The Daily Poem

Poet, novelist, editor, and Darwin expert Philip Appleman was born in Indiana and holds degrees from Northwestern University, the University of Michigan, and the University of Lyon. He served in US Army Air Corps during World War II, and was a merchant marine after. Appleman is known for his biting social commentary and masterful command of form, and is the author of numerous volumes of poetry, three novels, and half a dozen collections of prose.Art Seidenbaum in the Los Angeles Times described Appleman’s second novel, Shame the Devil (1981), as entertaining and provocative: “Most of our modern manners are [satirized]. ... Appleman wants to amuse and drop morals without moralizing; he’s smart enough to do it swiftly, knowing the warp of satire soon wears thin.” Appleman’s poetry similarly skewers both literary conventions and contemporary mores. With illustrations by Arnold Roth, Appleman’s collection Karma, Dharma, Pudding & Pie (2009) takes on large social issues with irreverence, wit, and formal prowess. Poet X.J. Kennedy alleges in the book’s forward, “Appleman is a master of the sonnet, the terse rhymed epigram, and even that fiendishly ingenious form, the double dactyl. To watch him sling words is to be richly regaled.” The recipient of numerous awards, including a fellowship from the National Endowment for the Arts, the Morley Award from the Poetry Society of America, and a Pushcart Prize, Appleman has served on the boards of the Poetry Society of America and the Poet’s House. He has taught at SUNY Purchase, Columbia University, and is a Distinguished Professor Emeritus at Indiana University.Appleman’s poems and prose pieces have appeared in dozens of publications, including the Nation, the New York Times, the New Republic, the Paris Review, Poetry, and the Yale Review. He is married to the playwright Marjorie Appleman. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

William Stanley (W.S.) Merwin was born in New York City in 1927 and raised in New Jersey and Scranton, Pennsylvania, the son of a Presbyterian minister. His numerous collections of poetry, his translations, and his books of prose have won praise over seven decades. Though his early poetry received great attention and admiration, Merwin would continue to alter and innovate his craft with each new book, and at each stage he served as a powerful influence for poets of his generation and younger poets. For the entirety of his writing career, he explored a sense of wonder and celebrated the power of language, while serving as a staunch anti-war activist and advocate for the environment. He won nearly every award available to an American poet, and he was named U.S. poet laureate twice. A practicing Buddhist as well as a proponent of deep ecology, Merwin lived since the late 1970s on an old pineapple plantation in Hawaii which he has painstakingly restored to its original rainforest state. Poet Edward Hirsch wrote that Merwin “is one of the greatest poets of our age. He is a rare spiritual presence in American life and letters (the Thoreau of our era).”Merwin was once asked what social role a poet plays—if any—in America. He commented: “I think there’s a kind of desperate hope built into poetry now that one really wants, hopelessly, to save the world. One is trying to say everything that can be said for the things that one loves while there’s still time. I think that’s a social role, don’t you? ... We keep expressing our anger and our love, and we hope, hopelessly perhaps, that it will have some effect. But I certainly have moved beyond the despair, or the searing, dumb vision that I felt after writing The Lice; one can’t live only in despair and anger without eventually destroying the thing one is angry in defense of. The world is still here, and there are aspects of human life that are not purely destructive, and there is a need to pay attention to the things around us while they are still around us. And you know, in a way, if you don’t pay that attention, the anger is just bitterness.”Merwin died in March 2019 at the age of 91.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Happy New Year! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Ring out the old year with one of The Daily Poem’s favorite poets–Richard Wilbur. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Poet, novelist, and environmentalist Wendell Berry lives in Port Royal, Kentucky near his birthplace, where he has maintained a farm for over 40 years. Mistrustful of technology, he holds deep reverence for the land and is a staunch defender of agrarian values. He is the author of over 50 books of poetry, fiction, and essays. His poetry celebrates the holiness of life and everyday miracles often taken for granted. In 2016, Berry was awarded the Ivan Sandrof Lifetime Achievement Award by the National Books Critics Circle. In 2010, Barack Obama awarded him with the National Humanities Medal. Berry’s other honors include the T.S. Eliot Prize, the Aiken Taylor Award for poetry, the John Hay Award of the Orion Society, and the Richard C. Holbrooke Distinguished Achievement Award of the Dayton Literary Peace Prize. Berry’s poetry collections include This Day: Collected & New Sabbath Poems (2014), Given (2005), A Timbered Choir: The Sabbath Poems 1979-1997, Entries: Poems (1994), Traveling at Home (1989), The Selected Poems of Wendell Berry (1988), Collected Poems 1957-1982 (1985), Clearing (1977), There Is Singing Around Me (1976), and The Broken Ground (1964).Critics and scholars have acknowledged Wendell Berry as a master of many literary genres, but whether he is writing poetry, fiction, or essays, his message is essentially the same: humans must learn to live in harmony with the natural rhythms of the earth or perish. His book The Unsettling of America: Culture and Agriculture (1977), which analyzes the many failures of modern, mechanized life, is one of the key texts of the environmental movement. Berry has criticized environmentalists as well as those involved with big businesses and land development. In his opinion, many environmentalists place too much emphasis on wild lands without acknowledging the importance of agriculture to our society. Berry strongly believes that small-scale farming is essential to healthy local economies, and that strong local economies are essential to the survival of the species and the wellbeing of the planet. In an interview with New Perspectives Quarterly editor Marilyn Berlin Snell, Berry explained: “Today, local economies are being destroyed by the ‘pluralistic,’ displaced, global economy, which has no respect for what works in a locality. The global economy is built on the principle that one place can be exploited, even destroyed, for the sake of another place.”Berry further believes that traditional values, such as marital fidelity and strong community ties, are essential for the survival of humankind. In his view, the disintegration of communities can be traced to the rise of agribusiness: large-scale farming under the control of giant corporations. Besides relying on chemical pesticides and fertilizers, promoting soil erosion, and causing depletion of ancient aquifers, agribusiness has driven countless small farms out of existence and destroyed local communities in the process. In a New Perspectives Quarterly interview Berry commented that such large-scale agriculture is morally as well as environmentally unacceptable: “We must support what supports local life, which means community, family, household life—the moral capital our larger institutions have to come to rest upon. If the larger institutions undermine the local life, they destroy that moral capital just exactly as the industrial economy has destroyed the natural capital of localities—soil fertility and so on. Essential wisdom accumulates in the community much as fertility builds in the soil.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Dorianne Laux is the author of several collections of poetry, including What We Carry (1994), a finalist for the National Book Critics Circle Award; Smoke (2000); Facts about the Moon (2005), chosen by the poet Ai as winner of the Oregon Book Award and also a finalist for the Lenore Marshall Poetry Prize; The Book of Men (2011), which was awarded the Paterson Prize; and Only As the Day is Long: New and Selected (2019). She has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and has been a Pushcart Prize winner. Laux’s free-verse poems are sensual and grounded, and they reveal the poet as a compassionate witness to the everyday. She observed in an interview for the website Readwritepoem, “Poems keep us conscious of the importance of our individual lives ... personal witness of a singular life, seen cleanly and with the concomitant well-chosen particulars, is one of the most powerful ways to do this.” Speaking of the qualities she admires most in poetry, Laux added, “Craft is important, a skill to be learned, but it’s not the beginning and end of the story. I want the muddled middle to be filled with the gristle of the living.” She was first inspired to write after hearing a poem by Pablo Neruda. Other influences include Sharon Olds, Lucille Clifton, Anne Sexton, and Adrienne Rich.Laux has taught creative writing at the University of Oregon, Pacific University, and North Carolina State University; she has also led summer workshops at Esalen in Big Sur. She is the co-author, with Kim Addonizio, of The Poet’s Companion: A Guide to the Pleasures of Writing Poetry (1997). She lives in Raleigh, North Carolina, with her husband, poet Joseph Millar.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

John Mason Neale was born in London to evangelical parents. His father’s early death meant that Neale attended many different schools; he eventually earned a degree from Trinity College, Cambridge. While at Cambridge, Neale moved from an evangelical to a strongly Anglican religious orientation. He helped found the Cambridge Camden Society, which later became the Ecclesiological Society, at Cambridge in 1839; the group’s main goal was to align church architecture, decoration, and ritual with its teaching. Neale was ordained a deacon in 1841 and a priest in 1842. His role in mid-19th-century British religious history is complex: many of his innovations, including establishing the Society of Saint Margaret for the nursing of pensioners and the poor, seemed too close to Roman Catholicism for Anglican leaders of the day. Nonetheless, Neale’s literary and religious output was immense. He wrote books and pamphlets on a wide range of spiritual and material issues. Neale’s other volumes included novels, books for children, and works on church history. He penned a multivolume History of the Holy Eastern Church (1847, 1850, and a posthumous volume in 1873). Neale’s interest in Eastern Christianity led him to translate Hymns of the Eastern Church (1862), though he translated many other kinds of hymns, including from Latin, for Anglican use. Neale is best remembered as a hymnist whose collections include Hymns for Children (1843), Hymns for the Sick (1843), Carols for Christmas-tide (1853), and Carols for Easter-tide (1854). Perhaps his most famous carol is “Good King Wenceslas.” Neale’s early death, at age 48, was not widely recognized at the time; however, the archbishop of Canterbury celebrated its centenary.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Merry Christmas from The Daily Poem! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is T. S. Eliot’s unconventional look at the very familiar story of the Three Wise Men. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is a familiar favorite, just right for the “darkest evening of the year.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Ruth Moose is the author of Making the Bed (Main Street Rag Press, 2004) and The Sleepwaker (Main Street Rag Press, 2007). Her poetry has been published in former U.S. Poet Laureate Ted Kooser's column, "American Life in Poetry."-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Gerard Manley Hopkins is considered to be one of the greatest poets of the Victorian era. However, because his style was so radically different from that of his contemporaries, his best poems were not accepted for publication during his lifetime, and his achievement was not fully recognized until after World War I. Hopkins’s family encouraged his artistic talents when he was a youth in Essex, England. However, Hopkins became estranged from his Protestant family when he converted to Roman Catholicism. Upon deciding to become a priest, he burned all of his poems and did not write again for many years. His work was not published until 30 years after his death when his friend Robert Bridges edited the volume Poems.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

G. K. Chesterton was one of the dominating figures of the London literary scene in the early 20th century. Not only did he get into lively discussions with anyone who would debate him, including his friend, frequent verbal sparring partner, and noted Irish playwright George Bernard Shaw, but he wrote about seemingly every topic, in every genre, from journalism to plays, poetry to crime novels. "He said something about everything and he said it better than anyone else," writes Dale Ahlquist, president of the American Chester Society. Most of Chesterton's literary output was nonfiction, including thousands of columns for various periodicals, but today he is best remembered for his fictional work—a mystery series about Father Brown, a Catholic priest and amateur detective.Chesterton's first published books were of poetry. Ian Boyd points to a "close connection between his poetry and his everyday journalism," concluding: "In this sense, T.S. Eliot's description of Chesterton's poetry as 'first-rate journalistic balladry' turns out to have been particularly perceptive, since it is a reminder about the essential character of all Chesterton's work. In his verse, as in all his writings, his first aim was to comment on the political and social questions of the day."-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Mark Doty is a poet, essayist, memoirist and author of nine books of poetry. His book Fire to Fire: New and Selected Poems won the 2008 National Book Award. He has also received other literary awards, including the Whiting Writers Award, the T. S. Eliot Prize, the National Book Critics Circle Award, two Lambda Literary Awards and the PEN/Martha Albrand Award for First Nonfiction. His poetry collection “My Alexandria” was chosen for the National Poetry Series. Doty has also received two National Endowment for the Arts fellowships, Guggenheim and Rockefeller Foundation fellowships, a Lila Wallace/Readers Digest Award, and the Witter Bynner Prize. Doty’s most recent book is What Is the Grass: Walt Whitman in My Life (Norton), a memoir about his poetic relationship with Walt Whitman. Doty is a distinguished professor of English and the director of Writers House at Rutgers University.-bio via Library of Congress This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

"Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can: all of them make me laugh." -Wystan Hugh Auden This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

December 13 is St. Lucy’s day, traditionally a day celebrating light in the midst of the darkest, coldest time of the year. Today’s poems–from Elaine Feinstein, John Donne, and Thomas Merton–all meditate on that contrast in some way. Enjoy, stay warm, and happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Thomas Hardy (born June 2, 1840 - died January 11, 1928) was born in Dorset, England. The son of a stone mason, he trained as an architect and worked in London and Dorset for ten years.Hardy began his writing career as a novelist, publishing Desperate Remedies (Tinsley Brothers) in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D’Urbervilles (Osgood McIlvaine & Co., 1891) and Jude the Obscure (Osgood McIlvaine & Co., 1895), which are considered literary classics today, received negative reviews upon publication. He left fiction writing for poetry and published eight collections, including Poems of the Past and the Present (Harper & Bros., 1902) and Satires of Circumstance (Macmillan, 1914).Hardy’s poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with a variety of meters and stanzaic forms. A significant influence on later poets (including Robert Frost, Wystan Hugh Auden, Dylan Thomas, and Philip Larkin), his influence has increased over the course of the twentieth century, offering a more down-to-earth, less rhetorical alternative to the more mystical and aristocratic precedent of William Butler Yeats. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Lawrence Monsanto Ferlinghetti (March 24, 1919 – February 22, 2021) was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his second collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages and sold over a million copies.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Mary Jo Salter is the author of eight books of poetry including The Surveyors (2017) and, most recently Zoom Rooms: Poems (2022). She is also a lyricist whose song cycle “Rooms of Light: The Life of Photographs" was composed by Fred Hersch. Her children’s book The Moon Comes Home appeared in 1989; her play Falling Bodies premiered in 2004. She is also a co-editor of The Norton Anthology of Poetry (4th edition, 1996; 5th edition, 2005; 6th edition, 2018). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Czesław Miłosz (30 June 1911 – 14 August 2004) was a Polish-American poet, prose writer, translator, and diplomat. He primarily wrote his poetry in Polish. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts".Miłosz survived the German occupation of Warsaw during World War II and became a cultural attaché for the Polish government during the postwar period. When communist authorities threatened his safety, he defected to France and ultimately chose exile in the United States, where he became a professor at the University of California, Berkeley. His poetry—particularly about his wartime experience—and his appraisal of Stalinism in a prose book, The Captive Mind, brought him renown as a leading émigré artist and intellectual.Throughout his life and work, Miłosz tackled questions of morality, politics, history, and faith. As a translator, he introduced Western works to a Polish audience, and as a scholar and editor, he championed a greater awareness of Slavic literature in the West. Faith played a role in his work as he explored his Catholicism and personal experience. He wrote in Polish and English.Miłosz died in Kraków, Poland, in 2004. He is interred in Skałka, a church known in Poland as a place of honor for distinguished Poles.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

"The spirit of the smithy is so close to the spirit of song that it has mixed in a million poems, and every blacksmith is a harmonious blacksmith. Even the village children feel that in some dim way the smith is poetic, as the grocer and the cobbler are not poetic, when they feast on the dancing sparks and deafening blows in the cavern of that creative violence.” -G. K. Chesterton This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Robert or "Rabbie" Burns (born 25 January 1759, died 21 July 1796) hailed from Alloway, Scotland. Like his father, Burns was a tenant farmer. However, toward the end of his life he became an excise collector in Dumfries, where he died in 1796; throughout his life he was also a practicing poet. His poetry recorded and celebrated aspects of farm life, regional experience, traditional culture, class culture and distinctions, and religious practice. He is considered the national poet of Scotland. Although he did not set out to achieve that designation, he clearly and repeatedly expressed his wish to be called a Scots bard, to extol his native land in poetry and song.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

“Rilke’s most immediate and obvious influence has been upon diction and imagery. [He expressed ideas with] physical rather than intellectual symbols. While Shakespeare, for example, thought of the non-human world in terms of the human, Rilke thinks of the human in terms of the non-human, of what he calls Things.” -W.H. Auden This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

James Whitcomb Riley (born October 7, 1849; died July 22, 1916) was author of numerous beloved poetry volumes, and widely known for books such as The Old Swimmin’-Hole and ’Leven More Poems, Riley Child-Rhymes, Out to Old Aunt Mary’s, and An Old Sweetheart. Born in Indiana in 1849, he was drawn to poetry even before he was able to read. Neglectful of his studies, Riley preferred to take walks in the countryside, read books of his own choosing, and create rhymes, the first of which he sent to his young friends on home-made valentines.A prolific writer and important contributor to children’s literature, Riley published more than 50 volumes during his lifetime, many of which were popular successes. His poetry is especially prized for its sometimes whimsical reflection of small-town America and he is remembered for his insight and humor by children and adults alike. As was noted in Indiana Authors and Their Books, 1816-1916, “No American poet—those patriarchs of New England included—has thus far caught the popular fancy, has thus far enjoyed the voluntary following, that was and is his.”-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem, Mary Oliver helps us develop affinity for the unfamiliar. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

A. E. Stallings is a poet and translator mining the classical world and traditional poetic techniques to craft works that evoke startling insights about contemporary life. In both her original poetry and translations, Stallings exhibits a mastery of highly structured forms (such as sonnets, couplets, quatrains, and sapphics) and consummate skill in creating new combinations of meter, rhyme, and syntax into distinctive, emotionally compelling verse. Trained in classical Latin and Greek and currently living in Athens, she brings a wide knowledge of Greco-Roman literature, art, and mythology to bear on her imaginative explorations of contemporary circumstances and concerns. In Hapax (2006), Stallings imbues figures and events from classical drama and mythology with a modern sensibility. "First Love," written as a multiple-choice quiz, intertwines the Persephone myth with a chilling account of infatuation, and "XII Klassikal Lymnaeryx" emphasizes the satiric edge to Greek myth through a series of limericks in witty, unexpected diction. For her ambitious translation of De Rerum Natura (The Nature of Things, 2007), Stallings rendered Lucretius's epic-length treatise on the nature of reality into rhyming fourteeners. The unusual meter and colloquial language she employs capture every cadence of Lucretius's enthusiasm for his subject while also making the complexities of his argument easily understandable. Through her technical dexterity and graceful fusion of content and form, Stallings is revealing the timelessness of poetic expression and antiquity's relevance for today.-bio via MacArthur Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Poet, Painter, Prophet–Blake “neither wrote nor drew for the many, hardly for work’y-day men at all, rather for children and angels; himself ‘a divine child,’ whose playthings were sun, moon, and stars, the heavens and the earth.” -from Alexander Gilchrist’s Life of William Blake (1863) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Richard Howard (born Oct 13, 1929, died march 31, 2022) was credited with introducing modern French fiction—particularly examples of the Nouveau Roman—to the American public; his translation of Charles Baudelaire’s Les Fleurs du Mal (1984) won a National Book Award in 1984. A selection of Howard’s critical prose was collected in the volume Paper Trail: Selected Prose 1965-2003, and his collection of essays Alone with America: Essays on the Art of Poetry in the United States since 1950 (1969) was praised as one of the first comprehensive overviews of American poetry from the latter half of the 20th century. First and foremost a poet, Howard’s many volumes of verse also received widespread acclaim; he won the 1970 Pulitzer Prize in Poetry for his collection Untitled Subjects. His other honors included the American Book Award, the Harriet Monroe Memorial Prize, the PEN Translation Medal, the Levinson Prize, and the Ordre National du Mérite from the French government. For many years, Howard was the poetry editor of the Paris Review.Evaluations of Howard usually judge his work as a poet to be his most important contribution to contemporary American literature. However, his work has and continues to attract a wide and enthusiastic audience among readers, academics, and critics alike.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

William Procter Matthews III (November 11, 1942 – November 12, 1997) was born in Cincinnati, Ohio. He earned a BA from Yale and MFA from the University of North Carolina. The author of eleven books of poetry, Matthews earned a reputation as a master of well-turned phrases, wise sayings, and rich metaphors. Much of Matthews’s poetry explores the themes of life cycles, the passage of time, and the nature of human consciousness. His collection Time & Money (1996) won the National Book Critics Circle Award and was a finalist for the Lenore Marshall Poetry Prize. Matthews’s other honors and awards included fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation, the National Endowment for the Arts, and the Lila Wallace-Reader’s Digest Fund. He was awarded the Ruth Lilly Prize in 1997.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Happy Thanksgiving from The Daily Poem! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today we pay tribute, with poems by Andrea Cohen and Elizabeth Alexander, to the indispensable golden wonder. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers.In 1890, after this long and profitable creative partnership, Gilbert quarrelled with Sullivan and Carte concerning expenses at the Savoy Theatre; the dispute is referred to as the "carpet quarrel". Gilbert won the ensuing lawsuit, but the argument caused hurt feelings among the partnership. Although Gilbert and Sullivan were persuaded to collaborate on two last operas, they were not as successful as the previous ones. In later years, Gilbert wrote several plays, and a few operas with other collaborators. He retired, with his wife Lucy, and their ward, Nancy McIntosh, to a country estate, Grim's Dyke. He was knighted in 1907. Gilbert died of a heart attack while attempting to rescue a young woman to whom he was giving a swimming lesson in the lake at his home.Gilbert's plays inspired other dramatists, including Oscar Wilde and George Bernard Shaw, and his comic operas with Sullivan inspired the later development of American musical theatre, especially influencing Broadway librettists and lyricists. According to The Cambridge History of English and American Literature, Gilbert's "lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since".-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

John Orley Allen Tate (November 19, 1899 – February 9, 1979) was a poet, critic, biographer, and novelist. Born and raised in Kentucky, he earned his BA from Vanderbilt University, where he was the only undergraduate to be admitted to the Fugitives, an informal group of Southern intellectuals that included John Crowe Ransom, Donald Davidson, Merrill Moore, and Robert Penn Warren. Tate is now remembered for his association with the Fugitives and Southern Agrarians, writers who critiqued modern industrial life by invoking romanticized versions of Southern history and culture. Tate’s best-known poems, including “Ode to the Confederate Dead,” confronted the relationship between an idealized past and a present he believed was deficient in both faith and tradition. Despite his commitment to developing a distinctly Southern literature, Tate’s many works frequently made use of classical referents and allusions; his early writing was profoundly influenced by French symbolism and the poetry and criticism of T.S. Eliot. During the 1940s and 1950s, Tate was an important figure in American letters as editor of the Sewanee Review and for his contributions to other midcentury journals such as the Kenyon Review. As a teacher, he influenced poets including Robert Lowell, John Berryman, and Theodore Roethke, and he was friends with Hart Crane, writing the introduction to Crane’s White Buildings (1926). From 1951 until his retirement in 1968, Tate was a professor of English at the University of Minnesota.In the decades that he was most active, Tate’s “influence was prodigious, his circle of acquaintances immense,” noted Jones in the Dictionary of Literary Biography. James Dickey could write that Tate was more than a “Southern writer.” Dickey went on, “[Tate’s] situation has certain perhaps profound implications for every man in every place and every time. And they are more than implications; they are the basic questions, the possible solutions to the question of existence. How does each of us wish to live his only life?”Allen Tate won numerous honors and awards during his lifetime, including the Bollingen Prize and a National Medal for Literature. He was the consultant in poetry at the Library of Congress and president of the National Institute of Arts and Letters.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem Ted Kooser describes his ideal reader. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poems, Walt Whitman welcomes the reader. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today’s poem, Marianne Moore (November 15, 1887 – February 5, 1972) gets candid about poetry itself.One of American literature’s foremost poets, Marianne Moore’s poetry is characterized by linguistic precision, keen and probing descriptions, and acute observations of people, places, animals, and art. Her poems often reflect her preoccupation with the relationships between the common and the uncommon, advocate discipline in both art and life, and espouse restraint, modesty, and humor. She frequently used animals as a central image to emphasize themes of independence, honesty, and the integration of art and nature. Moore’s work is frequently grouped with poets such as H.D., T.S. Eliot, William Carlos Williams, Wallace Stevens, Ezra Pound, and, later, Elizabeth Bishop, to whom she was a friend and mentor. In his introduction to her Selected Poems (1935), Eliot wrote: “Living, the poet is carrying on that struggle for the maintenance of a living language, for the maintenance of its strength, its subtlety, for the preservation of quality of feeling, which must be kept up in every generation … Miss Moore is, I believe, one of those few who have done the language some service in my lifetime.”-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is Billy Collins’ take on the time-honored poetic trope: the address to the reader. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Robert Louis Stevenson (born Robert Lewis Balfour Stevenson; 13 November 1850 – 3 December 1894) was a Scottish novelist, essayist, poet and travel writer. He is best known for works such as Treasure Island, Strange Case of Dr Jekyll and Mr Hyde, Kidnapped and A Child's Garden of Verses.Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life, but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Andrew Lang, Edmund Gosse, Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in Treasure Island. In 1890, he settled in Samoa where, alarmed at increasing European and American influence in the South Sea islands, his writing turned away from romance and adventure fiction toward a darker realism. He died of a stroke in his island home in 1894 at age 44.A celebrity in his lifetime, Stevenson's critical reputation has fluctuated since his death, though today his works are held in general acclaim. In 2018, he was ranked, just behind Charles Dickens, as the 26th-most-translated author in the world.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. He was born in 1572 to Roman Catholic parents, when practicing that religion was illegal in England. His work is distinguished by its emotional and sonic intensity and its capacity to plumb the paradoxes of faith, human and divine love, and the possibility of salvation. Donne often employs conceits, or extended metaphors, to yoke together “heterogenous ideas,” in the words of Samuel Johnson, thus generating the powerful ambiguity for which his work is famous. After a resurgence in his popularity in the early 20th century, Donne’s standing as a great English poet, and one of the greatest writers of English prose, is now assured.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Barbara Ras was born in New Bedford, Massachusetts, and has lived in Costa Rica, Colombia, California, and Texas. She is the author of The Last Skin (2010), winner of the best poetry award from the Texas Institute of Letters; One Hidden Stuff (2006); and Bite Every Sorrow (1998), which was selected by C.K. Williams for the Walt Whitman Award. Of Bite Every Sorrow, C.K. Williams wrote, “the book is a demonstration of what might be called a morality of inclusiveness, a Whitmanesque commitment to the wisdom of the individual case rather than the general type. And along with so much rich soul-work, there is a remarkable poetic skill. Ras structures poems with a zaniness and an unpredictable cunning, and her verbal expertise and lucidity are as bright and surprising as her knowledge of the world is profound.”Ras is the recipient of numerous awards including the Kate Tufts Discovery Award and a Guggenheim fellowship. She has taught at the Warren Wilson MFA Program for Writers. Currently she directs the Trinity University Press in San Antonio, Texas. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Ayodeji Malcolm Guite (/ɡaɪt/; born 12 November 1957) is an English poet, singer-songwriter, Anglican priest, and academic. Born in Nigeria to British expatriate parents, Guite earned degrees from Cambridge and Durham universities. His research interests include the intersection of religion and the arts, and the examination of the works of J. R. R. Tolkien, C. S. Lewis and Owen Barfield, and British poets such as Samuel Taylor Coleridge. He was a Bye-Fellow and chaplain of Girton College, Cambridge, and associate chaplain of St Edward King and Martyr, Cambridge. On several occasions, he has taught as visiting faculty at several colleges and universities in England and North America.Guite is the author of Sounding the Seasons and four other books of poetry, including two chapbooks and three full-length collections, as well as several books on Christian faith and theology, and Mariner, a critical biography of Coleridge. Guite has a decisively simple, formalist style in poems, many of which are sonnets, and he stated that his aim is to "be profound without ceasing to be beautiful". Guite performs as a singer and guitarist fronting the Cambridgeshire-based blues, rhythm and blues, and rock band Mystery Train. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

During his lifetime, Ogden Nash (born August 19, 1902; died May 19, 1971) was the most widely known, appreciated, and imitated American creator of light verse, a reputation that has continued after his death. Few writers of light or serious verse can claim the same extensive dissemination of their poems that Nash’s works enjoy, both with and without citation of the author. Certain Nash lines, such as “If called by a panther, / Don’t anther” and “Candy / Is dandy, / But liquor / Is quicker” have become bits of popular American folklore. As Nash remarked in a late verse, the turbulent modern world has much need for the relief his whimsy offers: “In chaos sublunary / What remains constant but buffoonery?” Nash’s peculiar variety of poetic buffoonery combines wit and imagination with eminently memorable rhymes.Any attempt to place Nash’s work in the context of other American humorous writing, or the humor of any other country, for that matter, tends initially to highlight his singularity. George Stevens notes this particularity. “Nash was not the only writer who could make frivolity immortal. But he was unique—not at all like Gilbert or Lear or Lewis Carroll, still less like his immediate predecessors in America: Dorothy Parker, Margaret Fishback, Franklin P. Adams. By the same token, he was and remains inimitable—easy to imitate badly, impossible to imitate well.”-bio via Poetry FoundationCharles-Camille Saint-Saëns (/sæ̃ˈsɒ̃(s)/ 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and piano prodigy of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886).-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Remember, Remember – November 5 was Guy Fawkes Day, an occasion full of complicated remembrances. We mark the day with a traditional English lyric and a November meditation from Malcolm Guite. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

We will turn the clocks back this weekend–in fact, many clocks will turn themselves back–and there is no better occasion to meditate with Robert B. Shaw on the ways we keep time and are kept by it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Stevens moved to Connecticut in 1916, having found employment at the Hartford Accident and Indemnity Co., where he became vice president in 1934. He had also begun to establish an identity for himself outside the worlds of law and business. His first book of poems, Harmonium (Alfred A. Knopf), published in 1923, exhibited the influences of both the English Romantics and the French Symbolists, and demonstrated a wholly original style and sensibility: exotic, whimsical, and infused with the light and color of an Impressionist painting. Today’s poem comes from that early collection.For the next several years, Stevens focused on his business career. He began to publish new poems in 1930, however. In the following year, Knopf released a second edition of Harmonium, which included fourteen new poems, but excluded three of the decidedly weaker ones.More than any other modern poet, Stevens was concerned with the transformative power of the imagination. Composing poems on his way to and from the office and in the evenings, Stevens spent his days behind a desk at his office, and led a quiet, relatively uneventful life.Though now considered one of the major American poets of the twentieth century, Stevens did not receive widespread recognition until the publication of The Collected Poems of Wallace Stevens (Knopf, 1954), just a year before his death. His other major works include The Necessary Angel (Alfred A. Knopf, 1951), a collection of essays on poetry; Notes Towards a Supreme Fiction (The Cummington Press, 1942); The Man With the Blue Guitar (Alfred A. Knopf, 1937); and Ideas of Order (The Alcestis Press, 1935).-bio via Poets.org This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Billy Collins spent his tenure as U.S. Poet Laureate launching the Poetry 180 initiative to increase American high school students’ exposure to poetry. In today’s poem he remembers what it was like to be young (and not so young). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Poet and critic Robert B. Shaw earned a BA from Harvard University, where he studied with Robert Lowell, and a PhD from Yale University. Influenced by Elizabeth Bishop and Philip Larkin, Shaw’s wry and plainspoken formal verse is often grounded in, or sprung from, the debris of daily life. He is the author of several collections of poetry, including Solving For X (2002), which won the Hollis Summers Poetry Prize; Below the Surface (1999); and The Wonder of Seeing Double (1988). His criticism appears widely in such places as the New York Times Book Review, and he has also published a critical study of poets John Donne and George Herbert, The Call of God: The Theme of Vocation in the Poetry of Donne and Herbert (1981). Shaw has received Shenandoah’s James Boatwright III Prize for Poetry as well as fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Since 1983, Shaw has taught at Mount Holyoke College as the Emily Dickinson Professor of English.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Edward Estlin (E.E.) Cummings was born in Cambridge, Massachusetts. He attended the Cambridge Latin High School, where he studied Latin and Greek. Cummings earned both his BA and MA from Harvard, and his earliest poems were published in Eight Harvard Poets (1917). As one of the most innovative poets of his time, Cummings experimented with poetic form and language to create a distinct personal style. A typical Cummings poem is spare and precise, employing a few key words eccentrically placed on the page. Some of these words were invented by Cummings, often by combining two common words into a new synthesis. He also revised grammatical and linguistic rules to suit his own purposes, using such words as “if,” “am,” and “because” as nouns, for example, or assigning his own private meanings to words. Despite their nontraditional form, Cummings’ poems came to be popular with many readers. “No one else,” Randall Jarrell claimed, “has ever made avant-garde, experimental poems so attractive to the general and the special reader.” By the time of his death in 1962 Cummings held a prominent position in 20th-century poetry. John Logan in Modern American Poetry: Essays in Criticism called him “one of the greatest lyric poets in our language.” Stanley Edgar Hyman wrote in Standards: A Chronicle of Books for Our Time: “Cummings has written at least a dozen poems that seem to me matchless. Three are among the great love poems of our time or any time.” Malcolm Cowley admitted in the Yale Review that Cummings “suffers from comparison with those [poets] who built on a larger scale—Eliot, Aiken, Crane, Auden among others—but still he is unsurpassed in his special field, one of the masters.”-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today’s poem is by Dylan Marlais Thomas, born October 27, 1914 in the Welsh seaport of Swansea, Wales. Thomas attended the Swansea Grammar School, where he received all of his formal education. As a student he made contributions to the school magazine and was keenly interested in local folklore. Having declared at the age of eight that he was a poet, he began writing early and published his first book of poetry, 18 Poems (1934), when he was not yet twenty years old. After leaving school, Thomas supported himself as an actor, reporter, reviewer, scriptwriter, and with various odd jobs.By 1938 Thomas’s reputation was growing the United Kingdom, yet he was still basically unknown in the United States until a poem of his appeared in the 1938 anthology New Directions in Poetry and Prose, and two of his earlier poetry volumes were published by James Laughlin under the title The World I Breathe (1939).During World War II, Thomas wrote radio scripts for the Ministry of Information and documentaries for the British government. After the war he became a commentator on poetry for the British Broadcasting Corporation (BBC). Thomas continued writing poems, stories, essays, and plays, and in 1950 made the first of four reading tours through the United States, during which he gave more than one hundred poetry readings. In these appearances he half recited, half chanted the lines in what became known as his famous “Welsh singing” voice and inspired generations of modern poets to begin reading their poems in public.Following the extraordinary success of his just-published Collected Poems, Thomas began his final tour of the United States on October 16, 1953. He collapsed at the Chelsea Hotel and fell into a coma on November 5. He died four days later in St. Vincent’s Hospital at the age of thirty-nine. Thomas was buried in the graveyard of St. Martin’s Church, Laugharne, Wales. He is best known for poems like “Do not go gentle into that good night” and the poetic prose work, A Child’s Christmas in Wales.-bio via New Directions Press This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Christine Perrin is the director of writing at Messiah College and has taught literature and creative writing at Johns Hopkins University, with Gordon College’s Orvieto Program, through the Pennsylvania Arts Council to students of all ages, and at the local classical school where her children attended. She consults with classical schools in curriculum development and faculty development in poetry and writing, and speaks regularly at the CiRCE Institute as well as the Society for Classical Learning conferences. She is a two-time recipient of the PA Arts Council Artists Fellowship and a Bread Loaf Writer’s Conference Fellowship. Perrin is the author of Bright Mirror, a collection of her own poetry, and of The Art of Poetry, a textbook for middle and high school students. Her work also appears in various journals, including The New England Review, Image, TriQuarterly, Blackbird, Christianity and Literature, and The Cresset.-Bio via Classical Academic Press This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe