The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Stuart Dryburgh is a British born, New York based cinematographer. His credits include ‘The Great Wall’, ‘The Secret Life of Walter Mitty’, ‘Bridget Jones’ Diary’, ‘The Piano’ (AAN 1994) and ‘An Angel at my Table’. Stuart Dryburgh was born in the UK in 1952, and migrated with his family to New Zealand in 1961, where he spent most of his childhood and young adult life. He earned a Bachelor of Architecture from Auckland University in 1977. Stuart started out working on early NZ films such as ‘Middle Age Spread’ and ‘Good-Bye Pork Pie’ and ‘Smash Palace’. He was employed as a gaffer from 1979 – 1985, working on many NZ and international feature films and commercials. From 1985 on he has worked only as a cinematographer, at first shooting short films, music videos, and tv commercials. In 1989 he shot the 3 part TV mini series ‘An Angel at my Table’ for director Jane Campion. This led to another Dryburgh/ Campion collaboration, ‘The Piano’. For this film he was nominated for an Academy Award for Best Cinematography in 1994.His next project, ultimately his last in New Zealand for many years, was ‘Once Were Warriors’ with New Zealand director Lee Tamahori. In 1994 Dryburgh shot his first US feature film, the ‘Peres Family’, for director Mira Nair,and moved permanently to the US in 1996. · www.stuartdryburgh.com · www.creativeprocess.info

“Net-zero is a big idea. It’s a big theme. And, unfortunately, what's going up are many ways to look like you're doing net-zero when you're not. So in the ideal world, getting to net-zero means essentially reducing your emissions, and then, where you have residual emissions left, that means you might need to have negative emissions. For example, it's relatively easy to decarbonize the power sector completely, and you can do it quickly and cheaply in most places, but you’re always going to be left with some levels of emissions from agriculture.”Bill Hare is a physicist and climate scientist with 30 years of experience in science, impacts and policy responses to climate change and stratospheric ozone depletion. He is a founder and CEO of Climate Analytics, which was established to synthesize and advance scientific knowledge on climate change and provide state-of-the-art solutions to global and national climate change policy challenges.He was a Lead Author for the Intergovernmental Panel on Climate Change (IPCC) Fourth Assessment Report, for which the IPCC was awarded the Nobel Peace Prize in 2007. Hare has contributed actively to the development of the international climate regime since 1989, including the negotiation of the 1992 UN Framework Convention on Climate Change, the 1997 Kyoto Protocol and the Paris Agreement in 2015. Hare is a graduate of Murdoch University in Western Australia and a visiting scientist at the Potsdam Institute for Climate Impact Research.· https://climateanalytics.org· https://climateactiontracker.org· www.oneplanetpodcast.org

Bill Hare is a physicist and climate scientist with 30 years of experience in science, impacts and policy responses to climate change and stratospheric ozone depletion. He is a founder and CEO of Climate Analytics, which was established to synthesize and advance scientific knowledge on climate change and provide state-of-the-art solutions to global and national climate change policy challenges.He was a Lead Author for the Intergovernmental Panel on Climate Change (IPCC) Fourth Assessment Report, for which the IPCC was awarded the Nobel Peace Prize in 2007. Hare has contributed actively to the development of the international climate regime since 1989, including the negotiation of the 1992 UN Framework Convention on Climate Change, the 1997 Kyoto Protocol and the Paris Agreement in 2015. Hare is a graduate of Murdoch University in Western Australia and a visiting scientist at the Potsdam Institute for Climate Impact Research.· https://climateanalytics.org· https://climateactiontracker.org· www.oneplanetpodcast.org· www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People’s Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People’s Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

“The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.”John Powers was born in Chicago. He is a sculptor. After doing an apprenticeship on the West Coast with the sculptor Tom Jay, he moved to New York where he studied at Pratt and Hunter College. His artwork has been shown at MoMA PS1, the Brooklyn Museum, the Bruges Triennial, and PostMasters Gallery, among others. He was recently featured in the New York Times after injuring his hand.· www.johnpowers.us· www.creativeprocess.info

John Powers was born in Chicago. He is a sculptor. After doing an apprenticeship on the West Coast with the sculptor Tom Jay, he moved to New York where he studied at Pratt and Hunter College. His artwork has been shown at MoMA PS1, the Brooklyn Museum, the Bruges Triennial, and PostMasters Gallery, among others. He was recently featured in the New York Times after injuring his hand.· www.johnpowers.us· www.creativeprocess.info

Robert Nathan is an award-winning television producer, screenwriter, journalist, and novelist. Best known for his work on the Law & Order television franchise and his novel The White Tiger. He has worked in politics, broadcast and print journalism, film, and television. Nathan joined the original writing staff of Law & Order, working on three series in the franchise. Nathan’s script for the episode “Manhood,” co-written with Walon Green, holds the franchise’s only Emmy nomination for Outstanding Writing for a Drama Series. He was also on the original staff of the TV series ER and received a Peabody Award. Nathan has received four Emmy nominations, an Edgar Award nomination, the GLAAD Media Award, the Silver Gavel Award, the Shine Award, and a Humanitas Award nomination.www.creativeprocess.info

Robert Nathan is an award-winning television producer, screenwriter, journalist, and novelist. Best known for his work on the Law & Order television franchise and his novel The White Tiger. He has worked in politics, broadcast and print journalism, film, and television. Nathan joined the original writing staff of Law & Order, working on three series in the franchise. Nathan’s script for the episode “Manhood,” co-written with Walon Green, holds the franchise’s only Emmy nomination for Outstanding Writing for a Drama Series. He was also on the original staff of the TV series ER and received a Peabody Award. Nathan has received four Emmy nominations, an Edgar Award nomination, the GLAAD Media Award, the Silver Gavel Award, the Shine Award, and a Humanitas Award nomination.www.creativeprocess.info

“Is this true that we test for fewer than 100 chemicals in water, but in fact, there are thousands that go untested?”“There are thousands just like there are in air, just like there are in food. We sometimes compartmentalize too much. We forget, but what is food? Food is made up of chemicals. And I think we need to be broader in our understanding because, for example, we all have on us and within us our Microbiomes and we think about the GI bacteria and we now know that if people are obese they have very different microbial content in their gut compared to people who are not obese. And we know that a baby born by C-section section has a different position than a baby born vaginally. And we know that these things have impacts. We know that many of the bacteria have the ability for example to metabolize the contaminants as well as things in our food. And we know that you can have a different response depending upon what people are eating.”Dr. Linda Birnbaum is a scientist emeritus and former director of the National institute of Environmental Health Sciences and of the National Toxicology Program. She is also a Scholar in Residence at the Nicholas School of the Environment of Duke University, and an adjunct full professor at Duke, University of North Carolina, and Yale University School of Public Health. She is the author of more than 1000 peer reviewed articles, book chapters, and reports. She is a member of the National Academy of Medicine, has multiple honorary doctorates and awards.  Best of all, now that she is retired after 40 years of government. · sph.unc.edu/adv_profile/linda-birnbaum-phd/ · www.niehs.nih.gov· www.oneplanetpodcast.org · www.creativeprocess.info

Dr. Linda Birnbaum is a scientist emeritus and former director of the National institute of Environmental Health Sciences and of the National Toxicology Program. She is also a Scholar in Residence at the Nicholas School of the Environment of Duke University, and an adjunct full professor at Duke, University of North Carolina, and Yale University School of Public Health. She is the author of more than 1000 peer reviewed articles, book chapters, and reports. She is a member of the National Academy of Medicine, has multiple honorary doctorates and awards.  Best of all, now that she is retired after 40 years of government. · sph.unc.edu/adv_profile/linda-birnbaum-phd/ · www.niehs.nih.gov· www.oneplanetpodcast.org · www.creativeprocess.info

“So, if we study transportation, then we need to study urban development and infrastructure. Suddenly, we need to think about housing. We need to think about the co-location of jobs and shops, and you realize it's all connected.That might be one of the challenges of urban sustainability. It's all connected. So the way we move around is connected to the way we built the city. And I think the intrinsic sustainability or non-sustainability in urban areas seems to be designed in. Especially in the United States where there are just so many places where, if you don't have a car, you're basically stranded. You can't go anywhere. The European model is to have co-located things, and I miss that. I think it has some intrinsic sustainability built-in.”Roland Geyer is a Professor at the Bren School of Environmental Science and Management, University of California at Santa Barbara, and the author of The Business of Less. Since 2000, he has worked with a wide range of governmental organizations, trade associations, and companies on environmental sustainability issues. His overarching goal is to help develop the knowledge, tools, and methods necessary to reduce the environmental impact from industrial production and consumption.· www.rolandgeyer.com· www.oneplanetpodcast.org· www.creativeprocess.info

Roland Geyer is a Professor at the Bren School of Environmental Science and Management, University of California at Santa Barbara, and the author of The Business of Less. Since 2000 he has worked with a wide range of governmental organizations, trade associations, and companies on environmental sustainability issues. His overarching goal is to help develop the knowledge, tools, and methods necessary to reduce the environmental impact from industrial production and consumption.· www.rolandgeyer.com· www.oneplanetpodcast.org· www.creativeprocess.info

David Auburn's plays include Proof (Pulitzer Prize, Tony Award®, New York Drama Critics Circle Award), An Upset and Amateurs (EST Marathons) and Skyscraper. Films include The Girl in the Park (writer/director) and The Lake House. Recent directing credits include A Delicate Balance for BTF. His short plays have been collected in the volume “Fifth Planet and Other Plays” (DPS). His work has been published in Harper’s, New England Review, and Guilt and Pleasure; and he was a contributing editor to the Oxford American Writers Thesaurus. A former Guggenheim Fellow, he lives in New York City.www.creativeprocess.info

“In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there is a lot that we could talk about: design, the layout, scale. Buildings were rarely taller than two stories. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.I'm from New Orleans, and I am very interested in the fact that cities and the places we live in teach us. They shape us, as much as we shape them. And New Orleans was a wonderful place to grow up in because you wouldn't have said it was sustainable, but the vernacular traditional architecture was naturally cooler in summers because of the way it was built with high ceilings with deep eaves from the roof, with verandas shaded with lots of breezes and lots of gardens, plus it is full of older buildings. And things become gentle over time.”Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.· azbybrown.com · www.safecast.org · www.oneplanetpodcast.org · www.creativeprocess.info

Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.· azbybrown.com · www.safecast.org · www.oneplanetpodcast.org · www.creativeprocess.info

“I mentioned before that one of the reasons why we haven't been able to overcome many of the climate crisis factors is because people don't understand what it means. What is it about? What can I do? Usually, when we hear these experts speak about the climate crisis, at least me, I don't understand 9/10ths of the speech or the document. Simplifying the message, allowing that difficult scientific knowledge to become popular language that I can use when explaining to a child, to a rural person, to someone who has a different type of education, that knows much more about the planet but not necessarily about university, explaining those difficult issues will make a difference. And we have to invest much more in that. Speaking difficult scientific language is not helpful to the majority of society.Few are producers, all of us are consumers. So we all have to participate in how we produce, what we produce and that means from infrastructure for a city to the way that a road is designed or that a marketplace builds its operations. To do it in a responsible way, in a sustainable way, you need the contribution of all. I would say that it's one of the most difficult challenges that humanity has–addressing the urban problems. Basically, because you cannot change a city from one day to the other, but I think that the starting point has to be change the citizen. And being a citizen has a lot of implications because the moment you realize you are a citizen you also need to accept that you have to be active, that you have to be an agent of change. We cannot expect this city to change, if the citizens don't want to mobilize an agenda to push for something, to request changes, to participate. I think the word participation is absolutely key. And we find in Latin America and in all continents that very often we have governments that curtail the capacity of citizens to be active, that tell the population to wait for a change, to be passive, to let the government do their job. And that's absolutely wrong because government is the one that defines court, the game that the citizens are going to play. And that game is called defining the rules of the game and allowing the citizens to be active participants of change.”&nbsp;Yolanda Kakabadse’s work with the environmental conservation movement officially began in 1979, when she was appointed Executive Director of Fundación Natura in Quito, where she worked until 1990. In 1993, she created Fundacion Futuro Latinoamericano, an organization dedicated to promote the sustainable development of Latin America through conflict prevention and management. She was the Executive President until 2006 and remains as Chair of the Advisory Board. From 1990 until 1992, Yolanda Kakabadse coordinated the participation of civil society organizations for the United Nations Conference for Environment and Development (Earth Summit). From 1996 to 2004 she was President of the World Conservation Union (IUCN), President of the World Wide Fund for Nature (WWF) 2010-17, and Member of the Board of the World Resources Institute (WRI) during the same period. Yolanda was appointed Minister of Environment for the Republic of Ecuador, position she held from 1998 until 2000. She is a Member of the Board of Arabesque, and Chairs the Independent Science and Technology Panel of Fundacion Renova in Brazil. Yolanda is also a Member of the Board of Sistema B and the B Team.· World Conservation Union: www.iucn.org· WWF International: worldwildlife.org · Fundacion Futuro Latinoamericano: www.ffla.net/en/· Sistema B: sistemab.org· B Team: bteam.org · <a href="http:/

Yolanda Kakabadse’s work with the environmental conservation movement officially began in 1979, when she was appointed Executive Director of Fundación Natura in Quito, where she worked until 1990. In 1993, she created Fundacion Futuro Latinoamericano, an organization dedicated to promote the sustainable development of Latin America through conflict prevention and management. She was the Executive President until 2006 and remains as Chair of the Advisory Board. From 1990 until 1992, Yolanda Kakabadse coordinated the participation of civil society organizations for the United Nations Conference for Environment and Development (Earth Summit). From 1996 to 2004 she was President of the World Conservation Union (IUCN), President of the World Wide Fund for Nature (WWF) 2010-17, and Member of the Board of the World Resources Institute (WRI) during the same period. Yolanda was appointed Minister of Environment for the Republic of Ecuador, position she held from 1998 until 2000. She is a Member of the Board of Arabesque, and Chairs the Independent Science and Technology Panel of Fundacion Renova in Brazil. Yolanda is also a Member of the Board of Sistema B and the B Team.· World Conservation Union: www.iucn.org· WWF International: worldwildlife.org· Fundacion Futuro Latinoamericano: www.ffla.net/en/· Sistema B: sistemab.org· B Team: bteam.org · www.oneplanetpodcast.org· www.creativeprocess.info

Salvador Perez’s work is very diverse. He has designed for many TV series including Castle, Moonlight, Veronica Mars and 6 Seasons of The Mindy Project where he was nominated for an Emmy for costume design. Salvador has also worked on movies such as&nbsp;Pitch Perfect 1, 2 and 3, Think Like a Man 1 and 2, Men of Honor and Drumline.&nbsp;Born and raised in Central California, Perez moved to Los Angeles to attend The Fashion Institute of Design and Merchandising to pursue a career in fashion design.&nbsp;Once other Costume Designers discovered his costume manufacturing talents, he began running the costume workrooms and assisting on films like Titanic, The Flintstones, and Barb Wire. Outside of film and TV, Salvador designed and developed the “Movie Legends Line” for the J. Peterman Catalogue, he designed a line of&nbsp;Jewelry&nbsp;for Bauble Bar, and designed a signature line of colorful coats for&nbsp;GILT.COM.&nbsp;He is currently the&nbsp;elected president of the Costume Designers Guild.· www.salvadorperezdesign.com · www.creativeprocess.info

Salvador Perez’s work is very diverse. He has designed for many TV series including Castle, Moonlight, Veronica Mars and 6 Seasons of The Mindy Project where he was nominated for an Emmy for costume design. Salvador has also worked on movies such as&nbsp;Pitch Perfect 1, 2 and 3, Think Like a Man 1 and 2, Men of Honor and Drumline.&nbsp;Born and raised in Central California, Perez moved to Los Angeles to attend The Fashion Institute of Design and Merchandising to pursue a career in fashion design.&nbsp;Once other Costume Designers discovered his costume manufacturing talents, he began running the costume workrooms and assisting on films like Titanic, The Flintstones, and Barb Wire. Outside of film and TV, Salvador designed and developed the “Movie Legends Line” for the J. Peterman Catalogue, he designed a line of&nbsp;Jewelry&nbsp;for Bauble Bar, and designed a signature line of colorful coats for&nbsp;GILT.COM.&nbsp;He is currently the&nbsp;elected president of the Costume Designers Guild. www.salvadorperezdesign.com · www.creativeprocess.info

“This is a very important question because cities are really living labs of everything that we're doing in terms of energy policy, and it’s extremely important that whatever we are putting forward in terms of policy, if it is not embraced by the citizens in cities on the local level, the best policies will not serve any purpose if they not really taken up by citizens. Of all of the Sustainable Development Goals, I think quality education is really the basis, I would call it really the foundation for practically all the Sustainable Development Goals. If you ensure quality education, all the rest will be easier.I think we could do much more from much earlier on in a structured manner to raise awareness, bring it into school programs, how important it is to care for the planet. How it can be done by every single one of us in the way we consume not just energy, but our choices, of what we buy in the supermarket. There's much more that can be done.”Paula Pinho is Director of Just Transition at the European Commission Directorate-General for Energy. She was responsible for Energy Strategy and Policy coordination and then for Renewables and Energy System Integration Policy and Decarbonisation and Sustainability of Energy Sources. She was Acting Director for Energy Policy where she has overseen notably the work of international energy relations, financial instruments and inter-institutional relations.Paula has also been Member of Cabinet of EU Commissioners, including Commissioner for Energy Günther Oettinger both in his quality of Commissioner for Digital Economy and Society and during his mandate as EU Commissioner for Energy. She was then responsible for energy security and infrastructure and the overall coordination of the international dimension of energy policy.As a member of the Cabinet, she has been involved in the trilateral gas talks between the EU, Russia and Ukraine. While Head of Unit responsible for Energy Strategy and Policy Coordination, Paula has coordinated the preparation and adoption of the “Clean Energy for all Europeans” package. Paula represented the Commission in the negotiations of the Commission Proposal for a Regulation on the Governance of the Energy Union and was responsible notably for the overall coordination of the assessment of the national Energy and Climate Plans. Paula speaks fluently Portuguese, German, English and French, as well as Spanish and Italian.· https://energy.ec.europa.eu/index_en · https://energy.ec.europa.eu · www.oneplanetpodcast.org · www.creativeprocess.info

Paula Pinho is Director of Just Transition at the European Commission Directorate-General for Energy. She was responsible for Energy Strategy and Policy coordination and then for Renewables and Energy System Integration Policy and Decarbonisation and Sustainability of Energy Sources. She was Acting Director for Energy Policy where she has overseen notably the work of international energy relations, financial instruments and inter-institutional relations.Paula has also been Member of Cabinet of EU Commissioners, including Commissioner for Energy Günther Oettinger both in his quality of Commissioner for Digital Economy and Society and during his mandate as EU Commissioner for Energy. She was then responsible for energy security and infrastructure and the overall coordination of the international dimension of energy policy.As a member of the Cabinet, she has been involved in the trilateral gas talks between the EU, Russia and Ukraine. While Head of Unit responsible for Energy Strategy and Policy Coordination, Paula has coordinated the preparation and adoption of the “Clean Energy for all Europeans” package. Paula represented the Commission in the negotiations of the Commission Proposal for a Regulation on the Governance of the Energy Union and was responsible notably for the overall coordination of the assessment of the national Energy and Climate Plans. Paula speaks fluently Portuguese, German, English and French, as well as Spanish and Italian. · https://energy.ec.europa.eu/index_en · https://energy.ec.europa.eu · www.oneplanetpodcast.org · www.creativeprocess.info

“There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.”Earl K. Miller is the Picower Professor of Neuroscience in the Picower Institute for Learning and Memory at the Massachusetts Institute of Technology. Miller studies the neural basis of executive control, the ability to carry out goal-directed behavior using complex mental processes and cognitive abilities. This work has established a foundation upon which to construct more detailed, mechanistic accounts of cognition and its dysfunction in diseases such as autism, schizophrenia and attention deficit disorder. He’s the recipient of a variety of awards and his paper with Jonathan Cohen which presented a new framework for understanding the prefrontal cortex, ranks fifth all-time in citations in neuroscience.· ekmillerlab.mit.edu&nbsp; · www.creativeprocess.info

Earl K. Miller is the Picower Professor of Neuroscience in the Picower Institute for Learning and Memory at the Massachusetts Institute of Technology. Miller studies the neural basis of executive control, the ability to carry out goal-directed behavior using complex mental processes and cognitive abilities. This work has established a foundation upon which to construct more detailed, mechanistic accounts of cognition and its dysfunction in diseases such as autism, schizophrenia and attention deficit disorder. He’s the recipient of a variety of awards and his paper with Jonathan Cohen which presented a new framework for understanding the prefrontal cortex, ranks fifth all-time in citations in neuroscience.· ekmillerlab.mit.edu&nbsp; · www.creativeprocess.info

“We are getting further and further away from the way of life that people had 150, 200 let alone 500 years ago. And it's odd that in some ways, certainly for the middle class, it could be that people had a more satisfactory lifestyle in the 19th century than we have today with all the love the luxuries and comforts we have which they do not have. Of course, there is less poverty, that's a good thing, but we need a revolution of sorts, a mental revolution, a revolution in our expectations of life. I am mostly concerned with analyzing the structure of the change. Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.”Merlin Donald was born and raised in Montreal and received his Master’s in Psychology from the University of Ottawa, and his doctorate in Neuropsychology from McGill University in 1968. He is a Fellow of the Canadian Psychological Association, the World Academy of Arts & Science, and the Royal Society of Canada, he is the author of two influential books: Origins of the Modern Mind &nbsp;and A Mind So Rare His early work on human cognitive evolution was unique in its incorporation of both technology and culture into a theory grounded in brain function and brain evolution. He is currently working on an issue that concerns us all: the potentially radical effect of high technology on human cognitive evolution.&nbsp;· www.queensu.ca/psychology/merlin-donald · www.creativeprocess.info

Merlin Donald was born and raised in Montreal and received his Master’s in Psychology from the University of Ottawa, and his doctorate in Neuropsychology from McGill University in 1968. He is a Fellow of the Canadian Psychological Association, the World Academy of Arts & Science, and the Royal Society of Canada, he is the author of two influential books: Origins of the Modern Mind &nbsp;and A Mind So Rare His early work on human cognitive evolution was unique in its incorporation of both technology and culture into a theory grounded in brain function and brain evolution. He is currently working on an issue that concerns us all: the potentially radical effect of high technology on human cognitive evolution.&nbsp;· www.queensu.ca/psychology/merlin-donald · www.creativeprocess.info

Ian Wardropper is the Anna-Maria and Stephen Kellen Director of The Frick Collection and has organized more than twenty exhibitions in his specialties of European sculpture, earlier decorative arts, and twentieth-century design and decorative arts. Exhibitions he co-organized at the Metropolitan Museum of Art include Art of the Royal Court: Treasures in Pietre Dure for the Palaces of Europe in 2008 and Cast in Bronze: French Sculpture from Renaissance to Revolution in 2009. Recent publications include European Sculpture, 1400–1900, in The Metropolitan Museum of Art; Bernini: Sculpting in Clay; Limoges Enamels at The Frick Collection; and The Frick Collection: Director's Choice. · www.frick.org · www.creativeprocess.info

Ian Wardropper is the Anna-Maria and Stephen Kellen Director of The Frick Collection and has organized more than twenty exhibitions in his specialties of European sculpture, earlier decorative arts, and twentieth-century design and decorative arts. Exhibitions he co-organized at the Metropolitan Museum of Art include Art of the Royal Court: Treasures in Pietre Dure for the Palaces of Europe in 2008 and Cast in Bronze: French Sculpture from Renaissance to Revolution in 2009. Recent publications include European Sculpture, 1400–1900, in The Metropolitan Museum of Art; Bernini: Sculpting in Clay; Limoges Enamels at The Frick Collection; and The Frick Collection: Director's Choice. · www.frick.org · www.creativeprocess.info

Dr. G. Samantha Rosenthal is an Associate Professor of History and Coordinator of the Public History Concentration at Roanoke College in Salem, Virginia. Rosenthal teaches courses in public history, women’s and gender studies, and general education. She is interested in environmental studies, working-class studies, LGBTQ, queer, and trans studies, community organizing, and scholar-activism. She is the author of Living Queer History, and Beyond Hawai’i.· gsrosenthal.com · https://gsrosenthal.youcanbook.me · Living Queer History: uncpress.org/book/9781469665801/living-queer-history/ · www.creativeprocess.info · www.oneplanetpodcast.org

“To explore different worlds, essentially. That’s what literature has taught me. Reading has taught me how difficult it is to write well, to do you something other than the mundane or the expected, so all those things point to a kind of human creativity and a human capacity to both create and also to learn. To learn about life in different ways and to pass on those lessons to other people. One thing I think great teachers do is to embody what they talk about, the values that they profess, the things they feel are important in their everyday lives outside of the literature. So when I become involved in politics or a cause, it’s a reflection of what I've learned through any number of things including literature. Literature doesn’t stand alone. Literature is part of the world. That’s another thing I think is very important. As much as we should enjoy those moments when we’re alone reading a book and we're isolated and just in a meditative state, we should understand that literature is always about something else besides itself.”David Palumbo-Liu is the Louise Hewlett Nixon Professor, and Professor of Comparative Literature, at Stanford University. He has written widely on culture, literature, human rights, and politics, both in his books and also in venues such as Truthout, The Guardian, Jacobin, The Nation, Al Jazeera, and others. · www.palumbo-liu.comTwitter: @palumboliu · www.oneplanetpodcast.org · www.creativeprocess.info

David Palumbo-Liu is the Louise Hewlett Nixon Professor, and Professor of Comparative Literature, at Stanford University. He has written widely on culture, literature, human rights, and politics, both in his books and also in venues such as Truthout, The Guardian, Jacobin, The Nation, Al Jazeera, and others. · www.palumbo-liu.comTwitter: @palumboliu · www.oneplanetpodcast.org · www.creativeprocess.info

"I had never seen anything like Forsythe’s Choreography for Step Text, and I thought, “This is possible?”...The articulation, the structures, the musicality, and the curtain coming in and out was just radical and amazing. I just wanted to be a part of it. If you remain curious just about anything as an artist, you can make it compelling...it reminds me of what a beautiful visual artist, Jack Whitten, talks about. He said that when people ask me (him) what art is about, I (he) say its giving structure to feelings. Also this notion that we can give meaning to something without it being a singular narrative. Something can have an individualized meaning. If it is meaningful in the conveyance of the dancer, everyone seeing that dancer or the group of dancers performing will receive something different that resonates with them in their life."Jill Johnson is an internationally renowned dancer, choreographer, artistic director, educator, producer, stager, movement consultant, and advisor. Her leadership in the dance field brings into service over three and a half decades of experience and a vast knowledge of diverse repertoires and methodologies to realize visionary, world-class programming, develop the next generation of artist leaders, and reimagine how the arts engage, intersect, and interact with all people. Ms. Johnson choreographs for film, television, dance, theater, opera; has danced&nbsp;in over 60 tours on 5 continents including A Quiet Evening of Dance; was a soloist with the National Ballet of Canada; principal dancer and researcher with William Forsythe for over three decades; stages Forsythe’s work worldwide. Director of Harvard Dance Center, Founder/AD Harvard Dance Project, and faculty, at Harvard University, 2011-2021, where she designed an innovative interdisciplinary program of study in dance and was a campus leader in DEIJ. Amongst her recent projects: LA Dance Project, Paris Opera Ballet, La Scala, Boston Ballet, San Francisco Ballet, Harvard Choruses, Dries Van Noten/Louvre Museum, V (Eve Ensler), American Repertory Theater, PBS’s Poetry in America, Sadler’s Wells Theater, and Equity Based Dialogue for Inclusion (EBDI). www.nytimes.com/2019/10/13/arts/dance/william-forsythe-a-quiet-evening-of-dance-review.htmlhttps://ofa.fas.harvard.edu/dance-deij-letter-strategic-prioritieswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience.&nbsp;He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology.&nbsp;He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group. "We're really talking about principled rebels. And when we talk about insubordination, we're talking about most of us live in these social hierarchies, and there's the idea, this started in the military and still goes on, where if someone at a lower rank questions or challenges a command or a norm that someone of a higher rank, that's considered an act of insubordination. And one of the main problems of that, I think anyone who's listening can acknowledge, is it depends on the quality of the idea of the person who's raising the question.I just realized there was this whole body of literature on minority influence that no one had put together into a book for the general public, and considering the racial reckoning that occurred during COVID-19, the extra attention to diversity, to disadvantaged groups, every moment of society, it just feels like it's more and more relevant of what I've been working on.&nbsp;If you don't have the numbers, if you lack status or you lack power, the way to be persuasive towards a group is much different than if you do have the title or are socially attractive in that group."https://toddkashdan.comwww.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/www.creativeprocess.infowww.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Jill Johnson is an internationally renowned dancer, choreographer, artistic director, educator, producer, stager, movement consultant, and advisor. Her leadership in the dance field brings into service over three and a half decades of experience and a vast knowledge of diverse repertoires and methodologies to realize visionary, world-class programming, develop the next generation of artist leaders, and reimagine how the arts engage, intersect, and interact with all people. Ms. Johnson choreographs for film, television, dance, theater, opera; has danced&nbsp;in over 60 tours on 5 continents including A Quiet Evening of Dance; was a soloist with the National Ballet of Canada; principal dancer and researcher with William Forsythe for over three decades; stages Forsythe’s work worldwide. Director of Harvard Dance Center, Founder/AD Harvard Dance Project, and faculty, at Harvard University, 2011-2021, where she designed an innovative interdisciplinary program of study in dance and was a campus leader in DEIJ. Amongst her recent projects: LA Dance Project, Paris Opera Ballet, La Scala, Boston Ballet, San Francisco Ballet, Harvard Choruses, Dries Van Noten/Louvre Museum, V (Eve Ensler), American Repertory Theater, PBS’s Poetry in America, Sadler’s Wells Theater, and Equity Based Dialogue for Inclusion (EBDI). www.nytimes.com/2019/10/13/arts/dance/william-forsythe-a-quiet-evening-of-dance-review.html https://ofa.fas.harvard.edu/dance-deij-letter-strategic-prioritieswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer.&nbsp; His work was vast and stretches from Broadway productions and operas to films and television.&nbsp; Over the course of his long and coveted career Tony&nbsp; was honored with 16 Tony Award Nominations for his Broadway sets and costumes.&nbsp; Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls.&nbsp; In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse’s All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy.&nbsp; In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net&nbsp;· www.creativeprocess.info

David Hollander’s career as a television creator, showrunner, screenwriter, producer and director has included Golden Globe winning drama Ray Donovan, The Guardian, Heartland and The Cleaner. As a writer, he began his career as a playwright in the early 1990’s with productions in New York and Los Angeles. In 1994, Hollander turned to screenwriting, working for Paramount Pictures and other major studios. Working in television since 2000, he has written over 100 credited episodes and directed over a dozen episodes. His film credits include directing the feature film Personal Effects, starring Michelle Pfeiffer, Kathy Bates and Ashton Kutcher. A talented musician, he discussed with Mia the emotional core of his writing and how music informs his stories. He is currently continuing his work on Ray Donovan and adapting American Gigolo into a TV series for Showtime.www.creativeprocess.info

Tony Walton was an award-winning director and production designer.&nbsp; His work was vast and stretches from Broadway productions and operas to films and television.&nbsp; Over the course of his long and coveted career Tony&nbsp; was honored with 16 Tony Award Nominations for his Broadway sets and costumes.&nbsp; Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls.&nbsp; In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse’s All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy.&nbsp; In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

David Hollander’s career as a television creator, showrunner, screenwriter, producer and director has included Golden Globe winning drama Ray Donovan, The Guardian, Heartland and The Cleaner. As a writer, he began his career as a playwright in the early 1990’s with productions in New York and Los Angeles. In 1994, Hollander turned to screenwriting, working for Paramount Pictures and other major studios. Working in television since 2000, he has written over 100 credited episodes and directed over a dozen episodes. His film credits include directing the feature film Personal Effects, starring Michelle Pfeiffer, Kathy Bates and Ashton Kutcher. A talented musician, he discussed with Mia the emotional core of his writing and how music informs his stories. He is currently continuing his work on Ray Donovan and adapting American Gigolo into a TV series for Showtime.www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer.&nbsp; His work was vast and stretches from Broadway productions and operas to films and television.&nbsp; Over the course of his long and coveted career Tony&nbsp; was honored with 16 Tony Award Nominations for his Broadway sets and costumes.&nbsp; Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls.&nbsp; In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse’s All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy.&nbsp; In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net&nbsp;· www.creativeprocess.info

Tony Walton was an award-winning director and production designer.&nbsp; His work was vast and stretches from Broadway productions and operas to films and television.&nbsp; Over the course of his long and coveted career Tony&nbsp; was honored with 16 Tony Award Nominations for his Broadway sets and costumes.&nbsp; Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls.&nbsp; In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse’s All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy.&nbsp; In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.www.tonywalton.net www.creativeprocess.info

“I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.I think communicating what those ideals are and how they can change and need to change as time passes is really special, and I think that addressing those through stories, through things where there’s not necessarily a one-to-one meaning, where this is not a parable, where this is not something where character X stands for concept Y in always exactly the same way. That’s important that things can shift, that things can be different, that a better world is possible and that you can make it so, that your abilities may be things that you work very hard for for a very long time or they may come to you. Your body may be transformed in ways that are wonderful or horrible, and you can make something of it.”Douglas Wolk is the author of the NYTimes bestseller All of the Marvels, and the Eisner Award–winning Reading Comics and the host of the podcast Voice of Latveria. A National Arts Journalism Program fellow, Wolk has written about comic books, graphic novels, pop music, and technology for The New York Times, Rolling Stone, The Washington Post, Los Angeles Times, The Believer, Slate, and Pitchfork. He has lectured and moderated panels at Comic-Con International, the Experience Music Project Pop Conference, the Center for Cartoon Studies and other events. · douglaswolk.com · www.creativeprocess.info

Douglas Wolk is the author of the NYTimes bestseller All of the Marvels, and the Eisner Award–winning Reading Comics and the host of the podcast Voice of Latveria. A National Arts Journalism Program fellow, Wolk has written about comic books, graphic novels, pop music, and technology for The New York Times, Rolling Stone, The Washington Post, Los Angeles Times, The Believer, Slate, and Pitchfork. He has lectured and moderated panels at Comic-Con International, the Experience Music Project Pop Conference, the Center for Cartoon Studies and other events. · douglaswolk.com · www.creativeprocess.info

Carter Burwell is an Academy Award nominated composer of film soundtracks. He has had a long working relationship with filmmakers the Coen brothers, scoring every film they have made, as well as all of Spike Jonze's films.&nbsp;His credits include Miller’s Crossing, Barton Fink, True Grit, Carol, Three Billboards Outside Ebbing Missouri, The Hudsucker Proxy, Rob Roy, Fargo, The Spanish Prisoner, Gods and Monsters, Being John Malkovich, Before Night Falls, Adaptation, Before The Devil Knows You're Dead, Burn After Reading, Where The Wild Things Are, Twilight, The Kids Are All Right, Seven Psychopaths, Anomalisa, and a number of scores for dance and theater. In his varied career, he has been a computer scientist and award-winning film animator. Burwell lives in Amagansett with his wife, the artist Christine Sciulli.www.creativeprocess.info

"When I look at a film, I normally think what is missing from that, and that's what I'm trying to bring. I'm trying to find something that I think isn't there and that I could bring that would make it more interesting, make it more cinematic, more dramatic."Carter Burwell is an Academy Award nominated composer of film soundtracks. He has had a long working relationship with filmmakers the Coen brothers, scoring every film they have made, as well as all of Spike Jonze's films.&nbsp;His credits include Miller’s Crossing, Barton Fink, True Grit, Carol, Three Billboards Outside Ebbing Missouri, The Hudsucker Proxy, Rob Roy, Fargo, The Spanish Prisoner, Gods and Monsters, Being John Malkovich, Before Night Falls, Adaptation, Before The Devil Knows You're Dead, Burn After Reading, Where The Wild Things Are, Twilight, The Kids Are All Right, Seven Psychopaths, Anomalisa, and a number of scores for dance and theater. In his varied career, he has been a computer scientist and award-winning film animator. Burwell lives in Amagansett with his wife, the artist Christine Sciulli.www.creativeprocess.info

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that’s wrong will eventually come back and affect you because we’re all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members.&nbsp;Photo by Jeremy Dennis· www.creativeprocess.info

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma’s House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist &nbsp;Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis. · www.jeremynative.com · www.thunderbirddesigns.com· bizhiki.com· denisesilvadennis.com· accessgenealogy.com/new-york/shinnecock-tribe.htm · www.creativeprocess.info· www.oneplanetpodcast.org

“Usually we just see the soundbites and the news and then there's a new one or a new story, the politics that takes away from what these families are going. These people in these towns are just glossed over, looked over. And that's not the case in real life. They live with this trauma forever…What I hope the next generation takes is just to absorb everything from our generation and our parents’ generation. There are a lot of living generations right now. The longevity of people and the young families, it’s amazing. I had five generations of my family alive at one point in my life, and it was just the most amazing I've ever been a part of.” –JP OuelletteBorn out of Boston’s public housing system, JP Ouellette moved to Los Angeles after graduating film school. He has assisted creatives such as Richard Kelly, Michael Ohoven, Gary Fleder, and James Manos, Jr., before being hired to write the horror film “Captured” and launching his own creative shingle, Circa 1888, Inc. JP has since written a true war adaptation “Qaddafi's Point Guard” for a major studio, and an unannounced Biopic centered on the music industry. JP is currently producing the feature film “Little Brother” in New Mexico.Dylan Matlock has been on the physical production side of over 50 film and television projects, including HBO's The Wire, Live Free or Die Hard, and Project X. He worked as an associate producer for the hit Comedy Central show "Review” and writer/producer on the theatrically-released horror feature Along Came the Devil. Since producing Mass, Dylan has produced the feature Little Brother, and Do Not Watch.JP and Dylan&nbsp; produced Mass, which premiered at Sundance in 2021 and was then bought by Bleecker Street.&nbsp; The film is currently creating Oscar buzz for the 2022 Awards season.· www.imdb.com/name/nm1965594/ &nbsp;· www.imdb.com/name/nm1837175/?ref_=fn_al_nm_1· www.creativeprocess.info

Born out of Boston’s public housing system, JP Ouellette moved to Los Angeles after graduating film school. He has assisted creatives such as Richard Kelly, Michael Ohoven, Gary Fleder, and James Manos, Jr., before being hired to write the horror film “Captured” and launching his own creative shingle, Circa 1888, Inc. JP has since written a true war adaptation “Qaddafi's Point Guard” for a major studio, and an unannounced Biopic centered on the music industry. JP is currently producing the feature film “Little Brother” in New Mexico.Dylan Matlock has been on the physical production side of over 50 film and television projects, including HBO's The Wire, Live Free or Die Hard, and Project X. He worked as an associate producer for the hit Comedy Central show "Review” and writer/producer on the theatrically-released horror feature Along Came the Devil. Since producing Mass, Dylan has produced the feature Little Brother, and Do Not Watch.JP and Dylan&nbsp; produced Mass, which premiered at Sundance in 2021 and was then bought by Bleecker Street.&nbsp; The film is currently creating Oscar buzz for the 2022 Awards season.· www.imdb.com/name/nm1965594/ · www.imdb.com/name/nm1837175/?ref_=fn_al_nm_1· www.creativeprocess.info

Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology, where she has personally organized more than 25 exhibitions, including The Corset: Fashioning the Body, Gothic: Dark Glamour, A Queer History of Fashion, and Paris, Capital of Fashion. She is founder and editor in chief of Fashion Theory: The Journal of Dress, Body & Culture, the first peer-reviewed, scholarly journal in Fashion Studies. Described in The Washington Post as one of fashions brainiest women Steele combines serious scholarship (and a Yale Ph.D.) with a rare ability to communicate with general audiences. She is author or co-author of more than two dozen books, including Paris Fashion: A Cultural History, Women of Fashion, Fetish: Fashion, Sex and Power, and Fashion Designers A-Z: The Collection of The Museum at FIT. As an author, curator, editor, and public intellectual, Valerie Steele has been instrumental in creating the modern field of fashion studies and has appeared on many television programs, including The Oprah Winfrey Show and Undressed: The Story of Fashion. www.fitnyc.edu/museum · www.creativeprocess.info

Jeffrey D. Sachs is University Professor and Director of the Center for Sustainable Development at Columbia University. He is President of the UN Sustainable Development Solutions Network, Chair of the Lancet COVID-19 Commission, Co-Chair of the UN Council of Engineers for the Energy Transition, Commissioner of the UN Broadband Commission for Development, academician of the Pontifical Academy of Social Sciences, and Tan Sri Jeffrey Cheah Honorary Distinguished Professor of Sustainable Development at Sunway University. Sachs has been Special Advisor to three United Nations Secretaries-General, and currently serves as an SDG Advocate under Secretary-General António Guterres. Sachs was twice named among Time magazine’s 100 most influential world leaders, and has received 38 honorary doctorates. He received the Legion of Honor from France in 2021 and the Order of the Cross from Estonia in 2019. Jeffrey Sachs hosts “The Book Club with Jeffrey Sachs” podcast featuring renowned authors of scintillating, inspiring and remarkably important books about history, social justice, and the challenges of building a decent world. Previous conversations feature Mariana Mazzucato, author of “Mission Economy: A Moonshot Guide to Changing Capitalism,” and Robert Lustig, author of “Metabolical: The Lure and the Lies of Processed Food, Nutrition, and Modern Medicine” among others. To learn more, visit&nbsp;· www.bookclubwithjeffreysachs.org/· www.jeffsachs.org· sdgacademy.org/· www.unsdsn.org/· www.oneplanetpodcast.org · www.creativeprocess.info