Contrabass Conversations

This week, we're featuring an interview with double bassist Barry Lieberman. The former Assistant Principal Bass of the Los Angeles Philharmonic and Principal Bass of the Winnipeg Symphony, Barry now serves as co-director of The American String Project, an innovative string ensemble which features arrangements of string quartets for small string ensemble with double bass. In this interview, we discuss Barry's recent TASP CD release on MSR Classics, his orchestral solo tutorials on his YouTube channel, upcoming possible future video projects, and designing a bass rosin that really works.

This special Contrabass Conversations episode features an interview with composer Paul Ramsier. Though Paul is particularly well-known for his collaborations with Gary Karr, he continues to remain quite active as a composer and has a number of interesting projects in the works. Throughout this interview, you will hear excerpts from Divertimento and Silent Movie, two of Paul's most popular compositions. These excerpts come from Paul's recently released DVD titled Four Ramsier Favorites and featuring double bassist Jerome Butler on bass. We also discuss Bass Tunes, Paul's excellent volume of duets for young bassists and a book that I frequently use with my own students. Links to some of Paul's online offerings: Paul's website Four Ramsier Favorites DVD Bass Tunes Compositions for Virtuoso Double Bass CD (site features audio excerpts of these tracks) Lemur Music (search for Paul Ramsier - many titles available including music for Divertimento, Silent Movie, Three Lyric Pieces, Eusebius Revisited, Road to Hamelin, and Lullaby for Bass Quartet)

We're bringing you an interview with double bassist Charles DeRamus on Contrabass Conversations this week. Charles is a member of the Gothenburg Symphony and has worked extensively in both Europe and the United States during his professional career. Charles has recently written a children's concert for double bass quartet and narrator called "Greta's Dream" which has been performed at many venues in the United States and Sweden. This piece will be performed at the 2011 International Society of Bassists Convention in San Francisco, so be sure to check out their session if you can attend the convention. Following the interview, we feature two excerpts from a live performance of Greta's Dream (right around the 57 minute point in the podcast if you want to jump right to them), and more information about this piece will be provided in the coming months. Be sure to check out the Gothenburg Symphony Orchestra Bass Quartet on Facebook--they've got a great page! About Charles: Charles DeRamus has a career that spans from North America to Scandinavia, where he is currently a member of the Gothenburg Symphony and has worked extensively with the Royal Stockholm Philharmonic, Swedish Radio Symphony Orchestra, Bergen Philharmonic, Malmo? Symphony Orchestra, Stavanger Symphony Orchestra, and the Swedish Chamber Orchestra. In the United States he has performed, recorded and toured with the Atlanta Symphony, Detroit Symphony, Houston Symphony, San Antonio Symphony, Virginia Symphony, and the Colorado Music Festival. His studies include degrees from Indiana University and Rice University, after which he was a member of the New World Symphony and participated in numerous summer festivals including Tanglewood, Schleswig-Holstein, National Repertory Orchestra, Pacific Music Festival, and the National Orchestral Institute. Equally at home in various musical venues, Charles has performed with the Houston Grand Opera, Atlanta Opera, Ohio Light Opera, NorrlandsOperan, Malmo? Opera, as well as the Dayton Bach Society, the contemporary ensemble "Black Box Band", Sweden's acclaimed new music ensemble Gageego, and the Persian/European influenced Rumi Ensemble. Recent solo engagements include a unique performance with the National Orchestra of Sweden for a concert celebrating newly naturalized Swedish citizens, as well as performances of Piazzolla's Le Grand Tango and Beethoven's F Major Romance with the Eureka Symphony in the United States. Charles is a dedicated teacher and currently serves on the faculties of the Sequoia Chamber Music Workshop and the Idyllwild Arts Summer Festival Programs. Previously he has served on the All-State at Interlochen and University of Michigan Summer Arts Institute faculties, as well as given masterclasses in Norway, Sweden, the United States, and at the Royal College of Music and Yehudi Menuhin School in England. As a composer/arranger, in the 2010/11 season Charles will celebrate the premier performances of "Greta's Dream", his newly written children's concert for Double Bass Quartet and narrator. Following in his father and grandfather's footsteps, Charles is the third generation bassist in his family.

This week on Contrabass Conversations, we're bringing you rare footage of Serge Koussevitzky performing a few selections. Enjoy this trip back in double bass history, brought to you by double bassist John Grillo!

We're featuring the debut album from Gunnelpumpers in its entirety on this episode of Contrabass Conversations. Enjoy! About Gunnelpumpers Gunnelpumpers is a group of musicians dedicated to the art of progressive, free improvisation. Founded in Chicago in 2002 by bassist/composer Douglas Johnson and percussionist Randy Farr, Gunnelpumpers has had over 50 musicians perform with the group. The core of the group currently includes founders Johnson and Farr, as well as rock guitarist John Meyer, Chicago Symphony bassist Michael Hovnanian, and session musicians Tom Mendel on bass guitar and Bob Garrett on drums. At the heart of Gunnelpumpers lies the spirit of improvisation, and each musician brings a wide range of influences to create a unique and compelling sound. By nature Gunnelpumpers defies labels, but perhaps "tribadelic" best describes the myriad of styles drawn from, which ranges from rock to classical, jazz to psychedelia, and beyond.

We're featuring practice tapes from the hugely influential double bass performer and pedagogue Frederick Zimmermann on this week's Contrabass Conversations episode. Co-host John Grillo unearthed and transferred these tapes of Zimmermann practicing, and he and I briefly chat about how these tapes helped to shape John's concept of sound on the double bass. Enjoy! About Frederick Zimmermann: Frederick Zimmermann was an American double bassist and teacher. He played in the New York Philharmonic from 1930-1966 serving as assistant-principal and principal and taught at the Juilliard School, Mannes College of Music, Columbia University, Manhattan School of Music, and New York University. He is considered by many to be the most influential American double bass teacher of the 20th century.

We're featuring double bassist Leon Bosch performing selections from his latest album on this week's Contrabass Conversations episode. Titled Virtuoso Double Bass Vol. 2, this album contains a dozen works, both familiar and less familiar, from Giovanni Bottesini. You can purchase this album (as well as Leon's other albums) from Meridian Records here, and learn more about Leon at leonbosch.co.uk.

We're featuring music from jazz and free improvisation bassist Barre Phillips on this week's podcast episode, as well as bass news and updates. Enjoy! About Barre Phillips: Barre Phillips (born October 27, 1934 in San Francisco, California) is a jazz and free improvisation bassist. A professional musician since 1960, he migrated to New York City in 1962, then to Europe in 1967. Since 1972 he has been based in southern France where in 2014 founded the European Improvisation Center He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony During the 1960s he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as Journal Violone in the USA, Unaccompanied Barre in England, and Basse Barre in France, is generally credited as the first solo bass record. A 1971 record with Dave Holland, Music from Two Basses, was probably the first record of improvised double bass duets. In the 1970s he was a member of the well-regarded and influential group The Trio with saxophonist John Surman and drummer Stu Martin. In the 1980s and 1990s he played regularly with the London Jazz Composers Orchestra led by fellow bassist Barry Guy. He worked on soundtracks of the motion pictures Merry-Go-Round (1981), Naked Lunch (1991, together with Ornette Coleman) and Alles was baumelt, bringt Glück! (2013). As a free improviser he has worked with (among many others) bassists Peter Kowald and Joëlle Léandre, guitarist Derek Bailey, clarinetists Theo Jörgensmann and Aurélien Besnard, saxophonists Peter Brötzmann, Evan Parker and Joe Maneri, and pianist Paul Bley. Barre is the father of rock guitarist Jay Crawford from the band Bomb, of the bassist Dave Phillips and of singer Claudia Phillips, who was a one-hit wonder in France in 1987 with "Quel souci La Boétie".

It's official! Make plans to celebrate the Summer of Bass Love at the 2011 ISB Convention, June 5-11, at San Francisco State University. Stay tuned for details and mark your calendars! We're doing a brief podcast interview today with Barry Green, who we recently featured in an interview/performance episode on Contrabass Conversations. Barry describes the setting for the 2011 convention (which will be awesome!), and some other details that I'm sure will make you excited for this event. Enjoy!

This week, we're featuring the double bass stylings of Doug Stuart, a former University of Michigan student who is currently active in the San Francisco Bay area. We'll be hearing "Wake Up" and "Gratitude" from The Pear and the Pepper, Doug's latest EP.

Enjoy this New Year's nugget from double bassist Guy Tuneh, featuring a personal greeting for all listeners and readers and a complete performance of Kol Nidrei by Max Bruch. This was recorded live on a borrowed bass during a concert for sick children.

We're featuring double bassist Barry Green on Contrabass Conversations this week. In addition to being an influential bassist and teacher (he served as Principal Bass for the Cincinnati Symphony for 28 years, has written many method books, and currently teaches in the San Francisco Bay Area), Barry is the well-known author of The Inner Game of Music, The Mastery of Music, and Bringing Music to Life.

We're chatting with David Cutler, the author of The Savvy Musician, this week on Contrabass Conversations. This new book is filled with excellent and informative about musical entrepreneurship, product development, branding, marketing, networking, and much more. I hope that you enjoy this interview and check out David's book, and be sure to also visit his blog, which is a great supplement to the book and quite entertaining.

This week's podcast features an interview with James Knabe, a trumpet performer and teacher who also runs a web consulting service for musicians. Learn more about what musicians can do to effectively market themselves by listening to this short interview, and check out musicianadvice.com for more information about the services James provides. Enjoy!

This week's Contrabass Conversations episode features an interview with National Symphony bassist and Peabody Conservatory faculty member Jeff Weisner. In addition to performing and teaching, Jeff is a prolific blogger, writing about all kinds of subjects on PeabodyDoubleBass. Jeff also cross-posts many of these posts on doublebassblog.org, adding his own perspective and enhancing this site. After the interview, we feature a live recording from the 2007 International Society of Bassists Convention of Jeff performing the Ostinato from Tom Schnauber's Alba and Ostinato. Enjoy! visit PeabodyDoubleBass visit Jeff's Peabody faculty page Peabody Double Bass Faculty: Paul Johnson, Jeffrey Weisner (classical). Michael Formanek (jazz). Artist in ResidenceHal Robinson. Follow the Peabody Double Bass Studio on Twitter About Jeff: B.M., Boston University School for the Arts; M.M. , Peabody Conservatory. Bass instruction with Lawrence Wolfe, Edwin Barker, and Hal Robinson. Member, National Symphony Orchestra, Washington DC, since 1995. Active chamber musician and solo performer, with recitals and masterclasses at venues including San Francisco Conservatory, the Colburn School for the Performing Arts, and Interlochen Arts Academy.

We're featuring double bassist Alan Steiner on this week's episode of Contrabass Conversations. A graduate of the Curtis Institute, Alan performs regularly with the Chicago Sinfonietta and Lake Forest Symphony. In addition to maintaining a private double bass studio, Alan teaches bass each summer at the Birch Creek Music Performance Center in Door County, Wisconsin. The topic of discussion for today's brief (15 min) episode focuses on tips for helping students to make quality audition tapes. Alan listens to many audition tapes each year when choosing bassists for the Birch Creek Symphony, and he offers advice to help students make better tapes and get more out of the process. Enjoy!

This week's episode of Contrabass Conversations features an interview with double bassist David Grossman, a member of the New York Philharmonic bass section and an active jazz bassist. Hosted by John Grillo, this interview covers David's early musical experiences, his dual interest in jazz and classical music, current projects, his philosophy and approach as a teacher, and a variety of other topics. About David: Bassist David J. Grossman began playing with the New York Philharmonic as its youngest member in December 1999 before graduating from The Juilliard School in May 2000. Born and educated in New York City, Mr. Grossman has performed as double bassist and pianist in orchestral, chamber, and jazz venues worldwide. He is a member of the double bass faculties of the Manhattan School of Music and The Juilliard School, and regularly gives master classes across the country. (view complete bio) Tracks featured: Thirds The Charm – from The Bass Of Both Worlds Jazz (iTunes link) Janacek: Pohadka (Fairy Tale) Mvt. 3 – from The Bass Of Both Worlds Classical (iTunes link) More information on David's recordings is available on his website davidjgrossman.com.

This week's Contrabass Conversations episode features a follow-up interview with bassist Barry Lieberman, double bass faculty at the University of Washington and artistic director of The American String Project, an ensemble that specializes in performing string chamber orchestra arrangements of quartet literature. Barry was previously interviewed on Contrabass Conversations in 2008, and on that occasion we discussed his early years on the instrument, his career in the Los Angeles Philharmonic and subsequent move to Seattle, and many other topics. We focus on recent developments with The American String Project in this episode, including their recent selection as "Pick of the Month" for all North American releases of classical music discs in the August issue of the BBC Music Magazine (more details on the String Project website). This fascinating and virtuosic ensemble also recently produced a documentary detailing what happens behind the scenes each year with the String Project, and it is a well-produced and highly engaging glimpse into the workings of some of the world's finest leaders in the string world in a rare collaborative setting. You can see it now on the TASP website, and we will be releasing the entire video on the podcast next week as well. One of our most popular offerings on Contrabass Conversations since its inception has been Barry's interview with Gary Karrfor his Barry Lieberman and Friends series at the University of Washington. You're in for a real treat if you haven't seen this in the past–check it out! We've featured a great deal of String Project music on both the blog and the podcast–so much in fact, that I decided to put together a PDF listing everything that we've used (in some fashion) here: American String Project music featured on doublebassblog.org.pdf Today's episode features an excerpt from the String Quartet Op. 18, No. 4 Mvt. 4 (Allegro) by Beethoven and the complete Allegro Non Troppo movement from the String Quartet #3 In F, Op. 73 by Shostakovich. You can also check out all the works that the String Project has performed on their page within doublebassblog.org.

We're featuring an interview with jazz bassist Todd Coolman on the podcast. This episode is guest hosted by double bassist Win Hinkle, who interviewed Rufus Reid previously for Contrabass Conversations as well. After listening to this interview, I went out and downloaded Perfect Strangers, Todd's newest album, and I highly recommend it to listeners. Truly top-notch and extremely enjoyable playing all around! We'll begin today's episode with a brief excerpt from Crescent City Ditty, and well conclude with Todd's bass solo from Connotation. Both excerpts are from Todd's new album and you canfind it on iTunes here.

We're featuring an interview with and music from Joel Quarrington this week of Contrabass Conversations. Joel is the former Principal Bass of the Toronto Symphony and currently serves as Principal Bass for the National Arts Centre Orchestra of Canada. In addition to his orchestral duties, Joel maintains an active career as a solo and chamber artist, touring internationally in this capacity and performing a wide range of repertoire. This week's episode begins with a recording of Joel performing the fourth movement from the Sonata For Solo Contrabass by Weinberg, and the episode concludes after the interview with Joel's performance of the Bottesini Elegy. Both of these tracks are from his new album Garden Scene. Learn more about this album and Joel's numerous other projects atwww.joelquarrington.com.

We're featuring a brief (10 minute) interview with Calgary Philharmonic bassist Matt Heller. Matt is an old friend of mine who, in addition to being an excellent bassist, is the author of the always interesting blog hella frisch. Matt also did extensive coverage of the 2009 International Society of Bassists Convention. It was a real pleasure to get a chance to sit down and do an interview for the podcast with Matt, and I hope you enjoy this chat between two bass bloggers!

We're featuring a quick update and some performances from from double bassist Colin Corner, a previous CBC guest. When we first interviewed Colin back in 2007 he was performing in the Minnesota Orchestra, but he now serves as principal bass of the Rochester Philharmonic. In addition to his orchestral duties, Colin maintains an active career as a composer and jazz bassist, and he currently performs with the modern jazz trio Blood Electric (DeVon Gray, keys; Peter Leggett, drums; Colin Corner, bass). Learn more about Colin at his website colincornermusic.com.

We're chatting with Memphis Symphony Principal Bass Scott Best on this week's episode of Contrabass Conversations. Scott is a close personal friend of mine and an outstanding double bassist in both solo and ensemble settings. We played together in the IRIS Orchestra of Memphis, Tennessee, and it is a real pleasure to feature him on the show. Scott was one of the bassists involved in the ISB-coordinated commission of the John Harbison Concerto for Double Bass (complete video from ISB convention of this piece available here), performing the piece with the Memphis Symphony. Scott was also asked (along with Dennis Trembly and Volkan Orhon) to perform a movement of this piece at the 2009 ISB Convention, and we include the audio of Scott playing the third movement at the end of this interview. We hope you enjoy this interview with double bassist Scott Best!

We're featuring an interview with Los Angeles Philharmonic bassistand University of Southern California bass instructor David Allen Moore on the podcast this week. David also teaches bass during the summer at the Domaine Forget program in Quebec. In this interview, we chat about his early years on the instrument, teachers that have influenced him, his time in the Houston Symphony and Los Angeles Philharmonic, challenges of learning repertoire for a professional orchestra, his studies with François Rabbath, German and French bow differences, and many other topics. After the interview, we feature a track of David playing the Bohemian Dance from Frank Proto's Carmen Fantasy. Enjoy! About David: DAVID ALLEN MOORE, the newest member of the Los Angeles Philharmonic's bass section, joined the orchestra in January 2000 and was appointed to the 4th chair in October 2000. He graduated in 1993 from the University of Southern California, where he studied with Dennis Trembly, Paul Ellison, and John Clayton. Moore continued his studies in Boston, working privately with BSO principal bass Edwin Barker. Moore performed as a substitute with the Los Angeles Philharmonic during the 1995/96 season, after which he was a member of the Houston Symphony bass section under maestro Christoph Eschenbach, from 1996 to 1999. Moore has participated in numerous festivals including Tanglewood, the Grand Teton Music Festival, Mainly Mozart, and Kent/Blossom Summer Music Festival. He is an active chamber musician, having performed in the Houston area with the Greenbriar Consortium, and in Los Angeles with the Philharmonic's New Music Group. He was also a featured clinician at the 1999 Texas Double Bass Symposium. Moore currently is on the faculty of the University of Southern California.

We're featuring an interview with double bassist Jiri Slavik on Contrabass Conversations this week. Jiri is an extremely accomplished bassist in both jazz and classical styles, as you can see from his biography below, and he gave a truly mesmerizing performance at the 2009 International Society of Bassists Convention. This interview took place just as Jiri was about to leave for Europe, and I feel fortunate to have gotten the chance to chat with him on his first visit to the United States! After the interview, we feature a track titled "Coesistenza" from Jiri's album Repose. This track also features pianist Fred Thomas (iTunes link). About Jiri: Jiri Slavik was born in Havirov, Czech Republic, into a teacher's family with a strong musical tradition. As a child he played the violin, which he exchanged for the double bass around age 13. A year later he moved to Rome, Italy, where he attended St Stephen's School and eventually also the Santa Cecilia Conservatoire (Massimo Giorgi's double bass class). In the summer of 2004 he graduated from both of these institutions, always with the highest attainable marks (the seven-year long double bass course at the conservatoire took him three years to finish). After having been offered a full scholarship from the Royal Academy of Music, Jiri moved to London, UK, to pursue his studies, first in classical double bass with Duncan McTier, later on in jazz composition with Barak Schmool. After three years he finished the four years long programme with "First Class Honours". Since August 2007 he lives as a freelance musician and a composer in Paris, France. He has attended masterclasses under the direction of jazz celebrities such as Dave Holland, Jeff „Tain" Watts, Larry Grenadier, Jeff Ballard, Kenny Wheeler or contemporary music authorities like Pierre Laurent-Aimard or Peter Maxwell Davies. During his years at the Academy he was the first double bassist of the Concert Orchestra under the direction of Colin Davis or a chosen soloist at the Paganini Festival (2006). With the Ensemble Orchestral de Paris he played Bach's St Matthew Passion in the Notre Dame or performed in the Théâtre des Champs-Elyseés. As a soloist he has appeared in the Santa Cecilia hall of the auditorium Parco della Musica in Rome or in a program of the Czech Television Koncert na kurtech. With pianist Fred Thomas he made two live recordings for the Czech Radio, as well as the album Repose (F-IRE label, London). His music is in an independant German film production "Oury Jalloh" (www.ouryjalloh-derfilm.de), which won the German Human Rights Film prize, category amateur film, for 2008.

We're featuring composer and bassist P. Kellach Waddle on this week's Contrabass Conversations episode. Actually, we have chatted about doing an interview since 2007, and we got a chance to do so at the 2009 International Society of Bassists Convention. P. Kellach Waddle has had a great deal of recognition as a composer, and he has written numerous works for solo bass or featuring the bass in a prominent role. I think you'll really enjoy this interview we did back in June! We're also featuring P. Kellach Waddle performing his own composition "Sonata in Two Movements" for solo bass after the interview segment. About P. Kellach Waddle: Two time Pulitzer-Prize nominated composer P. Kellach Waddle maintains an active career not only as a composer but also as a bassist, conductor and writer. With nearly 450 performances of his music by the end of the '05-'06 season, and a list of completed works now numbering over 220 , Mr. Waddle continues to maintain a career as one of the most performed and prolific composers of his generation. His works have been performed in 38 states and in 14 countries on 4 continents and radio features/interviews with him have been heard on classical radio stations in Texas, North Carolina, Kentucky and Tennessee and Ohio. A performance by Mr. Waddle of his Op. 1 #1, the bass caprice De Salones Espanoles, marked the first hearing of his music on National Public Radio as part of its Music From Roundtop Series in 1993. Complete bio for P. Kellach Waddle

We're featuring a guest interview by bassist Tim Wolfe, Jr. interviewing his former teacher Jim Miller about Art Davis. Tim and Jim discuss Art Davis' life, career, and pedagogical approach. They discuss Art's book and his four-finger approach to the double bass, among other subjects. We're also featuring excerpts from "Duo," a track from the Art Davis Quartet album Life and featuring Art Davis, John Hicks, Idris Muhammad & Pharoah Sanders. This album (along with other music from Art's considerable career) is available through iTunes. Tim also created a timeline (PDF) detailing milestones in Art's career: Art Davis Timeline About Art Davis: In a musical career that has spanned four decades, Dr. Art Davis has played his bass with a myriad of the greatest jazz, classical, and popular artists in the world. He has shared his talents with not only the best jazz musicians (John Coltrane,Max Roach, Dizzy Gillespie, Lena Horne, Thelonius Monk, Louis Armstrong, Count Basie, Quincy Jones, etc.), but with notable figures from popular music such as Judy Garland, Bob Dylan, Minne Pearl, Barbara Streisand, Hank Williams. Davis' career has also seen performances with major orchestras such as the National Symphony, NBC Symphony, New York Philharmonic, Los Angeles Philharmonic, Radio City Music Hall Symphony, Westchester Symphony, Orange County Symphony and others. Davis studied the tuba as well as the piano as a boy in his hometown of Harrisburg, Pennsylvania before switching to the bass in high school. He won numerous awards on both tuba and double-bass while attending high school. Upon graduation, he moved to New York to study via scholarship at both theManhattan School of Music as well as the Juilliard School of Music. While attending the latter he studied with world renown cellist Lazlo Varga andAnselme Fortier, who was principal bassist with the New York Philharmonic at that time. He earned a B.A. degree, triple major in psychology, music, physics, summa sum laude from Hunter College, City University of New York. Art Davis' recording debut came in 1958 at the Newport Jazz Festival, with Max Roach's group that included the legendary Booker Little and George Coleman. Davis maintained a strong personal relationship with Max, and Booker Little became one of his best friends. John Coltrane came into Art Davis' life while Davis was working with Max Roach's group at Small's Paradise in Harlem. Coltrane at that time was in Miles Davis' band and between sets asked Art if he would like to "practice" with him. Art agreed and Coltrane replied "How about tomorrow morning?" At 8:00 the following morning John Coltrane was in the lobby of Art's hotel and called him on the house phone. After that first meeting, the two practiced regularly for about a year, the sessions lasting for many hours without a break. It was during this year that John Coltrane wrote the tune "Giant Steps". Davis credits the association with John Coltrane as the most intense and enriching musical experience of his career. Until Coltrane's death in 1967, Art remained close musically and personally with him and was a member of the bands on several Coltrane albums including, "Ascension", "Africa Brass I and II", "Olé! Coltrane", and others. Art's discography as a member of Coltrane's groups also includes the original recording of "A Love Supreme" (which remains unreleased) with Coltrane's regular quartet and Archie Shepp. Art also toured intermittently with John Coltrane. Due to Davis' studio and other commitments, he was unable to become a permanent member of Coltrane's quartet, but John insisted on their continued relationship. Then, in 1959, Davis joined Dizzy Gillespie's band and toured for two and a half years. Weary of the road he returned to New York and free-lanced. In 1961 Art became the second African-American member of the NBC Staff Orchestra, working regularly on the Merv Griffin, Jack Paar, and Johnny Carson shows (and others), as well as performing in the New York studios playing jingles, films, and freelancing with performers. When the Griffin show moved to Los Angeles in 1971 Davis went back to school to pursue his deep interest in psychology, earning a masters degree in Experimental Psychology from the City College of the City University of New York and a masters degree and a Ph.D. in clinical psychology from New York University by 1982. He supported himself while in college by teaching and performing in Broadway shows. After receiving his doctorate, he devoted four years to psychology patients and teaching in medical centers and colleges. In 1986, Davis moved to southern California, where he currently teaches college courses and maintains a professional practice as well as playing concerts, clubs, and recordings.Throughout his busy career, Davis finds time to encourage young people to strive toward their highest professional ambitions. His fan club decided to reflect this concern and established a scholarship program for deserving students.

We're featuring some brief interviews I did with people on the floor of the 2009 International Society of Bassists Convention at Penn State in June. Feel free to check out my ISB 2009 Retrospective blog post for even more information on what was happening at this year's convention, and stay tuned for an avalanche of content from this event over the next couple of months! During this episode, I chat with Bill Wasson, Ian Saunders, Robert Meyer, and several University of Michigan students, as well as featuring some listener feedback and news.

This week, we're featuring an interview with Klauss Stoll, the recently retired Principal Bass of the Berlin Philharmonic. He has taught for many years in Berlin, Salzburg, and in master classes worldwide, and is regarded as one of the finest teachers of the double bass alive today. This interview was conducted by Jonathan Stefaniak, a former member of the Civic Orchestra who is now playing in an orchestra in Japan. Jonathan was recently working with Professor Stoll in a master class setting and had the opportunity to sit down and chat with him for the podcast. In this interview, Jonathan and Klaus discuss Klaus' early years on the instrument, his time spent in the Berlin Philharmonic, auditioning for co-principal and eventually first principal chair, his chamber duo, orchestral style, developments in eduction and the decline of the despotic maestro, the unique characteristics of the Berlin Philharmonic, and specifics about his teaching. Learn more about Klaus at his website: klausstoll.com

We're featuring Boston Symphony Principal Bassist Ed Barker on this week's Contrabass Conversations episode. Conducted by Contrabass Conversations co-host John Grillo, this episode features John chatting with Ed about his early years on the bass, his schooling and time spent in the Chicago Symphony prior to his appointment with the Boston Symphony, and in-depth look at articulation on the bass, and a discussion on practicing. We hope you enjoy this conversation with this modern master performer and teacher of the double bass! About Ed Barker: Edwin Barker is recognized as one of the most gifted bassists on the American concert scene. Acknowledged as an accomplished solo and ensemble player, Mr. Barker has concertized in North America, Europe, and the Far East. Edwin Barker has performed and recorded with the Boston Symphony Orchestra, the Boston Symphony Chamber Players, and with the contemporary music ensemble Collage, a Boston – based contemporary music ensemble, and is a frequent guest performer with the Boston Chamber Music Society. Mr. Barker gave the world premiere of James Yannatos' Concerto for Contrabass and Chamber Orchestra and of Theodore Antoniou's Concertino for Contrabass and Chamber Orchestra ; he was the featured soloist in the New England premiere of Gunther Schuller's Concerto for Double Bass and Chamber Orchestra, conducted by the composer with The Pro Arte Chamber Orchestra. Mr. Barker graduated with honors from the New England Conservatory in 1976, where he studied double bass with Henry Portnoi. That same year, while a member of the Chicago Symphony, he was appointed at age 22 to the position of principal double bass of the Boston Symphony Orchestra. His other double bass teachers included Peter Mercurio, Richard Stephan, Angelo LaMariana, and David Perleman. Mr. Barker was invited to inaugurate the 100th anniversary season of the Boston Symphony Orchestra with a solo performance of the Koussevitzky Bass Concerto; other solo engagements have included appearances at Ozawa Hall (Tanglewood), Carnegie Recital Hall's "Sweet and Low" series, and at major universities and conferences throughout the world, as well as concerto performances with the Boston Classical Orchestra, the Athens State Orchestra (Greece) and with the Boston Symphony Orchestra in Boston and Europe. He was a featured premiere soloist with the Boston Symphony of John Harbison's Concerto for Bass Viol and Orchestra at Tanglewood's 2007 Festival of Contemporary Music. Mr. Barker is an Associate Professor at the Boston University College of Fine Arts where he teaches double bass, orchestral techniques, and chamber music. His other major teaching affiliations include the Boston Symphony Orchestra's Tanglewood Music Center, where he is Chairman of Instrumental and Orchestral Studies. Edwin Barker's solo CD recordings include Three Sonatas for Double Bass, on Boston Records, James Yannatos' Variations for Solo Contrabass, on Albany Records, and Concerti for Double Bass, on GM Recordings, which includes bass concerti by Gunther Schuller and Theodore Antoniou. Concerti for Contrabass also includes his highly praised performance of Tom Johnson's Failing , which was recorded live at Harvard University's Sanders Theater. Edwin Barker's latest solo offering on CD is a recently released performance of James Yannatos' Concerto for Contrabass with Collage.

The number of considerations a prospective music school student faces these days can be quite staggering–in this week's episode, I try to give listeners a summary of the most important considerations in the quest for the ideal music school. Enjoy, and learn more about this topic at doublebassblog.org or listen to some of the top university bass professors at contrabassconversations.com.

We're featuring the Courante and Gigue from the Sixth Cello Suite by J.S. Bach as well as the first movement of the Shostakovich Cello Concerto No. 2 this week, played impeccably by the wonderful bassist Ben Jensen, currently a student of Bruce Bransby at Indiana University. These were recorded live in a master class at Indiana University and are an outstanding example of bass playing. Enjoy! We've featured Indiana University double bass professor Lawrence Hurst on Contrabass Conversations previously–if you haven't checked out this interview before, I'd encourage you to check it out. Indiana University has an established reputation as one of the premier institutions for top-notch double bassists to perfect their craft, and if Ben's example is any indication of the talents of the younger generation of bassists, we're in good hands indeed!

We're chatting with jazz bassist Jon Burr on this week's Contrabass Conversations episode. In addition to an active career recording and performing original tunes with the Jon Burr Quartet, Jon has toured and recorded with many great jazz masters, including Stan Getz, Chet Baker, Horace Silver, Hank Jones, Art Farmer, Stephane Grappelli (from 1986-1997), Sir Roland Hanna, Dorothy Donegan, and Buddy Rich. From 1980 – 1985 he toured with Tony Bennett; he has also worked with Lainie Kazan, Rita Moreno, Barbara Cook, Eartha Kitt, among others. Jon was a founding member of violinist Mark O'Connor's "Hot Swing" trio, with guitarist Frank Vignola. In our interview, we discuss Jon's early years on the bass, his time spent touring with Stephane Grappelli and Tony Bennett, his upcoming book "The Untold Secret to Melodic Bass Playing," upcoming projects, as well as advice for younger players coming up in the business right now. After the interview, we feature "Nobody Said It Was Easy," one of Jon's original tunes. Learn more about Jon at his website jonburr.com and his food blog highfibercooking.com, and find him on Twitter attwitter.com/jonburr.

We're concluding the interview that we began on CBC 114 with double bassist Mark Morton, who is currently professor of bass at Texas Tech University in Lubbock, TX and has also served as Principal Bass of the Columbus Symphony. Mark was the first prize winner at the International Society of Bassists Solo Competition, and he was the assistant double bass instructor for Gary Karr at the Hartt School of Music. He is well-known for writing and publishing the "Dr. Morton" series of books on the art of bass playing, and he is the founder of the American School of Double Bass. We start this segment of our interview discussing Mark's Simandl-Plus® approach and how it increases the number of techniques available to the modern bassist, as well as some specific examples in orchestra repertoire where these kind of techniques can be used. We also talk about when Mark starts using the third finger and the thumb on the neck, adopting a more flexible approach than advocated in Simandl technique. We also discuss melodic gestures and when to shift according to a particular gesture, lyrical and technical fingerings and when to use them, shifting strategies, the value of Simandl and how it teaches the "grid" of the fingerboard, Mark's fingerboard mapping system, and some of his upcoming projects. We also feature a recording this week of Mark playing the Gliere Tarantella from his albumRussian Rendezvous, which is available from CD Baby or the iTunes Music Store. I recommend downloading Mark's Simandl-Plus® packet and following along with our discussion to get a more complete idea of how he implements these concepts. Links: American School of Double Bass, Texas Tech School of Music Subscribe: iTunes | Android | Email

We're featuring the third and final part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I'm really looking forward to chatting with Larry–he's one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college. Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors. We're also featuring Jacob Druckman's piece Valentine, one of the tracks from Larry's solo album which was added upon the CD release and one which you're really going to enjoy. Larry will be doing a presentation at this summer's International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry's website as well! Subscribe: iTunes | Android | Email

We're featuring music from the engaging and unusual band Haberdashery on this episode. Tracks featured: -Toys – Sunset Cowboy – Not Here

Double bassist and Contrabass Conversations co-host John Grillo recently recorded in the first of a new series of audio programs about the past, present, and future of the professional symphony orchestra. In this first episode, John interviews me about my book Road Warrior Without an Expense Account, which I hope you'll find interesting. I also recorded a screencast of my Keynote presentation about this book, which I did in Sioux Falls, South Dakota during the summer of 2008. I wrote the blog posts that this book is based upon in early 2007. Enjoy! Subscribe: iTunes | Android | Email

We're featuring an interview with double bassist Mark Morton, who is currently professor of bass at Texas Tech University in Lubbock, TX and has also served as Principal Bass of the Columbus Symphony. Mark was the first prize winner at the International Society of Bassists Solo Competition, and he was the assistant double bass instructor for Gary Karr at the Hartt School of Music. He is well-known for writing and publishing the "Dr. Morton" series of books on the art of bass playing, and he is the founder of the American School of Double Bass. We talk about double bass technique in great detail during this interview, particularly about Mark's approach to left hand fingering systems and his Simandl-Plus® system of fingering. I'd recommend downloading Mark's Simandl-Plus® packet and following along with our discussion to get a more complete idea of how he implements these concepts. Links: American School of Double Bass, Trios for Deep Voices, Texas Tech School of Music Subscribe: iTunes | Android | Email

We're featuring the complete recording of our interview with Metropolitan Opera Orchestra Assistant Principal Bass Jeremy McCoy on this week's Contrabass Conversations episode. Jeremy attended the Curtis Institute and was a member of the National Arts Centre Orchestra of Canada prior to his appointment with the Metropolitan Opera Orchestra. Jeremy and I discuss a wide variety of topics, including his early experiences on the instrument, life in the Met, thoughts on teaching, recording a solo album, and much more. We also feature excerpts from Jeremy's solo album Dialogues with Double Bass. link to Jeremy's website Subscribe: iTunes | Android | Email

This all-music episode features a performance from National Symphony double bassist and Peabody Conservatory faculty member Ira Gold. Ira performs the Vanhal Bass Concerto live with the Eclipse Chamber Orchestra. This was performed on February 9, 2009. Enjoy!

We're featuring the second part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I'm really looking forward to chatting with Larry–he's one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college. Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors. We're also featuring the Gliere Scherzo and Koussevitzky Valse Miniature from Larry's solo album, both of which you're really going to enjoy. Larry will be doing a presentation at this summer's International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry's website (which he is in the process of revamping – listen to the interview to learn more about this), and stay tuned for tour final segment of this interview very soon! Subscribe: iTunes | Android | Email

Contrabass Conversations Co-host John Grillo and Jason conclude their interview with Cleveland Orchestra Principal Bass Max Dimoff this week. Before winning his job with the Cleveland Orchestra, Max served as Principal Bass of the San Antonio Symphony and Section Bass for the Grant Park Symphony and Seattle Symphony. In this second segment of our interview with Max, we cover the use of rhythms in practicing solo and orchestral music, why he finds warm-up exercises useful, standing versus sitting, and audition preparation advice. Max's Warm-Ups Max Dimoff Warm-Up Packet (PDF) In addition to serving as Principal Bass with the Cleveland Orchestra, Max is on faculty at the Cleveland Institute of Music along with Jeff Bradetich, his former teacher from Northwestern University. Max and Jeff team teach the CIM bass studio in a very interesting arrangement which we discuss during our interview.

We're featuring the first part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I'm really looking forward to chatting with Larry–he's one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college. Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors. We're also featuring the Gliere Scherzo and Koussevitzky Valse Miniature from Larry's solo album, both of which you're really going to enjoy. Larry will be doing a presentation at this summer's International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry's website (which he is in the process of revamping – listen to the interview to learn more about this), and stay tuned for tour final segment of this interview very soon! Subscribe: iTunes | Android | Email

Contrabass Conversations Co-host John Grillo and Jason interview Cleveland Orchestra Principal Bass Max Dimoff this week. Before winning his job with the Cleveland Orchestra, Max served as Principal Bass of the San Antonio Symphony and Section Bass for the Grant Park Symphony and Seattle Symphony. In this second segment of our interview with Max, we cover the use of rhythms in practicing solo and orchestral music, why he finds warm-up exercises useful, standing versus sitting, and audition preparation advice. Max's Warm-Ups Max Dimoff Warm-Up Packet (PDF) In addition to serving as Principal Bass with the Cleveland Orchestra, Max is on faculty at the Cleveland Institute of Music along with Jeff Bradetich, his former teacher from Northwestern University. Max and Jeff team teach the CIM bass studio in a very interesting arrangement which we discuss during our interview.

We're featuring two tracks from U.K. bassist Leon Bosch's new solo album The Russian Double Bass, which was released on Meridian Records this month. Leon has been a musical guest on the podcast twice before, and I really hope you enjoy this all-music episode of excellent music played by this wonderful musician. Tracks Featured: Rachmaninoff Vocalise Glière Tarantella

We're concluding our interview (check out part 1 here) with Metropolitan Opera Orchestra bassist Dan Krekeler this week on the podcast. John Grillo and I co-interviewed Dan, which was particularly cool since we've both known Dan for many years. I played with Dan in the Civic Orchestra of Chicago, and John went to Indiana University with him as an undergraduate. It's great to see an old friend have such great professional success, and it was a lot of fun to catch up with Dan and hear about his experiences on the road to a major orchestral position. In our conversations about audition prep, Dan brings up musician coach Don Greene, and I realized that we've never actually talked about Don before on any blog posts or podcasts. This is surprising, since I'm a big fan of Don's concepts and strategies for successful auditioning, so we'll have to delve more into that topic at a later date. Subscribe: iTunes | Android | Email

We're featuring an interview with Michelle Fiore this week on Contrabass Conversations. Michelle is the proprietor of Classic Contrabass, a shop in Wheeling, Illinois catering exclusively to double bassists. I've known Michelle for many years–she was involved for many years with the University of Wisconsin-Whitewater Winter Bassfest that I started several years ago. She does great setup and repair work, and she has an excellent selection of double basses for sale as well as quality rental instruments for students. Michelle had the opportunity to visit the Maggini exhibition in Italy a couple of years ago, an event which featured Dragonetti's Gasparo da Salo bass from 1590 as well as several other Maggini double basses. She wrote an article about this exhibition last year for the International Society of Bassists' Bass World journal, and she discusses in detail some of her observations about these remarkable instruments in this interview. We also chat about instrument setup and how it differs for classical and jazz bassists, sound post adjustments, and many other topics.

John and Jason co-interview Metropolitan Opera Orchestra bassist Dan Krekeler, which was particularly cool since they've both known Dan for many years. Jason played with Dan in the Civic Orchestra of Chicago, and John went to Indiana University with him as an undergraduate. It's great to see an old friend have such great professional success, and it was a lot of fun to catch up with Dan and hear about his experiences on the road to a major orchestral position.

We're concluding our interview with San Diego Symphony Principal Bass Jeremy Kurtz on this week's episode of Contrabass Conversations, plus featuring excerpts from Jeremy's captivating new solo album Sonatas and Meditations, which can be purchased through the new International Society of Bassists store at www.ISBstore.com.

We're concluding our interview with University of North Texas and Cleveland Institute of Music bass professor Jeff Bradetich on this week's Contrabass Conversations episode. We featured the first part of this interview on episode 101 of the podcast, and we hope you enjoy hearing the thoughts and perspectives from this wonderful and influential performer and pedagogue. Learn more about Jeff and his new foundation at BradetichFoundation.org.