New Books in Critical Theory

What is the difference between Jean-Marie Le Pen’s National Front and Donald Trump’s election as U.S. president? Why should we understand Trump as part of a dangerous “fourth wave” of radical right politicians? Dr. Cas Mudde’s new book The Far Right Today (Polity, 2019) argues that politicians like Le Pen represented a 20th-century marginalized populist radical right party but Trump (and others across the globe) represent a fourth wave in which the 21st-century radical right parties are normalized and mainstreamed all over the world such that three of the world’s largest democracies (India, the United States, and Brazil) have or have had radical right leaders. It is this normalization that Mudde identifies as crucial to our understanding of the radical right around the globe – and any possible responses available from liberal democracies. Cas Mudde is the Stanley Wade Shelton UGAF Professor in the School of Public and International Affairs at the University of Georgia and a Professor II in the Center for Research on Extremism (C-REX) at the University of Oslo. Mudde has written numerous scholarly books published in 23 languages (many of which focus on extremism and populism) and regularly publishes in popular outlets such as The Guardian. He hosts Radikaal, a podcast about the radical aspects politics, music, and sports. Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at [email protected] or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How did telecommunications shape Victorian London? In Serving a Wired World London's Telecommunications Workers and the Making of an Information Capital Katie Hindmarch-Watson, an Assistant Professor in history at Johns Hopkins University, tells the history of London through the lenses of technology, gender, class, and sexuality. The book offers a rethinking of liberal subjectivity and the city at the end of the nineteenth century, showing how the Victorian obsessions with privacy and respectability intersected with technology to create the urban and social fabric of London. The book also draws on queer history, demonstrating the importance of sex scandals in the Victorian and Edwardian eras for understanding urban, technology, and gender histories. A fascinating read, the book will be an essential text across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Prison abolition and decarceration are increasingly debated, but it is often without taking into account the largest exodus of people from carceral facilities in the twentieth century: the closure of disability institutions and psychiatric hospitals. Decarcerating Disability (2020, University of Minnesota Press) provides a much-needed corrective, combining a genealogy of deinstitutionalization with critiques of the current prison system. Liat Ben-Moshe (https://www.liatbenmoshe.com/) provides groundbreaking case studies that show how abolition is not an unattainable goal but rather a reality, and how it plays out in different arenas of incarceration—antipsychiatry, the field of intellectual disabilities, and the fight against the prison-industrial complex. Ben-Moshe discusses a range of topics, including why deinstitutionalization is often wrongly blamed for the rise in incarceration; who resists decarceration and deinstitutionalization, and the coalitions opposing such resistance; and how understanding deinstitutionalization as a form of residential integration makes visible intersections with racial desegregation. By connecting deinstitutionalization with prison abolition, Decarcerating Disability also illuminates some of the limitations of disability rights and inclusion discourses, as well as tactics such as litigation, in securing freedom. Decarcerating Disability’s rich analysis of lived experience, history, and culture helps to chart a way out of a failing system of incarceration. C.J. Valasek is a Ph.D. Candidate in Sociology & Science Studies at the University of California San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available. Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the Toledo Translation Fund and contribute to the project. Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the Complete Works of Rosa Luxemburg, he is the author of Marx's Concept of the Alternative to Capitalism and Frantz Fanon: Philosopher of the Barricades. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can the history of women’s work in film and TV help address inequality today? In Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries (University of Bristol Press, 2020), Frances Galt, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Morton Schoolman, Professor in the Rockefeller College of Public Affairs and Policy at the State University of New York at Albany, has published a new book that explores the idea of democratic enlightenment in the United States, and the way that we may want to consider both how to achieve this enlightenment and how we can be guided by our literary and philosophical traditions. Schoolman explains that we need to come to democratic enlightenment through a process of reconciliation, and that this concept of reconciliation is at the heart of the work by Walt Whitman and Theodore Adorno. The centerpieces of A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics (Duke UP, 2020) are explications of how Whitman and Adorno each, separately, approach this need and capacity for reconciliation, and how they delineate it in their work, and finally, how it is vitally important to democracy. Schoolman’s reading of Whitman notes that this is what Whitman set out to do with his poetry, to teach or guide the capacity to reconcile identity, especially with all those who are different. Whitman’s work and his reflection on this need for reconciliation was written during the period of Reconstruction, and he saw the need and the means to provide a path towards healing America’s differences through the democratic media of his time, poetry. Theodore Adorno is pursuing a parallel concept in his work, examining modern artwork as the fulcrum for reconciliation, explaining that these images, while they may be static in some form, are, in fact, images in motion—all visual works of art are in motion. Thus, both Adorno and Whitman provide Schoolman with an aesthetic space and definition for the place where democratic reconciliation can and does occur. But Schoolman builds on the foundation provided by these two theorists, himself constructing the place where he thinks it is most likely that citizens will experience and engage with this idea of reconciliation, especially around those who have been othered or prevented from inclusion by American politics and culture. Schoolman centers this space in film, in part because films are accessible by so much of the populace, and because they provide the aesthetic images, not only the narrative framework, to confront and engage democratic reconciliation. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics is a fascinating and complex exploration of how aesthetic education has an important role in democratic politics, especially in regard to the function of the reconciliation image as a dynamic component of that education. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It’s often said that the time in our lives can often pass without us noticing. Old age can come before we realize it, and it brings with it new elements to our own daily lives that we couldn’t have anticipated before. Observed from a distance and growing old can seem like a universal experience, but observed up close, it becomes clear that the different ways people age are as varied and unique as the people themselves, and these differences can come from within and without. Whether you get to live out your twilight years in a comfortable retirement home in the country, or an understaffed inner-city hospital, these experiences will be profoundly different, and likely had different paths that led to them. Viewed in this way, aging is seen not as some eternal experience that is the same for all people, but as a fundamental part of our politics and economic dynamics, for better and for worse. The COVID-crisis of the last year has brought to light how vulnerable our elderly are, how understaffed our care-facilities are, and how much needs to change to provide lives of safety, comfort and dignity to our elders, but in many ways all this crisis has done is exacerbated certain tensions and antagonisms that were already there, barely concealed by the relentless optimism of neoliberal technocrats. Changing these systems will mean rethinking the aging process, and connecting it with broader questions traditionally raised by the fields of critical theory and radical critiques of political economy. Diving right into this project are my guests today, Carroll Estes and Nicholas DiCarlo, here to discuss their recent publication Aging A-Z: Concepts Toward Emancipatory Gerontology (Routledge 2019). Styled as a sort of dictionary, the book has entries for a number of terms you would expect a book like this to have: Ableism, Home Care and Retirement all make appearances. Readers will be surprised, however, by the number of entries that also make appearances: Climate Change, Colonialism, Epistemology, Leninist Strategy and Praxis all make appearances as well. This book then is incredibly broad in scope, and attempts to force readers to realize the ways in which aging is affected that go beyond one’s immediate concern, bringing a new layer of understanding to the phrase: ‘The personal is political.’ Speaking as someone who has spent the entirety of the COVID-crisis working in elderly care, this book was a joyful revelation to flip through, and should be considered critical reading by anyone impacted by aging. Carroll Estes has a long and distinguished career in both academia and activism. She is professor emerita of Sociology at the University of California, San Francisco. It was there that she founded the Institute for Health and Aging. She has written numerous books and articles on the politics of aging, including the co-authored The Long Term Care Crisis, which was a 1994 Most Important Book (Choice Magazine). She is also the recipient of numerous academic honors, and is the former president of The Gerontological Society of America (GSA), the American Society on Aging (ASA) and the Association for Gerontology in Higher Education (AGHE). Nicholas DiCarlo writes about aging and social policy at the Institute for Health and Aging at the University of California, San Francisco. They have a Masters of Social Work, and a private psychotherapy practice in Oakland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The medium of cinema emerged during the height of Victorian-era European empires, and as a result, settler colonial imperialism has thematically suffused film for well over a century. In Cinematic Settlers: The Settler Colonial World on Film (Routledge, 2020), Drs. Janne Lahti (Academy of Finland Fellow in history, University of Helsinki) and Rebecca Weaver-Hightower (Professor of English, Virginia Tech University) bring together a collection of scholars from a variety of disciplines to examine how film has been used to both justify and, in some cases, push against global systems of settler colonial conquest. The essays in the collection are truly global, stretching from Australia to central Asia to Hawaii, the American West, and beyond, and cover film history from the early twentieth century up to the “final frontier” of early twenty first century science fiction films. Together, Lahti and Weaver-Hightower make a strong case for further settler colonial cultural studies as a means of understanding how entertainment can be a force for resistance or a tool for colonial oppression. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why do books and publishing matter to the contemporary history of Britain? In Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988 (Manchester UP, 2020), Dean Blackburn, aLecturer in Modern British History at the University of Nottingham, explores Britain in the twentieth century through the story of Penguin’s ‘Specials’. The book charts the shifting social, political, and intellectual context for the publication of the books, looking at key texts as well as offering a broader framework for understanding the social changes that the books shaped, and were shaped by. In addition, the book adds a fresh perspective on the idea of meritocracy, engaging with directly with the current moment’s critical interrogation of that term. Packed with rich and detailed case studies of 50 years of Penguin books, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in the history of the UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Is intersectionality a critical social theory? What must intersectionality do to be both critical and a social theory? Must social justice be a guiding normative principle? And what does or should social justice mean in intersectional theory? Patricia Hills Collins explores these questions, and many more, in Intersectionality as Critical Social Theory (Duke University Press, 2019). Engaging a wide range of thinkers, activists, and traditions, including Classical American Pragmatism, the Frankfurt School, and Ida B. Well-Barnett, Collins helps us to reconsider how we think of intersectionality’s history in order to shape its future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In today’s episode of Ethnographic Marginalia, Sneha Annavarapu talks with Dr. Caterina Fugazzola, Earl S Johnson Instructor in Sociology at the University of Chicago, about her research on the contemporary tongzhi (LGBT) movement in the People’s Republic of China. Dr. Fugazzola briefly discusses her current book project (under contract with Temple University Press) in which she explains how grassroots groups organizing around sexual identity have achieved significant social change—in terms of visibility, social acceptance, and participation—in virtual absence of public protest, and under conditions of tightening governmental control over civil society groups. But, more pertinently to our special series, our guest tells us about what drew her to the project, and the kinds of dilemmas, issues, and opportunities that marked her fieldwork in the region. For instance, she walks us through what it is like to do ethnographic fieldwork on a cruise ship! We also chat about what it means to do ethnographic observations online and why teaching digital ethnographic methods is a welcome opportunity to rethink our very dated presumptions around physical co-presence in fieldwork being desirable to gather more “authentic” data. In all, tune in for a very candid, witty, and insightful conversation around fieldwork and for a dose of Dr. Fugazzola’s vivacious and contagious energy for the affordances of digital ethnography. Learn more about Ethnographic Marginalia here. Dr. Caterina Fugazzola is is an Earl S. Johnson Instructor in Sociology. Her general interests include social movements, gender and sexuality studies, transnational sociology, and qualitative research methods. Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world. But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities. Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again. Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood. Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership. Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview Cassandra Falke, professor of English Literature ad UiT, The Arctic University of Norway, about her book The Phenomenology of Love and Reading (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, The Phenomenology of Love and Reading recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading. The Phenomenology of Love and Reading accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. Falke shows through deft readings of both philosophical and literary texts, as well as ruminations on the experience of reading, how the act of reading can strengthen our capacity to love by giving us practice in love´s habits—attention, empathy, and a willingness to be overwhelmed. Confounding our expectations, literature equips us for the confounding events of love, which, Falke suggests, are not rare and fleeting, but rather constitute the most meaningful and durable part of our everyday life. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Philosophers have long approached the concept of rhythm as a significant tool for understanding the human experience, metaphysics, language, and the arts. In her new study Rhythm: A Theological Category (Oxford University Press, 2018), Lexi Eikelboom argues that theologians have much to gain from rhythm as a conceptual tool. In an interdisciplinary study bringing together prosody, continental philosophy, and Christian theology, Eikelboom maps out a terrain of approaches to rhythm from the synchronic whole or diachronic experience in time. Rhythm, therefore, affords an important lens to understand an oscillation between the harmonious and the interruptions that comprise any human attempts to articulate an encounter with the divine. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this conversation, Sara Salem, author of Anticolonial Afterlives in Egypt: The Politics of Hegemony (Cambridge University Press, 2020), talks to host Yi Ning Chang about temporality, capitalism, and hegemony in her history of Egypt’s two revolutions. From Gamal Abdel Nasser to Gramsci and Fanon, from revolution to the coronavirus pandemic, Sara reflects on the unfinished project of Nasserism, what it has come to mean for Egypt, and what its coming apart tells us about our own moment in history. Sara Salem’s Anticolonial Afterlives in Egypt: The Politics of Hegemony was published by Cambridge University Press in 2020. This book builds its analysis of the afterlives of Egypt’s moment of decolonisation through an imagined conversation between Antonio Gramsci and Frantz Fanon around questions of anticolonialism, resistance, revolution and liberation. Anticolonial Afterlives argues that the Nasserist project – created by Gamal Abdel Nasser and the Free Officers in 1952 – remains the only instance of hegemony in modern Egyptian history, and that the 2011 revolution signified the end-point of its decline, decades after it was created. Nasserism was made possible in and through local, regional and global anticolonial politics, even as it reproduced colonial ways of governing that reverberate into Egypt’s present. Anticolonial Afterlives explores these tensions through Gramsci and Fanon, foundational theorists of anti-capitalism and anticolonialism, and in doing so engages with some of the problematics around applying Gramsci’s thought in contexts such as Egypt and thinking about Fanon’s writing in relation to anticolonialism today. Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

George Orwell once said that “the word ‘fascism’ has now no meaning except in so far as it signifies ‘something not desirable’”. The word ‘neoliberalism’ knows exactly how it feels. How did a term coined by a group of anti-authoritarian German economists in the 1930s to label a philosophy that stressed the role of the state in ensuring efficient competition turn into more of an insult than a description 50 years later? Has the nationalist tide that swept through Washington, London, Rome, Brasília, and Budapest brought the neoliberal era to end or helped relaunch its “third wave”? What differentiates neo- from ordo- from classical liberalism? In this second edition of Neoliberalism: A Very Short Introduction (Oxford University Press, 2021), Manfred Steger and Ravi Roy seek to answer these questions, and retell the history of an idea, its mutations and its future. Manfred Steger is Professor of Sociology at the University of Hawaiʻi at Mānoa. Ravi Roy is Associate Professor of Political Science and W. Edwards Deming Fellow in Public Affairs at Southern Utah University. *The authors’ book recommendations are Other People's Money: Masters of the Universe or Servants of the People? by John Kay (Profile Books, 2016) and Imperium by Robert Harris (Arrow, 2009). Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art — whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon — delivers a message. In Propaganda Art in the 21st Century (MIT Press, 2019), Jonas Staal argues that propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propaganda. Jonas Staal speaks to Pierre d'Alancaisez about his proposal for a new model of emancipatory propaganda art — one that acknowledges the relationship between art and power and takes both an aesthetic and a political position in the practice of world-making. Jonas Staal is a scholar of propaganda and a self-described propaganda artist. He is the founder of the artistic and political organization New World Summit (2012–ongoing) and the campaign New Unions (2016–ongoing). With BAK, basis voor actuele kunst, Utrecht, he co-founded the New World Academy (2013–16). His most recent project Collectivize Facebook exploring legal ways to return the ownership of data in its many forms to the collective ownership of the users of software platforms. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In his book, Trauma and Race: A Lacanian Study of African American Racial Identity (Baylor UP, 2016), Sheldon George treats an old idea--that African Americans must transform their relationship to the history of slavery and to their identification with race—in an entirely new way. What follows is a quite truncated encapsulation of the book’s central argument which I will attempt if only because it struck me as a very original use of Lacanian thought. It also produced something I value very much: the development of fresh ideas for this psychoanalyst to ponder. George argues that owning human property, slaves, offered a surplus of "jouissance" to slave owners. Meanwhile the enslaved, denuded of family, of history and claims to nationality, were often valued solely for muscle mass and fecundity. Psychically emptied--seen only for their capacity to serve the master's needs, and I want to add, also emptying preemptively, and defensively their psychic lives, enslaved people were forbidden access to being, from which flows, following Lacan, crucial early fantasies of a wholeness that must be shattered if one is to become subjectivized. Fantasies of repletion provide a kind of protective “crested shield" with which to endure the rough first brush with the Symbolic. Living under a racist, white animating Master Signifier, slaves were often absent of the requisite psychic buffering with which to enter the Symbolic without undue suffering. Barred from the rudiments of being and lacking a constructive Master Signifier from which to generate vitalizing associations, the gaze of the enslaved was horrifyingly riveted to the “very lack that is masked in the Lacanian subject,” (p.21). Here George offers an apt description of what the sociologist of slavery, Orlando Patterson, refers to as "social death." Rather than celebrate the ways in which the burden of “double consciousness” aided African Americans in generating new linguistic vistas, we find no fan of Henry Louis Gates Jr’s “signifying monkey” here. George declares the project of "resignification" as not going far enough, and crucially, as missing the impact of the unconscious on language. Arguing against a powerful trend in African-American studies to value African-American racial identity as such, George boldly declares, “insistences on race perform a rite, an endless repeated act as a means to commemorate the not very memorable encounter that I call the trauma of slavery.” (p.42) How, George asks, can one have an identity based on insult, negation, and injury? Following his argument, the lure of racial pride loses its force majeur. Suddenly we see it as but papering over a potentially productive encounter with lack. And if it is lack that must be faced so as to open the door to a life driven by enlivening, elusive yet worthwhile desire, at what cost is it avoided? The idea of having love of the race and “the race man” become rather quickly tragic in George’s intellectual hands. Furthermore, embracing the narrative that “we come from slavery”, like Sethe in Toni Morrison's Beloved, (a novel George writes beautifully about in this text) one is quickly cornered, metonymically, by the suffocating relationship between race and enslavement. The need for the space to metaphorize is undeniable. To learn more about the work of Sheldon George, please go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Being a great power almost seems to invite discussion of decline: whether you are declining, what can be done to prevent or arrest it, and what the consequences of decline might ultimately be. The United States has not managed to escape from any of this analysis, but understanding how imperial and hegemonic decline has played out historically often does not inform these discussions. Is the United States an empire, or it better described as a hegemon? What’s the meaningful difference, especially in the current content of the United States’ global position? Richard Lachmann’s First-Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers (Verso, 2020) explores these questions. Lachmann examines prior explanations of great power decline and finds them wanting for a variety of different reasons. Lachmann instead focuses on a series of factors that first of all enable hegemony, but also the factors that ultimately cause its collapse. Lachmann examines the cause of the Netherlands and the British Empire before examining how these factor are currently at play in the United States. Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How should we understand the theme park in our globalised world? In A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms (Intellect, 2020), Dr. Sabrina Mittermeier, a postdoctoral researcher and lecturer in American cultural history at the University of Kassel, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can we create a more equal media industry? In Access All Areas: The Diversity Manifesto for TV and Beyond, Marcus Ryder and Sir Lenny Henry, both founder members of the The Sir Lenny Henry Centre for Media Diversity at Birmingham City University, tell the story of their work to transform British television and set out an eight point manifesto for change. The book lays out the diversity crisis in the media industry, setting out the numerous barriers confronting those who are labelled as minorities (despite being the majority of the population!) and showing why previous efforts to address the problems have failed. By doing so, the book sets up its alternatives that will create a more just, and thus more diverse, television industry. The book, along with Marcus’ blog, is essential reading for academics and the public, both in the UK and beyond. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky. La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A beautifully written exploration of religion's role in a secular, modern politics, by an accomplished scholar of critical theory, Migrants in the Profane: Critical Theory and the Question of Secularization (Yale University Press, 2020) takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin's image of a celebrated mechanical chess-playing Turk and its hidden religious animus: "Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane." In this masterful book, Peter Gordon reflects on Adorno's statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion's influence? In answering this question, he explores the work of three of the Frankfurt School's most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity. Ryan Tripp is an adjunct for universities and California community colleges. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The tradition of political liberalism has a long and complicated history, filled with twists, turns, critiques and responses that have filled books, essays and lectures for several centuries now. Questions of the importance and limitations of individual rights and how to balance different interests have produced no shortage of theoretical conflict as different figures have attempted to make sense of the importance and limits of individuals and their rights. Diving right into this debate is Matt McManus, returning again to the New Books Network to discuss his recent book A Critical Legal Examination of Liberalism and Liberal Rights (Palgrave, 2020). Going back as far as Burke, Hobbes, Kant and Locke, and then through critiques of liberalism from both radically progressive and reactionary orientations, the book traces the various ideas of liberalism up to the present in figures such as Habermas, Rawls and MacIntyre. It also posits it’s own understanding of liberalism, which emphasizes every individual's right to self-authorship as a central pillar for developing the liberal project. Crossing the fields of history, philosophy, political theory and law, the book offers a number of interventions across an array of fields, and will be of immense use to those seeking to understand some of the most pressing concerns of our time. Matt McManus is a professor of politics at Whitman College. He is the author of a number of books, including The Rise of Postmodern Conservatism, and is also one of the coauthors of Myth and Mayhem: A Leftist Critique of Jordan Peterson, both of which we discussed in previous episodes of this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Christoph Menke, who is professor of philosophy at the Goethe University in Frankfurt Germany and considered the most important representative of the third generation of the "Frankfurt School of Critical Theory", presents in Critique of Rights (Polity Press 2020) a critical reflection on modern normativity in the so-called "Western world". More specifically: He analyzes “subjective rights”. To have a right means to have a justified and binding claim. Now Menke exposes in his book – which is both a genealogy and an ontology of law – that these “subjective rights”, which mark the birth of bourgeois society, have ambivalent properties. They are not only expressions of individuality and freedom everybody of us enjoys today as the most important achievement that Enlightenment has transferred to us. They also create what Karl Marx called "the entitlement of the egoistic human being, set apart from his fellow human being and from the community”. Private interests become the new natural basis for politics. Contrary to what one might think “subjective rights” do not empower the citizens of a political community but disempower them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the role and function of contemporary art in economic and political systems that increasingly manage data and affect? Knowledge Beside Itself: Contemporary Art's Epistemic Politics (Sternberg Press, 2020) delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.” Tom Holert, author of Knowledge Beside Itself, speaks to Pierre d'Alancaisez about the history of art's fraught relationship with knowledge and its opposition to scientific notions of epistemology, as well as about art's complicity in the "epistemic mammoth" of the knowledge economy. Holert discusses the work of Natascha Sadr Haghighian and 'The Trainee' by Pilvi Takala which is available to view on Vimeo. Tom Holert is a writer and curator. In 2015 he cofounded the Harun Farocki Institut in Berlin, a platform for research and production departing from the example set by Farocki. With Anselm Franke he curated the 2018 exhibition “Neolithic Childhood: Art in a False Present, c. 1930” at Haus der Kulturen der Welt, Berlin. “Education Shock,” a research and exhibition project at Haus der Kulturen der Welt on the spatial politics of education in the global 1960s and 1970s will take place in 2021. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I speak with Dr. Barbara Dennis of Indiana University on her new ethnography, Walking with Strangers: Critical Ethnography and Educational Promise, published in 2020 by Peter Lang Press. Walking with Strangers: Critical Ethnography and Educational Promise features the IU-Unityville Outreach Project and tells the story of a 4-year-long participatory, critical ethnography in a local United States school district. The book speaks into the contemporary conversations around immigration, Deferred Action for Childhood Arrivals (DACA), and the experiences of Dreamers. The project involved a multilingual team of graduate students, educators, community members, and students who together aimed to transform school practices in order to bring about more success with transnational students who were enrolling in the district at an increasing rate. Over the span of several years, what began with a simple request for help, morphed into a rich ethnographic understanding of the complex tensions produced by monocultural and assimilationist ideals when juxtaposed with strangers. A unique and innovative feature about the book lies in that it seamlessly weaves together substantive discussions, methodological practices, and ethical challenges revolving around a transformative, social justice project. Walking with Strangers has made significant and much-needed contributions to the field of critical and social justice oriented educational research. In particular, it zooms into the complex and localized dynamics among immigrant families and students, predominantly white communities, public schools structured by white culture, and teachers unprepared for educating transnational children. The book not only sheds light on the innovative approaches through which educational researchers and educators could bring positive changes to the school life of marginalized and disadvantaged students, but also candidly reflects on the places where such efforts failed when confronting white privilege and gender oppression. Barbara Dennis is a peace and social justice activist, and critical educational ethnographer. She is a professor of qualitative inquiry in the Inquiry Methodology program at Indiana University’s, School of Education. She regularly publishes on feminist ethnography, critical participatory ethics, and methodological theory. Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Jemma Deer’s Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020). Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement. Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space. Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Seemingly fleeting and barely legible insults, slights, and derogations might seem morally insignificant. They’re the byproducts of ordinary thoughtlessness and insensitivity; moreover, insofar as they inflict harm at all, the harm seems miniscule – hurt feelings, disappointment, annoyance, momentary frustration. Aren’t such things as insults and put-downs in the eye of the beholder, anyway? Surely, there are bigger fish to fry. In The Ethics of Microaggression (Routledge 2021), Regina Rini takes seriously this kind of skeptical stance towards the phenomena of microaggression. Indeed, she finds that a common understanding of microaggression is too vulnerable to skeptical challenge. However, she then develops and defends an alternative conception of microaggression that preserves the experiences of those who suffer microaggression while quelling skeptical objections. Along the way, she also proposes strategies for morally dealing with microaggressors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is often assumed that American politics is dominated by financial elites and the 1%, who use their massive wealth to gain power and influence, pushing for legislation that benefits them at the expense of everyone else. The actual mechanics of how this works, however, are often difficult to see and understand, obscured by distortion via the media, politicians, and the stories we often tell ourselves about how political change happens. These narratives often tell us about noble figures who come forward with powerful speeches and pieces of legislation that pushes us forward, as well as figures who sell out and cave to the powers that be. What these narratives often leave out is the broader context that those leaders were in the middle of, not only shaping but being shaped by the organizing that was happening around them. Filling in this gap are my guests today, Kevin Young and Michael Schwartz (cowriter Tarun Banerjee was unable to join us), here to discuss their book Levers of Power: How the 1% Rules and What the 99% Can Do About It (Verso, 2020). A work of political theory, sociology and history, this book covers a lot of different areas, but underlying it all is a belief in the importance of mass organizing to resist the power of capital. The first half of the book delivers an insightful and critical look at the Obama presidency, looking at his failures and limitations when it came to healthcare reform, Wall Street regulation and environmental protection, looking to understand the underlying mechanics of his political orientation and how they were insufficient for the tasks at hand. The later chapters of the book then look at various political successes, such as the labor movements during the depression of the 1930's and the struggles for civil rights in the 1960's, analyzing the ways massive organizing efforts were made to apply political and financial pressure and force capital to the bargaining table. Written with a brilliant combination of academic rigor and accessibility, this is a how-to guide for how to organize movements and challenge power, and will be of interest not just to people who want to understand the world, but who want to change it as well. Kevin Young is an assistant professor of history at the University of Massachusetts, Amherst, and is also the author of Blood of the Earth: Resource Nationalism, Revolution, and Empire in Bolivia (2017). Michael Schwartz is a distinguished professor emeritus of sociology at Stony Brook University, and is also the author of The War Without End: The Iraq War in Context (2008). Tarun Banerjee is an assistant professor of sociology at the University of Pittsburgh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In The Haitians: A Decolonial History (UNC Press, 2020), leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians (UNC Press, 2020) also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo--the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers. Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century, (The Ohio State University Press, 2020), Alyson K. Spurgas, Ph.D. examines the “new science of female sexuality” from a critical, sociological perspective, considering how today’s feminist-identified sex researchers study and manage women with low desire. Diagnosing Desire investigates experimental sex research that measures the disconnect between subjective and genital female arousal, contemporary psychiatric diagnoses for low female desire, new models for understanding women’s sexual response, and cutting-edge treatments for low desire in women—including from the realms of mindfulness and alternative healing. Spurgas makes the case that, together, all of these technologies create a “feminized responsive desire framework” for understanding women’s sexuality, and that this, in fact, produces women’s sexuality as a complex problem to be solved. The biggest problem, Spurgas argues, is that gendered and sexualized trauma—including as it is produced within techno-scientific medicine itself—is too often ignored in contemporary renderings. Through incisive textual analysis and in-depth qualitative research based on interviews with women with low desire, Spurgas argues for a more radical and communal form of care for feminized—and traumatized—populations, in opposition to biopolitical mandates to individualize and neo-liberalize forms of self-care. Ultimately, this is a book not just about a specific diagnosis or dysfunction but about the material-discursive regimes that produce and regulate femininity. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Adam Fabry's book The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) explores the political economy of Hungary from the mid-1970s to the present. Widely considered a 'poster boy' of neoliberal transformation in post-communist Eastern Europe until the mid-2000s, Hungary has in recent years developed into a model 'illiberal' regime. Constitutional checks-and-balances are non-functioning; the independent media, trade unions, and civil society groups are constantly attacked by the authorities; there is widespread intolerance against minorities and refugees; and the governing FIDESZ party, led by Prime Minister Viktor Orban, controls all public institutions and increasingly large parts of the country's economy. To make sense of the politico-economical roller coaster that Hungary has experienced in the last four decades, Fabry employs a Marxian political economy approach, emphasising competitive accumulation, class struggle (both between capital and labour, as well as different 'fractions of capital'), and uneven and combined development. The author analyses the neoliberal transformation of the Hungarian political economy and argues that the drift to authoritarianism under the Orb n regime cannot be explained as a case of Hungarian exceptionalism, but rather represents an outcome of the inherent contradictions of the variety of neoliberalism that emerged in Hungary after 1989. Adam Fabry is a lecturer of Political Economy at the National University of Chilecito (UNdeC), Argentina. He received his PhD from Brunel University under the supervision of Gareth Dale. Adam’s research interests include: international political economy, uneven and combined development, neoliberalism, and the history and politics of the far-right, with a regional focus on Central Eastern Europe and Latin America. His work has been published in international journals, such as Capital & Class, Competition & Change, Historical Materialism. The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) is his first monograph. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics (Fordham University Press, 2020) recovers a genealogy of anticolonial thought that advocates collective inexpertise, unknowing, and unrecognizability. Early twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. To trace this impossible political theory, Elam foregrounds theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise, but as a way rather to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of imperial rule, which prized self-mastery, authority, and sovereignty. Aligning Frantz Fanon’s political writing with Erich Auerbach’s philological project, Elam brings together the histories of comparative literature and anticolonial thought to demonstrate how these early twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present. J. Daniel Elam is an assistant professor in the Department of Comparative Literature at the University of Hong Kong. Kelvin Ng hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit. Zifeng Liu is a PhD candidate in the Africana Studies and Research Center at Cornell University. His dissertation examines Black left feminism and Mao’s China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Let’s face it, 2020 has been a hell of a year. We could all use a good laugh. But as historians and/or fans of history, we have to read something historically grounded, right? Well, fear not! Felix Biederman, Virgil Texas, Will Menaker, Brendan James, and Matt Christman, those rapscallions from the Chapo Trap House podcast wrote a book, The Chapo Guide to Revolution; A Manifesto Against Logic, Facts, and Reason (Simon & Schuster, 2018), and it’s got a lot of history in it. I sat down with Matt Christman to talk about history, humor, and the hell-world of late capitalism. He offers his critiques of American liberalism and conservatism, as well as discussing how history shapes his thinking and analysis. Matt Christman co-hosts Chapo Trap House, a hugely popular and rather influential podcast. The Chapo crew includes the above authors (although the traitorous Brendan James was purged for revisionism and replaced with Amber A'Lee Frost). For the uninitiated, Chapo Trap House is a comedic political podcast that has been branded as the “Dirt Bag Left”. With a solid dose of scatological humor and subversive irony, it’s not for everyone, but I find it to be some of today’s smartest and most well-informed political and cultural criticism. On the Chapo podcast and in his other appearances, he displays an impressive command of history, frequently grounding his analysis in historical context. He also put out a few special episodes of Chapo Trap House called “The Inebriated Past”, the best of which offered insightful discussions of topics ranging from fascism to sewer socialism. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean. Today my guest is Isar Godreau, author of Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico (University of Illinois Press, 2015). The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism. Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black. Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, J.J. Mull interviews Lynne Layton and Marianna Leavy-Sperounis, author and editor respectively of Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes, published in 2020 by Routledge as a part of their Relational Perspectives Book Series. This text takes part in an intellectual and political lineage that has called for a more radical understanding of psychoanalysis, encompassing a diverse range of thinkers from Frantz Fanon and Pierre Bourdieau to Eric Fromm and Marie Langer. In this compilation of Layton’s work, we’re given a framework for understanding the intersection between structural forces (gender oppression, racial capitalism, white supremacy, etc.) and the clinical encounter. Over the course of this conversation, Layton and Leavy-Sperounis give an account of the ways in which neoliberalism, capitalism, and other systems of domination give rise to particular kinds of subjective possibilities and gesture towards what psychoanalysis as a field might have to learn from contemporary struggles and insurrections. J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What can Shakespeare tell us about territory, and what can territory tell us about Shakespeare? In Shakespearean Territories (University of Chicago Press, 2018), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, explores both of these questions, drawing on his earlier work theorising territory, as well as an extensive discussion of numerous works of Shakespeare. The book considers a range of subjects associated with the concept of territory, from the geo-politics of King Lear, the idea of sovereignty in King John, and power in Richard II, to questions of the body in Coriolanus, and ideas of calculation and measurement in The Merchant of Venice. Alongside Shakespeare’s relevance for understanding territory, territory offers a framework for alternative readings of Macbeth and Hamlet, and draws attention to often neglected or even completely ignored parts of Henry V. Fascinating and wide ranging, at the intersection of geography and English literature, the book is essential reading across the humanities and social sciences. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The world of theater performances is often thought of as being composed of wealthy persons who received elite educations at art institutions all so they could be observed by a small, wealthy elite at exclusive and expensive gatherings. Theater is seen as an insular, elitist practice, for and by a select few. However, this image of theater is deeply misleading, especially as more performances are available for download, and many smaller more open institutions invest more in theater productions. One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons, and presented in behind the walls of prisons. Theater is a social, communal practice, so making it happen within an institution that is not only isolated from the outside world, but is designed to isolate those within, will naturally come with various challenges, and also raises various questions on the nature of both theater and the carceral system. These are the questions Ashley Lucas addresses in her recent book Prison Theatre and the Global Crisis of Incarceration (Bloomsbury, 2020). Featuring a combination of her own firsthand experience as a director of prison theater, interviews with those involved in the world prison theater and scholarly research, the book is a unique combination of genres that occupies some very interesting intersections, and is able to explore some very difficult topics, from questions of artistic expression, the nature of community and what hope in a hopeless situation looks like. Ashley Lucas is an associate professor of Theatre and Drama and the Residential College at the University of Michigan, and is also the former director of the Prison Creative Arts Project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience. The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think. Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become? Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Parrots and snakes, wild cats and monkeys---exotic pets can now be found everywhere from skyscraper apartments and fenced suburban backyards to roadside petting zoos. In Animal Traffic: Lively Capital in the Global Exotic Pet Trade (Duke UP, 2020) Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade and the largely hidden processes through which exotic pets are produced and traded as lively capital. Tracking the capture of animals in biosphere reserves in Mexico, Guatemala, and Belize; their exchange at exotic animal auctions in the United States; and the attempted rehabilitation of former exotic pets at a wildlife center in Guatemala, Collard shows how exotic pets are fetishized both as commodities and as objects. Their capture and sale sever their ties to complex socio-ecological networks in ways that make them appear as if they do not have lives of their own. Collard demonstrates that the enclosure of animals in the exotic pet trade is part of a bioeconomic trend in which life is increasingly commodified and objectified under capitalism. Ultimately, she calls for a “wild life” politics in which animals are no longer enclosed, retain their autonomy, and can live for the sake of themselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In his new book, Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020), David Newheiser argues that hope is the indispensable precondition of religious practice and secular politics. Against dogmatic complacency and despairing resignation, he argues that hope sustains commitments that remain vulnerable to disappointment. The line of thinking goes that, since the discipline of hope is shared by believers and unbelievers alike, its persistence indicates that faith has a future in a secular age. Drawing on premodern theology and postmodern theory, Newheiser shows that atheism and Christianity have more in common than they often acknowledge. Writing in a clear and engaging style, he develops a new reading of deconstruction and negative theology, arguing that (despite their differences) they share a self-critical hope. By retrieving texts and traditions that are rarely read together, this book offers a major intervention in debates over the place of religion in public life. David Newheiser is a research fellow in the Institute for Religion and Critical Inquiry at Australian Catholic University. His research draws on Christian thought and continental philosophy to address topics such as neoliberalism, sexuality, atheism, and the arts. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It’s hard to avoid conversations about ‘neoliberalism’ these days. The meaning of the term—indeed its very existence—is hotly contested. Adam Kotsko argues in Neoliberalism’s Demons: On the Political Theology of Late Capital (Stanford University Press, 2018) that self-denial is part of the mystifying agenda of neoliberalism itself. Not only is neoliberalism real, it’s the defining ethos of modernity. Neoliberalism’s Demons posits we can best understand neoliberalism through the lens of political theology. Kotsko challenges the dichotomy of economics and politics, suggesting that neoliberalism permeates and unites these two. It does so by importing the moral schema of Christianity which creates the conditions for failure for the express purpose of assigning blame to those who fail. Neoliberalism’s Demons is a concise and persuasive account of the political, economic, and moral universe we inhabit, and is therefore essential reading for anyone who seeks to understand their own condition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Peace Love Yoga: The Politics of Global Spirituality (Oxford University Press, 2020), Andrea Jain examines the interconnectedness between global spirituality and neoliberal capitalism through an examination of the global yoga and self-care industries. Building off her work in Selling Yoga: From Counterculture to Pop Culture (Oxford University Press, 2014), Jain examines how spiritual industries and corporations impart neoliberal spirituality, which she contends is a central component of neoliberal capitalism. In broader terms, Jain’s examination of neoliberal spirituality, and yoga more specifically, provides a rich avenue to analyze and understand the role of religion in contemporary society. Andrea Jain is Associate Professor of Religious Studies at Indiana University, Indianapolis and the editor of the Journal of the American Academy of Religion. Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism. Some scholars, however, see this as a reductive mistake, not just for any attempt to organize against capitalism, but also as part of a mistaken understanding of what ‘identity’ is. This is one of the animating ideas of Ani Maitra in his new book Identity, Mediation and the Cunning of Capital (Northwestern University Press, 2020). Utilizing the insights of philosophy, psychoanalysis and critical theory, the book looks at radio transmissions and films dispersed through the Algerian revolution and its aftermath; it examines experimental prose and imagery around Asian-American identity produced by neoliberal academic institutions; and it looks at the orientations on display at an LGBTQ+ film festival in an India struggling to join the world market while still maintaining its own distinct identity. The book is a theoretically-informed world tour that scours the globe in search of the various contexts that mediate us, and the contradictory identities that emerge. Ani Maitra is an associate professor of film and media studies at Colgate University. He received his PhD at Brown University, and is the author of a number of book chapters and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus Being and Time and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the Black Notebooks, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail. Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event (Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach. Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to Heidegger’s Poietic Writings, she is also the author of The Bodily Dimension in Thinking and Heidegger’s Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s Contributions to Philosophy (of the Event). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory