, written and voiced by Freeman Gosden and Charles Correll and originating from station WMAQ in Chicago, Illinois. After the series was first broadcast in 1928, it grew in popularity and became a huge influence on the radio serials that followed.Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today.

The NBC University Theater - dramatic anthology Offered novels, with programs for college credit. Broadcast History : July 30th, 1948 - February 14th, 1951 NBC. Mostly 60 minutes. Mostly aired on Sundays, with occasional weeknight airings. Announcer : Don Stanley Music : Albert Harris, Henry Russell Director : Andrew C. Love Writers : Claris A. Ross, Ernest Kinoy, George Lefferts, Jack C. Wilson Sound Effects : Bob Holmes, Rod Sutton.THIS EPISODE:February 12, 1950. NBC network. "The Light That Failed". Sustaining. A painter, interested only in money, loses his sight after his masterpiece has been defaced. The closing credits have been deleted. Alec Harford, Crauford Kent, Dan O'Herlihy, Earl Keen, Eileen Erskine, Eric Snowden, George Lefferts (writer), Henry Outland (Outland?--intermission commentator), John Ramsay Hill, Marlene Ames, Queenie Leonard, Rudyard Kipling (author), Tom Dylan, Tudor Owen. 56:28.

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE:October 29, 1948. CBS network, KNX, Los Angeles aircheck. "Of Human Bondage". Sponsored by: Ford, Bulova Watch (local). Not auditioned. Ray Milland, Joan Lorring, Somerset Maugham (author), Fletcher Markle (host, director), Hedley Rennie, Susan Douglas, Jack Manning, Elwood Hoffman (adaptor), Cy Feuer (conductor), Rita Vale, Robert Dryden, Miriam Wolfe, Neal Fitzgerald, Gregory Morton. 57:19.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

The Adventures Of Horatio Hornblower - Broadcast 1952; Transcribed in England for the BBC; aired in U.S. on CBS, then again on ABC in 1954 and Mutual in 1957. Starring Michael Redgrave as Horatio Hornblower. a captain in the British Royal Navy during the Napoleonic era. The radio series was based on twelve Horatio Hornblower novels written by C.S. Forester. These novels were, and still are, well liked due to their realistic tone and historical accuracy in telling the tales of Naval life in the late 1700s through the mid 1800s. C.S. Forester was well known for his novels about military and naval life, including such fine titles as The African Queen, The Gun, The Barbary Pirates, and The General.

The Aldrich Family, a popular radio teenage situation comedy (1939-1953), is remembered first and foremost for its unforgettable introduction: awkward teen Henry's mother calling, "Hen-reeeeeeeeeeeee! Hen-ree Al-drich!" A top-ten ratings hit within two years of its birth (in 1941, the showm carried a 33.4 Crossley rating, landing it solidly alongside Jack Benny and Bob Hope), the show is considered a prototype for teen-oriented situation comedies to follow on radio and television and is a favourite if dated find for old-time radio collectors today. The Aldrich Family as a separate radio show was born as a summer replacement for Jack Benny in NBC's Sunday night lineup, July 2, 1939, and it stayed there until October 1, 1939, when it moved to Tuesday nights at 8 p.m., sponsored by General Foods's popular gelatin dessert Jell-O---which also sponsored Jack Benny at the time. The Aldriches ran in that slot from October 10, 1939 until May 28, 1940, moving to Thursdays, from July 4, 1940 until July 20, 1944. After a brief hiatus, the show moved to CBS, running on Fridays from September 1, 1944 until August 30, 1946 with sponsors Grape Nuts and Jell-O,.before moving back to NBC from September 05, 1946 to June 28, 1951 on Thursdays and, then, its final run of September 21, 1952 to April 19, 1953 on Sundays.

Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE:Caged aired August 2, 1951 starring Eleanor Parker as Marie Allen and Hope Emerson as Evelyn Harper. Caged tells the story of a teenage newlywed, who is sent to prison for being an accessory to a robbery. Her experiences while incarcerated, along with the killing of her husband, change her from a very frightened young girl into a hardened convict. This is one of the finest productions ever done for radio from Screen Director's Playhouse. The Academny Award performances by Parker and Emerson are nothing less than spectacular.

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1954); NBC (1954-1955)) adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945. On one occasion, however, he was replaced by Leslie Howard.THIS EPISODE:In life a selfish, mean-spirited old man, Peter Grimm returns from the grave to right the wrongs he committed while on Earth. The spectral Grimm pays a visit to his nasty nephew Frederick (John Roche), the husband of Grimm's ward Catherine (Janet Gaynor), who had been forced into the marriage. Literally entering Frederick's conscience, Grimm transforms his covetous, philandering nephew into a "good guy." After several similar episodes, both comic and dramatic, Return of Peter Grimm comes to a tear-stained finale as the tubercular young William (Mickey McBan) joins his grandfather Grimm in the hereafter.

Beyond Midnight - A replacement series for SF 68, this South African horror anthology was far more successful than its predecessor, running from 1968 through 1969. Its success may have been due in part to producer Michael McCabe - who also produced SF 68 - honing his talents to a higher degree. Little else is known about it, including the number of shows produced. As far as I can discover, there were at least 43 episodes, all in half-hour format.

The First Nighter Program. January 29, 1948. CBS net. "A Writer In The Family". Sponsored by: Campana cosmetics, DDD Prescription. Highway Eighty Seven is coming right through the living room in a romantic/comedy of mistaken identity and "Shorty West," a writer of western adventures. James Arthur Rotie (writer), Frank Worth and His Orchestra, Olan Soule, Barbara Luddy, Paul Frees, Hugh Studebaker, Arthur Q. Bryan, Mary Lansing, Larry Keating (announcer). 29:39THIS EPISODE:March 29, 1944. Mutual network. "The Chinese Gong". Sponsored by: Campana's cosmetics. Barbara Luddy, Olan Soule, Arch Oboler (author). 1/2 hour.

Calling All Cars was one of radioâs earliest cop shows, dramatizing true crime stories and introduced by officers from the Los Angeles and other police departments. The narrator of the program was speech professor Charles Frederick Lindsley, and the only other regular voice heard on the program week after week belonged to that of Sergeant Jesse Rosenquist of the L.A.P.D., whose name and voice were so unusually distinctive that he was retained for the showâs entire run. None of the actors on the show ever received on-air credit, but among the talent OTR fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, John Gibson, Richard LeGrand and Hanley Stafford, just to name a few.THIS EPISODE:May 2, 1934. Program #23. CBS Pacific network (Don Lee net). "Murder At Southgate". Sponsored by: Rio Grande Oil. A disturbance has taken place on San Gabriel Avenue in Southgate. A dramatization of the first murder ever to take place in Southgate. The system cue has been deleted. Not auditioned. Ann Sawyer, Martha Wentworth, True Boardman, Charlie Lung (triples), Caranina Burt (?), Hanley Stafford, Sam Pierce, Richard LeGrand, Robert Frazer, Wade Ling (?). 28:11.

My Friend Irma, created by writer-director-producer Cy Howard, was a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films and television, while Howard scored with another radio comedy hit, Life with Luigi. Dependable and level-headed Jane Stacy (Cathy Lewis) narrated the misadventures of her innocent and bewildered roommate, Irma Peterson (Marie Wilson), a dim-bulb stenographer. Wilson portrayed the character on radio, in two films and a TV series. The successful radio series with Marie Wilson ran on CBS Radio from April 11, 1947 to August 23, 1954. The TV version, seen on CBS from January 8, 1952 until June 25, 1954, was the first series telecast from the CBS Television City facility in Hollywood. The movie My Friend Irma (1949) starred Marie Wilson and Diana Lynn but is mainly remembered today for introducing Dean Martin and Jerry Lewis to moviegoers, resulting in even more screen time for Martin and Lewis in the sequel, My Friend Irma Goes West (1950).

Counterspy was an espionage drama radio series that aired on ABC and Mutual from May 18, 1942 to November 29, 1957. David Harding (Don MacLaughlin) was the chief of the United States Counterspies, a unit engaged during World War II in counterespionage against Japan's Black Dragon and Germany's Gestapo. With spies still lurking in the post-war years, the adventures continued apace well after World War II ended.THIS EPISODE:September 29, 1949. ABC network. "The Case Of The Vicious Vistor". Sponsored by: Pepsi Cola. Not auditioned. A prison guard is beaten in the dark, a man and his wife are both murdered. The system cue has been deleted. Don MacLaughlin, Mandel Kramer, Phillips H. Lord (producer), William Sweets (director), Edward Adamson (writer), Jesse Crawford (organ). 28:55.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear!THIS EPISODE:June 8, 1946. CBS network. "Ruggles Of Red Gap". Sponsored by: Squibb Drugs. The famous story of the English valet in the wild American West. Charles Laughton, Charles Ruggles. 1/2 hour.

The Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase.THIS EPISODE:March 29, 1953. NBC network. Sustaining. The curator of a museum of murderers tells the story of a British chap who marries ladies of wealth for his own mercenary purposes. Doris Smith, Fred Collins (announcer), Fred Weihe (director, transcriber), Ivor Francis, John Stanley, Cathleen Cordell, Lawrence Klee (creator, writer), Leona Powers, Ted Osborne, William Podmore. 29:52.

The Avenger is an Old Time Radio show aired by the South African Broadcasting System in the 1940s. It featured a biochemist crime-fighter by the name of Jim Brandon. Mr. Brandon had two inventions which assisted him in the fight against crime. Mr. Brandon was able to pick up telpathic thought flashes and had a diffusion capsule which allowed him to become invisible.

The Shadow - In September of 1939, a new voice of the Shadow appeared in the form of radio actor Bill Johnstone. Later in 1939, Agnes Moorehead left the show and was replaced by Marjorie Anderson as Margo Lane. The plot lines began to follow the standard formula of Margo Lane being in danger and the Shadow rescuing her from the clutches of evil. Bill Johnstone would be the voice of the Shadow for five seasons, until March 1943. Bret Morrison took over the Shadow role in 1943 for one season. John Archer and Steve Courtleigh took the Shadow role through the 1944-45 season. Bret Morrison then returned to be the Shadow for the duration of the program's run which lasted until December 26, 1954. THIS EPISODE:1938. Syndicated. "Murder On Approval". Sponsored by: B. F. Goodrich Tires. A foreign agent tries to conquer America by infecting the U. S. Army with a secret disease. Orson Welles, Margot Stevenson, Ken Roberts (announcer). 1/2 hour.

Authorâs Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.THIS EPISODE:November 13, 1944. NBC network. "The Long Way Round". Sustaining. A man has just returned from a sanitarium after a mental break-down to find that wife has developed her own mental problems. James Ronald (author). 1/2 hour.

21ST PRECINCT was one of the realistic police drama series of the early- to mid-1950's that were aired in the wake of DRAGNET. In 1953 CBS decided to use New York City as the backdrop for their own half-hour police series and focus on the day-to-day operation of a single police precinct. Actual cases were used as the basis for stories. The Precinct Captain acted as the narrator for the series.THIS EPISODE:September 29, 1953. CBS network origination, AFRTS rebroadcast. A young drug user tries to kick the habit by making a false alarm so he can go "cold turkey" in jail. Everett Sloane, Lawson Zerbe, Raymond Edward Johnson, Ken Lynch, Robert Readick, Gaylord Avery (announcer). 1/2 hour.

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal minerâs daughter, was born in Peoria on November 15, 1898. After years of hardship and touring in obscurity on the small-time show biz circuit, they arrived in Chicago in 1924, where they eventually performed on thousands of shows and developed 145 different voices and characters.

Box 13 - The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope. It was heard over the Mutual Broadcasting System as well as being syndicated. The series was produced by Mayfair Productions. Box 13, starring Alan Ladd as Dan Holiday. Sylvia Picker played Suzy, Dan Holiday's secretary and Edmond MacDonald as Lt. Kling.THIS EPISODE:August 14, 1949. Program #52. Mayfair syndication. "Round Robin". Commercials added locally. Dan Holiday foils a blackmail plot involving a valuable necklace and a lady's gambling losses. The last show of the series. Alan Ladd, Arthur Boland (writer), Richard Sanville (director), Rudy Schrager (composer, conductor), Sylvia Picker, Vern Carstensen (production supervisor). 26:42.

CBS Radio Mystery Theater - As you walk through the creaking door you enter into another world, the world of imagination. This world is inside you, a part of you, and you take this journey alone. Each person hears and then sees with his or her mind's eye the events portrayed within these dramas. All of us interprets what they hear differently. The images we see is unique to ourselves. A voice becomes a person, living, breathing they come alive. They take on a physical form and characteristics that we assign to them. The wonders of your own mind are boundless. Scary thoughts? Perhaps, but what powers they bring us! To exercise one's imagination is to exercise one's soul. These dramas provide us with an escape from reality. To adventures beyond our own lives. Enjoy them. And pleasant dreams!THIS EPISODE:January 14, 1974. Program #9. CBS network. "Death Rides A Stallion". Sponsored by: Budweiser, Kellogg's. E. G. Marshall (host), Sam Dann (writer), Mason Adams, Marian Seldes, Paul McGrath. 52 minutes.

The Falcon - Regardless of the date of his first literary appearance, The Falcon was first brought to the screen in a 1941 RKO film, as a replacement for its popular series of B's featuring Leslie Charteris' The Saint. Except for the name change, at first at least it was pretty hard to tell the difference. The Falcon was also a good-looking suave, sophisticated type, a sort of freelance gentleman adventurer.THIS EPISODESeptember 3, 1950. NBC network. "Tthe Case Of The Quarrelsome Quartet". Sponsored by: Kraft Mayonnaise, Kraft Malted Milk. Who killed Dixie Saunders? Who killed George Saunders? Thieves fall out! Les Damon, Amzie Strickland, Jackson Beck, Jay Jackson (announcer), Arlo (music), Drexel Drake (creator), Richard Lewis (director), Bernard L. Schubert (producer), Eugene Wang (writer). 29:30.

The Black Musuem - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. THIS EPISODE:1952. Syndicated, WCRB, Boston aircheck. "The Service Card". A murderer is trapped by the odometer reading on his victim's car. The date is approximate. This series was heard on the Mutual net during 1952, but was probably produced in England and broadcast earlier on British radio. The series was syndicated by Harry Alan Towers after the network run for many years. Orson Welles (narrator), Harry Alan Towers (producer), Ira Marion (writer), Sidney Torch (composer, conductor). 1/2 hour.

Curtain Time, like First Nighter, presented romantic drama in a theater setting complete with the announcer shouting, âTickets please, thank youâ. The shows announcer was Harry Halcomb who was later known best for his appearances on the 60 minutes television show. Great scripts and superb acting, Curtain Time is truly an Old Time Radio Classic. Mutual Network, local KNX show sustained, heard Fridays 7:30 - 8:00 pm

Murder By Experts. August 15, 1949. Mutual network. "Dig Your Own Grave". Sustaining. A woman becomes "the seed" to promote her husband's romance with another woman. Then, she gives him the idea to commit murder. John Dickson Carr (host), Joseph Ruscoll (writer), Ken Lynch, Richard Dupage (composer), Emerson Buckley (conductor), Ann Shephard, Ron Rawson, James Stevens, Robert A. Arthur (producer, director), David Kogan (producer, director), Hester Sondergaard. 29:49.

Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who created the show, Ed Gardner.THIS EPISODE:February 9, 1949. NBC network origination, Nostalgia Broadcasting Corporation syndication. Commercials added locally. Archie's doctor has told him that he only has three days to live...or did he? Archie keeps the true diagnosis from the gang down at the tavern. The system cue has been deleted. Ed Gardner, Eddie Green, Charlie Cantor, Hazel Shermet. 24:37.

The Golden Age of Radio was ending, not with a whimper, but with a robust bang. Many of the best network and syndicated shows began in the 1950s, even though public interest and advertising dollars were switching to television, FORT LARAMIE was certainly one of the finest radio series, and were it not for GUNSMOKE, it could be termed the best adult Western program ever aired. FORT LARAMIE is a close relative of GUNSMOKE since it had the same producer-director, same writers, same sound effects men, and many of the same actors. GUNSMOKE had been running for almost four years when Norman Macdonnell brought FORT LARAMIE to CBS. The latter had the same gritty realism, attention to detail, and integrity that audiences admired in GUNSMOKE.

Adventures of Frank Merriwell first ran on NBC radio from March 26 to June 22, 1934 as a 15-minute serial airing three times a week at 5:30pm. Sponsored by Dr. West's Toothpaste, this program starred Donald Briggs in the title role. Harlow Wilcox was the announcer. After a 12-year gap, the series returned October 5, 1946 as a 30-minute NBC Saturday morning show, continuing until June 4, 1949. Lawson Zerbe starred as Merriwell, Jean Gillespie and Elaine Rostas as Inza Burrage, Harold Studer as Bart Hodge and Patricia Hosley as Elsie Belwood. The announcer was Harlow Wilcox, and the Paul Taubman Orchestra supplied the background music. There are at least three generations of Merriwells: Frank, his half-brother Dick, and Frank's son, Frank Jr. There is a marked difference between Frank and Dick. Frank usually handled challenges on his own. Dick has mysterious friends and skills that help him, especially an old Indian friend without whom the stories would not have been quite as interesting.

Hercule Poirot is a fictional Belgian detective created by Agatha Christie. Along with Miss Marple, Poirot is one of Christie's most famous and long-lived characters: he appeared in 33 novels and 54 short stories. Poirot has been portrayed on screen, for films and TV, by various actors including Albert Finney, Peter Ustinov, Ian Holm, Tony Randall, Alfred Molina and David Suchet. His character was based on two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired French police officer living in London. A more obvious influence on the early Poirot stories is that of Arthur Conan Doyle.

Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.

The Green Hornet program began in January of 1936 and played to December 5, 1952. The shows typically ran thirty minutes and ran twice a week in the beginning years. They later reverted to being broadcast once a week. The last season of the show in 1952 the show reverted back to a twice a week schedule. Al Hodge played the role of Britt Reid for seven years. Fran Striker, a co-creator of the Lone Ranger, wrote all of the scripts for the Green Hornet until April 1944. After that, several other writers were brought in to script the show. The writing output of Fran Striker was incredible. While he was scripting the Green Hornet he was also writing the scripts for the Lone Ranger program.

People are Funny was a television game show that premiered and ended on NBC from 1954-1961. It was shot in the outside world and dared people to do stunts for fun for spectators. This was done to "reveal the true nature" of their guests. This show was considered a predecessor to most of the reality game shows we know today, such as "Survivor" and MTV's "Jackass." Art Linkletter was the more well-known host of the show. Viewers grew up with him, but not just on People are Funny. He was also seen on Life With Linkletter (1950-52 & 1969-70), Art Linkletter's House Party (1952-69), and The Art Linkletter Show (1963).

Adventures In Research - A Public service production by the Westinghouse Research Labs. The series is very informative and entertaining. Series ran from the early 1940's -mid 1950's. HOST: Paul ShannonToday's Show:Piece of Silk (2-02-43) and Fight Against Fire (2-09-43

The Story Of Doctor Kildare - Dr. James Kildare was a fictional character, the primary character in a series of American theatrical films in the late 1930s and early 1940s, an early 1950s radio series, a 1960s television series of the same name and a comic book based on the TV show. The character was invented by the author Frederick Schiller Faust (aka Max Brand). The character began in the film series as a medical intern; after becoming a doctor he was mentored by an older physician, Dr. Leonard Gillespie. After the first ten films, the series eliminated the character of Kildare and focused instead on Gillespie.THIS EPISODE:December 8, 1950. Program #46. WMGM, New York-Mutual network origination, MGM syndication. Commercials added locally. The wife of an auto accident victim refuses to allow an operation to save his life. Lew Ayres, Lionel Barrymore. 1/2 hour.

The General Electric Theater featured a mix of romance, comedy, adventure, tragedy, fantasy and variety music. Occupying the Sunday evening spot on CBS following the Toast of the Town/Ed Sullivan Show from 1 February 1953 to 27 May 1962, the General Electric Theater presented top Hollywood and Broadway stars in dramatic roles calculated to deliver company voice advertising to the largest possible audience.THIS EPISODE:September 24, 1953. CBS network. "The Enchanted Cottage". Sponsored by: General Electric. Not auditioned. A plain woman and a criplled man fall in love and see a magic transformation in each other. The story was previously used on, "The Gulf Screen Guild Theatre" on November 26, 1939. Joan Fontaine, William Johnstone, Tom Tully, Gloria Gordon, Lurene Tuttle, Dan O'Herlihy, Arthur Wing Pinero (author), Jaime del Valle (director, transcriber), Ken Carpenter (announcer, host), Walter Newman (adaptor), Hett Manheim (editorial supervisor), Wilbur Hatch (music). 29:43.

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame.THIS EPISODE:December 6, 1945. Red network. Sponsored by: Camels, Prince Albert Tobacoo. Abbott and Costello are working as fireman. Mrs. O'Lay Hee's house is on fire. Abbott explains vitamins to Costello ("vitamins go from A to H...go to H?"). Camels salutes the "Fighting" 69th Division. Bud Abbott, Lou Costello, Ken Niles (announcer), Will Osborne and His Orchestra, Iris Adrian, Sidney Fields, Frederick Shields (commercial spokesman), Virginia Gordon, Dick Mack (director). 29:29

THE FAT MAN - "There he goes across the street into the drugstore, steps on the scale, height: 6 feet, weight: 290 pounds, fortune: Danger. Who isit? The Fat Man." Brad Runyon was the Fat Man, played by Jack Scott Smart. The series was created by Dashall Hammott and was first heard on the ABC network Jan. 21, 1946. J. Scott Smart fit the part of the Fat Man perfectly, weighing in at 270 pounds himself. When he spoke, there was no doubt that this was the voice of a big guy. Smart gave a witty, tongue-in-cheek performance and helped make THE FAT MAN one of the most popular detective programs on the air. Smart also appeared in The March Of Time (early 1930s), the Theater Guild On The Air, Blondie, The Fred Allen Show, and The Jack Benny Program.