The Daily Poem

Are home movies the grecian urns of the twentieth century? Today’s poem says, “sort of.”Poet, editor, essayist, playwright, and lyricist Mary Jo Salter was born in Grand Rapids, Michigan. She grew up in Michigan and Maryland, and earned degrees from Harvard and Cambridge University. A former editor at the Atlantic Monthly, poetry editor at the New Republic, and co-editor of the fourth and fifth editions of the Norton Anthology of Poetry, Salter’s thorough understanding of poetic tradition is clearly evident in her work. Salter is the author of many books of poetry, including A Kiss in Space (1999), Open Shutters (2003), A Phone Call to the Future (2008), Nothing by Design (2013), and The Surveyors (2017). Her second book, Unfinished Painting (1989) was a Lamont Selection for the most distinguished second volume of poetry published that year, Sunday Skaters (1994) was nominated for a National Book Critics Circle Award, and Open Shutters was a New York Times Notable Book of the Year. Salter has received fellowships from the National Endowment for the Arts and the Guggenheim Foundation and taught for many years at Mount Holyoke College. She is currently the Krieger-Eisenhower Professor in the Writing Seminars at Johns Hopkins University. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is, in may ways, the ode of odes. It has inspired volumes upon volumes of poetry and scholarship alike. And yet, it remains nothing more and nothing less than a humble and impassioned conversation with a work of beauty. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem for St. Lucy’s day is a remembrance of a light “too bright for our infirm delight” dawning in the deepest darkness of the year. The poem is collected in Waiting on the Word: a poem a day for Advent, Christmas, and Epiphany. You can also hear a vastly superior reading of the poem by the author himself. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem–known to many as the musical setting, “In the Bleak Midwinter”–contemplates unprecedented act of loves in the darkest days of the year. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Ezra Pound had his own complicated relationship with fame, exercising a profound influence upon 20th-century literature but being tried for treason in the U.S. after broadcasting propaganda for the fascists during WWII. Today’s poem is a guarded reflection on the never-ending quest. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today is the birthday of Emily Dickinson, and to mark the occasion we have selected a poem that manages to sum up the entire paradox of the human condition in just two lines. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Mark Strand was born on Canada’s Prince Edward Island on April 11, 1934. He received a BA from Antioch College in Ohio in 1957 and attended Yale University, where he was awarded the Cook Prize and the Bergin Prize. After receiving his BFA degree in 1959, Strand spent a year studying at the University of Florence on a Fulbright fellowship. In 1962 he received his MA from the University of Iowa.Strand was the author of numerous collections of poetry, including Collected Poems (Alfred A. Knopf, 2014); Almost Invisible (Alfred A. Knopf, 2012); New Selected Poems (Alfred A. Knopf, 2007); Man and Camel (Alfred A. Knopf, 2006); Blizzard of One (Alfred A. Knopf, 1998), which won the Pulitzer Prize for Poetry; Dark Harbor (Alfred A. Knopf, 1993); The Continuous Life (Alfred A. Knopf, 1990); Selected Poems (Atheneum, 1980); The Story of Our Lives(Atheneum, 1973); and Reasons for Moving (Atheneum, 1968).Strand also published two books of prose, several volumes of translation (of works by Rafael Alberti and Carlos Drummond de Andrade, among others), several monographs on contemporary artists, and three books for children. He has edited a number of volumes, including 100 Great Poems of the Twentieth Century (W. W. Norton, 2005); The Golden Ecco Anthology (Ecco, 1994); The Best American Poetry 1991; and Another Republic: 17 European and South American Writers, co-edited with Charles Simic (HarperCollins, 1976).Strand’s honors included the Bollingen Prize, a Rockefeller Foundation award, three grants from the National Endowment for the Arts, a National Institute of Arts and Letters Award, the 2004 Wallace Stevens Award, the Academy of American Poets Fellowship in 1979, the 1974 Edgar Allen Poe Prize from the Academy of American Poets, as well as fellowships from the MacArthur Foundation and the Ingram Merrill Foundation.Strand served as poet laureate of the United States from 1990 to 1991 and as a Chancellor of the Academy of American Poets from 1995 to 2000. He taught English and comparative literature at Columbia University in New York City.Mark Strand died at eighty years old on November 29, 2014, in Brooklyn, New York.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem pays tribute to the great lover of children and the poor, whose day serves as a festive waystation on the journey to Christmas. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem from Williams’ late collection, Pictures from Brueghel, is an ekphrasis on the painting by the same name, and a lesson in disciplined observation. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“We only live, only suspire/ Consumed by either fire or fire.”…are not lines from today’s poem, but one gets the feeling Bradstreet understood their meaning as well as anyone could. Happy reading.Anne Bradstreet was born Anne Dudley in 1612 in Northamptonshire, England. She married Simon Bradstreet, a graduate of Cambridge University, at the age of sixteen. Two years later, Bradstreet, along with her husband and parents, immigrated to the American colonies with the Winthrop Puritan group, and the family settled in Ipswich, Massachusetts. There, Bradstreet and her husband raised eight children, and she became one of the first poets to write English verse in the American colonies. It was during this time that Bradstreet penned many of the poems that would be taken to England by her brother-in-law, purportedly without her knowledge, and published in 1650 under the title The Tenth Muse, Lately Sprung Up in America.The Tenth Muse was the only collection of Bradstreet’s poetry to appear during her lifetime. In 1644, the family moved to Andover, Massachusetts, where Bradstreet lived until her death in 1672. In 1678, the first American edition of The Tenth Muse was published posthumously and expanded as Several Poems Compiled with Great Wit and Learning. Bradstreet’s most highly regarded work, a sequence of religious poems titled Contemplations, was not published until the middle of the nineteenth century.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

New-fallen snow can be a kind of blank canvas for the poet. In yesterday’s poem, Stevenson wrote over it in whimsical metaphor and simile; in today’s, Longfellow finds the reflection of his own troubled heart. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a master-class in elementary poetic instruction. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Craig Arnold, born November 16, 1967 was an American poet and professor. His first book of poems, Shells (1999), was selected by W.S. Merwin for the Yale Series of Younger Poets. His many honors include the 2005 Joseph Brodsky Rome Prize Fellowship in literature, the Amy Lowell Poetry Travelling Scholarship, a Hodder Fellowship, and fellowships from the Fulbright Program, the National Endowment for the Arts, and MacDowell. He taught poetry at the University of Wyoming. His poems have appeared in anthologies including The Best American Poetry 1998 and The New American Poets: A Bread Loaf Anthology, and in literary journals including Poetry, The Paris Review, The Denver Quarterly, Barrow Street, The New Republic and The Yale Review. Arnold grew up in the United States, Europe, and Asia. Arnold’s Made Flesh won the 2009 High Plains Book Award and the 2008 Utah Book Award.In 2009, Arnold traveled to Japan to research volcanoes for a planned book of poetry. In April of that year, he disappeared while hiking on the island of Kuchinoerabujima. In the New York Times, the poet David Orr mourned the loss of Arnold, but noted it would “be a mistake to think of him as a writer silenced before his prime... His shelf space may be smaller than one would wish, but he earned every bit of it.”-bio via Copper Canyon Press and Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Anna Kamienska was a poet, translator, critic, essayist, and editor. She published numerous collections of her own work and translated poetry from several Slavic languages, as well as sacred texts from Hebrew and Greek.Astonishments, a selection of her poetry in translation is available from Paraclete Press. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem punctuates the precious value of time spent with family around food. Happy reading.Jacqueline Woodson received a 2023 Guggenheim Foundation Fellowship, a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award. She was the 2018–2019 National Ambassador for Young People’s Literature, and in 2015, she was named the Young People’s Poet Laureate by the Poetry Foundation. She received the 2014 National Book Award for her New York Times bestselling memoir Brown Girl Dreaming, which was also a recipient of the Coretta Scott King Award, a Newbery Honor, the NAACP Image Award, and a Sibert Honor. She wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Born in Columbus, Ohio, Jacqueline grew up in Greenville, South Carolina, and Brooklyn, New York, and graduated from college with a B.A. in English. She is the author of dozens of award-winning books for young adults, middle graders, and children. She lives with her family in Brooklyn, New York.-bio via Penguin Random House This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Sometimes a list is much more than a list. Happy reading.Blaise Cendrars (1887–1961) was the pseudonym of Frédéric Sauser, the Swiss son of a French Anabaptist father and a Scottish mother. As a young man he traveled widely, from St. Petersburg to New York and beyond, and these wanderings proved the inspiration of much of his later poetry and prose. Settled in Paris in 1912, Cendrars published two long poems, “Easter in New York” and “The Transsiberian,” which made him a major figure in the poetic avant-garde. At the outset of World War I, he enlisted in the French Foreign Legion, losing an arm in the battle of the Marnes. A prolific poet, Cendrars was also an exceptional novelist, the author of Moravagine, Gold, Rhum, and The Confessions of Dan Yack, among many other books.-bio via New York Review of Books This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem opens a week of poetry about food. Happy eating reading.Bill Holm was born in 1943 on a farm outside Minneota, Minnesota. He received a BA from Gustavus Adolphus College in 1965 and an MA from the University of Kansas in 1967. Holm was the author of several poetry collections, including Playing the Black Piano and The Dead Get By with Everything. His collection The Chain Letter of the Soul: New and Selected Poems was published posthumously in 2009. He also wrote several essay collections, including The Windows of Brimnes: An American in Iceland. A professor emeritus at Southwest Minnesota State until his retirement in 2008, Holm was known for his connection to Minnesota. In an article for the Minn Post, Nick Hayes describes him as “the quintessential voice of our small towns and prairies.” He goes on to note that Holm “was also our lost Icelander in Minnesota.” The grandchild of Icelandic immigrants, Holm spent most of his summers at his cottage in Hofsos, Iceland, and his writing was influenced both by the heritage and landscape of both of his homes. In 2008, Holm received the McKnight Distinguished Artist Award. He died on February 26, 2009, in South Dakota.-bio via Milkweed Editions This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem, from Wilson’s 2018 The Hanging God, takes a candid look at all the ways we overestimate, misunderstand, misrepresent, and undervalue our own human agency–all while leaning heavily on plenty of unspoken implications about the agency of God. Happy reading.James Matthew Wilson is the Cullen Foundation Chair in English Literature and the founding director of the MFA program in Creative Writing at the University of Saint Thomas.The author of fourteen books, his most recent collection of poems is Saint Thomas and the Forbidden Birds(Word on Fire, 2024). The Strangeness of the Good (2020), won the poetry book of the year award from the Catholic Media Awards. The Dallas Institute of Humanities awarded him the Hiett Prize in 2017; Memoria College gave him the Parnassus Prize, in 2022; and the Conference on Christianity and Literature twice gave him the Lionel Basney Award.In addition to his role at the University of Saint Thomas, he serves as poet-in-residence of the Benedict XVI Institute, scholar-in-residence of Aquinas College, editor of Colosseum Books, and poetry editor of Modern Age magazine.Wilson was educated at the University of Michigan (B.A.), the University of Massachusetts (M.A.), and the University of Notre Dame (M.F.A., Ph.D.), where he subsequently held a Sorin Research Fellowship. Wilson joined the University of Saint Thomas, Houston, in 2021, when he co-founded the Master of Fine Arts program.-bio via Wilson’s website This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem, from Berry’s 1969 collection, Openings, doubles as a tribute to one of the loveliest and homiest bookstores in the world. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem evokes entire worlds of vivid images and complex emotions with little more than a carefully-crafted list. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem was written by Dickinson when she was thirty-three and old enough to know. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem, one of English literature’s most extracted and anthologized, is still best appreciated when read in light of the momentous collection it belongs to. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is also a poem for “ABC”–which is to say, it’s a brilliantly executed example of the alphabetic form known as the abecedarian. Happy reading.Jessica Greenbaum is the author of Inventing Difficulty (Silverfish Review Press, 1998), winner of Gerald Cable Prize; The Two Yvonnes (Princeton University Press, 2012), named by Library Journal as a Best Book in Poetry; and Spilled and Gone (University of Pittsburgh Press, 2019). She has received awards from the National Endowment for the Arts and the Poetry Society of America. She teaches in New York City. -bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Rhina P. Espaillat was born in the Dominican Republic under the dictatorship of Rafael Trujillo. After Espaillat’s great-uncle opposed the regime, her family was exiled to the United States and settled in New York City. She began writing poetry as a young girl—in Spanish and then English—and has published in both languages.Espaillat’s numerous poetry collections include And After All (2019); Her Place in These Designs (2008); Playing at Stillness (2005); Rehearsing Absence (2001), recipient of the 2001 Richard Wilbur Award; a bilingual chapbook titled Mundo y Palabra/The World and the Word (2001); Where Horizons Go (1998), winner of the T.S. Eliot Prize; and Lapsing to Grace (1992).On Rehearsing Absence, Robert B. Shaw wrote in Poetry, “To Rhina Espaillat the quotidian is no malady … it is the source of inspiration. Hers is a voice of experience, but it is neither jaded nor pedantic. She speaks not from some cramped corner but from somewhere close to the center of life.” Awarding Espaillat the 1998 T.S. Eliot Prize for Where Horizons Go, X.J. Kennedy noted that “such developed skill and such mastery of rhyme and meter are certainly rare anymore; so is plainspeaking.”Espaillat’s work has garnered many awards, including the Sparrow Sonnet Prize, three Poetry Society of America prizes, the Der-Hovanessian Translation Prize, and—for her Spanish translations of Robert Frost—the Robert Frost Foundation’s Tree at My Window Award. She is a two-time winner of The Formalist’s Howard Nemerov Sonnet Award and the recipient of a 2008 Lifetime Achievement Award from Salem State College. She is a founding member of the Fresh Meadows Poets and a founding member and former director of the Powow River Poets. For over a decade, she coordinated the Newburyport Art Association’s Annual Poetry Contest.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem, Plath (who died at 30) contrasts the transience of youth and nature with the seeming permanence of art and artifice. (I even make time for a brief shout-out to a not-so-transitory Golden Mouth.) Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a selection from Henry Wadsworth Longfellow’s American epic, The Song of Hiawatha. The passage is structured beautifully so that two divergent streams of imaginative thought suddenly flow together into a single, tangible reality. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today's poem is an enduring memorial for a hastily interred hero. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Kenneth Grahame (8 March 1859 – 6 July 1932) is best remembered for the classic of children's literature The Wind in the Willows (1908). Scottish by birth, he spent most of his childhood with his grandmother in England, following the death of his mother and his father's inability to look after the children. After attending St Edward's School in Oxford, his ambition to attend university was thwarted and he joined the Bank of England, where he had a successful career. Before writing The Wind in the Willows, he published three other books: Pagan Papers (1893), The Golden Age(1895), and Dream Days (1898).-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Charlotte Perkins Gilman (1860-1935) wrote fiction and nonfiction works including several collections of poetry and her most famous short story, “The Yellow Wallpaper” (1892). Her poems address the issues of women’s suffrage and the injustices of women’s lives. She was also the author of Women and Economics (1898), Concerning Children (1900), The Home: Its Work and Influence (1903), Human Work (1904), and The Man-Made World; or, Our Androcentric Culture (1911). A prolific writer, she founded, wrote for, and edited The Forerunner, a journal published from 1909 to 1917. A utopian novel, Herland, was published in 1915. -bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“The line through the hole in the dark…trembling/with its high connections.”Robert Morgan (born 1944) is an American poet, short story writer, non-fiction author, biographer, and novelist. He studied at North Carolina State University as an engineering and mathematics major, transferred to the University of North Carolina at Chapel Hill as an English major, graduating in 1965, and completed an MFA degree at the University of North Carolina Greensboro in 1968. He has taught at Cornell University since 1971, and was appointed Professor of English in 1984.—Bia via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is about politics (but this, too, shall pass). Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a reluctant reckoning with the present absence created by grief. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Luci Shaw was born in 1928 in London, England, and has lived in Canada, Australia and the U.S.A. A graduate of Wheaton College, she became co-founder and later president of Harold Shaw Publishers, and since 1988 has been a Writer in Residence at Regent College, Vancouver, Canada.Shaw has lectured in North America and abroad on topics such as art and spirituality, the Christian imagination, poetry-writing, and journal-writing as an aid to artistic and spiritual growth.A charter member of the Chrysostom Society of Writers, Shaw is author of fourteen volumes of poetry including Angels Everywhere, The Generosity, Eye of the Beholder, Sea Glass: New & Selected Poems (WordFarm, 2016), Thumbprint in the Clay: Divine Marks of Beauty, Order and Grace (InterVarsity Press, 2016), Polishing the Petoskey Stone (Shaw, 1990), Writing the River (Pinon Press, 1994/Regent Publishing, 1997), The Angles of Light (Waterbrook, 2000), The Green Earth: Poems of Creation (Wm. B. Eerdmans, 2002), has edited three poetry anthologies and a festschrift, The Swiftly Tilting Worlds of Madeleine L’Engle, (Shaw, 1998). Her most recent books are What the Light Was Like (Word Farm), Accompanied by Angels (Eerdmans), The Genesis of It All (Paraclete), and Breath for the Bones: Art, Imagination & Spirit (Nelson). Her poetic work and essays have been widely anthologized. Shaw has authored several non-fiction prose books, including Water My Soul: Cultivating the Interior Life (Zondervan) and The Crime of Living Cautiously(InterVarsity). She has also co-authored three books with Madeleine L’Engle, WinterSong (Regent), Friends for the Journey (Regent), and A Prayer Book for Spiritual Friends (Augsburg/Fortress).Shaw is poetry editor and a contributing editor of Radix, as quarterly journal published in Berkeley, CA, that celebrates art, literature, music, psychology, science and the media, featuring original poetry, reviews and interviews. She is also poetry and fiction editor of Crux, an academic journal published quarterly by Regent College, Vancouver, Canada.-bio via LuciShaw.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem, while everyone else is dressing up to become something terrible, the acerbic Jonathan Swift gives us a domestic horror story in reverse. Happy reading.Anglo-Irish poet, satirist, essayist, and political pamphleteer Jonathan Swift was born in Dublin, Ireland. He spent much of his early adult life in England before returning to Dublin to serve as Dean of St. Patrick’s Cathedral, Dublin for the last 30 years of his life. It was this later stage when he would write most of his greatest works. Best known as the author of A Modest Proposal (1729), Gulliver’s Travels (1726), and A Tale Of A Tub (1704), Swift is widely acknowledged as the greatest prose satirist in the history of English literature.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is the stuff real nightmares are made of. Happy reading.Nesbitt’s poetry for children is “irrepressible, unpredictable, and raucously popular,” in the words of former Children’s Poet Laureate J. Patrick Lewis. Nesbitt’s poems frequently deal with humorous, relatable situations that verge on the madcap. He is the author of numerous books of poetry for children, including Believe It or Not, My Brother Has a Monster (2015), The Biggest Burp Ever (2014), Kiss, Kiss Good Night (2013), The Armpit of Doom: Funny Poems for Kids (2012), The Ultimate Top Secret Guide to Taking Over the World (2011), The Tighty-Whitey Spider (2010), Revenge of the Lunch Ladies (2007), Santa Got Stuck in the Chimney (2006), When the Teacher Isn’t Looking: And Other Funny School Poems (2005), and The Aliens Have Landed at Our School! (2001), among many others. In addition to writing books, Nesbitt has also written lyrics for the group Eric Herman and the Invisible Band. His lyrics are included on the CDs What a Ride (2007), Snail’s Pace (2007), Snow Day (2006), Monkey Business (2005), and The Kid in the Mirror (2003).Nesbitt’s poems have appeared in hundreds of anthologies, magazines, and textbooks worldwide, and were included on the television show “Jack Hanna’s Wildlife Adventures” and in the film “Life As We Know It.” Nesbitt is a member of the Society of Children’s Book Writers and Illustrators. His website, Poetry4kids, is an online “Funny Poetry Playground” that features poems, lessons, games, and poetry-related activities. In 2013, Nesbitt was named the Children’s Poet Laureate by the Poetry Foundation. He currently lives in Spokane, Washington with his wife, children, and pets.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is some of the greatest ironic advice ever offered on the stage–do as Polonius says, not as he does, and you’ll be just fine. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Bob Hicok was born in 1960 in Michigan and worked for many years in the automotive die industry. A published poet long before he earned his MFA, Hicok is the author of several collections of poems, including The Legend of Light, winner of the Felix Pollak Prize in Poetry in 1995 and named a 1997 ALA Booklist Notable Book of the Year; Plus Shipping (1998); Animal Soul (2001), a finalist for the National Book Critics Circle Award; Insomnia Diary (2004); This Clumsy Living (2007), which received the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress; Words for Empty, Words for Full (2010); Elegy Owed (2013), a finalist for the National Book Critics Circle Award; and Sex & Love (2016). His work has been selected numerous times for the Best American Poetry series. Hicok has won Pushcart Prizes and fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and has taught creative writing at Western Michigan University and Virginia Tech.When asked by interviewer Laura McCullough about the relationship between restraint and revelation in his work, Hicok replied, “Because I don’t know where a poem is headed when I start, it seems that revelation has to play a central part in the poems, that what I’m most consistently doing is trying to understand why something is on my mind… Maybe writing is nothing more than an inquiry into presences.” Hicok is currently associate professor of creative writing at Purdue University.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem commemorates the Council of Elrond, testifies to the love (and fussiness) of hobbits, and even boasts a possible Shakespearean connection. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Poet and translator Henry Taylor was born in Lincoln, Virginia on June 21, 1942. He earned a BA from the University of Virginia and an MA from Hollins University. Taylor’s many poetry collections include Crooked Run (2006); Understanding Fiction: Poems 1986-1996; The Flying Change (1985), for which he received the Pulitzer Prize; An Afternoon of Pocket Billiards (1975); and The Horse Show at Midnight(1966). He has translated works from Bulgarian, French, Hebrew, Italian, and Russian. His translations include Black Book of the Endangered Species (1999) by the Bulgarian poet Vladimir Levchev and Electra (1988) by Sophocles. Taylor is a professor of literature and codirector of the MFA program in creative writing at American University in Washington, DC. In 2001 he was inducted into the Fellowship of Southern Writers.After winning the Pulitzer Prize in 1986 for his book, The Flying Change: Poems, poet Henry Taylor remarked to Joseph McLellan of the Washington Post: “The Pulitzer has a funny way of changing people’s opinions about it. If you haven’t won one, you go around saying things like ‘Well, it’s all political’ or ‘It’s a lottery’ and stuff like that. I would like to go on record as saying that although I’m deeply grateful and feel very honored, I still believe that it’s a lottery and that nobody deserves it.” Despite his disbelief that he could earn such a prestigious award, the Pulitzer is not the only major prize Taylor has won. His other honors include the Witter Bynner Foundation Poetry Prize from the American Academy and Institute of Arts and Letters, a grant from the National Endowment for the Humanities, two fellowships from the National Endowment for the Arts, and the Golden Crane Award of the Washington Chapter of the American Literary Translators Association.Taylor also has a sense for the comic. Indeed, the poet has remarked that he was first recognized as the author of several verse parodies, which he submitted to the magazine Sixties. “I was mildly nettled to find that they were better known, at least among poets, than anything else I had done,” Taylor reflects in the Contemporary Authors Autobiography Series. These parodies, along with other poems, appear in the author’s first poetry collection, The Horse Show at Midnight (1966). This book also contains poems concerned with the unavoidable changes people must go through in life, a theme that dominates many of Taylor’s verses. Dillard explains, “Henry Taylor has for all his poetic career been drawn inexorably to questions of time and mutability, of inevitable and painful change in even the most fixed and stable of circumstances.” The conflict between a desire for life to remain constant and predictable and the realization of the necessity for change in the form of aging, personal growth, and death creates a tension in Taylor’s poems that is also present in his other collections, including An Afternoon of Pocket Billiards. Dillard calls this third collection, which contains all the poems previously published in Breakings, Taylor’s “best work” up to that time, “clearly marking growth and progress to match his own changes in the years since The Horse Show at Midnight.”A lover of horses since his childhood in rural Virginia, Taylor uses an equestrian term for the title of his fifth book of poems, The Flying Change (1985). The name refers to the mid-air change of leg, or lead, a horse may sometimes make while cantering. Several of the poems contained in the collection describe similarly unexpected changes that occur in the course of otherwise predictable lives spent in relaxed, countryside settings. “Thus in the best poems here,” comments New York Times Book Review contributor Peter Stitt, “we find something altogether different from the joys of preppy picnicking. Mr. Taylor seeks for his poetry [a] kind of unsettling change, [a] sort of rent in the veil of ordinary life.” Some examples of this in The Flying Change are the poems “Landscape with Tractor,” in which the narrator discovers a corpse in a field, and “At the Swings,” in which the poet reflects on his cancer-stricken mother-in-law, while pushing his sons on a swing set. Other poems in the book explore the effects of such incidents as a small herd of deer suddenly interrupting the peace of a lazy day in which the narrator has been reflecting on his old age, or the surprise of seeing a horse rip its neck on a barbed wire fence.A number of critics, like Washington Times reviewer Reed Whittemore, laud Taylor’s calm thoughtfulness in these and other poems, comparing it to the tone of other current poets. “Much contemporary verse is now so flighty,” says Whittemore, “so persistently thoughtless, that in contrast the steadiness of [The Flying Change], its persistence in exploring the mental dimensions of a worthwhile moment, is particularly striking, a calmness in the unsettled poetic weather.” Other critics, like Poetry contributor David Shapiro, also compliment the writer on his sensitivity t

Today’s poem is a particularly novel example of an ancient writerly tradition: writing about how hard it is to write. Happy reading.On February 9, 1874, Amy Lowell was born at Sevenels, a ten-acre family estate in Brookline, Massachusetts. Her family was Episcopalian, of old New England stock, and at the top of Boston society. Lowell was the youngest of five children. Her elder brother Abbott Lawrence, a freshman at Harvard at the time of her birth, went on to become president of Harvard College. As a young girl she was first tutored at home, then attended private schools in Boston, during which time she made several trips to Europe with her family. At seventeen, she secluded herself in the 7,000-book library at Sevenels to study literature. Lowell was encouraged to write from an early age.In 1887 Lowell, with her mother and sister, wrote Dream Drops or Stories From Fairy Land by a Dreamer, printed privately by the Boston firm Cupples and Hurd. Her poem “Fixed Idea” was published in 1910 by the Atlantic Monthly, after which Lowell published individual poems in various journals. In October of 1912, Houghton Mifflin published her first collection, A Dome of Many-Coloured Glass.Lowell, a vivacious and outspoken businesswoman, tended to excite controversy. She was deeply interested in and influenced by the Imagist movement, led by Ezra Pound. The primary Imagists were Pound, Richard Aldington, H.D. (Hilda Doolittle), and Ford Madox Ford. This Anglo-American movement believed, in Lowell’s words, that “concentration is of the very essence of poetry” and strove to “produce poetry that is hard and clear, never blurred nor indefinite.” Lowell campaigned for the success of Imagist poetry in America and embraced its principles in her own work. She acted as a publicity agent for the movement, editing and contributing to an anthology of Imagist poets in 1915.Lowell’s enthusiastic involvement and influence contributed to Pound’s separation from the movement. As Lowell continued to explore the Imagist style she pioneered the use of “polyphonic prose” in English, mixing formal verse and free forms. Later she was drawn to and influenced by Chinese and Japanese poetry. This interest led her to collaborate with translator Florence Ayscough on Fir-Flower Tablets in 1921. Lowell had a lifelong love for the poet John Keats, whose letters she collected and whose influence can be seen in her poems. She believed him to be the forbearer of Imagism. Her biography of Keats was published in 1925, the same year she won the Pulitzer Prize for her collection What’s O’Clock (Houghton Mifflin Company, 1925).A dedicated poet, publicity agent, collector, critic, and lecturer, Amy Lowell died on May 12, 1925, at Sevenels.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem, subtitled “a nun takes the veil,” is one of Hopkins’ earliest surviving works. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Though its author remained otherwise undistinguished, today's poem–with all its ecstasy, agony, and irony–has become almost as essential to the American experience as baseball itself. Happy reading!Ernest Lawrence Thayer was born on August 14, 1863, in Lawrence, Massachusetts. He graduated with a BA in philosophy from Harvard University in 1885, where he was a member of the Hasty Pudding Club and edited the Harvard Lampoon. At Harvard, Thayer met William Randolph Hearst, who would later run the San Francisco Examiner and hire Thayer to write a humorous column for the newspaper. On June 3, 1883, Thayer published what would become his most famous work, the poem "Casey at the Bat," under the pen name Phin. The poem gained popularity after the performer William DeWolf Hopper incorporated a recitation of it into his theatrical and radio performances.Thayer moved to Santa Barbara, California, in 1912. He died in Santa Barbara on August 21, 1940.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is an appreciation of little things. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem celebrates the crisp, cool days of early Autumn as the most hospitable season of the year. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The world-wandering John Masefield waxes Solomonic in today’s poem. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is for everyone who knows that children keep you young, but also know how old you feel while it’s happening.Hall, taken aback by the success of this poem, expressed some regret that he became “the fellow whose son strapped him into the electric chair,” explaining that its inspiration came from 2 a.m. bottle-feedings that he conducted “with pleasure.” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The title of today’s poem is a mouthful, but it is fittingly emblematic of the poet’s full heart. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Never have rhyming couplets been so full of pathos as in today’s poem, where they symbolize the bond between father and son, tragically cut short. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

If pumpkin-spice-everything or the sea of puffy vests and Ugg boots at the cider stand are getting you down, let today’s poem remind you of all that is great about Autumn. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem offers a folksy look at the subtleties of terror. Happy reading.David Thompson Watson McCord was born on December 15, 1897, in New York. A poet and fundraiser, McCord grew up in Portland, Oregon. He received both a BA and MA from Harvard University and briefly served in the military at the end of World War I. In 1922, McCord became associate editor for the Harvard Alumni Bulletin, where he served as editor from 1940 to 1946. He was also executive director of the Harvard College Fund for thirty-eight years. McCord, who has been widely recognized for his children's poetry, wrote and edited over fifty works of poetry and prose. He was the recipient of Harvard University's first honorary doctorate of humane letters, the first NCTE Award for Excellence in Poetry for Children, a Guggenheim Fellowship, and a National Institute of Arts and Letters grant. He died on April 13, 1997, in Boston, Massachusetts. -bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe