Boxcars711 Old Time Radio

Lights Out was an American old-time radio program featuring "tales of the supernatural and the supernormal." It was immensely popular, and was one of the first horror programs, predating Suspense and Inner Sanctum. In its heydey, Lights Out rivalled the popularity of those shows. Lights Out ran through several series and networks, from January 1, 1934 to August 6, 1947. The principal sponsor was Ironized Yeast. Most episodes were broadcast at midnight. Lights Out then made the transition to television in 1949, where it was broadcast until 1952. Created in Chicago by writer Wyllis Cooper in 1934.

Dimension X. May 13, 1950. NBC net. "Almost Human". Sustaining. A large, powerful robot trained for killing, develops a sense of good and evil. The script was subsequently used on "X Minus One" on August 11, 1955 (see cat.#43257) The program was rebroadcast on "Monitor" during August, 1974. Santos Ortega, Rita Lynn, Jack Grimes, Robert Block (author), George Lefferts (adaptor), Van Woodward (producer), Norman Rose (host), Edward King (director), Bob Warren (announcer). 1/2 hour.

Dragnet was created and produced by Jack Webb, who starred as the terse Sgt. Friday. Webb had starred in a few mostly short-lived radio programs, but Dragnet would make him one of the major media personalities of his era.Webb was a stickler for accurate details, and Dragnet used many authentic touches, such as the LAPD's actual radio call sign (KMA-367), and the names of many real department officials, such as Ray Pinker and Lee Jones of the crime lab or Chief of Detectives Thad Brown.

1944-45 Transcribed syndication intended for weekly play in 30 minute time slots. The cast was Elliott Lewis, David Ellis and Russell Thorson, all serving stints as Captain Bart Friday, a San Francisco detective who roamed the world looking for dangerous adventure. Jack Edwards as Skip Turner, Fridayâs Texas talking sidekick. Writer/producer is Carlton E. Morse.

Although overshadowed by the earlier classics of anthology such as the Lux Radio Theater and The Family Theater, the Radio City Playhouse is fondly remembered for its solid dramatic content, and quality radio acting. One of the dramas, "Long Distance," starred Jan Minor as a distraught wife trying to reach a judge on the West Coast to sign an immediate stay of execution that will take her innocent husband's life in a matter of hours. That show is considered as a classic that ranks with Agnes Moorehead's "Sorry, Wrong Number," of Suspense fame.

The Clock was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; âSunrise and sunset, promise and fulfilment, birth and death â the whole drama of life is written in the sands of timeâ. First Broadcast November 3rd 1946 Last Broadcast May 23rd 1948

In 1947 Marie Wilson starred in the radio sitcom "," throughout its radio run, in a 1952-54 television series and in two films that introduced the new comedy team of Dean Martin and Jerry Lewis. Her open, grinning face belying her age, Wilson continued doing her dumb-blonde act into the 1960s, starring in summer stock and dinner-theater productions of Born Yesterday and appearing in commercials. Marie Wilson's last TV assignment was a voice-over role in the 1970 animated cartoon series Where's Huddles?; two years later, she died of cancer at the age of 56. Marie Wilson is, of course, Irma Peterson. The "friend" narrator Jane is played by Cathy Lewis (wife of Elliot Lewis, "Remley" on Phil Harris/Alice Faye Show). John Brown is Irma's boyfriend Al. Professor Kropotkin is played by the hilarious Hans Conreid. Irma's boss, Mr. Clyde, is played by Alan Reed.

Noel Coward's very witty and often revived play is a mixed bag. On the one hand you have one of the master wits of the century, on par, say, with George Bernard Shaw and Oscar Wilde, and on the other you have characters which I place near the top of my list of people I don't want to meet. Amanda and Elyot are those people. In a very clever premise, they play an ex-married couple, each newly married to another the very same day, each accidentally spending their honeymoon in the same French city, in the same hotel, on the same floor, and in fact in adjoining rooms. They meet on the adjoining terraces, reminisce over old times and decide it was a mistake to divorce. Leaving notes to their spouses (Reginald Denny and Una Merkel) they run off to a St. Moritz, Switzerland chalet, with their mystified spouses swiftly following to find them. My problem with the film is their persistent and maddening bickering - verbal violence - which they recognize they're guily of, and which each try to stem by using the expression "Solomon Isaacs" to remind the other to stop. It doesn't always work, and it sometimes results in physical violence too.

Little Women (1868) is a novel by Louisa May Alcott published on September 26, 1867, concerning the lives and loves of four sisters growing up during the American Civil War. It was based on Alcott's own experiences as a child in Concord, Massachusetts, with her sisters. This classic story of the March family women and their lives has remained enduringly popular since its publication. Poor, argumentative, loving, and optimistic, the March sisters struggle to supplement their family's meager income and realize their own dreams. This highly autobiographical novel shows us women who are strong-minded and independent in their determination to control their own destiny. This radio version from American Novels in 1947 is a two part series and a wonderful old time radio audio drama.

rSponsored by Vic's nose drops, vapor rubs, and other great products by the Vic Chemical Company, this collection contains all known episodes in existence of the short-run series of 1944, Dangerously Yours. Hollywood star, Victor Jory, was the primary herostarring in story adaptation of pirates, espionage, adventure and romance. The series was later renamed in October 1944 to Matinee Theater.

Blair of the Mounties is the story of the Royal Northwest Mounted Police -- a fictional series based on the work of the Northwest Mounted Police before the World War I. It was a fifteen minute weekly serial heard every Monday for 36 weeks beginning January 31st, 1938 and running through the 3rd of October of 1938. It may have been on the air as early as 1935, although thereâs no actual proof of this. Little is known of the series other than it followed the exploits of Sgt. Blair of the Northwest Mounted Police. and probably was the inspiration for Trendell, Campbell and Muir's Challenge of the Yukon. The series was written by Colonel Rhys Davies, who also played the Colonel Blair in the series. Jack Abbot played the Constable. Jack French, one of OTRâs best researchers says this about the series: âBlair is not restricted to Canada, as other Mounties, as we find him, in a few cases, in Great Britain, solving cases. Overall the series is amateurishly written, with the actor playing Blair coming accros as a bit stuffy.â

Robert A. Arthur was the writer of these grisly, macabre fifteen-minute thrillers. Maurice Tarplin played Dr Weird, the narrator of these fantastic tales. The closing line was always the same: âOh, you have to leave now â too bad! But perhaps youâll drop in on me again soon. Iâm always home. Just look for the house on the other side of the cemetery â the house of Dr Weird!âEPISODE#1The Strange Doctor Weird. November 7, 1944. Mutual net. "The House Where Death Lived". Sponsored by: Adam Hats. A strange old man baits his trap for rats with unusual bait. Possibly the first show of the series, this program is possibly dated November 14, 1944. These programs were originally dated by the dates etched on the disc matrices. These dated indicated when the disc was cut, which sometimes is the date of broadcast, sometimes later. Slight conflicts with reported broadcast dates may therefore exist. . 15 minutes.EPISODE#2The Strange Doctor Weird. November 14, 1944. Mutual net. "The Summoning Of Chandor". Sponsored by: Adam Hats. A good supernatural quickie about a mystic with the power to "summon." The program is possibly dated November 28, 1944. . 15 minutes.

Sherlock Holmes detective stories appeared on radio for more than 25 years, with a long list of performers playing the parts of Holmes and Dr Watson. FIRST BROADCAST: October 20th 1930 LAST BROADCAST: September 4th 1956. The stories were written by Edith Meiser, a self-confessed Holmes addict. These were so well written that she was warmly praised by Arthur Conan Doyleâs widow and son.

The Tailspin Tommy comic also became a subject for four Monogram feature movies and two, twelve-part serials along with a radio series, Big Little books, several pulp magazines and comic books. The comic strip appeared in as many as 250 newspapers and was carried on color Sunday comic pages. Most of this pen and ink "action" took place during the 1930s and the strip died out in 1942 with a minor reappearance of a comic book in 1946. Being first is always a precarious honor and eventually becomes a challenge as it engenders competition. Tailspin Tommy occupies an important spot in aviation history and is worthy of collection - thousands of young men labored over their model airplanes and enjoyed the aerial adventures of comic characters as the youth of America became "air minded" and were unknowingly prepared for the major conflict of World War 2.

GRANBY'S GREEN ACRES, situation comedy. Broadcast History: July 3 - August 21, 1950, CBS. 30m, Mondays at 9:30. Cast: Gale Gordon and Bea Benaderet as John and Martha Granby, ex-bank teller and wife who moved to the country to become farmers. Louise Erickson as Janice, their daughter. Parley Baer as Eb, the hired hand. Announcer: Bob LeMond Music: Opie Cates Writer-Producer-Director: Jay Sommers. Granby's Green Acres grew out of characters played by Gale Gordon and Bea Benaderet on the Lucille Ball series My Favorite Husband. The names were changed, but the basic characters remained the same.

In the days prior to From Here To Eternity, Frank Sinatra's popularity was waning and this private eye show was an attempt to remedy that. In it, Frank played ROCKY FORTUNE, a "footloose and fancy-free young man," frequently unemployed, who took numerous, adventurous odd jobs. It was a relatively undistinguished series; definitely a "B grade" radio series, saved by Sinatra's charm and a tongue-in-cheek approach.

A happy-go-lucking West Virginia mountain family picks up stakes and moves to a ranch in California's San Fernando Valley. Center of the action, and undisputed star of the show, was Grandpa, a porch-rockin', gol- darnin', consarnin' old geezer with a wheezy voice who liked to meddle in practically everybody's affairs, neighbors and kin alike. His kin were grandson Luke and his new bride, Kate; Luke's teenage sister, Hassie; and Luke's 11-year-old brother, Little Luke (their parents were deceased). Completing the regular cast were Pepino, their loyal farm hand; George MacMichael, their crusty neighbor and Amos' best friend; and Flora, George's spinster sister who had eyes for Amos. Grandpappy Amos was an incorrigible codger who was against anything anyone else was for. He had the regulation Heart of Gold stuck away somewhere, but he was cantankerous as all get out. With his shoulders and arms jumping, Amos walked like a chicken with a limp. He bullied, he blustered, he cajoled, he did everything he could to get his own way. His not being able to read or write got him into many predicaments, for he would never admit to being illiterate to anyone outside the family.

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator that aired from February 11, 1949 to September 30, 1962 on CBS. There were 811 episodes in the 12-year run, and over 720 still exist today. Charles Russell was the first to star as Johnny Dollar, the smart and tough detective who tossed silver dollar tips to bellhops. With the first three actors to play Johnny Dollar there was little to distinguish it from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade).While always a friend of the police,Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected.

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal minerâs daughter, was born in Peoria on November 15, 1898. After years of hardship and touring in obscurity on the small-time show biz circuit, they arrived in Chicago in 1924, where they eventually performed on thousands of shows and developed 145 different voices and characters. Broadcast to the nation from WMAQ/Chicago, the show entertained America until March 1956, and continued on NBCâs Monitor until 1959. Jim Jordan died on April 1, 1988. Marian Jordan died on April 7, 1961. Fibber McGee and Molly was inducted into the Radio Hall of Fame in 1989. First Broadcast date April 16, 1935. Last Broadcast date September 6, 1959.

Detective Story aired on the Lux Radio Show on April 26, 1954. Starring Kirk Douglas as detective Jim McLeod, Eleanor Parker as his wife Mary and William Conrad as Lt. Monaghan, Detective Story is based on a Beroadway play and is noted as one of Douglas's best performances. The show incorporates a mixture of police procedure, comedy, drama, and outright tragedy and was nominated for 4 Oscars.

Life With Luigi. April 8, 1952. CBS net. Sponsored by: Wrigley's Spearmint Gum. Luigi plans to hold an Easter feast for his friends, but Pasquale sees to it that there's no food at the party. J. Carrol Naish, Cy Howard (creator, producer), Mac Benoff (writer, director), Alan Reed, Pat Burton (associate producer), Lou Derman (writer), Hans Conried, Mary Shipp, Ken Peters, Joe Forte, Charles Lyon (announcer), Lud Gluskin (music director), Jody Gilbert. 30:00.

Thus with the pounding of the gavel, the fate of men and women have been decided by the judge. This is the story of our legal rights, the battle to preserve and protect them, and how easily they can be lost. The program shows us just how fragile liberty and justice can be. These stories of everyday events are still interesting, even after 50 years. Stories of criminal liability, legal wills, buying on installment, and leasing an apartment. Each story is well written, and the acting, though dated and a bit hokey by todayâs standards, still manages to achieve the desired effect. Not much information is available for this series, it was apparently broadcast on a limited basis, and originated on WMAQ Chicago, an NBC station. It was comprised of thirteen episodes, twelve of which are currently available, and was heard from January 30, 1954 through April 24, 1954.

The Secrets of Scotland Yard is hosted by Clive Brook, narrator of LM Radio. Brook was a successful director writer, and actor in many films, including âDressed to Thrillâ in 1935, âThe Flemish Farmâ in 1943 and âOn Approvalâ in 1944. He was probably best remembered for playing opposite Marlene Dietrich in the 1932 movie, âShanghai Express.â He also played Sherlock Holmes in the 1932 movie of the same name.

Michael Shayne was a fictional sleuth created by Brett Halliday (a pen name for author Davis Dresser) who was first initiated into the fraternity for detectives in the 1939 novel "Dividend of Death". Dresser based the character on a âtall and rangyâ brawler who once saved his life during a braw in a Mexican cantina. The Shayne character would go on to appear in 69 novels, plus a long-running mystery magazineâand in 1941, was brought to the silver screen in Paramountâs Michael Shayne, Private Detective, an adaptation of Dividend of Death that starred Lloyd Nolan, and paved the way for six additional B-mysteries to follow. The New Adventures of Michael Shayneâpremiered on July 15, 1948 starring Jeff Chandler.

Mr. and Mrs. North was a radio mystery series that aired on CBS from 1942 to 1954. Alice Frost and Joseph Curtin had the title roles when the series began in 1942. Publisher Jerry North and his wife Pam lived in Greenwich Village at 24 St. Anne's Flat. They were not professional detectives but simply an ordinary couple who stumbled across a murder or two every week for 12 years. The radio program eventually reached nearly 20 million listeners.

CBS SCHENLEY LABS, INC. Tuesdays 9:30 - 10:00 pm PRODUCER/DIRECTOR: Bill Lawrence ANNOUNCER: Frank Graham MUSIC: Leith Stevens SCRIPTS: Jean HollowayCBS Schenley Labs, Inf. Tuesdays 9:30PM to 10:00PM. Producer/Director was Bill Lawrence. Announcer Frank Graham. Music Leith Stevens. Scripts by Jean Holloway.

Philo Vance was the detective creation of S. S. Van Dine first published in the mid 1920s. Vance, in the original books, is an intellectual so highly refined he seems he might be ghostwritten by P. G. Wodehouse. Take this quote from The Benson Murder Case, 1924, as Vance pontificates in his inimitable way: "That's your fundamental error, don't y' know. Every crime is witnessed by outsiders, just as is every work of art. The fact that no one sees the criminal, or the artist, actu'lly at work, is wholly incons'quential." Thankfully, the radio series uses only the name, and makes Philo a pretty normal, though very intelligent and extremely courteous gumshoe. Jose Ferrer played him in 1945. From 1948-1950, the fine radio actor Jackson Beck makes Vance as good as he gets. George Petrie plays Vance's constantly impressed public servant, District Attorney Markham. Joan Alexander is Ellen Deering, Vance's secretary and right-hand woman. The organist for the show is really working those ivories, and fans of old time radio organ will especially enjoy this series. Perhaps one reason the organist "pulls out all the stops" is because there seems to be little, if any, sound effects on the show. Philo Vance, the radio series, does pay homage to the original books in that both were, even in their own time, a bit out of date and stilted. (OTRR)

FEAR ON 4 is the British Broadcasting Corporation's continuation of a tradition of horror shows dating back to 1943. Back then, the BBC offered APPOINTMENT WITH FEAR, the title given to ten series of programs running from 1943 to 1955. These are the most famous BBC horror series in it's history. The stories were introduced by The Man in Black, played by Valentine Dyall. In 1949, The Man In Black was given his own series, called THE MAN IN BLACK, again featuring Valentine Dyall. Unfortunately, only four shows from APPOINTMENT WITH FEAR are known to have survived. None of THE MAN IN BLACK shows are known to exist. The Man in Black returned to radio again in 1988, this time played by Edward de Souza. FEAR ON 4, airing on BBC Radio Four, continued in the tradition of its predecessors. Four series were produced from 1988 through 1993 with a fifth series in 1997. In 1999, one new show and 2 repeats aired under the banner of "Fear on 4" on BBC Radio 4's LATE NIGHT ON 4 series. The shows are a mix of adaptations of short stories and original radio plays. All shows from these series exist. The BBC offered selected stories from the first three series in book form, entitled "The Man in Black: Macabre Stories from Fear on Four" (BBC Books, ISBN 0-563-20904-6) in December 1990.

The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Destry Rides Again - This is a comedy and a drama from a 1939 western film directed by George Marshall adapted for radio by Lux Radio Theater airing November 5, 1945 starring Jimmy Stewart and Joan Blondell. It is about how a corrupt and violent town can be cleaned up without relying entirely on physical force. Tom Destry, son of a legendary frontier peacekeeper, doesn't believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck. A good one!

CBS started the year 1958 off with the introduction on 01/29/58 of Frontier Gentleman. That series lasted 41 broadcasts. Near the end of the year, the network launched Have Gun, Will Travel on 11/23/58, which continued for 106 programs. In between, a very short series was offered and discontinued after only 16 broadcasts, Luke Slaughter Of Tombstone. Each program had an authoritative opening statement: "Slaughter's my name, Luke Slaughter. Cattle's my business. It's a tough business, it's a big business. I got a big stake in it. And there's no man west of the Rio Grande big enough to take it away from me." Junius Matthews was heard as Slaughter's sidekick, Wichita.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. Bud Abbott was born in Asbury Park, NJ, October 2, 1897 and died April 24, 1974 in Woodland Hills, California. Lou Costello was born in Paterson, NJ, March 6, 1906 and died March 3, 1959 in East Los Angeles, California. After working as Allen's summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers).

"I am the Whistler and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak..." These words followed by a whistling that was distinctive and well-remembered recalls one of the best mystery crime series of the past. Eminating for all its life from the West Coast this broadcast had a run of almost 13 years. Aired over the CBS radio network it was sponsored for much of the time by the Signal Oil Co.

Starring John Dehner as Paladin, Have Gun, Will Travel brought its brand of Western adventure to CBS airwaves from 1957 until 1963. What makes it a rarity, however, is that it was television show for the entire span, but the radio version did not debut until 1958 and left the air in 1960. The supporting cast included Ben Wright as Hey Boy. Virginia Gregg played Missy Wong (Heyboy's girlfriend) and other main roles.

Adventures of Sam Spade â 1946-1951 Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou GersonFIRST BROADCAST: July 12th 1946LAST BROADCAST: April 27th 1951 SPONSORS: Wildroot Cream Oil, Wildroot

Starting as a replacement show for Gangbusters and Counterspy, the series premiered December 11, 1957 and it ran until June 13, 1958. Quoting from Astounding Magazine, "Exploring Tomorrow is the first science fiction radio show of science-fictioneers, by science- fictioneers, and for science-fictioneers" The shows were narrated by the editor of Astounding Magazine, John W. Campbell, Jr., with scripts written by Gordon Dickson, Robert Silverberg and many other notable science fiction writers.

THE WEIRD CIRCLE presented 30 minute tales of horror, frequently inspired by classic horror or ghost stories, frequently done by French authors. It opened with the sound of the surf and the chant-like opening, "In this cave by the restless sea, we are met to call from out of past, stories strange and weird. Bell keeper, toll the bell, so that all may know that we are gathered again in the Weird Circle".

Episode3 "Error In Diagnosis" and Episode4 "Enjoyment" The Family Doctor (Dramatic Serial-1932) was a story about Dr. Grant Adams, a small town doctor who doubled as the communityâs moral rectifier. He was more than just respected, he was loved by all. Each week he confronted issues from robbery to suicide, and always with common sense and gentle moral judgment. Though his old-fashioned remedies for sicknesses are outdated compared to modern medical practicing, The Family Doctor's attitude towards life's daily issues transcend time. Of the 39 intended episodes, only 12 were aired.Boxcars711 supports the efforts of the Old Time Radio Researchers Group (OTRR) whose goals include restoring, preserving and sharing the classic shows from what is commonly known as the "Golden Age of Radio" (1930-1960). Please visit and support this great organization at:http://www.otrr.org/

Here Comes Mr. Jordan from Lux Radio Theater on Jan 26, 1942 stars Cary Grant, Claude Rains, Evelyn Keyes, and James Gleason. Here Comes Mr. Jordan is a comedy in which a boxer, accidentally killed before his time, is allowed a chance to come back to Earth in the body of a rich man who has just been murdered by his wife. It was taken from the 1941 comedy film and was also remade several times, with different titles: Heaven Can Wait (1978), Heaven's Touch (1983) and Down to Earth (2001). This radio version is an excellent production.

Murder at Midnight was an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was first heard over the Mutual Network between September 16, 1946 and September 8, 1947 on radio station WJZ. The show's writers included Robert Newman, Joseph Ruscoll, Max Erlich and William Norwood, and it was directed by Anton M. Leder. The host was Raymond Morgan, who delivered the memorable lines of introduction over Charles Paul's effective organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."THIS EPISODEAugust 17, 1946. Program #10. Syndicated. "Terror Out Of Space". Commercials added locally. A group of scientists establishes contact with the moon for the first time in history. They find electrical creatures who never die, who ride a radio wave down to Earth and start to kill the inhabitants of the planet. The announcer predicts that, "our story will long be remembered as a classic!" Robert Newman (writer), George Petrie, Peter Capell, Anton M. Leader (director), Charles Paul (music). 26:56.

QUOTE FROM JERRY LEWIS: "Like Burns and Allen, Abbott and Costello, and Hope and Crosby, we were vaudevillians, stage performers who worked with an audience. But the difference between us and all the others is significant. They worked with a script. We exploded without one, the same way wiseguy kids do on a playground, or jazz musicians do when they're let loose. And the minute we started out in nightclubs, audiences went nuts for us. As Alan King told an interviewer a few years ago: "I have been in the business for fifty-five years, and I have never to this day seen an act get more laughs than Martin and Lewis. They didn't get laughsâit was pandemonium. People knocked over tables."

First heard on Mutual featuring Elliott Lewis, who as Leonard Maltin writes in "The Great American Broadcast, "âwore every hat imaginable-actor, producer, and director-also penned a good number of scripts for series he supervised, including Suspense." And Maltin says of this show, "On the terrific late-1940's high-adventure series The Voyage of the Scarlet Queen he held down both jobs simultaneously as director and star." As Maltin continues, âLewis had the ability to make you believe whatever he said. Cast as the skipper on the high-adventure series The Voyage of the Scarlet Queen, he was completely convincing as seagoing ship's master Philip Carney-never corny or overblown." So let a master captain of drama chart a course to exotic ports of call and thrilling adventures. All you have to do is step aboard The Scarlet Queen.

Dangerous Assignment first aired in 1949. Brian Donlevy played the lead as Steve Mitchell in this international spy series. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. The director was Bill Cairn and the writer for the series was Robert Ryf.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

The Clitheroe Kid was James Robertson Clitheroe, Jimmy Clitheroe to most, who by some strange coincidence did come from the town of that name without having to change his family name! At his full height he was 4ft 3in, and played the naughty schoolboy from 1958 to 1972. Although plausable from a distance, he was not really able to pass himself off as a youngster close up, so a TV career did not really take off too well, but at the peak of his fame the radio show was raking in about 10 million listeners, although by the end this had dropped to a tenth of that figure.

6-12-50 to 10-26-50 NBC, various 30 minute timeslots. STAR: Ilona Massey as a Mata Hari-style operative in World War II. ORCHESTRAL: Roy Shield. WRITER-DIRECTOR: Harry W. Junkin. Top secret was highly effective, said Radio Life: the role played by the Hungarian actress was âtailor-made for her sultry voice and heavy accentâ

The Casebook of Gregory Hood, starring Gale Gordon in the title role, took over where Sherlock Holmes had left off. Sponsored by Petri wine, it used the same "weekly visit" format and the same team of Anthony Boucher and Dennis Green that had written The New Adventured of Sherlock Holmes. Gregory Hood was modelled after true-life San Francisco importer Richard Gump, and many of the stories revolve around a mystery surrounding some particular imported treasure. Hood's sidekick Sanderson "Sandy" Taylor was played by Bill Johnstone. The show aired from June, 1946 through August, 1950. There were an additional couple of shows aired in October 1951. Hood and Sanderson were played in later episodes by Elliott Lewis and Howard McNear, respectively.