New Books in Literary Studies

Part 2 focuses on the play’s key interpretive questions: how we are invited to judge the central characters. Is Caesar, in Shakespeare’s story, really a tyrant who needed to be killed? Is Brutus a noble political hero or a misguided egoist? With Professor Michael Dobson, you’ll discover how Shakespeare restructured this familiar story to make easy judgments impossible. Professor Dobson also discusses the Roman values that the characters strive to embody and how these values generate friendships, rivalries, and violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this timely and witty combination of So You've Been Publicly Shamed and Where'd You Go, Bernadette? a viral photo of a politician's wife's "feminine hygiene malfunction" catapults her to unwanted fame in a story that's both a satire of social media stardom and internet activism, and a tender mother-daughter tale. Kathleen Held's life is turned upside down when she arrives home to find her house on fire and her husband on the front lawn in his underwear. But the scandal that emerges is not that Bill, who's running for Senate, is having a painfully cliched affair with one of his young staffers: it's that the eyewitness photographing the scene accidentally captures a period stain on the back of Kathleen's pants. Overnight, Kathleen finds herself the unwitting figurehead for a social media-centered women's right movement, #YesWeBleed. Humiliated, Kathleen desperately seeks a way to hide from the spotlight. But when she stumbles upon the Society of Shame--led by the infamous author Danica Bellevue--Kathleen finds herself part of a group who are all working to change their lives after their own scandals. Using the teachings of the society, Kathleen channels her newfound fame as a means to reap the benefits of her humiliation and reclaim herself. But as she ascends to celebrity status, Kathleen's growing obsession with maintaining her popularity online threatens her most important relationship IRL: that with her budding activist daughter, Aggie. Hilarious and heartfelt, The Society of Shame (Anchor, 2023) is a pitch-perfect romp through politics and the perils of being "extremely online"--without losing your sanity or your true self. Jane Roper is the author of two previous books: a memoir, Double Time, and a novel, Eden Lake. Her short fiction, essays, and humor have appeared in publications including McSweeney's Internet Tendency, The Millions, The Rumpus, Salon, and Poets & Writers and on NPR. Jane is a graduate of the Iowa Writers' Workshop and lives in the Boston area with her husband and two children. Book Recommendations: Julia Argy, The One Ashley Audrain, The Push Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune’s Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy. In this fascinating new book, Professor Baker reveals how Renaissance Italians developed a new concept of the future as unknown time-yet-to-come. As In Fortune’s Theater makes clear, nearly everyone in Renaissance Italy seemingly had the future on their minds. Authorities in important commercial hubs such as Genoa, Venice, Rome, and Florence legislated against overzealous betting on the future. Merchants filled their commercial correspondence with a lexicon of futurity. Famed painters such as Caravaggio, Giorgio Vasari, and Paolo Veronese manipulated the existing iconography of the figure of Fortuna into a moral allegory about unseized opportunity. And seemingly every important Renaissance Italian intellectual including Petrarch, Dante, Christine de Pizan, Poggio Bracciolini, Leon Battista Alberti, Laura Cereta, Giovanni Pontano, Niccolò Machiavelli, Francesco Guicciardini, and Baldassare Castiglione cared deeply about time-yet-to-come. Baker’s book is a rich, multilayered examination of the problems of risk, fortune, and the future in the Renaissance, and it should have broad appeal to anyone interested in the economic and political culture of early modern Europeans. Michael Paul Martoccio is an Assistant Professor of History at the University of Wisconsin-Madison specializing in the economic and military historian of the early modern Mediterranean. I am especially interested in how early modern economic practices – consumerism, market culture, and the commercialization of war – shaped notions of sovereignty, territoriality, and political geography. If you have a title to suggest for this podcast, please contact him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Born in central Tokyo in 1920, Rin Ishigaki was one of the most daring and gifted poets of Japan’s postwar cultural renaissance. She knew Japan before the war, during it, and afterwards, saw it move from hubris to disastrous defeat – which included the destruction of her family home during one of the worst fire bombings of Tokyo in 1945 – to restoration into the community of nations. Her poetry is witness to this history as seen from her own specific viewpoint, that of a single woman working in a bank as the only support for her six-member family, at first engaged in labor union activities, but later moving to a politically more independent position. Her down-to-earth understanding of the politics of family and the workplace, helped to create her reputation as a writer of ‘life poetry’ and as a poet of resistance, but this combines with a matter-of-fact, unsentimental, and often humorous intimacy with the ordinary creatures and things of the world, whether animal, vegetable or mineral, to shed an almost other-worldly light over some of the poems, even though they speak in tones and about subjects refreshingly earthy and earthly. Janine Beichman’s skilled and deeply sympathetic translations of Ishigaki's poems in This Overflowing Light (Isobar Press, 2022) capture Ishigaki's breadth and depths in English, from the early postwar political poems and cries for freedom from family ties all the way to the late poems in which she contemplates her own death. ‘How else,’ she asked, ‘could you write poetry except from your own life?’ Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

U.S. foreign policy has long been built on a dichotomy of an irreplaceable "here" and an expendable "there." In his 2003 announcement of the military campaign in Iraq, George W. Bush declared that we would fight in the Middle East so we wouldn't have to fight "on the streets of our cities." But what do the millions of people who live over "there" have to say about U.S. interventions and the displacement they provoke? In Fighting Over There: U.S. War Making and Contemporary Refugee Literature (U Massachusetts Press, 2023), Alaina Kaus analyzes literature by and about refugees who fled Southeast Asia, Central America, the Caribbean, North Africa, and the Middle East, in the wake of U.S. military occupation and economic intervention. Narratives by authors such as Lan Cao, Viet Thanh Nguyen, Demetria Martínez, Héctor Tobar, Dave Eggers, Mohsin Hamid, and Riverbend reveal contradictions in the human rights pledges that undergird U.S. foreign policy, which promote freedom while authorizing intervention and displacement, and favor market-based solutions over social justice and racial equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1856, the East India Company imposed the Hindu Widow Remarriage Act, allowing widows to remarry after their husband’s death. The Act was controversial at the time: Hindu traditionalists, particularly in higher castes, prevented widows from remarrying to protect the family’s honor, and even teenage and child widows were expected to live lives of austerity. The following year, the Marathi author Baba Padmanji publishes Yamuna’s Journey: one of the first, if not the first, novel in an Indian language. The novel, recently translated by Deepra Dandekar and published by Speaking Tiger Books, follows the story of Yamuna, an educated Marathi woman (and secret Christian), and her husband Vinayak as they travel the region, encountering tragic tales of Hindu widows prevented from remarrying. Deepra Dandekar is a researcher at the Leibniz-Zentrum Moderner Orient, Berlin. She is the author of Baba Padmanji: Vernacular Christianity in Colonial India, the first critical biography of Baba Padmanji in English. We’re joined today by Mariyam Haider, researcher-writer and spoken word artist in Singapore. In this interview the three of us talk about Yamuna’s Journey, its Christian roots, and the debate about widow remarriage in nineteenth century India. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Yamuna’s Journey. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sheila Liming talks about the party, social gatherings that occasion joy and dread and various emotions in between. The party is both a pause and an acceleration in the life-work continuum, it can deaden political motivation and engender fresh politics. We discuss the horrible parties in The Office and the wonderful parties in Small Axe, among other things. Sheila Liming is Associate Professor at Champlain College in Burlington, VT, where she teaches classes in American literature, writing, and media. She is the author, most recently, of Hanging Out: The Radical Power of Killing Time (Melville House, 2023), and also of the books Office (Bloomsbury, 2020) and What a Library Means to a Woman (Minnesota UP, 2020). Her writing has appeared in publications like the The New York Review of Books, The Atlantic, Lapham's Quarterly, LitHub, The Globe and Mail, and The Los Angeles Review of Books, and elsewhere. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hello, world! This is the Global Media & Communication podcast series. In this episode, our host Ignatius Suglo discusses the book Made in Censorship: The Tiananmen Movement in Chinese Literature and Film (Columbia University Press, 2022) by Thomas Chen. You’ll hear about: Author’s intellectual and professional trajectory that led him to the book; How to study Tiananmen Movement as a media event through a careful selection of literature and film materials; How to think of the productivity of silence and absence; The use of “positive energy” in mobilizing censorship; Human labor and the idea of “workshop” in the work of censorship; How iconic images such as “Tank Man” have been interpreted and appropriated; The role played by women in social movements and their representations in post-1989 China; The emergence of Internet in the 1990s and the paradoxical nature of “Internet sovereignty”; Author’s positionality and reflection on writing the book. About the book The violent suppression of the 1989 Tiananmen Square demonstrations is thought to be contemporary China’s most taboo subject. Yet despite sweeping censorship, Chinese culture continues to engage with the history, meaning, and memory of the Tiananmen movement. Made in Censorship examines the surprisingly rich corpus of Tiananmen literature and film produced in mainland China since 1989, both officially sanctioned and unauthorized, contending that censorship does not simply forbid—it also shapes what is created. You can find more about the book here by Columbia University Press. Author: Thomas Chen graduated with a B.A. in Comparative Literature and English from Cornell University and a Ph.D. in Comparative Literature from UCLA. With a focus on modern Chinese literature and cinema, his research interests include world literature/cinema, translation studies, and historiography. His book Made in Censorship: The Tiananmen Movement in Chinese Literature and Film is available from Columbia University Press. Host: Ignatius Suglo is Postdoctoral Fellow, Center for Advanced Research in Global Communication. He completed his Ph.D. in China Studies at the University of Hong Kong. He also has a secondary specialization in African Studies. His research interests Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Julius Caesar is one of Shakespeare’s most famous plays, telling the story of one of history’s most famous events. In this tense political thriller, the Roman senator Brutus must decide whether to assassinate the powerful military general Julius Caesar in order to save Roman Republic — and the audience must decide whether Brutus made the right choice. In this course, you’ll learn how Shakespeare dramatized the historical event of Caesar’s assassination in 44 BCE, and particularly how he linked refined political rhetoric, aspiration toward Roman ideals, and acts of savage violence. You’ll also hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Michael Dobson, Director of the Shakespeare Institute in Stratford-upon-Avon and Professor of Shakespeare Studies, University of Birmingham. Professor Dobson discusses the Roman history behind Julius Caesar and the cultural role of classical Rome during the Renaissance, when Shakespeare was writing. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Celebrated, censored, canceled: Mark Twain’s Adventures of Huckleberry Finn cannot be avoided. William Faulkner called Twain “the father of American literature.” Toni Morrison explained that “the brilliance of Adventures of Huckleberry Finn is that it is the argument it raises…. The cyclical attempts to remove the novel from classrooms extend Jim’s captivity on into each generation of readers.” Ernest Hemingway claimed “all modern American literature comes from one book by Mark Twain called Huckleberry Finn… There was nothing before. There has been nothing as good since.” Ralph Waldo Ellison added that “Hemingway missed completely the structural, symbolic and moral necessity for that part of the plot in which the boys rescue Jim. Yet it is precisely this part which gives the novel its significance.” I spoke with Cleo McNelly Kearns, author of a seminal essay on Jim’s role in the book, about Huckleberry Finn as a challenge and an opportunity for 21st-century readers to understand ourselves, our country, and our moral obligations more accurately. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cosmopolitan Cultures and Oceanic Thought (Routledge, 2023) imagines the ocean as central to understanding the world and its connections in history, literature, and the social sciences. Introducing the central conceptual category of the ocean as a method, it analyzes the histories of movement and traversing across connected spaces of water and land sedimented in literary texts, folklore, local histories, autobiographies, music, and performance. It explores the constant flow of people, materials, and ideologies across the waters and how they make their presence felt in cosmopolitan thinking of the connections of the world. Going beyond violent histories of slavery and indenture that generate global connections, it tracks the movements of sailors, boatmen, religious teachers, merchants, and adventurers. The essays in this volume summon up this miscegenated history in which land and water are ever linked. A significant rethinking of world history, this volume will be of great interest to scholars and researchers of history, especially connected history and maritime history, literature, and Global South studies. Dilip M. Menon is a historian and currently the Mellon Chair in Indian Studies at the University of Witwatersrand. South Africa. Nishat Zaidi is a Professor and former Head of the Department of English, Jamia Millia Islamia, New Delhi, India. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared (Knopf, 2023) reaffirms the undeniable artistry of a contemporary master of the form. ANDREW PORTER is the author of the story collection The Theory of Light and Matter and the novel In Between Days. A graduate of the Iowa Writers’ Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O’Connor Award for Short Fiction. His work has appeared in One Story, The Threepenny Review, and Ploughshares, and on public radio’s Selected Shorts. Currently, he teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Sarah Majka, Cities I’ve Never Lived In Cara Blue Adams, You Never Get It Back Stuart Dybek, The Coast of Chicago Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Aside from being John’s (younger, suaver and beardier) brother, what has the inimitable David Plotz done lately? Only hosted “The Slate Political Gabfest“, written two books (“The Genius Factory” and “The Good Book“) and left Atlas Obscura to found City Cast. So, when John called him up in April 2020 for the Books in Dark Times series, what was his Pandemic reading? The fully absorbing “other worlds” of Dickens and Mark Twain tempt David, but he goes another direction. He picks one book that shows humanity at its worst, heading towards world war. And another that shows how well we can behave towards one another (and even how happy we can be…) at “moments of super liquidity” when everything melts and can be rebuilt. He also guiltily admits a yen for Austen, Rowling, and Pullman–and gratuitously disses LOTR. John and David bond about their love for lonnnnnnng-form cultural history in the mold of Common Ground. Finally the brothers enthuse over their favorite book about Gettysburg, and reveal an embarrassing reenactment of the charge down Little Round Top. Mentioned in this episode: Charles Dickens, “David Copperfield“ J.R.R. Tolkien, “The Hobbit“ Mark Twain, “Huckleberry Finn” (1884) Barbara Tuchman, “The Guns of August” (1962, but about 1914) Emily St. John Mandel, “Station Eleven” (2014) Jon Moallem, “This is Chance” (March 2020; on the great Alaska earthquake) Isabel Wilkerson,. “The Warmth of Other Suns” (2010) (David delightedly discovers it on his bookshelf..) J Anthony Lukas, “Common Ground” (1986) (the mothership of the long-form cultural history that DP and JP both adore) Jane Austen, “Pride and Prejudice” (1813) J. K. Rowling, Harry Potter series Michael Shaara, “The Killer Angels” (1974) Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Before Modernism: Inventing American Lyric (Princeton UP, 2023) examines how Black poetics, in antagonism with White poetics in the late eighteenth and early nineteenth centuries, produced the conditions for the invention of modern American poetry. Through inspired readings of the poetry of Phillis Wheatley Peters, George Moses Horton, Ann Plato, James Monroe Whitfield, and Frances Ellen Watkins Harper—as well as the poetry of neglected but once popular White poets William Cullen Bryant and Henry Wadsworth Longfellow—Virginia Jackson demonstrates how Black poets inspired the direction that American poetics has taken for the past two centuries. As an idea of poetry based on genres of poems such as ballads, elegies, odes, hymns, drinking songs, and epistles gave way to an idea of poetry based on genres of people—Black, White, male, female, Indigenous—almost all poetry became lyric poetry. Jackson discusses the important role played by Frederick Douglass as an influential editor and publisher of Black poetry, and traces the twisted paths leading to our current understanding of lyric, along the way presenting not only a new history but a new theory of American poetry. A major reassessment of the origins and development of American poetics, Before Modernism argues against a literary critical narrative that links American modernism directly to British or European Romanticism, emphasizing instead the many ways in which early Black poets intervened by inventing what Wheatley called “the deep design” of American lyric. Hal Coase is a PhD candidate at La Sapienza, University of Rome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With the publication of her most recent novel, White Horse, Erika T. Wurth breaks from the realism that characterized her earlier fiction and ventures into horror. White Horse follows Kari, an urban Native living in Denver, as a family heirloom belonging to her long-missing mother launches her into a world of the uncanny: ghosts and monsters lurch into real life and portals transport her into scenes from the past that reveal traumatic family secrets. Wurth speaks with critic Leif Sorensen and host Rebecca Evans about what abides at the intersection of politics and craft, and what’s at stake in particular for the Indigenous writers of genre fiction whose work takes shape at that intersection. Their conversation pokes serious fun at everything from the faltering literary truism that being good at plot is somehow less impressive than being good at characterization to debates over authenticity in Native literature. Horror, as Wurth describes it, offers real and meaningful pleasures, solves the craft problems of over exposition, and opens up powerful questions of identity, politics, and history. Tune in for recommendations for genre writers from the emerging Fifth Wave of Indigenous fiction, reflections on orality and linguistics, and Wurth’s cure for “writer’s depression” instead of writer’s block! Mentions Harper Lee’s To Kill a Mockingbird Leslie Marmon Silko’s Ceremony and Almanac of the Dead Sherwood Anderson’s Winesburg, Ohio Tattered Cover Book Store Talking Scared Podcast Stanley Hotel Red Power movement and the American Indian Movement Tommy Orange’s There, There Water protectors Idle No More Black Lives Matter Astrophil Press The Writer’s Chronicle Daniel Heath Justice’s Why Indigenous Literatures Matter Save the Cat! Erika T. Wurth’s “The Fourth Wave” and “The Fourth Wave in Native American Fiction” David Treuer’s Native American Fiction: A User’s Manual Wurth also references and recommends a number of genre writers, from romance to speculative literature to crime fiction to horror and beyond. Check out her picks, including B. L. Blanchard, V. Castro, Kelli Jo Ford, Lev Grossman, Grady Hendrix, Brandon Hobson, Marlon James, Jessica Johns, Stephen Graham Jones, Stephen King, Victor LaValle, Silvia Moreno-Garcia, Danica Nava, Rebecca Roanhorse, and David Heska Wanbli Weiden! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With the publication of her most recent novel, White Horse, Erika T. Wurth breaks from the realism that characterized her earlier fiction and ventures into horror. White Horse follows Kari, an urban Native living in Denver, as a family heirloom belonging to her long-missing mother launches her into a world of the uncanny: ghosts and monsters lurch into real life and portals transport her into scenes from the past that reveal traumatic family secrets. Wurth speaks with critic Leif Sorensen and host Rebecca Evans about what abides at the intersection of politics and craft, and what’s at stake in particular for the Indigenous writers of genre fiction whose work takes shape at that intersection. Their conversation pokes serious fun at everything from the faltering literary truism that being good at plot is somehow less impressive than being good at characterization to debates over authenticity in Native literature. Horror, as Wurth describes it, offers real and meaningful pleasures, solves the craft problems of over exposition, and opens up powerful questions of identity, politics, and history. Tune in for recommendations for genre writers from the emerging Fifth Wave of Indigenous fiction, reflections on orality and linguistics, and Wurth’s cure for “writer’s depression” instead of writer’s block! Mentions Harper Lee’s To Kill a Mockingbird Leslie Marmon Silko’s Ceremony and Almanac of the Dead Sherwood Anderson’s Winesburg, Ohio Tattered Cover Book Store Talking Scared Podcast Stanley Hotel Red Power movement and the American Indian Movement Tommy Orange’s There, There Water protectors Idle No More Black Lives Matter Astrophil Press The Writer’s Chronicle Daniel Heath Justice’s Why Indigenous Literatures Matter Save the Cat! Erika T. Wurth’s “The Fourth Wave” and “The Fourth Wave in Native American Fiction” David Treuer’s Native American Fiction: A User’s Manual Wurth also references and recommends a number of genre writers, from romance to speculative literature to crime fiction to horror and beyond. Check out her picks, including B. L. Blanchard, V. Castro, Kelli Jo Ford, Lev Grossman, Grady Hendrix, Brandon Hobson, Marlon James, Jessica Johns, Stephen Graham Jones, Stephen King, Victor LaValle, Silvia Moreno-Garcia, Danica Nava, Rebecca Roanhorse, and David Heska Wanbli Weiden! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies. Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies. Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women’s Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In Holy Digital Grail: A Medieval Book on the Internet (Stanford UP, 2022), Michelle Warren tells the story of one such manuscript—an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies—from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and the Holy Grail are integral to some of the technologies that now sustain medieval books on the internet. This infrastructural approach to book history illuminates how the meaning of literature is made by many people besides canonical authors: translators, scribes, patrons, readers, collectors, librarians, cataloguers, editors, photographers, software programmers, and many more. Situated at the intersections of the digital humanities, library sciences, literary history, and book history, Holy Digital Grail offers new ways to conceptualize authorship, canon formation, and the definition of a "book." Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Part 3, Professor Farah Karim-Cooper offers close-readings of some of the play’s most significant scenes. You’ll also hear a special commentary on Othello by actor Keith Hamilton Cobb, author and performer of the acclaimed one-man show American Moor (https://americanmoor.com/), which examines the experience and perspective of black men in America through the metaphor of William Shakespeare’s character, Othello. Speeches and Performers: Othello, 1.3, “Her father loved me …” (Keith Hamilton Cobb) Iago, 2.1, “That Cassio loves her …” (Anton Lesser) Emilia and Desdemona, 4.3, “I would not do such a wrong …” (Dame Harriet Walter and Katy Stephens) Keith Hamilton Cobb, reflection on Othello Visit the course webpage at www.shakespeareforall.com/othello for a bonus recording of Othello's 1.3 speech by RSC actor Paterson Joseph. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Black Queer Flesh: Rejecting Subjectivity in the African American Novel (U Minnesota Press, 2021) reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of Black queer selfhood. African American authors blame liberal humanism’s model of subjectivity for double consciousness and find that liberal humanism’s celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “Black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the Black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison’s archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel’s many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman’s Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting Black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to Black literary studies, offering new ways to understand and appreciate the canonical texts and far more. Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Writing Fear: Russian Realism and the Gothic (U Toronto Press, 2022) argues that nineteenth-century Russian writers actively engaged with narrative models borrowed from European gothic fiction to articulate experiences such as fear, dread, and anxiety in realist literature. By examining a series of case studies focused on literary texts that address issue such as urban life, the women question, revolutionary terrorism, and the decline of the family, Katherine Bowers reveals the myriad ways in which political and cultural anxiety take shape via the gothic mode in the age of realism. Katherine Bowers is an Associate Professor within the Department of Central, Eastern, and Northern European Studies at the University of British Columbia. She is an expert in Russian literature and culture, and her research interests include genre, narrative, environmental humanities, imagined geography, and digital humanities. She is also actively involved in the field of Dostoevsky studies and is a co-editor of A Dostoevskii Companion: Texts and Contexts (2018) and Dostoevsky at 200: The Novel in Modernity (2021). Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1943, three books appeared that changed American politics forever: Isabel Paterson's The God of the Machine, Rose Wilder Lane's The Discovery of Freedom, and Ayn Rand's The Fountainhead. Together, they laid the groundwork for what became the modern libertarian movement. Even more striking were the women behind these books: Paterson, a brilliant but misanthropic journalist whose weekly column made her one of the nation's most important literary critics; Lane, a restless writer who secretly coauthored the Little House on the Prairie novels with her mother; and Rand, a philosophically inclined Russian immigrant ferociously devoted to heroic individualism. Working against the backdrop of changes in literature and politics, they joined forces to rally the nation to the principles of freedom that had come under attack at home and abroad. Sometimes friends, at other times bitterly estranged, they became known as "the three furies of libertarianism." In Freedom's Furies: How Isabel Paterson, Rose Wilder Lane, and Ayn Rand Found Freedom in an Age of Darkness (Cato Institute, 2022) , author Timothy Sandefur examines their lives, ideas, and influences in the context of their times. Not a biography, but a story about personalities and ideas--about the literary, political, and cultural influences that shaped the destiny of freedom in America--Freedom's Furies tells the dramatic story of three writers who strove to keep liberty alive in an age of darkness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What did medieval authors know about their world? Were they parochial and focused on just their monastery, town, or kingdom? Or were they aware of the broader, medieval Europe that modern historians write about? Christian Raffensperger's edited volume Authorship, Worldview, and Identity in Medieval Europe (Routledge, 2022) brings the focus back to medieval authors to see how they describe their world. While we see in these essays that each author certainly had their own biases, the vast majority of them did not view the world as constrained to their small piece of it. Instead, they talked about the wider world, and often they had informants or textual sources that informed them about the world, even if they did not visit those distant places themselves. This volume shows that they also used similar ideas to create space and identity – whether talking about the desert, the holy land, or food practices in their texts. By examining medieval authors and their own perceptions of their world, this collection offers a framework for discussions of medieval Europe in the 21st century. In this conversation we talk about how this volume goes about broadening both the geographical scope and methodological approaches to reading medieval sources. Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the decade before and after independence, Nigerians not only adopted the novel but reinvented the genre. Nigerian novels imagined the new state, with its ideals of the rule of law, state sovereignty, and a centralized administration. Neil Ten Kortenaar's book Debt, Law, Realism: Nigerian Writers Imagine the State at Independence (McGill-Queen's UP, 2021) argues that Nigerian novels were not written for a Western audience, as often stated, but to teach fellow citizens how to envision the state. The first Nigerian novels were overwhelmingly realist because realism was a way to convey the understanding shared by all subject to the rule of law. Debt was an important theme used to illustrate the social trust needed to live with strangers. But the novelists felt an ambivalence towards the state, which had been imposed by colonial military might. Even as they embraced the ideal of the rule of law, they kept alive a memory of other ways of governing themselves. Many of the first novelists - including Chinua Achebe - were Igbos, a people who had been historically stateless, and for whom justice had been a matter of interpersonal relations, consensus, and reciprocity, rather than a citizen's subordination to a higher authority. Debt, Law, Realism reads African novels as political philosophy, offering important lessons about the foundations of social trust, the principle of succession, and the nature of sovereignty, authority, and law. Prof. Neil ten Kortenaar teaches at the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How is science fiction from the Arab and Muslim world different than mainstream science fiction from the West? What distinctive and original contributions can it make? Why is it so often neglected in critical considerations of the genre? While other books have explored these questions, all have been from foreign academic voices. Instead, Hosam A. Ibrahim Elzembely and Emad El-Din Aysha,'s book Arab and Muslim Science Fiction (McFarland, 2022) examines the nature, genesis, and history of Arabic and Muslim science fiction, as well as the challenges faced by its authors, in the authors’ own words. These authors share their stories and struggles with censors, recalcitrant publishers, critics, the book market, and the literary establishment. Their uphill efforts, with critical contributions from academics, translators, and literary activists, will enlighten the sci-fi enthusiast and fill a gap in the history of science fiction. Topics covered range from culture shock to conflicts between tradition and modernity, proactive roles for female heroines, blind imitation of storytelling techniques, and language games. Iqra Shagufta Cheema writes and teaches in the areas of media cultures, Anglophone literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Check out their upcoming books: The Other #MeToos and ReFocus: The Films of Annemarie Jacir. Follow them on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him “one of the most remarkable writers who ever lived.” Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz’s art became the currency in which he bought life. In Bruno Schulz: An Artist, a Murder, and the Hijacking of History (Norton, 2023) , Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa―the last traces of his vanished world―into multiple dimensions of the artist’s life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter. By re-creating the artist’s milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at [email protected]. She's on Twitter @embracingwisdom. She blogs here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Part 2 delves into the characters’ psychologies and how character is created by speech — how Othello’s language reflects his changing sense of self and how Iago carries out his plot with particular rhetorical strategies. With Professor Farah Karim-Cooper, you’ll also address questions of race in Othello, including the question of whether the play’s depiction of a racist society makes it a racist play. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination--its history, its meaning and its cultural significance--told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution. Transporting, impeccably researched and gorgeously written, Fire Island (Hanover Square Press, 2022) is the definitive book on an iconic American destination and an essential contribution to queer history. Kendall Dinniene is an English PhD candidate at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work, revealing the contours of citizenship and paths toward liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Iranian Literature After the Islamic Revolution: Production and Circulation in Iran and the World (Edinburgh UP, 2021), Dr. Laetitia Nanquette explores how Iranian literature has functioned and circulated from the 1979 revolution to the present. She looks at prose productions in particular, analyzing several genres and media. Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora – with a focus on North America, Western Europe and Australia – and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland. Laetitia Nanquette is Senior Lecturer in the School of the Arts and Media at the University of New South Wales. Between 2015 and 2019, she was an Australia Research Council DECRA Fellow at UNSW and worked on the project "A Global Comparative Study of Contemporary Iranian Literature". Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession. In this interview Chris Kraus and Hedi El Kholti, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Costanzo Gioseffo Beschi was an Italian Jesuit who worked in South India from 1710 to 1747. A brilliant scholar of Tamil, his works include hymns, instructions for catechists, and a robust defense of the Catholic missionary approach. His most famous work is Tēmpāvaṇi (The Unfading Garland), an epic re-telling of the early life of Jesus, set in the context of the whole Biblical story, and surprisingly focused on St. Joseph, spouse of Mary and foster-father of Jesus. St. Joseph in South India argues that Beschi’s distinctively Catholic approach draws on methods already familiar in the Jesuit ethical and dramatic literature in post-Reformation Europe. Francis Xavier Clooney's Saint Joseph in South India: Poetry, Mission and Theology in Costanzo Gioseffo Beschi's Tēmpāvaṇi (Brill, 2022) includes a fresh translation of about 300 verses from Tēmpāvaṇi. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Jennings—Hugo Award winner, New York Times bestselling author, curator, scholar, and Artist—is keenly aware that in adapting novels for the graphic format, his decisions turn what has only been imagined into facts drawn on the page. In this conversation with critic, translator, and teacher of a creative course on the art of making comics, Jean-Christophe Cloutier, Jennings explores how he makes those decisions that range from the design of endpapers to selecting a character’s skin tone with the ultimate aim of championing Black culture and Black comics. Given that Jennings has just entered the Marvel Universe with the debut of Silver Surfer: Ghost Light, the timing is right to reflect on the pressures and pleasures of adapting beloved stories for a contemporary audience. Jennings is both teacher and student of comics’ powerful lessons, and lucky for listeners, his course comes with an illustrated syllabus, aka illabus. In the podcast’s first ever episode about graphic novels, Jennings and Cloutier talk comic book history, the power of collaboration, and the importance of long showers. By John Jennings: Black Kirby: In Search of the MotherBoxx Connection, John Jennings and Stacey Robinson (2015) The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, Edited by Frances Gateward and John Jennings (2016) Kindred, Octavia Butler, Adapted by Damian Duffy and John Jennings (2018) Parable of the Sower, Octavia Butler, Adapted by Damian Duffy and John Jennings (2021) After the Rain, Nnedi Okorafor, Adapted by John Jennings and David Brame (2021) Box of Bones: Book One, Ayize Jama Everett and John Jennings (2021) Silver Surfer: Ghost Light, John Jennings and Valentine De Landro (2023) Also mentioned: Megascope, Curated by John Jennings Understanding Comics: The Invisible Art, Scott McCloud (1993) Comics, Comix & Graphic Novels: A History of Comic Art, Roger Sabin (1996) Outside the Box: Interviews with Contemporary Cartoonists, Hillary L. Chute (2014) Maus, Art Spiegelman (1980-1991; complete version 1996) Unveiling Visions: The Alchemy of the Black Imagination, The Schomberg Center for Research in Black Culture (2015-2016) Barry Lyndon, Dir. Stanley Kubrick (1975) The Silver Surfer: And Who Shall Mourn for Him? Stan Lee, Howard Purcell, et al. (1969) Kitty Pryde and Wolverine, Chris Claremont and Al Milgrom (1984-1985) The Seven Beauties of Science Fiction, Istvan Csicsery-Ronay (2011) “Red Dirt Witch,” in How Long ‘til Black Future Month? N.K. Jemisen (2018) To learn more about the comic artists Jennings discusses, including Will Eisner, Jack Kirby, Winsor McCay, Frank Miller, and Charles Schulz, see Jeremy Dauber’s American Comics: A History (2021) and Thierry Smolderen’s The Origins of Comics (2014). Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Helen Sword, professor emerita in the School of Humanities and the Centre for Arts and Social Transformation at the University of Auckland, founder of WriteSPACE, an international virtual writing community, and author of Writing with Pleasure (Princeton UP, 2023). We talk about how pleasure is difficult-but-good. Helen Sword : "If you have a text that has not been written with pleasure — it's been like pulling teeth for the author — it's going to feel the same way for the reader. So I think an issue with a lot of academic writing is that we have to read a lot of things that we don't enjoy, and then we get this message that that's how we're supposed to write too. So, it just becomes this never-ending cycle. But what if we brought in here the potentialities of play and reversed this situation and thought, 'Okay, I'm going to write with pleasure, I'm going to be excited about this, I'm going to create a beautifully crafted sentence or paragraph so that my reader will read it and just go, "Oh, wow, they put that so well."' And I don't even mean fancy or anything — I mean just good communication of the science, for example. A clearly written sentence about a complex idea — that is beautiful, and it's a joyful experience to read." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Jan Recker, Professor for Information Systems and Digital Innovation at the University of Hamburg, Germany and author of Scientific Research in Information Systems: A Beginner's Guide (Springer, 2021). We talk about how your research is what you write. Jan Recker : "Very few of us scientists are gifted readers, and very few of us are gifted writers, but those who are, I do think that they have an advantage in science. It's not that they're the better scientists, but they just understand the literature better, or they can help a reader understand their own research better. And these are just really key and fundamental techniques of the research." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Content note: This episode contains discussions of violence, including rape and mutilation Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, Testimony: Found Poems from the Special Court for Sierra Leone (Bucknell University Press, 202) is a remarkable poetry collection, which won the IBPA Benjamin Franklin Award (gold, poetry category), aims to breathe new life into the records of Sierra Leone’s decade-long civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Testimony finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. The use of innovative literary techniques, along with the author's own experience around the Special Court for Sierra Leone, works to share the voices of survivors of this violence across the world. A heartbreaking and ambitious book, Testimony will be of great interest to human rights, legal, and literary scholars alike. Testimony also includes an introduction that explores how the genre of “found poetry” can serve as a uniquely powerful means through which writers may bear witness to atrocity. This book’s unforgettable excavation and situating of survivor testimonies opens new possibilities for speaking about the unspeakable, and for thinking about the intersections between poetry, human rights, and history. Dr. Stephanie Stepakoff is a psychologist and human rights advocate whose research on the traumatic aftermath of war has appeared in such journals as Peace and Conflict and The International Journal of Transitional Justice. She holds an MFA from The New School and is completing a PhD in English at the University of Rhode Island. Prior to becoming a literary scholar, she was the psychologist for the UN-backed war crimes tribunal in Sierra Leone (2005-2007) and a psychologist/trainer for CVT (an NGO that focuses on survivors of politically motivated torture), first in Guinea and later in Jordan. Dr. Rine Vieth is a researcher studying how the UK Immigration and Asylum Tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Shakespeare’s Othello is the only one of his tragedies to feature a black male protagonist. Othello is a black general who elopes with a white noblewoman called Desdemona — a marriage that Iago, Othello’s comrade-in-arms, plots to destroy. In this course, you’ll learn Othello’s story, explore the complicated impact of race on Othello’s society and Othello himself, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Farah Karim-Cooper, Head of Higher Education and Research at Shakespeare's Globe and Professor of Shakespeare Studies at King's College, London. Professor Karim-Cooper provides key historical background for understanding the play’s representation of Othello. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why read the Classics, and how to do it best? Louis Petrich teaches at St. John’s College, the third-oldest college and “the nation's most contrarian college” (according to the New York Times, meant as a compliment). St. John’s takes a remarkable approach to the liberal arts: students and teachers read and discuss 3,000 years of Great Books over four years, all via primary readings without disciplinary boundaries. Louis Petrich and I talked about teaching and reading Classic Books as a means of deepening rather than resolving the mystery of who we are, what we do, and how best to engage the world around us. St. John’s offers the series Continuing the Conversation with professors where “questions are more important than answers,” which is a natural companion to Think About It. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email [email protected]; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

First performed in the Milagro Theater of Portland, Oregon in 2014, Olga Sanchez Saltveit’s ¡O Romeo! imagines William Shakespeare, late in his life, writing a play set in Mexico about a conquistador and his beloved, a woman from Tenochtitlán. Shakespeare tells Rifke, his Spanish housekeeper that his conquistador protagonist will “integrate” his beloved’s “life and faith with” his own. Rifke who has received letters from her missionary brother living in the Americas responds, “Los conquistadores no integran, imponen. ¿No has oído lo que escribe mi hermano?” (“The conquistadors do not integrate, they impose. Have you not heard what my brother writes?”) Saltveit’s play has been published in the first volume of a new anthology titled The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera (ACMRS, 2023), with its editors, Katherine “Kate” Gillen, Adrianna M. Santos, and Kathryn “Katie” Vomero Santos. Katherine Gillen is Professor of English at Texas A&M-San Antonio and is the author of the previous monograph Chaste Value: Economic Crisis, Female Chastity, and the Production of Social Difference on Shakespeare’s Stage (Edinburgh University Press, 2017). Kathryn Santos is Professor of English and co-director of the Humanities Collective at Trinity University and is author of the forthcoming 2024 monograph Shakespeare in Tongues from Routledge. Their co-editor, who was not able to join us for the conversation, is Adrianna M. Santos, Professor of English at Texas A&M-San Antonio and the author of Cicatrix Poetics, Trauma and Healing in the Literary Borderlands: Beyond Survival (Palgrave, 2023). Professors Gillen, Santos, and Santos are co-founders of the Borderlands Shakespeare Colectiva, which is a multi-institutional project designed to expand Shakespeare pedagogy and performance. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A deliciously funny, sharply observed debut of family, love, and class, this zeitgeisty novel follows three women in one wealthy Brooklyn clan... Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can't have, and must decide what kind of person she wants to be. Rife with the indulgent pleasures of life among New York's one-percenters, Pineapple Street (Pamela Dorman Books, 2023) is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable--if fallible--characters, it's about the peculiar unknowability of someone else's family, the miles between the haves and have-nots, and the insanity of first love--all wrapped in a story that is a sheer delight. Jenny Jackson is a Vice President and Executive Editor at Alfred A. Knopf. A graduate of Williams College and the Columbia Publishing Course, she lives in Brooklyn Heights with her family. Pineapple Street is her first novel. Recommended Books: Katherine Heiny, Games and Rituals Meg Mason, Sorrow and Bliss Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A form at the origins of Western literature, the epic has always been theorized in contrast to other literary genres, those that would either perfect it (such as tragedy, according to Aristotle) or partially take its place, from the chivalric romance to the modern novel. Corrado Confalonieri's Torquato Tasso and the Desire for Unity: Jerusalem Delivered and a New Theory of the Epic (Torquato Tasso e il desiderio di unità: “La Gerusalemme liberata” e una nuova teoria dell’epica) critically traces three different historical phases in the theorization of the epic: the classical poetics of Aristotle and Horace, the debates about poetics and poets in sixteenth-century Italy, and Hegelian philosophy and later twentieth-century theories of literary genres. The point of theoretical and interpretative reference throughout the volume is Torquato Tasso’s epic poem Gerusalemme liberata (Jerusalem Delivered). The book’s final chapter undertakes a careful rereading of Tasso’s magnum opus that overcomes the traditional dichotomy between epic unity and novelistic variety by demonstrating how unity remains a desire rather than a result. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 3, Dr. Will Tosh offers close-readings of some of the play’s most significant scenes. You’ll discover how a seemingly “wise” speech can actually be foolish and why Rosalind’s apparently foolish games contain a lot of wisdom, and see how the play opens up the question of who “Rosalind” actually is. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How to Think Like Shakespeare: Lessons from a Renaissance Education (Princeton UP, 2020) offers a short, spirited defense of rhetoric and the liberal arts as catalysts for precision, invention, and empathy in today's world. The author, a professor of Shakespeare studies at a liberal arts college and a parent of school-age children, argues that high-stakes testing and a culture of assessment have altered how and what students are taught, as courses across the arts, humanities, and sciences increasingly are set aside to make room for joyless, mechanical reading and math instruction. Students have been robbed of a complete education, their imaginations stunted by this myopic focus on bare literacy and numeracy. Education is about thinking, Newstok argues, rather than the mastery of a set of rigidly defined skills, and the seemingly rigid pedagogy of the English Renaissance produced some of the most compelling and influential examples of liberated thinking. Each of the fourteen chapters explores an essential element of Shakespeare's world and work, aligns it with the ideas of other thinkers and writers in modern times, and suggests opportunities for further reading. Chapters on craft, technology, attention, freedom, and related topics combine past and present ideas about education to build a case for the value of the past, the pleasure of thinking, and the limitations of modern educational practices and prejudices. Scott Newstok is professor of English and founding director of the Pearce Shakespeare Endowment at Rhodes College. A parent and an award-winning teacher, he is the author of Quoting Death in Early Modern England and the editor of several other books. He lives in Memphis, Tennessee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

New England's Puritans were devoted to self-scrutiny. Consumed by the pursuit of pure hearts, they latched on to sincerity as both an ideal and a social process. It fueled examinations of inner lives, governed behavior, and provided a standard against which both could be judged. In a remote, politically volatile frontier, settlers gambled that sincerity would reinforce social cohesion and shore up communal happiness. Sincere feelings and the discursive practices that manifested them promised a safe haven in a world of grinding uncertainty. But as Ana Schwartz demonstrates in Unmoored: The Search for Sincerity in Colonial America (Omohundro Institute and University of North Carolina Press, 2022), if sincerity promised much, it often delivered more: it bred shame and resentment among the English settlers and, all too often, extraordinary violence toward their Algonquian neighbors and the captured Africans who lived among them. Populating her "city on a hill" with the stock characters of Puritan studies as well as obscure actors, Schwartz breathes new life into our understanding of colonial New England. Ana Schwartz is assistant professor of English at the University of Texas at Austin. She is the author of Unmoored: The Search for Sincerity in Colonial America and of several peer reviewed essays that have appeared in Early American Literature, New Literary History, J19, and, most recently, in American Literature, for which she is the 2022 winner of the Norman Foerster Prize for best essay of the year. She is currently at work on a second monograph, Ordinary Unhappiness: A Social History of the Soul. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray. You’ll hear about: A brief history of the book and its connection to global studies of media and communication; The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike; The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts; How paratexts can shape audience perceptions and understanding of a media product; How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts; Some recent developments that have added to or changed the initial arguments/findings in the book. About the book Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book here by NYU Press. Author: Jonathan Gray is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of The International Journal of Cultural Studies, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ Critical Cultural Communication book series, and I was recently nominated as an International Communication Association Fellow. Host: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain. Editor & Producer: Jing Wang Keywords: Dislike, audience studies, media cultures, identity, representation, citizenship Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eugene Sheppard joins his Brandeis colleague John Plotz to speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism--and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of Benzion Netanyahu (actual medieval Spanish historian and father of Israel’s past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy's bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion.... Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La’or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies