Boxcars711 Old Time Radio

Adventures of Sam Spade â 1946-1951 Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou Gerson.

ESCAPE opened with the gripping voice of William Conrad booming out over the airwaves: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you - ESCAPE!". Moussorgsky's "Night on Bald Mountain", the show's theme, assisted Conrad in creating the right opening atmosphere. (The actual series of questions used in the opening varied from week to week, frequently to match the goings-on of the times.) Over its long run, narriators included William Conrad, Paul Frees, Jack Webb, John Dehner, Jay Novello, Joan Banks, Stacy Harris, Georgia Ellis, Ben Wright and Will Geer. The show featured spine-tingling tales from such masters as Joseph Conrad, Arthur Conan Doyle and Edgar Allen Poe. It was produced by William N. Robeson, and featured many seasoned radio actors. ESCAPE was heard on CBS from July 1947 to September 1954. First Show: July 7, 1947 Last Show: Sep 23, 1954. There were two pilot shows before it's first run. The first pilot was OUT OF THIS WORLD: "Dead of Night" on February 28, 1947. This show was repeated as ESCAPE: "Dead of Night" on March 21.

CONFESSIONFrom: July 5, 1953 to September 13, 1954Had a texture and sound not unlike Dragnet, indeed the influence was realized throughout the show. These were true stories of Crime and Punishment, the obvious difference that Dragnet began with the crime while Confession unfolded in reverse order, from the end. Confession was less noisy, it's theme was played on a single piano, but there was still the deadpan dialogue, the thief or killer giving his confession with an air of resignation and defeat. The criminal thus became a stream-of-consciousness narrator, with the action frequently cutting away into drama. "Names were changed to protect the legal rights of the subject". NBC 30 minutes Sunday at 9:30PM.Cast Paul Frees, virginia Christine,Herb Butterfield, Parley Bear and other Hollywood radio actors. Announcer John Wald.

Authorâs Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.

Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.

The 1950's saw both the twilight of the Golden Age of Radio and the birth of the science fiction radio series. Science fiction was not new to radio before 1950, but it was either targeted to juvenile audiences or were shows in a broader series, for example, ESCAPE's "The Time Machine". On March 15, 1950, the first show of Mutual's 2000 PLUS aired, becoming the very first true science fiction series in the US. DIMENSION X followed shortly on April 8, 1950 over NBC stations. TALES OF TOMORROW was the third dedicated science fiction series, over the stations of the American Broadcasting Corporation, following DIMENSION X by almost 2 years.

A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters." The title character is a taciturn former gunslinger who wishes only to settle down and put the past behind him. But as ruthless ranchers bring a diamond-hard hired gunman to the frontier town to scare off his adopted family, Shane realizes that he's the only law available to protect the innocent farmers. To illustrate the visceral effect of the violence, director George Stevens had the sounds of gunshots magnified on the soundtrack: nothing like this had been previously attempted in mainstream Hollywood and the results were galvanizing. Here were gunfights and fisticuffs in which people were visibly hurt and even killed. The risks and inevitable emotional toll of the profession gives Shane's silence immense power and offers a side of the western movie hero seldom seen to that point.

Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere.

Charlie Chan was the Chinese detective created by Earl Derr Biggers. Over 40 Charlie Chan movies were done from the early 1930's through 1949, all of which starred non-Chinese actors as Charlie. Supposedly working as a Honolulu police detective, Charlie was almost always somewhere else, like Paris, Rio, LA, even Treasure Islandâbut he did have a wonderful home life, too, with a reported 14 children, including his famous #1, #2 etc. sons, ever intent on helping "pop" solve the case.Still, it's fun to hear ABC radio's daytime serial version of the Hawaiian family man who gave us all a little exotic wit and wisdom while uncovering dishonorable culprit. The other shows are more of "the incomparable" at work. Unfortunately, Chan on radio is very rare, the very opposite of the ubiquitous Charlie Chan movie reruns on TV. This is a mysterious absence even the great Charlie Chan might be needed to solve! Many mystery lovers sniff at Chan. But here's one more from Charlie that might applyâ"Mind, like parachute, only function when open."

An NBC offering. Aired on Sundays from 7:00PM to 7:30PM, starring Lional Barrymore and Agnes Moorehead. The creator and writer was Jean Holloway, the announcer Harlow Wilcox, music by Gordon Jenkins and sponsored by Rinso detergent.

HONEST HAROLD, THE HOMEMAKER AKA: THE HAROLD PEARY SHOW (Sep 17, 1950 to Jun 13, 1951 with an Audition Show Aug 23, 1950) Harold Peary began his radio career at age 13 and was a popular actor through the 1930's. In the end of the 1930's he played assorted characters on FIBBER MCGEE AND MOLLY, including a stuffed-shirt type named Gildersleeve. The character of Gildersleeve developed into a sizeable, eventually leading to the series THE GREAT GILDERSLEEVE. This was due to no small part to the ability of Harold Peary. In 1950, Harold Peary decided to move from NBC to CBS, assuming that the sponsor for THE GREAT GILDERSLEEVE, the Kraft Food Company, would follow, bringing that series to CBS. When Kraft didn't move, HONEST HAROLD, THE HOMEMAKER (also known as THE HAROLD PEARY SHOW) was created. Honest Harold Hemp lived with his mother and nephew and did a radio homemaker's program. The series received undeserved negative ratings and general negative attitude of the critics. The HONEST HAROLD scripts were well crafted with well developed characters and had excellent acting and production values.

X MINUS ONE was an NBC science fiction series that was an extension, or revival, of NBC's earlier science fiction series, DIMENSION X. which ran from Apr. 8, 1950 through Sept. 29, 1951. Both are remembered for bringing really first rate science fiction to the air. The first X MINUS ONE shows used scripts from DIMENSION X, but soon created new shows from storied from the pages of Galaxy Magazine. A total of 125 programs were broadcast, some repeats or remakes, until the last show of Jan. 9, 1958. There was a one-program revival attempt in 1973, shown at the end of the log.

On September 26, 1937, the Shadow reappeared on radio with the voice of Orson Welles playing the part. The Shadow was now a full-fledged character on radio, not just narrating and introducing stories. The Shadow had an identity as Lamont Cranston, a wealthy man about town. He was accompanied by Margo Lane, originally played by Agnes Moorehead. Margo Lane was the only person who knew that Lamont Cranston and the Shadow were one and the same. No other agents assisted the Shadow, as did in the Walter Gibson fictional accounts. This radio Shadow had hypnotic power to make himself invisible to those around him and he possessed mental telepathy to read minds. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer.

"Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?" Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead.

THE LUX RADIO THEATER was first heard on NBC October 14, 1934 as a Sunday afternoon show. On July 19, 1935, it moved to CBS and into it's long running Monday night time slot. All shows were one hour long. Less than a year after it's arrival on the air, the series' ratings began to drop. Danny Danker, an executive working for the advertising agency handling the Lux account, was given the responsibility to improve the show. What the show needed was extravaganza, and what the show got was Cecil B. DeMille. With DeMille as host, THE LUX RADIO THEATER brought in big name stars and brought the show back up to the top of the charts. DeMille became an institution on the show, conveying an almost frantic "the show must go on" attitude. Mr. DeMille left after the Jan. 22, 1945 show. The role of show host changed a number of times through the remainder of the show's history. William Keightley was the last host, remaining for the show's last curtain call on June 7, 1955. The CBS series ran through the Summer initially. It was off for the Summer every season after the first season. In 1953, CBS offered the Lux Summer Theater, a series of 14 hour-long shows, that aired in the same time slot as the regular Lux series. Both times that Lux was heard on NBC was for a single season.

Crime Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.THIS EPISODE:October 7, 1953. CBS net. "The Hangman and William Palmer: Who Won?". Sustaining. Dr. Palmer enjoys horse racing and poisoning. Lou Merrill, Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Jay Novello, Betty Harford, Bob Lemond (announcer), Elliott Lewis (producer, director), Ellen Morgan, Joseph Kearns, Ben Wright, Alistair Duncan. 29:41.

Best Plays presents theatrical paramounts of excellence. It's hosted by the drama critic of New Yorkâs Daily News, John Chapman. Dramatic and comedic performances outshine other theater radio shows, greatly performed by such greats as Boris Karloff and Alfred Drake.

Vanishing Point - Radio Dramas from the Fourth Dimension : Ray Bradbury"The point between reality and fantasy. Where imagination holds the key to new worlds. That point of no return---The Vanishing Point." Favorably compared to Rod Sterling's classic TV series, The Twilight Zone, these finely tuned radio dramas from the Canadian Broadcasting Corporation provide compelling excursions into the realm of mystery and fantasy.

#094 "Jane Opens A Checking Account" and #095 "Jane Has Problems With Her Checking Account"Easy Aces, a long-running American serial radio comedy (1930-1945), was trademarked by the low-keyed drollery of creator and writer Goodman Ace and his wife, Jane, as an urbane, put-upon realtor and his malaprop-prone wife. A 15-minute program, airing as often as three times a week, Easy Aces wasn't quite the ratings smash that such concurrent 15-minute serial comedies as Amos 'n' Andy, The Goldbergs or Vic and Sade were. But its unobtrusive, conversational, and clever style, and the cheerful absurdism of its storylines, built a loyal enough audience of listeners and critics alike to keep it on the air for 15 years.

Damon Runyon Theatre - Broadcast from January to December 1949, "The Damon Runyon Theatre" dramatized 52 of Runyon's short stories for radio. Damon Runyon (October 4, 1884 â December 10, 1946) was a newspaperman and writer. He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. He spun tales of gamblers, petty thieves, actors and gangsters; few of whom go by "square" names, preferring instead to be known as "Nathan Detroit", "Big Jule", "Harry the Horse", "Good Time Charlie", "Dave the Dude", and so on. These stories were written in a very distinctive vernacular style: a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions.

The adventures of Casey, crack photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940âs. Casey hung out at the Blue Note CafÃ, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Caseyâs girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Caseyâs pictures. This live series was set in and broadcast from, New York City.

I Deal in Crime ran for almost two years on ABC network radio and starred the very capable radio and Hollywood actor, William Gargan. In this, one of his many PI radio series (heâs best known, of course, for his role as Martin Kane), Gargan played Ross Dolan, described as a veteran detective who returned to his sleuthing job after his WW II service as a sailor. Or as Dolan puts it, âa hitch in Uncle Sugarâs Navy.â

The program was an adventure series about Sergeant William Preston of the Northwest Mounted Police and his lead sled dog, Yukon King, as they fought evildoers in the Northern wilderness during the Gold Rush of the 1890s. Preston, according to radio historian Jim Harmon, first joined the Mounties to capture his father's killer, and when he was successful he was promoted to Sergeant. Preston worked under the command of Inspector Conrad, and in the early years was often assisted by a French-Canadian guide named Pierre.

May 16, 1948 to June 21, 1951. Initially west coast Don Lee Network. 30 minutes, Thursdays at 8:00PM, Pacific Time. Mutual Network, coast to cost from February 7, 1949. 30 minutes, Mondays at 8:00PM until January 30, 1950.Often augmented by early evening broadcasts, Tuesdays and Thursdays at 5, this becoming it's standard time in 1950-51.Nabisco was the sponsor throughout the series. STARS: Howard Culver as Steve Adams/Straight Arrow, Fred Howard DIRECTOR: Ted Robertson WRITER: Sheldon Stark SOUND EFFECTS: Tom Hanley, Ray Kemper. The announcer and narrator was Frank Bingman. Steve Adams was a rancher, who in times of trouble, became the commanche warrior Straight Arrow. Fred Howard as his sidekick, grizzled ranch hand Packy McCloud. Gwen Delano as Mesquite Molly.Straight Arrow was the story of Steve Adams, a young man of Commanche decent who was taken in by a ranching family and raised as a white man. In early adulthood, Steve was told an indian legend about a fabulous warrior who would someday appear to save his people. He himself was to fulfill that destiny, riding out of his secret cave astride a magnificent golden horse.

In 1934-36, Berle was heard regularly on The Rudy Vallee Hour, and he got much publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety program broadcast on CBS from September 6, 1936 to August 29, 1937. In 1939, he was the host of Stop Me If You've Heard This One with panelists spontaneously finishing jokes sent in by listeners. Three Ring Time, a comedy-variety show sponsored by Ballantine Ale was followed by a 1943 program sponsored by Campbell's Soups. The audience participation show Let Yourself Go (1944-45) could best be described as slapstick radio with studio audience members acting out long suppressed urges (often directed at host Berle). Kiss and Make Up, on CBS in 1946, featured the problems of contestants decided by a jury from the studio audience with Berle as the Judge. He also made guest appearances on many comedy-variety radio programs during the 1930s and 1940s.

The Screen Guild Theater boasted some of the greatest all-star casts ever assembled for radio. Nearly every major film star lined up to perform in Screen Guild's half-hour movie adaptations because they knew it was for a good cause: All talent fees went to the Motion Picture Country House for aging and indigent film actors."The Amazing Dr. Clitterhouse(1941) 27:47 A doctor studying crime goes into business for himself as a jewel thief. Starring Edward G. Robinson and Humphrey Bogart, from the 1938 film.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

Mr. Keen, Tracer of Lost Persons was one of network radio's longest running detectives, although listening to it now would hardly explain why. This kind, elderly, boring sleuth, in company with his bumbling assistant, Mike Clancy, was on the airwaves from 1937 to 1955, logging nearly 20 years of fighting crime. The series came out of the soap opera fiction factory of Frank and Anne Hummert and encompassed most of the trite dialogue and snail plotting of daytime serials.

Lights Out was an American old-time radio program featuring "tales of the supernatural and the supernormal." It was immensely popular, and was one of the first horror programs, predating Suspense and Inner Sanctum. In its heydey, Lights Out rivalled the popularity of those shows. Lights Out ran through several series and networks, from January 1, 1934 to August 6, 1947. The principal sponsor was Ironized Yeast. Most episodes were broadcast at midnight. Lights Out then made the transition to television in 1949, where it was broadcast until 1952. Created in Chicago by writer Wyllis Cooper in 1934.

Dimension X. May 13, 1950. NBC net. "Almost Human". Sustaining. A large, powerful robot trained for killing, develops a sense of good and evil. The script was subsequently used on "X Minus One" on August 11, 1955 (see cat.#43257) The program was rebroadcast on "Monitor" during August, 1974. Santos Ortega, Rita Lynn, Jack Grimes, Robert Block (author), George Lefferts (adaptor), Van Woodward (producer), Norman Rose (host), Edward King (director), Bob Warren (announcer). 1/2 hour.

Dragnet was created and produced by Jack Webb, who starred as the terse Sgt. Friday. Webb had starred in a few mostly short-lived radio programs, but Dragnet would make him one of the major media personalities of his era.Webb was a stickler for accurate details, and Dragnet used many authentic touches, such as the LAPD's actual radio call sign (KMA-367), and the names of many real department officials, such as Ray Pinker and Lee Jones of the crime lab or Chief of Detectives Thad Brown.

1944-45 Transcribed syndication intended for weekly play in 30 minute time slots. The cast was Elliott Lewis, David Ellis and Russell Thorson, all serving stints as Captain Bart Friday, a San Francisco detective who roamed the world looking for dangerous adventure. Jack Edwards as Skip Turner, Fridayâs Texas talking sidekick. Writer/producer is Carlton E. Morse.

Although overshadowed by the earlier classics of anthology such as the Lux Radio Theater and The Family Theater, the Radio City Playhouse is fondly remembered for its solid dramatic content, and quality radio acting. One of the dramas, "Long Distance," starred Jan Minor as a distraught wife trying to reach a judge on the West Coast to sign an immediate stay of execution that will take her innocent husband's life in a matter of hours. That show is considered as a classic that ranks with Agnes Moorehead's "Sorry, Wrong Number," of Suspense fame.

The Clock was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; âSunrise and sunset, promise and fulfilment, birth and death â the whole drama of life is written in the sands of timeâ. First Broadcast November 3rd 1946 Last Broadcast May 23rd 1948

In 1947 Marie Wilson starred in the radio sitcom "," throughout its radio run, in a 1952-54 television series and in two films that introduced the new comedy team of Dean Martin and Jerry Lewis. Her open, grinning face belying her age, Wilson continued doing her dumb-blonde act into the 1960s, starring in summer stock and dinner-theater productions of Born Yesterday and appearing in commercials. Marie Wilson's last TV assignment was a voice-over role in the 1970 animated cartoon series Where's Huddles?; two years later, she died of cancer at the age of 56. Marie Wilson is, of course, Irma Peterson. The "friend" narrator Jane is played by Cathy Lewis (wife of Elliot Lewis, "Remley" on Phil Harris/Alice Faye Show). John Brown is Irma's boyfriend Al. Professor Kropotkin is played by the hilarious Hans Conreid. Irma's boss, Mr. Clyde, is played by Alan Reed.

Noel Coward's very witty and often revived play is a mixed bag. On the one hand you have one of the master wits of the century, on par, say, with George Bernard Shaw and Oscar Wilde, and on the other you have characters which I place near the top of my list of people I don't want to meet. Amanda and Elyot are those people. In a very clever premise, they play an ex-married couple, each newly married to another the very same day, each accidentally spending their honeymoon in the same French city, in the same hotel, on the same floor, and in fact in adjoining rooms. They meet on the adjoining terraces, reminisce over old times and decide it was a mistake to divorce. Leaving notes to their spouses (Reginald Denny and Una Merkel) they run off to a St. Moritz, Switzerland chalet, with their mystified spouses swiftly following to find them. My problem with the film is their persistent and maddening bickering - verbal violence - which they recognize they're guily of, and which each try to stem by using the expression "Solomon Isaacs" to remind the other to stop. It doesn't always work, and it sometimes results in physical violence too.

Little Women (1868) is a novel by Louisa May Alcott published on September 26, 1867, concerning the lives and loves of four sisters growing up during the American Civil War. It was based on Alcott's own experiences as a child in Concord, Massachusetts, with her sisters. This classic story of the March family women and their lives has remained enduringly popular since its publication. Poor, argumentative, loving, and optimistic, the March sisters struggle to supplement their family's meager income and realize their own dreams. This highly autobiographical novel shows us women who are strong-minded and independent in their determination to control their own destiny. This radio version from American Novels in 1947 is a two part series and a wonderful old time radio audio drama.

rSponsored by Vic's nose drops, vapor rubs, and other great products by the Vic Chemical Company, this collection contains all known episodes in existence of the short-run series of 1944, Dangerously Yours. Hollywood star, Victor Jory, was the primary herostarring in story adaptation of pirates, espionage, adventure and romance. The series was later renamed in October 1944 to Matinee Theater.

Blair of the Mounties is the story of the Royal Northwest Mounted Police -- a fictional series based on the work of the Northwest Mounted Police before the World War I. It was a fifteen minute weekly serial heard every Monday for 36 weeks beginning January 31st, 1938 and running through the 3rd of October of 1938. It may have been on the air as early as 1935, although thereâs no actual proof of this. Little is known of the series other than it followed the exploits of Sgt. Blair of the Northwest Mounted Police. and probably was the inspiration for Trendell, Campbell and Muir's Challenge of the Yukon. The series was written by Colonel Rhys Davies, who also played the Colonel Blair in the series. Jack Abbot played the Constable. Jack French, one of OTRâs best researchers says this about the series: âBlair is not restricted to Canada, as other Mounties, as we find him, in a few cases, in Great Britain, solving cases. Overall the series is amateurishly written, with the actor playing Blair coming accros as a bit stuffy.â

Robert A. Arthur was the writer of these grisly, macabre fifteen-minute thrillers. Maurice Tarplin played Dr Weird, the narrator of these fantastic tales. The closing line was always the same: âOh, you have to leave now â too bad! But perhaps youâll drop in on me again soon. Iâm always home. Just look for the house on the other side of the cemetery â the house of Dr Weird!âEPISODE#1The Strange Doctor Weird. November 7, 1944. Mutual net. "The House Where Death Lived". Sponsored by: Adam Hats. A strange old man baits his trap for rats with unusual bait. Possibly the first show of the series, this program is possibly dated November 14, 1944. These programs were originally dated by the dates etched on the disc matrices. These dated indicated when the disc was cut, which sometimes is the date of broadcast, sometimes later. Slight conflicts with reported broadcast dates may therefore exist. . 15 minutes.EPISODE#2The Strange Doctor Weird. November 14, 1944. Mutual net. "The Summoning Of Chandor". Sponsored by: Adam Hats. A good supernatural quickie about a mystic with the power to "summon." The program is possibly dated November 28, 1944. . 15 minutes.

Sherlock Holmes detective stories appeared on radio for more than 25 years, with a long list of performers playing the parts of Holmes and Dr Watson. FIRST BROADCAST: October 20th 1930 LAST BROADCAST: September 4th 1956. The stories were written by Edith Meiser, a self-confessed Holmes addict. These were so well written that she was warmly praised by Arthur Conan Doyleâs widow and son.

The Tailspin Tommy comic also became a subject for four Monogram feature movies and two, twelve-part serials along with a radio series, Big Little books, several pulp magazines and comic books. The comic strip appeared in as many as 250 newspapers and was carried on color Sunday comic pages. Most of this pen and ink "action" took place during the 1930s and the strip died out in 1942 with a minor reappearance of a comic book in 1946. Being first is always a precarious honor and eventually becomes a challenge as it engenders competition. Tailspin Tommy occupies an important spot in aviation history and is worthy of collection - thousands of young men labored over their model airplanes and enjoyed the aerial adventures of comic characters as the youth of America became "air minded" and were unknowingly prepared for the major conflict of World War 2.

GRANBY'S GREEN ACRES, situation comedy. Broadcast History: July 3 - August 21, 1950, CBS. 30m, Mondays at 9:30. Cast: Gale Gordon and Bea Benaderet as John and Martha Granby, ex-bank teller and wife who moved to the country to become farmers. Louise Erickson as Janice, their daughter. Parley Baer as Eb, the hired hand. Announcer: Bob LeMond Music: Opie Cates Writer-Producer-Director: Jay Sommers. Granby's Green Acres grew out of characters played by Gale Gordon and Bea Benaderet on the Lucille Ball series My Favorite Husband. The names were changed, but the basic characters remained the same.

In the days prior to From Here To Eternity, Frank Sinatra's popularity was waning and this private eye show was an attempt to remedy that. In it, Frank played ROCKY FORTUNE, a "footloose and fancy-free young man," frequently unemployed, who took numerous, adventurous odd jobs. It was a relatively undistinguished series; definitely a "B grade" radio series, saved by Sinatra's charm and a tongue-in-cheek approach.

A happy-go-lucking West Virginia mountain family picks up stakes and moves to a ranch in California's San Fernando Valley. Center of the action, and undisputed star of the show, was Grandpa, a porch-rockin', gol- darnin', consarnin' old geezer with a wheezy voice who liked to meddle in practically everybody's affairs, neighbors and kin alike. His kin were grandson Luke and his new bride, Kate; Luke's teenage sister, Hassie; and Luke's 11-year-old brother, Little Luke (their parents were deceased). Completing the regular cast were Pepino, their loyal farm hand; George MacMichael, their crusty neighbor and Amos' best friend; and Flora, George's spinster sister who had eyes for Amos. Grandpappy Amos was an incorrigible codger who was against anything anyone else was for. He had the regulation Heart of Gold stuck away somewhere, but he was cantankerous as all get out. With his shoulders and arms jumping, Amos walked like a chicken with a limp. He bullied, he blustered, he cajoled, he did everything he could to get his own way. His not being able to read or write got him into many predicaments, for he would never admit to being illiterate to anyone outside the family.

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator that aired from February 11, 1949 to September 30, 1962 on CBS. There were 811 episodes in the 12-year run, and over 720 still exist today. Charles Russell was the first to star as Johnny Dollar, the smart and tough detective who tossed silver dollar tips to bellhops. With the first three actors to play Johnny Dollar there was little to distinguish it from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade).While always a friend of the police,Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected.

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal minerâs daughter, was born in Peoria on November 15, 1898. After years of hardship and touring in obscurity on the small-time show biz circuit, they arrived in Chicago in 1924, where they eventually performed on thousands of shows and developed 145 different voices and characters. Broadcast to the nation from WMAQ/Chicago, the show entertained America until March 1956, and continued on NBCâs Monitor until 1959. Jim Jordan died on April 1, 1988. Marian Jordan died on April 7, 1961. Fibber McGee and Molly was inducted into the Radio Hall of Fame in 1989. First Broadcast date April 16, 1935. Last Broadcast date September 6, 1959.

Detective Story aired on the Lux Radio Show on April 26, 1954. Starring Kirk Douglas as detective Jim McLeod, Eleanor Parker as his wife Mary and William Conrad as Lt. Monaghan, Detective Story is based on a Beroadway play and is noted as one of Douglas's best performances. The show incorporates a mixture of police procedure, comedy, drama, and outright tragedy and was nominated for 4 Oscars.