New Books in Literary Studies

Ethics in the Gutter: Empathy and Historical Fiction in Comics (Ohio State UP, 2017) explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that—as Linda Hutcheon has put it—both “enshrine and question” history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader’s empathetic reactions to the content. This book’s most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics. Dr. Kate Polak is a writer, artist, performer, and scholar specializing in comics, poetry, 21st century women writers, and the literatures of genocide. She is an instructor and research associate in the English Department at Florida Atlantic University, where she teaches writing and literature, focusing on poetry, the representation of violence, and graphic narrative. Her book, Ethics in the Gutter: Empathy and Historical Fiction in Comics, was nominated for an Eisner Award. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Part 3, Professor Simon Palfrey offers close-readings of some of the play’s most significant scenes. You’ll hear the play’s dark energies emerge through Mercutio’s speech about “Queen Mab”; see how Juliet discovers a new, eroticized vision of the world and of herself as she awaits her wedding night, and witness one of the most iconic scenes in literature, when Juliet on her balcony imagines the possibility of love transforming identity: “What’s in a name?” Speeches and performers: Mercutio, 1.4, “O, then I see Queen Mab hath been with you …” (Mark Quartley) Juliet and Romeo, 2.2, “O Romeo, Romeo …” (Katy Stephens) Juliet, 3.2, “Gallop apace, you fiery-footed steeds …” (Katy Stephens) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres’s American Widow, Doug Murray’s The ’Nam, and Art Spiegelman’s much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Geraint D'Arcy's book Mise en scène, Acting, and Space in Comics (Palgrave Macmillan, 2020) explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics. Dr. Geraint D'Arcy is a lecturer in Media Practice, at the School of Art, Media and American Studies at the University of East Anglia in the UK and a member of the Comics Studies Research Group. he also wrote Critical Approaches to TV and Film Set Design in 2018, published with Taylor and Francis. He currently works across several courses at the University of South Wales. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

If you are reading this, it’s probably hard—nearly impossible—to imagine a world without writing—without print, books, newspapers, signs, graffiti, advertisements, forms, letters, texts, internet memes, and New Books Network blogposts like this one. How would you do your work? How would you communicate with your friends and family? How would you learn about the world around you? The historians in this conversation have written path-breaking books that deepen our understanding of an age when the written word was still emerging as a feature in everyday life. These books focus on different places—Russia and the Netherlands—where writing and print emerged quite differently but they share a deep erudition and ambitious methodological creativity in endeavoring to account for the ephemeral. Simon Franklin is emeritus professor of Russian history at University of Cambridge, Clare College. His books include Writing Society and Culture in Early Rus, 950–1300 (2002), The Emergence of Rus, 750–1200 (1996), co-authored with Jonathan Shepard, and Information and Empire: mechanisms of Communication in Russia, 1600–1850 (2017), co-edited with Katherine Bowers. In The Russian Graphosphere, 1450–1850 (Cambridge UP, 2019) Franklin reconstructs with deep erudition and carefully contextualized sleuthing the concrete and conceptual ways in which people in Russia from the mid-sixteenth to mid-nineteenth centuries encountered various types of writing. Andrew Pettegree and Arthur der Weduwen are historians at University of St. Andrews in Scotland. Pettegree’s books include The Invention of News (2014), Brand Luther: 1517, printing and the making of the Reformation (2015), and most recently, The Book at War: Libraries and Readers in an Age of Conflict (2023). Arthur der Weduwen followed up his award-winning first monograph, Dutch and Flemish Newspapers of the Seventeenth Century with the newly released State Communication and Public Politics in the Dutch Golden Age (2023). As has Simon Franklin, they have brought great creativity to the history of texts. Known for its now world-famous still life paintings produced by the affluent incubator of capitalism that was the seventeenth-century Netherlands, Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2020) shows us that what was going onto the canvases in the Dutch Golden Age paled in comparison to what was coming off the printing presses. With many unexpected revelations, this ambitious attempt to account for the (perhaps?) countless texts that did not survive demonstrates how the production, distribution, and consumption of books was central to economic, political, and cultural life in seventeenth-century Netherlands. They continue to collaborate on the Universal Short Title Catalogue and have also co-authored The Library: A Fragile History (2021). Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges. Utopia in the Age of Survival: Between Myth and Politics (Stanford UP, 2021) makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis—that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe. Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia. S.D. Chrostowska is Professor of Humanities and Social & Political Thought at York University. She is the author of Literature on Trial: The Emergence of Critical Discourse in Germany, Poland, and Russia, 1700-1800 (2012), among other titles. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A full transcript of the interview is available for accessibility. Mara Mills and Rebecca Sanchez's Crip Authorship: Disability as Method (NYU Press, 2023)is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Mara Mills is Associate Professor in the Department of Media, Culture, and Communication at New York University, where she co-founded and co-directs the Center for Disability Studies. Rebecca Sanchez is Professor of English and director of the disability studies program at Fordham University. An open access version of Crip Authorship can be found at Open Square of NYU Press. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our season of the weird starts off with a conversation between the writer The New Yorker called “the weird Thoreau”, Jeff VanderMeer, and a scholar of the modernist weird, Alison Sperling (FSU). With ND host Chris Holmes, Jeff and Alison delve into how the ugly politics of Lovecraft’s “old” weird gives rise to the stylistic panoply of the New Weird movement. Jeff discusses the ways in which nature writing's sublime and ecstatic moments are their own category of the weird. The three consider ways to represent unrepresentable species, the limits of human intelligence in perceiving animal intelligence, the nonhuman narrative perspective, and the infinite weirdness of government bureaucracy. Along the way, Alison and Jeff dig into the “Florida man” trope and investigate Jeff’s attempts to outwit Florida zoning to re-wild his backyard with native plants. And if you harbor any suspicions about the temperaments of penguin researchers, you won’t want to miss Jeff’s answer to this season’s signature question. Mentions: China Miéville Clive Barker H.P. Lovecraft -The Case of Charles Dexter Ward Annihilation Dead Astronauts Sunshine State Biodiversity Group Rachel Carson Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Guillory (NYU English author of the pathbreaking Cultural Capital) is here to discuss his amazing new Professing Criticism: Essays on the Organization of Literary Study (U Chicago Press, 2022) He speaks with John and with Nick Dames, co-editor of Public Books, Professor of Humanities at Columbia and most recently author of The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton 2023). The gap between criticism and scholarship looms large, as does the utility of Panofsky's 1940 distinction between "monuments" and "documents." they ask what sorts of cultural documents achieve aesthetic memorability, for good or for ill. Mentioned in the episode: W. B Yeats, "Monuments of unageing intellect"; a line from "Sailing to Byzantium" (1933). George Eliot, in Middlemarch (1871-2): "Would it not be rash to conclude that there was no passion behind those [Samuel Daniels] sonnets to Delia which strike us [nowadays] as the thin music of a mandolin?" Hannah Arendt, Lectures of Kant's Political Philosophy (1982) on judgment, and how general categories can be brought to bear on particulars. Willa Cather, The Professor's House (1925) Randall Jarrell, Pictures from an Institution: A Comedy (1954; John has a short "B-Side" appreciation in Public Books). Elaine Hadley, Living Liberalism Pierre Bourdieu, Distinction Alvin Gouldner , The Future of Intellectuals and the Rise of the New Class (1979) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tom Boomershine, one of the pioneers of performance criticism for biblical texts, joined the New Books Network to discuss the publication of First-Century Gospel Storytellers and Audiences: The Gospels as Performance Literature (Cascade Books, 2022), a collection of his essays dating back to 1981. On this episode, we discuss his life and career in scholarship, his conviction that the New Testament be studied as an oral/aural (spoken/heard) experience, and his compelling argument that the Gospel of Mark was not first written and not merely experienced as a performance but also composed in a performance setting concurrent with the major events of the Jewish-Roman War (ca. 66–73 CE). Among other findings, Boomershine’s work provides insight into the narratively dissatisfying ending of the Gospel of Mark, which he performs on this episode, and although the extension of performance theory to other books of the New Testament is only presently in its infancy, he makes a case for its broad applicability beyond just the Gospel of Mark—even if, as can be argued, the composition of other gospels, letters, and books betrays their production within a more explicitly textual culture. Thomas E. Boomershine (Ph.D., Union Theological Seminary, 1974) is the Founder of the Bible in Ancient and Modern Media group (1982) at the Society of Biblical Literature and the Network of Biblical Storytellers International (1977). He has taught both in the academy and the church since his graduate studies, including serving as the G. Ernest Thomas Distinguished Professor of Christianity and Communication at United Theological Seminary (Dayton, Ohio) from 2004–2006 and as Professor of New Testament for over 20 years before that. His passions and research interests include telling the stories of Jesus by heart, the pedagogy of performing the gospels, and situating the gospels—especially the Gospel of Mark—in the context of ancient media culture as performance literature. His prior publications include Story Journey: An Invitation to the Gospel as Storytelling (Abingdon, 1988), The Messiah of Peace: A Performance-Criticism Commentary on Mark’s Passion-Resurrection Narrative (Cascade, 2015), and numerous journal articles and book chapters. Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With Professor Simon Palfrey, Part 2 looks closely at the play’s characters, and especially at the intelligence and swiftness of Juliet. You’ll see how the lovers apprehend new possibilities of human life, but also how their social world constrains their possibilities; and how the play might seem to offer the possibility of comedy, but how it’s destined for tragedy all along. And the tragedy doesn’t belong only to the young lovers who are thwarted by their parents — it belongs to the parents, too, and to every person who opens themselves to loss by opening themselves to love. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

During and just after World War II, an influential group of American writers and intellectuals projected a vision for literature that would save the free world. Novels, stories, plays, and poems, they believed, could inoculate weak minds against simplistic totalitarian ideologies, heal the spiritual wounds of global catastrophe, and just maybe prevent the like from happening again. As the Cold War began, high-minded and well-intentioned scholars, critics, and writers from across the political spectrum argued that human values remained crucial to civilization and that such values stood in dire need of formulation and affirmation. They believed that the complexity of literature—of ideas bound to concrete images, of ideologies leavened with experiences—enshrined such values as no other medium could. Creative writing emerged as a graduate discipline in the United States amid this astonishing swirl of grand conceptions. The early workshops were formed not only at the time of, but in the image of, and under the tremendous urgency of, the postwar imperatives for the humanities. Vivid renderings of personal experience would preserve the liberal democratic soul—a soul menaced by the gathering leftwing totalitarianism of the USSR and the memory of fascism in Italy and Germany. Workshops of Empire: Stegner, Engle, and American Creative Writing During the Cold War (U Iowa Press, 2015) explores this history via the careers of Paul Engle at the University of Iowa and Wallace Stegner at Stanford. In the story of these founding fathers of the discipline, Eric Bennett discovers the cultural, political, literary, intellectual, and institutional underpinnings of creative writing programs within the university. He shows how the model of literary technique championed by the first writing programs—a model that values the interior and private life of the individual, whose experiences are not determined by any community, ideology, or political system—was born out of this Cold War context and continues to influence the way creative writing is taught, studied, read, and written into the twenty-first century. Eric Bennett is professor of English at Providence College in Rhode Island. He is the author of A Big Enough Lie, and his writing has appeared in A Public Space, New Writing, Modern Fiction Studies, Blackwell-Wiley’s Companion to Creative Writing, The Chronicle of Higher Education, VQR, MFA vs. NYC, and Africana. He lives in Providence, Rhode Island. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War. Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020). Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What was special about 1845 and why does it deserve particular scrutiny? In The Year that Shaped the Victorian Age: Lives, Loves and Letters of 1845 (Cambridge UP, 2022), one of the leading authorities on the Victorian age argues that this was the critical year in a decade which witnessed revolution on continental Europe, the threat of mass insurrection at home and radical developments in railway transport, communications, religion, literature and the arts. The effects of the new poor law now became visible in the workhouses; a potato blight started in Ireland, heralding the Great Famine; and the Church of England was rocked to its foundations by John Henry Newman's conversion to Roman Catholicism. What Victorian England became was moulded, says Michael Wheeler, in the crucible of 1845. Exploring pivotal correspondence, together with pamphlets, articles and cartoons, the author tells the riveting story of a seismic epoch through the lives, loves and letters of leading contemporaneous figures. Michael Wheeler is a leading cultural and literary historian and presently a Visiting Professor of English Literature at the University of Southampton. His many critically acclaimed books include the prize-winning Death and the Future Life in Victorian Literature and Theology (1990), Ruskin's God (1999), The Old Enemies (2006) and St John and the Victorians (2011) – all published by Cambridge University Press – and, most recently, The Athenæum, published by Yale University Press in 2020. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Debapriya Sarkar’s new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish’s poetry and prose, Edmund Spenser’s Faerie Queene, Francis Bacon’s New Atlantis, Shakespeare’s Macbeth, Milton’s Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A noted literary scholar traverses the Russian canon, exploring how realists, idealists, and revolutionaries debated good and evil, moral responsibility, and freedom. Since the age of Tolstoy, Dostoevsky, and Chekhov, Russian literature has posed questions about good and evil, moral responsibility, and human freedom with a clarity and intensity found nowhere else. In Wonder Confronts Certainty: Russian Writers on the Timeless Questions and Why Their Answers Matter (Harvard University Press, 2023), Dr. Gary Saul Morson delineates intellectual debates that have coursed through two centuries of Russian writing, as the greatest thinkers of the empire and then the Soviet Union enchanted readers with their idealism, philosophical insight, and revolutionary fervor. Dr. Morson describes the Russian literary tradition as an argument between a radical intelligentsia that uncompromisingly followed ideology down the paths of revolution and violence, and writers who probed ever more deeply into the human condition. The debate concerned what Russians called “the accursed questions”: If there is no God, are good and evil merely human constructs? Should we look for life’s essence in ordinary or extreme conditions? Are individual minds best understood in terms of an overarching theory or, as Tolstoy thought, by tracing the “tiny alternations of consciousness”? Exploring apologia for bloodshed, Dr. Morson adapts Mikhail Bakhtin’s concept of the non-alibi—the idea that one cannot escape or displace responsibility for one’s actions. And, throughout, Dr. Morson isolates a characteristic theme of Russian culture: how the aspiration to relieve profound suffering can lead to either heartfelt empathy or bloodthirsty tyranny. What emerges is a contest between unyielding dogmatism and open-minded dialogue, between heady certainty and a humble sense of wonder at the world’s elusive complexity—a thought-provoking journey into inescapable questions. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael Kochenash published his revised dissertation from Claremont School of Theology as Roman Self-Representation and the Lukan Kingdom of God (Lexington Books/Fortress Academic) in 2020. A student of Dennis R. MacDonald, Kochenash has continued to pursue a similar brand of mimetic criticism as his Doktorvater—that is, a branch of source criticism that sees the composition of early Christian and Jewish narratives as deliberate reconfigurations, imitations, and subversions of existing Greco-Roman cultural stories, models, and ideologies of the elite, governing class—with excellent results. Although the positionality of author to empire is more complex than can be characterized in a convenient soundbite, Kochenash argues that the Gospel of Luke and the Acts of the Apostles were written in part from their author’s narrative opposition to certain facets of Roman imperial logic, particularly those expressed in the recorded deeds of Augustus, propaganda spread through numismatic evidence, and in Virgil’s Aeneid, among other places, chiefly to spread an inclusive, pro-Gentile, and universalizing salvific message about the Lukan Kingdom of God. Kochenash joined the New Books Network to discuss all these topics and more from his unique comparison of Luke-Acts to cultural and political themes known to the author that scholars have continued to remember as “Luke.” Rob Heaton, this episode’s host, has also written a critical review of Kochenash’s book, forthcoming with Rhea Classical Reviews. Michael Kochenash (Ph.D., Claremont, 2017) is a Radboud Excellence Initiative Fellow at Radboud University (Nijmegen, Netherlands) specializing in the New Testament and early Christian literature. He previously held teaching and research appointments in the United States and China. His research interprets early Christian and Jewish narratives as products of ancient Mediterranean literary production, with a special focus on their use of literary models from Jewish Scriptures and classical Greek literature. Among his previous publications are numerous journal articles and book chapters relating to Luke-Acts and other early Christian narratives, and he also co-edited Christian Origins and the New Testament in the Greco-Roman Context (Claremont Press, 2016), a Festschrift for Dennis MacDonald. Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, please see his website at https://www.robheaton.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jessica Lowell Mason and Nicole Crevar's Madwomen in Social Justice Movements, Literatures, and Art (Vernon Press, 2023) boldly reasserts the importance of the Madwoman more than four decades after the publication of Sandra Gilbert and Susan Gubar's seminal work in feminist literary criticism, 'The Madwoman in the Attic'. Since Gilbert and Gubar's work was published, the Madwoman has reemerged to do important work, rock the academic boat, and ignite social justice agency inside and outside of academic spaces, moving beyond the literary context that defined the Madwoman in the late 20th century. In this dynamic collection of essays, scholars, creative writers, and Mad activists come together to (re)define the Madwoman in pluralistic and expansive ways and to realize new potential in Mad agency. This collection blazes new directions of thinking through Madness as a gendered category, comprised of a combination of creative works that (re)imagine the figure of the Madwoman, speeches in which Mad-identifying artists and writers reclaim the label of "Madwoman," and scholarly essays that articulate ambitious theories of the Madwoman. The collection is an interdisciplinary scholarly resource that will appeal to multiple academic fields, including literary studies, disability studies, feminist studies, and Mad studies. Additionally, the work contributes to the countermovement against colonial, sanist, patriarchal, and institutional social practices that continue to silence women and confine them to the metaphorical attic. Appealing to a broad audience of readers, 'Madwomen in Social Justice Movements, Literatures, and Art' is a cutting-edge inquiry into the implications of Madness as a theoretical tool in which dissenting, deviant, and abnormal women and gender non-conforming writers, artists, and activists open the door to Mad futurities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Children of families who are locked in a fatal feud, Romeo and Juliet risk community, identity, and life to pursue an all-consuming love. Today, Romeo and Juliet is one of the most famous love stories in the world. But the play isn’t simply a celebration of love or an idealization of the lovers. This wild and dangerous play lays bare the link between desire and death, between love and loss. The tragedy of Romeo and Juliet isn’t that their love is thwarted or impossible. The tragedy is love. In this course, you’ll learn the story of Romeo and Juliet, hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars, and see how Shakespeare brings its characters to life with the brightness and briefness of lightning. In Part 1, you’ll be guided through a detailed account of the story with commentary by Simon Palfrey, Professor of English at the University of Oxford. Professor Palfrey explains how this play is Shakespeare’s experimentation with new possibilities in drama and a masterpiece of his own poetic powers. You’ll learn how Shakespeare characterizes Romeo and Juliet and how their relationship is reflected in their particular forms of poetry. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Balthrop-Lewis's Thoreau's Religion: Walden Woods, Social Justice, and the Politics of Asceticism (Cambridge UP, 2021) presents a ground-breaking interpretation of Henry David Thoreau's most famous book, Walden. Rather than treating Walden Woods as a lonely wilderness, Balthrop-Lewis demonstrates that Thoreau's ascetic life was a form of religious practice dedicated to cultivating a just, multispecies community. The book makes an important contribution to scholarship in religious studies, political theory, English, environmental studies, and critical theory by offering the first sustained reading of Thoreau's religiously motivated politics. In Balthrop-Lewis's vision, practices of renunciation like Thoreau's can contribute to reforming social and political life. This book transforms Thoreau's image, making him a vital source for a world beset by inequality and climate change. Balthrop-Lewis argues for an environmental politics in which ecological flourishing is impossible without economic and social justice. Alda Balthrop-Lewis is a Research Fellow at the Institute for Religion and Critical Inquiry at Australian Catholic University, Melbourne. She holds a Ph.D. in Religion from Princeton University and has taught Religious Studies at Brown University. Her research, which focuses on religious ethics and the circulation of ideas among theological, artistic, and popular idioms, has appeared in the Journal of the American Academy of Religion and the Journal of Religious Ethics. Ilana Maymind is a lecturer at the Religious Studies Department at Chapman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Secret History of the Mongols is one of the literary wonders of the world. Writing in the thirteenth century, the Secret Historian - whose identity remains unknown - combines insider history and verse to chronicle the life of Chingghis Khan and the empire he founded. In an evocative new translation, Chris Atwood brings to life for contemporary readers the world of the Mongol steppe, the Mongol conquests, and life within the tent cities of the Mongol empire. In this episode, Prof. Atwood joins me to discuss what we know about the identity of the Secret Historian; the circumstances of the epic’s creation, reception, and transmission; how Mongol identity is constructed and portrayed in The Secret History; and his work as a historian and translator. Maggie Freeman is a PhD candidate in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Archives of War: Technology, Emotion and History (Routledge, 2023) offers a comparative analysis of British Army Unit War Diaries in the two World Wars, to reveal the role played by previously unnoticed technologies in shaping the archival records of war. Despite thriving scholarship on the history of war, the history of Operational Record Keeping in the British Army remains unexplored. Since World War I, the British Army has maintained daily records of its operations. These records, Unit War Diaries, are the first official draft of events on the battlefield. They are vital for the army’s operational effectiveness and fundamental to the histories of British conflict, yet the material history of their own production and development has been widely ignored. This book is the first to consider Unit War Diaries as mediated, material artefacts with their own history. Through a unique comparative analysis of the Unit War Diaries of the First and Second World Wars, this book uncovers the mediated processes involved in the practice of operational reporting and reveals how hidden technologies and ideologies have shaped the official record of warfare. Tracking the records into The National Archives in Kew, where they are now held, the book interrogates how they are re-presented and re-interpreted through the archive. It investigates how the individuals, institutions and technologies involved in the production and uses of unit diaries from battlefield to archive have influenced how modern war is understood and, more importantly, waged. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of the CEU Press Podcast Series, host Andrea Talabér (CEU Press/CEU Review of Books) sat down with biographer and historian Michael O’Sullivan to discuss his latest book with CEU Press, The Poet & Baroness: W.H. Auden and Stella Musulin, a Friendship (CEU Press, 2023). In his book, Michael explores the warm relationship between W.H. Auden, the celebrated British-American poet (1907–1973), and his fellow expatriate, the Welsh-Austrian journalist, translator and writer Stella Musulin (1915–1996). The friendship blossomed when Auden resided in the small town of Kirchstetten, close to Vienna, from 1958 until Auden’s death in 1973. The book is based on the unpublished letters of Auden to Musulin and her private journals. In the episode Michael introduces us to Stella Musulin, we talk about how Auden ended up in a small village near Vienna and about Michael’s personal relationship with Stella. Click here to purchase the book. The CEU Press Podcast Series delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We will also talk to series editors and authors, who will share their experiences of getting published and talk about their series or books. Interested in the CEU Press’s publications? Click here to find out more. Stay tuned for future episodes and subscribe to our podcast to be the first to be notified. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We kick off Season 6 with Kate Marshall, friend of the show and author of the forthcoming book Novels by Aliens: Weird Tales and the Twenty-First Century. Hosts and producers Chris Holmes and Emily Hyde ask Kate about the pulpy literary history of weird tales and learn how in the 21st-century weirdness emerges as both genre and mood. The conversation roves from the weirdness of the weather to novels that long for the nonhuman and reach for alien perspectives to the genres responding to our climate crisis. Join us to hear about the novelists and critics appearing in Season 6 of Novel Dialogue and to explore our contemporary state of weird.Mentions: --Sheila Heti, Pure Colour --Roberto Bolaño on Cormac McCarthy’s Blood Meridian --Megan Ward, Seeming Human: Artificial Intelligence and Victorian Realist Character --David Herman, Storytelling and the Sciences of Mind --Kasuo Ishiguro, Klara and the Sun --Elvia Wilk, Oval --Olga Ravn’s The Employees --Amitav Ghosh, The Great Derangement: Climate Change and the Unthinkable --Colson Whitehead, Zone One Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas. Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama (U Minnesota Press, 2023) finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions. Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways. Shigeru Kayama (1904–1975) was a science fiction writer and scenarist whose early stories about monsters and mutated sea creatures attracted the attention of Tōhō Studios, which asked him to draft the first two Godzilla films. Jeffrey Angles is professor of Japanese at Western Michigan University. He is the author of Writing the Love of Boys: Origins of Bishonen Culture in Modernist Japanese Literature (Minnesota, 2011) and the award-winning translator of Orikuchi Shinobu’s The Book of the Dead (Minnesota, 2017) and Hiromi Ito’s The Thorn Puller. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Recent thinking has resuscitated civility as an important paradigm for engaging with a violence that must be deemed endemic to our lives. But, while it is widely acknowledged that civility works against violence, and that literature generates or accompanies civility and engenders tolerance, civility has also been understood as violence in disguise, and literature, which has only rarely sought to claim the power of violence, has often been accused of inciting it. Engaging Violence: Civility and the Reach of Literature (Stanford UP, 2022) sets out to describe the ways in which these words—violence, literature and civility—and the concepts they evoke are mutually entangled, and the uses to which these entanglements have been put. Simpson's argument follows a broadly historical trajectory through the long modern period from the Renaissance to the present, drawing on the work of historians, political scientists, literary scholars and philosophers. The result is a distinctly new argument about the complex and often mystified entanglements between literature, civility and violence in the anglophone Atlantic sphere. What now are our expectations of civility and literature, separately and together? How do these long-familiar but residually imprecise concepts stand up to the demands of the modern world? Simpson's argument is that, despite and perhaps because of their imperfect conceptualization, both persist as important protocols for the critique of violence. David Simpson is Distinguished Professor and G.B. Needham Chair, emeritus, at the University of California, Davis. His most recent book is States of Terror: History, Theory, Literature (2019). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lenora Hanson's The Romantic Rhetoric of Accumulation (Stanford UP, 2022) provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever. Lenora Hanson is Assistant Professor of English at New York University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Part 3, Professor Emma Smith offers close-readings of some of the play’s most important scenes, which dramatize the wide range of relationships and types of love explored in the play. Speeches and performers: Orsino, 1.1, “If music be the food of love, play on …” (Jeffrey Blair Cornell) Malvolio and Olivia, 1.5, “I marvel your Ladyship takes delight in such a barren rascal …” (Amanda Harris) Antonio and Sebastian, 2.1, “If you will not murder me for my love …” (Kelly Hunter, MBE) Viola, 2.2, “I left no ring with her …” (Katy Stephens) Malvolio, 2.5, “M.O.A.I. …” (Jeffrey Blair Cornell) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ainsley Morse's book Word Play: Experimental Poetry and Soviet Children's Literature (Northwestern UP, 2021) traces the history of the relationship between experimental aesthetics and Soviet children’s books, a relationship that persisted over the seventy years of the Soviet Union’s existence. From the earliest days of the Soviet project, children’s literature was taken unusually seriously—its quality and subject matter were issues of grave political significance. Yet, it was often written and illustrated by experimental writers and artists who found the childlike aesthetic congenial to their experiments in primitivism, minimalism, and other avant‑garde trends. In the more repressive environment following Stalin’s rise to power, experimental aesthetics were largely relegated to unofficial and underground literature, but unofficial writers continued to author children’s books, which were often more appealing than adult literature of the time. Word Play focuses on poetry as the primary genre for both children’s and unofficial literature throughout the Soviet period. Five case studies feature poets‑cum‑children’s writers—Leonid Aronzon, Oleg Grigoriev, Igor Kholin, Vsevolod Nekrasov, and Dmitri Prigov—whose unpublished work was not written for children but features lexical and formal elements, abundant humor, and childlike lyric speakers that are aspects of the childlike aesthetic. The book concludes with an exploration of the legacy of this aesthetic in Russian poetry today. Drawing on rich primary sources, Word Play joins a growing literature on Russian children’s books, connecting them to avant-garde poetics in fresh, surprising ways. Polina Popova is a Ph.D. student at the history department of the University of Illinois at Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s guest is Edgar Garcia. Garcia’s new book Emergency: Reading the Popol Vuh in a Time of Crisis (University of Chicago Press, 2022). Emergency takes nine words—“birds,” “wealth,” “caves,” “television,” “demons,” “migrations,” “love,” “the sun,” and “Mormons”—and weaves a rich transhistorical narrative about the Popul Vuh sacred narrative. In these pages, Garcia explores how this text emerged in conditions of historical violence and persisted through over three hundred years, becoming a touchstone for Mesoamerican religious studies, decolonial activism, and literary adaptation. Edgar Garcia is Professor of English at the University of Chicago. His previous books are Signs of the Americas: A Poetics of Pictography, Hieroglyphs, and Khipu (University of Chicago Press, 2020) and Skins of Columbus: A Dream Ethnography (Fence Books, 2019). He has also served as the guest editor of Fence, a literary magazine. Written during the COVID pandemic, Emergency was published in 2022. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dženita Karić's new book Bosnian Hajj Literature: Multiple Paths to the Holy (Edinburgh University Press, 2023) maps the diverse understandings of the hajj in relation to Islamic geography by Bosnian Muslim authors who wrote in different genres from the 16th to the 21st centuries. The study captures how hajj was imagined and constructed in relation to Islamic cosmology, rituals, Sufi saints, and political and temporal realities, while remaining unchanged in other ways. The book generatively theorizes geographies in relation to mobilities but also in relation to emotion, body, and embodiment, materiality, and the sacred. The book will be of interest to scholars of Bosnian studies, Islamic studies, and especially pilgrimage and ritual studies. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Under a Bloodred Sky: Avigdor Hameiri’s War Stories and Poetry (Academic Studies Press, 2023) represents an anthology of Avigdor Hameiri’s ten most compelling war stories and poetry. His war stories are unique, and different from his Hebrew writer contemporaries in that they mix the supernatural and macabre with war, pogroms, and antisemitism. These stories and poems reflect like no other the unique complexity of the Jewish soldier’s experience of the most vicious and shocking war the world had witnessed to date — the battles, the agony, the dilemmas faced by the Jewish soldier, bravery versus cowardice, the notion of imminent death, breaking the sixth commandment (Thou Shalt Not Murder), elements of pacifism (particularly involving camaraderie between the common soldiers on both sides of the battlefield and their shared hatred for rank), and more. Peter Appelbaum is a retired microbiologist who is spending his retirement years writing and translating books about Jewish history during World War I and the immediate post-war period. He is the recipient of the 2019 Rise Domb Porjes prize for his translation of Avigdor Hameiri’s Hell on Earth. Dan Hecht is a doctoral student at the School of Cultural Studies at Tel Aviv University who wrote an extensive Masters thesis on the writings of Avigdor Hameiri, focusing on his dual national loyalty to his Hungarian heritage and his Hebrew homeland. He is currently writing his PhD on the essayistic prose of Eliezer Steinmann. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pallavi Narayan's book Pamuk's Istanbul: The Self and the City (Routledge, 2022) reconstructs Istanbul through the prism of Orhan Pamuk’s fiction. It navigates the multiple selves and layers of Istanbul to present how the city has shaped the writings of Pamuk and has, in turn, been shaped by it. Through everyday objects and architecture, it shows how Pamuk transforms the city into a living museum where different objects converse along with characters to present a rich tapestry across space and time. Further, the monograph explores the formation of communal and literary identity within and around nation-building narratives informed by capitalism and modernization. The book also examines how Pamuk uses the postmodern city to move beyond its postmodern confines, and utilizes the theories and universes of Bakhtin, Benjamin, and Foucault to open up his fiction and radically challenge the idea of the novel. The volume will be of great interest to scholars and researchers of literature, literary theory, museum studies, architecture, and cultural studies, and especially appeal to readers of Orhan Pamuk. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Earthly Paradise was a vibrant symbol at the heart of medieval Christian geographies of the cosmos. As humanity’s primal home now lost through the sins of Adam of Eve, the Earthly Paradise figured prominently in Old French tales of lands beyond the mundane world. This study proposes a fresh look at the complex roles played by the Earthly Paradise in three medieval French poems: Marie de France’s The Purgatory of St. Patrick, Benedeit’s Voyage of Saint Brendan the Abbot, and Guillaume de Lorris’s The Romance of the Rose. By examining the literary, cultural, and artistic components that informed each poem, Spiritual and Material Boundaries in Old French Verse: Contemplating the Walls of the Earthly Paradise (Medieval Institute Publications, 2023) advances the thesis that the exterior walls of the Earthly Paradise served evolving purposes as contemplative objects that implicitly engaged complex notions of economic solidarity and idealized community. These visions of the Earthly Paradise stand to provide a striking contribution to a historically informed response to the contemporary legacies of colonialism and the international refugee crisis. Jacob Abell is Assistant Professor of French at Baylor University. His work focuses on ecocriticism, religious studies, and the digital humanities. Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Published earlier this year from Running Press, Kristen Lopez’s But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films looks at almost a hundred years of film adaptations of novels. The book offers a survey of how directors, actors, and screenwriters have transformed the raw material of fiction into works that were sometimes transgressive, sometimes reverential, and always compelling. Among the adaptations are William Wyler’s Wuthering Heights (1939) from the Emily Bronte novel; Steven Spielberg’s Jurassic Park (1993) from Michael Crichton’s novel; Ridley Scott’s Blade Runner (1982) from Philip K. Dick’s “Do Androids Dream of Electric Sheep?”; and Sophia Coppola’s The Virgin Suicides (1999) from Jeffrey Eugenides 1993 novel. I am excited to have Kristen Lopez on the podcast to discuss the book. Kristen has been the Film Editor at The Wrap since 2022 and the creator of the podcast Ticklish Business. Kristen’s work has also been published in Culturess, Forbes, The Movie Isle, Citizen Dame, and Remezcla. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

J.R.R. Tolkien's masterwork The Lord of the Rings delighted so many of us as children, yet it and its vast body of accompanying work, such as the Silmarillion, contain a rich depth not well understood by most adults. Tolkien's work reflects his academic interests in the history of language and the Medieval world, as well as his Catholic faith. What purpose and religious message does his writing contain? Does his work carry a political meaning? Here to discuss is Professor Rachel Fulton Brown, Associate Professor of Medieval History at the University of Chicago. In addition to her work on the history of Christianity, medieval liturgy, and the cult of the Virgin Mary, she teaches a popular course "Tolkien: Medieval and Modern," and has a series of lectures and writings mining the depths of Tolkien's thought and writing. More on Rachel Fulton Brown here. The syllabus to her course is here. Her lecture series, "The Forge of Tolkien" is here. Her blog, "Fencing Bear at Prayer" is here. Dragon Common Room, which contains more lectures and information about creative writing, is here. Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Disney Princesses are a billion-dollar industry, known and loved by children across the globe. In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media. Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Part 2 looks at the many instances of inversion and transgression, looking at how characters cross boundaries of gender, status, and social role, and how they are punished or rewarded. Professor Emma Smith looks closely at the final scene and how it settles—or doesn’t— the characters’ roles and the play’s own status as a comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil’s work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The stories in the Thousand and One Nights, or the Arabian Nights, are familiar to many of us: from the tales of Aladdin, Sinbad the Sailor, Ali Baba and his forty thieves, to the framing story of Scheherazade telling these stories to her homicidal husband, Shahrayar. Muḥsin Jāsim Mūsawī's The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry (Cambridge UP, 2021) offers a rich and wide-ranging analysis of the power of this collection of tales that penetrates so many cultures and appeals to such a variety of predilections and tastes. It also explores areas that were left untouched, like the decolonization of the Arabian Nights, and its archaeologies. Unique in its excavation into inroads of perception and reception, Muhsin J. al-Musawi's book unearths means of connection with common publics and learned societies. Al-Musawi shows, as never before, how the Arabian Nights has been translated, appropriated, and authenticated or abused over time, and how its reach is so expansive as to draw the attention of poets, painters, illustrators, translators, editors, musicians, political scientists like Leo Strauss, and novelists like Michel Butor, James Joyce and Marcel Proust amongst others. Making use of documentaries, films, paintings, novels and novellas, poetry, digital forums and political jargon, this book offers nuanced understanding of the perennial charm and power of this collection. Professor Muhsin al-Musawi is a literary critic and a scholar of classical and modern Arabic literature and comparative cultural studies. He taught for over two decades at universities in the Arab world before moving to Columbia University. He is the author of twenty-eight books (including four novels) and over sixty scholarly articles. He has been the editor of the Journal of Arabic Literature (Brill Academic Publishers) since 2000. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How does Robert Louis Stevenson’s engagement with Pacific Islands cultures demonstrate processes of inculturation and the transformation of global Christianity? L. M. Ratnapalan's book Robert Louis Stevenson and the Pacific: The Transformation of Global Christianity (Edinburgh UP, 2023) re-orients the intellectual biography of Robert Louis Stevenson by presenting him in the distinctive cultural environment of the Pacific. The book argues that Stevenson was religiously literate within a Scottish Presbyterian tradition and therefore well placed to grasp with subtlety the breadth and dynamics of a Christianized Pacific culture. It considers his legacy with respect to issues of indigenous sovereignty and agency and positions him within an important and wide-ranging modern debate about inculturation, defined as the emergence of Christianity from within a particular culture rather than imposed on it from outside. Through this study of a major Scottish writer, the book offers a model of interdisciplinary scholarship. L. Michael Ratnapalan is Associate Professor of History at Underwood International College, Yonsei University. He has published widely on modern intellectual and cultural history, with a focus on Britain’s interactions with the wider world. Joseph Gaines can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

To mark the publication of John's book Ursula Le Guin's Earthsea (My Reading), with Oxford University Press (2023), John and Elizabeth take to the airways to share their love of Le Guin's "speculative anthropology," gender politics, and goats. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Richard Waugaman is an emeritus supervising and training analyst at the Washington Baltimore Center for Psychoanalysis. He is also a well-respected author. With regard to his career he has said, “I have practiced clinical psychoanalysis for over 40 years. Initially, my publications were mostly on psychoanalysis.” In 2002, he made a discovery when he learned that the traditional theory about who wrote Shakespeare is faith-based, not evidence-based. As he plunged deeply into primary research on this exciting topic, he learned that the Geneva Bible owned by the Earl of Oxford, now at the Folger Shakespeare Library, has marginalia and under-linings that Roger Stritmatter shows correspond closely with biblical echoes in Shakespeare. He then researched the Whole Book of Psalms and discovered it was the largest Psalms literary source for Shakespeare. He has also published evidence that many other Elizabethan works were also written by the Earl of Oxford anonymously, using pen names, or allonyms. Now he has contributed to a new book that was recently published by Routledge entitled New Psychoanalytic Readings of Shakespeare. Cool Reasons and Seething Brains (Routledge, 2023). The title of his chapter is “What Shakespeare Teaches Us about Psychological Complexity.” Karyne Messina is a licensed psychologist and psychoanalyst at the Washington Baltimore Center for Psychoanalysis and am on the medical staff of Suburban Hospital in Bethesda, Maryland. She is the author of Resurgence of Populism: A Psychoanalytic Study of Projective Identification, Blame Shifting and the Corruption of Democracy (Routledge, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Is the raw material of literature the paper, ink, vellum, paphyrus, and increasingly electronic data that it is inscribed on? Or is the stuff of literature the storehouse of tropes, techniques, and plots that authors draw from? And what kind of labor is the process of transforming that matter into literature? Earlier this year, Taylor Cowdery published an academic study on just this subject. The title of Taylor’s book is Matter and Making in Early English Poetry: Literary Production from Chaucer to Sidney (Cambridge University Press, 2023). Through case studies of Chaucer’s Canterbury Tales, Gower’s Confessio Amantis, Thomas Hoccleve’s Series, and Thomas Wyatt’s poetry, Taylor captures a wide discourse around creativity and originality. Taylor is Associate Professor of English and Robert M. Lumiansky Fellow at the University of North Carolina, Chapel Hill. Taylor also serves as the Director of the Program in Medieval and Early Modern Studies, and Taylor’s writing has been published in ELH, Studies in the Age of Chaucer, and The Legacy of Boethius in Medieval England. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies