Boxcars711 Old Time Radio

The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."

The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.

May 8, 1954. ABC network. "Captain Hackett's Planetoid". Sponsored by: Ralston cereals, Nestle's chocolate (Cosmic Rocket Launcher premium). When an old asteroid miner strikes "wolfenite" ore, Prince Bacaratti grubstakes him for his own evil purposes! Bela Kovacs, Dick Tufeld (announcer), Ed Kemmer, Ken Mayer, Larry Robertson (producer, director), Lou Houston (writer), Lyn Osborn, Mike Devry (executive producer), Mike Mosser (creator), Norman Jolley, Tony Sides. 29:40.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch.THIS EPISODE:Samuel Dodsworth (Walter Huston) is an ambitious automobile designer, who builds his fortunes in Zenith. In addition to his success in the business world, he succeeds in winning the hand of Fran Voelker (Ruth Chatterton), a beautiful socialite. At the age of fifty, he sets out to do what he had always wanted - take a leisurely trip to Europe with his wife. His forty-one year old wife, however, is dissatisfied with married life and wants to live in Europe, not just visit. Passing up advancement in his company, Dodsworth leaves for Europe with Fran. Soon, both Sam and Fran are caught up in vastly different lifestyles. Fran falls in with a crowd of frivolous socialites. Sam meets Edith Cortright (Mary Astor), a woman who is everything his wife is not: self-assured, self-confident, and able to take care of herself. As they follow their own pursuits, their marriage is strained to the breaking point. Both Sam and Fran are forced to choose between marriage and the new lifestyles they have pursued.

"Lost" (6-26-63) and "Battle Of The Monsters" (7-09-63)Journey to the Center of the Earth is an 1864 science fiction novel by Jules Verne (published in the original French as Voyage au centre de la Terre). The story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". They encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy. From a scientific point of view, this story has not aged quite as well as other Verne stories, since most of his ideas about what the interior of the Earth is like have since been proven wrong. However, a redeeming point to the story is Verne's own belief, told within the novel from the viewpoint of a character, that the inside of the Earth does indeed differ from that which the characters encounter. Compared to his previous works, Verne takes a radically different approach to storytelling by making the main character and narrator a 16 year old boy who relates to the events as his own adventures. It is unknown whether this was done under the influence of his publisher Hetzel who wanted to distribute Verne's work as aimed towards growing teens, but the result is quite remarkable. While his previous novel and many of his later works are in fact fictionalized science, this is a grippling story of the adventures of an adolescent boy, the science taking a backdrop against his own experiences.

The Fat Man" premiered on ABC on Monday, January 21, 1946, at 8:30pm, as part of a block of four new programs which also included "I Deal in Crime," "Forever Tops," and "Jimmy Gleason's Diner." "The Fat Man" originated in the studios of WJZ in New York and began as a modestly priced sustainer [no sponsor but the station] vaguely based upon character ideas in Dashiell Hammett's writings and fleshed out by producer, E.J. ("Mannie") Rosenberg. The announcer was Charles Irving. The directors for the program were Clark Andrews, creator of "Big Town," and Charles Powers. The main writer for the series was Richard Ellington, but it was also scripted by Robert Sloane, Lawrence Klee and others. The veteran character actor Ed Begley was featured as Sgt. O'Hara. Regulars on the program included Petty Garde, Paul Stewart, Linda Watkins, Mary Patton as Lila North, and Vicki Vola, also the female lead in "Mr. District Attorney." Amzie Strickland played the ingenue, Cathy Evans, and Nell Harrison played Runyon's mother during the early episodes. The cast also included Dan Ocko, Roily Bester (wife of Alfred Pester, the science fiction writer), and Robert Dryden. An eleven-piece orchestra was on hand to provide live music, and was directed by Bernard Green, who also wrote that memorably stirring theme. The sound effects were by Ed Blaney, who actually did drop a coin in a change slot each week for the sound of the drug store scale." THIS EPISODE:The Fat Man. April 1, 1949. ABC net. "Murder Wins The Draw". Sponsored by: Pepto Bismol, Unguentine. In Mexico, a beautiful woman leans Runyon to Guatemala City and a dead body in a hotel...murdered with a machete! J. Scott Smart, Dick Beals (commercial spokesman), Clark Andrews (director), Bernard Green (conductor), Bryna Raeburn, Charles Irving (announcer), Lawrence Klee (writer), Jean Ellen. 29:30

Crime Classics. August 3, 1953. CBS net origination, AFRS rebroadcast. "Mr. Thrower's Hammer". A gentleman of England in 1804 has bashed in the heads of a father and daughter. Eleven years later, a doubt arises. The program closing has been deleted. See cat. #65754 for a more complete, network version of this broadcast. The program is also known as, "The Dread Events Surrounding Mr. Throwers Hammer." Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), William Johnstone, Eric Snowden, Alistair Duncan, Bob Lemond (announcer), Jay Novello, Joseph Kearns, Paula Winslowe, Tudor Owen. 28:09.

Rearranging Furniture (3-26-59) and Party Invitation Lost (3-27-59)The Couple Next Door was a Peg Lynch series which began in 1953-57 on Chicago's WGN, moving to the Mutual Broadcasting System in the summer of 1957. The married couple was played by Olan Soule and Elinor Harriot. It was revived on CBS Radio (December 30, 1957-November 25, 1960) with Peg Lynch and Alan Bunce as the unnamed married couple---essentially, it reprised Ethel and Albert but the new name was necessitated because Lynch had long since lost the rights to the original title. That still wasn't the end of the show---Lynch and Bunce brought the show to NBC's legendary weekend programming block Monitor in 1963, performing three- to four-minute vignettes not unlike the original fifteen-minute shows. Their presence continued a kind-of Monitor tradition of offering new material from classic radio favourites (including James and Marian Jordan of Fibber McGee and Molly fame, until Marian Jordan's death). Even more, it returned yet again in the 1970s, as a syndicated radio feature known as The Little Things in Life.

In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.THIS EPISODE:Salute to the Marines from Lux Radio Theater aired November 8, 1943 starring Wallace Beery as Sgt. Maj. William Bailey and Fay Bainter as Jenny Bailey. Leatherneck, Wallace Beery, is back in uniform.

Directed by Alfred HitchcockUS 1944, b/w, 96 min.With Tallulah Bankhead, William Bendix, Walter Slezak English and German w/English Subtitles. Based on a story by John Steinbeck, Lifeboat has Hitchcock skillfully blending elements of his trademark psychological thrillers with propaganda for the Allied cause during World War II. The film takes place on a lifeboat, where Allied survivors of a shipwreck caused by a German U-boat struggle to survive. When the group saves a Nazi from the water, tensions begin to mount in the confined space of the small boat. Tallulah Bankhead gives her definitive film performance as a materialistic reporter.

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Donât be caught without this radio show in your collection!

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Donât be caught without this radio show in your collection!

Let George Do It. January 2, 1950. Mutual-Don Lee net. "Needle In The Haystack". Sponsored by: Standard Oil, Chevron. Mr. Ferdinand Vase has had his most valuable possessions stolen...twelves roses! The roses were stolen in Pasadena, just before the Rose Bowl! George Valentine tries to nip a murder in the bud...a thorny problem! Ben Wright, Bob Bailey, Robert Griffin, Bud Hiestand (announcer), Clayton Post, David Victor (writer), Don Clark (director), Eddie Dunstedter (music), Jackson Gillis (writer), Stanley Farrar, Virginia Gregg, Wally Maher, William Conrad. 29:44.

Based on Craig Riceâs (a female crime novelist who rivaled Agatha Christie in book sales) novels of crime drama, Frank Lovejoy (and later Gene Raymond and George Petrie) plays âfictionâs most famous criminal lawyer,â John J. Malone. Mr. Malone is our amazing hero, a Chicago lawyer whose bar is more famous than Cheers. His hobby is collecting clichÃs, and each weeks show is based off of one: cleanliness is next to Godliness, a strong offense is the best defense, seek and ye shall find, and so on. Stories are gripping, from tales of Chicagoâs biggest operator who runs a nightclub and his right hand man, to a man looking for trouble in a hotel and finds it in room 419, to a story of a man who owns the most luscious gambling joint this side of Vegas. So brush up on your one liners, and grab your gun, because youâll want to tune in for this exciting half hour of mystery!

Audition #1 and Audition #2 - Trans-Pacific Matter (8-29-55)Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator that aired from February 11, 1949 to September 30, 1962 on CBS. There were 811 episodes in the 12-year run, and over 720 still exist today. Charles Russell was the first to star as Johnny Dollar, the smart and tough detective who tossed silver dollar tips to bellhops. With the first three actors to play Johnny Dollar there was little to distinguish it from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade).While always a friend of the police,Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected.

Hercule Poirot (pronounced in English [??kyl pwa?o]) is a fictional Belgian detective created by Agatha Christie. Along with Miss Marple, Poirot is one of Christie's most famous and long-lived characters: he appeared in 39 novels and 50 short stories. Poirot has been portrayed on screen, for films and TV, by various actors including Albert Finney, Peter Ustinov, Ian Holm, Tony Randall, Alfred Molina and, most recently, and famously, David Suchet. His character was based on two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired French police officer living in London. A more obvious influence on the early Poirot stories is that of Arthur Conan Doyle. In An Autobiography Christie admits that "I was still writing in the Sherlock Holmes tradition â eccentric detective, stooge assistant, with a Lestrade-type Scotland Yard detective, Inspector Japp."Poirot also bears a striking resemblance to A. E. W. Mason's fictional detective â Inspector Hanaud of the French surete-who, first appearing in the 1910 novel "At the Villa Rose," predates the writing of the first Poirot novel by six years.

Superman is a fictional character and regarded as the most influential and popular superhero of DC Comics. Created by Canadian-born artist Joe Shuster and American writer Jerry Siegel in 1932 and sold to Detective Comics, Inc. in 1938, Superman first appeared in Action Comics #1 (June 1938) and subsequently appeared in various radio serials, television programs, films, newspaper strips, and video games. With a premise that taps into adolescent fantasy, Superman is born Kal-El on the alien planet Krypton, before being rocketed to Earth as an infant by his scientist father moments before the planet's destruction. Adopted and raised by a Kansas farmer and his wife, the child is raised as Clark Kent, and imbued with a strong moral compass. Upon reaching maturity the character develops superhuman abilities, resolving to use these for the benefit of humanity. With the success of his adventures, Superman helped to create the superhero genre and establish its primacy within the American comic book. Superman is widely considered to be both one of the most famous and popular comic book superheroes of all time, and an American cultural icon.

THE PHILS SILVERS SHOW (aka YOU'LL NEVER GET RICH) remains the single most underrated sitcom in television history and that Phil Silvers remains the most underrated comedian in that medium. This is really saying something because the series has indeed received great acclaim over the years. Even so, Silvers is just not given his proper due for creating the Bilko character. As for the jewels in the supporting cast--they are simply terrific in this Nat Hiken creation that surely stands shoulder to shoulder with Jackie Gleason's THE HONEYMOONERS as perhaps the greatest sitcom ever on television. Silvers did not just play Ernie Bilko--he WAS Ernie Bilko! The character of the scheme-driven, gambling-addicted army sergeant forever duping the lovable Col. Hall (Paul Ford) while manipulating his platoon for his personal aggrandizement, is so fast-paced, fresh, and funny that one wonders if BILKO ought not be a stage play.

August 7, 1952. NBC net. "The Case Of The Rolling Stones". Sustaining. Not auditioned. Army Intelligence sends Mike Waring to Sicily, where "some boy is running wild with a knife." They want "The Falcon" to offer him a proposition "he might like to take a stab at." The system cue is added live. Fred Collins (announcer), Bernard L. Schubert (producer, transcriber), Richard Lewis (director), Eugene Wang (writer), Les Damon, Jone Allison, Drexel Drake (creator). 30:55.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Meaningful Stories from Years Past that Continue to Inspire Families Today. Families, then and now, face similar situations and struggles: communication, honesty, gambling, music, alcoholism, sports and many spiritual questions, such as life after death. How we address these struggles makes all the difference in strengthening our family bonds. These compelling half-hour dramas offer inspiring insights into how to build unity within your family. Join us on a visit with the stars of the past for an uplifting, humorous and meaningful look into family life.This show is posted with the expressed written consent of the owner and exclusively granted to Boxcars711 Old Time Radio.

Hollywood Radio Theater (Lux), one of the genuine classic radio anthology series (NBC Blue Network, 1934-1935; CBS 1935-1955), adapted first Broadway stage and then (and especially) films to hour-long live radio presentations and became the standard by which future radio and early television anthologies would be judged. Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936 until January 22, 1945. Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.

ROCKY JORDAN was the title character of one of the better and more exotic radio detective series. In fact, it's one of the best detective series I have ever heard. The series had two separate incarnations. The first, A Man Named Jordan, started as a daily 15 minute show and after about six months changed to a weekly 30 minute show. It took place in Istanbul and the Cafe was described as "a small restaurant in a narrow street off Istanbul's Grand Bazaar, permeated with by the smoke of Oriental tobacco, alive with the babble of many tongues, and packed with intrigue." The second incarnation, Rocky Jordan, was a weekly 30 minute series took place in Cairo - "the gateway to the ancient East where adventure and intrigue unfold against the backdrop of antiquity." Jordan was a hard-boiled owner of the Cafe Tambourine who spent most of his time solving mysteries that he usually became involved in by accident. During the Cairo-based run, he often encountered Captain Sam Sabaaya of the Cairo police. John Dunning in his "On The Air: The Encyclopedia of Old Time Radio" describes Jordan as "a rugged hero who each week was confronted by a crime, a mystery, a beautiful woman or a combination of the three. It was a detective show with a difference: the Oriental background was played to the hilt, giving it a sound like no other." The writers worked hard to give it authenticity - actual places and streets in Cairo were often and accurately mentioned. The music score also added to the exoticness of the series. Moyles, a veteran of radio, was much more believable in the role than Raft.

On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team. THIS EPISODE:The Martin and Lewis Show. March 24, 1949. NBC net. Sustaining. Possibly their first show for NBC. Unedited tape, lots of wild ad libs with Bob. The program aired right before the program with guest William Bendix. The above date might be the recording session, possibly for broadcast April 3, 1949. Dean Martin, Jerry Lewis, Bob Hope, Flo McMichaels, Michael Roy, The Martingales, Dick Stabile and His Orchestra. 43:59

Murder At Midnight â 1946-1947The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; âthe witching hour, when night is darkest, our fears are the strongest, our strength at its lowest ebbâ Midnight! â when graves gape open and death strikes!âCAST: Elspeth Eric, Mercedes McCambridge, Berry Kroeger, Betty Caine, Carl Frank, Barry Hopkins, Lawson Zerbe, Charlotte Holland NARRATORS: Raymond Morgan MUSIC: Charles Paul PRODUCERS/DIRECTORS: Lewis G Cowan, Anton M Leader WRITERS: Robert Newman, Joseph Ruscoll, Max Ehrlich, William Morwood

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

Michael Shayne was a fictional sleuth created by Brett Halliday (a pen name for author Davis Dresser) who was first initiated into the fraternity for detectives in the 1939 novel "Dividend of Death". Dresser based the character on a âtall and rangyâ brawler who once saved his life during a braw in a Mexican cantina. The Shayne character would go on to appear in 69 novels, plus a long-running mystery magazineâand in 1941, was brought to the silver screen in Paramountâs Michael Shayne, Private Detective, an adaptation of Dividend of Death that starred Lloyd Nolan, and paved the way for six additional B-mysteries to follow. The New Adventures of Michael Shayneâpremiered on July 15, 1948 starring Jeff Chandler.

A happy-go-lucking West Virginia mountain family picks up stakes and moves to a ranch in California's San Fernando Valley. Center of the action, and undisputed star of the show, was Grandpa, a porch-rockin', gol-darnin', consarnin' old geezer with a wheezy voice who liked to meddle in practically everybody's affairs, neighbors and kin alike. His kin were grandson Luke and his new bride, Kate; Luke's teenage sister, Hassie; and Luke's 11-year-old brother, Little Luke (their parents were deceased). Completing the regular cast were Pepino, their loyal farm hand; George MacMichael, their crusty neighbor and Amos' best friend; and Flora, George's spinster sister who had eyes for Amos. Grandpappy Amos was an incorrigible codger who was against anything anyone else was for. He had the regulation Heart of Gold stuck away somewhere, but he was cantankerous as all get out. With his shoulders and arms jumping, Amos walked like a chicken with a limp. He bullied, he blustered, he cajoled, he did everything he could to get his own way. His not being able to read or write got him into many predicaments, for he would never admit to being illiterate to anyone outside the family. In 1962 the series moved to CBS. Luke became a widower and many of the plots began to revolve around Grandpa's attempts to match him up with a new wife.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â

First show: Mar 26, 1951Last show: Sep 15, 1952The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.

The Twilight Zone is a television anthology series created (and often written) by its narrator and host Rod Serling. Each episode (156 in the original series) is a self-contained fantasy, science fiction, or horror/terror story, often concluding with an eerie or unexpected twist. Although advertised as science fiction, the show rarely offered scientific explanations for its fantastic happenings and often, if not always, had a moral lesson that pertained to everyday life. The program followed in the tradition of earlier well written radio programs such as The Weird Circle and X Minus One. A popular and critical success, it introduced many Americans to serious science fiction ideas through television and also through a wide variety of Twilight Zone literature. The success of this original series led to the creation of two revival series (a cult hit series that ran for several seasons on CBS and in syndication in the '80s, and a short-lived UPN series that ran early in the new millennium), a feature film, a radio series, a comic book, a magazine and various other spinoffs that would span five decades. Writers for The Twilight Zone included leading genre authorities such as Charles Beaumont, Richard Matheson, Jerry Sohl, George Clayton Johnson, Earl Hamner Jr., Reginald Rose and Ray Bradbury. Many episodes also featured adaptations of classic stories by such writers as Ambrose Bierce, Lewis Padgett, Jerome Bixby and Damon Knight.

Dan Garrett, rookie policeman, is secretly the Blue Beetle, friend of the unfortunate and crusader for the law. He is loved by everyone (including the chief's daughter) and suspected of being the Blue Beetle by none. He hides behind a strange mask and wears a blue costume that is as flexible as silk but as strong as steel.

General Electric Theater featured a mix of romance, comedy, adventure, tragedy, fantasy and variety music. Occupying the Sunday evening spot on CBS following the Toast of the Town/Ed Sullivan Show from 1 February 1953 to 27 May 1962, the General Electric Theater presented top Hollywood and Broadway stars in dramatic roles calculated to deliver company voice advertising to the largest possible audience. Despite a long technical and practical experience with television production, GE's previous attempts to establish a Sunday evening company program had fared poorly. In the fall of 1948 GE entered commercial television for the first time with the Dennis James Carnival, a variety show dropped after one performance. A quiz program entitled Riddle Me This substituted for twelve weeks and was also dropped. In April 1949 GE returned to Sunday evenings with the musical-variety Fred Waring Show Produced by the Young & Rubicam advertising agency under the sponsorship of GE's Appliance, Electronics and Lamp Divisions, the program occasionally included company voice messages. In November 1951 GE transferred television production to the Batten, Barton, Durstine and Osborn (BBDO) advertising agency, under whose direction the General Electric Theater debuted 1 February 1953 as an "all-company project" sponsored by GE's Department of Public Relations Services.

The Day Th Earth Stood Still (1979) *Exact Date Is UnknownThe Day the Earth Stood Still tells the story of a humanoid alien who comes to Earth to warn its leaders not to take their conflicts into space, or they will face lethal consequences. One of the ten best Sci-Fi of all time. This radio version is from Hollywood Radio Theater. Stars Michael Rennie as Klaatu Patricia Neal as Helen Benson William.

Philo Vance was the detective creation of S. S. Van Dine first published in the mid 1920's. Vance, in the original books, is an intellectual so highly refined he's seems he might be ghostwritten by P. G. Wodehouse. Take this quote from the Benson Murder Case, 1924, as Vance pontificates in his inimitable way "That's your fundamental error, don't y' know Every crime is witnessed by outsiders, just as is every work of art. The fact that no one sees the criminal, or the artist, actu'lly at work, is wholly incons'quential." Thankfully, the radio series uses only the name, and makes Philo a pretty normal, though very intelligent and extremely courteous gumshoe. Jose Ferrer played him in 1945. From '48-50, the fine radio actor Jackson Beck makes Vance as good as he gets. George Petrie plays Vance's constantly impressed public servant, District Attorney Markham. Joan Alexander is Ellen Deering, Vance's secretary and right-hand woman.

Ronald Colman and his wife Benita Hume starred in the Halls of Ivy, a very well-written, superbly acted radio program that was full of warmth and wit. The show aired from 1950 to 1952 on NBC and is not often mentioned when old-time radio programs are the topic of conversation, but it is one of my favorites. The combination of Mr. & Mrs. Colman's acting and Don Quinn's writing made for an enjoyable half-hour's worth of entertainment. The show was created by Don Quinn who for many, many years put words in the mouths of Fibber McGee and Molly. Quinn wrote jokes that made you think. On the McGee program there was a fast and furious onslaught of crazy puns, mangled cliches, and double-meanings. Sometimes all at once -- when delivered by the superb timing of the talented Jim Jordan as Fibber.

MURDER IS MY BUSINESS *Exact Date Is UnknownThe shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."

Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series.THIS EPISODE *Exact Air Date Unknown - Rebroadcast 9/18/741952 - Syndicated, WRVR-FM, New York aircheck. "The Door Key". Sponsored by: Hemlock Farms. A key is found beside a dead body. The actual date is unknown. Syndicated rebroadcast date: September 18, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 28:18

Gang Busters was an American dramatic radio program heralded as "the only national program that brings you authentic police case histories." It premiered as G-Men, sponsored by Chevrolet, on July 20, 1935. After the title was changed to Gang Busters January 15, 1936, the show had a 21-year run through November 20, 1957. Beginning with a barrage of loud sound effects â guns firing and tires squealing â this intrusive introduction led to the popular catch phrase "came on like Gang Busters."The series dramatized FBI cases, which producer-director Phillips H. Lord arranged in close association with Bureau director J. Edgar Hoover. Hoover insisted that only closed cases would be used. The initial series was on NBC Radio from July 20 - October 12, 1935. It then aired on CBS from January 15, 1936 to June 15, 1940, sponsored by Colgate-Palmolive and Cue magazine. From October 11, 1940 to December 25, 1948, it was heard on the Blue Network, with various sponsors that included Sloan's Liniment, Waterman pens and Tide. Returning to CBS on January 8, 1949, it ran until June 25, 1955, sponsored by Grape-Nuts and Wrigley's chewing gum. The final series was on the Mutual Broadcasting System from October 5, 1955 to November 27, 1957. It was once narrated by Norman Schwarzkopf, Sr., former head of the New Jersey State Police. The radio series was adapted for DC Comics, Big Little Books and a 1942 movie serial. The 1952 Gang Busters TV series was reedited into two feature films, Gang Busters (1954) and Guns Don't Argue (1957).

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Thus with the pounding of the gavel, the fate of men and women have been decided by the judge. This is the story of our legal rights, the battle to preserve and protect them, and how easily they can be lost. The program shows us just how fragile liberty and justice can be. These stories of everyday events are still interesting, even after 50 years. Stories of criminal liability, legal wills, buying on installment, and leasing an apartment. Each story is well written, and the acting, though dated and a bit hokey by todayâs standards, still manages to achieve the desired effect. Not much information is available for this series, it was apparently broadcast on a limited basis, and originated on WMAQ Chicago, an NBC station. It was comprised of thirteen episodes, twelve of which are currently available, and was heard from January 30, 1954 through April 24, 1954.

Amos 'n' Andy, still written entirely by the two stars, was the top-rated program of all in 1930, with a 54.4 rating and 30 million listeners (compare that to the Super Bowl's 44.2 rating in 2004). By this time, the wily, coniving Kingfish was becoming a major personality, eventually supplanting sensible Amos as star of the show (Freeman Gosden gave voice to both characters while Charles Correll played Andrew H. Brown).

One of the most popular radio shows in history debuted in August 1930 when "The Shadow" went on the air. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds."

"Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?" Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead.

Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 PM. Running Monday through Friday, it was an anthology of short stories, each about 20 minutes long. News programs and commercials filled out the full 30 minutes. There was a good bit of science fiction and some of the plots seem to have been taken from the daily newspaper. Fred Foy, of The Lone Ranger fame, was an ABC staff announcer in the early 60s, who, among other duties, did Theater Five.

Academy Award Theater began its full 39 week season with a high note -- with Bette Davis in her Oscar winning role in Jezebel. By looking at the list of actors who appeared during the series, you can see that this series ranked up there with the Lux Radio Theater in its range of movies chosen to be dramatized as well as the actors involved. Gene Hersholt, veteran radio and movie star, spoke as president of the Academy of Motion Picture Arts and Sciences during the first show welcoming the E.R. Squibb Co., giant pharmaceutical company as sponsor. These 30 minute programs consisted of dramnatizations of movies whose pictures, players, techniques, and skills won or were nominated for the coveted golden Oscars.

Perry Mason is the longest running lawyer show in American television history. Its original run lasted nine years and its success in both syndication and made-for-television movies confirm its impressive stamina. Mason's fans include lawyers and judges who were influenced by this series to enter their profession. The Mason character was created by mystery writer Erle Stanley Gardner and delivered his first brief in the novel The Case of the Velvet Claws (1933). From 1934 to 1937 Warners produced six films featuring Mason. A radio series also based on Mason ran every weekday afternoon on CBS radio from 1944 to 1955 as a detective/soap opera. When the CBS television series was developed as an evening drama, the radio series was changed from Perry Mason to The Edge of Night and the cast renamed so as not to compete against the television series.

General Electric Theater featured a mix of romance, comedy, adventure, tragedy, fantasy and variety music. Occupying the Sunday evening spot on CBS following the Toast of the Town/Ed Sullivan Show from 1 February 1953 to 27 May 1962, the General Electric Theater presented top Hollywood and Broadway stars in dramatic roles calculated to deliver company voice advertising to the largest possible audience. Despite a long technical and practical experience with television production, GE's previous attempts to establish a Sunday evening company program had fared poorly. In the fall of 1948 GE entered commercial television for the first time with the Dennis James Carnival, a variety show dropped after one performance. A quiz program entitled Riddle Me This substituted for twelve weeks and was also dropped. In April 1949 GE returned to Sunday evenings with the musical-variety Fred Waring Show Produced by the Young & Rubicam advertising agency under the sponsorship of GE's Appliance, Electronics and Lamp Divisions, the program occasionally included company voice messages. In November 1951 GE transferred television production to the Batten, Barton, Durstine and Osborn (BBDO) advertising agency, under whose direction the General Electric Theater debuted 1 February 1953 as an "all-company project" sponsored by GE's Department of Public Relations Services.

The adventures of Casey, crack photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940âs. Casey hung out at the Blue Note CafÃ, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Caseyâs girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Caseyâs pictures. This live series was set in and broadcast from, New York City.

The Brownstone Theater. February 21, 1945. Mutual net. "The Lion and The Mouse". Sustaining. 9:30 P. M. (EWT) The first show of the series. The story of a powerful man and a more powerful woman. The program originates from The Longacre Theatre. Gertrude Warner, Jackson Beck, Jock MacGregor (producer, director), Clayton Hamilton (host), Charles Klein (author), Peggy L. Mayer (adaptor), Sylvan Levin (music director). 28:44.