Boxcars711 Old Time Radio

Life With Luigi. April 8, 1952. CBS net. Sponsored by: Wrigley's Spearmint Gum. Luigi plans to hold an Easter feast for his friends, but Pasquale sees to it that there's no food at the party. J. Carrol Naish, Cy Howard (creator, producer), Mac Benoff (writer, director), Alan Reed, Pat Burton (associate producer), Lou Derman (writer), Hans Conried, Mary Shipp, Ken Peters, Joe Forte, Charles Lyon (announcer), Lud Gluskin (music director), Jody Gilbert. 30:00.

Thus with the pounding of the gavel, the fate of men and women have been decided by the judge. This is the story of our legal rights, the battle to preserve and protect them, and how easily they can be lost. The program shows us just how fragile liberty and justice can be. These stories of everyday events are still interesting, even after 50 years. Stories of criminal liability, legal wills, buying on installment, and leasing an apartment. Each story is well written, and the acting, though dated and a bit hokey by todayâs standards, still manages to achieve the desired effect. Not much information is available for this series, it was apparently broadcast on a limited basis, and originated on WMAQ Chicago, an NBC station. It was comprised of thirteen episodes, twelve of which are currently available, and was heard from January 30, 1954 through April 24, 1954.

The Secrets of Scotland Yard is hosted by Clive Brook, narrator of LM Radio. Brook was a successful director writer, and actor in many films, including âDressed to Thrillâ in 1935, âThe Flemish Farmâ in 1943 and âOn Approvalâ in 1944. He was probably best remembered for playing opposite Marlene Dietrich in the 1932 movie, âShanghai Express.â He also played Sherlock Holmes in the 1932 movie of the same name.

Michael Shayne was a fictional sleuth created by Brett Halliday (a pen name for author Davis Dresser) who was first initiated into the fraternity for detectives in the 1939 novel "Dividend of Death". Dresser based the character on a âtall and rangyâ brawler who once saved his life during a braw in a Mexican cantina. The Shayne character would go on to appear in 69 novels, plus a long-running mystery magazineâand in 1941, was brought to the silver screen in Paramountâs Michael Shayne, Private Detective, an adaptation of Dividend of Death that starred Lloyd Nolan, and paved the way for six additional B-mysteries to follow. The New Adventures of Michael Shayneâpremiered on July 15, 1948 starring Jeff Chandler.

Mr. and Mrs. North was a radio mystery series that aired on CBS from 1942 to 1954. Alice Frost and Joseph Curtin had the title roles when the series began in 1942. Publisher Jerry North and his wife Pam lived in Greenwich Village at 24 St. Anne's Flat. They were not professional detectives but simply an ordinary couple who stumbled across a murder or two every week for 12 years. The radio program eventually reached nearly 20 million listeners.

CBS SCHENLEY LABS, INC. Tuesdays 9:30 - 10:00 pm PRODUCER/DIRECTOR: Bill Lawrence ANNOUNCER: Frank Graham MUSIC: Leith Stevens SCRIPTS: Jean HollowayCBS Schenley Labs, Inf. Tuesdays 9:30PM to 10:00PM. Producer/Director was Bill Lawrence. Announcer Frank Graham. Music Leith Stevens. Scripts by Jean Holloway.

Philo Vance was the detective creation of S. S. Van Dine first published in the mid 1920s. Vance, in the original books, is an intellectual so highly refined he seems he might be ghostwritten by P. G. Wodehouse. Take this quote from The Benson Murder Case, 1924, as Vance pontificates in his inimitable way: "That's your fundamental error, don't y' know. Every crime is witnessed by outsiders, just as is every work of art. The fact that no one sees the criminal, or the artist, actu'lly at work, is wholly incons'quential." Thankfully, the radio series uses only the name, and makes Philo a pretty normal, though very intelligent and extremely courteous gumshoe. Jose Ferrer played him in 1945. From 1948-1950, the fine radio actor Jackson Beck makes Vance as good as he gets. George Petrie plays Vance's constantly impressed public servant, District Attorney Markham. Joan Alexander is Ellen Deering, Vance's secretary and right-hand woman. The organist for the show is really working those ivories, and fans of old time radio organ will especially enjoy this series. Perhaps one reason the organist "pulls out all the stops" is because there seems to be little, if any, sound effects on the show. Philo Vance, the radio series, does pay homage to the original books in that both were, even in their own time, a bit out of date and stilted. (OTRR)

FEAR ON 4 is the British Broadcasting Corporation's continuation of a tradition of horror shows dating back to 1943. Back then, the BBC offered APPOINTMENT WITH FEAR, the title given to ten series of programs running from 1943 to 1955. These are the most famous BBC horror series in it's history. The stories were introduced by The Man in Black, played by Valentine Dyall. In 1949, The Man In Black was given his own series, called THE MAN IN BLACK, again featuring Valentine Dyall. Unfortunately, only four shows from APPOINTMENT WITH FEAR are known to have survived. None of THE MAN IN BLACK shows are known to exist. The Man in Black returned to radio again in 1988, this time played by Edward de Souza. FEAR ON 4, airing on BBC Radio Four, continued in the tradition of its predecessors. Four series were produced from 1988 through 1993 with a fifth series in 1997. In 1999, one new show and 2 repeats aired under the banner of "Fear on 4" on BBC Radio 4's LATE NIGHT ON 4 series. The shows are a mix of adaptations of short stories and original radio plays. All shows from these series exist. The BBC offered selected stories from the first three series in book form, entitled "The Man in Black: Macabre Stories from Fear on Four" (BBC Books, ISBN 0-563-20904-6) in December 1990.

The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown."

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Destry Rides Again - This is a comedy and a drama from a 1939 western film directed by George Marshall adapted for radio by Lux Radio Theater airing November 5, 1945 starring Jimmy Stewart and Joan Blondell. It is about how a corrupt and violent town can be cleaned up without relying entirely on physical force. Tom Destry, son of a legendary frontier peacekeeper, doesn't believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck. A good one!

CBS started the year 1958 off with the introduction on 01/29/58 of Frontier Gentleman. That series lasted 41 broadcasts. Near the end of the year, the network launched Have Gun, Will Travel on 11/23/58, which continued for 106 programs. In between, a very short series was offered and discontinued after only 16 broadcasts, Luke Slaughter Of Tombstone. Each program had an authoritative opening statement: "Slaughter's my name, Luke Slaughter. Cattle's my business. It's a tough business, it's a big business. I got a big stake in it. And there's no man west of the Rio Grande big enough to take it away from me." Junius Matthews was heard as Slaughter's sidekick, Wichita.

Tuska cited Ellery Queen, Master Detective (1940) and Ellery Queen's Penthouse Mystery (1941) as the best of the Bellamy-Lindsay pairings. "The influence of The Thin Man series was apparent in reverse", Tuska noted about Ellery Queen's Penthouse Mystery. "Ellery and Nikki are unmarried but obviously in love with each other. Probably the biggest mystery... is how Ellery ever gets a book written. Not only is Nikki attractive and perfectly willing to show off her figure", Tuska wrote, "but she also likes to write her own stories on Queen's time, and gets carried away doing her own investigations." In Ellery Queen, Master Detective, "the amorous relationship between Ellery and Nikki Porter was given a dignity, and therefore integrity", Tuska wrote, "that was lacking in the two previous entries in the series", made at Republic Pictures before Bellamy and Lindsay were signed by Columbia.

The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.

Abbott and Costello William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) were an American comedy duo whose work in radio, film and television made them one of the most popular teams in the history of comedy. Thanks to the endurance of their most popular and influential routine, "Who's on First?"---whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines---the team are also the only comedians known to have been inducted into the Baseball Hall of Fame. Bud Abbott was born in Asbury Park, NJ, October 2, 1897 and died April 24, 1974 in Woodland Hills, California. Lou Costello was born in Paterson, NJ, March 6, 1906 and died March 3, 1959 in East Los Angeles, California. After working as Allen's summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes. The Abbott and Costello Show mixed comedy with musical interludes (usually, by singers such as Connie Haines, Marilyn Maxwell, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers).

"I am the Whistler and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak..." These words followed by a whistling that was distinctive and well-remembered recalls one of the best mystery crime series of the past. Eminating for all its life from the West Coast this broadcast had a run of almost 13 years. Aired over the CBS radio network it was sponsored for much of the time by the Signal Oil Co.

Starring John Dehner as Paladin, Have Gun, Will Travel brought its brand of Western adventure to CBS airwaves from 1957 until 1963. What makes it a rarity, however, is that it was television show for the entire span, but the radio version did not debut until 1958 and left the air in 1960. The supporting cast included Ben Wright as Hey Boy. Virginia Gregg played Missy Wong (Heyboy's girlfriend) and other main roles.

Adventures of Sam Spade â 1946-1951 Sam Spade was a tough private investigator. Each case was unfolded as a report dictated to his secretary, Effie, who was always flustered and secretly in love with him. He always quoted his license number and referred to each investigation as a âcaperâ. Each report was dated with the actual airdate. CAST: Howard Duff, Steve Dunne, Lurene Tuttle, John McIntire, William Conrad, Cathy and Elliot Lewis, June Havoc, Joseph Kearns, Jerry Hausner, Elliott Reid, Mary Jane Croft, Jeanette Nolan, Betty Lou GersonFIRST BROADCAST: July 12th 1946LAST BROADCAST: April 27th 1951 SPONSORS: Wildroot Cream Oil, Wildroot

Starting as a replacement show for Gangbusters and Counterspy, the series premiered December 11, 1957 and it ran until June 13, 1958. Quoting from Astounding Magazine, "Exploring Tomorrow is the first science fiction radio show of science-fictioneers, by science- fictioneers, and for science-fictioneers" The shows were narrated by the editor of Astounding Magazine, John W. Campbell, Jr., with scripts written by Gordon Dickson, Robert Silverberg and many other notable science fiction writers.

THE WEIRD CIRCLE presented 30 minute tales of horror, frequently inspired by classic horror or ghost stories, frequently done by French authors. It opened with the sound of the surf and the chant-like opening, "In this cave by the restless sea, we are met to call from out of past, stories strange and weird. Bell keeper, toll the bell, so that all may know that we are gathered again in the Weird Circle".

Episode3 "Error In Diagnosis" and Episode4 "Enjoyment" The Family Doctor (Dramatic Serial-1932) was a story about Dr. Grant Adams, a small town doctor who doubled as the communityâs moral rectifier. He was more than just respected, he was loved by all. Each week he confronted issues from robbery to suicide, and always with common sense and gentle moral judgment. Though his old-fashioned remedies for sicknesses are outdated compared to modern medical practicing, The Family Doctor's attitude towards life's daily issues transcend time. Of the 39 intended episodes, only 12 were aired.Boxcars711 supports the efforts of the Old Time Radio Researchers Group (OTRR) whose goals include restoring, preserving and sharing the classic shows from what is commonly known as the "Golden Age of Radio" (1930-1960). Please visit and support this great organization at:http://www.otrr.org/

Here Comes Mr. Jordan from Lux Radio Theater on Jan 26, 1942 stars Cary Grant, Claude Rains, Evelyn Keyes, and James Gleason. Here Comes Mr. Jordan is a comedy in which a boxer, accidentally killed before his time, is allowed a chance to come back to Earth in the body of a rich man who has just been murdered by his wife. It was taken from the 1941 comedy film and was also remade several times, with different titles: Heaven Can Wait (1978), Heaven's Touch (1983) and Down to Earth (2001). This radio version is an excellent production.

Murder at Midnight was an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was first heard over the Mutual Network between September 16, 1946 and September 8, 1947 on radio station WJZ. The show's writers included Robert Newman, Joseph Ruscoll, Max Erlich and William Norwood, and it was directed by Anton M. Leder. The host was Raymond Morgan, who delivered the memorable lines of introduction over Charles Paul's effective organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."THIS EPISODEAugust 17, 1946. Program #10. Syndicated. "Terror Out Of Space". Commercials added locally. A group of scientists establishes contact with the moon for the first time in history. They find electrical creatures who never die, who ride a radio wave down to Earth and start to kill the inhabitants of the planet. The announcer predicts that, "our story will long be remembered as a classic!" Robert Newman (writer), George Petrie, Peter Capell, Anton M. Leader (director), Charles Paul (music). 26:56.

QUOTE FROM JERRY LEWIS: "Like Burns and Allen, Abbott and Costello, and Hope and Crosby, we were vaudevillians, stage performers who worked with an audience. But the difference between us and all the others is significant. They worked with a script. We exploded without one, the same way wiseguy kids do on a playground, or jazz musicians do when they're let loose. And the minute we started out in nightclubs, audiences went nuts for us. As Alan King told an interviewer a few years ago: "I have been in the business for fifty-five years, and I have never to this day seen an act get more laughs than Martin and Lewis. They didn't get laughsâit was pandemonium. People knocked over tables."

First heard on Mutual featuring Elliott Lewis, who as Leonard Maltin writes in "The Great American Broadcast, "âwore every hat imaginable-actor, producer, and director-also penned a good number of scripts for series he supervised, including Suspense." And Maltin says of this show, "On the terrific late-1940's high-adventure series The Voyage of the Scarlet Queen he held down both jobs simultaneously as director and star." As Maltin continues, âLewis had the ability to make you believe whatever he said. Cast as the skipper on the high-adventure series The Voyage of the Scarlet Queen, he was completely convincing as seagoing ship's master Philip Carney-never corny or overblown." So let a master captain of drama chart a course to exotic ports of call and thrilling adventures. All you have to do is step aboard The Scarlet Queen.

Dangerous Assignment first aired in 1949. Brian Donlevy played the lead as Steve Mitchell in this international spy series. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. The director was Bill Cairn and the writer for the series was Robert Ryf.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end.

The Clitheroe Kid was James Robertson Clitheroe, Jimmy Clitheroe to most, who by some strange coincidence did come from the town of that name without having to change his family name! At his full height he was 4ft 3in, and played the naughty schoolboy from 1958 to 1972. Although plausable from a distance, he was not really able to pass himself off as a youngster close up, so a TV career did not really take off too well, but at the peak of his fame the radio show was raking in about 10 million listeners, although by the end this had dropped to a tenth of that figure.

6-12-50 to 10-26-50 NBC, various 30 minute timeslots. STAR: Ilona Massey as a Mata Hari-style operative in World War II. ORCHESTRAL: Roy Shield. WRITER-DIRECTOR: Harry W. Junkin. Top secret was highly effective, said Radio Life: the role played by the Hungarian actress was âtailor-made for her sultry voice and heavy accentâ

The Casebook of Gregory Hood, starring Gale Gordon in the title role, took over where Sherlock Holmes had left off. Sponsored by Petri wine, it used the same "weekly visit" format and the same team of Anthony Boucher and Dennis Green that had written The New Adventured of Sherlock Holmes. Gregory Hood was modelled after true-life San Francisco importer Richard Gump, and many of the stories revolve around a mystery surrounding some particular imported treasure. Hood's sidekick Sanderson "Sandy" Taylor was played by Bill Johnstone. The show aired from June, 1946 through August, 1950. There were an additional couple of shows aired in October 1951. Hood and Sanderson were played in later episodes by Elliott Lewis and Howard McNear, respectively.

Lum and Abner , The Adventures of two small town shop keepers in the Town of Pine Ridge Arkansas Lum and Abner were Broadcast from 1931 until 1954 starring CHESTER LAUCK [1902-1980] AND NORRIS "TUFFY" GOFF [1906-1978] CHET PLAYED LUM EDWARDS (EDDERDS),GRAND-PAPPY SPEARS, AND CEDRIC WEEHUNT. TUFFY PLAYED ABNER PEABODY DICK HUDDLESTONE MOUSEY GRAY AND SQUIRE SKIMP ALONG WITH MOST OF THE OTHER PEOPLE PASSING THROUGH TOWN.

Ronald Colman and his wife Benita Hume starred in the Halls of Ivy, a very well-written, superbly acted radio program that was full of warmth and wit. The show aired from 1950 to 1952 on NBC and is not often mentioned when old-time radio programs are the topic of conversation, but it is one of my favorites. The combination of Mr. & Mrs. Colman's acting and Don Quinn's writing made for an enjoyable half-hour's worth of entertainment. The show was created by Don Quinn who for many, many years put words in the mouths of Fibber McGee and Molly. Quinn wrote jokes that made you think. On the McGee program there was a fast and furious onslaught of crazy puns, mangled cliches, and double-meanings. Sometimes all at once -- when delivered by the superb timing of the talented Jim Jordan as Fibber

In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.TODAY'S SHOWThe Treasure of the Sierra Madre is a 1927 novel by the mysterious German-English bilingual author B. Traven, in which two American down-and-outers in 1920s Mexico hook up with an old-timer to prospect for gold. The book was very successfully adapted into a 1948 film by John Huston and done for radio by LUX RADIO THEATER on April 18, 1949. Humphrey DeForest Bogart (December 25, 1899 â January 14, 1957) portrays Fred C. Dobbs in The Treasure of the Sierra Madre, Bogart played a paranoid, self-pitying character whose small-mindedness eventually destroyed him.

Lights Out was an American old-time radio program featuring "tales of the supernatural and the supernormal." It was immensely popular, and was one of the first horror programs, predating Suspense and Inner Sanctum. In its heydey, Lights Out rivalled the popularity of those shows. Lights Out ran through several series and networks, from January 1, 1934 to August 6, 1947. The principal sponsor was Ironized Yeast. Most episodes were broadcast at midnight. Lights Out then made the transition to television in 1949, where it was broadcast until 1952. Created in Chicago by writer Wyllis Cooper in 1934.

The First Nighter Program aired on the Blue Network and on Thursday nights at 8:30PM till 9:00PM on the Blue Network, sponsored by Campana and starring Don Ameche and June Meredith.

Space Patrol - Space Adventure - Broadcast History : September 18th, 1950 - March 19th, 1955 ABC. 30m, Mondays and Fridays at 5:30pm - Cast : Ed Kemmer as Buzz Corry, Lyn Osborn as Cadet Happy Virginia Hewitt as Carol Karlyle Ken Mayer as Maj. Robbie Robertson, Norman Jolley as Dr. Malingro, Nina Bara as Tonga, Bela Kovacs as Prince Baccarritti - Announcers : DIck Tufeld, Dick Wesson - Producer/Directors : Larry Robertson, Mike Moser - Writer : Lou Huston - Notes : Ran concurrently on TV and Radio, with most of the same performers.

Detective Drama (1946 - 54)Bob Bailey played George Valentine as a detective handy man, who got his jobs from responses to a newspaper ad. Part-time detective and writer Dan Holiday in Box 13 also used the premise. It pays to advertise! The shows follow the usual formats of crime caper shows, with toughs, mysterious rendezvous and people who aren't who they say they are. Network was Mutual, Sponson was Standard Oil. STARS:Bob Bailey,Eddie Firestone jr, Francis Robinson, Joe Kearn PRODUCER:Owen Vinson WRITER: Polly Hopkins MUSIC: Eddie Dunstedter

On January 31, 1936, the Green Hornet radio program aired on WXYZ in Detroit, Michigan. Al Hodge played the part of the Green Hornet from 1936 through January of 1943. The program was created by George W. Trendle, the same man associated with the creation of the Lone Ranger radio show. The premise of the Green Hornet was that of a modern day Lone Ranger. The main character was Britt Reid, a newspaper publisher of the Daily Sentinel by day and the Green Hornet by night. Britt Reid was the great-nephew of the Lone Ranger. Britt Reid's war against crime was an extension of his family history. The Green Hornet fought crime with his high-powered car, the Black Beauty.

Benny plays a big band trumpeter who falls asleep and dreams he is an archangel, sent to destroy earth because persecution and hatred have soared out of control. A light-hearted, farcical approach to the apocolypse that's quite enjoyable, despite Benny's longstanding jokes about being ashamed of it. The plot involves the third trumpet player in the orchestra of a radio program, named the Paradise Coffee Program, who falls asleep listening to the reading of the advertisement: "The coffee that makes you sleep." He dreams he is the angel Athaniel, a trumpeter in the orchestra of heaven, who is such a terrible musician he is relieved of his position and sent on a mission to earth. He is entrusted to blow the Last Trumpet at midnight, but complications in the plot ensue when two fallen angels, named Osidro and Doremus, want to continue their physical existence of pursuing pleasures. While Athaniel encounters experiences of mortal life, such as eating food and the need for money, the fallen angels try to prevent Athaniel from going through with his mission by having his trumpet stolen.

Benny plays a big band trumpeter who falls asleep and dreams he is an archangel, sent to destroy earth because persecution and hatred have soared out of control. A light-hearted, farcical approach to the apocolypse that's quite enjoyable, despite Benny's longstanding jokes about being ashamed of it. The plot involves the third trumpet player in the orchestra of a radio program, named the Paradise Coffee Program, who falls asleep listening to the reading of the advertisement: "The coffee that makes you sleep." He dreams he is the angel Athaniel, a trumpeter in the orchestra of heaven, who is such a terrible musician he is relieved of his position and sent on a mission to earth. He is entrusted to blow the Last Trumpet at midnight, but complications in the plot ensue when two fallen angels, named Osidro and Doremus, want to continue their physical existence of pursuing pleasures. While Athaniel encounters experiences of mortal life, such as eating food and the need for money, the fallen angels try to prevent Athaniel from going through with his mission by having his trumpet stolen.

Journey to the Center of the Earth is a classic 1864 science fiction novel by Jules Verne. The story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "Center of the Earth". This audio theater production is from BBC 1963. The story begins on Sunday 24 May 1863, in the Lidenbrock house in Hamburg, with Professor Lidenbrock rushing home to peruse his latest purchase, an original runic manuscript of an Icelandic saga written by Snorri Sturluson. While looking through the book, Lidenbrock and Axel find a coded note written in runic script.

Wyatt Earp Frontier Marshall starring Richard Conte is a selection from THE HALLMARK PLAYHOUSE which was heard over CBS stations on Thursday evenings sponsored by, of course, Hallmark Greeting Cards. This story is from the Stuart N. Lake book Frontier Marshall, a 1931 biography of Wyatt Earp. It aired March 24, 1949.

This was ABC's attempt to recapture some of what radio was. The effort was not the best, but at least an effort was made. The stories ranged from science fiction, comedy, social drama and human interest drama, to detective mystery, psychological drama, melodrama and suspense drama. News programs help fill out the remaining time left in the 30 minute time spot from 5 - 5:30 p.m. Click Here to Send This Page to a Friend

The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as THE true adult western and one of the finest old time radio shows. Click Here to Send This Page to a Friend

Tells the story of an alcoholic, Milland, on a weekend bender. While on his bender he stops in at his favorite watering stop - Nat's Bar on Third Avenue, based on the legendary P. J. Clarke's. There he seeks companionship in his drinking with congenial bartender Nat (Howard da Silva). As the weekend continues, Milland drifts deeper and deeper into his living nightmare, committing crimes and even spending time in a mental ward. Unlike the novel, the protagonist's frustration in the film stems not from homosexuality but from his frustrations as a would-be writer.

This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can!

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Tales of horror recreated by great actors, a spooky organ and chilling sound effects presented by a creepy, rib-tickling host, was a strange brew indeed. Inner Sanctum did it in spades! To this day the show remains a wonderful "guilty" pleasure of many old time radio fans, who listened back then when these shows first fired the imaginations of all but the most jaded.

Father Knows Best, a family comedy of the 1950s, is perhaps more important for what it has come to represent than for what it actually was. In essence, the series was one of a slew of middle-class family sitcoms in which moms were moms, kids were kids, and fathers knew best. Today, many critics view it, at best, as high camp fun, and, at worst, as part of what critic David Marc once labeled the "Aryan melodramas" of the 1950s and 1960s.