Boxcars711 Old Time Radio

Dangerous Assignment first aired in 1949. Brian Donlevy played the lead as Steve Mitchell in this international spy series. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. The director was Bill Cairn and the writer for the series was Robert Ryf.

Barry Craig(AKA Barry Crane" and then "Barrie Craig)Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality." Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearly sixty episodes are in trading circulation today.

The Jack Benny Program is a classic comedy that is truly one of the best-loved programs from the Golden Age of Radio. It started life as The Canada Dry Program in 1932 on the Blue Network and finished off as The Lucky Strike Program on CBS in 1955. In between, it kept the audience in stitches and established Benny as one of America's all-time great comedians.

Nick Carter, Master Detective - Nick Carter is the name of a popular fictional detective who first appeared in in a dime novel entitled "The Old Detective's Pupil" on September 18, 1886. In 1915, Nick Carter Weekly became Street & Smith's Detective Story Magazine. Novels featuring Carter continued to appear through the 1950s, by which time there was also a popular radio show, Nick Carter, Master Detective, which aired on Mutual from 1943 to 1955. Nick Carter first came to radio as The Return of Nick Carter. Then Nick Carter, Master Detective, with Lon Clark in the title role, began April 11, 1943, on Mutual, continuing in many different timeslots for well over a decade. Jock MacGregor was the producer-director of scripts by Alfred Bester, Milton J. Kramer, David Kogan and others. Background music was supplied by organists Hank Sylvern, Lew White and George Wright. Patsy Bowen, Nick's assistant, was portrayed by Helen Choate until mid-1946 and then Charlotte Manson stepped into the role. Nick and Patsy's friend was reporter Scubby Wilson (John Kane). Nick's contact at the police department was Sgt. Mathison (Ed Latimer). The supporting cast included Raymond Edward Johnson, Bill Johnstone and Bryna Raeburn. Michael Fitzmaurice was the program's announcer. The series ended on September 25, 1955. Chick Carter, Boy Detective was a serial adventure that aired weekday afternoons on Mutual. Chick Carter, the adopted son of Nick Carter, was played by Bill Lipton (1943-44) and Leon Janney (1944-45). The series aired from July 5, 1943 to July 6, 1945.

Hollywood Radio Theater (Lux), one of the genuine classic radio anthology series (NBC Blue Network, 1934-1935; CBS 1935-1955), adapted first Broadway stage and then (and especially) films to hour-long live radio presentations and became the standard by which future radio and early television anthologies would be judged. Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936 until January 22, 1945. THIS EPISODE:The President's Lady from Hollywood Radio Theater aired on September 28, 1953 starring Charlton Heston and Joan Fontaine. Based on the novel by Irving Stone this is the story of one of the most vicious rumor campaigns in American political history. It is the story of how the love of the life of our seventh President was destroyed by these rumors, which were based on half-truths. Without question one of the great romances of all time.

Half-hour drama, sometimes comedy, often very exciting and suspenseful. The cast were made up of New York veterans of radio and stage, including Jan Minor and John Larkin as featured performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.

The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear!

Robert A. Arthur was the writer of these grisly, macabre fifteen-minute thrillers. Maurice Tarplin played Dr Weird, the narrator of these fantastic tales. The closing line was always the same: âOh, you have to leave now â too bad! But perhaps youâll drop in on me again soon. Iâm always home. Just look for the house on the other side of the cemetery â the house of Dr Weird!âTWO EPISODES:January 30, 1945. Program #13. Mutual network aircheck, syndicated on an RCA transcription. "The Man Who Lived Twice". Sponsored by: Adam Hats, one commercial added live. A mad scientist undergoes a genuine brain transplant! The program may be dated April 17, 1945. The program closing is added locally or has been deleted. . 11:59February 6, 1945. Program #14. Mutual network. "The Dark Wings Of Death". Sponsored by: Adam Hats. A married couple decides to kill an eccentric uncle for his money, but his pet Raven poses a problem. . 15 minutes.

Adventures of Superman â 1938-1951Cooked Oil Association (Episodes 1,2,3,4, - Complete)This juvenile adventure series was first broadcast on Mutual in 1940 with Clayton (Bud) Collyer starring as Superman/Clark Kent. It first began as a fifteen-minute show but later, in 1949, it moved to ABC as a thirty-minute Saturday show with Michael Fitzmaurice as Superman. At the end of its thirteen-year run it had totalled over 1600 episodes. The opening for the show was one of radioâs best, setting the stage for those flights into fantasy with a cascade of voices, narration and sound effects. âFaster than a speeding bullet! More powerful than a locomotive! Able to leap tall buildings at a single bound!â âLook! Up in the sky!â âItâs a bird!â âItâs a plane!â âItâs Superman!

From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast.

MAN FROM HOMICIDE 1951 ABC show with Dan Duryea Lieutenant Lou Dana, the man from homicide. tracks the killer of an 18 year old drug addict. Before an arrest could be made, 2 others met their death at the hands of the killer. Dan Duryea stars in this action packed series heard on ABC. Unfortunately, it appears that only 4 episodes still exist. Well written, well acted.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: âTired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!â Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze.

Dangerously Yours eventually became Matinee Theater.The show was produced by Nick Dawson, directed bgy Richard Sanville and written by Jean Holloway. Music was by The Mark Warnow Orchestra and was sponsored by Vic's nose drops, vapor rubs, and other great products by the Vic Chemical Company, this collection contains all known episodes in existence of the short-run series of 1944, Dangerously Yours. Hollywood star, Victor Jory, was the primary herostarring in story adaptation of pirates, espionage, adventure and romance. The series was later renamed in October 1944 to Matinee Theater.

THE WEIRD CIRCLE presented 30 minute tales of horror, frequently inspired by classic horror or ghost stories, frequently done by French authors. It opened with the sound of the surf and the chant-like opening, "In this cave by the restless sea, we are met to call from out of past, stories strange and weird. Bell keeper, toll the bell, so that all may know that we are gathered again in the Weird Circle". The show was heard on Mutual stations November, 1943 through October, 1947 and very briefly in September/October of 1947 on ABC.

The General Mills Radio Adventure Theater was a 1977 anthology radio drama series with Tom Bosley as host. Himan Brown, already producing the CBS Radio Mystery Theater for the network, added this twice-weekly anthology radio drama series to his workload in 1977. It usually aired on weekends on stations which cleared it.General Mills's advertising agency was looking for a means of reaching children that would be less expensive than television advertising. Brown and CBS were willing to experiment with a series aimed at younger listeners, reaching that audience through ads in comic books. Apart from Christian or other religious broadcasting, this may have been the only nationwide attempt in the U.S. in the 1970s to air such a series. General Mills did not continue as sponsor after the first 52 weeks, and the series then repeated the 52 shows as The CBS Radio Adventure Theater.

2000 AD (2000 Plus) is known as the first of the network science fiction shows, although it ran on Mutual just a month prior to the introduction of the landmark series, Dimension X. It was a half hour of science fiction wonder in an exciting package. The stories have a charm that is always present in science fiction of the future that is written in the past. "When The Worlds Met" takes place "at the giant space port in Washington, temporary capitol of the federated world government as in April 21, 2000 Plus 20 (2020) crowds throng as audio and televox networks cover a space ship carrying in its space hold the first load of uranium taken from the pits of Luna, satellite of Earth.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Pat Novak, For Hire Pat Novak, For Hire â 1949-1950CAST: Jack Webb, Tudor Owen, John Galbraith, Raymond Burr ANNOUNCERS: George Fenneman PRODUCERS/DIRECTORS: William P Rousseau MUSICAL DIRECTOR: Buzz Adlam WRITERS: Richard Breen ORCHESTRA: Basil Adlam Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.

The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.

Mystery (1957-1958)ABC Mystery Time was hosted by Don Dowd and starred Sir Laurence Olivier. Great special effects will grab your attention, accented by creepy organ rips. Stories are offered such as death gathered round a card table at a local chapter of The Suicide Club, or a man who desperately tries to hire a 24 hour bodyguard all the while trying to make himself the victim of a murder, and other baffling peculiar tales of yore. Also known as Mystery Time and Mystery Time Classics, this one is sure to excite and mystify.THIS EPISODE:ABC Mystery Time. ABC net. "Death Walked In". Not auditioned. The program is also known as, "Masters Of Mystery." Ann Loring, William Johnstone, Peggy Allenby, Don Dowd (host), Frank Butler, Clark Andrews (producer), Ronald Dawson (producer), Robert A. Arthur (producer). 22:47

Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who created the show, Ed Gardner.

NIGHTFALL was a horror series heard over the Canadian Broadcasting Corporation first from July 4, 1980 to May 22, 1981 and then from November 20, 1981 to June 24, 1983. Thirty shows were selected from the first season to be rebroadcast on NPR from October 2, 1981 to June 25, 1982. Since it is a fairly modern series, most shows are available in stereo. Because it's a modern series, it's not widely available (copyright issues). This show may be the most horrifying series ever done. It was so terrifying, that many stations refused to play it or had to cancel the broadcasts due to listener complaints. This is a well done series and well worth searching for sources.

Hercule Poirot is a fictional Belgian detective created by Agatha Christie. Along with Miss Marple, Poirot is one of Christie's most famous and long-lived characters: he appeared in 39 novels and 50 short stories. Poirot has been portrayed on screen, for films and TV, by various actors including Albert Finney, Peter Ustinov, Ian Holm, Tony Randall, Alfred Molina and, most recently, and famously, David Suchet. His character was based on two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired French police officer living in London. A more obvious influence on the early Poirot stories is that of Arthur Conan Doyle. In An Autobiography Christie admits that "I was still writing in the Sherlock Holmes tradition â eccentric detective, stooge assistant, with a Lestrade-type Scotland Yard detective, Inspector Japp."Poirot also bears a striking resemblance to A. E. W. Mason's fictional detective â Inspector Hanaud of the French surete-who, first appearing in the 1910 novel "At the Villa Rose," predates the writing of the first Poirot novel by six years.

Orson Welles hosted and narrated the shows. Mr. Welles opened each show slightly differently but followed a standard format. For example, the show, "The Bathtub", open as follows:"This is Orson Welles speaking from London." (Big Ben starts chiming in the background). "The Black Museum, repository of death... Here, in this grim stone structure on the Thames which houses Scotland Yard, is a warehouse of homocide, where everyday objects, a piece of wire, a chemist's flask, a silver shilling, all are touched by murder." (dramatic music) Following the opening, Mr. Welles would introduce the museum's item or items of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater of the Air, remaining "obediently yours".

Frank Lovejoy stars as Randy Stone, a toughened, street-wise Chicago Star reporter working the Nightbeat in the early 1950's. Sometimes the capers are cops and robbers. Or just normal people in trouble. Sometimes they deserve it. Sometimes fate twists their arm. Sometimes they're just too scared or confused to know the difference. Lovejoy is a seasoned pro of radio and film with an honest, gripping delivery. Solid supporting casts, good writing and direction.

Curtain Time, like First Nighter, presented romantic drama in a theater setting complete with the announcer shouting, âTickets please, thank youâ. The shows announcer was Harry Halcomb who was later known best for his appearances on the 60 minutes television show. Great scripts and superb acting, Curtain Time is truly an Old Time Radio Classic.

Let us journey âinto the land that lies beyond midnight,â into a world of ghost hunters, men going mad, and DEATH DEATH DEATH! Written by the masterful Michael McCabe, these well-done South African radio shows will capture your attention and keep you up listening to them well beyond midnight.

In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956THIS EPISODE:Sorry, Wrong Number is a 1948 suspense film which tells the story of a woman who overhears a plot for murder. It stars Barbara Stanwyck, Burt Lancaster, Ann Richards, Wendell Corey, Ed Begley, Leif Erickson and William Conrad. The film was adapted by Lucille Fletcher from her radio play. Stanwyck plays Leona Stevenson, a spoiled, bedridden daughter of a millionaire. The telephone is her sole connection with the outside world. One day, while listening to what seems to be a crossed phone connection, she eavesdrops on two men planning a woman's murder. Leona calls the phone company and police, only to be ignored. Adding to Leona's dilemma is the fact that her husband Henry (Lancaster) is missing. After a number of phone calls, the terrorized Leona begins to piece together the mystery. Her uneducated husband, who works for her wealthy father, turns out to be not all he seems. She finally realizes that she is the intended victim.

The initial series was on NBC Radio from July 20 - October 12, 1935. It then aired on CBS from January 15, 1936 to June 15, 1940, sponsored by Colgate-Palmolive and Cue magazine. From October 11, 1940 to December 25, 1948, it was heard on the Blue Network, with various sponsors that included Sloan's Liniment, Waterman pens and Tide. Returning to CBS on January 8, 1949, it ran until June 25, 1955, sponsored by Grape-Nuts and Wrigley's chewing gum. The final series was on the Mutual Broadcasting System from October 5, 1955 to November 27, 1957. It was once narrated by Norman Schwarzkopf, Sr., former head of the New Jersey State Police. The radio series was adapted for DC Comics, Big Little Books and a 1942 movie serial. The 1952 Gang Busters TV series was reedited into two feature films, Gang Busters (1954) and Guns Don't Argue (1957).

First heard on Mutual featuring Elliott Lewis, who as Leonard Maltin writes in "The Great American Broadcast, "âwore every hat imaginable-actor, producer, and director-also penned a good number of scripts for series he supervised, including Suspense." And Maltin says of this show, "On the terrific late-1940's high-adventure series The Voyage of the Scarlet Queen he held down both jobs simultaneously as director and star." As Maltin continues, âLewis had the ability to make you believe whatever he said. Cast as the skipper on the high-adventure series The Voyage of the Scarlet Queen, he was completely convincing as seagoing ship's master Philip Carney-never corny or overblown." So let a master captain of drama chart a course to exotic ports of call and thrilling adventures. All you have to do is step aboard The Scarlet Queen.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?"

I Was a Communist for the FBI was an American espionage thriller radio series with 78 episodes syndicated by Ziv to more than 600 stations in 1952-54. Made without FBI cooperation, the series was adapted from the book by undercover agent Matt Cvetic, who was portrayed by Dana Andrews.The series was crafted to warn people about the threat of Communist subversion of American society. The tone of the show is very jingoistic and ultra-patriotic. Communists are evil incarnate and the FBI can do no wrong. As a relic of the Joe McCarthy era, this show is a time capsule of American society during the Second Red Scare.

From the age of twelve, Bob Hope worked at a wide variety of odd jobs at a local board walk. When not doing this he would busk, doing dance and comedy patter to make extra money. He entered many dancing and amateur talent contests, and won prizes for his impersonation of Charlie Chaplin. He also boxed briefly and unsuccessfully under the name Packy East, making it once as far as the semi-finals of the Ohio novice championship. Fallen silent film comedian Fatty Arbuckle saw one of his performances and in 1925 got him steady work with Hurley's Jolly Follies. A year later Hope had formed an act called the Dancemedians with George Burns (who would also live to see his own 100th birthday) and the Hilton Sisters, conjoined twins who had a tap dancing routine. Hope and his partner George Byrne had an act as a pair of Siamese twins as well, and both danced and sang while wearing blackface before friends advised Hope that he was funnier as himself.. After five years on the Vaudeville circuit, by his own account Hope was surprised and humbled when he and his partner Grace Louise Troxell failed a 1930 screen test for Pathà at Culver City, California. (Hope had been on the screen in small parts, 1927's The Sidewalks of New York and 1928's Smiles. Hope returned to New York City and subsequently appeared in several Broadway musicals including Roberta, Say When, the 1936 Ziegfeld Follies, and Red, Hot and Blue with Ethel Merman. His performances were generally well-received and critics noted his keen sense of comedic timing. He changed his name from "Leslie" to "Bob", reportedly because people in the US were calling him "Hopelessly", although in the 1920s he sometimes used the name "Lester Hope".

JOURNEY TO THE CENTER OF THE EARTH is Jules Verne's science fiction story of Professor Lidenbrock, his nephew Axel and their quest for the secrets contained at the earth's core. Led by Hans, their Icelandic guide, Lidenbrock and Axel descend deeper into the planet than anyone has ever gone before . . . but will they make it back to the surface alive? Alien Voices' productions are an adventure in sound: classic works of science fiction and fantasy come to life in completely new, bold and wonderful audio dramatizations featuring virtuoso performances from the entire cast, riveting sound effects and original music. BBC

Murder At Midnight â 1946-1947The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; âthe witching hour, when night is darkest, our fears are the strongest, our strength at its lowest ebbâ Midnight! â when graves gape open and death strikes!âCAST: Elspeth Eric, Mercedes McCambridge, Berry Kroeger, Betty Caine, Carl Frank, Barry Hopkins, Lawson Zerbe, Charlotte Holland NARRATORS: Raymond Morgan MUSIC: Charles Paul PRODUCERS/DIRECTORS: Lewis G Cowan, Anton M Leader WRITERS: Robert Newman, Joseph Ruscoll, Max Ehrlich, William Morwood

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

Have you ever wondered what it might be like inside the mind of a criminal? The stories of Dark Venture try to imagine. In this thrilling drama series, you will be drawn in to the murky calculations behind sinister acts. How much money would make stealing worthwhile? If your business partner caught you stealing $50,000 from your company, would he turn you in to the authorities? Would you let yourself be blackmailed? Or, would you let yourself commit another, more serious crime? On the verge of breaking the law, or taking a life, all risks and dangers must be considered.THIS EPISODE: Eclipse (7-31-45)Elliot Lewis stars in this episode of Dark Venture about a man who cannot remember who he is.

The Secrets of Scotland Yard is hosted by Clive Brook, narrator of LM Radio. Brook was a successful director writer, and actor in many films, including âDressed to Thrillâ in 1935, âThe Flemish Farmâ in 1943 and âOn Approvalâ in 1944. He was probably best remembered for playing opposite Marlene Dietrich in the 1932 movie, âShanghai Express.â He also played Sherlock Holmes in the 1932 movie of the same name.

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

FAVORITE STORY aired from September 1947 through December of 1949 hosted by Ronald Colman. This is an excellent dramatic series of great stories from classic literature brought to radio. It's popularity was so high and with such well done stories, it was rebroadcasted for many years

Crime club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson, begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books.THIS EPISODE:Crime Club. July 10, 1947. Mutual net. "Coney Island Nocturne". Sustaining. A dumb cop has his pocket picked on the boardwalk. His wallet is found later on a corpse. Stedman Coles (writer), Walter Kinsella, Joan Alexander. 1/2 hour.

Murder By Experts was a radio drama anthology series that ran on American radio from 1949-1951, and was hosted first by John Dickson Carr, and later by Brett Halliday. Evidently, a mystery, authored by a leading crime fiction writer, was presented, and "guest experts," such as Alfred Hitchcock or Craig Rice, were invited to solve it. Or maybe not -- nobody seems to know much about this one. David Kogan, the writer/creator of Murder by Experts, also created and wrote The Mysterious Traveler.Directors/Producers: David Kogan And Robert A. ArthurHosts: John Dickson Carr (June 13, 1949-March 13, 1950)and Brett Halliday (March 20, 1950-December 17, 1951)Sound Effects: Mario SilettiGuest experts: Alfred Hitchcock, Craig RiceGuest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann Sheperd, Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe, Marilyn Erskin

The First Nighter Program aired on the Blue Network and on Thursday nights at 8:30PM till 9:00PM, sponsored by Campana and starring Don Ameche and June Meredith. On October 4, 1942, The First Nighter program switched over from CBS to Mutual and was broadcast from 6:00 to 6:30 on Sunday evenings. At the end of the regular season for The First Nighter, on May 2, 1942, Murder Clinic switched time periods and came on three hours earlier as the summer replacement for the other program.

People are Funny was a television game show that premiered and ended on NBC from 1954-1961. It was shot in the outside world and dared people to do stunts for fun for spectators. This was done to "reveal the true nature" of their guests. This show was considered a predecessor to most of the reality game shows we know today, such as "Survivor" and MTV's "Jackass." Art Linkletter was the more well-known host of the show. Viewers grew up with him, but not just on People are Funny. He was also seen on Life With Linkletter (1950-52 & 1969-70), Art Linkletter's House Party (1952-69), and The Art Linkletter Show (1963).

For the 1970âs late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.

Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims.

First Show: 10-05-47 Last Show: 07-01-49 Number Shows: 78 (39 on NBC, 39 on CBS) Audition Show: none known Series Description: The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE:The Man Who Played God (47-12-21)Montgomery Royale. He returns to New York with this sister, friend Mildred and fiancÃe Grace. He becomes philanthropic, using binoculars and lip reading to decide what anonymous gifts to bestow on strangers. He sees Grace tell her love Howard that she must stay with him because of his deafness. Moved, he asks her to break their engagement. He then donates a pipe organ to a needy church and is joined at the dedication by Mildred. Written by Ed Stephan {[email protected]}

"THE JACK PAAR SHOW" NBC â Sponsored by Lucky Strike Cigarettes. Sundays 7:00 - 7:30 pm Summer Replacement for the Jack Benny Show STARS: Jack Paar (The Tonight Show) ANNOUNCER: Hy Averback - MUSIC: Jerry Fielding's Orchestra - VOCALS: The Page Cavanaugh Trio, Trudy Erwin.Television and radio pioneer Jack Par has been called the most imitated personality in broadcasting. He virtually created the late-night talk show format as the host of The Tonight Show , one of television's longest continuously running programs. The Washington Post said, "Jack Paar was genuine, and the footprints he left on the loony moonscape of television are enormous; they will be there forever." As the stars of stage and screen were rising around him, Paar was becoming an icon himself, on television sets in the homes of millions of Americans across the country. During the Golden Age of television, Paar was its golden boy, charming guests and viewers alike. From 1957 to 1962, Paar was the king of late-night television as host of The Tonight Show, which NBC eventually renamed The Jack Paar Show. He turned it from a typical variety format into something very different. With a rare combination of intelligence, irreverence and intuition, he invented a new genre of programming that would become ubiquitous to television.Paar helped launch the careers of such performers as Carol Burnett, Woody Allen and Liza Minnelli, but his guests weren't limited to the glitterati. He discussed religion with Billy Graham, visited Albert Schweitzer in Africa, and talked politics with Richard Nixon, all before the transfixed eyes of the American television audience.

November 1939 to May 1940, CBS Blue NetworkDramatic historical recreationImagine if CBS radio news existed when the Bastille was stormed in 1789, or if radio reporters were stationed in Ford Theater as Lincoln was assassinated, or again at the Battle of Gettysburg? Indeed, such was the premise behind the CBS series, You Are There. Audiences witnessed history through the present-tense accounts of newsmen allegedly witnessing historical events transpiring before their eyes. Don Hollenbeck and John Daley (known for his TV game show panelist appearances) played the lead anchors, while real-life newsman provided the remote commentaries as the dramas unfolded. As show opened, an anchor would describe the present situation with "As it stands nowâ" and segue into commentaries, live remote feeds or analysis as the story unfurled.The show was well received, but perhaps was doomed to eventual failure in part due John Daly's emoting. Bernard DeVoto in Harper Magazine lamented: "We have heard his (Daly) voice vibrate with the real emotion, and our memory of the real simply turns the imagined to ham."

The list of films and actors on Academy Award Theater is very impressive. Bette Davis begins the series in Jezebel, with Ginger Rogers following in Kitty Foyle, and then Paul Muni in The Life of Louis Pasteur. The Informer had to have Victor Mclaglen, and the Maltese Falcon, Humphrey Bogart, Sidney Greenstreet (this movie was his first major motion picutre role) plus Mary Astor for the hat trick. Suspicion starred Cary Grant with Ann Todd doing the Joan Fontaine role, Ronald Coleman in Lost Horizon, and Joan Fontaine and John Lund were in Portrait of Jenny. How Snow White and the Seven Dwarfs and Pinocchio were done is something to hear! Some films are less well known, such as Guest in the House, with Kirk Douglas and Anita Louise, It Happened Tomorrow, with Eddie Bracken and Ann Blythe playing Dick Powell and Linda Darnell's roles, and Cheers for Miss Bishop with Olivia de Havilland. Each adaptation is finely produced and directed by Dee Engelbach, with music composed and conducted by Leith Stevens. Frank Wilson wrote the movie adaptations.