Boxcars711 Old Time Radio

The show first broadcast its fantastic thirty-minute crime mystery series in May 1942 and did not finish until September 1948. There were more than 450 shows of murder and intrigue in all. Although it ran for 6 years it was broadcast for only one year on a national network. The show opened to the sound of footsteps and an eerie whistle, which went on throughout the introductory music. The Whistler always began the show with the opening lines; I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak??

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch.

The 1950's saw both the twilight of the Golden Age of Radio and the birth of the science fiction radio series. Science fiction was not new to radio before 1950, but it was either targeted to juvenile audiences or were shows in a broader series, for example, ESCAPE's "The Time Machine". On March 15, 1950, the first show of Mutual's 2000 PLUS aired, becoming the very first true science fiction series in the US. DIMENSION X followed shortly on April 8, 1950 over NBC stations. TALES OF TOMORROW was the third dedicated science fiction series, over the stations of the American Broadcasting Corporation, following DIMENSION X by almost 2 years. The host of the show was Raymond Edward Johnson, of INNER SANCTUM fame. Mr. Johnson handled TALES OF TOMORROW openings in a similar fashion to INNER SANCTUM openings, but with a "science fiction" flavor, instead of a "macabre" sense.The shows of this series were quite good, borrowing ideas from stories in "Galaxy" magazine. Some of the story titles may seem familiar, like "The Stars Are The Styx", "The Girls From Earth" or "The Old Die Rich". These titles would appear later in CBS's X MINUS ONE. "Watch Bird" would later be done in South Africa, in a series entitled SF68. But radio was on the decline. TALES OF TOMORROW lasted only until April of that year, airing only 15 shows.

Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison,who did decades of scripting for the silver screen along with Broadway plays and magazine fiction. From the first, MGM wanted Ann Sothern to play Maisie. She began in Hollywood as an extra in 1927. "Maisie and I were just together - I just understood her," Sothern, born Harriette Arlene Lake, said after several of the films made her a star. Throughout the 1930s and '40s, Ann Sothern and Lucille Ball, like many performers in Hollywood, had not one but two careers - one in motion pictures and one on radio. MGM Studios had created the series of ten motion pictures based on a brash blonde with a heart "of spun gold." Maisie, the first in 1939, was from the book "Dark Dame" by the writer Wilson Collison, who did decades of scripting for the silver screen along with Broadway plays and magazine fiction.

There were four series under the HALL OF FANTASY banner, all produced by Richard Thorne. The first HALL OF FANTASY originated from radio station KALL in Salt Lake City, Utah. Richard Thorne and Carl Greyson were announcers for the station and produced the rather barebones shows, possibly late in 1946 and into 1947. The series consisted of 26 shows. Broadcast dates for the shows are not known. The shows were written or adapted by Robert Olson and directed by Mr. Thorne. Most were classic murder mysteries with traditional endings; the evil-doer got his just rewards. The series was sponsored by the Granite Furniture Company, although existing shows are missing the commercials, apparently because they were inserted live.

On January 31, 1936, the Green Hornet radio program aired on WXYZ in Detroit, Michigan. Al Hodge played the part of the Green Hornet from 1936 through January of 1943. The program was created by George W. Trendle, the same man associated with the creation of the Lone Ranger radio show. The premise of the Green Hornet was that of a modern day Lone Ranger. The main character was Britt Reid, a newspaper publisher of the Daily Sentinel by day and the Green Hornet by night. Britt Reid was the great-nephew of the Lone Ranger. Britt Reid's war against crime was an extension of his family history. The Green Hornet fought crime with his high-powered car, the Black Beauty. He also utilized a gun that fired knockout gas instead of bullets. His fists also came in handy on a regular basis. He was assisted by his Filipino valet, Kato. Kato would drive the Black Beauty, keep watch out for the police or the bad guys and sometimes lend a helping fist to the fighting. The Green Hornet pretended to be a villain while really battling the forces of crime in the big city. This would make for some interesting plot twists as the Green Hornet would be actively avoiding detection by the police while at the same time attempting to destroy criminal activity in the city. Many times the Green Hornet would lead the police to believe that the Green Hornet had been the mastermind of the case at hand. The police would receive an anonymous tip of where they could pick up the now subdued crooks with the Green Hornet just barely making his escape from the scene. The Green Hornet would be alerted to criminal activity through his job as editor of the Daily Sentinel. The crime stories would lead Britt Reid to transform into the Green Hornet to battle crime at night.

THE LUX RADIO THEATER was first heard on NBC October 14, 1934 as a Sunday afternoon show. On July 19, 1935, it moved to CBS and into it's long running Monday night time slot. All shows were one hour long. Less than a year after it's arrival on the air, the series' ratings began to drop. Danny Danker, an executive working for the advertising agency handling the Lux account, was given the responsibility to improve the show. What the show needed was extravaganza, and what the show got was Cecil B. DeMille. With DeMille as host, THE LUX RADIO THEATER brought in big name stars and brought the show back up to the top of the charts. DeMille became an institution on the show, conveying an almost frantic "the show must go on" attitude. Mr. DeMille left after the Jan. 22, 1945 show. The role of show host changed a number of times through the remainder of the show's history. William Keightley was the last host, remaining for the show's last curtain call on June 7, 1955. The CBS series ran through the Summer initially. It was off for the Summer every season after the first season. In 1953, CBS offered the Lux Summer Theater, a series of 14 hour-long shows, that aired in the same time slot as the regular Lux series. Both times that Lux was heard on NBC was for a single season.

This show was based on the life of real treasury dept. gangbuster Eliot Ness, who had in fact played an important part in stopping the power of the notorious Al Capone in 1931 Chicago. The Ness autobiography served as the basis of a two-part semidocumentary dramatization of the Capone affair, presented on a 1959 Desilu Playhouse. It was a huge hit that turned into a regular series the next fall. It followed Ness and his small band of incorruptible agents (called the "Untouchables" by a Chicago newspaper) as they battled the worst people in organized crime. (Ness had in real life disbanded the Untouchables after cracking the Capone case, and had nothing to do with most of the cases dramatized on TV.) The Untouchables went after hoods like Bugs Moran, in whose garage the St. Valentine's Day Massacre took place.

From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast.

LAST BROADCAST: July 1st 1953 SPONSORS: Ford Motors, General Mills CAST: Brian Donlevy, Herb Butterfield, GeGe Pearson, Ken Peters, Betty Lou Gerson, Dan OâHerlihy ANNOUNCERS: John Storm PRODUCERS/DIRECTORS: Don Sharpe WRITERS: Bob Ryf ORCHESTRA: Steve Ashley Dangerous Assignment â 1950-1954 This thirty-minute spy adventure featured Steve Mitchell, and investigator of crimes in exotic locations. 60 episodes. The opening was the same every week âYeah, danger is my assignment. I get sent to a lot of places I canât even pronounce. They all spell the same thing though, trouble.â He would be summoned to his bossâs office where he would be given his assignment; he would then fly halfway across the globe to save the day!

Lights Out was an American old-time radio program featuring "tales of the supernatural and the supernormal." It was immensely popular, and was one of the first horror programs, predating Suspense and Inner Sanctum. In its heydey, Lights Out rivalled the popularity of those shows. Lights Out ran through several series and networks, from January 1, 1934 to August 6, 1947. The principal sponsor was Ironized Yeast. Most episodes were broadcast at midnight. Lights Out then made the transition to television in 1949, where it was broadcast until 1952. Created in Chicago by writer Wyllis Cooper in 1934.

The Casebook of Gregory Hood, starring Gale Gordon in the title role, took over where Sherlock Holmes had left off. Sponsored by Petri wine, it used the same "weekly visit" format and the same team of Anthony Boucher and Dennis Green that had written The New Adventured of Sherlock Holmes. Gregory Hood was modelled after true-life San Francisco importer Richard Gump, and many of the stories revolve around a mystery surrounding some particular imported treasure. Hood's sidekick Sanderson "Sandy" Taylor was played by Bill Johnstone. The show aired from June, 1946 through August, 1950. There were an additional couple of shows aired in October 1951. Hood and Sanderson were played in later episodes by Elliott Lewis and Howard McNear, respectively.

The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?" â whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines â the team is, as a result, featured in the Baseball Hall of Fame. (Contrary to popular belief, however, the duo was not inducted into the Hall). Bud Abbott was born in Asbury Park, NJ, October 2, 1895 and died April 24, 1974 in Woodland Hills, California. Lou Costello was born in Paterson, NJ, March 6, 1906 and died March 3, 1959 in East Los Angeles, California.

The Damon Runyon Theater was a 52 show series that was syndicated across the USA beginning in early 1949. Damon Runyon was a gifted sports writer in New York City as well as being a great journalist and great short story writer. His stories were humorous ones, written in the "dem" and "dose" vernacular of the city's loveable and not so loveable characters of Broadway, the prize ring and the underworld. His most famous collection of short stories, Guys and Dolls, was on Broadway and later made into a movie. Many of his stories were filmed including Sorrowful Jones, A Pocketful of Miracles, Lady for a Day, Blue Plate Special, The Lemon Drop Kid (twice) and Little Miss Marker (four times). In addition to this The Damon Runyon Theater was syndicated for television in the mid 1950s.

Frank Lovejoy stars as Randy Stone, a toughened, street-wise Chicago Star reporter working the Nightbeat in the early 1950's. Sometimes the capers are cops and robbers. Or just normal people in trouble. Sometimes they deserve it. Sometimes fate twists their arm. Sometimes they're just too scared or confused to know the difference. Lovejoy is a seasoned pro of radio and film with an honest, gripping delivery. Solid supporting casts, good writing and direction.

In 1937, Americans began a Sunday night ritual that lasted three decades. They tuned in to the Bergen and McCarthy show. It was the top program on radio and Hollywood's top movie stars lined up to make cameos. They included Mae West, whose flirtations with McCarthy got her banned from NBC for 15 years, and Marilyn Monroe, who once became "engaged" to marry McCarthy -- a stunt that ended when the dummy couldn't submit to a blood test. The arrival of television produced a new set of star ventriloquists, including Paul Winchell and Jerry Mahoney, and Senor Wences and Pedro, the famous head-in-the-box who's favorite phrase was "S'awright!" But none was as enduring as Shari Lewis and Lamb Chop, who debuted in 1957 on the Captain Kangaroo Show. Lewis went on to star in several children's TV shows in a career that spanned five decades, until her death in 1998. Asbury says she was more than just the best female ventriloquist -- she may have been the best ventriloquist ever because of "boundless talent and energy" and her ability to change with the times.

Inner Sanctum Mysteries was a popular old-time radio program that aired from January 7, 1941 to October 5, 1952. Created by Himan Brown, the anthology series featured stories of mystery, terror and suspense. The tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. A total of 526 episodes are known to have been produced. The early 1940s programs opened with Raymond Edward Johnson introducing himself as, "Your host, Raymond," in a mocking sardonic voice. A spooky melodramatic organ score punctuated Raymond's many morbid jokes and playful puns. Raymond's closing was an elongated "Pleasant dreeeammsss?!" His tongue-in-cheek style and ghoulish relish of his own tales became the standard for many such horror narrators to follow, from fellow radio hosts like Ernest Chappell (on Cooper's later series, Quiet, Please) and Maurice Tarplin (on The Mysterious Traveler) to EC Comics' Crypt-Keeper in various incarnations of Tales from the Crypt. In interviews, EC publisher Bill Gaines stated that he based EC's three horror hosts not on Raymond but on Old Nancy, host of radio's earlier The Witch's Tale (1931-38).When Johnson left the series in 1946, he was replaced by Paul McGrath, who did not keep the "Raymond" name and was known only as "your host" or "Mr. Host." Beginning in 1945, Lipton Tea sponsored the series, pairing first Raymond and then McGrath with cheery commercial spokeswoman Mary Bennett, whose blithesome pitches for Lipton tea contrasted sharply with the macabre themes of the stories, and who primly chided the host for his trademark dark humor and creepy manner.

Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1954); NBC (1954-1955)) adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945. On one occasion, however, he was replaced by Leslie Howard. Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York City to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.Many of the greatest names in film appeared in the series, most in the roles they made famous on the screen, including Abbott and Costello, Lauren Bacall, Lucille Ball, Ingrid Bergman, Humphrey Bogart, Charles Boyer, Claudette Colbert, Gary Cooper, Joseph Cotton, Bing Crosby, Dan Duryea, Ava Gardner, Cary Grant, Bob Hope, Vivien Leigh, Agnes Moorehead, Vincent Price, Donna Reed, Frank Sinatra, Ann Sothern, Barbara Stanwyck, James Stewart, Gene Tierney, John Wayne, Jane Wyman, Orson Welles and Loretta Young. Among the men, Don Ameche -- eventually a radio star in The Bickersons -- appeared most often, with 18 Lux appearances, just ahead of Fred MacMurray's 17. Among the women, the honor went to Barbara Stanwyck with 15 Lux appearances, including her re-creation of her hit film Sorry, Wrong Number -- itself born of an earlier radio production, on CBS legend Suspense). Loretta Young's 14 appearances were the second most among the women.

Whitehall 1212 is a crime drama featuring cases from New Scotland Yard's "Black Museum". Unlike the show starring Orson Welles, however, this series was done with the official support of The Yard and tries to downplay the sensational aspects of thes cases and highlight the rigorous police work that went into solving them.

Sponsored by Vic's nose drops, vapor rubs, and other great products by the Vic Chemical Company, this collection contains all known episodes in existence of the short-run series of 1944, Dangerously Yours. Hollywood star, Victor Jory, was the primary herostarring in story adaptation of pirates, espionage, adventure and romance. The series was later renamed in October 1944 to Matinee Theater.

Tales of the Texas Rangers, a western adventure old-time radio drama, premiered on July 8, 1950, on the NBC radio network and remained on the air through September 14, 1952. Movie star Joel McCrea starred as Texas Ranger Jayce Pearson, who used the latest scientific techniques to identify the criminals and his faithful horse, Charcoal, to track them down. The shows were reenactments of actual Texas Ranger cases. The series was produced and directed by Stacy Keach, Sr., and was sponsored for part of its run by Wheaties. Captain Manuel T. "Lone Wolf" Gonzaullas, a Ranger for 30 years and who was said to have killed 31 men during his career, served as consultant for the series. The series was adapted for television from 1955 to 1957. During the opening and closing credits of the TV show, the actors would march toward the camera and sing the theme song, "We are the Texas Rangers", to the tune of "The Eyes of Texas Are Upon You", which is also the tune of "I've Been Working on the Railroad".

Barry Craig(AKA Barry Crane" and then "Barrie Craig)Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality." Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today.

For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.

Mystery In The Air. September 25, 1947. NBC net. "Crime and Punishment". Sponsored by: Camels, Prince Albert. The last show of the series. Nice try, but you can't do "Crime and Punishment" in a half hour. Ben Wright, Fyodor Dostoyevsky (author), Gloria Ann Simpson, Henry Morgan, Herb Butterfield, Joseph Kearns, Luis Van Rooten, Michael Roy (announcer), Paul Baron (composer, conductor), Peggy Webber, Peter Lorre. 29:17

In 1934-36, Berle was heard regularly on The Rudy Vallee Hour, and he got much publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety program broadcast on CBS from September 6, 1936 to August 29, 1937. In 1939, he was the host of Stop Me If You've Heard This One with panelists spontaneously finishing jokes sent in by listeners. Three Ring Time, a comedy-variety show sponsored by Ballantine Ale was followed by a 1943 program sponsored by Campbell's Soups. The audience participation show Let Yourself Go (1944-45) could best be described as slapstick radio with studio audience members acting out long suppressed urges (often directed at host Berle). Kiss and Make Up, on CBS in 1946, featured the problems of contestants decided by a jury from the studio audience with Berle as the Judge. He also made guest appearances on many comedy-variety radio programs during the 1930s and 1940s.

Let us journey âinto the land that lies beyond midnight,â into a world of ghost hunters, men going mad, and DEATH DEATH DEATH! Written by the masterful Michael McCabe, these well-done South African radio shows will capture your attention and keep you up listening to them well beyond midnight. Exact Date Unknown

X MINUS ONE was an NBC science fiction series that was an extension, or revival, of NBC's earlier science fiction series, DIMENSION X. which ran from Apr. 8, 1950 through Sept. 29, 1951. Both are remembered for bringing really first rate science fiction to the air. The first X MINUS ONE shows used scripts from DIMENSION X, but soon created new shows from storied from the pages of Galaxy Magazine. A total of 125 programs were broadcast, some repeats or remakes, until the last show of Jan. 9, 1958. There was a one-program revival attempt in 1973, shown at the end of the log.

In 1964, South Africa began The Creaking Door, using original scripts which included stories with a heavy emphasis on the supernatural. The topics ranged from haunted houses to a woman who turns into a giant cat, and of course, the typical paranoid murderer so often presented on the original Inner Sanctum. The host for this series was Peter Bloomfield. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou. Written by Lisa Grable {[email protected]}

Police Melodrama1-19-47 through 3-7-57 . Mutual network. Many weekly timeslots. Presented in cooperation with Official Detective Stories Magazine. CAST: Craig McDonnell as Detective Lt. Dan Britt. Tommy Evans as Sgt. Al Bowen. Directed by Wynn Wright.

2000 AD is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds throng as audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.

The unmistakable voice of Bud Flanagan singing 'Who Do You Think You Are Kidding, Mr Hitler?', a cod-Second World War propaganda singalong written especially for the show (by Jimmy Perry), introduced Dad's Army, the zenith of the British broad-comedy ensemble sitcom. Consistently good writing and a wonderful cast of old timers and newer talents combined to produce a whimsical period-piece that continues, justifiably, to be savoured and has now assumed a place in the 'hall of greats' pantheon, adored by new generations of the British public.

The Adventures of Frank Race was a 1949-50 radio adventure serial syndicated by Bruce Ellis Productions. The 30-minute program was first broadcast in some markets beginning May 1, 1949. An attorney who turned international adventurer after WWII, Frank Race (Tom Collins, Paul Dubov) mainly investigated insurance scams. After the first 22 shows, Dubov took over the title role. Tony Barnett portrayed Mark Donovan. The series was written and directed by Joel Murcott and Buckley Angel. The announcer was Art Gilmore, and Ivan Ditmars provided the background organ music.

Although Molle Mystery Theatre was initially sponsored by Molle Shaving Cream, other sponsors (such as Bayer Aspirin, Ironized Yeast, Phillips Milk of Magnesia) also sponsored the program. Sometimes, when it was not sponsored by Molle, the program was called "Mystery Theater". The show was first heard on NBC, on 9/7/43. Time slot was originally Sunday nights at 9:00 PM, but was later moved to Tuesday at 9:00 PM, and Friday at 10:00 PM. In 1948, the show moved to CBS (Tues, 8:00 PM), and in 1951, it moved to ABC, where it was called "Mark Sabre", and heard on Wednesdays at either 8:00 PM or 9:30 PM. The shows were tight and tension filled, with a fine orchestra score and solid production values. Classic tales from well-known authors, as well as modern unknowns were presented, and the endings were often twists or shockers.

Gunsmoke was a long-running American old-time radio and television Western drama created by director Norman MacDonnell and writer John Meston. The stories took place in or about Dodge City, Kansas, during the settlement of the American West.The radio version ran from 1952 to 1961, and is commonly regarded as one of the finest radio dramas of all time; the television version ran from 1955 to 1975 and still holds the record for the longest-running U.S. prime time fictional television program.

THE UNEXPECTEDWeird stories that have a âtwistâ ending. The listener gets a sudden shock, as this time of program should intend to deliver. Actors included Barry Sullivan, Lurene Tuttle and Virginia Gregg, who played Helen Asher in the Richard Diamond detectve series. Director is Frank Danzig.

The Time Machine from Favorite Story aired on May 28, 1949 hosted by Ronald Coleman. The Time Machine was a book by H. G. Wells, first published in 1895 and later directly adapted into at least two theatrical films of the same name as well as at least one television and countless comic book adaptations. It also indirectly inspired many more works of fiction in all media.

This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

Bulldog Drummond is a British fictional character created by "Sapper", a pseudonym of Herman Cyril McNeile (1888-1937), in imitation of the hard boiled noir-style detectives appearing in contemporary American fiction. The stories followed Captain Hugh "Bulldog" Drummond, D.S.O., M.C., a wealthy former WWI officer of the Loamshire Regiment, who, after the war, spends his new-found leisure time as a private detective. Drummond is a proto-James Bond figure and a crudely debased version of the imperial adventurers depicted by the likes of John Buchan. In terms of the detective genre, the first Bulldog Drummond novel was published after the Sherlock Holmes stories, the Nayland Smith/Fu Manchu novels, and Richard Hannay's first adventure in The Thirty Nine Steps. The character first appeared in the novel Bulldog Drummond (1920), and was adapted into a number of films and radio serials. McNeile wrote in the style of the day which while it contained some jingoism (Drummond and his men had served in WWI so it could be expected), there was no racism. There was a story called "The Black Gang" which uninformed people have claimed was racism but this was merely the colour of the robes worn by Drummond and his men and could just have easily been "The Red Gang". Drummond fought a number of villains from all countries with equal zeal. After McNeile's death in 1938, his friend Gerard Fairlie continued to write stories based on the character.

The Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.

In a small âNegroâ church in the South, Mr. Deshee (Charles H. Moore) sets out to teach his children the Bible. He begins with a pre-Creation fish fry, which is interrupted when the angel Gabriel (Wesley Hill) arrives and announces, âGangway! Gangway for de Lawd God Jehovah!â The Lawd God (Richard B. Harrison) enters, dressed in a Prince Albert coat, black trousers, and congress gaiters. The story then proceeds through the legends of Adam and Eve, Cain and Abel, Noah, Moses, and other Old Testament figures and continues up to the crucifixion of Jesus. Based on Roark Bradford's stories, the play was praised by Heywood Broun in the Telegram as âmore stirring than anything I have seen in the theatreâ and by Robert Littell in the World as âsimply and briefly one of the finest things that the theatre of our generation has seen . . . it will move you to tears and make you gasp with the simple beauty of the Old Testament pageantry.â Theatre historian William Torbert Leonard has called Gabriel's announcement âone of the greatest entrance cues ever written for the stage.â A revival in 1954 failed to run.

Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims.

The Story of Dr. Kildare was based on the popular MGM films that were produced in the 1940's, so a radio version in 1949 made perfect sense. The screen actor Lew Ayres played Dr. Kildare in the films, and continued the role in this radio show. The great thespian Lionel Barrymore continued in his role as Kildare's mentor, Dr. Leonard Gillespie. Together the two fight an unending battle against disease and bureaucratic boneheadedness. In a sense, Dr. Kildare is good old fashioned soap opera, but then medical dramas have always been popular, and the good Dr. Kildare is a quiet and devoted medical hero who creates a better world one patient at a time, despite whatever gets in the way. That makes for good radio and a good object lesson for us all - good is usually done a little at a time, and there's always something or someone in the way.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch.

FIRST BROADCAST: May 17, 1951LAST BROADCAST: February 12, 1956SPONSORS: KellogCAST: Guy Madison and Andy Devine.ANNOUNCERS: Charlie LyonPRODUCERS/DIRECTORS: Paul PierceThis juvenile western followed the same format as the TV show of the same name that ran throughout the same years. This format certainly was not new as the charismatic hero and comic side-kick was something that had been done before with Hopalong Cassidy and The Cisco Kid, and to some extent with the Lone Ranger. FIRST BROADCAST: May 17, 1951 LAST BROADCAST: February 12, 1956 SPONSORS: Kellog CAST: Guy Madison and Andy Devine. ANNOUNCERS: Charlie Lyon PRODUCERS/DIRECTORS: Paul Pierce.

Bold Venture was a 1951-1952 syndicated radio series starring Humphrey Bogart and Lauren Bacall. Morton Fine and David Friedkin scripted the taped series for Bogart's Santana Productions. Salty seadog Slate Shannon (Humphrey Bogart) owns a Cuban hotel sheltering an assortment of treasure hunters, revolutionaries and other shady characters. With his sidekick and ward, the sultry Sailor Duval (Lauren Bacall), tagging along, he encounters modern-day pirates and other tough situations while navigating the waters around Havana. Aboard his boat, the Bold Venture, Slate and Sailor seek out and find "adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean."THIS EPISODE:Murder Of Franny Lane (4-30-51) (aka He Who Laughs Last/Murder Is No Joke/Slate Shannon accused of murder)

Tales of the Texas Rangers, a western adventure old-time radio drama, premiered on July 8, 1950, on the NBC radio network and remained on the air through September 14, 1952. Movie star Joel McCrea starred as Texas Ranger Jayce Pearson, who used the latest scientific techniques to identify the criminals and his faithful horse, Charcoal, to track them down. The shows were reenactments of actual Texas Ranger cases. The series was produced and directed by Stacy Keach, Sr., and was sponsored for part of its run by Wheaties. Captain Manuel T. "Lone Wolf" Gonzaullas, a Ranger for 30 years and who was said to have killed 31 men during his career, served as consultant for the series. The series was adapted for television from 1955 to 1957. During the opening and closing credits of the TV show, the actors would march toward the camera and sing the theme song, "We are the Texas Rangers", to the tune of "The Eyes of Texas Are Upon You", which is also the tune of "I've Been Working on the Railroad".

 The Family Rosary, Inc, d/b/a Family Theater Productions All Rights ReservedMeaningful Stories from Years Past that Continue to Inspire Families Today. Families, then and now, face similar situations and struggles: communication, honesty, gambling, music, alcoholism, sports and many spiritual questions, such as life after death. How we address these struggles makes all the difference in strengthening our family bonds. These compelling half-hour dramas offer inspiring insights into how to build unity within your family. Join us on a visit with the stars of the past for an uplifting, humorous and meaningful look into family life.This show is posted with the expressed written consent of the owner and exclusively granted to Boxcars711 Old Time Radio. To learn more about Family Theater Productions or to view a list of local radio stations that air our programs or to purchase episodes, follow this link: http://www.familytheater.org/radio-classic.html