New Books in Critical Theory

Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore. Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview. Some of the works mentioned in the conversation: The Freeze exhibitions That Jerry Saltz tweet Richard Serra, Weight and Measure Danielle Brathwaite-Shirley, Black Trans Archive Pilvi Takala, The Trainee Cameron Rowland, 3 & 4 Will. IV c. 73 The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2 A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Rights (Routledge, 2021) demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance. The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors. This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies. Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it. Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's The Congo Tribunal, Valeria Luiselli's novel Lost Children Archive, the practice of Forensic Architecture, and Nicolas Winding Refn's film Only God Forgives. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light. Frans-Willem Korsten holds the chair in “Literature and Society” at the Erasmus School of Philosophy and works at the Leiden University Centre for the Arts in Society in the Netherlands. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory (Duke UP, 2021), Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate--and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence. Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Marxist philosopher Theodor Adorno once quipped that much of his work was written without practical applications in mind, and that the constant demand for immediate practical relevance felt like being asked by occupied forces to present one’s papers. While hyperbolic, the frustration is real among many progressive activists and intellectuals, and also points to a real problem within political engagement, with how the need to act right now sometimes can cloud judgment. Against this grain, some occasionally step up in encouraging us to step back and collect ourselves and our thoughts. One such writer is the topic of this episode, Marcello Tari, whose recent book There Is No Unhappy Revolution: The Communism of Destitution (Common Notions, 2021) recently became the first of his translated into English. Written from and for a scattered and confused left, the book has a style resembling the more esoteric and messianic figures in the lefts history, most notably Walter Benjamin, who appears throughout the books footnotes. In a series of chapters that wander through a number of disparate topics, it slowly develops a few key themes around late capitalism, violence, oppression, revolution and temporality, although a simple definition or analysis of any one of these elements in isolation never comes; instead they are developed and intertwined in various ways as a way of understanding the social and psychological knots we’re caught in. Easy fixes don’t come easy here either; instead Tari’s goal is in many ways to cultivate our sensitivity to our current political predicament, to speak to comrades in a way that generates a productive confusion that might help us think more critically about what’s needed. In the discussion that follows, Tari was unable to join us, but I was instead joined by two artists, Ayreen and Rene, who have known Tari for some time and proved careful and patient guides through the text. My typical formula for working through texts with guests broke down here; with every question I asked if they could define a term, or explain a passage, and every time they would take various detours through topics and themes I hadn’t expected, only to eventually come back to my initial question, but with a newfound angle into it I hadn’t picked up on during my own reading of the book. As a result, I left the conversation feeling like I was finally able to read the book, and I appreciate their willingness to sit with me on it. This book was challenging to read, and is even more challenging to describe, but it should be of interest to anyone engaged in contemporary political struggle. Tari is a self-described ‘barefoot’ researcher of contemporary political movements and struggles, and has published works in both French and Italian. He is also the translator of The Invisible Committee’s The Coming Insurrection. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues in Against White Feminism: Notes on Disruption (W. W. Norton, 2021) , those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore. Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist-led "development industrial complex" and the conflation of sexual liberation as the "sum total of empowerment," Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper middle-class white women. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In a world that purports to know more about the future than any before it, why do we still need speculation? Insubstantial speculations – from utopian thinking to high-risk stock gambles – often provoke backlash, even when they prove prophetic. Why does this hypothetical way of thinking generate such controversy? Gayle Rogers, author of Speculation: A Cultural History from Aristotle to AI (Columbia UP, 2021), speaks with Pierre d’Alancaisez about the intellectual history of speculation: from the mirror and the watch tower, the Calvinist reformation, the scientific revolution, through Jane Austen, to the founding of the United States, and the shape of contemporary capitalism – with booms, manias, busts, and bubbles along the way. Unraveling these histories and many other disputes, Rogers argues that what has always been at stake in arguments over speculation, and why it so often appears so threatening, is the authority to produce and control knowledge about the future. Gayle Rogers is professor and chair of English at the University of Pittsburgh. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Gramsci’s concept of hegemony is often invoked, but usually as a means of cultural critique and analysis. However, my guest Lorenzo Fusaro argues in his recent book Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy (Haymarket Books, 2020) that Gramsci’s work is permeated by Marx’s economic critique and his theories of value. Split into two parts, the book is both a critical rereading of Gramsci, followed by a rereading of the last century of economic and political developments. The first half of the book involves a careful rereading of key concepts in Gramsci’s Prison Notebooks, rethinking concepts such as hegemony as being more closely related to the base, instead of simply being superstructural description. Hegemony is not above and beyond economic dynamics and antagonisms, but emerges from them and changes alongside them. This allows for a broadening of the theory conceptually, and also allows him to apply it to international relations, instead of being confined to a particular state. The second half of the book then traces the economic history of the 20th century, starting with the rise of the United States in the international scene in the 1920’s, and following through to its eventual unraveling on the world stage in the present day. And even though the book was first published in 2018, at the end Fusaro offered some speculations on how this reworked theory of hegemony might help us think about the recent COVID crisis and its aftermath. Synthesizing theory, history and economics, this is a book that offers a powerful punch, and will reward readers from a number of different angles, and offers some dynamic theoretical resources for understanding our current crisis, and what might be just around the corner. The book was first published by Brill as part of the Historical Materialism book series, and is now available in paperback from Haymarket. Lorenzo Fusaro received his PhD in international political economy at King's College, London. He is an associate professor of political economy at the Universidad Autonoma Metropolitana in Mexico, and is also one of the editors of Revisiting Gramsci’s Laboratory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how Beauvoir is still relevant in the age of intersectionality and identity politics. Meryl Altman is Professor of English and Women's Studies at DePauw University. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Scott Krzych's book Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria (Oxford University Press, 2021) offers the first scholarly study of contemporary right-wing documentary film and video. Drawing from contemporary work in political theory and psychoanalytic theory, the book identifies what author Scott Krzych describes as the hysterical discourse prolific in conservative documentary in particular, and right-wing media more generally. In our chat, Scott and I review the development of conservative documentaries and discuss the various frameworks used to present ideas, as well as specific methods used to present information. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Epidemic Illusions: On the Coloniality of Global Public Health (MIT Press, 2020), physician-anthropologist Eugene T. Richardson explores how public health practices—from epidemiological modeling to outbreak containment—help perpetuate global inequities. This book questions the Global North's "monopoly on truth" in global public health science, making a provocative claim: that public health science manages and maintains global health inequity. Richardson, a physician and anthropologist, examines the conventional public health approach to epidemiology through the lens of a participant-observer, identifying a dogmatic commitment to the quantitative paradigm. This paradigm, he argues, plays a role in causing and perpetrating public health crises. The mechanisms of public health science--and epidemiology in particular--that set public health agendas and claim a monopoly on truth stem from a colonial, racist, and patriarchal system that had its inception in 1492. Deploying a range of rhetorical tools, including ironism, “redescriptions” of public health crises, Platonic dialogue, flash fiction, allegory, and koan, Richardson describes how epidemiology uses models of disease causation that serve protected affluence (the possessing classes) by setting epistemic limits to the understanding of why some groups live sicker lives than others—limits that sustain predatory accumulation rather than challenge it. Drawing on his clinical work in a variety of epidemics, including Ebola in West Africa and the Democratic Republic of Congo, leishmania in the Sudan, HIV/TB in southern Africa, diphtheria in Bangladesh, and SARS-CoV-2 in the United States, he concludes that the biggest epidemic we currently face is an epidemic of illusions—one that is propagated by the coloniality of knowledge production. Eugene T. Richardson, MD, PhD, is Assistant Professor of Global Health and Social Medicine at Harvard Medical School, Visiting Faculty at the University of Global Health Equity in Butaro, Rwanda, and Chair of the Lancet Commission on Reparations and Redistributive Justice. Catriona Gold is a PhD candidate in Geography at University College London. Her current work concerns the politics of travel in Cold War US; she has previously published on US intervention in the 2013-16 Ebola epidemic. She can be reached by email or on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Building on work in feminist studies, queer studies and critical race theory, this volume challenges the universality of propositions about human nature, by questioning the boundaries between predominant neurotypes and 'others', including dyslexics, autistics and ADHDers. Neurodiversity Studies: A New Critical Paradigm (Routledge, 2020) is the first work of its kind to bring cutting-edge research across disciplines to the concept of neurodiversity. It offers in-depth explorations of the themes of cure/prevention/eugenics; neurodivergent wellbeing; cross-neurotype communication; neurodiversity at work; and challenging brain-bound cognition. It analyses the role of neuro-normativity in theorising agency, and a proposal for a new alliance between the Hearing Voices Movement and neurodiversity. In doing so, we contribute to a cultural imperative to redefine what it means to be human. To this end, we propose a new field of enquiry that finds ways to support the inclusion of neurodivergent perspectives in knowledge production, and which questions the theoretical and mythological assumptions that produce the idea of the neurotypical. Working at the crossroads between sociology, critical psychology, medical humanities, critical disability studies, and critical autism studies, and sharing theoretical ground with critical race studies and critical queer studies, the proposed new field - neurodiversity studies - will be of interest to people working in all these areas. Christina Anderson Bosch is faculty at the California State University, Fresno. She is curious about + committed to public, inclusive education in pluralistic societies where critical perspectives on questions of social and ecological justice are valued enough to enact material dignity and metaphysical wellbeing on massive scales. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Critical Black Futures: Speculative Theories and Explorations (Palgrave Macmillan, 2021), edited by Dr. Philip Butler, imagines worlds, afrofutures, cities, bodies, art and eras that are simultaneously distant, parallel, present, counter, and perpetually materializing. From an exploration of W. E. B. Du Bois’ own afrofuturistic short stories, to trans* super fluid blackness, this volume challenges readers—community leaders, academics, communities, and creatives—to push further into surreal imaginations. Beyond what some might question as the absurd, this book is presented as a speculative space that looks deeply into the foundations of human belief. Diving deep into this notional rabbit hole, each contributor offers a thorough excursion into the imagination to discover ‘what was’, while also providing tools to push further into the ‘not yet’. Nicole Powell is a J.D. Candidate in the Critical Race Studies specialization at the UCLA School of Law. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Psychoanalysis began as a politicized form of treatment for people from all walks of life. Yet in the United States, it has become divorced from these roots and transformed into a depoliticized treatment for the most well-to-do, according to my guests, Drs. Patricia Gherovici and Christopher Christian. Their edited book, Psychoanalysis in the Barrios: Race, Class, and the Unconscious (Routledge, 2018), returns psychoanalysis to its social activist origins, with special emphasis on its urgency and usefulness for Latinx patients, including the poor. In our interview, we discuss the possibilities and necessity for bringing psychoanalysts to the barrios, as well as the unique offerings the barrio might have for psychoanalysis. Patricia Gherovici, Ph.D. is a psychoanalyst in private practice in Philadelphia and New York, an analytic supervisor, and a recipient of the 2020 Sigourney Award for her clinical and scholarly work with Latinx and gender variant communities. Her single-authored books include The Puerto Rican Syndrome (Other Press: 2003) winner of the Gradiva Award and the Boyer Prize, Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism (Routledge: 2010) and Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference ​(Routledge: 2017). Christopher Christian, Ph.D. is a psychoanalyst in private practice in New Haven, CT and co-editor of the book Psychoanalytic Perspectives on Conflict with Morris Eagle and David Wolitzky. He is also co-editor with Michael J. Diamond of the book The Second Century of Psychoanalysis: Evolving Perspectives on Therapeutic Action. He serves as dean of the Institute for Psychoanalytic Training and Research (aka IPTAR), where he is also a supervising and training analyst. And he was co-executive producer of the documentary Psychoanalysis in El Barrio. Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

According to Jonathan Swift (1667-1745) 'Laws are like cobwebs, which may catch small flies, but let wasps and hornets break through.' Connecting the politics of abolition to wider emancipatory struggles for liberation and social justice, David Scott's book For Abolition: Essays on Prisons and Socialist Ethics (Waterside Press, 2020) argues that penal abolitionism should be understood as an important public critical pedagogy and philosophy of hope that can help to reinvigorate democracy and set society on a pathway towards living in a world without prisons. For Abolition draws upon the socialist ethics of dignity, empathy, freedom and paradigm of life to systematically critique imprisonment as a state institution characterised by 'social death'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present (U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Nicholas Harrison's Our Civilizing Mission: The Lessons of Colonial Education (Liverpool UP, 2019) is a fascinating examination of colonial education not just as a facet of colonialism, but as an "example" of education in a broader sense, albeit an "extreme" one. At once a historical study, a series of close readings of texts, ideas, and authors, and a set of intellectual, professional, and political biographies, the book explores and interrogates approaches to the teaching of languages, literatures, and histories within and beyond colonial contexts. Centering as educators writers and thinkers essential to our critical understanding of colonialism and postcolonialism literature, the book has implications for how we think about the project of education as a whole, particularly in the Humanities, and especially right now. In chapters that pursue the educational, intellectual, and teaching stories of figures like Edward Said, Mouloud Ferraoun, Assia Djebar, and Albert Memmi, Our Civilizing Mission takes up issues of power and resistance in the definition and interpretation of "canon," pedagogic philosophies and approaches within and beyond classrooms, and the complex relationships between teaching, scholarship, and politics. Reading this book and speaking with Nick, I was surprised by how much these chapters held for me, not just as a historian and scholar of France and empire, but as a teacher of these things who regularly asks myself questions about my own choices, goals, and approaches to working with students. It is a book I would recommend enthusiastically to anyone interested in the figures mentioned above, in the role that education has played in colonialisms past and present, and in the project of education on a much wider scale. What we do as teachers, why and how we do it, is interrogated here in ways that might surprise, and will certainly enlighten. I hope listeners will enjoy our conversation! Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In State Secrecy and Security: Refiguring the Covert Imaginary (Routledge, 2021), William Walters calls for secrecy to be given a more central place in critical security studies and elevated to become a core concept when theorising power in liberal democracies. Through investigations into such themes as the mobility of cryptographic secrets, the power of public inquiries, the connection between secrecy and place-making, and the aesthetics of secrecy within immigration enforcement, Walters challenges commonplace understandings of the covert and develops new concepts, methods and themes for secrecy and security research. Walters identifies the covert imaginary as both a limit on our ability to think politics differently and a ground to develop a richer understanding of power. State Secrecy and Security offers readers a set of thinking tools to better understand the strange powers that hiding, revealing, lying, confessing, professing ignorance and many other operations of secrecy put in motion. It will be a valuable resource for scholars and students of security, secrecy and politics more broadly. William Walters is Professor of Politics and Faculty of Public Affairs Research Excellence Chair at Carleton University, Ottawa. His current research concerns secrecy, migration and deportation infrastructures. He has published widely in the areas of political sociology, political geography, citizenship studies, security and insecurity, and Foucault studies. Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

"The point of studying the world – including the past and other’s writings – is not just to understand it but to use that understanding to change it." – Harry Cleaver (33 Lessons from Capital – On Reading Marx Politically) Listening to Robert Ovetz explain the origins of his interest in the study of labor and his academic influences I was reminded of the title of the late A.O. Hirschman’s book A Propensity for Self-Subversion – you’ll know what I mean even though Robert uses the phrase ‘suicide pact for my academic career’! Seriously though, for those unfamiliar with Professor Ovetz’s engaging first book, When Workers Shot Back – Class Conflict from 1877 to 1921, the Hirschman reference is just a hint at the breadth of the professor’s experiences beyond academia that bring much to bear to his insightful and active approach to writing and labor studies. He has worked in politics and as a public policy advocate including as an aide for members of the Texas legislature, executive director of an NGO, and as a campaign director and policy advocate for other non-governmental organizations on debt, development, human rights, and ocean conservation issues. Robert has appeared on NPR, CNN, and the BBC and is currently on the editorial board of the Journal of Labor and Society. Most recently he edited and contributed to Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives published by Pluto Press in 2020. We talk about both books and endeavor to connect the theory with the methodology as exemplified in this edited volume of research from both academic and activist contributing authors representing labor studies from nine different countries over multiple industry sectors. In the course of the conversation Robert confirms the relevance and value of a ‘worker’s inquiry’ while broadening our understanding of class composition and struggle both historically and through recent developments with Amazon in our own global gilded age. Robert Ovetz is a lecturer in Political Science and the graduate program in Public Administration at San Jose State University. Keith Krueger lectures at the SILC Business School – Shanghai University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This book sounds an alarm: after decades of being lulled into complacency by narratives of technological utopianism and neutrality, people are waking up to the large-scale consequences of Silicon Valley–led technophilia. This book trains a spotlight on the inequality, marginalization, and biases in our technological systems, showing how they are not just minor bugs to be patched, but part and parcel of ideas that assume technology can fix—and control—society. The essays in Your Computer Is on Fire (MIT Press, 2021) interrogate how our human and computational infrastructures overlap, showing why technologies that centralize power tend to weaken democracy. These practices are often kept out of sight until it is too late to question the costs of how they shape society. From energy-hungry server farms to racist and sexist algorithms, the digital is always IRL, with everything that happens algorithmically or online influencing our offline lives as well. Each essay proposes paths for action to understand and solve technological problems that are often ignored or misunderstood. Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist Sara Rushing’s new book, The Virtues of Vulnerability: Humility, Autonomy, and Citizen-Subjectivity (Oxford UP, 2020), examines the very real experiences that individuals have in the context of healthcare, especially healthcare and medical approaches to the most human of all experiences, birth, illness, and death. Rushing’s analysis posits that the corporal bodies that we all inhabit are also sites of politics—not the problem for politics, as others have theorized, but rather a place and space where politics transpires. Instead of beginning an exploration from an abstract position, Rushing starts from her own experiences, since her encounters with birth, death, mourning, and grief engaged her thinking about how we as citizens, as individuals, engage and face medical experiences and all of the settings where these experiences take place. Rushing focuses the theoretical framework around these issues of humility and vulnerability, which is often how we find ourselves in context of these human experiences that engage the “medical-industrial complex.” We often consider humility as a quality associated with a religious bearing but Rushing urges a reconsideration of the concept of humility, as a means to embrace one’s vulnerability and thus move towards a redefined understanding of autonomy. This is the context into whichThe Virtues of Vulnerability then examines three distinct human experiences, birth, illness—in this case, Post-Traumatic Stress Disorder as suffered by American military veterans—and death, exploring how we encounter these life experiences and how politics essentially happens in these medicalized spaces. A substantial component of the theoretical analysis in The Virtues of Vulnerability is wrestling with the way that choice and freedom are presented within the medical environment but are delimited in what we can actually choose and what we understand and know about these choices as well. This concept of freedom and choice are also connected to the way that neoliberalism frames our experiences, thus we perceive of our autonomy in these medicalized environments through the appearance of choices we get to make, or options provided to us, but often these are actually quite narrow in scope, constrained by the demands of health insurance and healthcare/medical marketplace. Rushing’s analysis gets at these many competing dimensions of healthcare and how it is operationalized, leading the reader to consider how we experience our interactions and how we might reconsider our autonomy within these environments by understanding how our vulnerability and humility can help us work more collaboratively with those who are engaging in this ethics of care with us. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Energy Islands: Metaphors of Power, Extractivism, and Justice in Puerto Rico (University of California Press, 2021) provides an urgent and nuanced portrait of collective action that resists racial capitalism, colonialism, and climate disruption. Weaving together historical and ethnographic research, this story challenges the master narratives of Puerto Rico as a tourist destination and site of "natural" disasters to demonstrate how fossil fuel economies are inextricably entwined with colonial practices and how local community groups in Puerto Rico have struggled against energy coloniality to mobilize and transform power from the ground up. Catalina M. de Onís documents how these groups work to decenter continental contexts and deconstruct damaging hierarchies that devalue and exploit rural coastal communities. She highlights and collaborates with individuals who refuse the cruel logics of empire by imagining and implementing energy justice and other interconnected radical power transformations. Diving deeply into energy, islands, and power, this book engages various metaphors for alternative world-making. In our conversation, Dr. de Onís mentions her recent article in the Georgetown Journal of International Affairs, which can be read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Between 2009 and 2014, an anti-homosexuality law circulating in the Ugandan parliament came to be the focus of a global conversation about queer rights. The law attracted attention for the draconian nature of its provisions and for the involvement of US evangelical Christian activists who were said to have lobbied for its passage. Focusing on the Ugandan case, Out of Time: The Queer Politics of Postcoloniality (Oxford UP, 2020) seeks to understand the encounters and entanglements across geopolitical divides that produce and contest contemporary queerphobias. It investigates the impact and memory of the colonial encounter on the politics of sexuality, the politics of religiosity of different Christian denominations, and the political economy of contemporary homophobic moral panics. In addition, Out of Time places the Ugandan experience in conversation with contemporaneous developments in India and Britain--three locations that are yoked together by the experience of British imperialism and its afterlives. Intervening in a queer theoretical literature on temporality, Rahul Rao argues that time and space matter differently in the queer politics of postcolonial countries. By employing an intersectional analysis and drawing on a range of sources, Rao offers an original interpretation of why queerness mutates to become a metonym for categories such as nationality, religiosity, race, class, and caste. The book argues that these mutations reveal the deep grammars forged in the violence that founds and reproduces the social institutions in which queer difference struggles to make space for itself. Dr. Rahul Rao is Reader in Political Theory at SOAS University of London. He is also the author of Out of Third World Protest: Between Home and the World (2010) also published by Oxford University Press. He is a member of the Radical Philosophy collective and blogs at The Disorder of Things. He is currently writing a book about the politics of statues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In At Penpoint: African Literatures, Postcolonial Studies, and the Cold War (Duke UP, 2020), Monica Popescu traces the development of African literature during the second half of the twentieth century to address the intertwined effects of the Cold War and decolonization on literary history. Popescu draws on archival materials from the Soviet-sponsored Afro-Asian Writers Association and the CIA-funded Congress for Cultural Freedom alongside considerations of canonical literary works by Ayi Kwei Armah, Ngugi wa Thiong'o, Ousmane Sembène, Pepetela, Nadine Gordimer, and others. She outlines how the tensions between the United States and the Soviet Union played out in the aesthetic and political debates among African writers and intellectuals. These writers decolonized aesthetic canons even as superpowers attempted to shape African cultural production in ways that would advance their ideological and geopolitical goals. Placing African literature at the crossroads of postcolonial theory and studies of the Cold War, Popescu provides a new reassessment of African literature, aesthetics, and knowledge production. Monica Popescu is Associate Professor and William Dawson Scholar of African Literatures in the Department of English at McGill University. She is the author of South African Literature beyond the Cold War and The Politics of Violence in Post-communist Films. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is at the heart of political resistance? Whilst traditional accounts often conceptualise it as a reaction to power, this volume (prioritising remarks by Michel Foucault) invites us to think of resistance as primary. The author proposes a strategic analysis that highlights how our efforts need to be redirected towards a horizon of creation and change. In The Primacy of Resistance: Power, Opposition and Becoming (Bloomsbury, 2021), Checchi first establishes a genealogy of two main trajectories of the history of our present: the liberal subject of rights and the neoliberal ideas of human capital and bio-financialisation. The former emerges as a reactive closure of Etienne de la Boétie's discourse on human nature and natural companionship. The other forecloses the creative potential of Autonomist Marxist conceptions of labour, first elaborated by Mario Tronti. The focus of this text then shifts towards contemporary openings. Initially, Checchi proposes an inverted reading of Jacques Rancière's concept of politics as interruption that resonates with Antonio Negri's emphasis on Baruch Spinoza's potential qua resistance. Finally, the author stages a virtual encounter between Gilles Deleuze's ontology of matter and Foucault's account of the primacy of resistance with which the text begins. Through this series of explorations, The Primacy of Resistance traces a conceptual trajectory with and beyond Foucault by affirming the affinity between resistance and creation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is now just over a decade since protests in Cairo's Tahrir Square started Egypt's chapter in the events of the Arab Spring. Much has been made in western criticism of art and culture's role in the revolution, but the everyday cultural production of studio artists, graffiti artists, musicians, and writers since has attracted less attention. How have artists responded personally and artistically to the political transformation ? What has social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world? Caroline Seymour-Jorn speaks with Pierre d'Alancaisez about her many years of research in Cairo that goes beyond the current understandings of creative work solely as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. Caroline suggests that young artists like Hany Rashed or The Choir Project have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances. Caroline Seymour-Jorn is professor of comparative literature and Arabic translation at the University of Wisconsin-Milwaukee and the author of Cultural Criticism in Egyptian Women's Writing, 2011. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the future for the museum? In The Museum as a Space of Social Care (Routledge, 2020), Nuala Morse, a Lecturer in Museum Studies at the University of Leicester, rethinks the museum by foregrounding the importance of care, and though the framework of care thinking. Using a detailed ethnographic case study, the book explores participatory practice and community engagement, thinking through the rise of key professions within the museum, along with the auditing and management regimes shaping care by and in the museum. As cultural organisations re-emerge following the impact of the global pandemic, the book provides a starting point to reassess and reimagine the museum, and will be essential reading across arts, humanities, social sciences, and for cultural sector professionals. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How does understanding business help us understand sex? In The Business of Birth Control: Contraception and Commerce in Britain before the Sexual Revolution (Manchester UP, 2020), Claire Jones, a Senior Lecturer in the History of Medicine at the University of Kent, explores the intersection of commerce and medicine in the interwar period in Britain, as a way of rethinking both the history of contraception and the history of sex. The book uses new archival research, as well as perspectives from business history, to show changing attitudes and practices of people, clinics, and companies in the era before the contraceptive pill. Charting the rise of a new consumer culture, intertwined with company, technology, and medical history, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in sex! Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Drawing on her own experiences with late-onset disability and its impact on her sex life, along with her expertise as a cultural critic, Jane Gallop explores how disability and aging work to undermine one's sense of self. She challenges common conceptions that equate the decline of bodily potential and ability with a permanent and irretrievable loss, arguing that such a loss can be both temporary and positively transformative. With Sexuality, Disability, and Aging: Queer Temporalities of the Phallus (Duke UP, 2019), Gallop explores and celebrates how sexuality transforms and becomes more queer in the lives of the no longer young and the no longer able while at the same time demonstrating how disability can generate new forms of sexual fantasy and erotic possibility. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This is part two of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch (Routledge, 2019) Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas. Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars. Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012. Christopher Russell is a Psychoanalyst in Chelsea, Manhattan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What can debt reveal to us about coloniality and its undoing? In Colonial Debts: The Case of Puerto Rico (Duke University Press, 2021), Rocío Zambrana theorizes the way debt has been used as a technique of neoliberal coloniality in Puerto Rico, producing profit from death on the island. With close attention to the material practices of protestors who have fought that destruction of life for the purposes of profit, Zambrana argues that decolonization entails political-economic subversion and transformative interruption of the hierarchies of race, gender, and class that fuel and are sustained by colonization. She shows us how organizing pessimism nourishes hope. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This is part one of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch (Routledge, 2019) Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas. Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars. Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012. Christopher Russell is a Psychoanalyst in Chelsea, Manhattan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. In Nothing Happened: A History (Stanford UP, 2021), Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity (Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including Empress Stah, RubberDoll or Doris La Trine), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to. Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success. Gemma Commane is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Victoria Canning and Steve Tombs' book From Social Harm to Zemiology: A Critical Introduction (Routledge, 2021) outlines key developments in understanding social harm by setting out its historical foundations and the discussions which have proliferated since. It examines various attempts to conceptualise social harm and highlights key sites of contestation in its relationship to criminology to argue that these act as the basis for an activist zemiology, one directed towards social change for social justice. The past two decades have seen a proliferation of debate related to social harm in and around criminology. From climate catastrophe and a focus on environmental harms, unprecedented deaths generating focus on border harms and the coronavirus pandemic revealing the horror of mass and arguably avoidable deaths across the globe, critical studies in social harm appear ever more pressing. Drawing on a range of international case studies of cultural, emotional, physical and economic harms, From Social Harm to Zemiology locates the study of social harm in an accessible fashion. In doing so it sets out how a zemiological lens can moves us beyond many of the problematic legacies of criminology. This book rejects criminologies which have disproportionately served to regulate intersectional groups, and which have arguably inflicted as much or more harm by bolstering the very ideologies of control in offering minor reforms that inadvertently expand and strengthen states and corporations. It does this by sketching out the contours, objects, methods and ontologies of a disciplinary framework which rejects commonplace assumptions of 'value freedom'. From Social Harm to Zemiology advocates social change in accordance with groups who are most disenfranchised, and thus often most socially harmed. An accessible and compelling read, this book is essential reading for all zemiologists, critical criminologists, and those engaged with criminological and social theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement? François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture. François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter. A Restless Art is available as an open-access download here and in print here. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the future of the book? In Book Wars: The Digital Revolution in Publishing (Polity, 2021) John Thompson, Professor of Sociology at the University of Cambridge, examines the impact of digital technology on the publishing industry. The book grapples with broad questions of the changing nature of capitalism, the idea of information capital, and offers a detailed engagement with the development of the e-book, the rise of Google and Amazon, and new business models such as crowdfunding. A fascinating study of the past, present, and future of publishing, the book will be essential reading for all New Books Network listeners, and anyone interested in books! Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How does the record industry work? In Getting Signed: Record Contracts, Musicians, and Power in Society (Palgrave Macmillan, 2020), David Arditi, Associate Professor in Sociology and Anthropology at University of Texas at Arlington, analyses the ideology of getting signed and getting a record contract to show the alienating and exploitative effects of the record industry on musicians and the making of music. The book blends ethnographic fieldwork with critical theoretical analysis, looking at a range of issues in music, from the ‘strained solidarity’ of being in a band, the negative impact of competition and competitiveness in the music industry and in society, to longstanding issues about copyright. The book is essential reading across arts, humanities and the social sciences, as well as for anyone interested in music today. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We are here today with Manon Garcia, the author of We Are Not Born Submissive: How Patriarchy Shapes Women’s Lives, published this year, 2021, by Princeton University Press. The book was originally published in 2018 by Climats as On ne naît pas soumise, on le devient. This book was a phenomenon and a runaway bestseller when released in France. We are lucky to have outstanding translation from the author herself in English suited to an American and English audience. What role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective? We Are Not Born Submissive offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power and see it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy. Moving beyond the simplistic binary of natural destiny or moral vice, We Are Not Born Submissive takes a sophisticated look at how female submissiveness can be explained. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism. Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur. Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Neil Altman’s White Privilege: Psychoanalytic Perspectives (Routledge, 2020) is a slip (80 pages including references and the index) of a book that reads as both addendum and antidote to some of the literature aimed at waking white people (Ta-Nahesi-Coates’ “dreamers”) up to the realities of racism. I say antidote as some of that literature (the work of Robin Di Angelo and Ibram X. Kendi come to mind) seems to depend on commands from the super ego to shed the scales from white eyes. On finishing Di Angelo’s White Fragility (which was required reading last summer) I felt both paranoid and ashamed and had to wonder how self-policing was going diminish my racism? Altman’s book intervenes precisely in this potentially deleterious cycle arguing that anti-racist thinking that relies on “should” and “oughts”, are potentially doomed to fail. By attacking the defenses rather than softening them, such efforts run the risk of hardening the racism they set out to transform. Humans hate. Freud tells us it is our first feeling. Undeniably, hating can fill us with great and solidifying pleasure. Racism is one form of hatred. When acted on, it can and does destroy lives. Fully loaded with white privilege, white people are apt to act on our racism, and also to shudder, deny or dissociate when encountering our racist thoughts and feelings. When confronted with our racism and its impact, with our awareness that we in fact rely on denigrating stereotypes to feel a little better about ourselves, states of mortification (deathliness) emerge that do no one any good. Such a state is a purely narcissistic one where the other has been snuffed out. If you are white, as I am, you have likely found yourself more than once tossing the hot potato of your own racism as far away as from yourself as you can. And some part of you feels weakened by being this way but it is practically an involuntary reflex. Thinking about this reflex, Altman employs Melanie Klein’s thinking about what it means to be human, which highlights our ineluctable destructiveness. If hate is a human feeling, not one to be gotten rid of but rather one to be accepted and contended with, there may be a way for us to take responsibility for being hurtful, for being racist. Hating hate or hating our racism can maintain the status quo. In fact, hidden hateful feelings seek justification and become reified, rather than being fleeting—as all feelings truly are. Altman highlights the difference between making reparations based on guilt versus the descent into guiltiness. Guilt implies that one is interested in our impact on others because we know that in living, we will hurt many people along the way. Guiltiness, which we can see in white virtue signaling around racism, has much more to do with returning the self that has harmed to its happy and perfect place without addressing the harm done. While white people are primed, particularly in an American context, to say and do horrible and hurtful racist things, it is the disavowal of the destructiveness that perhaps does, from a psychoanalytic perspective, the most harm in the end. Altman quotes the journalist Leonard Pitts who captures the experience of white negation succinctly, writing, “If people who hate you would stand up and declare it you would not have to go through with your day on guard against the world.” The refusal to take responsibility for the harm we do—and Altman makes the strong point that whiteness can be defined as an identity that is principally based on dehumanization—keeps white people on the run from reality. When we depend on delusions to shore us up, a part of us knows we are in real bad shape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

An elected politician is assassinated in the street by a terrorist associated with extreme political groups, and the national response is to encourage picnics. Thousands of people are held in prison-like conditions without judicial oversight or any time-limit on their sentence. An attempt to re-assert national sovereignty and borders leads thousands of citizens to register for dual citizenship with other countries, some overcoming family associations with genocide in their second country of nationality to do so. This is life in the UK today. How then are things still continuing as 'normal'? How can we confront these phenomena and why do we so often refuse to? What are the practices that help us to accommodate the unconscionable? How might we contend with the horrors that meet us each day, rather than becoming desensitized to them? Violent Ignorance: Confronting Racism and Migration Control (Zed Books, 2021) sets out to examine these questions through an understanding of how the past persists in the present, how trauma is silenced or reappears, and how we might reimagine identity and connection in ways that counter - rather than ignore - historic violence. In particular Hannah Jones shows how border controls and enforcement, and its corollary, racism and violence, have shifted over time. Drawing on thinkers from John Berger to Ben Okri, from Audre Lorde to Susan Sontag, the book questions what it means to belong, and discusses how hierarchies of belonging are revealed by what we can see, and what we can ignore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05(at)gmail.com or dr.danamalone(at)gmail.com or find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: the importance of expanding the boundaries of academic theory through interdisciplinary studies, why you need to build and acknowledge your own support network, the social construction of race and racism, and a discussion of the book Relative Races. Our guest is: Dr. Brigitte Fielder, an Associate Professor at the University of Wisconsin-Madison. She is (with Jonathan Senchyne) co-editor of Against a Sharp White Background: Infrastructures of African-American Print and author of Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Her work has been published in various journals and edited collections. She is currently writing a book on racialized human-animal relationships in the long nineteenth century, which shows how childhood becomes a key site for (often simultaneous) humanization and racialization. Our host is: Dr. Christina Gessler, a historian of women and gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better. Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Cornel West is the Dietrich Bonhoeffer Professor at Union Theological Seminary. Professor West is among the nation’s most distinguished philosophers. For several decades running, Cornel West has infused into public life reflections on love, justice, grace, liberation, beauty, dignity, and truth. He can be followed on Twitter at @CornelWest. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The figure of the human looms large of the history of philosophy, from the ancient Greeks speculating about featherless bipeds to contemporary programmers wondering if they can recreate human intelligence with a series of algorithms. Much philosophical thought in the last few decades has involved much speculation about the human subject, even if it was often hostile to the idea that there is such a thing, rather than an odd effect of linguistic and cultural practices. Other critics have pointed out that the idea of a universal human subject has often been used to legitimate and cover up nefarious political ideas and practices. Still, many thinkers today continue to argue for an ontology that includes a unique place for the human subject. One of these thinkers is my guest today, Zahi Zalloua, here to discuss his new book Being Posthuman: Ontologies of the Future (Bloomsbury, 2020). Written both as an introduction and intervention, it kicks off with a long history of humanism and its critics, which helps set the stage for the four chapters that make up the main book. The first explores cyborgs, and the ways technology is slowly becoming a part of our lives and what that might mean. The second explores animals and our treatment of them, and what our willingness to send them to slaughterhouses and consume them in enormous quantities says about us. The third explores new theoretical frameworks such as Object Oriented Ontology and New Materialism, and the place of the subject in these frameworks. The final chapter looks at race in Afropessimism, and what a true emancipation might look like. In all this, Zalloua combines theoretical frameworks with cultural analysis, giving the book a sense of accessibility and relevance to our current moment (as well as a couple plot-spoilers for Black Mirror and Sorry to Bother You). Those interested in philosophy and critical theory, and particularly the work of Slavoj Žižek will find this to be both an accessible and provocative text. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Critical philosophy has always challenged the division between theory and practice. At its best, it aims to turn contemplation into emancipation, seeking to transform society in pursuit of equality, autonomy, and human flourishing. Yet today’s critical theory often seems to engage only in critique. These times of crisis demand more. In Critique and Praxis: A Critical Philosophy of Illusions, Values, and Action (Columbia University Press, 2020), Bernard E. Harcourt challenges us to move beyond decades of philosophical detours and to harness critical thought to the need for action. In a time of increasing awareness of economic and social inequality, Harcourt calls on us to make society more equal and just. Charting a vision for political action and social transformation, Harcourt argues that instead of posing the question, “What is to be done?” we must now turn it back onto ourselves and ask, and answer, “What more am I to do?”. The book advocates for a new path forward that constantly challenges each and every one of us to ask what more we can do to realize a society based on equality and justice. Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can we develop solutions to the housing crisis? In Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives (Liverpool UP, 2020), Matthew Thompson, a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is open access and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory