Who Arted: Weekly Art History for All Ages

The Codex Borgia is a pre-Columbian Mesoamerican manuscript, a 36-foot folded document made of animal hide, dating from the 13th to early 16th centuries. Created by Indigenous peoples, likely in central Mexico, it serves as a religious and divinatory almanac used by priests. Filled with intricate depictions of deities like Tezcatlipoca, Quetzalcoatl, and Tlaloc, it illustrates the 260-day tonalpohualli ritual calendar. Part of the “Borgia Group,” it survived the Spanish conquest and is now housed in the Vatican Apostolic Library. The codex offers invaluable insight into pre-Hispanic Mesoamerican beliefs, cosmology, and rituals, showcasing complex iconography and artistic skill. It provides crucial information for understanding the history, culture, and religion of ancient Mexican civilizations. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, I got to talk to Kory Stamper, author of True Color: The Strange and Spectacular Quest to Define Color, exploring how color is a complex intersection of physics, physiology, and psychology. Human color perception is defined not just by wavelengths of light, but by the brain’s interpretive processes using specialized cells in the retina known as rods and cones. While rods detect light and dark, three types of cones are responsible for firing in response to specific wavelengths, which the brain then blends into the visible spectrum. Linguistics plays a vital role in this experience; studies of cultures like the Himba tribe in Namibia suggest that the specific terms available in a language can influence how quickly an individual differentiates between hues like blue and green. Research on infants even suggests that color recognition may trigger the brain’s language centers before the visual cortex, indicating that the human experience of the spectrum is deeply tied to the need for categorization. Find more information about Kory Stamper and her book, True Color at https://korystamper.com/true-color/ Buy the book on Amazon or wherever you get your books. Be sure to vote for your favorite work in our final round of Arts Madness https://www.whoartedpodcast.com/arts-madness Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Artemisia Gentileschi (1593–1653) was a preeminent Italian Baroque painter and one of the most accomplished artists of the 17th century. Born in Rome as the daughter of the esteemed painter Orazio Gentileschi, she developed her craft in an era where women were largely excluded from formal art academies and professional guilds. Despite enduring a traumatic assault by a tutor and a grueling, high-profile trial in 1612, Gentileschi forged a highly successful career that spanned Rome, Florence, Venice, and Naples. She broke significant historical barriers in 1616 by becoming the first woman admitted to the Accademia delle Arti del Disegno in Florence, an achievement that granted her the legal right to sign her own contracts and manage her own professional affairs. Gentileschi is celebrated for her mastery of tenebrism—a style characterized by intense contrasts of light and shadow—and her unparalleled ability to render human emotion with raw, visceral intensity. Her most famous work, Judith Slaying Holofernes, exemplifies her unique perspective, portraying the biblical heroine with a focus on physical strength, focused determination, and female solidarity. This depiction stands in stark contrast to versions by male contemporaries, who often portrayed the character as delicate or hesitant. Often interpreted through the lens of her personal resilience and agency, Gentileschi’s paintings frequently feature powerful, complex women. Today, she is recognized not only as a feminist icon but as a defining figure of the Baroque period whose technical skill and narrative depth rivaled the greatest masters of her time. Take a minute and vote in Arts Madness at WhoARTedPodcast.com/Arts-Madness Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, I have an interview with Gavin Whitehead, the creator and host of The Art of Crime and a new limited series, Raven. Find Gavin online: Raven The Art of Crime www.theartofcrimepodcast.com The African American Wax Museum of Harlem was established in 1989 by the eccentric artist and fashion designer Raven Chanticleer. Located in the basement of a brownstone on 164th Street, the museum featured approximately two dozen handmade wax figures depicting "heroes and sheroes" of Black history, including Frederick Douglass, Harriet Tubman, and Dr. Martin Luther King Jr. Unlike traditional wax museums that prioritize strict realism, Chanticleer utilized an anachronistic and flamboyant aesthetic to foster cultural pride. Figures were often adorned in extravagant costumes of Chanticleer's own design—such as Harriet Tubman in aviator sunglasses—intended to make historical icons feel vibrant and relatable to the local community and visiting school groups. Be sure to take time to vote for your favorite artists in Arts Madness. Go to www.WhoARTedPodcast.com/Arts-Madness to weigh in on our final four. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices