The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Donald D. Hoffman is a Professor of Cognitive Sciences at the University of California, Irvine. He is the author of The case against reality: Why evolution hid the truth from our eyes. His research on perception, evolution, and consciousness received the Troland Award of the US National Academy of Sciences, the Distinguished Scientific Award for Early Career Contribution of the American Psychological Association, the Rustum Roy Award of the Chopra Foundation, and is the subject of his TED Talk, titled “Do we see reality as it is?”"This is really what life, I think, is about - learning to not believe your thoughts. Watch your thoughts, see their patterns and learn that you are not at the whim and beck and call of your thoughts. You can watch your thoughts, and you can choose to let go of thoughts and just be present and let go of the complaints. And that then opens up a level of creativity that's surprising. It could be in dance, science, it could be in music, or art. Wherever you have creative expression, letting go of thought and having this balance between thinking and no thinking, going into complete silence and then pulling ideas back for your art, your science, your dance, whatever it might be, is really the dance of life."http://www.cogsci.uci.edu/~ddhoff/The Case Against Realitywww.creativeprocess.infowww.oneplanetpodcast.org

"The whole social fabric that we have is based upon the past climate, and so once we cross that threshold, it's what I call the Straw that Breaks the Camel's Back Syndrome. And so you have a relatively modest change, which I estimate to be in the neighborhood of 5 to 20 percent, typically. And that is enough to nudge us. Instead of 1 billion dollars in damage from a hurricane, we end up with 100 billion dollars. Now, that's just one example. There are many other cases, but the sort of things that happen are indeed that something floods, the amount of water can no longer be tolerated, something completely dries out, there's a drought, and subsequent wildfires when buildings burn down, and so on. Suddenly you've gone from something to nothing. That's an extreme non-linearity. And another extreme non-linearity is, of course, when people die, you don't recover from that."Kevin Trenberth is a Distinguished Scholar at the National Center of Atmospheric Research (NCAR) in Boulder and an Honorary Academic in the Department of Physics, Auckland University in Auckland, New Zealand. From New Zealand, he obtained his Sc. D. in meteorology in 1972 from Massachusetts Institute of Technology. He was a lead author of the 1995, 2001 and 2007 Scientific Assessment of Climate Change reports from the Intergovernmental Panel on Climate Change (IPCC), and shared the 2007 Nobel Peace Prize which went to the IPCC. He served from 1999 to 2006 on the Joint Scientific Committee of the World Climate Research Programme (WCRP), and chaired a number of committees for more than 20 years. He is the author of "The Changing Flow of Energy Through the Climate System".The Changing Flow of Energy Through the Climate Systemwww.ipcc.chhttps://www.cgd.ucar.edu/staff/trenbertwww.oneplanetpodcast.orgwww.creativeprocess.info

Kevin Trenberth is a Distinguished Scholar at the National Center of Atmospheric Research (NCAR) in Boulder and an Honorary Academic in the Department of Physics, Auckland University in Auckland, New Zealand. From New Zealand, he obtained his Sc. D. in meteorology in 1972 from Massachusetts Institute of Technology. He was a lead author of the 1995, 2001 and 2007 Scientific Assessment of Climate Change reports from the Intergovernmental Panel on Climate Change (IPCC), and shared the 2007 Nobel Peace Prize which went to the IPCC. He served from 1999 to 2006 on the Joint Scientific Committee of the World Climate Research Programme (WCRP), and chaired a number of committees for more than 20 years. He is the author of "The Changing Flow of Energy Through the Climate System"."The whole social fabric that we have is based upon the past climate, and so once we cross that threshold, it's what I call the Straw that Breaks the Camel's Back Syndrome. And so you have a relatively modest change, which I estimate to be in the neighborhood of 5 to 20 percent, typically. And that is enough to nudge us. Instead of 1 billion dollars in damage from a hurricane, we end up with 100 billion dollars. Now, that's just one example. There are many other cases, but the sort of things that happen are indeed that something floods, the amount of water can no longer be tolerated, something completely dries out, there's a drought, and subsequent wildfires when buildings burn down, and so on. Suddenly you've gone from something to nothing. That's an extreme non-linearity. And another extreme non-linearity is, of course, when people die, you don't recover from that."The Changing Flow of Energy Through the Climate Systemwww.ipcc.chhttps://www.cgd.ucar.edu/staff/trenbertwww.oneplanetpodcast.orgwww.creativeprocess.info

"So this is why I prefer to speak with a really down to earth language. So maybe the people who love nature are going to say, 'Oh, Bertrand Piccard, now he is too down to earth. He's speaking about profitable solutions. He's speaking to the industries that are polluting,' but we have to speak to the industries that are polluting and bring them profitable solutions, otherwise the world will never change, or humankind will never change. And don't forget one thing, what we are damaging is not the beauty of nature. What is being damaged is the quality of life of human beings on Earth because we can still have beautiful things to see, but if we have climate change, if we have tropical disease in Europe, if we have heat waves, floods, droughts, millions of climate refugees, life will be miserable, even if nature is still beautiful.”Psychiatrist, aviator and explorer, Bertrand Piccard made history in 1999 by accomplishing the first ever non-stop round-the-world balloon flight, and a number of years later the first round-the-world solar-powered flight. Piccard has dedicated his life to demonstrating sustainable development opportunities. He is Founder and Chairman of the Solar Impulse Foundation, which has assembled a verified portfolio of over 1400 actionable and profitable climate solutions. As a pioneer of new ways of thinking that reconcile ecology and economy, he uses his exploration feats to motivate governments and industries to take action. He is a United Nations Goodwill Ambassador for the Environment and Special Advisor to the European Commission. He’s author of Réaliste, Changer d’Altitude, and other books.Solar Impulse Foundationbertrandpiccard.comSolar Impulse Solutions Explorer (1400+)RéalisteChanger d’altitudePhoto credit: Solar Impulse/ StefatouAbu Dhabi, UAE, March 1st, 2015, Solar Impulse 2 second test flight over Abu Dhabiwww.oneplanetpodcast.orgwww.creativeprocess.info

Psychiatrist, aviator and explorer, Bertrand Piccard made history in 1999 by accomplishing the first ever non-stop round-the-world balloon flight, and a number of years later the first round-the-world solar-powered flight. Piccard has dedicated his life to demonstrating sustainable development opportunities. He is Founder and Chairman of the Solar Impulse Foundation, which has assembled a verified portfolio of over 1400 actionable and profitable climate solutions. As a pioneer of new ways of thinking that reconcile ecology and economy, he uses his exploration feats to motivate governments and industries to take action. He is a United Nations Goodwill Ambassador for the Environment, Special Advisor to the European Commission, and is author of Réaliste, Changer d’Altitude, and other books."So this is why I prefer to speak with a really down to earth language. So maybe the people who love nature are going to say, 'Oh, Bertrand Piccard, now he is too down to earth. He's speaking about profitable solutions. He's speaking to the industries that are polluting,' but we have to speak to the industries that are polluting and bring them profitable solutions, otherwise the world will never change, or humankind will never change. And don't forget one thing, what we are damaging is not the beauty of nature. What is being damaged is the quality of life of human beings on Earth because we can still have beautiful things to see, but if we have climate change, if we have tropical disease in Europe, if we have heat waves, floods, droughts, millions of climate refugees, life will be miserable, even if nature is still beautiful.”Solar Impulse Foundationbertrandpiccard.comSolar Impulse Solutions Explorer (1400+)RéalisteChanger d’altitudewww.oneplanetpodcast.orgwww.creativeprocess.infoPhoto credit:  Philipp Böhlen

“Looking into the future, as a scientist, what I've learned how to do is hold multiple futures in my head at the same time because we just don't know. We don't know what the future holds. We need to fight for the futures that we want, and against the futures that we don't want. All I can really say is that it's up to us. It's up to us to fight and advocate for the future we want, and what does that look like, and how do we get there?”Dr. Charles D. Koven is an Earth System Scientist, working in the Climate Sciences Department at the Lawrence Berkeley National Laboratory. He investigates feedbacks between climate and the carbon cycle. Dr. Koven’s primary research focus is on high-latitude feedbacks to climate change, and in particular the role of soil carbon in permafrost soils, and its response to changing climate. Dr. Koven is a lead author on the IPCC report as part of Working Group I, The Physical Science Basis of Climate Change.Charles D. Kovenwww.ipcc.chwww.oneplanetpodcast.orgwww.creativeprocess.info

Dr. Charles D. Koven is an Earth System Scientist, working in the Climate Sciences Department at the Lawrence Berkeley National Laboratory. He investigates feedbacks between climate and the carbon cycle. Dr. Koven’s primary research focus is on high-latitude feedbacks to climate change, and in particular the role of soil carbon in permafrost soils, and its response to changing climate. Dr. Koven is a lead author on the IPCC report as part of Working Group I, The Physical Science Basis of Climate Change.“Looking into the future, as a scientist, what I've learned how to do is hold multiple futures in my head at the same time because we just don't know. We don't know what the future holds. We need to fight for the futures that we want, and against the futures that we don't want. All I can really say is that it's up to us. It's up to us to fight and advocate for the future we want, and what does that look like, and how do we get there?”Charles D. Kovenwww.ipcc.chwww.oneplanetpodcast.orgwww.creativeprocess.info

"That's something that I would want all of the next generations to have in some way or another, to have the ability to access and be amazed by how staggeringly beautiful, complicated - awful in some ways and just brutal - the natural world is, but then really sit and think about how the natural world just gets on and does it.And every species is benefited from everybody else. And you could remove humans from that equation, and nature would just carry on doing its thing. So that's what I would love for people to see and to realize is that nature is so incredibly beautiful and diverse. And so are we. So how can we take the beauty and diversity of the natural world and actually learn a lot more and stop thinking we're separate from nature because we are pretty much, we are all part of that same biosphere on the planet."Claire Potter is a circular economy designer, researcher, lecturer and author based in Brighton, UK. Claire is the Course Convenor of the BSc/BA Product Design course at the University of Sussex, runs her own award-winning circular economy design studio, is a volunteer Regional Rep for Surfers Against Sewage and a working group co-ordinator at the Global Ghost Gear Initiative. In 2021, she published her first book “Welcome to the Circular Economy - the next step in sustainable living”.www.clairepotterdesign.comwww.onecircular.worldwww.sussex.ac.ukwww.sas.org.uk www.ghostgear.org Welcome to the Circular Economy book www.oneplanetpodcast.orgwww.creativeprocess.info

Claire Potter is a circular economy designer, researcher, lecturer and author based in Brighton, UK. Claire is the Course Convenor of the BSc/BA Product Design course at the University of Sussex, runs her own award-winning circular economy design studio, is a volunteer Regional Rep for Surfers Against Sewage and a working group co-ordinator at the Global Ghost Gear Initiative. In 2021, she published her first book “Welcome to the Circular Economy - the next step in sustainable living”."That's something that I would want all of the next generations to have in some way or another, to have the ability to access and be amazed by how staggeringly beautiful, complicated - awful in some ways and just brutal - the natural world is, but then really sit and think about how the natural world just gets on and does it.And every species is benefited from everybody else. And you could remove humans from that equation, and nature would just carry on doing its thing. So that's what I would love for people to see and to realize is that nature is so incredibly beautiful and diverse. And so are we. So how can we take the beauty and diversity of the natural world and actually learn a lot more and stop thinking we're separate from nature because we are pretty much, we are all part of that same biosphere on the planet."www.clairepotterdesign.comwww.onecircular.worldwww.sussex.ac.ukwww.sas.org.uk www.ghostgear.org Welcome to the Circular Economy book www.oneplanetpodcast.orgwww.creativeprocess.info

“I kind of thought there was justice in the criminal justice system and that there was care for people, like you matter to me within the system, and in that moment it hit me. There wasn't. And in fact, it's the opposite. In order for the system to work the way it does, it needs to de-humanize the people that it puts in these cages.”Growing up in Ferguson, Missouri, Stanley Andrisse began making poor decisions at a very young age. He started selling dope and was arrested for the first time at fourteen years old. By his early twenties, dope dealing had exponentially multiplied, and he found himself sitting in front of a judge facing twenty years to life on drug trafficking charges. The judge sentenced him to ten years in a maximum-security prison.Upon release, and after several rejections, Stanley was accepted into a PhD program. He completed his PhD/MBA simultaneously and became an endocrinologist and impactful leader at Johns Hopkins Medicine, specializing in diabetes research.Dr. Andrisse is Executive Director and Founder of From Prison Cells to PhD, board member on the Formerly Incarcerated College Graduates Network, founder of the Diversity Postdoctoral Alliance, member on several local and national committees aimed at community outreach, youth mentor, motivational speaker, and community activist. His book From Prison Cells to PhD: It is Never Too Late to Do Good recounts his inspiring story.www.fromprisoncellstophd.orgFrom Prison Cells to PhD bookAsst. Professor, Howard University

Growing up in Ferguson, Missouri, Stanley Andrisse began making poor decisions at a very young age. He started selling dope and was arrested for the first time at fourteen years old. By his early twenties, dope dealing had exponentially multiplied, and he found himself sitting in front of a judge facing twenty years to life on drug trafficking charges. The judge sentenced him to ten years in a maximum-security prison.Upon release, and after several rejections, Stanley was accepted into a PhD program. He completed his PhD/MBA simultaneously and became an endocrinologist and impactful leader at Johns Hopkins Medicine, specializing in diabetes research.Dr. Andrisse is Executive Director and Founder of From Prison Cells to PhD, board member on the Formerly Incarcerated College Graduates Network, founder of the Diversity Postdoctoral Alliance, member on several local and national committees aimed at community outreach, youth mentor, motivational speaker, and community activist. His book From Prison Cells to PhD: It is Never Too Late to Do Good recounts his inspiring story.“I kind of thought there was justice in the criminal justice system and that there was care for people, like you matter to me within the system, and in that moment it hit me. There wasn't. And in fact, it's the opposite. In order for the system to work the way it does, it needs to de-humanize the people that it puts in these cages.”www.fromprisoncellstophd.orgFrom Prison Cells to PhD bookAsst. Professor, Howard UniversityPhoto: Wesley Law/STL Magwww.creativeprocess.infowww.oneplanetpodcast.org

"We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"Water insecurity and water scarcity is affecting all people in almost every part of the world. At this point, by 2025, we expect 1.8 billion people to suffer from water scarcity, which means they have no access to clean, safe drinking water within a 30-minute walk of their home.You fast forward to 2050, we expect 6 billion people will have water scarcity. So the rate at which this problem is increasing is far greater than the current infrastructure that has supported water for humans. And that's where innovation and rapid deployment of technology at scale is really essential. And that's what we're in the business to do."Neil Grimmer is Brand President of SOURCE Global, innovator of the SOURCE Hydropanel, a renewable technology that uses the sun to transform water vapor in the air to clean, safe and perfectly mineralized drinking water. The Public Benefit Company’s mission is to bring perfect drinking water to every person, every place, and Neil leads its marketing, consumer packaged goods and last-mile water solutions for community, consumer and commercial customers in more than 50 countries.www.source.coHow it Workswww.source.co/team/neil-grimmerwww.oneplanetpodcast.orgwww.creativeprocess.info

Neil Grimmer is Brand President of SOURCE Global, innovator of the SOURCE Hydropanel, a renewable technology that uses the sun to transform water vapor in the air to clean, safe and perfectly mineralized drinking water. The Public Benefit Company’s mission is to bring perfect drinking water to every person, every place, and Neil leads its marketing, consumer packaged goods and last-mile water solutions for community, consumer and commercial customers in more than 50 countries."Water insecurity and water scarcity is affecting all people in almost every part of the world. At this point, by 2025, we expect 1.8 billion people to suffer from water scarcity, which means they have no access to clean, safe drinking water within a 30-minute walk of their home.You fast forward to 2050, we expect 6 billion people will have water scarcity. So the rate at which this problem is increasing is far greater than the current infrastructure that has supported water for humans. And that's where innovation and rapid deployment of technology at scale is really essential. And that's what we're in the business to do."www.source.coHow it Workswww.source.co/team/neil-grimmerwww.oneplanetpodcast.orgwww.creativeprocess.info

The Classical Theatre of Harlem provides theatrical productions, educational and literary programs for free or at little cost to Harlem residents, organizations, and all who seek Harlem as a cultural destination. Its productions have received a Drama Desk, OBIE, and New York Times Critics Pick Awards. From July 5th to 29th they bring an Afrofuturistic take on Twelfth Night to Marcus Garvey Park.NAACP and OBIE Award Winner, Ty Jones is Producing Artistic Director responsible for creating the Uptown Shakespeare in the Park series and other community initiatives.Allen Gilmore has played Othello, Iago, and created the role of James Hewlett in The African Company presents Richard The Third at the Public Theater. He makes his CTH debut in Twelfth Night.“I believe that these plays are living arguments and that when you actually read the full text, not cut down versions of them, but the full text, you'll see that Shakespeare was commenting on the ruling class, and for some reason, he found a way to comment on the workings of folks who make decisions in society. Now, I think what's tended to happen over the years is that the ruling class has essentially taken over how we see these plays… We hope that we can move people, and we hope that these are the kind of plays that ignite discourse. I hope that at the end of seeing that piece of art, their hearts begin to beat in sync. I believe all progress begins with a conversation.”www.cthnyc.orgwww.cthnyc.org/dt_team/ty-jones-producing-artistic-director-cth-actorwww.cthnyc.org/twelfth-nightwww.allengilmore.comTwelfth Night photo credit: Richard Terminewww.creativeprocess.infowww.oneplanetpodcast.org

The Classical Theatre of Harlem provides theatrical productions, educational and literary programs for free or at little cost to Harlem residents, organizations, and all who seek Harlem as a cultural destination. Its productions have received a Drama Desk, OBIE, and New York Times Critics Pick Awards. From July 5th to 29th they bring an Afrofuturistic take on Twelfth Night to Marcus Garvey Park.NAACP and OBIE Award Winner, Ty Jones is Producing Artistic Director responsible for creating the Uptown Shakespeare in the Park series and other community initiatives.Allen Gilmore has played Othello, Iago, and created the role of James Hewlett in The African Company presents Richard The Third at the Public Theater. He makes his CTH debut in Twelfth Night.“I believe that these plays are living arguments and that when you actually read the full text, not cut down versions of them, but the full text, you'll see that Shakespeare was commenting on the ruling class, and for some reason, he found a way to comment on the workings of folks who make decisions in society. Now, I think what's tended to happen over the years is that the ruling class has essentially taken over how we see these plays… We hope that we can move people, and we hope that these are the kind of plays that ignite discourse. I hope that at the end of seeing that piece of art, their hearts begin to beat in sync. I believe all progress begins with a conversation.”www.cthnyc.orgwww.cthnyc.org/dt_team/ty-jones-producing-artistic-director-cth-actorwww.cthnyc.org/twelfth-nightwww.allengilmore.comPhoto credits: Lia Chang, Jill Joneswww.creativeprocess.infowww.oneplanetpodcast.org

"When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.”“To me, America is about coexisting. It's about a million different journeys happening all at once, but really it being the same journey, which is to self-actualization to be seen, to be loved. I know that's not very capitalistic or whatever, but that's what I really see, especially in the immigrant community. It's self-actualization and not just for yourself, but to create that opportunity for your progeny, for your legacy.”"When I think of America, what America is, it's the nation built by immigrants that continues to succeed in large part because of the influx of immigrants to this day. Sometimes I describe the United States as like a club, right? It's a wonderful club, so many people want to be a part of it, and you need new members. And immigrants are like the new members that are kind of like the born again Americans that come here, and they're the ones that believe in America the most because everything is new to them, and they've sacrificed so much to be here. So something that I wish people could garner from this series is the fact that immigrants built this nation, and we continue co-creating this nation with those who aren't immigrants, as well."Claudia Forestieri and Brigitte Muñoz-Liebowitz serve as the creator and showrunner of the Latin-focused comedy series for HBO Max, Gordita Chronicles, making them the first female Latinx showrunner and creator duo. The series is executive produced by Zoe Saldana and Eva Longoria.Inspired by Claudia’s own life experience, the show centers around a Latina reporter looking back on her childhood as a chubby, willful and reluctant Dominican immigrant growing up with her eccentric family in 1980s Miami. The lighthearted series addresses themes around immigration, xenophobia, and body positivity and stars newcomer Olivia Goncalves, Diana Maria Riva, and Juan Javier Cardenas.Gordita Chronicles on HBO Max IMDB Claudia ForestieriBrigitte Muñoz-Liebowitz

Claudia Forestieri and Brigitte Muñoz-Liebowitz serve as the creator and showrunner of the Latin-focused comedy series for HBO Max, Gordita Chronicles, making them the first female Latinx showrunner and creator duo. The series is executive produced by Zoe Saldana and Eva Longoria.Inspired by Claudia’s own life experience, the show centers around a Latina reporter looking back on her childhood as a chubby, willful and reluctant Dominican immigrant growing up with her eccentric family in 1980s Miami. The lighthearted series addresses themes around immigration, xenophobia, and body positivity and stars newcomer Olivia Goncalves, Diana Maria Riva, and Juan Javier Cardenas.Claudia’s previous work for Telemundo earned her five Emmys and a GLAAD Media Award. Brigitte is known for her work on Brooklyn Nine Nine, People of Earth, and Love Life."When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.”Gordita Chronicles on HBO Max IMDB Claudia ForestieriBrigitte Muñoz-Liebowitz

“Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important. So doing the things we can do now, do the less painful things first. We should have done them already. We should be now thinking about how to do the harder things.”Jonathan Newman is an ecologist who studies plant–animal interactions in the context of species invasions and climatic change. He is the lead author of two books: Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics, and co-editor of Grasslands and Climate Change.  He is the author of more than 100 other scientific publications.WLU Webpagehttps://wlu.caClimate Change BiologyDefending Biodiversity: Environmental Science and Ethics,Grasslands and Climate Changewww.oneplanetpodcast.orgwww.creativeprocess.info

Jonathan Newman is an ecologist who studies plant–animal interactions in the context of species invasions and climatic change. He is the lead author of two books: Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics, and co-editor of Grasslands and Climate Change.  He is the author of more than 100 other scientific publications.“Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important. So doing the things we can do now, do the less painful things first. We should have done them already. We should be now thinking about how to do the harder things.”WLU Webpagehttps://wlu.caClimate Change BiologyDefending Biodiversity: Environmental Science and Ethics,Grasslands and Climate Changewww.oneplanetpodcast.orgwww.creativeprocess.info

“Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.”Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and the forthcoming film TÁR starring Cate Blanchett.Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle.His work on Brian Kirk’s television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.http://florianhoffmeister.dePachinkoGreat ExpectationsOfficial Secrets The Deep Blue Seawww.creativeprocess.infowww.oneplanetpodcast.org

Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and the forthcoming film TÁR starring Cate Blanchett.Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle.His work on Brian Kirk’s television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.“Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.”http://florianhoffmeister.dePachinkoGreat ExpectationsOfficial Secrets The Deep Blue Seawww.creativeprocess.infowww.oneplanetpodcast.org

"It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life... The second part of what I think being a mentor or being a parent or being an adult or a teacher with regard to climate change means helping younger people sit with the terror, sit with the grief, the sense of unknown, and not push it away and not repress it and not try to find a way to just move past it without dealing with it, but to really inhabit that space of unknowing and fear and grief because that's the reality that we live in.”Roy Scranton, is the award-winning author of five books, including Learning to Die in the Anthropocene: Reflections on the End of a Civilization, Total Mobilization: World War II and American Literature, and We’re Doomed. Now What? He has written for the NYTimes, Rolling Stone, The Nation, and other publications. He was selected for the 2015 Best American Science and Nature Writing, has been awarded a Whiting Fellowship, a Lannan Literary Fellowship, and other honors. He’s an Associate Professor of English at the University of Notre Dame, and is director of the Notre Dame Environmental Humanities Initiative.http://royscranton.netNotre Dame Environmental Humanities Initiative sites.nd.edu/ehum www.oneplanetpodcast.org www.creativeprocess.info

Roy Scranton, is the award-winning author of five books, including Learning to Die in the Anthropocene: Reflections on the End of a Civilization, Total Mobilization: World War II and American Literature, and We’re Doomed. Now What? He has written for the NYTimes, Rolling Stone, The Nation, and other publications. He was selected for the 2015 Best American Science and Nature Writing, has been awarded a Whiting Fellowship, a Lannan Literary Fellowship, and other honors. He’s an Associate Professor of English at the University of Notre Dame, and is director of the Notre Dame Environmental Humanities Initiative."It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life... The second part of what I think being a mentor or being a parent or being an adult or a teacher with regard to climate change means helping younger people sit with the terror, sit with the grief, the sense of unknown, and not push it away and not repress it and not try to find a way to just move past it without dealing with it, but to really inhabit that space of unknowing and fear and grief because that's the reality that we live in.”http://royscranton.netNotre Dame Environmental Humanities Initiative sites.nd.edu/ehum www.oneplanetpodcast.org www.creativeprocess.infoPhoto by Ola Kjelbye

“I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. 'Is it a deep fake?' We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.”David A. Banks is the Director of Globalization Studies at the University at Albany, SUNY and the author of the forthcoming book The City Authentic: How the Attention Economy Builds Urban America published by University of California Press. He is also a delegate to the Troy Area Labor Council and the co-host of the podcast Ironweeds.www.davidabanks.orgwww.e-flux.com/architecture/software/337954/where-do-you-live/ https://reallifemag.com/true-ish-grit/ www.reallifemag.com/new-haunts/ The attention economy of authentic cities https://doi.org/10.1080/09654313.2021.1882947https://ironweeds.podbean.com

David A. Banks is the Director of Globalization Studies at the University at Albany, SUNY and the author of the forthcoming book The City Authentic: How the Attention Economy Builds Urban America published by University of California Press. He is also a delegate to the Troy Area Labor Council and the co-host of the podcast Ironweeds.“I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. 'Is it a deep fake?' We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.”www.davidabanks.orgwww.e-flux.com/architecture/software/337954/where-do-you-live/ https://reallifemag.com/true-ish-grit/ www.reallifemag.com/new-haunts/ The attention economy of authentic cities https://doi.org/10.1080/09654313.2021.1882947https://ironweeds.podbean.com

“Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth.Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.”KC Legacion is a Master of Environmental Studies candidate at the University of Pennsylvania. His research presents a reimagined understanding of social media through the lens of degrowth—this project will culminate in a short film set to premiere in September of this year. Outside of their research, KC is a team member of the web collective degrowth.info and a member of a nascent housing cooperative in West Philadelphia.www.degrowth.infowww.kclegacion.comwww.decidim.orgwww.joinmastodon.orgwww.iNaturalist.orgwww.oneplanetpodcast.orgwww.creativeprocess.info

KC Legacion is a Master of Environmental Studies candidate at the University of Pennsylvania. His research presents a reimagined understanding of social media through the lens of degrowth—this project will culminate in a short film set to premiere in September of this year. Outside of their research, KC is a team member of the web collective degrowth.info and a member of a nascent housing cooperative in West Philadelphia.“Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth.Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.”www.degrowth.infowww.kclegacion.comwww.decidim.orgwww.joinmastodon.orgwww.iNaturalist.orgwww.oneplanetpodcast.orgwww.creativeprocess.info

“I guess the work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.”Chris Funk is the Director of the Climate Hazards Center (CHC) at UC Santa Barbara. He works with an international team of Earth scientists to inform weather and famine-related disaster responses. Chris studies climate and climate change while also developing improved data sets and monitoring/prediction systems. He’s the author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes and co-author with Shrad Shukla of Drought Early Warning and Forecasting. While his research interests are quite diverse, a central theme uniting Chris’ work is developing both the technical/scientific resources and the conceptual frameworks that will help us cope with increasingly dangerous climate and weather extremes.www.chc.ucsb.eduwww.chc.ucsb.edu/people/chris-funkDrought, Flood, Fire: How Climate Change Contributes to Recent Catastropheswww.oneplanetpodcast.org www.creativeprocess.info

Chris Funk is the Director of the Climate Hazards Center (CHC) at UC Santa Barbara. He works with an international team of Earth scientists to inform weather and famine-related disaster responses. Chris studies climate and climate change while also developing improved data sets and monitoring/prediction systems. He’s the author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes and co-author with Shrad Shukla of Drought Early Warning and Forecasting. While his research interests are quite diverse, a central theme uniting Chris’ work is developing both the technical/scientific resources and the conceptual frameworks that will help us cope with increasingly dangerous climate and weather extremes.“I guess the work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.”www.chc.ucsb.eduwww.chc.ucsb.edu/people/chris-funkDrought, Flood, Fire: How Climate Change Contributes to Recent Catastropheswww.oneplanetpodcast.org www.creativeprocess.info

Mario Alberto Zambrano is the Associate Director of Juilliard Dance. He was born in Houston, danced for Batsheva Dance Company, Hubbard Street Dance Chicago, Nederlands Dans Theater II, and Ballet Frankfurt between 1994 and 2005. He then returned to school and earned an MFA in English at the Iowa Writers’ Workshop, where he received a John C. Schupes fellowship for excellence in fiction. His first novel, Lotería (Harper Collins), was a Barnes and Noble Discover Great New Writers pick in 2013 and a finalist for the 2014 John Gardner Fiction Book Award. Zambrano, who was awarded the Alice Hoffman Prize for Fiction for his short story “Some of You,” has been a YoungArts Presidential Scholar in the Arts and a Princess Grace Award winner. He has been awarded literary fellowships to MacDowell Colony, Yaddo, the National Endowment for the Arts, and Scotland’s Hawthornden Castle. Before joining Juilliard, he was a lecturer in theater, dance, and media at Harvard. He serves as program director for Orsolina28’s summer program and curates The LIT Series, a library of interdisciplinary thinking consisting of series of  lectures, interviews, classes and discussions.“In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?”· IG @juilliardschool · IG @malberto777· IG @thelitseries · www.thelitseries.com· www.juilliard.edu/dance/faculty/zambrano-mario-alberto· marioalbertozambrano.com· www.creativeprocess.info· www.oneplanetpodcast.orgPhoto by Julien Benhamou

Mario Alberto Zambrano is the Associate Director of Juilliard Dance. He was born in Houston, danced for Batsheva Dance Company, Hubbard Street Dance Chicago, Nederlands Dans Theater II, and Ballet Frankfurt between 1994 and 2005. He then returned to school and earned an MFA in English at the Iowa Writers’ Workshop, where he received a John C. Schupes fellowship for excellence in fiction. His first novel, Lotería (Harper Collins), was a Barnes and Noble Discover Great New Writers pick in 2013 and a finalist for the 2014 John Gardner Fiction Book Award. Zambrano, who was awarded the Alice Hoffman Prize for Fiction for his short story “Some of You,” has been a YoungArts Presidential Scholar in the Arts and a Princess Grace Award winner. He has been awarded literary fellowships to MacDowell Colony, Yaddo, the National Endowment for the Arts, and Scotland’s Hawthornden Castle. Before joining Juilliard, he was a lecturer in theater, dance, and media at Harvard. He serves as program director for Orsolina28’s summer program and curates The LIT Series, a library of interdisciplinary thinking consisting of series of lectures, interviews, classes and discussions.“In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?”www.marioalbertozambrano.comIG @juilliardschool IG @malberto777IG @thelitserieswww.thelitseries.comwww.juilliard.edu/dance/faculty/zambrano-mario-albertowww.creativeprocess.infowww.oneplanetpodcast.org

"If we reduce population growth by 1% in the world economy, we can have growth in income per capita at a level of about 7% and still hold carbon emissions unchanged. Namely, by reducing population growth, we can permit growth in income per capita without polluting planet earth more than otherwise. So this is very important because it suggests to us that policies that target gender equality, the diffusion of contraceptive methods, and the rewards of education are policies that could mitigate population growth and ultimately permit the growth of income per capita without the liability of greater carbon emissions."Oded Galor is Herbert H. Goldberger Professor of Economics at Brown University and the founding thinker behind Unified Growth Theory, which seeks to uncover the fundamental causes of development, prosperity and inequality over the entire span of human history. He has shared the insights of his lifetime’s work in this field at some of the most prestigious lectures around the globe and has now distilled those discoveries into The Journey of Humanity, which is published in 30  languages worldwide.www.odedgalor.comwww.brown.edu/academics/population-studies/people/person/oded-galorThe Journey of Humanity www.oneplanetpodcast.orgwww.creativeprocess.info

Oded Galor is Herbert H. Goldberger Professor of Economics at Brown University and the founding thinker behind Unified Growth Theory, which seeks to uncover the fundamental causes of development, prosperity and inequality over the entire span of human history. He has shared the insights of his lifetime’s work in this field at some of the most prestigious lectures around the globe and has now distilled those discoveries into The Journey of Humanity, which is published in 30  languages worldwide."If we reduce population growth by 1% in the world economy, we can have growth in income per capita at a level of about 7% and still hold carbon emissions unchanged. Namely, by reducing population growth, we can permit growth in income per capita without polluting planet earth more than otherwise. So this is very important because it suggests to us that policies that target gender equality, the diffusion of contraceptive methods, and the rewards of education are policies that could mitigate population growth and ultimately permit the growth of income per capita without the liability of greater carbon emissions."www.odedgalor.comwww.brown.edu/academics/population-studies/people/person/oded-galorThe Journey of Humanity www.oneplanetpodcast.orgwww.creativeprocess.info

“We're trying to help the world's forestry organizations collectively plant a trillion trees in the next decade and cover 3 billion acres of net new forest. That's a very, very large number. Some of the very largest tree-planting organizations in the world collectively plant something like half a billion to three-quarters of a billion trees per year. And even that number sounds large, too, but then you realize that's actually three full orders of magnitude smaller than the actual number we need to hit in the next decade. So we actually need to take all of the world's largest forestry organizations as a group and multiply by a thousand their efforts. So that's a very large undertaking, and I just can't underscore enough the scale at which we as a human species seeks to operate when we talk about tree-planting and forestry operations.”Terraformation builds and deploys tools to tackle the largest bottlenecks to mass-scale reforestation. Its technology includes off-grid seed banks that process and store millions of seeds, tracking and monitoring platforms to enable project transparency, solar-powered desalination and more. Its current partner network spans five continents, including in South America, East Africa and Central Asia, and includes public- and private-sector landowners and organizations. Terraformation’s goal in 2022 is to establish the world’s largest decentralized native seed banking network.www.terraformation.orgPhoto credit @pkworldwidewww.oneplanetpodcast.orgwww.creativeprocess.info

Yee Lee was the first employee at Terraformation, dedicated to restoring the planet’s forests to solve climate change. He is a serial technology entrepreneur and angel investor from Silicon Valley, having invested in over 100 technology startups. Prior to Terraformation, Yee was an early team member at PayPal and Slide. He founded four venture-backed ecommerce and financial technology startups with M&A exits to Google and TaskRabbit (now part of IKEA). In his capacity as Chief of Growth at Terraformation, Yee supports Business Development, Sales, Capital Markets, and Terraformation Foundation teams.Terraformation builds and deploys tools to tackle the largest bottlenecks to mass-scale reforestation. Its technology includes off-grid seed banks that process and store millions of seeds, tracking and monitoring platforms to enable project transparency, solar-powered desalination and more. Its current partner network spans five continents, including in South America, East Africa and Central Asia, and includes public- and private-sector landowners and organizations. Terraformation’s goal in 2022 is to establish the world’s largest decentralized native seed banking network.www.terraformation.orgwww.oneplanetpodcast.orgwww.creativeprocess.info

“Before coming on board Under the Banner of Heaven, I had very little knowledge of Mormonism, but having read the script by Academy Award-winning screenwriter Dustin Lance Black, who is also the showrunner for the show, I resonated deeply with Jeb Pyre (played by Andrew Garfield) when it comes to his growing ambivalence and his crisis of faith.And the more he learned about the gruesome, grisly history of the founding Mormonism, and also about the case that he was investigating, the more disillusioned and disenchanted he was becoming. And that resonated with me because I was raised Catholic in the Philippines. I was born and grew up in the Philippines, which is the most predominantly Catholic country in Asia. In fact, 95% of Filipinos are Roman Catholic, but as I grew older, actually went to Catholic schools and universities from kindergarten until college, and then the more I learned about the history of the Catholic Church and the atrocities and the injustices that it has committed, especially in the name of colonialist and imperialist pursuits in the Middle ages, the more I questioned its control over me and my life.” Redefining being a multi-hyphenate for artistic control and representation, Sandoval made her television debut directing the 6th episode for the new FX limited series, Under the Banner of Heaven based on the New York Times best seller by Jon Krakauer. Isabel Sandoval is a Filipina filmmaker who made history with the World Premiere of Lingua Franca at the 2019 Venice International Film Festival’s Giornate degli Autori section and was the first film directed by and starring a trans woman of color ever to screen in competition. In honor of her achievements with the film, Sandoval was nominated for the John Cassavetes Award at the 2021 Film Independent Spirit Awards. Her early film works debuted last summer on The Criterion Channel platform, displaying her growth and evolution as a creator, able to embrace new mediums.www.fxnetworks.com/shows/under-the-banner-of-heavenThe Criterion Channelwww.imdb.com/name/nm4583383/www.creativeprocess.infowww.oneplanetpodcast.org

Redefining being a multi-hyphenate for artistic control and representation, Sandoval made her television debut directing the 6th episode for the new FX limited series, Under the Banner of Heaven based on the New York Times best seller by Jon Krakauer. Isabel Sandoval is a Filipina filmmaker who made history with the World Premiere of Lingua Franca at the 2019 Venice International Film Festival’s Giornate degli Autori section and was the first film directed by and starring a trans woman of color ever to screen in competition. In honor of her achievements with the film, Sandoval was nominated for the John Cassavetes Award at the 2021 Film Independent Spirit Awards. Her early film works debuted last summer on The Criterion Channel platform, displaying her growth and evolution as a creator, able to embrace new mediums.“Before coming on board Under the Banner of Heaven, I had very little knowledge of Mormonism, but having read the script by Academy Award-winning screenwriter Dustin Lance Black, who is also the showrunner for the show, I resonated deeply with Jeb Pyre (played by Andrew Garfield) when it comes to his growing ambivalence and his crisis of faith.And the more he learned about the gruesome, grisly history of the founding Mormonism, and also about the case that he was investigating, the more disillusioned and disenchanted he was becoming. And that resonated with me because I was raised Catholic in the Philippines. I was born and grew up in the Philippines, which is the most predominantly Catholic country in Asia. In fact, 95% of Filipinos are Roman Catholic, but as I grew older, actually went to Catholic schools and universities from kindergarten until college, and then the more I learned about the history of the Catholic Church and the atrocities and the injustices that it has committed, especially in the name of colonialist and imperialist pursuits in the Middle ages, the more I questioned its control over me and my life.”www.fxnetworks.com/shows/under-the-banner-of-heavenThe Criterion Channelwww.imdb.com/name/nm4583383/www.creativeprocess.infowww.oneplanetpodcast.org

“One thing that we should remember as young people is that everything allowed us is political by nature. We shouldn't be really scared of getting ourselves into different political aspects of issues around us. Be bold enough to speak out on the biggest challenges that are around you. And at the same time, it's in us to understand what kind of environment I am in? What is it that I can contribute to the problems that I am facing? That young people or people in general facing? So just go on. Be a part of that, and you'll be surprised that you will be the biggest game-changer.”Memory Banda is a human and girls’ rights activist, and the founder and executive director of Foundation for Girls Leadership; a not-for-profit organization in Malawi working to advance and promote girl’s rights, their leadership and their active participation in driving positive change. Girls in Malawi are denied their rights to education, sexual reproductive health, and have fewer opportunities to participate in development and economic activities. They are often victims of sexual gender based violence. Memory led a campaign called “I will marry when I want” that contributed to the passing and enactment of the new law and amendment of Malawi constitution that criminalizes marriages of minors.www.f4gl.orgwww.creativeprocess.infowww.oneplanetpodcast.org

Memory Banda is a human and girls’ rights activist, and the founder and executive director of Foundation for Girls Leadership; a not-for-profit organization in Malawi working to advance and promote girl’s rights, their leadership and their active participation in driving positive change. Girls in Malawi are denied their rights to education, sexual reproductive health, and have fewer opportunities to participate in development and economic activities. They are often victims of sexual gender based violence. Memory led a campaign called “I will marry when I want” that contributed to the passing and enactment of the new law and amendment of Malawi constitution that criminalizes marriages of minors.www.f4gl.orgPhoto credit: Young Activists Summitwww.creativeprocess.info www.oneplanetpodcast.org

"The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.”Sir Geoff Mulgan is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. Formerly he was chief executive of Nesta, and held government roles (1997–2004), including as the Prime Minister’s Strategy Unit director and as Downing Street’s head of policy. He is the founder or co-founder of many organisations, from Demos to Action for Happiness, and the author of Another World is Possible, Social Innovation: how societies find the power to change, Big Mind: how collective intelligence can change our world, and other books.  geoffmulgan.comwww.hurstpublishers.com/book/another-world-is-possiblewww.creativeprocess.infowww.oneplanetpodcast.org

Sir Geoff Mulgan is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. Formerly he was chief executive of Nesta, and held government roles (1997–2004), including as the Prime Minister’s Strategy Unit director and as Downing Street’s head of policy. He is the founder or co-founder of many organisations, from Demos to Action for Happiness, and the author of Another World is Possible, Social Innovation: how societies find the power to change, Big Mind: how collective intelligence can change our world, and other books."The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.”geoffmulgan.comhurstpublishers.com/book/another-world-is-possiblewww.creativeprocess.infowww.oneplanetpodcast.org

“Are there simple forms of artificial intelligence, simple programming of bots, such that when they are added to groups of humans – because those humans are smart or otherwise positively inclined - that help the humans to help themselves? Can we get groups of people to work better together, for instance, to confront climate change, or to reduce racism online, or to foster innovation within firms?Can we have simple forms of AI that are added into our midst that make us work better together? And the work we're doing in that part of my lab shows that abundantly that's the case. And we published a stream of papers showing that we can do that.” Nicholas Christakis, MD, PhD, MPH, is a social scientist and physician who conducts research in the areas of biosocial science, network science and behavioral genetics. He directs the Human Nature Lab at Yale University and is the co-director of the Yale Institute for Network Science. Dr. Christakis has authored numerous books, including Blueprint: The Evolutionary Origins of a Good Society published in 2019 and Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live published in 2020. In 2009, Christakis was named by TIME magazine to their annual list of the 100 most influential people in the world.humannaturelab.net/people/nicholas-christakisHuman Nature Lab humannaturelab.netYale Institute for Network Science yins.yale.eduTRELLIS - Suite of software tools for developing, administering, and collecting survey and social network data trellis.yale.eduThe Atlantic: “How AI Will Rewire Us: For better and for worse, robots will alter humans’ capacity for altruism, love, and friendship”www.creativeprocess.infowww.oneplanetpodcast.org

Nicholas Christakis, MD, PhD, MPH, is a social scientist and physician who conducts research in the areas of biosocial science, network science and behavioral genetics. He directs the Human Nature Lab at Yale University and is the co-director of the Yale Institute for Network Science. Dr. Christakis has authored numerous books, including Blueprint: The Evolutionary Origins of a Good Society published in 2019 and Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live published in 2020. In 2009, Christakis was named by TIME magazine to their annual list of the 100 most influential people in the world. “We're not attempting to invent super smart AI to replace human cognition. We are inventing dumb AI to supplement human interaction. Are there simple forms of artificial intelligence, simple programming of bots, such that when they are added to groups of humans – because those humans are smart or otherwise positively inclined - that help the humans to help themselves? Can we get groups of people to work better together, for instance, to confront climate change, or to reduce racism online, or to foster innovation within firms? Can we have simple forms of AI that are added into our midst that make us work better together? And the work we're doing in that part of my lab shows that abundantly that's the case. And we published a stream of papers showing that we can do that.”humannaturelab.net/people/nicholas-christakisHuman Nature Lab humannaturelab.netYale Institute for Network Science yins.yale.eduTRELLIS - Suite of software tools for developing, administering, and collecting survey and social network data trellis.yale.eduThe Atlantic: “How AI Will Rewire Us: For better and for worse, robots will alter humans’ capacity for altruism, love, and friendship”www.creativeprocess.infowww.oneplanetpodcast.org

"I think what's powerful about a tree is it's tangible and it's symbolic in a lot of ways. We as humans naturally have this emotional connection, I think, to trees, and so particularly when you think of our ability to take action within the climate crisis conversation, a tree is this really powerful symbol and vehicle because it's a lot easier to understand a tree than it is to understand a pound or two of CO2 that's floating in the air.So for us, tree planting is just the start of the communication, just the start of the impact. Really if all it was was to get a stick in the ground that wouldn't have the long-term impact, whether that be carbon, whether that be socioeconomic impact, and things like that. So really for us, veritree helps us collect all that data and create the operating system to pull in the data on everything from planting forms and field updates that are coming in, survivability analysis, and different updates on things like biodiversity. We're partnering with some groups to test underwater sensors in some of these planting sites. We're collecting socioeconomic surveys and things like that to try to attach the impact to the community and back to the planting that's happening.”From a young age, Saskatchewan born Derrick Emsley has been actively connecting people with environmental stewardship. At 16, he and his brother Kalen founded a tree planting company that sold carbon offsets to businesses, a venture that saw over $1 million dollars in contracts and 150,000 trees planted. Derrick founded tentree, the apparel company that plants trees for purchases, soon after graduating from Richard Ivey School of Business in 2012. In just under a decade, tentree has set new standards for apparel brands with environmentally progressive values. Based on its success creating a model for engagement between the brand and its consumers, Derrick co-founded veritree last year, as a platform for regeneration that other brands can use to create similar impact. Named one of Forbes 30 Under 30 for 2020, Derrick has become a voice for a modern generation—one who recognizes the necessity of a brand that's earth-first, transparent, and community-focused.· www.veritree.com· veritree Launches Community of 30 Brand Partners to Plant 10 Million Verified Treesveritree Partners with Samsung to Plant Millions of Trees in 2022Mogo announces its partnership with veritreeveritree and Cardano Foundation Complete Global Impact Challenge as "Cardano Forest" Reaches Funding Target for Planting 1M Treeswww.oneplanetpodcast.org· www.creativeprocess.info

From a young age, Saskatchewan born Derrick Emsley has been actively connecting people with environmental stewardship. At 16, he and his brother Kalen founded a tree planting company that sold carbon offsets to businesses, a venture that saw over $1 million dollars in contracts and 150,000 trees planted. Derrick founded tentree, the apparel company that plants trees for purchases, soon after graduating from Richard Ivey School of Business in 2012. In just under a decade, tentree has set new standards for apparel brands with environmentally progressive values. Based on its success creating a model for engagement between the brand and its consumers, Derrick co-founded veritree last year, as a platform for regeneration that other brands can use to create similar impact. Named one of Forbes 30 Under 30 for 2020, Derrick has become a voice for a modern generation—one who recognizes the necessity of a brand that's earth-first, transparent, and community-focused."I think what's powerful about a tree is it's tangible and it's symbolic in a lot of ways. We as humans naturally have this emotional connection, I think, to trees, and so particularly when you think of our ability to take action within the climate crisis conversation, a tree is this really powerful symbol and vehicle because it's a lot easier to understand a tree than it is to understand a pound or two of CO2 that's floating in the air.So for us, tree planting is just the start of the communication, just the start of the impact. Really if all it was was to get a stick in the ground that wouldn't have the long-term impact, whether that be carbon, whether that be socioeconomic impact, and things like that. So really for us, veritree helps us collect all that data and create the operating system to pull in the data on everything from planting forms and field updates that are coming in, survivability analysis, and different updates on things like biodiversity. We're partnering with some groups to test underwater sensors in some of these planting sites. We're collecting socioeconomic surveys and things like that to try to attach the impact to the community and back to the planting that's happening."· www.veritree.com· veritree Launches Community of 30 Brand Partners to Plant 10 Million Verified Treesveritree Partners with Samsung to Plant Millions of Trees in 2022Mogo announces its partnership with veritreeveritree and Cardano Foundation Complete Global Impact Challenge as "Cardano Forest" Reaches Funding Target for Planting 1M Treeswww.oneplanetpodcast.org· www.creativeprocess.info

“So while there is no kind of one size fits all story, there are plenty of times when...kind of like clusters of activity. And some kids don't come out as trans. They come out as wanting to begin a process of exploration around gender, wanting to sort of bend things a little bit or begin to present themselves in slightly different ways without a concrete cross-identification. So it's really a pretty diverse range of phenomena.”Tey Meadow is an assistant professor of sociology at Columbia University, where she teaches courses on gender and sexuality, queer theory, qualitative methodology, law, and the analytics of risk and uncertainty. Meadow’s published work focuses on a broad range of issues, including the emergence of the transgender child as a social category, the international politics of family diversity, the creation and maintenance of legal gender classifications, and newer work on the ways individuals negotiate risk in intimate relationships.Meadow is the author of Trans Kids: Being Gendered in the Twenty-First Century (University of California Press, 2018), and the co-editor of the volume, Other Please Specify: Queer Methods in Sociology (University of California Press, 2018). She has published essays in academic journals like Gender & Society, Politics & Society, Sexualities, Journal of Contemporary Ethnography, Transgender Studies Quarterly and multiple edited volumes.· https://teymeadow.com · https://sociology.columbia.edu/content/tey-meadow· www.creativeprocess.info · www.oneplanetpodcast.orgInterlude music: “Di zun vet aruntergeyn”Words by Moishe-Lieb Halpern Melody by Ben YomenPerformed and produced by Beila Ungar

Tey Meadow is an assistant professor of sociology at Columbia University, where she teaches courses on gender and sexuality, queer theory, qualitative methodology, law, and the analytics of risk and uncertainty. Meadow’s published work focuses on a broad range of issues, including the emergence of the transgender child as a social category, the international politics of family diversity, the creation and maintenance of legal gender classifications, and newer work on the ways individuals negotiate risk in intimate relationships. Meadow is the author of Trans Kids: Being Gendered in the Twenty-First Century (University of California Press, 2018), and the co-editor of the volume, Other Please Specify: Queer Methods in Sociology (University of California Press, 2018). She has published essays in academic journals like Gender & Society, Politics & Society, Sexualities, Journal of Contemporary Ethnography, Transgender Studies Quarterly and multiple edited volumes.“So while there is no kind of one size fits all story, there are plenty of times when...kind of like clusters of activity. And some kids don't come out as trans. They come out as wanting to begin a process of exploration around gender, wanting to sort of bend things a little bit or begin to present themselves in slightly different ways without a concrete cross-identification. So it's really a pretty diverse range of phenomena.”· https://teymeadow.com · https://sociology.columbia.edu/content/tey-meadow· www.creativeprocess.info · www.oneplanetpodcast.orgInterlude music: “Di zun vet aruntergeyn”Words by Moishe-Lieb Halpern Melody by Ben YomenPerformed and produced by Beila Ungar

“I think to pursue mystery and beauty, these things are a bit subjective, so you can't really tell people exactly what it shouldn't be about. And also I have to preserve these things for myself. I primarily make the work for myself, so if I don't have some questions that are unanswered, even for me, then there's not really an interest to like keep going otherwise. So it's also sort of protection and a preservation mindset that I have about leaving things really open for other people and for myself.”Petra Cortright is a Los Angeles-based digital artist known for her elaborate paintings, videography, and digital media. Crafted from massive digital files on Photoshop, her paintings are often composed of physical and digital images, simulated brushstrokes, and marks that blend both abstract and figurative elements. Petra has exhibited at the Walker Art Center, Whitechapel Gallery, and the Hammer Museum, in addition to solo exhibitions around the world. Her work is featured in permanent collections at New York’s Museum of Modern Art, Miami’s Péréz Museum, and the Moderna Museeit in Stockholm–amongst many others.· www.petracortright.com· Show at Societé in Berlin: BALEAF GYS AKADEMIKS MAAMGIC BROKIG:  https://societeberlin.com/exhibitions/baleaf-gys-akademiks-maamgic-brokig/· Show at Foxy production at the beginning of this year: https://www.foxyproduction.com/exhibitions/1756Petra CortrightBENGAL TIGER_beurteilungsschreiben Better Homes and Gardens, 2021Digital painting on anodized aluminum149.9 x 215.9 x 3 cm59 1/2 x 85 x 1 1/2 in· www.creativeprocess.info · www.oneplanetpodcast.org