Boxcars711 Old Time Radio

The Clitheroe Kid was James Robertson Clitheroe, Jimmy Clitheroe to most, who by some strange coincidence did come from the town of that name without having to change his family name! At his full height he was 4ft 3in, and played the naughty schoolboy from 1958 to 1972. Although plausable from a distance, he was not really able to pass himself off as a youngster close up, so a TV career did not really take off too well, but at the peak of his fame the radio show was raking in about 10 million listeners, although by the end this had dropped to a tenth of that figure. Clitheroe was a very private person, and the shows became a sort of escape for him, as well as the release from the worries of his diminutive size, but despite this, his popularity increased and increased, making this series one of the longer running on the radio - a total of 17 series.

The Saint â 1945-1951 There were at least 24 episodes broadcast of this series. It was a fascinating detective adventure series based on the books by Leslie Charteris. Edgar Barrier first played Simon Templar, aka The Saint, a debonair private detective in January 1945. He was then played by Brian Aherne in June 1945 and later Vincent Price from July 1947 up until May 1951. The Saint was said to have been like a modern day Robin Hood. He didnât care for justice and always helped victims hindered by the lawâs restrictions.

Pat Novak, For Hire â 1949-1950 Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.

Wild Bill Hickock - This juvenile western followed the same format as the TV show of the same name that ran throughout the same years. This format certainly was not new as the charismatic hero and comic side-kick was something that had been done before with Hopalong Cassidy and The Cisco Kid, and to some extent with the Lone Ranger. FIRST BROADCAST: May 17, 1951 LAST BROADCAST: February 12, 1956 SPONSORS: Kellog CAST: Guy Madison and Andy Devine. ANNOUNCERS: Charlie Lyon PRODUCERS/DIRECTORS: Paul Pierce.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were "The Man who Went Back to Save Lincoln" (a time travel fantasy), and an adaptation of "Donovan's Brain".THIS EPISODE:February 7, 1948. CBS network. "Donovan's Brain". Sustaining. The classic tale of the mad scientist and his "brain in the bottle." The story was previously produced on "Suspense," as two half hour programs, on May 18 and May 25, 1944 (see cat. #245 and #61158). John McIntire (doubles), Robert Montgomery (host, performer), William Johnstone, Wally Maher, Jeanette Nolan, Joseph Kearns (announcer, performer), Curt Siodmak (author), Robert L. Richards (adaptor), William Spier (producer, director, editor), Lucien Moraweck (composer), Lud Gluskin (conductor), Burne Surrey (sound effects), Bob Anderson (sound engineer). 61:28.

Academy Award Theater - The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear!THIS EPISODE:October 9, 1946. CBS network. "It Happened Tomorrow". Sponsored by: Squibb. The delightful story about the newspaper reporter who had access to the next day's newspaper! Eddie Bracken, Ann Blyth, Hugh Brundage (announcer), Frank Wilson (adaptor), Leith Stevens (composer, conductor), Dee Englebach (producer, director). 29:36.

Authorâs Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.THIS EPISODE:July 28, 1944. NBC network. "Two Of A Kind". Sustaining. Two divers descend beneath the sea to rescue men and papers from a sunken sub. H. Vernon Dickson (writer). 1/2 hour.

Gunsmoke - The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as THE true adult western and one of the finest old time radio shows.THIS EPISODE:July 5, 1952. CBS network. "Never Pester Chester". Sustaining. Two Texas cowboys drag Chester behind a horse for fun, almost killing him. Marshal Dillon brings in the cowboys...without his guns. The script was used on the Gunsmoke television series on November 16, 1957. William Conrad, Parley Baer, Howard McNear, Georgia Ellis, Paul Dubov, Lou Krugman, Jack Kruschen, Roy Rowan (announcer), Don Diamond, John Meston (writer), Norman Macdonnell (director), Rex Koury (composer, conductor), Gil Stratton. 30:27.

The Martin and Lewis Show - On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings.THIS EPISODE:November 9, 1951. NBC netwoek. Sponsored by: Dentyne, Chesterfield, Anacin. Unedited tape. The recording features lots of fooling around, including some near off-color jokes. The first tune is, "It's The Toast Of The Town," and takes almost ten minutes to play. Guest Danny Thomas and the boys do their version of, "You Bet Your Life." A funny recording, the audience sounds like it's having a great time, and was obviously intended for editing. Great Martin and Lewis. When Jimmy Wallington declines to read an Anacin commercial, Dean suggests that he put his head through the window "and the pane will be gone." Dean Martin, Jerry Lewis, Dick Mack (producer, director), Dick Stabile and His Orchestra, Jimmy Wallington (announcer), Bonnie Bishop (vocal), Danny Thomas, Norman Lear (writer), Ed Simmons (writer). 1:05:48.

My Friend Irma, created by writer-director-producer Cy Howard, was a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films and television, while Howard scored with another radio comedy hit, Life with Luigi. Dependable and level-headed Jane Stacy (Cathy Lewis) narrated the misadventures of her innocent and bewildered roommate, Irma Peterson (Marie Wilson), a dim-bulb stenographer. Wilson portrayed the character on radio, in two films and a TV series. The successful radio series with Marie Wilson ran on CBS Radio from April 11, 1947 to August 23, 1954. The TV version, seen on CBS from January 8, 1952 until June 25, 1954, was the first series telecast from the CBS Television City facility in Hollywood. The movie My Friend Irma (1949) starred Marie Wilson and Diana Lynn but is mainly remembered today for introducing Dean Martin and Jerry Lewis to moviegoers, resulting in even more screen time for Martin and Lewis in the sequel, My Friend Irma Goes West (1950).THIS EPISODE:April 11, 1947. CBS network. "Irma Meets Jane". Sustaining. The first show of the series; how Jane met Irma. Irma invites Jane's wealthy boss to dinner, and Al shows up, Irma's impoverished boyfriend. Cathy Lewis, Marie Wilson, John Brown. 1/2 hour.

Casey, Crime Photographer - The adventures of Casey, crack photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940âs. Casey hung out at the Blue Note CafÃ, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Caseyâs girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Caseyâs pictures. This live series was set in and broadcast from, New York City.THIS EPISODE:July 17, 1947. CBS network. "Self-Made Hero". Sponsored by: Anchor Hocking Glass. Wellington Cliffside wants more than anything to be a hero and impress his bobby-soxed lady-love. The script was used previously on the program on March 18, 1944 and July 8, 1944. Alonzo Deen Cole (writer), Archie Bleyer (music), Herman Chittison (piano), Jack Grimes, Jan Miner, John Dietz (director), John Gibson, Staats Cotsworth, Tony Marvin (announcer), George Harmon Coxe (creator). 29:38.

From the age of twelve, Bob Hope worked at a wide variety of odd jobs at a local board walk. When not doing this he would busk, doing dance and comedy patter to make extra money. He entered many dancing and amateur talent contests, and won prizes for his impersonation of Charlie Chaplin. He also boxed briefly and unsuccessfully under the name Packy East, making it once as far as the semi-finals of the Ohio novice championship. Fallen silent film comedian Fatty Arbuckle saw one of his performances and in 1925 got him steady work with Hurley's Jolly Follies. A year later Hope had formed an act called the Dancemedians with George Burns (who would also live to see his own 100th birthday) and the Hilton Sisters, conjoined twins who had a tap dancing routine. Hope and his partner George Byrne had an act as a pair of Siamese twins as well, and both danced and sang while wearing blackface before friends advised Hope that he was funnier as himself.

The NBC University Theater - dramatic anthology Offered novels, with programs for college credit. Broadcast History : July 30th, 1948 - February 14th, 1951 NBC. Mostly 60 minutes. Mostly aired on Sundays, with occasional weeknight airings. Announcer : Don Stanley Music : Albert Harris, Henry Russell Director : Andrew C. Love Writers : Claris A. Ross, Ernest Kinoy, George Lefferts, Jack C. Wilson Sound Effects : Bob Holmes, Rod Sutton.THIS EPISODE:The Posthumous Papers of the Pickwick Club, better known as The Pickwick Papers, is the first novel by Charles Dickens. It was originally an idea by the illustrator Robert Seymour, although in his preface to the 1867 edition, Dickens strenuously denied this, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book." At any event, Dickens was asked to contribute to the project as an up and coming writer following the success of Sketches by Boz, published in 1836. Dickens, supremely confident as ever, increasingly took over the unsuccessful monthly publication after Seymour had committed suicide. With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books and other merchandise.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal minerâs daughter, was born in Peoria on November 15, 1898.

Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE:November 18, 1949. NBC network. " The Uninvited ". Sustaining. A weepy ghost story set in England. A bit heavy handed. Ray Milland, June Foray, John Dehner, Lewis Allen. 1/2 hour.

Nightfall is the title of a radio drama series produced and aired by CBC Radio ( Canadian Broadcasting Corporation ) from July 1980 to June 1983. While primarily a supernatural/horror series, Nightfall featured some episodes in other genres, such as science fiction, mystery, fantasy, and human drama. One episode was even adapted from a folk song by Stan Rogers. Some of Nightfall's episodes were so terrifying that the CBC registered numerous complaints and some affiliate stations dropped it. Despite this, the series went on to become one of the most popular shows in CBC Radio history, running 100 episodes that featured a mix of original tales and adaptations of both classic and obscure short stories. THIS EPISODE:July 11, 1980. Program #2. CBC origination, NPR network, WPBH-FM, Middlefield, Conn. aircheck. "The Monkey's Paw". Sustaining. A horror tale about three wishes. The WPBH-FM rebroadcast date is January 31, 1982. W. W. Jacobs (author), Henry Ramer (host), Ruth Springford, Eric House, Chris Wiggins, Michael Wincott, Graham Haley, John Jessop (recording engineer), Bill Robinson (sound effects), Doris Buchanan, Bill Howell (producer, director), John Douglas (story editor). 29:09.

The Sealed Book starred Philip Clarke as the keeper of the book, a croaking, cackling hermit, with knowledge of the black arts, who in each show unlocked the great padlock that kept the sealed book safe from prying eyes. There was a spook story each week with tales of secrets and mysteries of mankind through the ages. This MUTUAL network entry in the horror and mystery genre was far from the best remembered, such as Suspense, Quiet Please, and Inner Sanctum. The Sealed Book begins with a classic intro, in which when gonged, we are escorted by the tuxedoed announcer with unseen organist as the keeper of the book opens the ponderous, albeit squeaky door "to the secret vault wherein is kept the great sealed book, in which is recorded all the secrets and mysteries of mankind through the ages, Here are tales of every kind, tales of murder, of madness, of dark deeds strange and terrible beyond all belief." First broadcast date march 18th 1945. Last broadcast date september 9th 1945. Narrated by Philip Clarke and written by Bob Arthur and David Kogan, this mystery anthology was aired over the MUTUAL network Sunday nights at 10:30 p.m.

Night Beat - Frank Lovejoy stars as Randy Stone, a toughened, street-wise Chicago Star reporter working the Night Beat in the early 1950's. Sometimes the capers are cops and robbers. Or just normal people in trouble. Sometimes they deserve it. Sometimes fate twists their arm. Sometimes they're just too scared or confused to know the difference. Lovejoy is a seasoned pro of radio and film with an honest, gripping delivery. Solid supporting casts, good writing and direction.

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker."Beginning October 4, 1949, the show was adapted for television for the DuMont Television Network, but Bendix's film contracts prevented him from appearing in the role. Instead, Jackie Gleason starred along with Rosemary DeCamp as wife Peg, Gloria Winters as daughter Barbara (Babs), Lanny Rees as son Chester Jr. (Junior), and Sid Tomack as Gillis, Riley's manipulative best buddy and next-door neighbor.

In 1946 and 1950-1951 Nero Wolfe was aired on radio. Sidney Greenstreet played Nero Wolfe in the later series. The two earlier series have only one episode each available. A variety of actors played Archie Goodwin. NETWORK: NBC, SPONSOR: SUSTAINED, TIME: Fridays: 8:00 - 8:30 pm STARS: Sidney Greenstreet as Nero Wolfe. Archie played by various actors WRITER: Louis Vittes based on the stories by Rex Stout; ANNOUNCER: Don Stanley; PRODUCER: Edwin Fadiman; DIRECTOR: J. Donald Wilson.

DIARY OF FATE is a mystery and horror program where âFateâ narrates and always wins by the end of the story. These are great suspense filled stories about average people who are subject to the mysteries of their âFateâ.THIS EPISODE:April 6, 1948. Program #17. Finley syndication. "The Entry Of Tyler White". Commercials added locally. Book 93, page 861. The story of Tyler White who is about to be executed for a murder he did not commit...because of a stray dog and a forgotten cigarette lighter. The date is subject to correction. Herb Lytton, Ruth Perrott, Herbert Rawlinson, Tyler McVey, Hal Sawyer, Ray Erlenborn (probable sound effects), Bob Lowery, Ivan Ditmars (organ), Larry Finley (producer). 28:39.

TWO EPISODES FROM 1945"The Little Gift" and "The Mad King Of Bavaria"A series of mystery and drama from the 1940's, always with a theme that surrounded some aspect of the precious gem, always the stories of admiration, smuggling, and thievery and the evil deeds of those who wished to possess them. Today we bring you two episodes.

Jeff Regan, Investigator was one of the three detective shows Jack Webb did before Dragnet (see also Pat Novak For Hire and Johnny Modero: Pier 23). It debuted on CBS in July 1948. Webb played JEFF REGAN, a tough private eye working in a Los Angeles investigation firm run by Anthony J. Lyon. Regan introduced himself on each show "I get ten a day and expenses...they call me the Lyon's Eye." The show was fairly well-plotted, Webb's voice was great, and the supporting cast were skillful. Regan handled rough assignments from Lion, with whom he was not always on good terms. He was tough, tenacious, and had a dry sense of humor. The voice of his boss, Anthony Lion, was Wilms Herbert. The show ended in December 1948 but was resurrected in October 1949 with a new cast; Frank Graham played Regan (later Paul Dubrov was the lead) and Frank Nelson portrayed Lion. This version ran on CBS, sometimes as a West Coast regional, until August 1950. Both versions were 30 minutes, but the day and time slot changed several times. A total of 29 episodes from this series are in trading currency.THIS EPISODE:October 2, 1948. CBS network. "The Man With The Key". Sustaining. Jeff, a private investigator, is hired to protect a safe deposit box key for seven hours. Bob Stevenson (announcer), Herb Butterfield, Jack Webb, June Martell, Ken Christy, Marvin Miller, Paul Frees, Yvonne Peattie, E. Jack Neuman (writer), Larry Roman (writer), Sterling Tracy (producer). 29:49.

INHERITANCE - A Dramatized look into American History. NBC Networ in cooperation with the AMERICAN LEGION Sundays 4:30 - 5:00 pm PRUDUCER/DIRECTOR: Albert McCleary ANNOUNCER: John Wald MUSIC: Robert Armbruster.

The Witch's Tale was a horror-fantasy radio series which aired from 1931 to 1938 on WOR and Mutual and in syndication. The program was created, written and directed by Alonzo Deen Cole, who was born February 22, 1897 in St. Paul, Minnesota and died April 7, 1971. Cole's spooky show was hosted by Old Nancy, the Witch of Salem, who introduced a different terror tale each week. The role of Old Nancy was created by stage actress Adelaide Fitz-Allen, who died in 1935 at the age of 79. Cole replaced her with 13-year-old Miriam Wolfe, and Martha Wentworth was also heard as Old Nancy on occasion. Cole himself provided the sounds of Old Nancy's cat, Satan. Cole's wife, Marie O'Flynn, portrayed the lead female characters on the program, and the supporting cast included Mark Smith and Alan Devitte. For syndication, the shows were recorded live during broadcast and distributed to other stations. These recordings were destroyed by Cole in 1961, so few episodes survive. Cole was also the writer, producer and director of the radio mystery-crime drama, Casey, Crime Photographer.

Burns and Allen are one of the most beloved couple in old time radio. They got started, like many of the greats of old time radio, in vaudeville, which is really just the touring popular entertainment in America prior to movies. Gracie was the sparkplug of the act, always the center of attention. George played the foil, the guy vainly trying to make sense of the ditzy world of Gracie. By the early 30s, Gracie was probably the best known woman on radio. Gracie often sang in a voice that showed she was also an excellent comedienne songstress. The shows had names after the sponsors, such as Maxwell House Coffee Time, or The Ammident Show - it was the Burns and Allen show to the public. Other fine radio actors were a part of the fun. Mel Blanc did the happy postman, and was also famous for his zany characters on The Jack Benny Show, and his own Mel Blanc Show. Elliott Lewis, a veteran of many radio dramas, played many of the bit parts on the Burns and Allen shows of the 40s. Burns & Allen were touring England in 1929 when they made their first radio appearance on the BBC. Gracie Allen died on August 27, 1964. George Burns died on March 9, 1996. First Broadcast date february 15th 1932. Last Broadcast date may 17th 1950.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

Hollywood Startime - Return Of Frank JamesFrank James, the brother of Jesse James, has been laying low, living as a farmer and taking care of Clem, the son of one of the members of the James gang. He gets word that Jesse was killed by Bob and Charlie Ford, he hoped that the law would deal with them but when he learns that the railroad man whom he and Jesse terrorized contracted them to kill Jesse and helped them get off, he goes after them. Clem whom he told to remain on the farm goes with him and when it's impossible for him to do so, Frank has no choice to let him tag along. Now in order to cover their tracks they start telling people that Frank James is dead and that they saw it. Eleanor Stone, a female reporter, who wants to write about it interviews them and they are both taken with each other. But eventually she learns who Frank is from the Pinkerton detective who is tracking them but doesn't turn them in. But eventually Frank learns that his farm hand, Pinky has been arrested as his accomplice and is about to be hung. Now short of knowing who Frank is, he has not done anything to help Frank, so Frank has to decide what is more important getting the Fords or helping Pinky. Written by: [email protected]

The Jack Benny Program is a classic comedy that is truly one of the best-loved programs from the Golden Age of Radio. It started life as The Canada Dry Program in 1932 on the Blue Network and finished off as The Lucky Strike Program on CBS in 1955. In between, it kept the audience in stitches and established Benny as one of America's all-time great comedians. The format of the show, and the personality of its star, so well honed in two decades on radio, made the transition to television almost intact. Jack's stinginess, vanity about his supposed age of 39, basement vault where he kept all his money, ancient Maxwell automobile, and feigned ineptness at playing the violin were all part of the act. Added to Jack's famous pregnant pause and exasperated "Well!" were a rather mincing walk, an affected hand to the cheek, and a painted look of disbelief when confronted by life's little tragedies.

Little Luke's Education (Aired February 6, 1958) A happy-go-lucking West Virginia mountain family picks up stakes and moves to a ranch in California's San Fernando Valley. Center of the action, and undisputed star of the show, was Grandpa, a porch-rockin', gol-darnin', consarnin' old geezer with a wheezy voice who liked to meddle in practically everybody's affairs, neighbors and kin alike. His kin were grandson Luke and his new bride, Kate; Luke's teenage sister, Hassie; and Luke's 11-year-old brother, Little Luke (their parents were deceased). Completing the regular cast were Pepino, their loyal farm hand; George MacMichael, their crusty neighbor and Amos' best friend; and Flora, George's spinster sister who had eyes for Amos.

FAVORITE STORY aired from September 1947 through December of 1949 hosted by Ronald Colman. This is an excellent dramatic series of great stories from classic literature brought to radio. It's popularity was so high and with such well done stories, it was rebroadcasted for many years.Wuthering Heights is Emily BrontÃ's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centres. (As an adjective, wuthering is a Yorkshire word referring to turbulent weather.) The narrative tells the tale of the all-encompassing and passionate, yet thwarted love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys both themselves and many around them. Now considered a classic of English literature, Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, musicals and songs (notably the hit Wuthering Heights by Kate Bush) and opera.

Was a Communist for the FBI was an American espionage thriller radio series with 78 episodes syndicated by Ziv to more than 600 stations in 1952-54. Made without FBI cooperation, the series was adapted from the book by undercover agent Matt Cvetic, who was portrayed by Dana Andrews.The series was crafted to warn people about the threat of Communist subversion of American society. The tone of the show is very jingoistic and ultra-patriotic. Communists are evil incarnate and the FBI can do no wrong. As a relic of the Joe McCarthy era, this show is a time capsule of American society during the Second Red Scare.

The CBS Radio Mystery Theater - As you walk through the creaking door you enter into another world, the world of imagination. This world is inside you, a part of you, and you take this journey alone. Each person hears and then sees with his or her mind's eye the events portrayed within these dramas. All of us interprets what they hear differently. The images we see is unique to ourselves. A voice becomes a person, living, breathing they come alive. They take on a physical form and characteristics that we assign to them. The wonders of your own mind are boundless. Scary thoughts? Perhaps, but what powers they bring us! To exercise one's imagination is to exercise one's soul. These dramas provide us with an escape from reality. To adventures beyond our own lives. Enjoy them. And pleasant dreams!THIS EPISODE:January 29, 1974. Program #24. CBS network. "The Man Who Heard Voices". Sponsored by: Budweiser, Kellogg's. Augusta Dabney, Leon Janney, Suzanne Grossman, E. G. Marshall (host), Sam Dann (writer), Larry Haines. 52 minutes.

I Love Adventure was a 30-minute weekly adventure series which only appeared in the summer of 1948. The show continued the adventures of the I Love A Mystery seriesCAST: Michael Raffetto, Tom Collins, Barton Yarborough, Russell Thorson, Lillian Buyeff, Earl Lee, Harry Lang, Janet Logan, John McIntire, Jeanette Nolan, Rolfe Sedan, Donal Morrison, Luis Van Rooten, Lal Chand Mehra, Alma Lawton, Barbara Jean Wong, Henry Blair, Betty Lou Gerson, Dix Davis, Peggy Webber, Lou Krugman, Frank Richards, Jeanne Bates, Everett Glass.

SHOW TWO OF TWOWhen Dragnet hit its stride, it became one of radioâs top-rated shows. While most radio shows used one or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Fridayâs desk, the listener heard the same ring as the telephones in Los Angeles police headquarters. A single minute of "A Gun For Christmas" is a representative example of the evocative sound effects featured on "Dragnet". While Friday and others investigate bloodstains in a suburban backyard, the listener hears a series of overlapping effects: a squeaking gate hinge, footsteps, a technician scraping blood into a paper envelope, the glassy chime of chemical vials, bird calls and a dog barking in the distance. Scripts tackled a number of topics, ranging from the thrilling (murders, missing persons and armed robbery) to the mundane (check fraud and shoplifting), yet "Dragnet" made them all interesting due to fast-moving plots and behind-the-scenes realism. In "The Garbage Chute" (15 December 1949), they even had a locked room mystery.

The Hollywood Star Playhouse , well written and performed, presented many original plays and popular Hollywood stars. Some of those who accepted roles in this great series included Jimmy Stewart, William Conrad, Deborah Kerr, Vincent Price, Harry Bartell and Betty Lou Gerson. Highlights included an episode entitled The Six Shooter and which later became itâs own series staring James Stewart. In 1952, Marilyn Monroe made her radio debut on The Hollywood Star Playhouse.

Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the programâs format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Fridayâs deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Fridayâs first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor.

"THE HOUSE OF DESPAIR" (SHOW THREE OF THREE)Dark Shadows is a Gothic television soap opera that originally aired weekdays on the ABC television network, from June 27, 1966 to April 2, 1971. The show was created by Dan Curtis, who tells of a dream he had in which a girl takes a long train ride to visit a large mansion. The story "bible", which was written by Art Wallace, does not mention any supernatural elements. It was considered daring (and unprecedented in daytime television) when ghosts were introduced about six months after it began. The series became hugely popular when, a year into its run, vampire Barnabas Collins, played by Jonathan Frid, appeared. In addition to vampires, Dark Shadows featured werewolves, ghosts, zombies, man-made monsters, witches, warlocks, time travel, both into the past and into the future, and a parallel universe.

The Fred Allen Show - Born John Florence Sullivan on May 31, 1894, Fred Allen began his career in vaudeville before becoming one of radioâs most acerbic and admired wits. Allen and his wife, former chorus girl Portland Hoffa, began their radio career on October 23, 1932, starring on The Linit Bath Club Revue. By 1934, Allen was starring on Town Hall Tonight, a one-hour show which featured Allen examining current events and interviewing unusual guests. It was here that Allen began radioâs longest-running âfeudâ in 1937, when he made a series of jokes about fellow comedian Jack Benny. Allen?s best-remembered feature was âAllen?s Alley,â a weekly segment in which he would discuss issues of the day with eccentric creations like the blustery Senator Claghorn, Brooklyn housewife Pansy Nussbaum and stoic New Englander Titus Moody.

"THE HOUSE OF DESPAIR" (SHOW 2 OF THREE)A small company of actors each played many roles and, as actors came and went, some characters were played by several actors. Major writers in addition to Art Wallace included Sam Hall, Gordon Russell, and Violet Welles. Dark Shadows has the distinction of being the only long-running soap to have every episode released for home video (including a reconstruction episode #1219, the videotape for which is lost), first on VHS and currently in progress on DVD. (Episodes were numbered from #1 to #1245, but some episodes were pre-empted due to holidays, news, etc. so the number of episodes actually broadcast is 1225.) Dark Shadows was distinguished by its vividly melodramatic performances, atmospheric interiors, memorable story lines and an unusually adventurous music score.

Damon Runyon Theater- Broadcast from January to December 1949, "The Damon Runyon Theater" dramatized 52 of Runyon's short stories for radio. Damon Runyon (October 4, 1884 â December 10, 1946) was a newspaperman and writer. He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. He spun tales of gamblers, petty thieves, actors and gangsters; few of whom go by "square" names, preferring instead to be known as "Nathan Detroit", "Big Jule", "Harry the Horse", "Good Time Charlie", "Dave the Dude", and so on. These stories were written in a very distinctive vernacular style: a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions.THIS EPISODE:1948. Program #27. Mayfair syndication. "The Big Umbrella". Commercials added locally. Not every heavyweight folds when the going gets rough. Damon Runyon (author), John Brown, Richard Sanville (director), Russell Hughes (writer), Vern Carstensen (production supervisor). 27:36.

Dark Shadows is a Gothic television soap opera that originally aired weekdays on the ABC television network, from June 27, 1966 to April 2, 1971. The show was created by Dan Curtis, who tells of a dream he had in which a girl takes a long train ride to visit a large mansion. The story "bible", which was written by Art Wallace, does not mention any supernatural elements. It was considered daring (and unprecedented in daytime television) when ghosts were introduced about six months after it began. The series became hugely popular when, a year into its run, vampire Barnabas Collins, played by Jonathan Frid, appeared. In addition to vampires, Dark Shadows featured werewolves, ghosts, zombies, man-made monsters, witches, warlocks, time travel, both into the past and into the future, and a parallel universe.

Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes. Another mainstay of these question and answer segments was the paper mache duck that would descend from the ceiling with one hundred dollars in tow whenever a player uttered the "secret word." The quiz show aspect of "You Bet Your Life" was always secondary, to the clever back-and-forth between host and contestant, which found Groucho at his funniest. It's in these interview segments that "You Bet Your Life" truly makes its mark as one of early television's greatest programs. Directed by: Robert Dwan.

Nick Carter, Master Detective - Nick Carter is the name of a popular fictional detective who first appeared in in a dime novel entitled "The Old Detective's Pupil" on September 18, 1886. In 1915, Nick Carter Weekly became Street & Smith's Detective Story Magazine. Novels featuring Carter continued to appear through the 1950s, by which time there was also a popular radio show, Nick Carter, Master Detective, which aired on Mutual from 1943 to 1955. Nick Carter first came to radio as The Return of Nick Carter. Then Nick Carter, Master Detective, with Lon Clark in the title role, began April 11, 1943, on Mutual, continuing in many different timeslots for well over a decade.THIS EPISODE:December 28, 1947. Mutual network. "The Case Of The Missing Street". Sponsored by: Old Dutch Cleanser, Del Rich Margarine. A talking typewriter and a recorder trip up the evil Mr. Nixon and his cosmopolis racket. Lon Clark. 1/2 hour.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â

The Creaking Door was an old-time radio series of horror and suspense shows originating in South Africa. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

Amos 'n' Andy began March 19, 1928, on WMAQ, and prior to airing each program they recorded their show on 78 rpm disks at Marsh Laboratories, Orlando R. Marsh, owner. Initially, Gosden and Correll portrayed all the male roles. Between the two, they voiced over 170 distinct characterizations in the show's first decade. With the episodic drama and suspense heightened by cliffhanger endings, Amos 'n' Andy reached an ever-expanding radio audience. It was one of the earliest success stories of radio syndication, and at least 70 stations besides WMAQ carried the program using prerecorded records. Amos Jones and Andy Brown worked on a farm near Atlanta, Georgia, and during the episodes of the first week, they made plans to find a better life in Chicago, despite warnings from a friend. With four ham and cheese sandwiches and $24, they bought train tickets and headed for Chicago where they lived in a State Street rooming house and experienced some rough times before launching their own business, the Fresh Air Taxi Company.

RADIO CITY PLAYHOUSE - Half-hour drama, sometimes comedy, often very exciting and suspenseful. The cast were made up of New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.

The Silent Men - Douglas Fairbanks, Jr. played the parts of "special agents of all branches of the federal government, who daily risk their lives to protect the lives of all of us... to guard our welfare and our liberties, they must remain nameless - The Silent Men!" At each episode, Fairbank checked in with his chief, played by either William Conrad or Herb Butterfield. Regulars included Virginia Gregg, Raymond Burr, Lou Merrill Lurene Tuttle, Paul Frees and John Dehner. Don Stanley was the announcer. The show was produced and directed by Warren Lewis, who wrote many of the scripts along with Joel Murcott. The series ran on NBC.THIS EPISODE:November 11, 1951. NBC network. "The Transatlantic Push". Sustaining. A concentration camp victim from Buchenwald is arrested for passing counterfeit currency! The G-Men follow the trail to Paris and the source of the "queer." Walter McGraw (director), John Gibson, William Keene, Fred Collins (announcer), Joe DeSantis, Joel Murcott (writer), Roc Rogers, Ruth Yorke, Douglas Fairbanks Jr., Warren Lewis (producer). 29:28.