Boxcars711 Old Time Radio

The theatrical society in U.S.A. is termed as Theatre Guild. Founded in New York City in 1918 by Lawrence Langner (1890-1962) and others, the group proposed to produce high-quality, noncommercial plays. Its board of directors shared responsibility for choice of plays, management, and production. After the premiere of George Bernard Shawâs Heartbreak House in 1920, the Guild became his U.S. agent and staged 15 of his plays. It also produced successful plays by Eugene OâNeill, Maxwell Anderson, and Robert Sherwood and featured actors such as the Lunts and Helen Hayes. It helped develop the American musical by staging Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945); later also producing the radio series Theatre Guild on the Air (1945-53) and even presented plays on television.

RADIO CITY PLAYHOUSE premiered over NBC on July 3rd, 1949 as a half-hour dramatic program representing a different drama on each broadcast. The dramas chosen, according to NBC, were because they were considered âgood dramaâ regardless of the name of the author, the fame of the play, etc. In many instances, original radio plays were used on the series. Director of production and author of some of the original radio plays was Harry W. Junkin. The cast varied according to the script needs but New York radio actors and actresses were used, some of them experienced and others chosen from the best in radio acting newcomers. The overall production for the series was under the supervision of Richard McDonagh, NBC Script Manager. Musical bridges were by Roy Shields and his Orchestra. The announcer was Robert Warren.

This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

Weird 15 minute stories that have a âtwistâ ending. The listener gets a sudden shock, as this time of program should intend to deliver. Actors included Barry Sullivan, Lurene Tuttle and Virginia Gregg, who played Helen Asher in the Richard Diamond detectve series. Director is Frank Danzig. TWO EPISODES:"The Cripple". . Hamilton Whitney syndication. Music fill for local commercial insert. A woman gets married to escape her hated sister. The date is approximate. Marjorie Riordan, Robert Libbott (writer), Frank Burt (writer), Frank Danzig (director). 15:14. Audio condition: Excellent. Complete as above. "Fool's Silver". Hamilton Whitney syndication.Music fill for local commercial insert. An old prospector thinks his mine is filled with pure silver! The date is approximate. Barry Sullivan, Frank Burt (writer), Frank Danzig (director), Robert Libbott (writer). 14:58. Audio condition: Excellent. Complete as above.

The Casebook of Gregory Hood, starring Gale Gordon in the title role, took over where Sherlock Holmes had left off. Sponsored by Petri wine, it used the same "weekly visit" format and the same team of Anthony Boucher and Dennis Green that had written The New Adventured of Sherlock Holmes. Gregory Hood was modelled after true-life San Francisco importer Richard Gump, and many of the stories revolve around a mystery surrounding some particular imported treasure.Hood's sidekick Sanderson "Sandy" Taylor was played by Bill Johnstone. The show aired from June, 1946 through August, 1950. There were an additional couple of shows aired in October 1951. Hood and Sanderson were played in later episodes by Elliott Lewis and Howard McNear, respectively.

The Blue Beetle had a relatively short career on the radio, between May and September of 1940. Motion picture and radio actor Frank Lovejoy was the Blue Beetle for the first 13 episodes, while for the rest of the shows, the voice was provided by a different, uncredited actor. The Blue Beetle was a young police officer who saw the need for extra-ordinary crime fighting. He took the task on himself by secretly donning a superhero costume to create fear in the criminals who were to learn to fear the Blue Beetle's wrath. The 13-minute segments were usually only two-parters, so the stories were often more simple than other popular programs, such as the many-parted Superman radio show.

Bob Bailey played George Valentine as a detective handy man, who got his jobs from responses to a newspaper ad. Part-time detective and writer Dan Holiday in Box 13 also used the premise. It pays to advertise! The shows follow the usual formats of crime caper shows, with toughs, mysterious rendezvous and people who aren't who they say they are. Francis Robinson first played Brooksie, then Virginia Gregg took the role through its best years. Both ladies played Brooksie smart and sassy. Brooksie took every occasion to make it clear to George that the case he was the most off base on was the "Case of the Missing Engagement Ring."

The Adventures of Frank Race, by Bruce Ells Productions, was first heard in May of 1949. The main character, Frank Race, was an attorney before World War II. As a result of his activities in the war, when it was over, he traded his law books for a career with the OSS. There, "Adventure" became his business. Tom Collins played the role of Frank Race initially, immediately following his stint as Chandu, The Magician. The lead role was taken over later by Paul Dubof.

Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.

When someone mentions the name "Perry Mason" the first image that runs through their mind is of a lawyer who unmasks murderers and crooks in the courtroom. Even though the television Perry Mason is the one everyone remembers, the original Perry Mason, whose derivation came from radio, is a lot different. The Perry Mason of radio would rather swap gunshots with evildoers than sit in a boring courtroom, waiting for the deliberation! Geared more towards action than courtroom drama, Perry Mason ran 12 seasons and later led to the development of the now-popular Raymond Burr television show, which started in the late 1950's.

The Screen Guild Theater boasted some of the greatest all-star casts ever assembled for radio. Nearly every major film star lined up to perform in Screen Guild's half-hour movie adaptations because they knew it was for a good cause: All talent fees went to the Motion Picture Country House for aging and indigent film actors.THIS EPISODE:Nick Smith, the middle-aged proprietor of a roadside restaurant, hires drifter Frank Chambers as a handyman. Frank eventually begins an affair with Nick's beautiful wife Cora, who talks Frank into helping her kill Nick, by "accident." But the best laid plans...... Written by Jim Beaver {[email protected]}

Blackie was a tough, wisecracking private detective working in New York, billed as "enemy to those who make him an enemy, friend to those who have no friend." His speciality was making fools of the police, a simple task with Inspector Farraday heading the official investigations. "An enemy to those who call him an enemy, a friend to those who have no friends." Boston Blackie is a reformed jewel thief who is never far from trouble. Inspector Farraday of the homicide squad tries to pin Blackie for the crime in every episode. To save his own skin, with the help of his girlfriend Mary and sidekick Shorty, Blackie ends up solving the case.

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers).

The unmistakable voice of Bud Flanagan singing 'Who Do You Think You Are Kidding, Mr Hitler?', a cod-Second World War propaganda singalong written especially for the show (by Jimmy Perry), introduced Dad's Army, the zenith of the British broad-comedy ensemble sitcom. Consistently good writing and a wonderful cast of old timers and newer talents combined to produce a whimsical period-piece that continues, justifiably, to be savoured and has now assumed a place in the 'hall of greats' pantheon, adored by new generations of the British public.

ROCKY JORDAN was the title character of one of the better and more exotic radio detective series. In fact, it's one of the best detective series I have ever heard. The series had two separate incarnations. The first, A Man Named Jordan, started as a daily 15 minute show and after about six months changed to a weekly 30 minute show. It took place in Istanbul and the Cafe was described as "a small restaurant in a narrow street off Istanbul's Grand Bazaar, permeated with by the smoke of Oriental tobacco, alive with the babble of many tongues, and packed with intrigue." The second incarnation, Rocky Jordan, was a weekly 30 minute series took place in Cairo - "the gateway to the ancient East where adventure and intrigue unfold against the backdrop of antiquity." Jordan was a hard-boiled owner of the Cafe Tambourine who spent most of his time solving mysteries that he usually became involved in by accident. During the Cairo-based run, he often encountered Captain Sam Sabaaya of the Cairo police. John Dunning in his "On The Air: The Encyclopedia of Old Time Radio" describes Jordan as "a rugged hero who each week was confronted by a crime, a mystery, a beautiful woman or a combination of the three. It was a detective show with a difference: the Oriental background was played to the hilt, giving it a sound like no other."

"I am the Whistler and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak..." These words followed by a whistling that was distinctive and well-remembered recalls one of the best mystery crime series of the past. Eminating for all its life from the West Coast this broadcast had a run of almost 13 years. Aired over the CBS radio network it was sponsored for much of the time by the Signal Oil Co. The show first broadcast its fantastic thirty-minute crime mystery series in May 1942 and did not finish until September 1948. There were more than 450 shows of murder and intrigue in all. Although it ran for 6 years it was broadcast for only one year on a national network. The show opened to the sound of footsteps and an eerie whistle, which went on throughout the introductory music. The Whistler always began the show with the opening lines; I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak??

Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 PM. Running Monday through Friday, it was an anthology of short stories, each about 20 minutes long. News programs and commercials filled out the full 30 minutes. There was a good bit of science fiction and some of the plots seem to have been taken from the daily newspaper. Fred Foy, of The Lone Ranger fame, was an ABC staff announcer in the early 60s, who, among other duties, did Theater Five.

Zero Hour - Desperate Witness (Aired December 14, 1973) Show 5 of A 5 Part SeriesThe Zero Hour was a 1973-74 radio broadcast hosted by Rod Serling. The Zero Hour featured well known actors and actresses.

Inner_Sanctum Inner Sanctum Mysteries was a popular old-time radio program that aired from January 7, 1941 to October 5, 1952. Created by Himan Brown, the anthology series featured stories of mystery, terror and suspense. The tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. A total of 526 episodes are known to have been produced. Great actors, a spooky organ and chilling sound effects presented by a creepy, rib-tickling host, was a strange brew indeed. Inner Sanctum did it in spades! To this day the show remains a wonderful "guilty" pleasure of many old time radio fans, who listened back then when these shows first fired the imaginations of all but the most jaded.

NBC University Theater is an unusual series that focused on reenacting novels by great authors for college classes. Many accredited American universities such as Washington State College, University of Louisville, and University of Tulsa, used this dramatic series as a supplement to correspondent college courses. The series' creators made study guides to accompany the courses. Students studying great literature by Steinbeck, Faulkner, Hemingway, Huxley, and many others listened to these shows every week. It was an ambitious series that remained popular despite its academic and non-commercial appeal. The shows are high quality and will please many fans of great literature.

Yours Truly, Johnny Dollar was a radio drama about a freelance insurance investigator that aired from February 11, 1949 to September 30, 1962 on CBS. There were 811 episodes in the 12-year run, and over 720 still exist today. Charles Russell was the first to star as Johnny Dollar, the smart and tough detective who tossed silver dollar tips to bellhops. With the first three actors to play Johnny Dollar there was little to distinguish it from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade).While always a friend of the police,Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were protected.

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s.The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker." "Living the life of Riley" suggests an ideal life of prosperity and contentment, possibly living on someone else's money, time or work. Rather than a negative freeloading or golddigging aspect, it instead implies that someone is kept or advantaged. The expression was popular in the 1880s, a time when James Whitcomb Riley's poems depicted the comforts of a prosperous home life [1], but it could have an Irish origin: After the Riley clan consolidated its hold on County Cavan, they minted their own money, accepted as legal tender even in England. These coins, called âO'Reillysâ and âReilly's,â became synonymous with a monied person, and a gentleman freely spending was âliving on his Reillys.â Thus, the radio-TV title has an ironic edge.

Zero Hour - Desperate Witness (Aired December 13, 1973) Show 4 of A 5 Part SeriesThe Zero Hour was a 1973-74 radio broadcast hosted by Rod Serling. The Zero Hour featured well known actors and actresses.

The Screen Guild Theater boasted some of the greatest all-star casts ever assembled for radio. Nearly every major film star lined up to perform in Screen Guild's half-hour movie adaptations because they knew it was for a good cause: All talent fees went to the Motion Picture Country House for aging and indigent film actors.EPISODE: Cary Grant Katharine HepburnJames Stewart The Philadelphia Story has become such a classic that even the musical remake High Society doesn't try to copy it, it just presents a softer musical alternative. But I'd kind of liked to have seen Hepburn do this with her original cast as well. Oscars were in the future for Van Heflin and Shirley Booth and Joseph Cotten the following year made his debut in the biggest film of all.

Zero Hour - Desperate Witness (Aired December 12, 1973) Show 3 of A 5 Part SeriesThe Zero Hour was a 1973-74 radio broadcast hosted by Rod Serling. The Zero Hour featured well known actors and actresses.

By age 13, Young had become a radio performer, and by age 17, he was writing and performing in his own radio show for the Canadian Broadcasting Corporation. The show was broadcast in the U.S. and led to an invitation to New York in 1944, as a summer replacement for Eddie Cantor, which resulted in Young getting his own radio show, orininally broadcast from New York and later from Hollywood. While initially gaining success on his "Alan Young Radio Show," Young's popularity waned as he lost control over his show's scripts and radio was being replaced by television. When his radio show was cancelled in 1947, Young decided to put together a comedy act and tour the U.S. theater circuit, playing such houses as the Chicago Theatre, the Fox in Detroit, and the Strand on Broadway.

John Brown as " Broadway " takes the listener with him to the inside world of some the Big Apple's toughest, but yet charming offenders. Solid radio professionals played the regular characters on the show with the strange sounding names. There was Harry the Horse, Dave the Dude (William Conrad, Matt Dillon on Gunsmoke), and Sorrowful Jones (Gerald Mohr, Philip Marlowe). Anne Whitfield played Little Miss Marker. Occasional parts were taken by well-known actors like Frank Lovejoy (Nightbeat), Jeff Chandler (Mr. Boynton on Our Miss Brooks), Hans Conried and Parley Baer (Chester on Gunsmoke).

BBC SERIAL PRODUCED BY & STARS: George Edwards, complete in 52 fifteen minute episodes. Written by Warren Berry, the story line contains a mysterious Aztec necklace, pirates, intrigue, plots and counter plots. Very interesting, and is set in the Carribean. Morgan is accused of stealing an Aztec Necklace# 1 Morgan Accused Of Stealing An Aztec Necklace # 2 Kitty, Taken By The Necklace, Wants It # 3 Morgan Offered A Deal By The Governor# 4 Morgan Starts To Assemble His Fleet

Life with Luigi was a radio comedy-drama series which began September 21, 1948 on CBS. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived television version in 1952, and was later replaced by Vito Scotti. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma. The show was often seen as the Italian counterpart to the radio show The Goldbergs, which chronicled the experience of Jewish immigrants in New York.

Zero Hour - Desperate Witness (Aired December 11, 1973) Show 2 of A 5 Part SeriesThe Zero Hour was a 1973-74 radio broadcast hosted by Rod Serling. The Zero Hour featured well known actors and actresses.

The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons nÃe Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who lives in Chicago and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both? Written by J. Spurlin

Adventures of Sam Spade â 1946-1951 Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou Gerson.

Zero Hour - Desperate Witness (Aired December 10, 1973) Show 1 of A 5 Part SeriesThe Zero Hour was a 1973-74 radio broadcast hosted by Rod Serling. The Zero Hour featured well known actors and actresses. The stories were exciting and action-packed and will keep you on the edge of you seat, as we approach the Zero Hour. The 5-part series was syndicated by Mutual and the programs were allowed to be aired when convenient. Therefore, broadcast dates vary around the country. This section of the log is listed in Mutual's suggested ordering. Broadcast dates start on the premier date and continue until completion without break. The single-part show broadcast dates were more tightly defined by Mutual.

Dramatic IntrigueFIRST BROADCAST: October 14, 1951LAST BROADCAST: May 28, 1952NBC, 30 min. "This is Douglas Fairbanks, Jr.... In a moment, it will be my pleasure to introduce to you stories of the Silent Men, the special agents of federal law-enforcement who silently, and for little material reward, daily risk their lives to protect the lives of all of us. Their tradition is long and proud, yet to guard our welfare and our liberties, they must remain nameless..." Douglas Fairbanks, Jr. played the parts of "special agents. At each episode, Fairbanks checked in with his chief, played by either William Conrad or Herb Butterfield.

This hit radio series with Marie Wilson ran on CBS Radio from April 11, 1947 to August 23, 1954. The TV version, seen on CBS from January 8, 1952 until June 25, 1954, was the first series telecast from the CBS Television City facility in Hollywood. The movie My Friend Irma (1949) starred Marie Wilson and Diana Lynn but is mainly remembered today for introducing Dean Martin and Jerry Lewis to moviegoers, resulting in even more screen time for Martin and Lewis in the sequel, My Friend Irma Goes West (1950).

Whitehall 1212 is a crime drama featuring cases from New Scotland Yard's "Black Museum". Unlike the show starring Orson Welles, however, this series was done with the official support of The Yard and tries to downplay the sensational aspects of thes cases and highlight the rigorous police work that went into solving them.THIS EPISODE:Whitehall 1212. September 28, 1952. NBC net. Sustaining. The last show of the series. An electric torch is in the "Black Museum" because it made an excellent wepon. A drunkard has been killed, by a man in love with the alcoholic's wife. It sounds as if the announcer had some fun with the writer-director of the program and pronounced his name at the very end of the show "Wyllis Cuckoo." Percy Hoskins (research), Wyllis Cooper (writer, director), Horace Braham, Lester Fletcher, Harvey Hayes, Cathleen Cordell, Maurice Delamore, Carl Harburg, Florence Sears. 29:32.

The Lone Ranger was a long-running early radio and television show based on characters created by George W. Trendle, and developed by writer Fran Striker. The titular character is a masked cowboy in the American Old West, who gallops about righting injustices, usually with the aid of a clever and laconic American Indian called Tonto, and his horse Silver. He would famously say "Heigh-ho Silver, away!" to get the horse to gallop.

On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. This format continued until 1935 when creative differences between Street & Smith and NBC called a halt to the Shadow on the air. On September 26, 1937, the Shadow reappeared on radio with the voice of Orson Welles playing the part. The Shadow was now a full-fledged character on radio, not just narrating and introducing stories. The Shadow had an identity as Lamont Cranston, a wealthy man about town. He was accompanied by Margo Lane, originally played by Agnes Moorehead. Margo Lane was the only person who knew that Lamont Cranston and the Shadow were one and the same. No other agents assisted the Shadow, as did in the Walter Gibson fictional accounts. This radio Shadow had hypnotic power to make himself invisible to those around him and he possessed mental telepathy to read minds. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

Mr. TelevisionIn 1948, NBC decided to bring Texaco Star Theater from radio to television, with Berle as one of the show's four rotating hosts. For the fall season, NBC named Berle the permanent host. His highly visual, sometimes outrageous vaudeville style proved ideal for the burgeoning new medium. Berle and Texaco owned Tuesday nights for the next several years, reaching the number one slot in the Nielsen ratings and keeping it, with as much as an 80% share of the recorded viewing audience. Berle and the show each won Emmy Awards after the first season. Berle is credited for the huge spike in the sale of TV sets during the medium's early years. After Berle's show began, set sales more than doubled, reaching two million in 1949. His stature as the medium's first superstar earned Berle the sobriquet "Mr. Television." [3] He also earned a slightly more familiar nickname after ending a 1949 broadcast with a brief ad lib remark to children watching the show: "Listen to your Uncle Miltie and go to bed."

Throughout the early 1940's on American Radio, Basil Rathbone and Nigel Bruce performed as Holmes and Watson, respectively, in several series of canonical and original Sherlock Holmes stories. When Rathbone finally departed the role before the 1947 season, Tom Conway played Sherlock Holmes opposite Nigel Bruce for one season. After a change of networks, there were two more pairings: John Stanley as Holmes and Alfred Shirley as Watson in 1947-1948 and John Stanley and Ian Martin in 1948-1949. The stories were written by Edith Meiser, a self-confessed Holmes addict. At first she used Arthur Conan Doylesâ original stories, but, after the series outlived the original material, she created her own new stories. These were so well written that she was warmly praised by Arthur Conan Doyleâs widow and son. First broadcast date October 20, 1930. Last broadcast date September 4, 1956.

The CBS Radio Mystery Theater was an ambitious effort by veteran radio producer Himan Brown to revive interest in American radio drama. Every night from 1974 to 1982, host E. G. Marshall (later Tammy Grimes) ushered listeners through a creaking door -- similar to the one Brown used on Inner Sanctum decades earlier -- for an hour of âthe fear you can hear.â Actors were paid union scale at around $73.92 per show. Writers earned a flat rate of $350.00 per show. The production took place with assembly-line precision. Brown would meet with actors at 9:00 AM for the first reading of the script. He would then assign roles and recording would begin. By noon the recording of the actors was complete and Brown handed everyone their checks. Post-production would take place in the afternoon. In 1975, CBSRMT won the prestigious Peabody Award, and in 1990 it was inducted into the Radio Hall of Fame. In 1998, the still-active Brown attempted a brief revival of the series, rebroadcasting selected old episodes with his own introductions replacing Marshall's.

"Yesterday's Secret Weapon" (3-09-43) and "The King Of Ice" (2-16-43)A wonderfully informative old time radio series can be found in Adventures In Research. With tales that are not only wonderfully dramatic, but at the same time extremely interesting and entertaining. Adventures In Research offers the listener accounts in American scientific research history. You will be enthralled, as will your children. Best of all, in regards to providing a great educational tool for children, the episodes are made for their attention span, and run approximately fifteen minutes. Series ran from the early 1940's -mid 1950's. HOST: Paul Shannon.

As you walk through the creaking door you enter into another world, the world of imagination. This world is inside you, a part of you, and you take this journey alone. Each person hears and then sees with his or her mind's eye the events portrayed within these dramas. All of us interprets what they hear differently. The images we see is unique to ourselves. A voice becomes a person, living, breathing they come alive. They take on a physical form and characteristics that we assign to them. The wonders of your own mind are boundless. Scary thoughts? Perhaps, but what powers they bring us! To exercise one's imagination is to exercise one's soul. These dramas provide us with an escape from reality. To adventures beyond our own lives. Enjoy them. And pleasant dreams!

The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as THE true adult western and one of the finest old time radio shows.

Hop Harrigan first appeared in All American Comics #1 created by Jon Blummer (Fighting Yank, Little Boy Blue) as one of the first successful aviation heroes in comic history (Hop appeared after Tailspin Tommy, Barney Baxter, Connie Kurridge and others). Hop Harrigan was technically not a true superhero (as he had no costume or special powers) though he did meet the Justice Society of America in All American Comics #8 and he did eventually become a superhero from All American Comics #25 (April 1941) to #28 (July) as the costumed Guardian Angel.

I Deal in Crime ran for almost two years on ABC network radio and starred the very capable radio and Hollywood actor, William Gargan. In this, one of his many PI radio series (heâs best known, of course, for his role as Martin Kane), Gargan played Ross Dolan, described as a veteran detective who returned to his sleuthing job after his WW II service as a sailor. Or as Dolan puts it, âa hitch in Uncle Sugarâs Navy.â

A Question Of Discipline adapted for radio aired on October 31, 1957. The Real McCoys was a situation comedy that aired on the ABC network from 1957 through 1962. It aired for one more season on CBS before its end in 1963. The series revolved around the lives of a mountain family who originally hailed from West Virginia. The McCoys moved to California where they became dirt farmers. The family consisted of Grampa Amos McCoy, the head of the family played by Walter Brennan, his grandson Luke played by Richard Crenna, Luke's new bride Kate played by Kathleen Nolan, teenage sister Hassie played be Lydia Reed, and 11-year-old brother Little Luke played by Michael Winkelman. The Real McCoys paved the way for such rural hits as The Beverly Hillbillies and The Andy Griffith Show.

ESCAPE opened with the gripping voice of William Conrad booming out over the airwaves: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you - ESCAPE!". Moussorgsky's "Night on Bald Mountain", the show's theme, assisted Conrad in creating the right opening atmosphere. (The actual series of questions used in the opening varied from week to week, frequently to match the goings-on of the times.) Over its long run, narriators included William Conrad, Paul Frees, Jack Webb, John Dehner, Jay Novello, Joan Banks, Stacy Harris, Georgia Ellis, Ben Wright and Will Geer. The show featured spine-tingling tales from such masters as Joseph Conrad, Arthur Conan Doyle and Edgar Allen Poe. It was produced by William N. Robeson, and featured many seasoned radio actors. ESCAPE was heard on CBS from July 1947 to September 1954. First Show: July 7, 1947 Last Show: Sep 23, 1954. There were two pilot shows before it's first run. The first pilot was OUT OF THIS WORLD: "Dead of Night" on February 28, 1947. This show was repeated as ESCAPE: "Dead of Night" on March 21.

THE SECRET WORD IS "HAND"Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes. Another mainstay of these question and answer segments was the paper mache duck that would descend from the ceiling with one hundred dollars in tow whenever a player uttered the "secret word." The quiz show aspect of "You Bet Your Life" was always secondary, to the clever back-and-forth between host and contestant, which found Groucho at his funniest. It's in these interview segments that "You Bet Your Life" truly makes its mark as one of early television's greatest programs. Directed by: Robert Dwan.

Authorâs Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator: Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc.