Boxcars711 Old Time Radio

Let us journey âinto the land that lies beyond midnight,â into a world of ghost hunters, men going mad, and DEATH DEATH DEATH! Written by the masterful Michael McCabe, these well-done South African radio shows will capture your attention and keep you up listening to them well beyond midnight. * Exact Date Is Unknown.

ENCORE THEATER was a 1946 Summer replacement series, sponsored by Schenley Labs, Inc. All shows had a medical theme, some concerned medical research, some covered personal stories of people in the medical field but all based on true stories. Schenley Labs, Inc. was the sponsor for the series. The shows aired Tuesday evenings from 9:30 to 10:00 PM over CBS affiliated stations. Members of the cast were typically well-known radio or screen actors, such as Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young or Lionel Barrymore. Producer for series was Bill Lawrence, who also directed the series. The announcer was Frank Graham. Music was by Leith Stevens. Scripts were written and adapted by Jean Holloway, Lloyd C. Douglas, Sidney Kingsley and Milton Geiger. Twelve of the thirteen scripts were adapted by Jean Holloway. The 1946 Summer series ended with the August 27th show, replaced by "Cresta Blanca Hollywood Players" (possibly known as "The Hollywood Players Company". There was a second ENCORE THEATER Summer series in 1949, however there is little information on it. It aired on Sundays. Eight shows are known to be in circulation. Known air dates are April 17, April 24, May 8 and June 5.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

1984-1986 There were 69 episodes in the original series. The series continued after that under various names and formats. "The point between reality and fantasy. Where imagination holds the key to new worlds. That point of no return---The Vanishing Point." Favorably compared to Rod Sterling's classic TV series, The Twilight Zone, these finely tuned radio dramas from the Canadian Broadcasting Corporation provide compelling excursions into the realm of mystery and fantasy.

Fred Allen's first taste of radio came while he and Portland Hoffa waited for a promised slot in a new Arthur Hammerstein musical. In the interim, they appeared on a Chicago station's program, WLS Showboat, into which, Allen recalled, "Portland and I were presented... to inject a little class into it." Their success in these appearances helped their theater reception; live audiences in the Midwest liked to see their radio favorites in person, even if Allen and Hoffa would be replaced by Bob Hope when the radio show moved to New York several months afterward. The couple eventually got their Hammerstein show, Polly, which opened in Delaware and made the usual tour before hitting Broadway. Also in that cast was a young Englishman named Archie Leach, who received as many good notices for his romantic appeal as Allen got for his comic work. Hammerstein retooled the show before bringing it to New York, replacing everyone but two women and Allen. Leach decided to buy an old car and drive to Hollywood. "What Archie Leach didn't tell me," Allen remembered, "was that he was going to change his name to Cary Grant."Polly never succeeded in spite of several retoolings, but Allen did go on to successful shows like The Little Show (1929-30) and Three's a Crowd (1930-31), which eventually led to his full-time entry to radio in 1932.

Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner: âThis is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you canâ!

Frank Merriwell was the fictional creation of Gilbert Patten, who wrote under the pseudonym Burt L. Standish. The model for all later American juvenile sports fiction, Merriwell excelled at football, baseball, crew and track at Yale while solving mysteries and righting wrongs. He played with great strength and received traumatic blows without injury. A biographical entry on Patten noted dryly that Frank Merriwell "had little in common with his creator or his readers." Patten offered some background on his character: "The name was symbolic of the chief characteristics I desired my hero to have. Frank for frankness, merry for a happy disposition, well for health and abounding vitality." Merriwell's classmates observed, "He never drinks. That's how he keeps himself in such fine condition all the time. He will not smoke, either, and he takes his exercise regularly. He is really a remarkable freshie." Merriwell originally appeared in a series of magazine stories starting April 18, 1896 ("Frank Merriwell: or, First Days at Fardale") in Tip Top Weekly, continuing through 1912, and later in dime novels and comic books. Patten would confine himself to a hotel room for a week to write an entire story. The Frank Merriwell comic strip began in 1928, continuing until 1936. Daily strips from 1934 provided illustrations for the 1937 Big Little Book.The Adventures of Frank Merriwell first ran on NBC radio from March 26 to June 22, 1934 as a 15-minute serial airing three times a week at 5:30pm. Sponsored by Dr. West's Toothpaste, this program starred Donald Briggs in the title role. Harlow Wilcox was the announcer. After a 12-year gap, the series returned October 5, 1946 as a 30-minute NBC Saturday morning show, continuing until June 4, 1949. Lawson Zerbe starred as Merriwell, Jean Gillespie and Elaine Rostas as Inza Burrage, Harold Studer as Bart Hodge and Patricia Hosley as Elsie Belwood. The announcer was Harlow Wilcox, and the Paul Taubman Orchestra supplied the background music. There are at least three generations of Merriwells: Frank, his half-brother Dick, and Frank's son, Frank Jr. There is a marked difference between Frank and Dick. Frank usually handled challenges on his own. Dick has mysterious friends and skills that help him, especially an old Indian friend without whom the stories would not have been quite as interesting.

The Bickersons was an American radio comedy program that aired from 1946 to 1951. Born as a recurring skit on The Chase and Sanborn Hour and refined on the lesser-remembered Drene Time variety show, it stood the already-typical domestic presentation of radio and its infant offspring, television, so squarely on its head that there were those who feared the show. The show's married protagonists spent nearly all their time together in relentless verbal war, and many people believed that the show's sourly cynical take on the institution of marriage was more than merely detrimental to the nation's post-World War II health. (The same kind of charges of "detrimental" were later leveled against programs such as Married... with Children and The Simpsons.) The Bickersons was created by Philip Rapp, the one-time Eddie Cantor writer who had also created the Fanny Brice skits (for The Ziegfeld Follies of the Air and Maxwell House Coffee Time) that grew into radio's Baby Snooks. Several years after the latter established itself a long-running favourite, Rapp developed and presented John and Blanche Bickerson, first as a short sketch on The Old Gold Show and The Chase and Sanborn Hour (the show that made stars of Edgar Bergen and his dummy, Charlie McCarthy), and then as a 15-minute situational sketch as part of Drene Time. This was a variety show starring Don Ameche and singer-actress Frances Langford as co-hosts, airing on NBC and sponsored by Drene Shampoo. Announcing the showâand later familiar to television viewers as The Millionaire's presenter and executive secretary, Michael Anthonyâwas Marvin Miller. Drene Time typically opened with Langford singing a big band-style arrangement before Ameche and Langford would slip into routine comedy, often aided by co-star (and future Make Room for Daddy star) Danny Thomas, in routines that often hooked around Ameche's frustration that Thomas seemed more interested in modern technology and discoveries than in women. After another musical number and a commercial spot for Drene Shampoo, Miller would announce Ameche and Langford as the Bickersons, "in 'The Honeymoon's Over'," for the final 15 minutes of the show.

2000 AD is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds throng as audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.THIS EPISODE:Mutual network. "The Rocket and The Skull". Sustaining. The most important man in the country's race to the Moon is wounded in a plane crash...and starts to hear strange messages to Mars! The date is approximate. Arnold Robertson, Emerson Buckley and His Orchestra, William Griffis. 28 minutes.

This was ABC's attempt to recapture some of what radio was. The effort was not the best, but at least an effort was made. The stories ranged from science fiction, comedy, social drama and human interest drama, to detective mystery, psychological drama, melodrama and suspense drama. News programs help fill out the remaining time left in the 30 minute time spot from 5 - 5:30 p.m.

General Electric Theater featured a mix of romance, comedy, adventure, tragedy, fantasy and variety music. Occupying the Sunday evening spot on CBS following the Toast of the Town/Ed Sullivan Show from 1 February 1953 to 27 May 1962, the General Electric Theater presented top Hollywood and Broadway stars in dramatic roles calculated to deliver company voice advertising to the largest possible audience. Despite a long technical and practical experience with television production, GE's previous attempts to establish a Sunday evening company program had fared poorly. In the fall of 1948 GE entered commercial television for the first time with the Dennis James Carnival, a variety show dropped after one performance. A quiz program entitled Riddle Me This substituted for twelve weeks and was also dropped. In April 1949 GE returned to Sunday evenings with the musical-variety Fred Waring Show Produced by the Young & Rubicam advertising agency under the sponsorship of GE's Appliance, Electronics and Lamp Divisions, the program occasionally included company voice messages. In November 1951 GE transferred television production to the Batten, Barton, Durstine and Osborn (BBDO) advertising agency, under whose direction the General Electric Theater debuted 1 February 1953 as an "all-company project" sponsored by GE's Department of Public Relations Services.

I WAS A COMMUNIST FOR THE FBI - SYNDICATED STARS: Dana Andrews as MATT CVETIC who infiltrated top ranks of the Communist Party.I Was a Communist for the FBI was an American espionage thriller radio series with 78 episodes syndicated by Ziv to more than 600 stations in 1952-54. Made without FBI cooperation, the series was adapted from the book by undercover agent Matt Cvetic, who was portrayed by Dana Andrews.The series was crafted to warn people about the threat of Communist subversion of American society. The tone of the show is very jingoistic and ultra-patriotic. Communists are evil incarnate and the FBI can do no wrong. As a relic of the Joe McCarthy era, this show is a time capsule of American society during the Second Red Scare.

During World War II no more women sleuths arrived on the scene but 1946 was a banner year when three new ones debuted on network radio. One was as much comedienne as crime solver, Meet Miss Sherlock. This was a CBS summer sustainer that recounted the adventures of Jane Sherlock, a scatterbrained amateur detective, and her boyfriend, Peter Blossom, a civil attorney who occasionally fainted. There were two separate versions of this show; the first ran from July 3, 1946 to September 26, 1946 while the second one ran from Sept 28, 1947 to Oct 26, 1947. Both series were produced and directed by David Vaile, with scripts by E. Jack Neuman and Don Thompson. The announcer was Murray Wagner and the live orchestra was headed by Milton Charles. Sondra Gair had the title lead in the 1946 version, Captain Dingle of the NYPD was a youthful Bill Conrad and Joe Petruzzi played Peter Blossom.When the series resumed in the fall of 1947, Betty Moran did the first epiosde but her voice was not âditheryâ enough so Monty Margetts was brought in and she played the lead until it went off the air two months later. Barney Phillips was the voice of Captain Dingle. This series was more comedy than adventure, although crimes were eventually solved. Only two episodes have survived; both feature Gair in the 1946 version.

Episode#13 "Jane And Neff Talk About Deal" and Episode#14 "Everett Talks To Ace About The Deal"Easy Aces, a long-running American serial radio comedy (1930-1945), was trademarked by the low-keyed drollery of creator and writer Goodman Ace and his wife, Jane, as an urbane, put-upon realtor and his malaprop-prone wife. A 15-minute program, airing as often as three times a week, Easy Aces wasn't quite the ratings smash that such concurrent 15-minute serial comedies as Amos 'n' Andy, The Goldbergs or Vic and Sade were. But its unobtrusive, conversational, and clever style, and the cheerful absurdism of its storylines, built a loyal enough audience of listeners and critics alike to keep it on the air for 15 years.

Jeff Regan, Investigator was one of the three detective shows Jack Webb did before Dragnet (see also Pat Novak For Hire and Johnny Modero: Pier 23). It debuted on CBS in July 1948. Webb played JEFF REGAN, a tough private eye working in a Los Angeles investigation firm run by Anthony J. Lyon. Regan introduced himself on each show "I get ten a day and expenses...they call me the Lyon's Eye." The show was fairly well-plotted, Webb's voice was great, and the supporting cast were skillful. Regan handled rough assignments from Lion, with whom he was not always on good terms. He was tough, tenacious, and had a dry sense of humor. The voice of his boss, Anthony Lion, was Wilms Herbert. The show ended in December 1948 but was resurrected in October 1949 with a new cast; Frank Graham played Regan (later Paul Dubrov was the lead) and Frank Nelson portrayed Lion. This version ran on CBS, sometimes as a West Coast regional, until August 1950. Both versions were 30 minutes, but the day and time slot changed several times. A total of 29 episodes from this series are in trading currency.

Mystery (1957-1958)ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Great special effects will grab your attention, accented by creepy organ rips. Stories are offered such as death gathered round a card table at a local chapter of The Suicide Club, or a man who desperately tries to hire a 24 hour bodyguard all the while trying to make himself the victim of a murder, and other baffling peculiar tales of yore. Also known as Mystery Time and Mystery Time Classics, this one is sure to excite and mystify.

Richard Diamond, Private Detective was a radio show starring Dick Powell which aired from 1949 to 1953, first on NBC, then ABC and finally on CBS. The title character was a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. The television series was produced by Powell's company, Four Star Television, and that series ran for 3 years from 1957 to 1960. On TV, David Janssen played the hard boiled private eye and his secretary renamed âSamâ, was only ever shown on camera from the waist down, most assurardidly to display her beautiful legs. It was later leared that the legs belonged to Mary Tyler Moore. Original music by Frank DeVol and pete rugolo and later by richard shores. Good scripts, a solid cast and Powellâs exceptional talent made a good time 30 minute program that was quite popular during that Golden Age of Radio. So Letâs sit back now, relax and enjoy this truly otr radio classic.,â, Dick powell as Richard Diamond.., Private Detective.

The unmistakable voice of Bud Flanagan singing 'Who Do You Think You Are Kidding, Mr Hitler?', a cod-Second World War propaganda singalong written especially for the show (by Jimmy Perry), introduced Dad's Army, the zenith of the British broad-comedy ensemble sitcom. Consistently good writing and a wonderful cast of old timers and newer talents combined to produce a whimsical period-piece that continues, justifiably, to be savoured and has now assumed a place in the 'hall of greats' pantheon, adored by new generations of the British public.

Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 PM. Running Monday through Friday, it was an anthology of short stories, each about 20 minutes long. News programs and commercials filled out the full 30 minutes. There was a good bit of science fiction and some of the plots seem to have been taken from the daily newspaper. Fred Foy, of The Lone Ranger fame, was an ABC staff announcer in the early 60s, who, among other duties, did Theater Five.

X Minus One was a science fiction radio series on NBC from April 1955 through January 1958. The show feature stories written by some of the big names in 1950s science fiction, like Ray Bradbury, Robert Heinlein, and Issac Asimov. X Minus One followed another great sci-fi series called Dimension X that was broadcast in 1950-51. Some of the X-1 shows were rebroadcasts of Dim X. For baby boomers that liked The Outer Limits and The Twilight Zone and for all you Trekkies, X Minus One is the forefather of the science fiction you grew up with.

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The programâs lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of Americaâs most famous addresses and Mollyâs warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radioâs best remembered running gags that audiences expected each week.

Charlie Chan was the Chinese detective created by Earl Derr Biggers. Over 40 Charlie Chan movies were done from the early 1930's through 1949, all of which starred non-Chinese actors as Charlie. Supposedly working as a Honolulu police detective, Charlie was almost always somewhere else, like Paris, Rio, LA, even Treasure Islandâbut he did have a wonderful home life, too, with a reported 14 children, including his famous #1, #2 etc. sons, ever intent on helping "pop" solve the case. Still, it's fun to hear ABC radio's daytime serial version of the Hawaiian family man who gave us all a little exotic wit and wisdom while uncovering dishonorable culprit. The other shows are more of "the incomparable" at work. Unfortunately, Chan on radio is very rare, the very opposite of the ubiquitous Charlie Chan movie reruns on TV. This is a mysterious absence even the great Charlie Chan might be needed to solve! Many mystery lovers sniff at Chan. But here's one more from Charlie that might applyâ"Mind, like parachute, only function when open."

Mickey Rooney was six years old when he debuted in a silent film titled "Not To Be Trusted" from 1926, yet it was not his first time on stage. He made an appearance in vaudeville as an infant. As the star in the Andy Hardy radio series, he played a teenager from Centerville, USA and the show was as successful as the 17 Hardy Family feature films made from 1938 to 1959 . In those films, his radio co-stars, Fay Holden and Lewis Stonewere were also featured.

Hope first appeared on television in 1932 during a test transmission from an experimental CBS studio in New York. His career in broadcasting spanned sixty-four years and included a long association with NBC. Hope made his network radio debut in 1937 on NBC. His first regular series for NBC Radio was the Woodbury Soap Hour. A year later The Pepsodent Radio Show Starring Bob Hope began, and would run through 1953. Hope did many specials for the NBC television network in the following decades and these were often sponsored by Chrysler and Hope served as a spokesman for the firm for many years. Hope's Christmas specials were popular favorites and often featured a performance of "Silver Bells" (from his 1951 film The Lemon Drop Kid) done as a duet with an often much younger female guest star (such as Olivia Newton-John or Brooke Shields). His final television special was in 1996 with Tony Danza helping Hope present a retrospective about presidents of the United States.

Arch Oboler (December 7, 1909 - March 19, 1987) was a Chicago-born scriptwriter, novelist, producer and director who was active in films, radio and television. boler generated much attention for his radio scripts, and his work in radio remains the outstanding period of his career. Although some noted a tendency for gruesomeness, he received praise as one of broadcasting's top talents, and he is regarded today as one of the innovators of old time radio.

As John Dunning relates in The Encyclopedia of Old-Time Radio:Benny was remarkable in many ways, but in none more than this: he built a character of every sour ingredient in life, but somehow his real personality trickled through and made it wonderful. Would a real miser act that way before 30 million people each week? The Benny of the air was a fraud, a myth, a creation. It should have surprised no one to learn â after years of toupee jokes that played so well into the vanity theme â that Benny never wore one. He overtipped in restaurants, gave away his time in countless benefit performances, and was lavish in his praise of almost everyone else. "Where would I be today without my writers, without Rochester, Mary Livingstone, Phil Harris, and Don Wilson?" he asked a reporter from Newsweek reporter in 1947. The reporter supplied his own answer, since Benny wasn't about to. "That he himself has handpicked the writers and cast is something that Benny never admits. He dismisses lightly the fact that he directs his own rehearsals, down to the last fine reading of a line. Nor will he ever say that part of his success stems from his own sense of timing and showmanship."

Best Plays presents theatrical paramounts of excellence. It's hosted by the drama critic of New York's Daily News, John Chapman. Dramatic and comedic performances outshine other theater radio shows, greatly performed by such greats as Boris Karloff and Alfred Drake.THIS EPISODE:Henry Fonda returned to films after an eight-year absence in this masterful adaptation of the actor's Broadway hit Mister Roberts. Written and partially directed by Joshua Logan, the film stars Fonda as Lt. Doug Roberts, chief cargo officer of the supply ship "Reluctant." WW2 is in its last few months, and Roberts is itching for combat duty. But the Reluctant's surly, despotic captain (James Cagney), anxious to use Roberts to expedite his own promotion, refuses to sign any of Roberts' transfer requests. Helping to brighten Mister Roberts' humdrum existence are his best friends, Ensign Frank Pulver (Jack Lemmon, in an Oscar-winning performance) and the ship's philosophical doctor (William Powell, in his final film appearance). Most of the laughs are provided by Pulver, officer "in charge of laundry and morale." When he isn't wheeling and dealing to bring a bevy of beautiful nurses on board the Reluctant, Pulver is concocting elaborate schemes to avenge himself against the Captain -- even though he's spent 14 months on the Reluctant without ever meeting his nemesis. The film's highlights include the efforts by Roberts, Pulver, and Doc to mix a bottle of Scotch from Coca-Cola, Iodine, and other vital ingredients; and Mister Roberts' (and later Ensign Pulver's) assertion of manhood by tossing the Captain's precious palm tree overboard. Halfway through shooting, legendary director John Ford was replaced, ostensibly because of illness, by Mervyn LeRoy. One of the finest service comedies ever made, Mister Roberts spawned a less amusing sequel, Ensign Pulver (1964), as well as a 1965 TV sitcom. Hal Erickson.

The Lux Radio Theater. November 28, 1949. CBS network. "Key Largo". Sponsored by: Lux Soap, Spry. An excellent Edward G. Robinson vehicle as a typical gangster. Johnny Rocco is returning to the United States to start his rackets once again. The intermission guest is nineteen year old Debbie Reynolds. Edward G. Robinson, Claire Trevor, Dan Seymour, Debbie Reynolds (intermission guest), Edmond O'Brien, William Keighley (host), John Milton Kennedy (announcer), Louis Silvers (music director), Maxwell Anderson (author), Sanford Barnett (adaptor), Frances Robinson, Herb Butterfield, William Johnstone, Howard McNear, Edward Marr, Harry Lewis, Paul Dubov, Frank Richards, Jay Novello, Lou Krugman, Don Diamond, Dorothy Lovett (commercial spokesman: as "Libby"), Richard Brooks (screenwriter), John Huston (screenwriter), Fred MacKaye (director), Charlie Forsyth (sound effects). 60:19.

Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network, 1934-1935; CBS 1935-1955), adapted first Broadway stage and then (and especially) films to hour-long live radio presentations and became the standard by which future radio and early television anthologies would be judged. Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936 until January 22, 1945. The Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.

The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."

The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.

May 8, 1954. ABC network. "Captain Hackett's Planetoid". Sponsored by: Ralston cereals, Nestle's chocolate (Cosmic Rocket Launcher premium). When an old asteroid miner strikes "wolfenite" ore, Prince Bacaratti grubstakes him for his own evil purposes! Bela Kovacs, Dick Tufeld (announcer), Ed Kemmer, Ken Mayer, Larry Robertson (producer, director), Lou Houston (writer), Lyn Osborn, Mike Devry (executive producer), Mike Mosser (creator), Norman Jolley, Tony Sides. 29:40.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch.THIS EPISODE:Samuel Dodsworth (Walter Huston) is an ambitious automobile designer, who builds his fortunes in Zenith. In addition to his success in the business world, he succeeds in winning the hand of Fran Voelker (Ruth Chatterton), a beautiful socialite. At the age of fifty, he sets out to do what he had always wanted - take a leisurely trip to Europe with his wife. His forty-one year old wife, however, is dissatisfied with married life and wants to live in Europe, not just visit. Passing up advancement in his company, Dodsworth leaves for Europe with Fran. Soon, both Sam and Fran are caught up in vastly different lifestyles. Fran falls in with a crowd of frivolous socialites. Sam meets Edith Cortright (Mary Astor), a woman who is everything his wife is not: self-assured, self-confident, and able to take care of herself. As they follow their own pursuits, their marriage is strained to the breaking point. Both Sam and Fran are forced to choose between marriage and the new lifestyles they have pursued.

"Lost" (6-26-63) and "Battle Of The Monsters" (7-09-63)Journey to the Center of the Earth is an 1864 science fiction novel by Jules Verne (published in the original French as Voyage au centre de la Terre). The story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". They encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy. From a scientific point of view, this story has not aged quite as well as other Verne stories, since most of his ideas about what the interior of the Earth is like have since been proven wrong. However, a redeeming point to the story is Verne's own belief, told within the novel from the viewpoint of a character, that the inside of the Earth does indeed differ from that which the characters encounter. Compared to his previous works, Verne takes a radically different approach to storytelling by making the main character and narrator a 16 year old boy who relates to the events as his own adventures. It is unknown whether this was done under the influence of his publisher Hetzel who wanted to distribute Verne's work as aimed towards growing teens, but the result is quite remarkable. While his previous novel and many of his later works are in fact fictionalized science, this is a grippling story of the adventures of an adolescent boy, the science taking a backdrop against his own experiences.

The Fat Man" premiered on ABC on Monday, January 21, 1946, at 8:30pm, as part of a block of four new programs which also included "I Deal in Crime," "Forever Tops," and "Jimmy Gleason's Diner." "The Fat Man" originated in the studios of WJZ in New York and began as a modestly priced sustainer [no sponsor but the station] vaguely based upon character ideas in Dashiell Hammett's writings and fleshed out by producer, E.J. ("Mannie") Rosenberg. The announcer was Charles Irving. The directors for the program were Clark Andrews, creator of "Big Town," and Charles Powers. The main writer for the series was Richard Ellington, but it was also scripted by Robert Sloane, Lawrence Klee and others. The veteran character actor Ed Begley was featured as Sgt. O'Hara. Regulars on the program included Petty Garde, Paul Stewart, Linda Watkins, Mary Patton as Lila North, and Vicki Vola, also the female lead in "Mr. District Attorney." Amzie Strickland played the ingenue, Cathy Evans, and Nell Harrison played Runyon's mother during the early episodes. The cast also included Dan Ocko, Roily Bester (wife of Alfred Pester, the science fiction writer), and Robert Dryden. An eleven-piece orchestra was on hand to provide live music, and was directed by Bernard Green, who also wrote that memorably stirring theme. The sound effects were by Ed Blaney, who actually did drop a coin in a change slot each week for the sound of the drug store scale." THIS EPISODE:The Fat Man. April 1, 1949. ABC net. "Murder Wins The Draw". Sponsored by: Pepto Bismol, Unguentine. In Mexico, a beautiful woman leans Runyon to Guatemala City and a dead body in a hotel...murdered with a machete! J. Scott Smart, Dick Beals (commercial spokesman), Clark Andrews (director), Bernard Green (conductor), Bryna Raeburn, Charles Irving (announcer), Lawrence Klee (writer), Jean Ellen. 29:30

Crime Classics. August 3, 1953. CBS net origination, AFRS rebroadcast. "Mr. Thrower's Hammer". A gentleman of England in 1804 has bashed in the heads of a father and daughter. Eleven years later, a doubt arises. The program closing has been deleted. See cat. #65754 for a more complete, network version of this broadcast. The program is also known as, "The Dread Events Surrounding Mr. Throwers Hammer." Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), William Johnstone, Eric Snowden, Alistair Duncan, Bob Lemond (announcer), Jay Novello, Joseph Kearns, Paula Winslowe, Tudor Owen. 28:09.

Rearranging Furniture (3-26-59) and Party Invitation Lost (3-27-59)The Couple Next Door was a Peg Lynch series which began in 1953-57 on Chicago's WGN, moving to the Mutual Broadcasting System in the summer of 1957. The married couple was played by Olan Soule and Elinor Harriot. It was revived on CBS Radio (December 30, 1957-November 25, 1960) with Peg Lynch and Alan Bunce as the unnamed married couple---essentially, it reprised Ethel and Albert but the new name was necessitated because Lynch had long since lost the rights to the original title. That still wasn't the end of the show---Lynch and Bunce brought the show to NBC's legendary weekend programming block Monitor in 1963, performing three- to four-minute vignettes not unlike the original fifteen-minute shows. Their presence continued a kind-of Monitor tradition of offering new material from classic radio favourites (including James and Marian Jordan of Fibber McGee and Molly fame, until Marian Jordan's death). Even more, it returned yet again in the 1970s, as a syndicated radio feature known as The Little Things in Life.

In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.THIS EPISODE:Salute to the Marines from Lux Radio Theater aired November 8, 1943 starring Wallace Beery as Sgt. Maj. William Bailey and Fay Bainter as Jenny Bailey. Leatherneck, Wallace Beery, is back in uniform.

Directed by Alfred HitchcockUS 1944, b/w, 96 min.With Tallulah Bankhead, William Bendix, Walter Slezak English and German w/English Subtitles. Based on a story by John Steinbeck, Lifeboat has Hitchcock skillfully blending elements of his trademark psychological thrillers with propaganda for the Allied cause during World War II. The film takes place on a lifeboat, where Allied survivors of a shipwreck caused by a German U-boat struggle to survive. When the group saves a Nazi from the water, tensions begin to mount in the confined space of the small boat. Tallulah Bankhead gives her definitive film performance as a materialistic reporter.

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Donât be caught without this radio show in your collection!

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Donât be caught without this radio show in your collection!

Let George Do It. January 2, 1950. Mutual-Don Lee net. "Needle In The Haystack". Sponsored by: Standard Oil, Chevron. Mr. Ferdinand Vase has had his most valuable possessions stolen...twelves roses! The roses were stolen in Pasadena, just before the Rose Bowl! George Valentine tries to nip a murder in the bud...a thorny problem! Ben Wright, Bob Bailey, Robert Griffin, Bud Hiestand (announcer), Clayton Post, David Victor (writer), Don Clark (director), Eddie Dunstedter (music), Jackson Gillis (writer), Stanley Farrar, Virginia Gregg, Wally Maher, William Conrad. 29:44.

Based on Craig Riceâs (a female crime novelist who rivaled Agatha Christie in book sales) novels of crime drama, Frank Lovejoy (and later Gene Raymond and George Petrie) plays âfictionâs most famous criminal lawyer,â John J. Malone. Mr. Malone is our amazing hero, a Chicago lawyer whose bar is more famous than Cheers. His hobby is collecting clichÃs, and each weeks show is based off of one: cleanliness is next to Godliness, a strong offense is the best defense, seek and ye shall find, and so on. Stories are gripping, from tales of Chicagoâs biggest operator who runs a nightclub and his right hand man, to a man looking for trouble in a hotel and finds it in room 419, to a story of a man who owns the most luscious gambling joint this side of Vegas. So brush up on your one liners, and grab your gun, because youâll want to tune in for this exciting half hour of mystery!

Audition #1 and Audition #2 - Trans-Pacific Matter (8-29-55)Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator that aired from February 11, 1949 to September 30, 1962 on CBS. There were 811 episodes in the 12-year run, and over 720 still exist today. Charles Russell was the first to star as Johnny Dollar, the smart and tough detective who tossed silver dollar tips to bellhops. With the first three actors to play Johnny Dollar there was little to distinguish it from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade).While always a friend of the police,Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected.

Hercule Poirot (pronounced in English [??kyl pwa?o]) is a fictional Belgian detective created by Agatha Christie. Along with Miss Marple, Poirot is one of Christie's most famous and long-lived characters: he appeared in 39 novels and 50 short stories. Poirot has been portrayed on screen, for films and TV, by various actors including Albert Finney, Peter Ustinov, Ian Holm, Tony Randall, Alfred Molina and, most recently, and famously, David Suchet. His character was based on two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired French police officer living in London. A more obvious influence on the early Poirot stories is that of Arthur Conan Doyle. In An Autobiography Christie admits that "I was still writing in the Sherlock Holmes tradition â eccentric detective, stooge assistant, with a Lestrade-type Scotland Yard detective, Inspector Japp."Poirot also bears a striking resemblance to A. E. W. Mason's fictional detective â Inspector Hanaud of the French surete-who, first appearing in the 1910 novel "At the Villa Rose," predates the writing of the first Poirot novel by six years.

Superman is a fictional character and regarded as the most influential and popular superhero of DC Comics. Created by Canadian-born artist Joe Shuster and American writer Jerry Siegel in 1932 and sold to Detective Comics, Inc. in 1938, Superman first appeared in Action Comics #1 (June 1938) and subsequently appeared in various radio serials, television programs, films, newspaper strips, and video games. With a premise that taps into adolescent fantasy, Superman is born Kal-El on the alien planet Krypton, before being rocketed to Earth as an infant by his scientist father moments before the planet's destruction. Adopted and raised by a Kansas farmer and his wife, the child is raised as Clark Kent, and imbued with a strong moral compass. Upon reaching maturity the character develops superhuman abilities, resolving to use these for the benefit of humanity. With the success of his adventures, Superman helped to create the superhero genre and establish its primacy within the American comic book. Superman is widely considered to be both one of the most famous and popular comic book superheroes of all time, and an American cultural icon.

THE PHILS SILVERS SHOW (aka YOU'LL NEVER GET RICH) remains the single most underrated sitcom in television history and that Phil Silvers remains the most underrated comedian in that medium. This is really saying something because the series has indeed received great acclaim over the years. Even so, Silvers is just not given his proper due for creating the Bilko character. As for the jewels in the supporting cast--they are simply terrific in this Nat Hiken creation that surely stands shoulder to shoulder with Jackie Gleason's THE HONEYMOONERS as perhaps the greatest sitcom ever on television. Silvers did not just play Ernie Bilko--he WAS Ernie Bilko! The character of the scheme-driven, gambling-addicted army sergeant forever duping the lovable Col. Hall (Paul Ford) while manipulating his platoon for his personal aggrandizement, is so fast-paced, fresh, and funny that one wonders if BILKO ought not be a stage play.

August 7, 1952. NBC net. "The Case Of The Rolling Stones". Sustaining. Not auditioned. Army Intelligence sends Mike Waring to Sicily, where "some boy is running wild with a knife." They want "The Falcon" to offer him a proposition "he might like to take a stab at." The system cue is added live. Fred Collins (announcer), Bernard L. Schubert (producer, transcriber), Richard Lewis (director), Eugene Wang (writer), Les Damon, Jone Allison, Drexel Drake (creator). 30:55.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.