Boxcars711 Old Time Radio

The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer. THIS EPISODE: November 29, 1953. CBS network origination, United States Air Forces In Europe rebroadcast. "Lady On A Yacht". A German woman, pretending to be from Argentina, plans to wed a fabulously wealthy American. An artist on a small Italian island presents a considerable complication. It sounds like John Dehner is in the cast. John Dehner (?). 23:04.

Inheritance - A Dramatized look into American History. NBC Networt in cooperation with the AMERICAN LEGION Sundays 4:30 - 5:00 pm PRUDUCER/DIRECTOR: Albert McCleary ANNOUNCER: John Wald MUSIC: Robert Armbruster. THIS EPISODE: Inheritance. July 11, 1954. Program #14. NBC network. "America's Greatest Bargain". Sustaining. Not auditioned. 4:30 P. M. The program is produced in co-operation with The American Legion. There is no after-drama speaker. Albert McCleary (producer, director), John Wald (announcer), Robert Armbruster (composer, conductor), Milt Kahn (writer), Whitfield Connor, Dennis Patrick, Clarence Straight, Gil Harmon, Ann Seaton, Tyler McVey, Jay Barney, Ben Wright, Donald Lawton. 29:32.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch. THIS EPISODE: May 19, 1939. CBS network. "The Bad Man". Sponsored by: Campbell's Soup. Comedy-Adventure about a Mexican Bandito and the mixed bag of Americans who cross his path. Bernard Herrmann (composer, conductor), Diana Stevens, Edwin Jerome, Ernest Chappell (announcer), Everett Sloane, Frank Readick, Ida Lupino, Orson Welles (host), Ray Collins (narrator), William Alland. 59:55.

Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series. The films began in 1935 with Crime Does Not Pay: Buried Loot. For the most part, actors who appeared in B-films were featured, but occasionally, one of MGM's major stars would make an appearance. The radio series aired in New York on WMGM (October 10, 1949-October 10, 1951) and then moved to the Mutual network (January 7-December 22, 1952). Actors included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander. THIS EPISODE: February 20, 1950. Program #20. MGM syndication. "Death On The Doorstep". Commercials added locally. An out-of-town hit-man does his job with a smile on his face and a silencer on his rifle. John Beal, Jon Gart (composer, conductor), Marx B. Loeb (director), Burton B. Turkas (technical advisor), Bob Williams (announcer), Ira Marion (writer). 27:34.

The Hall Of Fantasy - This thirty-minute suspense series was written and produced by Richard Thorne who also played many of the roles. There were at least 35 episodes broadcast, telling tales of the supernatural and the dark forces of the unknown. There were often terrifying tales of vampires, killer fog, the walking dead and anything and everything that your imagination could stretch to. THIS EPISOPE: January 26, 1953. Mutual network, WGN, Chicago origination. "The Black Figurine Of Death". Sustaining. Uncle Amos and his little statuette have fun from beyond the grave. One of the announcements has possibly been deleted. . 25 minutes.

The Creaking Door was an old-time radio series of horror and suspense shows originating in South Africa. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

Cruise Of The Poll Parrot - In 1922, businessman Paul Parrot sold his shoe business "Poll Parrot Shoes" to the International Shoe Company, which was already selling Red Goose and Weatherbird shoes. The shoes were designed for children and so sponsoring a children's radio show seemed like a good idea. In 1937, they launched a syndicated children's serial named "Cruise of the Poll Parrot". The show was sold in thirteen segment blocks, and three complete blocks exist today. The shows exponentially boosted shoe sales, helping International compete against the leader in children's shoes: Buster Brown.The main character for the show was a 24 year old man from St. Louis, Missouri, named Marvin Miller. This was some of his first radio work. He was the voice for the main character, Captain Roy Dalton, the Master of the ship Poll Parrot, and also the voice of the parrot that was the pet of the Captain. Marvin Miller went on to work on hundreds of other radio shows, mostly as an announcer. He acted in a number of films, most notably in 1947 starring with Humphrey Bogart in "Dead Reckoning". Miller played a crooked gambler's sadistic henchman named Krause. He became most famous as Michael Anthony, the man who handed out the million dollar checks in the 1950s TV series, "The Millionaire". Miller died in Los Angeles of a heart attack in 1984 at the age of 71. TODAY'S SHOW: Ep01 "The Crew Is Hired" (09-25-37) Ep02 "Plans For The Voyage Are Discussed (10-02-37) and Ep03 "Johnny Is Captured By El Teste" (10-09-37)

General Mills Radio Adventure Theater - The series had it origins in the meeting of two minds: the ad agency for General Mills at the time, Dancer-Fitzgerald-Sample was looking for a different means to reach a child audience besides television, which was decreasing commercial minutes and increasing costs; and Himan Brown, producer-director of the CBS Radio Mystery Theater, who wanted to introduce new audiences to the dramatic form on radio. Tom Bosley was chosen as the host because of his television recognition from a kid's oriented series, Happy Days. CBS chose to produce 52 original broadcasts followed by 52 repeat broadcasts. I believe they had hoped to maintain General Mills sponsorship during the complete 104 episodes, but General Mills dropped their sponsorship after the original broadcasts. The series continued for the next 52 repeats as the CBS Radio Adventure Theater. THIS EPISODE: Twenty Thousand Leagues Under the Sea(s) (French: Vingt mille lieues sous les mers) is a classic science fiction novel by French writer Jules Verne, published in 1870. It is about the fictional Captain Nemo and his submarine, Nautilus, as seen by one of his passengers, Professor Pierre Aronnax. As the story begins in 1866, a mysterious sea monster, theorized by some to be a giant narwhal, is sighted by ships of several nations; an ocean liner is also damaged by the creature.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?" THIS EPISODE: August 26, 1974. Program #139. CBS network. "The Deadliest Favor". Sponsored by: Budweiser, Buick. E. G. Marshall (host), Sam Dann (writer), Norman Rose, Marian Seldes, Dan Ocko, Ralph Bell. 52 minutes.

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don't be caught without this radio show in your collection! THIS EPISODE: September 23, 1950. CBS network. Sustaining. A gas station robbery results in the attendent's death. The search for the killer is on. Jaime del Valle (producer, director), Eddie Dunstedter (music), William Johnstone, Jack Moyles, Sidney Marshall (writer), Parley Baer, Howard McNear, Bob Sweeney, Hy Averback, James Nusser, Herb Ellis, Sidney Miller, Robert Griffin, Virginia Gregg, Dan Cubberly (announcer). 23:15.

The Halls of Ivy was an NBC radio sitcom that ran from 1950-1952. It was created by Fibber McGee & Molly co-creator/writer Don Quinn before being adapted into a CBS television comedy (1954-55) produced by ITC Entertainment and Television Programs of America. Quinn developed the show after he had decided to leave Fibber McGee & Molly. The audition program featured radio veteran Gale Gordon (then co-starring in Our Miss Brooks) and Edna Best in the roles that ultimately went to British husband-and-wife actors Ronald Colman and Benita Hume. The Colmans had shown a flair for radio comedy in recurring roles on The Jack Benny Program in the late 1940s, and they landed the title roles in the new show. The Halls of Ivy featured Colman as William Todhunter Hall, the president of small, Midwestern Ivy College, and his wife, Victoria, a former British musical comedy star who sometimes felt the tug of her former profession, and followed their interactions with students, friends and college trustees. Others in the cast included Herbert Butterfield as testy Clarence Wellman, Willard Waterman (then starring as Harold Peary's successor as The Great Gildersleeve) as John Merriweather, and Elizabeth Patterson and Gloria Gordon as the Halls' maid. THIS EPISODE: October 4, 1950. NBC network. Sponsored by: Schlitz Beer. Mr. bentley Brook has come to at Ivy College. He's quite good looking, and he's apparently fallen in love with Mrs. Hall! Ronald Colman, Benita Hume, Ken Carpenter (announcer), Sandra Gould, Jerome Lawrence (writer), Robert E. Lee (writer), Ken Peters, Helen Crutchfield, Mary Alden, Henry Russell (composer, conductor), Nat Wolff (director), Don Quinn (creator). 29:25.

The Fat Man"There he goes across the street into the drugstore, steps on the scale, height: 6 feet, weight: 290 pounds, fortune: Danger. Who isit? THE FAT MAN." Brad Runyon was the Fat Man, played by Jack Scott Smart. The series was created by Dashall Hammott and was first heard on the ABC network Jan. 21, 1946. J. Scott Smart fit the part of the Fat Man perfectly, weighing in at 270 pounds himself. When he spoke, there was no doubt that this was the voice of a big guy. Smart gave a witty, tongue-in-cheek performance and helped make THE FAT MAN one of the most popular detective programs on the air. Smart also appeared in The March Of Time (early 1930s), the Theater Guild On The Air, Blondie, The Fred Allen Show, and The Jack Benny Program. There was also an version made in Australia, syndicated on the Artansa lable, about 1954. There are at least 36 shows available from vendors. The Australian Fat Man was played possibly by Lloyd Berrell. Although not featuring J. Scott Smart, who really fit the part, the series is quite good. THIS EPISODE: Murder Calls The Undertaker (1951) - J. Scott Smart, Robert Sloane (director), Dashiell Hammett (author), Bernard Green (music director). 29:40.

Dangerous Assignment - This thirty-minute international spy adventure featured Steve Mitchell (Brian Donlevy), and investigator of crimes in exotic locations. 60 episodes. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. Other cast members were GeGe Pearson, Ken Peters, Betty Lou Gerson, Dan O'Herlihy. The director was Bill Cairn and the writer for the series was Robert Ryf. The opening was the same every week "Yeah, danger is my assignment. I get sent to a lot of places I can't even pronounce. They all spell the same thing though, trouble." He would be summoned to his boss's office where he would be given his assignment; he would then fly halfway across the globe to save the day! The worldwide locations are dealt up with a feeling of local, and the characters that inhabit these far-away places with strange sounding names are solid and capably acted by veterans. Music is an almost harsh orchestra. Donlevy carries the plots with a world-weary and wary tone that makes sense, based on his occupation.

BEYOND TOMORROW was to be CBS's science fiction series. Three shows and one audition were transcribed to disk, but it's not certain if they were actually broadcast, despite announcements in newspapers. In the audition, the series title was BEYOND THIS WORLD and the audition show was "The Outer Limit". The first show under the series name BEYOND TOMORROW was "Requiem", a story by Robert Heinlein, which was later be done in DIMENSION X. THIS EPISODE: April 11, 1950. CBS network. "Incident At Switchpath". Sustaining. A fine story about two strange machines found buried deep in a cave. Theodore Sturgeon (author), Bret Morrison, Michael O'Day, William N. Robson (producer), Mitchell Grayson (director), Henry Sylvern (music), John Campbell Jr. (host). 1/2 hour.

THE DEVIL AND MR. O - A transcribed syndication of original broadcasts from Lights Out. With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed "the ultimate in horror." Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, "the most monstrous of all sounds, human flesh being eaten."

The Adventures Of Maisie - Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison,who did decades of scripting for the silver screen along with Broadway plays and magazine fiction. From the first, MGM wanted Ann Sothern to play Maisie. She began in Hollywood as an extra in 1927. "Maisie and I were just together - I just understood her," Sothern, born Harriette Arlene Lake, said after several of the films made her a star. Throughout the 1930s and '40s, Ann Sothern and Lucille Ball, like many performers in Hollywood, had not one but two careers - one in motion pictures and one on radio. MGM Studios had created the series of ten motion pictures based on a brash blonde with a heart "of spun gold." Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison, who did decades of scripting for the silver screen along with Broadway plays and magazine fiction. THIS EPISODE: August 24, 1950 - MGM syndication. "The Needy Orphanage". Commercials added locally. Maisie and a wrestler battle to save an impoverished orphanage. Ann Sothern, Arthur Phillips (writer), Robert Cole, Elvia Allman, Frank Nelson, Harry Zimmerman (composer, conductor), Jack McCoy (announcer), Jeffrey Silver, Joan Banks, John McGovern, Peter Leeds, Sheldon Leonard, Tommy Bernard. 27:28.

Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Director's Guild and The Screen Director's Assignment. But most people remember it simply as Screen Director's Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywood's directors were also heard in the recreation of their movies. The President of the Screen Director's Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE: February 27, 1949. NBC network. "The Night Has A Thousand Eyes". Sustaining. A good story about a man who can see into the future, and can even see his own death! Bill Cairn (director), Cornell Woolrich (writer), Edward G. Robinson, Frank Barton (announcer), Henry Russell (composer, conductor), Howard Wiley (producer), Milton Geiger (adaptor), Paul Frees, William Demarest. 29:46.

Archie Andrews, created in 1941 by Bob Montana, is a fictional character in an American comic book series published by Archie Comics, a long-run radio series, a syndicated comic strip and animation -- The Archie Show, a Saturday morning cartoon television series by Filmation, plus Archie's Weird Mysteries. Archie Andrews began on the Blue Network on May 31, 1943, switched to Mutual in 1944, and then continued on NBC from 1945 until September 5 1953. Archie was first played by Charles Mullen, Jack Grimes and Burt Boyar, with Bob Hastings as the title character during the NBC years.The sponsor was Swift Products. The Cast: Harlan Stone, Alice Yourman, Arthur Kohl, Gloria Mann, Rosemary Rice. THIS EPISODE: May 21, 1949. NBC network. Sustaining. Mr. Andrews has purchased a new television. When the family tries to watch a program, complications result. The concept of watching a television in your is treated as a novelty. Bob Hastings, Harlan Stone, Alice Yourman, Smith Hall (?), Gloria Mann, Rosemary Rice, John McGovern, Kenneth MacGregor (producer, director), Dick Dudley (announcer), Carl Jampel (writer). 30:03.

Blondie was a radio situation comedy adapted from the long-run Blondie comic strip by Chic Young. The radio program had a long run on several networks from 1939 to 1950. After Penny Singleton was cast in the title role of the feature film Blondie (1938), co-starring with Arthur Lake as Dagwood, she and Lake repeated their roles December 20, 1938, on The Bob Hope Show. The appearance with Hope led to their own show, beginning July 3, 1939, on CBS as a summer replacement for The Eddie Cantor Show. However, Cantor did not return in the fall, so the sponsor, Camel Cigarettes chose to keep Blondie on the air Mondays at 7:30pm. Camel remained the sponsor through the early WWII years until June 26, 1944. In 1944, Blondie was on the Blue Network, sponsored by Super Suds, airing Fridays at 7pm from July 21 to September 1. The final three weeks of that run overlapped with Blondie's return to CBS on Sundays at 8pm from August 13, 1944, to September 26, 1948, still sponsored by Super Suds. Beginning in mid-1945, the 30-minute program was heard Mondays at 7:30pm. Super Suds continued as the sponsor when the show moved to NBC on Wednesdays at 8pm from October 6, 1948, to June 29, 1949. Ann Rutherford took over the radio role of Blondie in 1949, and at times, Patricia Van Cleve and Alice White were also heard as Blondie. In its final season, the series was on ABC from October 6, 1949, to July 6, 1950, first airing Thursdays at 8pm and then (from May) 8:30pm. The radio show ended the same year as the Blondie film series (1938-50) THIS EPISODE: Blondie is arrested for littering. Penny Singleton, Anne Rutherford, Alice White, Patricia Van Cleve,Arthur Lake, Leone Ledoux, Tommy Cook, Larry Sims, Bobby Ellis, Jeffrey Silver, Leone Ledoux, Marlene Aames, Norma Jean Nilsson, Joan Rae. Announcers: Harlow Wilcox.

The Abbott & Costello Show - Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. Bud Abbott was born in Asbury Park, NJ, October 2, 1897 and died April 24, 1974 in Woodland Hills, California. Lou Costello was born in Paterson, NJ, March 6, 1906 and died March 3, 1959 in East Los Angeles, California. After working as Allen's summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbrook, Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show's longtime announcer, doubling as an exasperated foil to Abbott & Costello's mishaps (and often fuming in character as Costello insulted his on-air wife routinely); he was succeeded by Michael Roy, with annoncing chores also handled over the years by Frank Bingman and Jim Doyle. THIS EPISODE: New Press Agent - March 8, 1945 - NBC network. Sponsored by: Camels, Prince Albert Pipe Tobacco. Costello gets a new press agent. Bud Abbott, Lou Costello, Carl Hoff and His Orchestra, Amy Arnell (vocal), Bert Cordon (sound effects), John Pawlek (engineer), Ken Niles (announcer), Elvia Allman, Sharon Douglas (doubles), Mel Blanc (quadruples), Sidney Fields, Don Prindle (writer), Ed Forman (writer), Don Bernard (producer, director), Andrew Potter (producer, director). 29:46.

Beyond Midnight - Let us journey "into the land that lies beyond midnight," into a world of ghost hunters, men going mad, and DEATH DEATH DEATH! Written by the masterful Michael McCabe, these well-done South African radio shows will capture your attention and keep you up listening to them well beyond midnight. A replacement series for SF 68, this horror anthology was far more successful than its predecessor, running from 1968 through 1969. Its success may have been due in part to producer Michael McCabe - who also produced SF 68 - honing his talents to a higher degree. Little else is known about it, including the number of shows produced.

The Clock, Imported from Austrailia, was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; "Sunrise and sunset, promise and fulfilment, birth and death … the whole drama of life is written in the sands of time". This is a great series where the main theme seems to be Retribution. Stories as told by Father Time. THIS EPISODE: September 25, 1947. Grace Gibson syndication. "Retribution". Sponsored by: Participting sponsors. Vera convinces her lover to kill her husband, but the hapless murderer soon sees the ghost of his victim. The ABC net series of "The Clock" ran a diferent prouction of the same script on September 25, 1947. Harp McGuire, Lawrence Klee (writer), Nigel Lovell, Margaret Christiansen, John Tate, Don Crosby, Gordon Glenwright, John Saul (director), Grace Gibson (proucer). 20:36.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today. THIS EPISODE: February 15, 1953. NBC network. "The Girl On The Doorstep". Sponsored by: Bromo Seltzer. Not auditioned. "I wonder if murderers, like other people, worry about their income taxes. When they make a killing, for example, do they always report it, or do they just their list victims under 'buried assets'?" William Gargan, Louis Vittes (writer), Carl Caruso (announcer). 30:12.

The Adventures of Rin Tin Tin is a children's television program which ran on ABC from October 1954 until August 1959. It starred Lee Aaker as young Rusty, a boy orphaned in an Indian raid, who was being raised by the soldiers at a cavalry post. He and his German shepherd dog Rin Tin Tin helped the soldiers to establish order in the Old West. The program was produced by Screen Gems. The character of Rin Tin Tin had appeared in several movies and radio serials since 1922. One of the dogs used in the TV series was the fourth in the bloodline of the original Rin Tin Tin. Reruns of the show ran on daytime television and on Saturdays on CBS from October 1959 until September 1964. A new set of reruns was shown in 1976, and continued well into the mid-1980s. The original black and white prints were tinted light brown. An unrelated -including a German Shepherd - aired in the U.S. as Rin Tin Tin: K-9 Cop. The series was produced in Canada under the name Katts and Dog where the dog was named Rudy. When the series was shown in the U.S., the dog's name was dubbed "Rinty" to fit the U.S. title. The success of The Adventures of Rin Tin Tin caused the cancellation of Gene Autry's The Adventures of Champion on CBS, which was replaced on February 10, 1956, by My Friend Flicka. Flicka, starring Johnny Washbrook as Ken McLaughlin, the story of a boy and his horse on a Wyoming ranch, produced thirty-nine episodes through February 1, 1957, when it was discontinued. Like Rin Tin Tin, Flicka rebroadcasts aired for years on all the networks. Rin Tin Tin guest stars include veteran western film star Roscoe Ates.

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The program's lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of America's most famous addresses and Molly's warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radio's best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal miner's daughter, was born in Peoria on November 15, 1898. After years of hardship and touring in obscurity on the small-time show biz circuit, they arrived in Chicago in 1924, where they eventually performed on thousands of shows and developed 145 different voices and characters. Broadcast to the nation from WMAQ/Chicago, the show entertained America until March 1956, and continued on NBC's Monitor until 1959. Jim Jordan died on April 1, 1988. Marian Jordan died on April 7, 1961. Fibber McGee and Molly was inducted into the Radio Hall of Fame in 1989. First Broadcast date April 16, 1935. Last Broadcast date September 6, 1959. TODAY'S DOUBLE FEATURE "Fibber Grows A Moustache"(12-02-41) & "Quiz Show Smoke For Folks" (12-12-44)

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker."Beginning October 4, 1949, the show was adapted for television for the DuMont Television Network, but Bendix's film contracts prevented him from appearing in the role. Instead, Jackie Gleason starred along with Rosemary DeCamp as wife Peg, Gloria Winters as daughter Barbara (Babs), Lanny Rees as son Chester Jr. (Junior), and Sid Tomack as Gillis, Riley's manipulative best buddy and next-door neighbor. John Brown returned as the morbid counseling undertaker Digby (Digger) O'Dell ("Well, I guess I'll be... shoveling off"; "Business is a little dead tonight"). Television's first Life of Riley won television's first Emmy (for "Best Film Made For and Shown on Television"). THIS EPISODE: The Life Of Riley. November 1, 1947. NBC network origination, AFRS rebroadcast. Junior picks a pretty good football pool, which gets Riley a promotion. The date is subject to correction. William Bendix. 1/2 hour.

Challenge of the Yukon was a long-running radio series that began on Detroit's station WXYZ (as had The Lone Ranger and The Green Hornet). The series was first heard on February 3, 1938. Under the title Sergeant Preston of the Yukon, it later transferred to television. The program was an adventure series about Sergeant William Preston of the Northwest Mounted Police and his lead sled dog, Yukon King, as they fought evildoers in the Northern wilderness during the Gold Rush of the 1890s. Preston, according to radio historian Jim Harmon, first joined the Mounties to capture his father's killer, and when he was successful he was promoted to Sergeant. Preston worked under the command of Inspector Conrad, and in the early years was often assisted by a French-Canadian guide named Pierre. Preston's staunchest ally, who was arguably the true star of the show and indeed often did more work than he did, was the brave Alaskan husky, Yukon King. Typical plots involved the pair helping injured trappers, tracking down smugglers, or saving cabin dwellers from wolverines. Sgt. Preston's faithful steed was Rex, used primarily in the summer months, but generally Yukon King and his dog team were the key mode of transportation (as signalled by Preston's cry of "On, King! On, you huskies!." TODAY'S SHOW: "Outlaw Dog" (05-11-44) And "The Outlaws Nemesis" (05-18-44) May 11, 1944. Program #328. WXYZ, Detroit origination, The Michigan Radio Network. "Outlaw Dog". Sustaining. Tom McShane loses his poke and his claim playing poker in a Stovepipe City cafe. He even loses his faithful dog, "Marty." Possible recording date: May 4, 1944. Not auditioned. Jay Michael, Jack McCarthy (anouncer), Betty Joyce (writer). 14:17. May 18, 1944. Program #329. WXYZ, Detroit origination, The Michigan Radio Network. "The Outlaw's Nemesis". Sustaining. Jim Mckenzie was shot while his brother Pete was trying to break him out of jail. Sergeant Preston is assigned to disguise himself, travel to Towanda Lake and arrest Pete. Possible recording date: May 11, 1944. Not auditioned. Jay Michael, Jack McCarthy (announcer), Betty Joyce (writer). 14:17.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: July 29, 1939. NBC network. "Another World". Sustaining. An eerie story about a woman's battle with the voice inside her...trying to take over her body! The story is also known as, "The Voice Within Me." Arch Oboler, Arnold Moss, Betty Garde, Frank Lovejoy, Gilbert Mack, Hester Sondergaard, John Brown. 29:28.

WHITEHALL 1212 Tweaked Jan. 12, 2006 This series was very similar to the Black Museum that was hosted by Orson Welles. Both the Black Museum and Whitehall 1212 drew their material from the files of Scotland Yard. The stories were true in every respect except that the names were changed to protect the innocent, as they say. The Whitehall 1212 series boasted that for the first time Scotland Yard opened its files and the producers promised to bring to the public authentic true stories of some of the most celebrated cases. Permission for these records came from Sir Harold Scott, Commissioner of the yard at that time. There is actually a Black Museum. This area is located on the lower ground floor of Scotland Yard and it does indeed contain articles that are closely associated with the solving of a crime. And "Whitehall 1212" was the actual emergency phone number for the yard at the time. The research for the shows was done by Percy Hoskins, chief crime reporter for the London Daily Express. For the benefit of American audiences, Wyllis Cooper of Quiet Please fame was hired as script writer. Interestingly enough both the Black Museum and Whitehall 1212 had all-British casts; both ran concurrently. Whereby Mutual Broadcasting System aired the Orson Welles version, NBC offered the Wyllis Cooper one. There were 44 episodes in the series and all but one are in circulation. None of the prorgrams were titled and as they appeared on the scene, were given names by those who collected them. For that reason there are variations of titles, some with incorrect spellings; an attempt has been made to correct this. Some of the shows had "case numbers" and when they were announced, are noted below. January 13, 1952. Program #8. NBC network. Sustaining. A foreigner is found shot to death in his car. A "copper's narc" is then found drowned and with a bullet through his heart. Percy Hoskins (researcher), Wyllis Cooper (writer, director), Jack Goldstein (producer), Collie Small (producer). 29:12. August 3, 1952. NBC network. Sustaining. A Wellington Boot" in the "Black Museum" is the key to the murder of Nora Brady. This was the only time a person in Britain was tried twice for the same murder. Percy Hoskins (researcher), Wyllis Cooper (writer, director), Horace Braham, Lester Fletcher, Lionel Ricou (announcer), Beulah Garrick, Harvey Hayes, Winston Ross, Jared Burke, Carl Harburg. 29:21.

A Date with Judy was a comedy radio series aimed at a teenage audience which had a long run from 1941 to 1950. The show began as a summer replacement for Bob Hope's show, sponsored by Pepsodent and airing on NBC from June 24 to September 16, 1941, with 14-year-old Ann Gillis in the title role. Dellie Ellis portrayed Judy when the series returned the next summer (June 23d to September 15, 1942). Louise Erickson took over the role the following summer (June 30th to September 22, 1943) when the series, with Bristol Myers as its new sponsor, replaced The Eddie Cantor Show for the summer. Louise Erickson continued in the role of Judy over the next seven years as the series, sponsored by Tums, aired from January 18, 1944 to January 4, 1949. Ford Motors and Revere Cameras were the sponsors for the final season of the radio series on ABC from October 13, 1949 to May 25, 1950. Teenagers could relate to Judy and her problems with school, boyfriends and parental rules and adults enjoyed remembering their youth as seen through the eyes of a typical teenager. A delighful comedy that ended in 1950, A Date with Judy remains a favorite even today as we realize that teenagers will always face the same problems growing up as Judy and her friends did.A Date with Judy remains a favorite even today as we realize that teenagers will always face the same problems growing up as Judy and her friends did. THIS EPISODE: April 3, 1945 Judy's Singing Debut - Judy's interview with guest Charles Boyer, is more to do with her dreams of a singing career. Louise Erickson, Richard Crenna, Joseph Cotten, Dix Davis, Paul Sawtelle (composer, conductor), John Brown, Myra Marsh, Aleen Leslie (writer), Helen Mack (producer, director), Doug Gorlay (announcer). 29:35.

The FBI in Peace and War was a radio crime drama inspired by Frederick Lewsis Collins' book, The FBI in Peace and War. The idea for the show came from Louis Pelletier who wrote many of the scripts. Among the show's other writers were Jack Finke, Ed Adamson and Collins. Airing on CBS from November 25, 1944 to September 28, 1958, it had a variety of sponsors (including Lava Soap, Wildroot Cream Oil, Lucky Strike, Nescafe and Wrigley's) over the years. Martin Blaine and Donald Briggs headed the cast. THIS EPISODE: November 16, 1955. CBS network origination, AFRTS rebroadcast. "Room For Improvement". An F. H. A. kickback racket is broken by the Feds when Eddie Norris falls for the daughter of a gangster. Frederick L. Collins (creator). 24:30.

The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America. Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS. THIS EPISODE: July 11, 1948. CBS network. "The Wheel Of Life Caper". Sponsored by: Wildroot Cream Oil. Sam meets a mystery woman with no memory and a corpse that's been killed by a buzz saw! Sandra Gould replaces Lurene Tuttle as Effie, Sam's secretary. Howard Duff, Dashiell Hammett (creator), William Spier (producer, director), Sandra Gould, Gil Doud (writer), Robert Tallman (writer), Lud Gluskin (music director), Dick Joy (announcer). 29:45.

The Beulah Show is an American situation-comedy series that ran in radio on CBS from 1945 to 1954, and in television on ABC from 1950 to 1953. It is notable for being the first sitcom to star an African American. Originally portrayed by Caucasian actor Marlin Hurt, Beulah Brown first appeared in 1939 when Hurt introduced and played the character on the Hometown Incorporated radio series and in 1940 on NBC radio's Show Boat series. In 1943, Beulah moved over to That's Life and then became a supporting character on the popular Fibber McGee and Molly radio series in late 1944. In 1945, Beulah was spun off into her own radio show, The Marlin Hurt and Beulah Show, with Hurt still in the role. Beulah was employed as a housekeeper and cook for the Henderson family: father Harry, mother Alice and son Donnie. After Hurt died of a heart attack in 1946, he was replaced by another white actor, Bob Corley, and the series was retitled The Beulah Show. When black actress Hattie McDaniel took over the role on November 24, 1947, she earned $1000 a week for the first season, doubled the ratings of the original series and pleased the NAACP which was elated to see a historic first: a black woman as the star of a network radio program. McDaniel continued in the role until she became ill in 1952 and was replaced by Lillian Randolph, who was in turn replaced for the 1953-54 radio season by her sister, Amanda Randolph. THIS EPISODE: August 13, 1945. CBS network, KNX, Los Ageles aircheck. Sponsored by: Tums. We're having a heat wave! Cleaning the basement and keeping cool. Marlin Hurt (triples), Carol Stewart, Albert Sack and His Orchestra, Phil Leslie (writer), Helen Mack (producer, director), John Brown, Katharine Carr, Jess Kirkpatrick, Ken Niles (announcer). 29:42.

CHRISTOPHER LONDON was the name and the hero of this 1950 radio show that related the adventures and exploits of a private eye who will "go anywhere and do anything...for a price." Of an added interest is the fact that this guy is supposedly based on a character created by Erle Stanley Gardner. It's an excellent detective drama with Glen Ford in the lead role. Supporting cast compliment his talent. There is little else known about this NBC 1950 presentation.

Crime Club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson, begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books. THIS EPISODE: June 5, 1947. Mutual network. "Murder Rents A Room". Sustaining. A rich man "dies" but most of his money is missing. The man's ne'er-do-well nephew is suspect. Sarah Elizabeth Mason (writer), Elspeth Eric, Helen Shields, Shirling Oliver, Bill Smith, Cameron Prud'Homme. 1/2 hour.

The Fred Allen Show - Born John Florence Sullivan on May 31, 1894, Fred Allen began his career in vaudeville before becoming one of radio's most acerbic and admired wits. Allen and his wife, former chorus girl Portland Hoffa, began their radio career on October 23, 1932, starring on The Linit Bath Club Revue. By 1934, Allen was starring on Town Hall Tonight, a one-hour show which featured Allen examining current events and interviewing unusual guests. It was here that Allen began radio's longest-running "feud" in 1937, when he made a series of jokes about fellow comedian Jack Benny. Allen's best-remembered feature was "Allen's Alley," a weekly segment in which he would discuss issues of the day with eccentric creations like the blustery Senator Claghorn, Brooklyn housewife Pansy Nussbaum and stoic New Englander Titus Moody. Allen was known to read up to nine newspapers a day and often spent 12 to 14 hours a day writing and re-writing his scripts. Poor health forced Allen off the air in 1944, but he returned in the fall of 1945 with The Fred Allen Show, which lasted until June 26, 1949. Fred Allen died on March 17, 1956. Fred Allen was inducted into the Radio Hall of Fame in 1988. THIS EPISODE: February 12, 1941. CBS network, WABC, New York aircheck. Sponsored by: Texaco. News Of The Week: Heavy rains have damaged the East Coast. The program's guest is Penobscot indian chief Nee Da Bay, who gives bird and animal imitations. The Texaco Workshop Players do "Truth Of Subsequences," a satire on guess-what-show hosted by "Ralph Deadwoods." This is another example of Fred's ongoing attack on the quiz show genre. Fred Allen, Portland Hoffa, Jimmy Wallington (announcer), Al Goodman and His Orchestra, Kenny Baker, Larry Elliott (commercial spokesman), Alan Reed, Nee Da Bay. 59:35.

Bonanza chronicled the weekly adventures of the Cartwright family, headed by wise widowed patriarch Ben Cartwright (played by Lorne Greene). He had three biological sons, each by a different wife: the oldest was the intelligent and moody Adam Cartwright (Pernell Roberts); the second was the fun and lovable Eric, better known to viewers by his middle name: "Hoss" (Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or "Little Joe" (Michael Landon). The family's cook was the Chinese immigrant Hop Sing (Victor Sen Yung). The family lived on a thousand-square-mile ranch called "The Ponderosa", on the shore of Lake Tahoe in Nevada; the name refers to the Ponderosa Pine, common in the West. THIS EPISODE: The Saga of Annie O'Toole adapted for radio from Bonanza aired October 24, 1959. Annie O'Toole and her father head out to the Washoe Diggings after her boyfriend, Swede Lundberg, returns with the deeds to two mines. Annie takes one of the deeds in return for the grub stake she gave Swede. Upon her arrival in Nevada, her father dies and she meets up with the Cartwrights. Against Adam's advice (and with his help), Annie decides to open up a restaurant to supply meals to the hungry miners. Things seem to be going well until Swede shows up with another man who claims that Annie's mine is his.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: "Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze. TODAY'S SHOW: July 28, 1947. CBS network. "Typhoon". Sustaining. A famous sea adventure about the big storm, the dumb sea captain, and two hundred cut-throat Chinese below the decks. Frank Lovejoy, Joseph Conrad (author), Les Crutchfield (adaptor), William N. Robson (director). 1/2 hour. December 31, 1947. CBS network. "Confession". Sustaining. A good story about a shell-shocked soldier walking the fog-filled streets of London...finding murder and terror! Algernon Blackwood (author), William Conrad, Peggy Webber, William N. Robson (producer, director), John Dunkel (adaptor), Cy Feuer (music conceiver, conductor), Ramsay Hill. 29:40.

The Adventures Of Ellery Queen - Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia. On radio, The Adventures of Ellery Queen was heard on all three networks from 1939 to 1948. During the 1970s, syndicated radio fillers, Ellery Queen's Minute Mysteries, began with an announcer saying, "This is Ellery Queen..." and contained a short one-minute case. The radio station encouraged callers to solve the mystery and win a sponsor's prize. Once a winner was found, the solution was broadcast as confirmation. TODAY'S SHOW: March 28, 1943. NBC network. "The Adventure Of The Circus Train". Sponsored by: Bromo Seltzer. The owner of a circus is killed, three $10,000 bills have been removed from the body! The "Guest Armchair Detective" sequence has been deleted, the mystery is complete. The West Coast broadcast has been researched as being on March 25, 1943, the East Coast broadcast on March 27, 1943. Carleton Young, Marian Shockley, Santos Ortega, Ted de Corsia, Bruce Kamman (producer, director), Charles Paul (organ), Ernest Chappell (announcer), Frederic Dannay (writer), Manfred B. Lee (writer). 28:47. September 7, 1947. NBC network origination, AFRS rebroadcast. "Number Thirty-One". A murdered butler provides the clue Ellery needs to convict Mr. Arkaris of diamond smuggling. AFRS program name: "Mystery Theatre." Don Hancock (announcer), Lawrence Dobkin, Chet Kingsbury (organist), Charlotte Keane, Bill Smith, Ed Latimer, Tom Everitt (writer), Manfred B. Lee (writer), Tom Victor (producer, director). 24:36.

Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. When Dragnet hit its stride, it became one of radio's top-rated shows. While most radio shows used one or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Friday's desk, the listener heard the same ring as the telephones in Los Angeles police headquarters. A single minute of "A Gun For Christmas" is a representative example of the evocative sound effects featured on "Dragnet". While Friday and others investigate bloodstains in a suburban backyard, the listener hears a series of overlapping effects: a squeaking gate hinge, footsteps, a technician scraping blood into a paper envelope, the glassy chime of chemical vials, bird calls and a dog barking in the distance. Scripts tackled a number of topics, ranging from the thrilling (murders, missing persons and armed robbery) to the mundane (check fraud and shoplifting), yet "Dragnet" made them all interesting due to fast-moving plots and behind-the-scenes realism. In "The Garbage Chute" (15 December 1949), they even had a locked room mystery. TODAY'S SHOW: "Helen Corday Murdered With Pipe" (7-07-49) and "The Big Fraud" (10-27-53) July 7, 1949. Program #5. NBC network. Sustaining. A well liked waitress named Helen Corday has been murdered with a steel pipe. The suspect's name is Larson. Jack Webb, Barton Yarborough, Raymond Burr. 29:25. October 27, 1953. Program #219. NBC network. "The Big Fraud". Sponsored by: Chesterfield, Fatima. Sergeant Friday goes undercover to trap a gang posing as narcotic cops to con out-of-towners. Jack Webb, Ben Alexander, George Fenneman (announcer), Hal Gibney (announcer), John Robinson (writer), Walter Schumann (music), Ben Hogan (Chesterfield testimonial), Vic Perrin, Paul Richards, Herb Ellis. 29:32.

The Whisperer was an American old-time radio show broadcast from July 8 to September 30, 1951 on NBC. It ran for only 13 episodes. The premise of the series was as improbable as its storylines. The protagonist was Philip Gault (Carleton G. Young), a lawyer who, due to some unexplained accident, lost his voice and could only speak in an eerie whisper. Gault infiltrates "the syndicate" in his native Central City to bring down organized crime from within; to the underworld, he becomes known as the Whisperer. Later, his voice is restored through surgery, but he continues to lead a double life as the Whisperer, relaying instructions from the syndicate bosses in New York (who don't know he's a mole) to their lackeys in Central City, whom Gault is actually setting up. By today's standards, the stories are dated and their message-mongering usually criticized as ham-fisted, the product of what might be considered the unenlightened attitudes of the time. The first episode ("Tea Time for Teenagers") is typical, an overwrought "it can happen here" melodrama about a syndicate plot to create "200 regular marijuana addicts" among high school students. The episode makes a blatant appeal to the moral indignation of its audience, ending with Gault advising PTA's to "show some of the fine educational films available on marijuana and how it leads to a worse addiction." Carleton G. Young, who played Gault, is sometimes confused with the actor Carleton Young. Betty Moran portrayed his girlfriend Ellen, the only other person who knew Gault's double identity. Moran had to deliver lines like, "But marijuana means broken lives, heartbreak for parents!" To collectors today, the series is considered an amusing time capsule of a long gone period of America's past. TODAY'S DOUBLE FEATURE:"Into Each Life (08-19-51) and "Woman On Ice" (09-09-51) August 19, 1951. NBC network. Sustaining. This program includes a scene where "The Whisperer" recounts his origins to Ellen. "The Syndicate" is determined to kill a nightclub owner who refuses to pay them off. They've already tried to assassinate him seven times! Bernard Phillips, Betty Lou Gerson, Betty Moran, Bill Cairn (director), Byron Kane, Carleton Young, Don Rickles (announcer), John Duffy (original music), Stetson Humphrey (creator). 29:20. September 9, 1951. NBC network. Sustaining. Not auditioned. "The Whisperer" gives "The Syndicate's" instructions. It's only one word, "Now." Carleton Young, Betty Moran, Stetson Humphrey (creator), John Duffy (original music), Bill Cairn (producer, director), Don Rickles (announcer), Sidney Miller, Stacy Harris, Charles Moody, Michael Ann Barrett, Jonathan Twice (writer). 29:26.

Dick Tracy had a long run on radio, from 1934 weekdays on NBC's New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC's weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of "Toot Toot, Tootsie" for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. Directors of the series included Mitchell Grayson, Charles Powers and Bob White. Cast members at various times included Walter Kinsella as Pat Patton, Helen Lewis as Tess Trueheart and Andy Donnelly and Jackie Kelk as Junior Tracy. Announcers were Ed Herlihy and Dan Seymour. TODAY'S SHOW: April 11, 1938. NBC network. Sponsored by: Quaker Cereals. Not auditioned. The announcer mentions that the program is "electrically transcribed." It is therefore possible that even though the series was being broadcast on NBC at this time, these might be syndicated versions, as no system cues are heard. Vernon Kyle is terrorizing the citizens of the Yukon to getting their radium ore (pitchblende). . 14:56. April 12, 1938. NBC network. Sponsored by: Quaker Cereals (Dick Tracy Club offer). Not auditioned. The system cue has been deleted. Vernon Kyle continues to terrorize the Yukon town of Pitchblende. What was the weird cry in the night? "The Purple Rider" offers to help Dick Tracy and the Mounties. As the dog teams pass through "Dead Man's Pass," Vernon Kyle causes an avalanche. . 15:01.

Crime and Peter Chambers - This program was born from a detective book series and inspired by author Henry Kane who became the director and producer for the radio show. The series only ran five months, 30 minutes each episode, from April 6, 1954 to September 7, 1954. Peter Chambers was played by Dane Clark who also appeared on the Suspense radio shows. Chambers acted the role of a playboy detective with an eye for solving crime and a taste for the women. Bill Zuckert, who went on to guest star in many 1970s shows including The Mary Tyler Moore Show and the Partridge Family, plays Lt. Parker. TODAY'S SHOW: "Abigail Chrisenberry" (05-04-54) and "Stoney Carter" (06-15-54) May 4, 1954. NBC net. Sustaining. Peter meets beautiful Abigail Christenberry in a bar. He soon finds himself accused of Abigail's murder! Fred Collins (announcer), Fred Weihe (director), William Zuckert, Elaine Rost, Joe DeSantis, David Clark, Henry Kane (creator, writer). 24:22. June 15, 1954. NBC net. Sustaining. Peter Chambers is called on to speak to a murder suspect, a boy Chambers knows. Did he do it? Dane Clark, Henry Kane (creator, writer, producer), Fred Collins (announcer), Fred Weihe (director), William Zuckert, Fran Carlon, Everett Sloane.

Dark Fantasy was a series dedicated to dealings with the unknown. Originating from radio station WKY, Oklahoma City, it was written by Scott Bishop (of Mysterious Traveler and The Sealed Book fame) and was heard Fridays over stations. Tom Paxton served as announcer. The shows covered horror, science fiction and murder mysteries. Although a short series, the shows are excellent with some stories way ahead of their time. The following is a news promo promoting the show: Every since Lights Out went out several years ago, fans of the fiendish have been clamoring for more good old goose-pimple horror drama on the air. Now they have it. One of the programs that currently freezes the airwaves with its chilling stories is Dark Fantasy comparatively new to the networks. In the late hours of Friday nights these shivery, shocking stories go out over NBC - right straight from Oklahoma City, which you might not have thought of as headquarters for haunts. Station WKY is the home of the Dark Fantasy plays, and the writer is Scott Bishop, who lives in the midst of mystery and the supernatural, represented by the innurnerable volumes of thriller fiction, fantasy lore and all kinds of horror literature that fill his home andhis office. Bishop has long contributed to network broadcasting and to magazines. He says, "Give the listener enough material to let his imagination go to work, and he'll supply his own goose-pimples." Dark Fantasy has been furnishing plenty of such material since last November. And judging from enthusiastic comment, the horror fans are responding with goose-pimples galore! Tune in every Friday on Station WKY Oklahoma City. SHOW NOTES From the Old Time Radio Researcher's Group. THIS EPISODE: January 9, 1942. Program #8. NBC network, WKY, Oklahoma City origination. "The Curse Of The Neanderthal". Sustaining. Not auditioned. "The story of a grave forty thousand years old, and the awesome secret that it contained." Scott Bishop (writer), Tom Paxton (announcer), Ben Morris, Eleanor Naylor Corin, Murillo Scofield, Fred Wayne, Daryl McAllister. 26:55.

Jeff Regan Investigator was one of the three detective shows Jack Webb did before Dragnet (see also Pat Novak For Hire and Johnny Modero: Pier 23). It debuted on CBS in July 1948. Webb played JEFF REGAN, a tough private eye working in a Los Angeles investigation firm run by Anthony J. Lyon. Regan introduced himself on each show "I get ten a day and expenses...they call me the Lyon's Eye." The show was fairly well-plotted, Webb's voice was great, and the supporting cast were skillful. Regan handled rough assignments from Lion, with whom he was not always on good terms. He was tough, tenacious, and had a dry sense of humor. The voice of his boss, Anthony Lion, was Wilms Herbert. The show ended in December 1948 but was resurrected in October 1949 with a new cast; Frank Graham played Regan (later Paul Dubrov was the lead) and Frank Nelson portrayed Lion. This version ran on CBS, sometimes as a West Coast regional, until August 1950. Both versions were 30 minutes, but the day and time slot changed several times. A total of 29 episodes from this series are in trading currency. TODAY'S SHOW: November 27, 1948. CBS network. "The Man Who Fought Back". Sustaining. Regan is hired to spend the weekend with Alice and Bill LaFarge. Alice is promptly shot, Bill disppears. Counterfeit football tickets are behind the caper. Laurette Fillbrandt, Charles Seel, Ken Christy, Jack Petruzzi (as Lieutenant Santucci, gets to speak in Italian), Sidney Miller, Larry Roman (writer), Sterling Tracy (producer), Milton Charles (organ), Bob Stevenson (announcer), Jack Webb, Herb Butterfield, Yvonne Peattie. 29:41. July 17, 1948. CBS network. "The Prodigal Daughter". Sustaining. Regan travels to New Orleans to find a wealthy man's daughter. He succeeds, but finds her laid out for burial...or does he? Betty Lou Gerson, Del Castillo (organ), E. Jack Neuman (writer), Eve McVeagh, Gordon T. Hughes (producer, director), Harry Lang, Jack Webb, Laurette Fillbrandt, Lou Krugman, Theodore Von Eltz, Wilms Herbert, Bob Stevenson (announcer). 29:43.

The Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase. THIS EPISODE: June 15, 1952. NBC network. "Terminate Professor Kolcheck". Sustaining. An Hungarian secret policeman named Andre Provich has become disillusioned with "The Party." When Provich is ordered to liquidate his old friend Professor Kolcheck, the two decide to defect. The story has a good surprise ending. The story title may not be accurate. Edgar Stehli, Fred Collins (announcer), June Foray, Lawrence Klee (creator, writer), Lee Cramer (engineer), Norman Rose, Stefan Schnabel, Walter McGraw (director, transcriber). 29:29.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch. THIS EPISODE: September 24, 1939. CBS net. "What Every Woman Knows". Sponsored by: Campbell's Soup. Drama about an Irish M.P. and his plain and apparently useless wife. Agnes Moorehead, Alfred Shirley, Bernard Herrmann (composer, conductor), Ernest Chappell (announcer), Eustace Wyatt, Everett Sloane, Helen Hayes (narrator), Naomi Campbell, Orson Welles (host), Ray Collins (narrator). 55:24.

Case DismissedThus with the pounding of the gavel, the fate of men and women have been decided by the judge. This is the story of our legal rights, the battle to preserve and protect them, and how easily they can be lost. The program shows us just how fragile liberty and justice can be. These stories of everyday events are still interesting, even after 50 years. Stories of criminal liability, legal wills, buying on installment, and leasing an apartment. Each story is well written, and the acting, though dated and a bit hokey by today's standards, still manages to achieve the desired effect. Not much information is available for this series, it was apparently broadcast on a limited basis, and originated on WMAQ Chicago, an NBC station. It was comprised of thirteen episodes, twelve of which are currently available, and was heard from January 30, 1954 through April 24, 1954. THIS EPISODE: February 20, 1954. NBC network, WMAQ, Chicago origination. Sustaining. The program is produced in co-operation with the Chicago Bar Association. A louse of a father plans to skip town to avoid paying his ex-wife child support. A program about child support and domestic relations. Harry Elders, Robert Carmen (writer), Betty Ross (producer), Herbert Littow (director), Rosemary Kelly, Muriel Monsell (?), Jack Lester, Claire Baum, Tom Evans (sound), John C. Fitzgerald (host, Dean of the Law School, Loyola University), Phillip Lord, Harold Witteberry (engineer), Lee Bennett (announcer). 29:09.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?" THIS EPISODE: January 24, 1975. Program #211. CBS network. "Flowers Of Death". Sponsored by: Vigne Wine, Buick, Sine-Off. E. G. Marshall (host), Sam Dann (writer), Mercedes McCambridge, Larry Haines, Roberta Maxwell, Gilbert Mack. 52 minutes.

Adventures In ResearchThrough the magic of radio this unique collection of shows captures American History like no other medium can. From dramatizations of events prior to the formation of the United States and our fight for freedom from England through manifest destiny and our push to the Pacific Ocean. From live radio broadcasts of a date which will live in infamy to the resignation of a defeated and humiliated President and so much more. These shows will offer hours of entertainment bringing our early history alive and remind of us what it was like to be glued to our radios before we were glued to 24 hour news channels and instant access internet connections. A Public service production by the Westinghouse Research Labs. The series ran from the early 1940's -mid 1950's. HOST: Paul Shannon.