Boxcars711 Old Time Radio

Author's Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc. THIS EPISODE: September 15, 1944. NBC network. "Southern Exposure". Sustaining. A writer and photographer gang up on a government official in Old Mexico. Robert Parsons (author). 1/2 hour.

ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Great special effects will grab your attention, accented by creepy organ rips. Stories are offered such as death gathered round a card table at a local chapter of The Suicide Club, or a man who desperately tries to hire a 24 hour bodyguard all the while trying to make himself the victim of a murder, and other baffling peculiar tales of yore. Also known as Mystery Time and Mystery Time Classics, this one is sure to excite and mystify. THIS EPISODE: ABC network. "Success Story". Not auditioned. The program is also known as, "Masters Of Mystery." "The story of a man who believes in making plans for his future. Plans that include even murder!" Don Dowd (host), Robert Foster (writer), Clark Andrews (producer). 24:00.

The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. A number of famous people have visited the musuem including Sir Arthur Conan Doyle, Harry Houdini, Stan Laurel and Oliver Hardy. Orsen Welles hosted and narrated the shows. Following the opening, Mr. Welles would introduce the museum's item of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater on the Air, 'remaining obediently yours'. THIS EPISODE: Harry Alan Towers syndication. "Glass Shards". Sponsored by: Commercials added localy. A man and his son find an intruder in their apartment. The older man is shot by a small man. Orson Welles, Ira Marion (writer), Sidney Torch (composer, conductor), Harry Alan Towers (producer). 29:46.

Burns and Allen were an American comedy duo consisting of George Burns and his wife, Gracie Allen.Burns wrote most of the material, and played the straight man. Allen played a silly, addleheaded woman. Both attributed their success to the other, to the ends of their lives. Early on, the team had played the opposite roles until they noticed that the audience was laughing at Gracie's straight lines, so they made the change. Burns and Allen developed their popular routine over more than three decades of stage, radio, film, and television. Historians of popular culture have often stated that Allen was a brilliant comedian, whose entire career consisted of engaging in dialogues of "illogical logic" that left her verbal opponents dazed and confused, and her audiences in stitches. During a typical 23-minute episode of the Burns and Allen show, the vast majority of the dialogue and speaking parts were written for Allen, who was credited with having the genius to deliver her lengthy diatribes in a fashion that made it look as though she was making her arguments up on the spot. (One running gag on the TV show was the existence of a closet full of hats belonging to various visitors to the Burns household, where the guests would slip out the door unnoticed, leaving their hats behind, rather than face another round with Gracie.) A continuing joke on the show was that George would say, "Say good night, Gracie," and Gracie would say, "Good night Gracie!" Ralph Pape used the catchphrase for the title of his play, Say Goodnight, Gracie, produced by Steppenwolf in 1983, and the phrase lives on as a title of other books and stage productions.

Adventures of Leonidas Witherall was a radio mystery series broadcast on Mutual in the mid-1940s. Based on the novels of Phoebe Atwood Taylor (writing as Alice Tilton), the 30-minute dramas were produced by Roger Bower and starred Walter Hampden as Leonidas Witherall, a New England boys' school instructor in Dalton, Massachusetts, a fictional Boston suburb. Witherall, who resembled William Shakespeare, is an amateur detective and the accomplished author of the "popular Lieutenant Hazeltine stories." His housekeeper Mrs. Mollett was played by Ethel Remey (1895-1979) and Jack MacBryde appeared as Police Sgt. McCloud. The announcer was Carl Caruso. Milton Kane supplied the music. The series began June 4, 1944 and continued until May 6, 1945. THIS EPISODE: September 7, 1943. CBS network. Sustaining. This series deals with a college professor who looks like Shakespeare and is very good at solving murders. This story takes place at a mountain resort where a murder has been committed by someone very adept at throwing knives. Walter Hampden, Agnes Moorehead. 1/2 hour

Barry Craig, Confidential Investigator (AKA Barry Crane" and then "Barrie Craig) is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality." Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show.

The Mysterious Traveler Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can! THIS EPISODE: April 16, 1944. Mutual network. "The Accusing Corpse". Sustaining. A journey to the grave to learn the secrets of the dead. An old scam leads to an accusation by a dead body. The show will switch to Sunday at 3:30 P. M. (EST) next week. The script was also used on "The Sealed Book" on April 29, 1945. Don Randolph, Phillip Clark, Maurice Tarplin, Doc Whipple (music), Jock MacGregor (director), Robert A. Arthur (writer), David Kogan (writer). 29:45.

The adventures of Casey Crime Photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940's. Casey hung out at the Blue Note Café, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Casey's girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Casey's pictures. This live series was set in and broadcast from, New York City. THIS EPISODE: April 17, 1947. CBS network. "Box Of Death". Sponsored by: Anchor Hocking Glass. A crook with a lucky penny delivers a woman's husband to her, dead in a box. Staats Cotsworth, John Gibson, Tony Marvin (announcer), Archie Bleyer (music), George Harmon Coxe (creator), Alonzo Deen Cole (writer). 1/2 hour.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: June 7, 1945. Mutual network. "Night". Sustaining. An excellent, beautiful radio montage in the central theme of "night." Arch Oboler, Barney James, Bruce Elliott (narrator), David Raxon and His Orchestra, Dorothy Scott, Edmond MacDonald, Everett Allen, Frank Martin (announcer), Gloria Blondell, Griff Barnett (Swan Soap commercial), Joseph Granby, Roseanne Murray, Theodore Von Eltz, Therese Lyon. 1/2 hour.

Amos 'n' Andy was a situation comedy popular in the United States from the 1920s through the 1950s. The show began as one of the first radio comedy serials, written and voiced by Freeman Gosden and Charles Correll and originating from station WMAQ in Chicago, Illinois. After the series was first broadcast in 1928, it grew in popularity and became a huge influence on the radio serials that followed. Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio. He suggested to Gosden and Correll that they adapt The Gumps to radio. They instead proposed a series about "a couple of colored characters" and borrowed certain elements of The Gumps. THIS EPISODE: February 25, 1944. NBC network origination, AFRS rebroadcast. Replacing "The Great Gildersleeve." Andy is convinced that he's written the hit tune, "Sunday, Monday, Or Always." He and The Kingfish go into the song writing business! Guests are Kay Kyser, Harry Babbitt. Also Johnny Burke and Jimmy Van Heusen (the real composers of the tune). Freeman Gosden, Charles Correll, Harlow Wilcox (announcer), Kay Kyser, Harry Babbitt, Johnny Burke, Jimmy Van Heusen, Kay Kyser and His Orchestra (music fill), Georgia Carroll (vocal). 29:42.

The Damon Runyon Theater was a 52 show series that was syndicated across the USA beginning in early 1949. Damon Runyon was a gifted sports writer in New York City as well as being a great journalist and great short story writer. His stories were humorous ones, written in the "dem" and "dose" vernacular of the city's loveable and not so loveable characters of Broadway, the prize ring and the underworld. His most famous collection of short stories, Guys and Dolls, was on Broadway and later made into a movie. Many of his stories were filmed including Sorrowful Jones, A Pocketful of Miracles, Lady for a Day, Blue Plate Special, The Lemon Drop Kid (twice) and Little Miss Marker (four times). In addition to this The Damon Runyon Theater was syndicated for television in the mid 1950s. THIS EPISODE: 1948. Program #12. Mayfair syndication. "Pick The Winner". Commercials added locally. Hot Horse Herbie, Cutie Andrews and Broadway travel to Florida to play the horses. They run into "The Professor," which is a horse of another color! Damon Runyon (author), John Brown, Richard Sanville (director), Russell Hughes (writer), Vern Carstensen (production supervisor). 27:05.

Academy Award Theater Stars and movies with Oscars were the idea - in most cases, the movie stars recreated their academy award roles for the show, or in other cases, fine actors played the parts and gave it a different character. Both ways make for great radio drama and first class Hollywood motion picture star entertainment. The Lux Radio Theater had been doing this kind of radio show in the grandest manner for many years, but sponsor Squibb had the hubris and deep pockets to take on the competition by doing Academy Award Theater right after the Second World War. The year 1946 was pre-television, and so movies were still the major American visual art form, with radio the other popular network entertainment. In this final pre-TV time, Academy Award Theater was thought of as a premier radio production, a wow show, much like CinemaScope was to be in the 1950's when Hollywood felt the box office blow of early TV. THIS EPISODE: October 16, 1946. CBS network. "Blood On The Sun". Sponsored by: Squibb. A crusading newspaper editor in pre-war Japan uncovers the "Tanaka Plan" of world conquest. John Garfield, Jeff Chandler. 1/2 hour.

Broadway Is My Beat A radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world." THIS EPISODE: March 7, 1953. CBS network origination, AFRTS rebroadcast. Harry Carson is an old man who won't talk, and a dead body who can't! See cat. #52621 for a network version of this broadcast. Elliott Lewis (producer, director), Alexander Courage (composer, conductor), Larry Thor, Charles Calvert, Jack Kruschen, Morton Fine (writer), David Friedkin (writer), Herb Butterfield, Whitfield Connor, Jerry Hausner, James McCallion, Lurene Tuttle, Eddie Fields, Bill Anders (announcer). 28:30.

Your's Truly Johnny Dollar - For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America's fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar". Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd's of London Insurance Company." Although based in Hartford, Connecticut, the insurance capital of the world, freelancer Johnny Dollar managed to get around quite a bit – his adventures taking him all over the world. There were some unusual devices used in the show that help set it apart from other shows. There was no partner, assistant, or secretary for Johnny. The character closest to a continuing role was that of Pat McCracken of the Universal Adjustment Bureau, who assigned Johnny many of his cases. Another atypical aspect gave the show additional credibility – frequently, characters on the show would mention that they had heard about Johnny's cases on the radio. Johnny often used his time when filling out his expense accounts to give the audience background information or to express his thoughts about the current case. THIS EPISODE: August 7, 1949. CBS network. "The Investigation Of Bonnie Goodwin," or "Murder Ain't Minor". Sustaining. Johnny takes a case on behalf of "King Hart," (not an insurance company!) to try to find his missing girl. Paul Dubov, Martha Wentworth, Lou Krugman, Charles Russell, Georgia Ellis, Jeanne Bates, Lawrence Dobkin, Roy Rowan (announcer), Leith Stevens (composer, conductor), Gordon T. Hughes (director), Paul Dudley (writer), Gil Doud (witer). 29:36.

The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America. Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS. THIS EPISODE: July 18, 1948. CBS network. "The Missing Newshawk Caper". Sponsored by: Wildroot Cream Oil. Spade is hired to find a reporter named Ray McCully. Spade finds him all right, stabbed to death! Howard Duff, Lurene Tuttle, Dashiell Hammett (creator), William Conrad, Sara Berner, Bea Benaderet (possibly), Alan Reed, Gil Doud (writer, director), Robert Tallman (writer), Lud Gluskin (music), Dick Joy (announcer). 29:40.

The Abbott and Costello Show- William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbrook, Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show's longtime announcer, doubling as an exasperated foil to Abbott & Costello's mishaps (and often fuming in character as Costello insulted his on-air wife routinely); he was succeeded by Michael Roy, with annoncing chores also handled over the years by Frank Bingman and Jim Doyle. THIS EPISODE: December 25, 1943. Red network, KFI, Los Angeles aircheck. Sponsored by: Camels. Abbott and Costello plan to kill Ingrid, Costello's pet turkey, for Thanksgiving. Guest Jane Wyman joins in a routine, "What is the wind?" Connie Haines sings, "Shoo, Shoo Baby." Mel Blanc appears as Bugs Bunny. Bud Abbott, Lou Costello, Freddie Rich and His Orchestra, Ken Niles (announcer), Jane Wyman, Connie Haines, Mel Blanc (triples), Don Prindle (writer), Leo Solomon (writer), Alan Woods (writer), Martin Gosch (director), Billy Gray, Elvia Allman, John Brown. 29:45.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?" THIS EPISODE: January 25, 1974. Program #20. CBS net. "Speak Of The Devil". Sponsored by: Kellogg's, Budweiser. E. G. Marshall (host), Ian Martin (writer, performer), Jada Rowland, Bryna Raeburn, Nick Pryor. 52 minutes.

Familiar Ghost (Aired December 18, 1978) The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982.The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?"

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. Bud Abbott was born in Asbury Park, NJ, October 2, 1897 and died April 24, 1974 in Woodland Hills, California. Lou Costello was born in Paterson, NJ, March 6, 1906 and died March 3, 1959 in East Los Angeles, California. After working as Allen's summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. THIS EPISODE: May 9, 1944. NBC network. Sponsored by: Camels, Prince Albert Pipe Tobacco. Costello wants to join the circus. Abbott loses his place in the script. Bud Abbott, Lou Costello, Carl Hoff and His Orchestra, Amy Arnell (vocal), Bert Cordon (sound effects), John Pawlek (engineer), Ken Niles (announcer), Elvia Allman, Sharon Douglas (doubles), Mel Blanc (quadruples), Sidney Fields, Don Prindle (writer), Ed Forman (writer), Don Bernard (producer, director), Andrew Potter (producer, director). 29:46.

The Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Director's Guild and The Screen Director's Assignment. But most people remember it simply as Screen Director's Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywood's directors were also heard in the recreation of their movies. The President of the Screen Director's Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE: October 10, 1949. NBC network. "Criss Cross". Sustaining. A good gangster story about a planned armored car holdup and a double-double cross. Screen director Robert Siodmak appears by transcription. Burt Lancaster, Betty Lou Gerson, Jeff Corey, Betty Morgan, Jimmy Wallington (announcer), Robert Siodmak. 1/2 hour.

The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer. THIS EPISODE: October 25, 1942. CBS network. "The Alibi". Sustaining. A domineering old lady controls all those around her...several of whom have a good reason for doing her in. J. Donald Wilson (writer, director), Wilbur Hatch (composer, conductor), Herbert Connor (writer). 29:31

Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere. THIS EPISODE: January 1, 1956. CBS network. Sponsored by: Colgate Toothpaste, Lustre Creme Shampoo, Palmolive Soap. "What The Board Of Education Means To Me." Walter's essay and Mr. Conklin's deafness. A funny show! The program may be dated January 4, 1956. Al Lewis (director, writer), Eve Arden, Jane Morgan, Richard Crenna, Leonard Smith, Verne Smith (announcer), Jeff Chandler, Gloria McMillan, Larry Berns (producer), Wilbur Hatch (music), Bob Lemond (announcer), Gale Gordon. 29:50.

Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasn't. It is generally regarded as a 'quality' show and it stands up extremely well. Frank Lovejoy (1914-1962) isn't remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. 'The Slasher', broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth. THIS EPISODE: April 9, 1950. NBC netWORK. Sustaining. Tom Morrison is a man with "noctophobia," a fear of darkness. He is being driven to commit murder by George Brewster. Nightbeat was being heard more than once a week at this time. Brian Donlevy appears on the show to promote his "Dangerous Assignment" series. Frank Lovejoy, Brian Donlevy, Jane Morgan, Larry Marcus (writer), Frank Worth (music), Warren Lewis (director), Ruth Perrott, David Ellis, Lurene Tuttle, Charles Seel, Margaret Brayton. 29:24.

Perry Mason is the longest running lawyer show in American television history. Its original run lasted nine years and its success in both syndication and made-for-television movies confirm its impressive stamina. Mason's fans include lawyers and judges who were influenced by this series to enter their profession. The Mason character was created by mystery writer Erle Stanley Gardner and delivered his first brief in the novel The Case of the Velvet Claws (1933). From 1934 to 1937 Warners produced six films featuring Mason. A radio series also based on Mason ran every weekday afternoon on CBS radio from 1944 to 1955 as a detective/soap opera. When the CBS television series was developed as an evening drama, the radio series was changed from Perry Mason to The Edge of Night and the cast renamed so as not to compete against the television series. This Episode: The Case of the Nervous Accomplice from Perry Mason aired October 5, 1957. Sybil Granger hires Perry to help her buy stock in her estranged husband's oil company on the sly. By this, Sybil hopes to force her husband's latest girlfriend, Roxy Howard, out of the company and his life altogether. Things get complicated when George Lutz enters the picture.

Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

ROCKY JORDAN was the title character of one of the better and more exotic radio detective series. In fact, it's one of the best detective series I have ever heard. The series had two separate incarnations. The first, A Man Named Jordan, started as a daily 15 minute show and after about six months changed to a weekly 30 minute show. It took place in Istanbul and the Cafe was described as "a small restaurant in a narrow street off Istanbul's Grand Bazaar, permeated with by the smoke of Oriental tobacco, alive with the babble of many tongues, and packed with intrigue." The second incarnation, Rocky Jordan, was a weekly 30 minute series took place in Cairo - "the gateway to the ancient East where adventure and intrigue unfold against the backdrop of antiquity." Jordan was a hard-boiled owner of the Cafe Tambourine who spent most of his time solving mysteries that he usually became involved in by accident. During the Cairo-based run, he often encountered Captain Sam Sabaaya of the Cairo police. John Dunning in his "On The Air: The Encyclopedia of Old Time Radio" describes Jordan as "a rugged hero who each week was confronted by a crime, a mystery, a beautiful woman or a combination of the three. It was a detective show with a difference: the Oriental background was played to the hilt, giving it a sound like no other." THIS EPSIODE: March 6, 1949. CBS Pacific network. "The Two O'Clock Man". Sustaining. A young boy breaks into the Cafe Tamboruine, and is later shot and killed. Rocky is held responsible! Jack Moyles, Larry Thor (announcer), Richard Aurandt (composer, conductor), Cliff Howell (producer, director), Larry Roman (editor), Gomer Cool (editor), William Froug (writer). 29:37.

The Mysterious Traveler - Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can! THIS EPISODE: February 19, 1952. Mutual network. "Strange New World". Sustaining. A shipwreck survivor on a British sub tells the story of being stranded on a desert island, being made to fight a war against giant crabs. David Kogan (writer, producer, director), Maurice Tarplin, Robert A. Arthur (writer). 1/2 hour.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear! THIS EPISODE: Brief Encounter (1946) is director David Lean's brilliantly-crafted, classic British masterpiece. It is one of the greatest romantic tearjerkers/weepers of all time, with a very downbeat ending. Lean's film is a simple but realistically-honest, unsentimental, self-told social melodrama of the quiet desperation involved in an illicit, extra-marital love affair between two married, middle-class individuals over seven weekly meetings, mostly against the backdrop of a railway station. The romantic couple includes a wife/mother looking for escape from her humdrum life and sterile marriage, and a dashing doctor. tale of The screenplay was adapted and based on playwright Noel Coward's 1935 short one-act (half-hour) stage play Still Life. It was expanded from five short scenes in a train station (the refreshment tea room of Milford Junction Station) to include action in other settings (the married woman's house, the apartment of the married man's friend, restaurants, parks, train compartments, shops, a car, a boating lake and at the cinema), although the film still maintains chaste minimalism.

The Untouchables is the name of a television series that ran from 1959 to 1963 on the American Broadcasting Company. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized the experiences of Eliot Ness, a real-life Prohibition Agent, as he fought crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage & incorruptibility, nicknamed the Untouchables. It was remade into a 1987 film by Brian De Palma also called The Untouchables, with a script by David Mamet. The stories often revolved around Ness' enmity with the criminal empire of Chicago mob boss Al Capone, and many focused on crimes related to Prohibition. The show starred Robert Stack as Eliot Ness and Neville Brand as Al Capone, and was narrated by Walter Winchell. The show drew harsh criticism from some Italian-Americans including Frank Sinatra[1], who felt it promoted negative stereotypes of them as mobsters and gangsters. The Capone family sued the show for $1,000,000 for its unauthorized use of Al Capone's likeness for profit. This Episode: The Troubleshooter adapted for radio aired originally October 12, 1961 starring Robert Stack as Eliot Ness with guest star Peter Falk, who went on to do Columbo. In the summer of 1934, a new gambling device was sweeping the nation: the punchboards. Even though they were nickel-and-dime games, it added up, they made more money than the numbers racket. After Ness and his men smash some of the punchboard manufacturing sites, the 5 members running the punchboards hold a meet at a building by the freight yards.

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE: A Farewell To Arms - Lieutenant Frederic Henry is a young American ambulance driver serving in the Italian army during World War I. At the beginning of the novel, the war is winding down with the onset of winter, and Henry arranges to tour Italy. The following spring, upon his return to the front, Henry meets Catherine Barkley, an English nurse's aide at the nearby British hospital and the love interest of his friend Rinaldi. Rinaldi, however, quickly fades from the picture as Catherine and Henry become involved in an elaborate game of seduction. Grieving the recent death of her fiancé, Catherine longs for love so deeply that she will settle for the illusion of it. Her passion, even though pretended, wakens a desire for emotional interaction in Henry, whom the war has left coolly detached and numb. When Henry is wounded on the battlefield, he is brought to a hospital in Milan to recover. Several doctors recommend that he stay in bed for six months and then undergo a necessary operation on his knee. Unable to accept such a long period of recovery, Henry finds a bold, garrulous surgeon named Dr. Valentini who agrees to operate immediately. Henry learns happily that Catherine has been transferred to Milan and begins his recuperation under her care.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today. THIS EPISODE: January 2, 1952. NBC network. "Death Of A Private Eye". Sustaining. Not auditioned. "(Barry) is hired to help a man pay a visit, but discovers instead that (the) visitor has a visitor first, death!" William Gargan, Himan Brown (director), Don Pardo (announcer), Louis Vittes (writer), Fran Carlon. 28:27

Amos 'n' Andy was a situation comedy popular in the United States from the 1920s through the 1950s. The show began as one of the first radio comedy serials, written and voiced by Freeman Gosden and Charles Correll and originating from station WMAQ in Chicago, Illinois. After the series was first broadcast in 1928, it grew in popularity and became a huge influence on the radio serials that followed.Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio.

Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today.

The NBC University Theater - dramatic anthology Offered novels, with programs for college credit. Broadcast History : July 30th, 1948 - February 14th, 1951 NBC. Mostly 60 minutes. Mostly aired on Sundays, with occasional weeknight airings. Announcer : Don Stanley Music : Albert Harris, Henry Russell Director : Andrew C. Love Writers : Claris A. Ross, Ernest Kinoy, George Lefferts, Jack C. Wilson Sound Effects : Bob Holmes, Rod Sutton.THIS EPISODE:February 12, 1950. NBC network. "The Light That Failed". Sustaining. A painter, interested only in money, loses his sight after his masterpiece has been defaced. The closing credits have been deleted. Alec Harford, Crauford Kent, Dan O'Herlihy, Earl Keen, Eileen Erskine, Eric Snowden, George Lefferts (writer), Henry Outland (Outland?--intermission commentator), John Ramsay Hill, Marlene Ames, Queenie Leonard, Rudyard Kipling (author), Tom Dylan, Tudor Owen. 56:28.

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE:October 29, 1948. CBS network, KNX, Los Angeles aircheck. "Of Human Bondage". Sponsored by: Ford, Bulova Watch (local). Not auditioned. Ray Milland, Joan Lorring, Somerset Maugham (author), Fletcher Markle (host, director), Hedley Rennie, Susan Douglas, Jack Manning, Elwood Hoffman (adaptor), Cy Feuer (conductor), Rita Vale, Robert Dryden, Miriam Wolfe, Neal Fitzgerald, Gregory Morton. 57:19.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

The Adventures Of Horatio Hornblower - Broadcast 1952; Transcribed in England for the BBC; aired in U.S. on CBS, then again on ABC in 1954 and Mutual in 1957. Starring Michael Redgrave as Horatio Hornblower. a captain in the British Royal Navy during the Napoleonic era. The radio series was based on twelve Horatio Hornblower novels written by C.S. Forester. These novels were, and still are, well liked due to their realistic tone and historical accuracy in telling the tales of Naval life in the late 1700s through the mid 1800s. C.S. Forester was well known for his novels about military and naval life, including such fine titles as The African Queen, The Gun, The Barbary Pirates, and The General.

The Aldrich Family, a popular radio teenage situation comedy (1939-1953), is remembered first and foremost for its unforgettable introduction: awkward teen Henry's mother calling, "Hen-reeeeeeeeeeeee! Hen-ree Al-drich!" A top-ten ratings hit within two years of its birth (in 1941, the showm carried a 33.4 Crossley rating, landing it solidly alongside Jack Benny and Bob Hope), the show is considered a prototype for teen-oriented situation comedies to follow on radio and television and is a favourite if dated find for old-time radio collectors today. The Aldrich Family as a separate radio show was born as a summer replacement for Jack Benny in NBC's Sunday night lineup, July 2, 1939, and it stayed there until October 1, 1939, when it moved to Tuesday nights at 8 p.m., sponsored by General Foods's popular gelatin dessert Jell-O---which also sponsored Jack Benny at the time. The Aldriches ran in that slot from October 10, 1939 until May 28, 1940, moving to Thursdays, from July 4, 1940 until July 20, 1944. After a brief hiatus, the show moved to CBS, running on Fridays from September 1, 1944 until August 30, 1946 with sponsors Grape Nuts and Jell-O,.before moving back to NBC from September 05, 1946 to June 28, 1951 on Thursdays and, then, its final run of September 21, 1952 to April 19, 1953 on Sundays.

Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE:Caged aired August 2, 1951 starring Eleanor Parker as Marie Allen and Hope Emerson as Evelyn Harper. Caged tells the story of a teenage newlywed, who is sent to prison for being an accessory to a robbery. Her experiences while incarcerated, along with the killing of her husband, change her from a very frightened young girl into a hardened convict. This is one of the finest productions ever done for radio from Screen Director's Playhouse. The Academny Award performances by Parker and Emerson are nothing less than spectacular.

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1954); NBC (1954-1955)) adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945. On one occasion, however, he was replaced by Leslie Howard.THIS EPISODE:In life a selfish, mean-spirited old man, Peter Grimm returns from the grave to right the wrongs he committed while on Earth. The spectral Grimm pays a visit to his nasty nephew Frederick (John Roche), the husband of Grimm's ward Catherine (Janet Gaynor), who had been forced into the marriage. Literally entering Frederick's conscience, Grimm transforms his covetous, philandering nephew into a "good guy." After several similar episodes, both comic and dramatic, Return of Peter Grimm comes to a tear-stained finale as the tubercular young William (Mickey McBan) joins his grandfather Grimm in the hereafter.

Beyond Midnight - A replacement series for SF 68, this South African horror anthology was far more successful than its predecessor, running from 1968 through 1969. Its success may have been due in part to producer Michael McCabe - who also produced SF 68 - honing his talents to a higher degree. Little else is known about it, including the number of shows produced. As far as I can discover, there were at least 43 episodes, all in half-hour format.

The First Nighter Program. January 29, 1948. CBS net. "A Writer In The Family". Sponsored by: Campana cosmetics, DDD Prescription. Highway Eighty Seven is coming right through the living room in a romantic/comedy of mistaken identity and "Shorty West," a writer of western adventures. James Arthur Rotie (writer), Frank Worth and His Orchestra, Olan Soule, Barbara Luddy, Paul Frees, Hugh Studebaker, Arthur Q. Bryan, Mary Lansing, Larry Keating (announcer). 29:39THIS EPISODE:March 29, 1944. Mutual network. "The Chinese Gong". Sponsored by: Campana's cosmetics. Barbara Luddy, Olan Soule, Arch Oboler (author). 1/2 hour.

Calling All Cars was one of radioâs earliest cop shows, dramatizing true crime stories and introduced by officers from the Los Angeles and other police departments. The narrator of the program was speech professor Charles Frederick Lindsley, and the only other regular voice heard on the program week after week belonged to that of Sergeant Jesse Rosenquist of the L.A.P.D., whose name and voice were so unusually distinctive that he was retained for the showâs entire run. None of the actors on the show ever received on-air credit, but among the talent OTR fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, John Gibson, Richard LeGrand and Hanley Stafford, just to name a few.THIS EPISODE:May 2, 1934. Program #23. CBS Pacific network (Don Lee net). "Murder At Southgate". Sponsored by: Rio Grande Oil. A disturbance has taken place on San Gabriel Avenue in Southgate. A dramatization of the first murder ever to take place in Southgate. The system cue has been deleted. Not auditioned. Ann Sawyer, Martha Wentworth, True Boardman, Charlie Lung (triples), Caranina Burt (?), Hanley Stafford, Sam Pierce, Richard LeGrand, Robert Frazer, Wade Ling (?). 28:11.

My Friend Irma, created by writer-director-producer Cy Howard, was a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films and television, while Howard scored with another radio comedy hit, Life with Luigi. Dependable and level-headed Jane Stacy (Cathy Lewis) narrated the misadventures of her innocent and bewildered roommate, Irma Peterson (Marie Wilson), a dim-bulb stenographer. Wilson portrayed the character on radio, in two films and a TV series. The successful radio series with Marie Wilson ran on CBS Radio from April 11, 1947 to August 23, 1954. The TV version, seen on CBS from January 8, 1952 until June 25, 1954, was the first series telecast from the CBS Television City facility in Hollywood. The movie My Friend Irma (1949) starred Marie Wilson and Diana Lynn but is mainly remembered today for introducing Dean Martin and Jerry Lewis to moviegoers, resulting in even more screen time for Martin and Lewis in the sequel, My Friend Irma Goes West (1950).

Counterspy was an espionage drama radio series that aired on ABC and Mutual from May 18, 1942 to November 29, 1957. David Harding (Don MacLaughlin) was the chief of the United States Counterspies, a unit engaged during World War II in counterespionage against Japan's Black Dragon and Germany's Gestapo. With spies still lurking in the post-war years, the adventures continued apace well after World War II ended.THIS EPISODE:September 29, 1949. ABC network. "The Case Of The Vicious Vistor". Sponsored by: Pepsi Cola. Not auditioned. A prison guard is beaten in the dark, a man and his wife are both murdered. The system cue has been deleted. Don MacLaughlin, Mandel Kramer, Phillips H. Lord (producer), William Sweets (director), Edward Adamson (writer), Jesse Crawford (organ). 28:55.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear!THIS EPISODE:June 8, 1946. CBS network. "Ruggles Of Red Gap". Sponsored by: Squibb Drugs. The famous story of the English valet in the wild American West. Charles Laughton, Charles Ruggles. 1/2 hour.

The Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase.THIS EPISODE:March 29, 1953. NBC network. Sustaining. The curator of a museum of murderers tells the story of a British chap who marries ladies of wealth for his own mercenary purposes. Doris Smith, Fred Collins (announcer), Fred Weihe (director, transcriber), Ivor Francis, John Stanley, Cathleen Cordell, Lawrence Klee (creator, writer), Leona Powers, Ted Osborne, William Podmore. 29:52.

The Avenger is an Old Time Radio show aired by the South African Broadcasting System in the 1940s. It featured a biochemist crime-fighter by the name of Jim Brandon. Mr. Brandon had two inventions which assisted him in the fight against crime. Mr. Brandon was able to pick up telpathic thought flashes and had a diffusion capsule which allowed him to become invisible.

The Shadow - In September of 1939, a new voice of the Shadow appeared in the form of radio actor Bill Johnstone. Later in 1939, Agnes Moorehead left the show and was replaced by Marjorie Anderson as Margo Lane. The plot lines began to follow the standard formula of Margo Lane being in danger and the Shadow rescuing her from the clutches of evil. Bill Johnstone would be the voice of the Shadow for five seasons, until March 1943. Bret Morrison took over the Shadow role in 1943 for one season. John Archer and Steve Courtleigh took the Shadow role through the 1944-45 season. Bret Morrison then returned to be the Shadow for the duration of the program's run which lasted until December 26, 1954. THIS EPISODE:1938. Syndicated. "Murder On Approval". Sponsored by: B. F. Goodrich Tires. A foreign agent tries to conquer America by infecting the U. S. Army with a secret disease. Orson Welles, Margot Stevenson, Ken Roberts (announcer). 1/2 hour.

Authorâs Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.THIS EPISODE:November 13, 1944. NBC network. "The Long Way Round". Sustaining. A man has just returned from a sanitarium after a mental break-down to find that wife has developed her own mental problems. James Ronald (author). 1/2 hour.