The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Petra Cortright is a Los Angeles-based digital artist known for her elaborate paintings, videography, and digital media. Crafted from massive digital files on Photoshop, her paintings are often composed of physical and digital images, simulated brushstrokes, and marks that blend both abstract and figurative elements. Petra has exhibited at the Walker Art Center, Whitechapel Gallery, and the Hammer Museum, in addition to solo exhibitions around the world. Her work is featured in permanent collections at New York’s Museum of Modern Art, Miami’s Péréz Museum, and the Moderna Museeit in Stockholm–amongst many others. “I think to pursue mystery and beauty, these things are a bit subjective, so you can't really tell people exactly what it shouldn't be about. And also I have to preserve these things for myself. I primarily make the work for myself, so if I don't have some questions that are unanswered, even for me, then there's not really an interest to like keep going otherwise. So it's also sort of protection and a preservation mindset that I have about leaving things really open for other people and for myself.”· www.petracortright.com· Show at Societé in Berlin: BALEAF GYS AKADEMIKS MAAMGIC BROKIG:  https://societeberlin.com/exhibitions/baleaf-gys-akademiks-maamgic-brokig/· Show at Foxy production at the beginning of this year: https://www.foxyproduction.com/exhibitions/1756Photo by Stefan Simchowitz· www.creativeprocess.info· www.oneplanetpodcast.org

“I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.”Noah Wilson-Rich, Ph.D., is co-founder and CEO of The Best Bees Company, the largest beekeeping service in the US. He is a 20-time published author and 3-time TEDx speaker. He’s on a mission to improve pollinator health worldwide as a means to support our global food system and support the transformation of urban areas from gray to green. He is the author of The Bee: A Natural History.· Book: The Bee: A Natural History tinyurl.com/beenoah· Their blog offers many resources:https://bestbees.com/blog/· National Pollinator Week June 20 - 26www.pollinator.org  Many events all week· Green roof companyColumbia Green Technologies  columbia-green.com· Noah-Wilson Rich’s website: https://www.noahwilsonrich.comImage courtesy of The Best Bees Company · www.oneplanetpodcast.org · www.creativeprocess.info

Noah Wilson-Rich, Ph.D., is co-founder and CEO of The Best Bees Company, the largest beekeeping service in the US. He is a 20-time published author and 3-time TEDx speaker. He’s on a mission to improve pollinator health worldwide as a means to support our global food system and support the transformation of urban areas from gray to green. He is the author of The Bee: A Natural History.“I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.” Book: The Bee: A Natural History tinyurl.com/beenoahTheir blog offers many resources:https://bestbees.com/blog/National Pollinator Week June 20 - 26www.pollinator.org  Many events all weekGreen roof companyColumbia Green Technologies  columbia-green.com· Noah-Wilson Rich’s website: https://www.noahwilsonrich.com · www.oneplanetpodcast.org · www.creativeprocess.info

"What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.”Ellen Rapoport is the creator, executive producer, and showrunner of the breakout hit comedy series, Minx, for HBO Max. The series, which aired on the platform on March 17, takes place in 1970s Los Angeles and follows the story of an earnest young feminist who joins forces with a low-rent publisher to create the first erotic magazine for women. In May, it was announced that the series was renewed for a second season. Executive produced by Paul Feig and starring Ophelia Lovibond, Jake Johnson, and Lennon Parham among others, the series became an instant hit for its clever writing, evocative imagery, and its championship of feminist ideals from the 70s era. TV Guide called it “…a bouncy, feel-good show that taps into the elation of creating something new where there was nothing before.”Previously, Ellen co-wrote the screenplay for Paramount’s feature Clifford the Big Red Dog, as well as Netflix's Desperados.· MINX: www.hbomax.com/minx· Ellen Rapoport: www.imdb.com/name/nm0710784/· www.creativeprocess.info · www.oneplanetpodcast.org

Ellen Rapoport is the creator, executive producer, and showrunner of the breakout hit comedy series, Minx, for HBO Max. The series, which aired on the platform on March 17, takes place in 1970s Los Angeles and follows the story of an earnest young feminist who joins forces with a low-rent publisher to create the first erotic magazine for women. In May, it was announced that the series was renewed for a second season. Executive produced by Paul Feig and starring Ophelia Lovibond, Jake Johnson, and Lennon Parham among others, the series became an instant hit for its clever writing, evocative imagery, and its championship of feminist ideals from the 70s era. TV Guide called it “…a bouncy, feel-good show that taps into the elation of creating something new where there was nothing before.”Previously, Ellen co-wrote the screenplay for Paramount’s feature Clifford the Big Red Dog, as well as Netflix's Desperados."What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.”· MINX: www.hbomax.com/minx· Ellen Rapoport: www.imdb.com/name/nm0710784/· www.creativeprocess.info · www.oneplanetpodcast.org

“It's a complicated issue. I think a lot of those bird disappearances come from the fact that we have massively intensified our agriculture. Large areas of North America and Europe are now under intense agriculture. They are sprayed with a whole variety of pesticides, which I think is also responsible for the fact that many insects have disappeared, so species that depend on farmland have clearly declined dramatically, but it isn't all birds and there is a piece of this complicated story that involves water birds. Herons and egrets and ducks. Those species both in North America and Europe, are now much more common than they were 30, or 40 years ago. That comes from active conservation of protecting wetlands, making sure we don't shoot our wetland birds. So it’s not all doom and gloom. There are some success stories. There are many things we can do. I think 50 years ago, there were only something like 300 bald eagles in the lower 48 states. Bald eagles are now nesting in every state apart from Hawaii. Our conservation efforts have done a great job.”Stuart Pimm is a world leader in the study of present-day extinctions and what can be done to prevent them. His research covers the reasons why species become extinct, how fast they do so, the global patterns of habitat loss and species extinction and, importantly, the management consequences of this research. Pimm received his BSc degree from Oxford University in 1971 and his Ph.D. from New Mexico State University in 1974. Pimm is the author of over 350 scientific papers and five books. His commitmnt to the interface between science and policy has led to his testimony to both House and Senate Committees on the re-authorization of the Endangered Species Act. In 2019, he won the International Cosmos Prize, which recognised his founding and directing Saving Nature, a non-profit that uses donations for carbon emissions offsets to fund local conservation groups in areas of exceptional tropical biodiversity to restore their degraded lands. · https://nicholas.duke.edu/people/faculty/pimm· Saving Nature: Rescue endangered habitats and vulnerable communities from environmental destruction: https://savingnature.com· Connect with Nature - Share your Observations of the Natural World  www.inaturalist.org· NatGeo’s Big Cats Initiative: https://www.nationalgeographic.org/projects/big-cats-initiative/· The World According to Pimm: A https://www.amazon.com/Scientist-Audits-Earth-Stuart-Pimm/dp/0813535409/ref=sr_1_1?crid=3A29YJYQ1JPOM&keywords=The+World+According+to+Pimm&qid=1652772158&sprefix=the+world+according+to+pimm%2Caps%2C130&sr=8-1 · www.oneplanetpodcast.org · www.creativeprocess.info

Stuart Pimm is a world leader in the study of present-day extinctions and what can be done to prevent them. His research covers the reasons why species become extinct, how fast they do so, the global patterns of habitat loss and species extinction and, importantly, the management consequences of this research. Pimm received his BSc degree from Oxford University in 1971 and his Ph.D. from New Mexico State University in 1974. Pimm is the author of over 350 scientific papers and five books. He is one of the most highly cited environmental scientists. Pimm wrote the highly acclaimed assessment of the human impact to the planet: The World According to Pimm: a Scientist Audits the Earth in 2001. His commitment to the interface between science and policy has led to his testimony to both House and Senate Committees on the re-authorization of the Endangered Species Act. He was worked and taught in Africa for nearly 30 years on elephants, most recently lions — through National Geographic’s Big Cats Initiative — but always on topics that relate to the conservation of wildlife and the ecosystems on which they depend. Other research areas include the Everglades of Florida and tropical forests in South America, especially the Atlantic Coast forest of Brazil and the northern Andes — two of the world's "hotspots" for threatened species. His international honours include the Tyler Prize for Environmental Achievement (2010), the Dr. A.H. Heineken Prize for Environmental Sciences from the Royal Netherlands Academy of Arts and Sciences (2006), the Society for Conservation Biology’s Edward T. LaRoe III Memorial Award (2006), and the Marsh Award for Conservation Biology, from the Marsh Christian Trust (awarded by the Zoological Society of London in 2004). Sigma Xi, The Scientific Research Society, awarded him the William Proctor Prize for Scientific Achievement in 2007. In 2019, he won the International Cosmos Prize, which recognised his founding and directing Saving Nature, www.savingnature.org, a non-profit that uses donations for carbon emissions offsets to fund local conservation groups in areas of exceptional tropical biodiversity to restore their degraded lands.&nbsp;“It's a complicated issue. I think a lot of those bird disappearances come from the fact that we have massively intensified our agriculture. Large areas of North America and Europe are now under intense agriculture. They are sprayed with a whole variety of pesticides, which I think is also responsible for the fact that many insects have disappeared, so species that depend on farmland have clearly declined dramatically, but it isn't&nbsp;all&nbsp;birds and there is a piece of this complicated story that involves water birds. Herons and egrets and ducks. Those species both in North America and Europe, are now much more common than they were 30, or 40 years ago. That comes from active conservation of protecting wetlands, making sure we don't shoot our wetland birds. So it’s not all doom and gloom. There are some success stories. There are many things we can do. I think 50 years ago, there were only something like 300 bald eagles in the lower 48 states. Bald eagles are now nesting in every state apart from Hawaii. Our conservation efforts have done a great job.”· https://nicholas.duke.edu/people/faculty/pimm· https://savingnature.com· <a href="http://www.inaturalist.or

“I think art can engage with the body, the mind, and the imagination in so many different ways that can compliment modes of thinking, other modes of creating, thinking through, working through and devising. I was thinking about this in relation to the last 18 months and how the sciences have rightly been heralded as the great way of getting ourselves out of this pandemic, but culture is the way and art is the way that we've been getting through the pandemic. So many people have been watching Netflix, reading, singing music, playing music, making images, and making art as a way of getting through very difficult times and reflecting through that process. And in that sense, science compliments the arts, and the arts compliment the sciences because you can't get out of a situation without getting through it. So in order to get to the end of this sort of crisis, we have to be able to work through them. And so art becomes a very important means and space and time for being able to reflect, but also delve into thinking through and thinking where the situations we have at hand and the situations we find ourselves in.”Anthony Gardner is Professor of Contemporary Art History at the University of Oxford, where he was the Head of the Ruskin School of Art from 2017 to 2020. He has published widely on subjects including postcolonialism, postsocialism and curatorial histories. His books include Politically Unbecoming: Postsocialist Art against Democracy, and Biennials, Triennials and documenta: The exhibitions that created contemporary art, co-authored with Charles Green.· https://www.rsa.ox.ac.uk/people/anthony-gardner· https://www.rsa.ox.ac.uk· https://www.wiley.com/en-us/Biennials%2C+Triennials%2C+and+Documenta%3A+The+Exhibitions+that+Created+Contemporary+Art-p-9781444336641· www.creativeprocess.info · www.oneplanetpodcast.org

Anthony Gardner is Professor of Contemporary Art History at the University of Oxford, where he was the Head of the Ruskin School of Art from 2017 to 2020. He has published widely on subjects including postcolonialism, postsocialism and curatorial histories. His books include Politically Unbecoming: Postsocialist Art against Democracy, and Biennials, Triennials and documenta: The exhibitions that created contemporary art, co-authored with Charles Green.“I think art can engage with the body, the mind, and the imagination in so many different ways that can compliment modes of thinking, other modes of creating, thinking through, working through and devising. I was thinking about this in relation to the last 18 months and how the sciences have rightly been heralded as the great way of getting ourselves out of this pandemic, but culture is the way and art is the way that we've been getting through the pandemic. So many people have been watching Netflix, reading, singing music, playing music, making images, and making art as a way of getting through very difficult times and reflecting through that process. And in that sense, science compliments the arts, and the arts compliment the sciences because you can't get out of a situation without getting through it. So in order to get to the end of this sort of crisis, we have to be able to work through them. And so art becomes a very important means and space and time for being able to reflect, but also delve into thinking through and thinking where the situations we have at hand and the situations we find ourselves in.”· https://www.rsa.ox.ac.uk/people/anthony-gardner· https://www.rsa.ox.ac.uk· https://www.wiley.com/en-us/Biennials%2C+Triennials%2C+and+Documenta%3A+The+Exhibitions+that+Created+Contemporary+Art-p-9781444336641· www.creativeprocess.info · www.oneplanetpodcast.org

“I really hope that kindness is preserved. I really think manners and being polite can go a long way. People are in such a rush these days. Everybody wants to acquire so much, and they forget to just be thankful for the little things in life. To slow down, how you move through the world and how selfless you are, holding open a door for someone, or just telling someone to have a good day. Those are all things that can have a lasting effect on another person and make them want to be better as well.”Best-selling author Courtney Peppernell is from Sydney, Australia. Her poetry collection Pillow Thoughts was a worldwide success. Her Young Adult novels and poetry books have struck a chord with young readers and the LGBTQ+ community. Her other works include I Hope You Stay, Watering the Soul, as well as Hope in the Morning, profits of which were donated to assist relief efforts for injured wildlife affected by Australian bushfires. · https://www.peppernell.com · https://www.instagram.com/courtneypeppernell/ · WIRES, Australia’s largest wildlife rescue organisation https://www.wires.org.au· www.creativeprocess.info · www.oneplanetpodcast.org

Best-selling author Courtney Peppernell is from Sydney, Australia. Her poetry collection Pillow Thoughts was a worldwide success. Her Young Adult novels and poetry books have struck a chord with young readers and the LGBTQ+ community. Her other works include I Hope You Stay, Watering the Soul, as well as Hope in the Morning, profits of which were donated to assist relief efforts for injured wildlife affected by Australian bushfires.“I really hope that kindness is preserved. I really think manners and being polite can go a long way. People are in such a rush these days. Everybody wants to acquire so much, and they forget to just be thankful for the little things in life. To slow down, how you move through the world and how selfless you are, holding open a door for someone, or just telling someone to have a good day. Those are all things that can have a lasting effect on another person and make them want to be better as well.” · https://www.peppernell.com · https://www.instagram.com/courtneypeppernell/ · WIRES, Australia’s largest wildlife rescue organisation https://www.wires.org.au· www.creativeprocess.info · www.oneplanetpodcast.org

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui’s Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui’s Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Dolen Perkins-Valdez is the New York Times bestselling author of Wench, and Balm. She was a finalist for two NAACP Image Awards and the Hurston/Wright Legacy Award for fiction, and she was awarded the First Novelist Award by the Black Caucus of the American Library Association. She lives in Washington, DC with her family and teaches at American University. She discusses her latest novel Take My Hand, along with the importance of family, legacy, and history, particularly in regards to race.In 2017, HarperCollins released&nbsp;Wench&nbsp;as one of eight "Olive Titles," limited edition modern classics&nbsp;that included&nbsp;books&nbsp;by Edward P. Jones, Louise Erdrich, and Zora Neale Hurston.Dolen is the current Chair of the Board of the PEN/Faulkner Foundation. On behalf of the foundation, she has visited nearly every public high school in the District of Columbia to talk about the importance of reading and writing. &nbsp; She is currently Associate Professor in the Literature Department at American University and lives in Washington, DC with her family.· www,dolenperkinsvaldez.com · www.penguinrandomhouse.com/authors/113386/dolen-perkins-valdez/· www.penfaulkner.org· www.creativeprocess.info · www.oneplanetpodcast.org

Dolen Perkins-Valdez is the New York Times bestselling author of Wench, and Balm. She was a finalist for two NAACP Image Awards and the Hurston/Wright Legacy Award for fiction, and she was awarded the First Novelist Award by the Black Caucus of the American Library Association. She lives in Washington, DC with her family and teaches at American University. She discusses her latest novel Take My Hand, along with the importance of family, legacy, and history, particularly in regards to race.In 2017, HarperCollins released&nbsp;Wench&nbsp;as one of eight "Olive Titles," limited edition modern classics&nbsp;that included&nbsp;books&nbsp;by Edward P. Jones, Louise Erdrich, and Zora Neale Hurston.Dolen is the current Chair of the Board of the PEN/Faulkner Foundation. On behalf of the foundation, she has visited nearly every public high school in the District of Columbia to talk about the importance of reading and writing. &nbsp; She is currently Associate Professor in the Literature Department at American University and lives in Washington, DC with her family.· www.dolenperkinsvaldez.com · www.penguinrandomhouse.com/authors/113386/dolen-perkins-valdez/· www.penfaulkner.org· www.creativeprocess.info · www.oneplanetpodcast.org

"When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet."Photographer and filmmaker Ami Vitale shares her personal odyssey—from documenting the heartbreaking realities of war to witnessing the inspiring power of an individual to make a difference. Her award-winning work illuminates the unsung heroes and communities working to protect our wildlife and find harmony in our natural world. Hear her awe-inspiring stories of the reintroduction of northern white rhinos and giant pandas to the wild, as well as Kenya’s first indigenous-owned and run elephant sanctuary.&nbsp;Ami has traveled to more than 100 countries, bearing witness not only to violence and conflict, but also to surreal beauty and the enduring power of the human spirit. She has lived in mud huts and war zones, contracted malaria, and donned a panda suit— keeping true to her belief in the importance of “living the story.”Ami is an Ambassador for Nikon and a contract photographer with National Geographic magazine. She has documented wildlife and poaching in Africa, covered human-wildlife conflict, and concentrated on efforts to save the northern white rhino and reintroduce pandas to the wild. &nbsp; She is a six-time recipient of World Press Photos and published a best-selling book, Panda Love, on the secret lives of pandas.&nbsp; She lectures for the National Geographic LIVEseries, and she frequently gives workshops around the world.After more than a decade covering conflict, photographer and filmmaker Ami Vitale couldn’t help but notice that the less sensational—but equally true—stories were often not getting told: the wedding happening around the corner from the revolution, triumphs amidst seemingly endless devastation. As a result, she re-committed herself to seeking out the stories within and around “the story.” Her belief that “you can’t talk about humanity without talking about nature” led her to chronicle her journey from documenting warzones to telling some of the most compelling wildlife and environmental stories of our time, where individuals are making a profound difference in the future of their communities and this planet.&nbsp;&nbsp;She is Executive Director of Vital Impacts whose mission is to support grassroots organizations who are protecting people, wildlife and habitats. She is also a founding&nbsp; member of Ripple Effect Images, a collective of scientists, writers, photographers and filmmakers who document challenges facing women and girls in developing countries. She is chair of the Photographers Advisory Board for National Geographic magazine photographers and also a member of the Executive Advisory Committee of the Alexia Foundations Photojournalism Advisory Board.&nbsp;&nbsp;· www.amivitale.com· vitalimpacts.org · www.rippleeffectimages.org · Print sale for Vital Impacts: <a href="https://vitalimpacts.org/collections/impact-now

Photographer and filmmaker Ami Vitale shares her personal odyssey—from documenting the heartbreaking realities of war to witnessing the inspiring power of an individual to make a difference. Her award-winning work illuminates the unsung heroes and communities working to protect our wildlife and find harmony in our natural world. Hear her awe-inspiring stories of the reintroduction of northern white rhinos and giant pandas to the wild, as well as Kenya’s first indigenous-owned and run elephant sanctuary.&nbsp;Ami has traveled to more than 100 countries, bearing witness not only to violence and conflict, but also to surreal beauty and the enduring power of the human spirit. She has lived in mud huts and war zones, contracted malaria, and donned a panda suit— keeping true to her belief in the importance of “living the story.”Ami is an Ambassador for Nikon and a contract photographer with National Geographic magazine. She has documented wildlife and poaching in Africa, covered human-wildlife conflict, and concentrated on efforts to save the northern white rhino and reintroduce pandas to the wild. &nbsp; She is a six-time recipient of World Press Photos and published a best-selling book, Panda Love, on the secret lives of pandas.&nbsp; She lectures for the National Geographic LIVEseries, and she frequently gives workshops around the world.After more than a decade covering conflict, photographer and filmmaker Ami Vitale couldn’t help but notice that the less sensational—but equally true—stories were often not getting told: the wedding happening around the corner from the revolution, triumphs amidst seemingly endless devastation. As a result, she re-committed herself to seeking out the stories within and around “the story.” Her belief that “you can’t talk about humanity without talking about nature” led her to chronicle her journey from documenting warzones to telling some of the most compelling wildlife and environmental stories of our time, where individuals are making a profound difference in the future of their communities and this planet.&nbsp;&nbsp;She is Executive Director of Vital Impacts whose mission is to support grassroots organizations who are protecting people, wildlife and habitats. She is also a founding&nbsp; member of Ripple Effect Images, a collective of scientists, writers, photographers and filmmakers who document challenges facing women and girls in developing countries. She is chair of the Photographers Advisory Board for National Geographic magazine photographers and also a member of the Executive Advisory Committee of the Alexia Foundations Photojournalism Advisory Board.&nbsp;&nbsp;· www.amivitale.com· vitalimpacts.org · www.rippleeffectimages.org · Print sale for Vital Impacts: https://vitalimpacts.org/collections/impact-now· https://newhouse.syr.edu/centers/the-alexia· IG: @amivitale· IG: @vital.impacts · IG: @wild.lifeincolourPhoto of Ami Vitale by Ken Lavazza· www.creativeprocess.info · www.oneplanetpodcast.org

"I am very concerned that the future seems to be consolidated among the 10 wealthiest, most powerful people in the world who are all white guys. And they're great. I know most of them personally. I have mad respect for them, but it's really concerning when a private individual can buy Twitter. It's very concerning when a billionaire can own one of the most important news organizations in the United States. When Jeff Bezos bought&nbsp;The Washington Post,&nbsp;at first I was very excited about it because we all know that journalism and journalistic integrity are an essential part of modern democracy.And that was very much threatened and dismantled by technology because their revenue structure was destroyed with the internet. So they had to reinvent themselves. So at first, when he bought it, I thought,&nbsp;Oh good, he's going to give them new lifeblood.&nbsp;And now I'm like,&nbsp;Oh, no.&nbsp;When we have major billionaires controlling the dialogue, the discussions, the flow of information–whether that's Facebook or Twitter or news organizations, that's really concerning. So my major deliverable and really the motivation behind writing&nbsp;Bet on Yourself&nbsp;was to democratize success, democratize entrepreneurism, and to wake up inside all of us, realizing that whether you're an intrepreneur working in another company, or if you're a more traditional quote, unquote entrepreneur - it doesn't have to be in a garage or getting funding from traditional VC companies. I wanted to wake that up in as many minds as possible that we can make a huge difference. No matter your expertise, your industry, your risk tolerance, there are ways that we can all participate in this, and what we need most, especially now when core algorithms of artificial intelligence are being written, is more participation from more perspectives.Whether that's cultural...every possible definition of diversity. I want more people participating because what concerns me most about globalization is it's being controlled by about 10 people."Ann Hiatt is a best selling author, executive consultant, speaker, and investor. She is a Silicon Valley veteran with 15 years experience reporting directly to CEOs Jeff Bezos (Amazon) and Eric Schmidt (Google/Alphabet). Ann consults with CEOs and their leadership teams across the globe on c-suite optimization.Ann has published articles in publications such as Harvard Business Review, Fast Company and CNBC. She has also contributed to articles in The New York Times, Economic Times, The Financial Times and Forbes. Her bestselling book, Bet On Yourself, was published by HarperCollins in 2021.· https://annhiatt.co· www.BetOnYourselfBook.com&nbsp;· Bet on Yourself book· Season 5 of Bet on Yourself podcast&nbsp; launch on May 25th· www.creativeprocess.info· www.oneplanetpodcast.org

Ann Hiatt is a best selling author, executive consultant, speaker, and investor. She is a Silicon Valley veteran with 15 years experience reporting directly to CEOs Jeff Bezos (Amazon) and Eric Schmidt (Google/Alphabet). Ann consults with CEOs and their leadership teams across the globe on c-suite optimization.Ann has published articles in publications such as Harvard Business Review, Fast Company and CNBC. She has also contributed to articles in The New York Times, Economic Times, The Financial Times and Forbes. Her bestselling book, Bet On Yourself, was published by HarperCollins in 2021.· https://annhiatt.co· www.BetOnYourselfBook.com&nbsp;· Bet on Yourself book· Season 5 of Bet on Yourself podcast&nbsp; launch on May 25th· www.creativeprocess.info · www.oneplanetpodcast.org

Daniel Sherrell is the author of Warmth: Coming of Age at the End of Our World, a memoir on the climate crisis framed as a letter to Sherrell's potential future child. He is a climate movement organizer and has led successful campaigns to phase out coal-fired power plants, divest millions of dollars from the fossil fuel industry, and pass a Green New Deal bill for New York State, legislation that the New York Times called “one of the world’s most ambitious climate plans.” He’s Campaign Director for the Climate Jobs National Resource Center, where he works with the American labor movement to tackle the climate crisis, reverse income inequality, and win millions of unionized clean energy jobs. The New Yorker and Publisher’s Weekly named Warmth one of the best books of 2021 and he’s a recipient of the Creative Force Foundation’s Award for “igniting positive social change through writing.”· www.danielsherrell.com · www.penguinrandomhouse.com/books/670357/warmth-by-daniel-sherrell/·&nbsp; Climate Jobs National Resource Center www.cjnrc.orgPhoto by Giovana Schluter Nunes“It felt to me that if I wasn't able to figure out a way to orchestrate a genuine emotional encounter for myself with the enormity of this thing I was meant to be taking action on, then something in me was going to break, and I just wouldn't be able to keep doing the work. So, there was never a point where it's like,&nbsp;I'm going to write a book, but I did turn to the written word, almost little diary entries, to make psychological and spiritual sense of the crisis that I was dealing with in a thin way every day."

“We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It’s hard to know because I think that language was being formed in my brain at the same time that these things were happening.”Hala Alyan is the author of the novel&nbsp;Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel&nbsp;The Arsonists’ City, and four award-winning collections of poetry, most recently&nbsp;The Twenty-Ninth Year.&nbsp;Her work has been published by&nbsp;the&nbsp;New Yorker, the Academy of American Poets,&nbsp;Lit Hub,&nbsp;The New York Times Book Review, and&nbsp;Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

Hala Alyan is the author of the novel&nbsp;Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel&nbsp;The Arsonists’ City, and four award-winning collections of poetry, most recently&nbsp;The Twenty-Ninth Year.&nbsp;Her work has been published by&nbsp;the&nbsp;New Yorker, the Academy of American Poets,&nbsp;Lit Hub,&nbsp;The New York Times Book Review, and&nbsp;Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.· halaalyan.com · www.creativeprocess.info

James Fallows has been a national correspondent for The Atlantic for more than thirty-five years, reporting from China, Japan, Southeast Asia, Europe, and across the United States. Winner of the National Book Award and National Magazine Award, he’s the author of twelve books and his work has appeared in numerous publications and on public-radio. For two years he was President Jimmy Carter’s chief speechwriter.Deborah Fallows is a linguist and writer. The author of Dreaming in Chinese and A Mother's Work, she has written for The Atlantic, National Geographic, and The New York Times, among others and has worked at the Pew Research Center, Oxygen Media, and Georgetown University.Following the success of their NYTimes bestselling book Our Towns and HBO documentary based on their reporting on around 50 towns around the country, they formed the Our Towns Civic Foundation to promote reporting from under-served areas across the US, connect innovators and give Americans a fuller and more realistic picture of their country’s challenges and opportunities.Our Towns (HBO Movie):&nbsp;&nbsp;https://www.hbo.com/documentaries/our-townsOur Towns (book):&nbsp;https://www.penguinrandomhouse.com/books/550194/our-towns-by-james-fallows-and-deborah-fallows/&nbsp;Our Towns Civic Foundation:&nbsp;https://www.ourtownsfoundation.org/&nbsp;Our Towns Civic Foundation is a new non-profit organization that promotes reporting from under-served areas across the United States, to connect innovators dealing with the problems of this era, and gives Americans a fuller and more realistic picture of their countries challenges and opportunities."Deb Fallows, Dreaming in Chinese&nbsp; &nbsp;https://www.bloomsbury.com/us/dreaming-in-chinese-9780802779144/Deb Fallows, A Mother's Work&nbsp; &nbsp;https://www.amazon.com/Mothers-Work-Deborah-Fallows/dp/0395362180Jim Fallows, More Like Us&nbsp; https://www.amazon.com/More-like-Strengths-Traditional-Challenge/dp/B0010HBVYQOther books&nbsp;https://www.penguinrandomhouse.com/authors/8383/james-fallows/ Substack: https://fallows.substack.com/Photo © Michael Shay Polara Studio

Artist Donald Sultan rose to prominence in the late 1970s as part of the “New Image” movement. Sultan has challenged the boundaries between painting and sculpture throughout his career. Using industrial materials such as roofing tar, aluminum, linoleum and enamel, Sultan layers, gouges, sands and constructs his paintings—sumptuous, richly textured compositions often made of the same materials as the rooms in which they are displayed. He lives and works in New York City.“I always feel that you can never fail if you don't know what you're doing. The best work is what you do when you don’t know what you’re doing…A lot of the images that have struck me, that I get drawn to, a lot of them were from painting. Some of them were from early movies. Some of them were from places I visited, but mostly gardens or wild gardens that had things in them I’d never seen before, and then learning what that was when I'd been working on it. Generally speaking most of what I do had to do with my feelings about other artists work that I admired. A lot of the industrial materials that are use, floor tiling and things like that came from site specific artists, sculptors, people who built into the buildings, Arte Povera. Using works that were just found, the poor materials, that kind of thing. Tar I kind of got from working in my fathers tire shop with the grinding of the rubber and so on. Things come together and I wasn’t even aware of it until people start asking me about it. I remember telling them about this man, being in black room with all this rubber, smoking Camels. It was a very cool image. I’ll never forget the guy, but when I was doing it myself, that’s not what I was thinking. I was really thinking about the materials I was using and inverting them.”· donaldsultanstudio.com· ryanleegallery.com · www.creativeprocess.info · www.oneplanetpodcast.org

Aaron Dworkin is a multifaceted artist and entrepreneur with passion for diversifying and amplifying the arts. Epitomizing how art, leadership, and diversity all play a vital role in advancing our society, Dwokin founded The Sphinx Organization, a non-profit organization that molds Black and Latinx classical musicians, and he serves on the advisory board for several prestigious arts organizations. Dworkin is an educator of both Arts Leadership and Entrepreneurial Leadership at his alma mater, the University of Michigan. Aaron Dworkin, decorated in awards and accolades, continues to be a force in his community, driving the need for diversity, arts education, and leadership. aarondworkin.com · www.creativeprocess.info

Aaron Dworkin is a multifaceted artist and entrepreneur with passion for diversifying and amplifying the arts. Epitomizing how art, leadership, and diversity all play a vital role in advancing our society, Dwokin founded The Sphinx Organization, a non-profit organization that molds Black and Latinx classical musicians, and he serves on the advisory board for several prestigious arts organizations. Dworkin is an educator of both Arts Leadership and Entrepreneurial Leadership at his alma mater, the University of Michigan. Aaron Dworkin, decorated in awards and accolades, continues to be a force in his community, driving the need for diversity, arts education, and leadership. aarondworkin.com · www.creativeprocess.info

Trish Sie is a multi-talented director whose work spans the realms of music videos, commercials, and short and feature films. After spending a decade as a professional dancer, championship ballroom competitor and choreographer, she built a successful and championed career in filmmaking. The first music video that she produced, “Here it Goes Again” for the band OK Go, won her a Grammy award. Her success expands to the world of films, where she has directed the likes of PItch Perfect 3 and Step Up: All In, using her dance and choreography experience to make magic happen on camera. Along with the Grammy, Trish has won a number of awards such as the Youtube award for most creative video, the smithsonian ingenuity award, and multiple accolades for best short film at various film festivals. www.bigbadtrish.com · www.creativeprocess.info

Trish Sie is a multi-talented director whose work spans the realms of music videos, commercials, and short and feature films. After spending a decade as a professional dancer, championship ballroom competitor and choreographer, she built a successful and championed career in filmmaking. The first music video that she produced, “Here it Goes Again” for the band OK Go, won her a Grammy award. Her success expands to the world of films, where she has directed the likes of PItch Perfect 3 and Step Up: All In, using her dance and choreography experience to make magic happen on camera. Along with the Grammy, Trish has won a number of awards such as the Youtube award for most creative video, the smithsonian ingenuity award, and multiple accolades for best short film at various film festivals. www.bigbadtrish.com · www.creativeprocess.info

“These were my bedtime stories stories. I remember listening to them before I could speak. I had delayed speech, and I had quite a bit of trouble with speaking at all and with learning and also just simply getting into school. I think I must have been five before I was uttering some of my first words and trying to articulate.Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. Once they immigrated to the States. And my grandmother, my father’s mother, who raised me was speaking Japanese, that was her private language. It was a remnant of the past and sort of the past of the occupation with Korea being occupied by Japan. My mother and father spoke in Korean, and this was a much more intimate language that I wanted to have access to but would also keep me away from the English that they hoped me to get. And all of this was compounded by my difficulty with speech. So there was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.”E. J. Koh is the author of the memoir The Magical Language of Others, winner of the Washington State Book Award and the 2021 Pacific Northwest Book Award. For her poetry collection A Lesser Love she received the Pleiades Press Editors Prize. She is the co-translator of Yi Won’s The World’s Lightest Motorcycle, forthcoming from Zephyr Press. Her poems, translations, and stories have appeared in Boston Review, Los Angeles Review of Books, and World Literature Today, among others. She earned her MFA in Literary Translation and Creative Writing from Columbia University, and is completing the PhD program at the University of Washington in Seattle. She is a recipient of MacDowell and Kundiman fellowships.IG @thisisejkoh · www.instagram.com/p/CRB8O69BWQJ/ · www.creativeprocess.info

E. J. Koh is the author of the memoir The Magical Language of Others, winner of the Washington State Book Award and the 2021 Pacific Northwest Book Award. For her poetry collection A Lesser Love she received the Pleiades Press Editors Prize. She is the co-translator of Yi Won’s The World’s Lightest Motorcycle, forthcoming from Zephyr Press. Her poems, translations, and stories have appeared in Boston Review, Los Angeles Review of Books, and World Literature Today, among others. She earned her MFA in Literary Translation and Creative Writing from Columbia University, and is completing the PhD program at the University of Washington in Seattle. She is a recipient of MacDowell and Kundiman fellowships.IG @thisisejkoh · www.instagram.com/p/CRB8O69BWQJ/ · www.creativeprocess.info

"The truth of the matter is that there are some people who are born to be creative and they're going to be artists. And the importance of fostering that is necessary, because if we each fulfill our purpose as humans, then society is better off for it. So in other words, if I had been anything else other than what I have become, I would have only been living up to half of my potential. And so that's really important to address that. I have a lot of students whose parents don't want them to be artists because it doesn't make money, but that means they're only living up to half of their potential because they're truly meant to be artists. And so society needs to shift this understanding on what is important.&nbsp;"Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai’i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi.&nbsp;Bassous’ work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. · www.reembassous.studio · www.creativeprocess.info

Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai’i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous’ work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. www.reembassous.studio · www.creativeprocess.info

Morgan Neville is an Academy Award-winning documentary filmmaker. For over twenty years he has been making films about music and cultural subjects including Troubadours, Search and Destroy and three Grammy-nominated films: Respect Yourself: The Stax Records Story, Muddy Waters Can’t Be Satisfied, and Johnny Cash’s America. His non-music films include The Cool School, Steinbeck and Shotgun Freeway: Drives Thru Lost L.A.. Neville has also produced many documentaries, including Pearl Jam Twenty, Crossfire Hurricane and Beauty is Embarrassing. In 2014, 20 Feet From Stardom, won numerous awards including the Academy Award for Best Documentary. His next film, Best of Enemies, won an Emmy Award for Best Historical Documentary at the News and Documentary Emmy Awards in 2017. The film was also shortlisted for the 2016 Academy Award for Best Documentary Feature. Recent projects include Ugly Delicious, Abstract: The Art of Design, They’ll Love Me When I’m Dead, and Won’t You Be My Neighbor?, a documentary about Fred Rogers which was released by Focus Features in 2018 and has become one of the best reviewed and highest grossing documentaries of all time. · tremoloproductions.com · www.creativeprocess.info

Morgan Neville is an Academy Award-winning documentary filmmaker. For over twenty years he has been making films about music and cultural subjects including Troubadours, Search and Destroy and three Grammy-nominated films: Respect Yourself: The Stax Records Story, Muddy Waters Can’t Be Satisfied, and Johnny Cash’s America. His non-music films include The Cool School, Steinbeck and Shotgun Freeway: Drives Thru Lost L.A.. Neville has also produced many documentaries, including Pearl Jam Twenty, Crossfire Hurricane and Beauty is Embarrassing. In 2014, 20 Feet From Stardom, won numerous awards including the Academy Award for Best Documentary. His next film, Best of Enemies, won an Emmy Award for Best Historical Documentary at the News and Documentary Emmy Awards in 2017. The film was also shortlisted for the 2016 Academy Award for Best Documentary Feature. Recent projects include Ugly Delicious, Abstract: The Art of Design, They’ll Love Me When I’m Dead, and Won’t You Be My Neighbor?, a documentary about Fred Rogers which was released by Focus Features in 2018 and has become one of the best reviewed and highest grossing documentaries of all time. · tremoloproductions.com · www.creativeprocess.info

“We drastically misuse our mind and have neglected a very important part of the way our mind works in the modern world. I think preindustrial people and our ancestors used this very well. And that is that we have a whole right hemisphere of our brain which doesn't think in words, which takes in the holistic picture of everything around us. Anyone who is listening to this podcast will be aware that sometimes you have got feelings about things. They are signals that are sent from the right hemisphere of the brain, picking up things that we can't consciously interpret or read. It goes through our amygdala, which is our alarm system, and straight down the vagus nerve, and we feel it down in the middle of our body. What the books argue, if you want to be able to parent effectively, and live your life effectively, is to stay in touch with that. Include those signals as part of your mental checking out. Expand your awareness because you can read that every few seconds all the time. And your life will be very different. There are feelings below your feelings. They are not always right, but they're always worth listening to.”Steve Biddulph (AM) is a renowned parent educator. A retired psychologist of 30 years, he continues to write and teach, authoring books such as The Secret of Happy Children, Raising Boys, The New Manhood, and 10 Things Girls Need Most, which have influenced how we view childhood development and mental health. Voted Australian Father of the Year in 2001, Steve has since been made a member of the Order of Australia for his work in youth mental health, and remains a patron of the Sanctuary Refugee Trust and Australian Religious Response to Climate Change.· www.stevebiddulph.com · www.oneplanetpodcast.org · www.creativeprocess.info

Steve Biddulph (AM) is a renowned parent educator. A retired psychologist of 30 years, he continues to write and teach, authoring books such as The Secret of Happy Children, Raising Boys, The New Manhood, and 10 Things Girls Need Most, which have influenced how we view childhood development and mental health. Voted Australian Father of the Year in 2001, Steve has since been made a member of the Order of Australia for his work in youth mental health, and remains a patron of the Sanctuary Refugee Trust and Australian Religious Response to Climate Change.· www.stevebiddulph.com · www.creativeprocess.info · www.oneplanetpodcast.org

“We have to be unwavering in our commitment to principles of justice and freedom and be harbingers of hope. So for me, this is a lifelong thing, and I think of it as ancestor work that I one day will be somebody's ancestor, and I want them to be proud of the work that we did to give them a world that’s a little better of an inheritance than the world that I was born into. And I think that is how we mark progress in more nuanced ways, in more honest ways. It doesn't need to be a straight line towards freedom, more of a journey with wins and losses, setbacks and victories.”“It's what can feel like regression that’s happening. It’s like, okay,&nbsp;there is.&nbsp;I'm thinking about in the country right now, we’ve had these incredible moments, seeing a show like “Pose” on television with so many queer, trans, black, and brown actors. You have Laverne Cox on the cover of&nbsp;TIME, a really wonderful documentary “Disclosure” about trans representation, and some really positive steps made towards trans healthcare. And right now we're seeing all of these bills popping up across States criminalizing trans youth, and it is important for us to recognize at that moment part of that backlash is&nbsp;because&nbsp;certain progress was being made.&nbsp;Because&nbsp;we were starting to question gender and its fixity today and the ways that transphobia operates.&nbsp;Because&nbsp;people were becoming aware of how vulnerable trans people are in our world to violence. And, so of course, we see a response, which means we have to retool and keep fighting. That’s the charge. The struggle is at this point still in an ending one, but it doesn't mean that along the way that certain victories haven’t amassed that give us hope to propel us forward and be ready when the next attack on freedoms, on rights, on justice emerges,&nbsp;because it will.&nbsp;Right? We’re pushing in ways that are uncomfortable because we’re disrupting the center. We’re disrupting the default. We’re disrupting power. And Power it's not just going to concede because we're demanding it.”Treva B. Lindsey, PhD is a Black feminist historian and Associate Professor of Women’s, Gender, and Sexuality Studies at The Ohio State University. She is the recipient of several prestigious fellowships including the ACLS/Mellon Scholars and Society Fellowship, The Equity for Women and Girls of Color Fellowship at Harvard University, and The Woodrow Wilson Career Enhancement Fellowship. Lindsey is the founder of the Transformative Black Feminisms Initiative at Ohio State and the co-founder of Black Feminist Night School at Zora’s House in Columbus, Ohio. Her latest book entitled America, Goddam: Violence, Black Women, and The Struggle for Justice explores contemporary violence against Black women and girls and how they mobilize to halt violence against them.· https://trevablindsey.com · www.creativeprocess.info · www.oneplanetpodcast.org

Treva B. Lindsey, PhD is a Black feminist historian and Associate Professor of Women’s, Gender, and Sexuality Studies at The Ohio State University. She is the recipient of several prestigious fellowships including the ACLS/Mellon Scholars and Society Fellowship, The Equity for Women and Girls of Color Fellowship at Harvard University, and The Woodrow Wilson Career Enhancement Fellowship. Lindsey is the founder of the Transformative Black Feminisms Initiative at Ohio State and the co-founder of Black Feminist Night School at Zora’s House in Columbus, Ohio. Her latest book entitled America, Goddam: Violence, Black Women, and The Struggle for Justice explores contemporary violence against Black women and girls and how they mobilize to halt violence against them.· https://trevablindsey.com · www.creativeprocess.info · www.oneplanetpodcast.org

Albert Serra has been called one of the most radical and singular filmmakers working today. Born in Banyoles, Spain, he studied literature and art history at Barcelona University. In 2006 he wrote, directed and produced his first feature film, Honor of the Knights, followed by Birdsong; both were selected for the Directors’ Fortnight at Cannes. In 2010 he made Els noms de Crist before directing, a year later, El Senyor ha fet en mi meravelles for the exhibition Correspondencias at Barcelona. He is best known for his films Story of My Death and The Death of Louis XIV starring Jean-Pierre Léaud. His most recent feature film Liberté explores libertinism at the time of the French Revolution. www.albertserra.com · www.creativeprocess.info

Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which was adapted into a critically acclaimed, Peabody Award-winning HBO series. His other books include Bad Haircut, The Wishbones, Joe College, The Abstinence Teacher, Nine Inches, and his newest, Mrs. Fletcher. His work has been translated into a multitude of languages. Perrotta grew up in New Jersey and lives outside of Boston. http://tomperrotta.com · www.creativeprocess.info

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it’s the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it’s a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.orgPhoto by Krista Mercer Buchenau

Mia Funk’s work appears in public and private collections, including the U.S. Library of Congress, Dublin Writers Museum, Office of Public Works, and other museums and culture centers. She has received awards and honors, including the Prix de Peinture from the Salon d’Automne and exhibited in the Grand Palais. Her paintings of Francis Bacon have won prizes and were exhibited in Paris and Brussels for Bacon’s centenary. As a writer and interviewer, she contributes to various national publications. Funk served on the National Advisory Council of the American Writers Museum and serves on the advisory board of the European Conference for the Humanities. www.creativeprocess.info · www.miafunk.com

"The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.”“We think in the west of resistance as something negative but it's actually part of the creative process. Without resistance nothing new can come into being, so the very things that we think of as perhaps obstructing or negating are the very things that will lead to something new and greater. We need to get over this idea. For example, we're only able to move in space because there is friction. Friction is a force that stops you moving but without a degree of friction, you cannot actually move. You wouldn't have anything to move in relation to. So perfection is itself an imperfection. And in a number of traditions, this is memorialized by the idea that when you create something there should deliberately be some imperfection in it.”Dr. Iain McGilchrist is a psychiatrist, neuroscience researcher, philosopher and literary scholar. He is a Quondam Fellow of All Souls College, Oxford, an Associate Fellow of Green Templeton College, Oxford, a Fellow of the Royal College of Psychiatrists, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital, London.&nbsp;He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital and a Fellow of the Institute of Advanced Studies in Stellenbosch.&nbsp; He has published original articles and research papers in a wide range of publications on topics in literature, philosophy, medicine and psychiatry.&nbsp;&nbsp;He is the author of a number of books, including The Matter with Things, and The Master and his Emissary: The Divided Brain and the Making of the Western World.· https://channelmcgilchrist.com · www.creativeprocess.info · www.oneplanetpodcast.org

Dr. Iain McGilchrist is a psychiatrist, neuroscience researcher, philosopher and literary scholar. He is a Quondam Fellow of All Souls College, Oxford, an Associate Fellow of Green Templeton College, Oxford, a Fellow of the Royal College of Psychiatrists, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital, London.&nbsp;He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital and a Fellow of the Institute of Advanced Studies in Stellenbosch.&nbsp; He has published original articles and research papers in a wide range of publications on topics in literature, philosophy, medicine and psychiatry.&nbsp;&nbsp;He is the author of a number of books, including The Matter with Things, and The Master and his Emissary: The Divided Brain and the Making of the Western World.· https://channelmcgilchrist.com · www.creativeprocess.info · www.oneplanetpodcast.org

Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which was adapted into a critically acclaimed, Peabody Award-winning HBO series. His other books include Bad Haircut, The Wishbones, Joe College, The Abstinence Teacher, Nine Inches, and his newest, Mrs. Fletcher. His work has been translated into a multitude of languages. Perrotta grew up in New Jersey and lives outside of Boston. http://tomperrotta.com · www.creativeprocess.info

Peter Weller · Actor, Art Historian & Director Peter Weller is a renowned theater and Hollywood actor. His performance in films such as Robocop and Naked Lunch garnering him much critical and commercial success over the years. Unbeknownst to most, Weller has spent much of his time over the decades, honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Masters in&nbsp; Roman architecture from Syracuse University before moving onto a PHD in Renaissance art from UCLA, Weller has even penned numerous academic papers covering the era’s influence on modern art. Recently, Weller has even returned to the setting of RoboCop in Detroit, Michigan to deliver a lecture on “The Crisis in Beauty”. Peter has also contributed an essay to a music anthology The Creative Process has co-curated for Routledge Press. Weller’s essay details his memories of the late Miles Davis, who was both a friend and an inspiration.www.creativeprocess.info

Peter Weller · Actor, Art Historian & DirectorPeter Weller is a renowned theater and Hollywood actor. His performance in films such as Robocop and Naked Lunch garnering him much critical and commercial success over the years. Unbeknownst to most, Weller has spent much of his time over the decades, honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Masters in&nbsp; Roman architecture from Syracuse University before moving onto a PHD in Renaissance art from UCLA, Weller has even penned numerous academic papers covering the era’s influence on modern art. Recently, Weller has even returned to the setting of RoboCop in Detroit, Michigan to deliver a lecture on “The Crisis in Beauty”. Peter has also contributed an essay to a music anthology The Creative Process has co-curated for Routledge Press. Weller’s essay details his memories of the late Miles Davis, who was both a friend and an inspiration.www.creativeprocess.info

“I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?”McDonough advises leaders on ESG strategies through McDonough Innovation, is an architect with William McDonough + Partners, and provides product assessments through MBDC, the creators of the Cradle to Cradle Certified™ Products Program.&nbsp; He has been active with the World Economic Forum for 25 years and served as the inaugural chair of their Meta-Council on the Circular Economy. He recently articulated the Circular Carbon Economy, a framework for carbon management, and presented the concept at COP25 and at 2020 G20 workshops.&nbsp;William McDonough is a globally recognized leader in sustainable design and development. He has written and lectured extensively on design as the first signal of human intention. He co-authored Cradle to Cradle: Remaking the Way We Make Things, which is celebrating its 20th anniversary this year.&nbsp;McDonough advises leaders on ESG strategies through McDonough Innovation, is an architect with William McDonough + Partners, and provides product assessments through MBDC, the creators of the Cradle to Cradle Certified™ Products Program.&nbsp; He has been active with the World Economic Forum for 25 years and served as the inaugural chair of their Meta-Council on the Circular Economy. He recently articulated the Circular Carbon Economy, a framework for carbon management, and presented the concept at COP25 and at 2020 G20 workshops.&nbsp;McDonough has co-founded not-for-profit organizations, including Fashion for Good, GreenBlue, Sustainable Packaging Coalition, and the Cradle to Cradle Products Innovation Institute. He has been on the faculty of Stanford University (2004-present) and is a Distinguished Research Professor at King Abdullah University of Science and Technology (KAUST) focused on Circular Carbon Economy.&nbsp;Time magazine recognized him as a “Hero for the Planet,” noting: “His utopianism is grounded in a unified philosophy that—in demonstrable and practical ways—is changing the design of the world," and in 2019 Fortune magazine named him #24 of the World's 50 Greatest Leaders.· https://mcdonough.com· mcdonoughpartners.com· https://mcdonoughpartners.com/projects · www.oneplanetpodcast.org · www.creativeprocess.info