Boxcars711 Old Time Radio

Little Luke's Education (Aired February 6, 1958) A happy-go-lucking West Virginia mountain family picks up stakes and moves to a ranch in California's San Fernando Valley. Center of the action, and undisputed star of the show, was Grandpa, a porch-rockin', gol-darnin', consarnin' old geezer with a wheezy voice who liked to meddle in practically everybody's affairs, neighbors and kin alike. His kin were grandson Luke and his new bride, Kate; Luke's teenage sister, Hassie; and Luke's 11-year-old brother, Little Luke (their parents were deceased). Completing the regular cast were Pepino, their loyal farm hand; George MacMichael, their crusty neighbor and Amos' best friend; and Flora, George's spinster sister who had eyes for Amos.

FAVORITE STORY aired from September 1947 through December of 1949 hosted by Ronald Colman. This is an excellent dramatic series of great stories from classic literature brought to radio. It's popularity was so high and with such well done stories, it was rebroadcasted for many years.Wuthering Heights is Emily BrontÃ's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centres. (As an adjective, wuthering is a Yorkshire word referring to turbulent weather.) The narrative tells the tale of the all-encompassing and passionate, yet thwarted love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys both themselves and many around them. Now considered a classic of English literature, Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, musicals and songs (notably the hit Wuthering Heights by Kate Bush) and opera.

Was a Communist for the FBI was an American espionage thriller radio series with 78 episodes syndicated by Ziv to more than 600 stations in 1952-54. Made without FBI cooperation, the series was adapted from the book by undercover agent Matt Cvetic, who was portrayed by Dana Andrews.The series was crafted to warn people about the threat of Communist subversion of American society. The tone of the show is very jingoistic and ultra-patriotic. Communists are evil incarnate and the FBI can do no wrong. As a relic of the Joe McCarthy era, this show is a time capsule of American society during the Second Red Scare.

The CBS Radio Mystery Theater - As you walk through the creaking door you enter into another world, the world of imagination. This world is inside you, a part of you, and you take this journey alone. Each person hears and then sees with his or her mind's eye the events portrayed within these dramas. All of us interprets what they hear differently. The images we see is unique to ourselves. A voice becomes a person, living, breathing they come alive. They take on a physical form and characteristics that we assign to them. The wonders of your own mind are boundless. Scary thoughts? Perhaps, but what powers they bring us! To exercise one's imagination is to exercise one's soul. These dramas provide us with an escape from reality. To adventures beyond our own lives. Enjoy them. And pleasant dreams!THIS EPISODE:January 29, 1974. Program #24. CBS network. "The Man Who Heard Voices". Sponsored by: Budweiser, Kellogg's. Augusta Dabney, Leon Janney, Suzanne Grossman, E. G. Marshall (host), Sam Dann (writer), Larry Haines. 52 minutes.

I Love Adventure was a 30-minute weekly adventure series which only appeared in the summer of 1948. The show continued the adventures of the I Love A Mystery seriesCAST: Michael Raffetto, Tom Collins, Barton Yarborough, Russell Thorson, Lillian Buyeff, Earl Lee, Harry Lang, Janet Logan, John McIntire, Jeanette Nolan, Rolfe Sedan, Donal Morrison, Luis Van Rooten, Lal Chand Mehra, Alma Lawton, Barbara Jean Wong, Henry Blair, Betty Lou Gerson, Dix Davis, Peggy Webber, Lou Krugman, Frank Richards, Jeanne Bates, Everett Glass.

SHOW TWO OF TWOWhen Dragnet hit its stride, it became one of radioâs top-rated shows. While most radio shows used one or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Fridayâs desk, the listener heard the same ring as the telephones in Los Angeles police headquarters. A single minute of "A Gun For Christmas" is a representative example of the evocative sound effects featured on "Dragnet". While Friday and others investigate bloodstains in a suburban backyard, the listener hears a series of overlapping effects: a squeaking gate hinge, footsteps, a technician scraping blood into a paper envelope, the glassy chime of chemical vials, bird calls and a dog barking in the distance. Scripts tackled a number of topics, ranging from the thrilling (murders, missing persons and armed robbery) to the mundane (check fraud and shoplifting), yet "Dragnet" made them all interesting due to fast-moving plots and behind-the-scenes realism. In "The Garbage Chute" (15 December 1949), they even had a locked room mystery.

The Hollywood Star Playhouse , well written and performed, presented many original plays and popular Hollywood stars. Some of those who accepted roles in this great series included Jimmy Stewart, William Conrad, Deborah Kerr, Vincent Price, Harry Bartell and Betty Lou Gerson. Highlights included an episode entitled The Six Shooter and which later became itâs own series staring James Stewart. In 1952, Marilyn Monroe made her radio debut on The Hollywood Star Playhouse.

Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the programâs format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Fridayâs deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Fridayâs first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor.

"THE HOUSE OF DESPAIR" (SHOW THREE OF THREE)Dark Shadows is a Gothic television soap opera that originally aired weekdays on the ABC television network, from June 27, 1966 to April 2, 1971. The show was created by Dan Curtis, who tells of a dream he had in which a girl takes a long train ride to visit a large mansion. The story "bible", which was written by Art Wallace, does not mention any supernatural elements. It was considered daring (and unprecedented in daytime television) when ghosts were introduced about six months after it began. The series became hugely popular when, a year into its run, vampire Barnabas Collins, played by Jonathan Frid, appeared. In addition to vampires, Dark Shadows featured werewolves, ghosts, zombies, man-made monsters, witches, warlocks, time travel, both into the past and into the future, and a parallel universe.

The Fred Allen Show - Born John Florence Sullivan on May 31, 1894, Fred Allen began his career in vaudeville before becoming one of radioâs most acerbic and admired wits. Allen and his wife, former chorus girl Portland Hoffa, began their radio career on October 23, 1932, starring on The Linit Bath Club Revue. By 1934, Allen was starring on Town Hall Tonight, a one-hour show which featured Allen examining current events and interviewing unusual guests. It was here that Allen began radioâs longest-running âfeudâ in 1937, when he made a series of jokes about fellow comedian Jack Benny. Allen?s best-remembered feature was âAllen?s Alley,â a weekly segment in which he would discuss issues of the day with eccentric creations like the blustery Senator Claghorn, Brooklyn housewife Pansy Nussbaum and stoic New Englander Titus Moody.

"THE HOUSE OF DESPAIR" (SHOW 2 OF THREE)A small company of actors each played many roles and, as actors came and went, some characters were played by several actors. Major writers in addition to Art Wallace included Sam Hall, Gordon Russell, and Violet Welles. Dark Shadows has the distinction of being the only long-running soap to have every episode released for home video (including a reconstruction episode #1219, the videotape for which is lost), first on VHS and currently in progress on DVD. (Episodes were numbered from #1 to #1245, but some episodes were pre-empted due to holidays, news, etc. so the number of episodes actually broadcast is 1225.) Dark Shadows was distinguished by its vividly melodramatic performances, atmospheric interiors, memorable story lines and an unusually adventurous music score.

Damon Runyon Theater- Broadcast from January to December 1949, "The Damon Runyon Theater" dramatized 52 of Runyon's short stories for radio. Damon Runyon (October 4, 1884 â December 10, 1946) was a newspaperman and writer. He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. He spun tales of gamblers, petty thieves, actors and gangsters; few of whom go by "square" names, preferring instead to be known as "Nathan Detroit", "Big Jule", "Harry the Horse", "Good Time Charlie", "Dave the Dude", and so on. These stories were written in a very distinctive vernacular style: a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions.THIS EPISODE:1948. Program #27. Mayfair syndication. "The Big Umbrella". Commercials added locally. Not every heavyweight folds when the going gets rough. Damon Runyon (author), John Brown, Richard Sanville (director), Russell Hughes (writer), Vern Carstensen (production supervisor). 27:36.

Dark Shadows is a Gothic television soap opera that originally aired weekdays on the ABC television network, from June 27, 1966 to April 2, 1971. The show was created by Dan Curtis, who tells of a dream he had in which a girl takes a long train ride to visit a large mansion. The story "bible", which was written by Art Wallace, does not mention any supernatural elements. It was considered daring (and unprecedented in daytime television) when ghosts were introduced about six months after it began. The series became hugely popular when, a year into its run, vampire Barnabas Collins, played by Jonathan Frid, appeared. In addition to vampires, Dark Shadows featured werewolves, ghosts, zombies, man-made monsters, witches, warlocks, time travel, both into the past and into the future, and a parallel universe.

Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes. Another mainstay of these question and answer segments was the paper mache duck that would descend from the ceiling with one hundred dollars in tow whenever a player uttered the "secret word." The quiz show aspect of "You Bet Your Life" was always secondary, to the clever back-and-forth between host and contestant, which found Groucho at his funniest. It's in these interview segments that "You Bet Your Life" truly makes its mark as one of early television's greatest programs. Directed by: Robert Dwan.

Nick Carter, Master Detective - Nick Carter is the name of a popular fictional detective who first appeared in in a dime novel entitled "The Old Detective's Pupil" on September 18, 1886. In 1915, Nick Carter Weekly became Street & Smith's Detective Story Magazine. Novels featuring Carter continued to appear through the 1950s, by which time there was also a popular radio show, Nick Carter, Master Detective, which aired on Mutual from 1943 to 1955. Nick Carter first came to radio as The Return of Nick Carter. Then Nick Carter, Master Detective, with Lon Clark in the title role, began April 11, 1943, on Mutual, continuing in many different timeslots for well over a decade.THIS EPISODE:December 28, 1947. Mutual network. "The Case Of The Missing Street". Sponsored by: Old Dutch Cleanser, Del Rich Margarine. A talking typewriter and a recorder trip up the evil Mr. Nixon and his cosmopolis racket. Lon Clark. 1/2 hour.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â

The Creaking Door was an old-time radio series of horror and suspense shows originating in South Africa. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

Amos 'n' Andy began March 19, 1928, on WMAQ, and prior to airing each program they recorded their show on 78 rpm disks at Marsh Laboratories, Orlando R. Marsh, owner. Initially, Gosden and Correll portrayed all the male roles. Between the two, they voiced over 170 distinct characterizations in the show's first decade. With the episodic drama and suspense heightened by cliffhanger endings, Amos 'n' Andy reached an ever-expanding radio audience. It was one of the earliest success stories of radio syndication, and at least 70 stations besides WMAQ carried the program using prerecorded records. Amos Jones and Andy Brown worked on a farm near Atlanta, Georgia, and during the episodes of the first week, they made plans to find a better life in Chicago, despite warnings from a friend. With four ham and cheese sandwiches and $24, they bought train tickets and headed for Chicago where they lived in a State Street rooming house and experienced some rough times before launching their own business, the Fresh Air Taxi Company.

RADIO CITY PLAYHOUSE - Half-hour drama, sometimes comedy, often very exciting and suspenseful. The cast were made up of New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.

The Silent Men - Douglas Fairbanks, Jr. played the parts of "special agents of all branches of the federal government, who daily risk their lives to protect the lives of all of us... to guard our welfare and our liberties, they must remain nameless - The Silent Men!" At each episode, Fairbank checked in with his chief, played by either William Conrad or Herb Butterfield. Regulars included Virginia Gregg, Raymond Burr, Lou Merrill Lurene Tuttle, Paul Frees and John Dehner. Don Stanley was the announcer. The show was produced and directed by Warren Lewis, who wrote many of the scripts along with Joel Murcott. The series ran on NBC.THIS EPISODE:November 11, 1951. NBC network. "The Transatlantic Push". Sustaining. A concentration camp victim from Buchenwald is arrested for passing counterfeit currency! The G-Men follow the trail to Paris and the source of the "queer." Walter McGraw (director), John Gibson, William Keene, Fred Collins (announcer), Joe DeSantis, Joel Murcott (writer), Roc Rogers, Ruth Yorke, Douglas Fairbanks Jr., Warren Lewis (producer). 29:28.

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator "with the action-packed expense account." The show aired on CBS Radio from February 11, 1949 to September 30, 1962. There were 811 episodes in the 12-year run, and over 720 still exist today. Each story started with a phone call from an insurance agent, calling on Johnny to investigate an unusual claim. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations.THIS EPISODE:1950. CBS network. "The Virginia Beach Matter". Sustaining. Johnny is hired to protect a beautiful woman from her husband, who is getting out of prison. The husband turns out to be a homicidal maniac. The final show of the series until September 30, 1950. Edmond O'Brien, Howard McNear, Gil Doud (writer), Leith Stevens (composer, conductor), Bob Sweeney, Jeanne Bates, Jaime del Valle (transcirber), Virginia Gregg, Hy Averback. 29:43.

THAT HAMMER GUYMickey Spillane wrote violent, sex-filled tales that epitomized the hard-boiled detective genre of tough guys, fist fights and sultry dames. That Hammer Guy was a detective drama well inside the hard-boiled tradition. This was the rough and rugged series that hit hard and fast and it was unlike some other shows, such as, "Yours Truly, Johnny Dollar" or "Richard Diamond" that where more upbeat with humor and sly wit. Mike Hammer believes in justice, rough justice... his justice.THIS EPISODE:April 7, 1953. Mutual network. Sponsored by: Esquire Magazine, Kix, Camels (G & D Vermouth: local). Mickey Spillane's Mike Hammer as rough and tough as ever. Mike's after a pair of saddle shoes after their owner shoots first to kill...and almost does. The system cue has been deleted. Larry Haines, Jan Miner, Mickey Spillane (creator), Edward Adamson (writer), Richard Lewis (director, co-producer), Ed Ladd (announcer). 29:18.

Gangbusters was an American dramatic radio program heralded as "the only national program that brings you authentic police case histories." It premiered as G-Men, sponsored by Chevrolet, on July 20, 1935. After the title was changed to Gang Busters January 15, 1936, the show had a 21-year run through November 20, 1957. Beginning with a barrage of loud sound effects â guns firing and tires squealing â this intrusive introduction led to the popular catch phrase "came on like Gang Busters."The series dramatized FBI cases, which producer-director Phillips H. Lord arranged in close association with Bureau director J. Edgar Hoover. Hoover insisted that only closed cases would be used. The initial series was on NBC Radio from July 20 - October 12, 1935. It then aired on CBS from January 15, 1936 to June 15, 1940, sponsored by Colgate-Palmolive and Cue magazine. From October 11, 1940 to December 25, 1948, it was heard on the Blue Network, with various sponsors that included Sloan's Liniment, Waterman pens and Tide. Returning to CBS on January 8, 1949, it ran until June 25, 1955, sponsored by Grape-Nuts and Wrigley's chewing gum. The final series was on the Mutual Broadcasting System from October 5, 1955 to November 27, 1957. It was once narrated by Norman Schwarzkopf, Sr., former head of the New Jersey State Police. The radio series was adapted for DC Comics, Big Little Books and a 1942 movie serial. The 1952 Gang Busters TV series was reedited into two feature films, Gang Busters (1954) and Guns Don't Argue (1957).

Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.

DAD'S ARMY - The unmistakable voice of Bud Flanagan singing 'Who Do You Think You Are Kidding, Mr Hitler?', a cod-Second World War propaganda singalong written especially for the show (by Jimmy Perry), introduced Dad's Army, the zenith of the British broad-comedy ensemble sitcom. Consistently good writing and a wonderful cast of old timers and newer talents combined to produce a whimsical period-piece that continues, justifiably, to be savoured and has now assumed a place in the 'hall of greats' pantheon, adored by new generations of the British public.THIS EPISODE:Sgt. Wilson's Little Secret (11-15-68)When Mrs Pike tells Pike there is a little Arthur on the way, having taken in an evacuee, (Arthur) Wilson gets worried and assumes that it is his child, and begins to plan a wedding.

LIGHTS OUT was an American old-time radio program featuring "tales of the supernatural and the supernormal." It was immensely popular, and was one of the first horror programs, predating Suspense and Inner Sanctum. In its heydey, Lights Out rivalled the popularity of those shows. Lights Out ran through several series and networks, from January 1, 1934 to August 6, 1947. The principal sponsor was Ironized Yeast. Most episodes were broadcast at midnight. Lights Out then made the transition to television in 1949, where it was broadcast until 1952. Created in Chicago by writer Wyllis Cooper in 1934.THIS EPISODE:July 27, 1946. NBC network. "The Battle Of The Magicians". Sustaining. Not auditioned. Wyllis Cooper (writer), Everett Clark, Tony Parish, Meg Hahn, Duke Watson, Boris Aplon, Nathan Davis, Ernest Andrews, Albert Crews (producer, director). 29:54.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.

Curtain Time, like First Nighter, presented romantic drama in a theater setting complete with the announcer shouting, âTickets please, thank youâ. The shows announcer was Harry Halcomb who was later known best for his appearances on the 60 minutes television show. Great scripts and superb acting, Curtain Time is truly an Old Time Radio Classic. Mutual Network, local KNX show sustained, heard Fridays 7:30 - 8:00 pm THIS EPISODE:February 7, 1948. NBC network, Chicago origination. "Broadway Interlude". Sponsored by: Snickers. A romantic triangle on the Gay White Way. Arthur Peterson, Nannette Sargent, George Cisar, Geraldine Kaye, Margaret Brayton, Harry Holcomb (director), John Weigle (announcer), Patrick Allen (host), Harry Elders, Bert Farber (arranger, conductor). 29:39.

The Ford Theater aired 1947 - 1949. It was broadcast on NBC until October 8, 1948 then moved to CBS. It was hosted by Howard Lindsay. The show tried to use good but not to famous radio performers. Producer George Zachary, first producer, attempting to use popular radio stars instead of Hollywood stars offered limited success. Followed was low ratings which forced the replacement of Zachary with Fletcher Markle, husband of radio legend Mercedes McCambridge. Needing a change the show moved to California and began starring celebrities from Hollywood like Lucille Ball. Jack Benny, Bob Hope, Bette Davis to mention a few. This combination made for a hit radio show.

THIS IS OUR ENEMY is one of a number of war propaganda presentations that were popular during the years leading up to and during World War II. In this episode, parents are asked to send their children, most sickly from food and staple rationing, to a camp that would "make them strong again". During the time away from home, the youth attended "school" which resulted in pro-nazi indoctrination into the "Youth Movement". As members of the Black Brigade and "servants of the Fuhrer", brainwashed children now report on any anti nazi sentiment, even turning in their own families. Narration by war correspondent and author, Mr. Henry J. Taylor, the last American able to get into and out of Germany as the war began.

The Golden Age of Radio was ending, not with a whimper, but with a robust bang. Many of the best network and syndicated shows began in the 1950s, even though public interest and advertising dollars were switching to television, FORT LARAMIE was certainly one of the finest radio series, and were it not for GUNSMOKE, it could be termed the best adult Western program ever aired. FORT LARAMIE is a close relative of GUNSMOKE since it had the same producer-director, same writers, same sound effects men, and many of the same actors. GUNSMOKE had been running for almost four years when Norman Macdonnell brought FORT LARAMIE to CBS. The latter had the same gritty realism, attention to detail, and integrity that audiences admired in GUNSMOKE.

The Fat Man - "There he goes across the street into the drugstore, steps on the scale, height: 6 feet, weight: 290 pounds, fortune: Danger. Who isit? THE FAT MAN." Brad Runyon was the Fat Man, played by Jack Scott Smart. The series was created by Dashall Hammott and was first heard on the ABC network Jan. 21, 1946. J. Scott Smart fit the part of the Fat Man perfectly, weighing in at 270 pounds himself. When he spoke, there was no doubt that this was the voice of a big guy. Smart gave a witty, tongue-in-cheek performance and helped make THE FAT MAN one of the most popular detective programs on the air. Smart also appeared in The March Of Time (early 1930s), the Theater Guild On The Air, Blondie, The Fred Allen Show, and The Jack Benny Program. There was also an version made in Australia, syndicated on the Artansa lable, about 1954. There are at least 36 shows availablefrom vendors. The Australian Fat Man was played possibly by Lloyd Berrell. Although not featuring J. Scott Smart, who really fit the part, the series is quite good.

21ST PRECINCT was one of the realistic police drama series of the early- to mid-1950's that were aired in the wake of DRAGNET. In 1953 CBS decided to use New York City as the backdrop for their own half-hour police series and focus on the day-to-day operation of a single police precinct. Actual cases were used as the basis for stories. The Precinct Captain acted as the narrator for the series.

The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.

Archie Andrews, created in 1941 by Bob Montana, is a fictional character in an American comic book series published by Archie Comics, a long-run radio series, a syndicated comic strip and animation -- The Archie Show, a Saturday morning cartoon television series by Filmation, plus Archie's Weird Mysteries.Archie On RadioMontana's characters were heard on radio in the early 1940s. Archie Andrews began on the Blue Network on May 31, 1943, switched to Mutual in 1944, and then continued on NBC from 1945 until September 5 1953. Archie was first played by Charles Mullen, Jack Grimes and Burt Boyar, with Bob Hastings as the title character during the NBC years.

ROCKY JORDAN was the title character of one of the better and more exotic radio detective series. In fact, it's one of the best detective series I have ever heard. The series had two separate incarnations. The first, A Man Named Jordan, started as a daily 15 minute show and after about six months changed to a weekly 30 minute show. It took place in Istanbul and the Cafe was described as "a small restaurant in a narrow street off Istanbul's Grand Bazaar, permeated with by the smoke of Oriental tobacco, alive with the babble of many tongues, and packed with intrigue." The second incarnation, Rocky Jordan, was a weekly 30 minute series took place in Cairo - "the gateway to the ancient East where adventure and intrigue unfold against the backdrop of antiquity." Jordan was a hard-boiled owner of the Cafe Tambourine who spent most of his time solving mysteries that he usually became involved in by accident

SHOW 2 OF 2Tom Corbett is the main character in a series of Tom Corbett â Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, coloring books, punch-out books and View-Master reels in the 1950s. The stories followed the adventures of Tom Corbett, Astro, and Roger Manning, cadets at the Space Academy as they train to become members of the elite Solar Guard.

BEYOND MIDNIGHTLet us journey âinto the land that lies beyond midnight,â into a world of ghost hunters, men going mad, and DEATH DEATH DEATH! Written by the masterful Michael McCabe, these well-done South African radio shows will capture your attention and keep you up listening to them well beyond midnight.

Tom Corbett is the main character in a series of Tom Corbett â Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, coloring books, punch-out books and View-Master reels in the 1950s. The stories followed the adventures of Tom Corbett, Astro, and Roger Manning, cadets at the Space Academy as they train to become members of the elite Solar Guard. The action takes place at the Academy in classrooms and bunkroom, aboard their training ship the rocket cruiser Polaris, and on alien worlds, both within our solar system and in orbit around nearby stars. The Tom Corbett universe partook of pseudo-science, not equal to the standards of accuracy set by John W. Campbell in the pages of Astounding. And yet, by the standards of the day, it was much more accurate than most media science fiction. Mars was a desert, Venus a jungle, and the asteroids a haunt of space pirates, but at least planets circled suns and there was no air in space. Contrast this with Twilight Zone, years later, where people could live on asteroids wearing ordinary clothes, or Lost in Space, years after that, where a spaceship could be passing "Jupiter and Andromeda" at the same time. Before Star Trek, Tom Corbett â Space Cadet was the most scientifically accurate series on television, in part due to official science advisor Willy Ley, and later due to Frankie Thomas. Thomas read up on science and everyone on the set turned to him for advice on matters scientific.

The Blue Beetle had a relatively short career on the radio, between May and September of 1940. Motion picture and radio actor Frank Lovejoy was the Blue Beetle for the first 13 episodes, while for the rest of the shows, the voice was provided by a different, uncredited actor. The Blue Beetle was a young police officer who saw the need for extra-ordinary crime fighting. He took the task on himself by secretly donning a superhero costume to create fear in the criminals who were to learn to fear the Blue Beetle's wrath. The 13-minute segments were usually only two-parters, so the stories were often more simple than other popular programs, such as the many-parted Superman radio show.

The CBS Columbia Workshop was the first to experiment with what radio drama was all about, introducing new techniques never before used in over the airwaves drama and because it received little encouragement from established writers, actors, etc., it was only by breaking new ground with new ideas and new techniques from writers who were not versed in the old ways that it was going to survive. Unlike theater drama which required scenery to stage the settings of a play. Radio drama relied only on the imagination of the listener to interpret the scene.

The Adventures of Sam Spade was first heard on ABC July 12, 1946, as a Friday-night summer series. The show clicked at once, and went into a regular fall lineup on CBS September 29, 1946. From then until 1949, Sam Spade was a Sunday-night thriller for Wildroot Cream Oil, starring Howard Duff in the title role. With Duff's departure, NBC took the series, leaving it on Sunday for Wildroot and starring Stephen Dunne as Spade. This version lasted until 1951, the last year running as a Friday sustainer. Spade's appearance on the air marked an almost literal transition from Dashiell Hammett's 1930 crime classic, The Maltese Falcon, where he first appeared.THIS EPISODE:February 9, 1951. NBC network. "The Sure Thing Caper". Sustaining. "Five Dollar Frankie" has been cheated by "Gentle Joe Higgins," a known horse-doper. "Gentle Joe" has a "sure thing," however, it's a most unusual "sure thing"! Part of one public service announcement has been deleted. Steve Dunne, Lurene Tuttle, William Spier (producer, editor, director), John Michael Hayes (writer), Lud Gluskin (composer), Robert Armbruster (conductor), Wally Maher, Dashiell Hammett (creator). 29:37

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982.

The Great Gildersleeve (1941-1957) was the arguable founding father of the spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Hooked around a character who had been a staple on the classic radio hit Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest period in the 1940s, when Harold Peary graduated the character from the earlier show into the sitcom and in a quartet of likeable feature films at the height of the show's popularity.THIS EPISIODE:April 4, 1943. NBC networek. Sponsored by: Kraft Pabst-Ett, Kraft Parkay. Gildersleeve's car isn't running well, and Marjorie's boyfriend is just the fellow to fix the problem! Claude Sweeten (music), Earle Ross, Harold Peary, John Whedon (writer), Ken Carpenter (announcer), Lillian Randolph, Lurene Tuttle, Richard LeGrand, Sam Moore (writer), Walter Tetley. 29:42.

Life with Luigi was a radio comedy-drama series which began September 21, 1948 on CBS. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived television version in 1952, and was later replaced by Vito Scotti. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma. The show was often seen as the Italian counterpart to the radio show The Goldbergs, which chronicled the experience of Jewish immigrants in New York.

THE SHADOW - On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. This format continued until 1935 when creative differences between Street & Smith and NBC called a halt to the Shadow on the air. On September 26, 1937, the Shadow reappeared on radio with the voice of Orson Welles playing the part. The Shadow was now a full-fledged character on radio, not just narrating and introducing stories. The Shadow had an identity as Lamont Cranston, a wealthy man about town. He was accompanied by Margo Lane, originally played by Agnes Moorehead. Margo Lane was the only person who knew that Lamont Cranston and the Shadow were one and the same. No other agents assisted the Shadow, as did in the Walter Gibson fictional accounts. This radio Shadow had hypnotic power to make himself invisible to those around him and he possessed mental telepathy to read minds. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

Box 13 - The premise of the program was that Dan Holiday was an author who wrote mystery novels. To get ideas for his novels he placed an advertisement in a newspaper saying "Adventure wanted, will go anywhere, do anything, Box 13." The ads always brought fun adventures of all kinds: from racketeer's victim to psychotic killer looking for fun. Most of the episodes were based on Dan Holiday replying to a letter he received at Box 13. He would generally solve a mystery in the process, and return to his office in time to enjoy a hearty laugh at the expense of Suzy, his amusingly stupid secretary. He would certainly not meet the strictest requirements for private eyes (not licensed, collected no fees from clients), but the definition should stretch to sneak him in under the rope.

Bunco Squad - April 20, 1950. CBS network. "The Case Of The Bookworm". Sustaining. A con-artist in St. Louis poses as a scientist. He plans to swindle his mark out of $15,000 by "publishing" his book. The date is approximate. Frank Trumbull (host), Ralph Rose (producer, director), Del Castillo (composer, conductor), Merrick Goldman (writer), Troy Leonard (writer), Joe Walters (announcer). 29:32.

Cloak & Dagger - "Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?" Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead.

Adventures of Leonidas Witherall was a radio mystery series broadcast on Mutual in the mid-1940s. Based on the novels of Phoebe Atwood Taylor (writing as Alice Tilton), the 30-minute dramas were produced by Roger Bower and starred Walter Hampden as Leonidas Witherall, a New England boys' school instructor in Dalton, Massachusetts, a fictional Boston suburb. Witherall, who resembled William Shakespeare, is an amateur detective and the accomplished author of the "popular Lieutenant Hazeltine stories." His housekeeper Mrs. Mollett was played by Ethel Remey (1895-1979) and Jack MacBryde appeared as Police Sgt. McCloud. The announcer was Carl Caruso. Milton Kane supplied the music. The series began June 4, 1944 and continued until May 6, 1945.